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Paul McCarthy, The Dwarves, The Forests
AMRAM & CO @ Cornelia St.
With Liberty and Justice for Some: How the Law Is Used To Destroy Equality and Protect the Powerful
Listen to This by Alex Ross
The Moth StorySLAM. Theme: Warning Signs
Social Forces Visualized: Photography and Scientific Charity, 1900–1920
SCOTT SCHEIDLY / ANDREW SPEAR @BOLD HYPE
LOOKING FORWARD: 7th Anniversary Exhibition
FLORENT MORELLET: “Come Hell or High Water” Opening Reception
Will the real Philadelphia Wireman ever be found—and does it matter?
Christa Joo Hyun D’Angelo: Proof of Purchase
Conference of Works: Operations and Participations
Todd Reynolds, Amy X Neuburg, thingNY, Joey Molinaro celebrate 11/11/11
MADE TO MEASURE: Caroline McCarthy
Lauren Kelley: Froufrou Conclusions
1 + 1 = 11 : Brian LaRossa and Allie Rex
The Grand Guignol: Parisian Theatre of Fear and Terror 1897-1962
From its beginnings in turn-of-the-century Paris and through its decline in the 1960s, the Theatre of the Grand Guignol–literally “grand puppet show”–gleefully celebrated horror, sex, and fear. Its infamous productions featured innocent victims, mangled beauty, insanity, mutilation, humour, sex, and monstrous depravity in a heady mix that attracted throngs of thrill-seekers from all echelons of society. By dissecting primal taboos in an unprecedentedly graphic manner, the Grand Guignol became the progenitor of all the blood-spilling, eye-gouging, and limb-hacking “splatter” movies of today.
WITH EASTERN EYES: Elisabeth Condon, Laura Fayer, Liz Insogna, DanIel Rosenbaum, Susanna Harwood Rubin
RACHELLE GARNIEZ RECORD RELEASE PARTY & PERFORMANCE
Damon Johnson: Left for Dead
In/Out 2011: Digital Performance Festival Daedelus
Art Since the Summer of ’69 and Rhizome present: Look Inside — a performance by Nils Bech, Bendik Giske and Sergei Tcherepnin
PERFORMA 11 (ONGOING)
Aid and Abet: Working With NGOs
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