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And as you may have noticed we have a new format for the playlist this week. We think it’s pretty cool, if you like, or if there is something you simply loathe about the new setup please hit us up with comments/suggestions at the 22magazine (at) gmail (dot) com. Otherwise, enjoy!
Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.
BROOKLYN BOOK FESTIVAL Brooklyn Borough Hall and Plaza SUNDAY, SEPTEMBER 23, 2012, 10am-6pm
On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.
In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.
On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.
In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.
Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection. Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques. His steadfast approach defines his meticulous attention for detail.
Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.
Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.
Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.
Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.
Cut Up Where: Storefront Bushwick When: July 6 – August 5, 2012
Myles Bennett, Susan Bricker, Andrea Burgay,
Steven Charles, Paul D’Agostino, Jackie Hoving, Ken Kocses, Elissa Levy, Gelah Penn, Casey Ruble, and Mary Schiliro
The Brick is pleased to announce the fourth annual Game Play festival, taking place from July 6–28, 2012 in Brooklyn, New York. This year’s festival will once again feature cutting-edge works that lie at the intersection of video gaming and performance.
Matt Munisteri will celebrate the release of his new CD “Still Runnin’ ‘Round in The Wilderness – The Lost Music of Willard Robison Vol l”. In the mid 1920′s the pianist, singer, composer and arranger Willard Robison began recording a startling series of recordings of his own songs, and in the process became a prototype for that lasting American twentieth century artistic archetype; the singer-songwriter. And yet in the 8 decades which followed none of these unclassifiable recordings have ever been commercially re-issued. The guitarist, singer and songwriter Matt Munisteri has spent years tracking down these original recordings on 78 records and has now not only brought them to light, but has re-imagined them as a body of work rightfully freed from the trappings of era or idiom.
Charles Perry Where: Joe’s Pub When: 7:30 PM – July 12
Be out. Be outside. Be outside of it. Be outside of the box. Be outside of the system. Be out of order. Be out of control. Be out of the ordinary. Be out of your hair. Be out of your mind. Be outrageous. Be outspoken. Be out loud. Be out of line. Be out of the loop. Be out of bounds. Be outcast. Be out of the Midwest. Be out of the closet. Be out of the Middle East. Be out of gas. Be out of sorts. Be out of power. Be out numbered. Be out for blood. Be out for the count. Be out bid. Be out of pocket. Be out of debt. Be out of commission. Be out of fashion. Be out of place. Be out of sight. Be out of reach. Be out of touch. Be out to lunch. Be out of breath. Be out of time. Be out of space. Be out of body. Be out of this world.
Composer-Pianist Rush (Prof. at U.Michigan) and drummer Edwards are joined by journeyman Clarinetist Andrew Bishop in a performance to celebrate the release of their new album Naked Dance!, a collection that features original compositions in the late Jimmy Guiffre and Nordic jazz tradition. Soulful and Funky, thoughtful and contrapuntal.
Diamond Terrifier is Sam Hillmer of Zs. Diamond Terrifier is Sam’s saxophone and electronics solo incarnation. Named after the english translation of the indo-tibetan god-name Vajrabairahva, Diamond Terrifier is concerned with the potential positive qualities of destruction as mediated by noise/drone sheets of sound music
15/30 a Joint Celebration
Where: Superfine (located at 126 Front St., Brooklyn, NY 11201) When: Monday, July 16 from 6-9pm
Dumbo Arts Center and Triangle have teamed up with Superfine to present: 15/30 a joint celebration of our mutual anniversaries.
Works featured in this exhibition explore the theme unashamedly, fearlessly and sometimes with humour. Breaking the “taboo” is usually considered objectionable by society, whether it be a violation of something held sacred or a threat against traditional beliefs. In a society run riot with political correctness, this exhibition has given an exceptional group of artists a forum to challenge, surprise and even confront the public.
The 21st Annual NYC Celebration of Queer Culture: theater, dance, music, burlesque, performance art and homoeroticism for the whole family! HOT!, the oldest continually running GBLTQ festival in the world, has been a pioneer of queer arts & culture for over 20 years. Dixon Place is proud that HOT! serves as a model for other queer festivals across the globe, & offers an artistic refuge to so many passionate voices in our community. As in past years, 2012 promises to be diverse & inclusive with over 200 artists presenting work that push your buttons, stir your emotions & deliver explicit, flat out entertainment.
To celebrate the arrival of our Summer 2012 issue of NY Arts Magazine we are hosting a launch party. Please join us at Tribeca Grand Hotel on Wednesday, July 11th from 7 to 10 pm.
Rachael Senchoway’s “Luminous Opera” reorders experience. Neons, glitter, and polka-dots gild references to Toulouse-Lautrec and Fragonard. Fantasy elements are synthesized through ambiguous time periods – frosted with decadence and kitsch, sprinkled with Victorian wigs and prissy Rococo faces. Rachael Senchoway seeks to free images from their historical confines, to re-contextualize and disorient dated themes. Senchoway wants her work to be unabashedly itself, no matter how fleeting.
Movie Mike and Spectacle are pleased to present a tribute to the late, great science fiction luminary Ray Bradbury in ultra-rare 16mm. We’ll see a 1963 TV documentary in which the author explains himself, followed by some short films based on his stories.
Meditative dance and poetic video design unify in a mesmerizing experience constructed by LEIMAY, the duo behind CAVE, The NY Butoh Festival and the Soak Festival.
|| Starring
|||| Dustin Wong + Dan Friel
|||||| White Out + Charles Gayle
|||||||| PC Worship
TINY TRIFECTA Where: Cotton Candy Machine When: July 7th to August 5th, 2012
Jessicka Addams, Aiko, Jim Avignon, John Baizley, Shawn Barber, Andrew Bell, Robert Bowen, Jon Burgerman, Zoe Byland, Ciou, Becky Cloonan, David M Cook, Dave Cooper, Dave Correia, Molly Crabapple, Lana Crooks, Steven Daily, Daniel Danger, Tristan Eaton, Camilla d’Errico, Brian Ewing, Natalia Fabia, PJay Fidler, AJ Fosik, Doze Green, Dan Grzeca, Fred Harper, Jason Holley, Thomas Hooper, Jim Houser, Seldon Hunt, Jeremy Hush, Jordin Isip, JK5, James Jean, Jeremyville, Nathan Jurevicius, Aya Kakeda, Audrey Kawasaki, Josh Keyes, Henry Lewis, Lola, David Mack, Jim Mahfood, Sara Antoinette Martin, Dan May, Tara McPherson, Brandi Milne, Junko Mizuno, Buff Monster, Tomi Monstre, Michael Motorcycle, Martin Ontiveros, Alex Pardee, Joshua Petker, London Police, Anthony Pontius, Martha Rich, Jermaine Rogers, Paul Romano, Arik Roper, Jay Ryan, Souther Salazar, Isabel Samaras, Erik Mark Sandberg, Jon Schnepp, Shawnimal, Greg Simkins, Skinner, Bwana, Spoons, Jeff Soto, Timba Smits, Sucklord, Diana Sudyka, Lamour Supreme, Fefe Talavera, Jill Thompson, Miss Van, Adam Wallacavage, Lindsey Way, John Wayshack, Eric White, and Chet Zar.
This exhibition by the WochenKlausur “NPOs-in-residence”,chashama highlights works from the chashama Collection that accentuate the diversity of media and subject matter tackled by their artists. Founded by Anita Durst in 1995, chashama has been at the forefront of the movement to provide vital opportunities to artists of all stripes and expose new audiences to art through creative space redistribution. Landowners donate temporarily vacant properties that chashama recycles into creative hubs, and grants to artists, organizations and youth arts programs at free or highly subsidized rates. chashama will be at the ACFNY from July 9 to 22.The Austrian Cultural Forum is pleased to support this special organ concert by renowned German organist Ulrike Wegele at Riverside Church in Manhattan, which will include works by Bach, Mendelssohn, Liszt, and a 2011 composition by Franz Zebinger. Wegele’s repertoire embraces the works of pre-Bach masters as well as compositions for organ by Johann Sebastian Bach, the classical period, the Romantic period, as well as the music of the 21st century.
Falu is a classically-trained Indian singer best known for blending ancient classical Indian melodies with contemporary western sounds. She has worked with and performed alongside a wide array of talented artists including A.R. Rahman (Slumdog Millionaire), Yo-Yo Ma (in The Silk Road Project), Philip Glass and Bernie Worrell (Parliament Funkadelic), and had the honor of performing at President Obama’s first State Dinner honoring Indian Prime Minister Manmohan Singh. Her music has also been recognized in The New York Times, The Wall Street Journal, and Times of India.In the Mexican state of Sinaloa, brass bands (bandas) are part of every public celebration. In the 1940′s, the pioneering Banda El Recodo started mixing up traditional brass band tunes with contemporary Mexican music – mostly ranchera – and soon transformed the idiom into a powerful new popular genre. In the 1990′s, banda music experienced a renewal, especially among young Californian Mexicans, many of whom have family roots in Sinaloa. Banda music’s popularity exploded in Mexico as well and has become the new urban music of choice
Riepl & Co. Marianas Trench Discoveries Inc. provides deceitfully real reproductions of authentic underwater worlds, customized to the clients’ individual demands. A goldfish bowl, a bathtub or a pool – no terrain is foreign or impossible to us! Various materials are used, from the ordinary to the exotic, depending on the customers wishes and budget. No matter if fancy ceramics, brittle concrete, precious pearls or found objects from the street; the final result of every Riepl & Co. Marianas Trench Discoveries Inc. production is elegant and undoubted in style.
The season beckons us back to the age old Opera on Tap theme of Hot & Steamy this July 12th at Freddy’s! What better way to wile away those oppressively hot and windless July hours than with some steamy opera tunes and frosty beverages? OOTers will regale you with some of opera’s lushest, sexiest, most-drippiest arias and duets whilst you quench your thirst with cool, high-octane concoctions and hoppy delights as only Freddys can serve them up. Show kicks off at 9pm. NO COVER! Clothing optional!
A map is a representation of space or place, or of phenomena as they exist in space. They project a three-dimensional space on a 2-D plane, usually much smaller than the actual space being mapped. The best maps are often considered to be the most accurate ones, however, the assumptions, intentions, biases and preferences of the mapmaker subjectify every map. Maps convey nonlinear and simultaneous knowledge. In a single glance a viewer can tell what’s going on over the whole map at a single moment in time, a Gestalt. The three artists in this exhibition use what could be considered “thematic maps” to explore ideas related to hermeneutics, biology, environmental degradation and ontology.
…Is This Free?
Where: NutureArt When: July 6 – September 22, 2012 Opening receptions will take place on: Fri. July 6, Fri. August 3, Fri. August 31
Curated by Marco Antonini, this project will consist of three exhibitions, featuring artworks, ephemera and publications that have been mostly conceived and produced to be freely distributed. Historically relevant artworks, ephemera and publications loaned from private collections will be presented side by side with contemporary work by emerging artists, including a series of project-specific artworks commissioned to emerging artists. Community high-school students and members of our audience will be involved in the production of open-source artworks and instructional pieces, producing work that will ultimately become part of the three exhibitions.
‘A Winged Victory For the Sullen’ is the first installment of the new collaboration between Stars of the Lid founder Adam Bryanbaum Wiltzie and composer Dustin O’Halloran. The duo agreed to leave their normal home studio comfort zone and develop the recordings with the help of large acoustic spaces, and to hunt down a selection of 9ft grand pianos that had the ability to deliver extreme sonic low end. Other traditional instrumentation was used including string quartet, French horn, and bassoon, but always juxtaposed is the sound of drifting guitar washed melodies. The recordings began in one late night session in the famed Grunewald Church in west Berlin on a 1950s imperial Boesendorfer piano and strings were added in the historic East Berlin DDR radio studios along the River Spree.
On June 28th and July 11th, Jonathan Batisteand the Stay Human Band will take the stage for two nightsof thigh-slapping, foot-stomping performance. Prepare for the unexpected – what begins in the music hall could very well spill into the streets of Manhattan.
Based in New York City, Iktus Percussion is an ambitious, dynamic young ensemble committed to expanding the boundaries of the percussion genre. Iktus is a collective-based operation, featuring an array of industrious and multi-talented percussionists with Chris Graham, Justin Wolf, SteveSehman, Nick Woodbury, and Cory Bracken at the core. As a group with strong ties to the local artistic community, Iktus is dedicated to collaboration with emerging artists, having commissioned over fifty new works for percussion from such composers as Angélica Negrón, AaronSiegel, Lisa R. Coons, Jenny Olivia Johnson, Stefan Weisman, and Billy Martin (of Medeski, Martin and Wood), among others.
Rayland Baxter – is a gentleman, a singer of songs, a teller of tales, a picker of strings, a thinker of things. Born in the untamed hills of Bon Aqua, Tennessee, he tells a story unlike any other, a story that is true and full of unraveling emotion. There are no lines drawn, no box to be found, in the world of rayLand Baxter.
Featuring Spencer Krug who also leads Sunset Rubdown and plays in Swan Lake. He debuted Moonface in 2009 with Dreamland EP: Marimba and Shit-Drums, which consisted of a single 20-minute track. He’ll follow that up on August 2, when Jagjaguwar releases a full Moonface album called Organ Music Not Vibraphone Like I’d Hoped.
Over the last few years Lange has collaborated with David Ellis, Brian Alfred and Nene Humphrey on sound installation work. Recently he has created a series of solo sound installation pieces ranging from Music Box HVAC systems to Floating speakers that hover playing back original site specific compositions. Lange has also worked with Bear in Heaven and Julianna Barwick as well as famed music producer Guillermo Scott Herren to produce Prefuse 73 and Savath and Savalas as an active member and contributor.
Listen to experimental 1950s music by composers such as Earle Brown, John Cage, Giacinto Scelsi, and Karlheinz Stockhausen in the museum’s rotunda while viewing works by Louise Bourgeois, Alexander Calder, Jackson Pollock, Antoni Tàpies, and more in Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960. Christopher McIntyre directs an all-star ensemble featuring musicians from the International Contemporary Ensemble, Ne(x)tworks, and Either/Or Ensemble, among others. A talk by composer R. Luke DuBois precedes the performance.
We are excited to host the launch of Repository: A Typological Guide to America’s Ephemeral Nuclear Infrastructure, an informational card game created by Smudge Studio. Elizabeth Ellsworth and Jamie Kruse will present their graphically vivid cards and tell the terrifying tales of America’s real-life nuclear waste shell game, as part of our Future Migration segment in this Migration year.
For artist Guy Laramée, the land is full of history and stories, much like the books he sculpts. Each has a life, independent of those who travel upon its ridges or wander through its pages. Laramée carves and sandblasts carefully selected texts into detailed landscapes from timeless locations. Mountains will explore Laramée’s admiration for mountains and the life they provide.
Prepare to have your mind blown at the new live show from the hit podcast series Radiolab. Hosts Jad Abumrad and Robert Krulwich explore the dawn of sight and the evolution of the eye in an evening that includes storytelling, music, stand-up comedy, and dance. Featuring dancer athletes, comedian Demetri Martin, and singer-songwriter Thao Nguyen.
For this special BAMcinemaFest closing day event, two of 3epkano’s founding members are joined by avant-garde cellist Erik Friedlander as they find their muse in the oldest surviving animated feature, The Adventures of Prince Achmed. Under the influence of Georges Méliès’ special effects, pioneering avant-garde German filmmaker and artist Lotte Reiniger employed silhouettes of cardboard cutouts on illuminated glass to craft this dreamlike homage to The Arabian Nights, in which a prince joins forces with Aladdin and a magic horse to vanquish an army of demons.
Four Solos, exhibition runs from June 25th thru August 4th
WISH YOU WERE HERE Where: Ana Cristea Gallery When: June 28 – August 4, 2012
Ana Cristea Gallery is pleased to present “Wish You Were Here,” a summer show of three artists from Slovakia, Romania and Belgium. The works of Andrej Dubravsky, Oana Farcas and Gideon Kiefer are masterfully painted and reflect their individual training at the highest levels of the fine art academy. Whether billboard or postcard-sized, the works command the viewer’s attention through colors, lively settings and inspired brushwork. The narratives in these works honor the role of the natural world and self-selected communities. A lake at summer camp, an artist studio or laboratory environment might appear familiar initially, but the evident strange(r) element in all three artists’ works give them charge and wisdom.
Jonathan LeVine Gallery is pleased to announceAshes to Ashes, a series of new oil paintings on canvas by Sicilian artist Fulvio di Piazza, in what will be his first solo exhibition in the United States.
Legendary freak-guitarist/banjo player, Eugene Chadbourne, is getting ready to record a new album with Bryan and The Haggards for the Northern Spy record label. Eugene will also be playing a solo show at The Stoneon July 5th.
WORLD ON A WIRE Where: bitforms gallery nyc When: June 28 – August 3, 2012
bitforms gallery is pleased to announce a summer group exhibition that features the work of seven artists: Marco Brambilla, Daniel Canogar, Yael Kanarek, Tim Knowles, Mark Napier, Casey Reas, and Marina Zurkow. Borrowing its title from World on a Wire, Rainer Fassbinder’s 1973 sci-fi film set in a cybernetics and futurology lab, the exhibition explores behavioral complexity, madness and simulation. Three projects in the exhibition are New York debuts: Mark Napier’s net.flag: ten years of flags, comprised of nearly 23,000 flags created by visitors to the net.flag website; Marina Zurkow’s The Thirsty Bird, an ecologically-charged animation informed by a recent residency in Houston, Texas; and Marco Brambilla’s RPM, a psychological video portrait of a Formula One driver’s point-of-view.
The Breakestra began as the house band for the legendary late 90′s hip hop party that Miles promoted called the Breaks. Egon from Stonesthrow Records further explains the etymology of their name: “Break. As in “breakbeat.” That ten second slice of percussive magic in the middle of a funk song that, when looped together by progressive South Bronx DJs in the 1970s, became the basis of the hip-hop movement. Arkestra. Out-there jazzer Sun Ra’s funkafied concept of the stuffy classical orchestra.” When we combine the two concepts, you have the Breakestra or in other words an orchestra that plays funky ass classic & new original breaks.
Archival Portraits Where: Carriage Trade When: June 29 – July 29, 2012, Opens Friday, June 29, 2012, 6-8 p.m.
Traditionally highlighting the unique personality of a subject, the genre of portraiture is at odds with the increasingly disparate quality of our current experience of the self. The popularity of social media and instant communication has meant much more frequent interaction between individuals, which favors brevity and is often disconnected from place. Now being available “anytime” takes precedence over one’s location, as the disengagement of context (where and how we encounter one another) from interpersonal exchanges poses questions for the ongoing relationship between perception and identity.
join us for an evening with egypt’s best-known political satirist and some of america’s top arab comedians. featuring: BASSEM YOUSSEF, MAYSOON ZAYID, MO AMER, MEENA DIMIAN
Show #5:FIRST CONTACT
Where: Field Projects When: June 28 – July 15, Opening: Thursday, June 28th, 6:00-8:00pm
Join us Thursday, June 28th, for the opening of Field Projects Show #5: First Contact. The works in this exhibition were chosen to recreate the sublime moment of an adolescent’s first discovery of the world of Science Fiction. Show # 5: First Contact includes work by Lisha Bai, Megan Burns, Lisa Rybovich Crallé, Sean Duffy, Allison Edge, Matt Frieburghaus, Shawn Gallagher, Sarah Gamble, Micah Ganske, David Herbert, Laura Kaufman, Hein Koh, Jennifer Ku, Amanda Lechner, Erica Magrey, Betsy Odom, Julia Oldham, Naomi Reis, Rachel Ritchford, Mike Peter Smith, Louis Spano, Studio AND, J.P. Roy, and Christopher Ulivo.
Two sets of newly and freely improvised brought to you every Thursday night in July by Max Johnson & Weasel Walter with a slew of very special guests. Come enjoy as musicians from all over collide to create sounds that you may never hear again in your life!
For over 15 years, the Theo Bleckmann & Ben Monder Duo has been touring the U.S., Europe and Asia creating a unique approach to what might be called “jazz art song”, blurring the boundaries between jazz, classical, ambient and rock. Bleckmann’s vocal style is based on a thorough understanding of the jazz vocal tradition as well as “extended vocal techniques” (he has been a principal in Meredith Monk’s Vocal Ensemble since 1994) and also uses electronic looping and processing in order to create choral and textural soundscapes. Film fans will note that Bleckmann created the alien language used in the film Men In Black.
Eliot Lipp didn’t choose to become one of the most looked to artists in contemporary electronic music, but somehow, Lipp’s sound, one that uses vintage gear to create a unique take on Hip Hop and House, has quickly garnered the respect among the industry’s most influential musicians and producers as well as the deep admiration among audiences worldwide.
During performances, Micka buries himself in a pile of electronics-shelves of effects, mixing consoles, amps and delay units-while patiently constructing a layered nest of loops consisting of live drum beats, guitar chords, scrapes, chucks, chimes, and melodies resulting in anything from more conventional songs to meticulously crafted ambient movements on to full on improvisation.
He is travelling home from his uncle’s funeral, a 12 year-old sitting in the backseat of an automobile with his family and the heavy weight of loss. He looks out the window as the tires roll beneath him. Inside the car it is silent. His parents are decent people and they mourn with decency. Down the hill, along the rim of Lake Michigan, carnival tents appear, their edges billowing like little red and yellow hands that seem to beckon to him. Pull over, he tells his father, pull over pull over. And his father does. The boy is excited enough that it looks like he’ll leap out of the moving car if he doesn’t. His father is furious as he watches the boy run down the hill, toward the carnival. He expects him to be there, in the automobile and back at home, mourning, grave-faced, solemn. But Ray Bradbury was not made to steep in the sober shades of living. He thunders down the hill with the lake wind blowing back his hair, with the sounds of the carnival — the holler of the talker, the calliope of the turning merry-go-round — whirling closer to his ears. He is running toward life.
Bradbury told this story to Sam Weller in Listen to the Echoes, Weller’s collection of interviews with the famed author, who died this Tuesday, June 5 at the age of 91. The symbolism is evident. That’s why Bradbury told the story: He spent the rest of his days — another eight decades’ worth of them — running toward life. He ran like Prometheus. Waving the fire, wanting to bring it to you. The fire Bradbury brought was the fire of life — its horrendous beauty and its beautiful horror. The Illustrated Man, the Dwarf, Uncle Einar, Montag and Clarisse, the anything-you-want-it-to-be object in “The Jar,” this was Bradbury’s menagerie of the living.
Vocalist and performer Laurie Amat of San Francisco performed at The Super Coda at Vaudeville Park on April 5, 2012. The show was constructed so that Ms. Amat, along with a standard solo set, improvised with 5 different performers whom she had no previous knowledge of until directly before show.
The performance is described below in degrees.
Degree 1 “The Spark” : Laurie performs Bernd Klug with Prehistoric Horse
This is a quartet. Cello (Valerie Kuehne), guitar (Lucio Menegon), snare drum (David Grollman), and Laurie on vocals. She is jolly. Dressed in black, petite, with close-cropped hair she organizes the stage to her liking. Drums here, no, there, and performers enclosing here. It is the quintessential fire build. The sticks laid, not to many attendees yet but that will change as the fire grows. The show begins with a vocal pieces, somewhat randomly dedicated to the next performer Bernd Klug (an ideal name no doubt for Laurie’s often nonsensical phrasing) and is quickly developed into the in-depth story of THE BERND KLUG. After a few minutes of soft, warming experimentation’s on guitar, drum, and cello, Grollman strikes the match of BERND KLUG. First Bernd is a superhero with a beautiful cape-the flame jumps-now he is a demon, now a battleship steaming against the ecstatic fusion of guitar and cello. Laurie in the center vocally counterpoints Grollman’s tale. Most of her vocals sound like operatic exercises. Her words, though often simply gibberish, are gripping and always slightly on the edge of breaking from beauty to destruction. Now the fire is caught. Bernd Klug is coming, he’s going, he’s hurling fireballs, he’s sinking us all. BERND KLUG is HERE.
The vertical gardens of French botanist and artist Patrick Blanc–featuring structures covered in orchids, ferns, exotic plants, and epiphytes freed from the constraints of gravity–transform the historic Enid A. Haupt Conservatory into an exotic spectacle to dazzle the senses in The Orchid Show: Patrick Blanc’s Vertical Gardens. Blanc’s vertical gardens are world-renowned for their cutting edge approach to horticulture. After years of travelling around the world as a professional botanist observing how plants grow in their natural habitats, Blanc pioneered a cutting-edge approach to vertical gardens that is celebrated by horticultural and design communities alike. Learn more about Patrick Blanc, his exciting gardening techniques, and about the fascinating world of orchids through a series of lectures, tours, demonstrations, and public programs.
Paul McCarthy, The Dwarves, The Forests Hauser & Wirth New York is proud to present an exhibition of major new works by Los Angeles-based Paul McCarthy, one of America’s most challenging and influential artists. Comprising bronzes, a massive tour de force wood carving, and a pair of fantastical landscape maquettes all presented on the gallery’s two floors, ‘The Dwarves, The Forests’ is the first exhibition of sculptures to emerge from McCarthy’s recent exploration of the famous 19th century German folk tale Snow White (Schneewittchen) and the modern interpretation of that story in Disney’s beloved 1937 animated classic film ‘Snow White and the Seven Dwarfs’
AMRAM & CO @ Cornelia St.
David Amram, piano, french horn, flutes, composition & surprises; Kevin Twigg, drums, glockenspiel; John de Witt, bass; Adam Amram, percussion
Listen to This by Alex Ross Listen to This—which collects Alex Ross’ finest writing for The New Yorker since 1994—is that rare book that moves across the entire landscape of music, from classical to rock and back again. In this series of lively, erudite essays, Ross tells of his own late-blooming discovery of pop, and of how contemporary sounds relate to centuries of musical tradition. He vividly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and, in a previously unpublished essay, brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. Witty, passionate, and brimming with insight, Listen to Thisshows how music expresses the full complexity of the human condition.
For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.
Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.
Khaïra Arby and her Band
Khaïra Arby (pronounced: Hī-ra Arbē), the Nightingale of the North, born in the village of Abaradjou in the Sahara Desert north of Timbuktu. Khaira’s parents came from different ethnic backgrounds, mother Songhai and father Berber. You can hear these cultures in her music; she sings in several languages. The instrumentation and rhythms are just as varied with electric guitar and bass, calabash, ngoni, traditional violin, and percussion creating a complex mixture of sound and structure. Some people compare the effect to the rhythms of the camel caravans crossing the Sahara.
The Brooklyn-based duo The Mast creates a propulsive and expansive sound featuring Haale’s layered, undulating vocals and hypnotic electric guitar riffs dancing with Matt Kilmer’s polyrhythmic drumming.
Fernando Hereñu AKA PulpoCorporate @TACHE GALLERY.
Reception:
Thursday July 7th, 6-9pm
Exhibition
July 7th – August 2nd 2011
Tache Gallery Opening Exhibition of Fernando Hereñú AKA Pulpo
“HIDDEN DRAWINGS”
Exhibition July 7 – 2011
” The argentinean artist Pulpo has been part of the Latin American creative scene for many years.
With his series, ‘Hidden Drawings’, Pulpo’s work is focused on the Childhood Trauma & Hidden Emotion
Fernando Hereñu makes some amazingly bizarre drawings, the kinds that make you feel uncomfortable and inspired at the same time. “
Wed, July 6, 2011
Doors: 7:30 PM / Show: 8:30 PM
$12.00
Since the 1990s, the Ladybug Transistor has created formalist pop-rock albums with a dreamy, articulate sound that spans decades and genres. Anchored by Gary Olson’s organizing vision and restrained baritone, their music boasts intricate arrangements and soaring melodies that are at once modern and timeless.
This band’s narrative holds a rich history of heartfelt collaboration, tireless devotion, quiet and outspoken romance, new arrivals, unexpected departures, achy break-ups, and unspeakable loss. They have become agile at adjustment.
In 2007, the untimely passing of their beloved drummer San Fadyl left members Olson, Kyle Forester, and Julia Rydholm at an unimaginable loss, struggling with a prevailing sense of “What now?” At a time where moving forward felt possibly impossible, the band quietly gathered new recruits (Mark Dzula, Eric Farber, Michael O’Neill) and embarked on writing a new album with the memory of San squarely in mind.
The resulting effort is their forthcoming release Clutching Stems-a lush collection of potent refrains and brought-to-one’s-knees ballads. Set to an invigorated soundtrack of wave-pop arrangements, the songs detail stories of humbling heartbreak, profound longing, undoing distress, nagging regret, and coming-of-age awakenings. Olson’s lyrics express an overarching search to find one’s voice in the face of moments that knock the wind and words right out of a person.
This new line-up has found a distinct voice that honors diverse influences and the band’s own precedent sound. Clutching Stems assuredly underlines that while love can tear things apart, it can also capably mend them back together once again.
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Syfy Tweet-Up
Thursday, July 7, 2011
6:30 pm ET
New York
In Person
Thomas Vitale, Executive Vice President Programming and Original Movies Craig Engler, Senior Vice President and General Manager Syfy Digital
Join Syfy executives Thomas Vitale and Craig Engler for an open discussion about science fiction, television, and Syfy. They’ll talk about what new shows and movies are coming up on Syfy, answer fan questions about TV and TV development, and give a behind the scenes look at what it’s like to work at the channel.
Follow the live tweets @PaleyCenter on Twitter and use #Syfy and #PaleyLiveNY to join the conversation!
Members: Email Membership@paleycenter.org to make reservations. General Public: Tickets are FREE. RSVP now.
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FAMILY VALUE: Summer Portrait Salon @MICHAEL MAZZEO. July 7 – August 5
Michael Mazzeo Gallery is pleased to present Family Value, our summer portrait salon featuring the work of twenty-two artists, most of whom have never before exhibited at the gallery. The exhibition consists of recently made photographs, as well as drawings, collage, hand embroidery, and installation pieces which will remain on view from July 7 through August 5. A reception for the artists will take place at the gallery on Thursday, July 7, from 6 to 8PM.
Family Value presents observations and interpretations of contemporary family relationships. A salient reflection of our times, much of the imagery is filled with ambiguity, anxiety, and contradiction, yet with an equal sense of strength, compassion and humor. Free from traditional constructs and definitions, these artists provide us with a broad and insightful view into the complex intimacies that define our character and shape our lives.
Featured artists include Jacqueline Bates, Juliana Beasley, Annabel Clark, Kristen Dorata, Jess Dugan, Juliana Gamino, Jessica Hines, Katharina Lepik, Carlos Loret de Mola, Brigitte Lustenberger, Stacy Renee Morrison, Rachelle Mozman, Josh Quigley, Justine Reyes, Kerri Rosenstein, Chris Sellas, Paul Mpagi Sepuya, Paul Shore, Gerald Slota & Neil LaBute, Hrvoje Slovenc, Will Steacy, and Amanda Tiller.
Featuring: Kristen Brandoff, Alyssa E. Fanning, Samantha Fricano, Michelle Orsi Gordon, Klimentina Jauleska,
Christopher Luongo, Miranda Maher, David Oquendo, Caleb Prewitt, Ashli Sisk, Kristen Sweeney, Sook Ja Yoo
June 29 – July 30 2011
Artist Reception
Thursday, July 7, 5:30-8:30 PM
Young Blood presents work by twelve Master of Fine Arts candidates from Montclair State University, Montclair, NJ. The exhibition features painting, sculpture, print, photography, and mixed-media selections. Works range from object to experience-based, conceptually to formally driven. The art deals with issues of memory, text, personal mythology, narrative, material—its essence and connotations, representations of anxiety and the inner psyche, industry and landscape, and pornography and voyeurism in the internet age, among others. Featured works are both deeply personal and at the same time reflect larger cultural phenomena. Young Blood introduces an emerging generation of makers concerned with object, craft, theory, and their speculation on the role of medium and its implications in contemporary art. The exhibition is curated by Alyssa E. Fanning.
NAG Action meets on the first Tuesday of every month, gathering concerned citizens from all parts of Greenpoint & Williamsburg who are looking to learn more and do more in the neighborhood. The goal is to bring together any and all types of organizers, activists, local leaders, business owners, and residents to discuss, learn, and take action in the neighborhood.Confused about how government in NYC works and, more importantly, affects you in North Brooklyn? Come grab a drink with NAG while we untangle the myriad institutions that affect our daily lives.
Gorgeous old-world cabaret collides with modernity in this unique Brooklyn-based ensemble. Wringing elements of Eastern European folksong, post-war classical, and experimental rock into an otherworldly soundscape, Barbez shifts elegantly between haunting, meditative moments and explosive outbreaks. The group will be presenting several new pieces from a forthcoming recording inspired by ancient Roman-Jewish melodies, as well as new music for a separate album concerning the wars in the Middle East since 9/11. With Dan Kaufman, guitar; Danny Tunick, vibes, marimba; Peter Hess, clarinet, percussion; Catherine McRae, violin; Peter Lettre, bass; John Bollinger, drums.
The triumphant return of the Diva with a Difference. Rachelle returns to Barbès after a year. Dubbed a”Master of Surprise” by Entertainment Weekly, Rachelle writes and performs darkly optimistic story-songs and accompanies herself on a variety of instruments including accordion, piano, claviola, guitar and plastic bells, “…leaving nothing behind but sweet wreckage.” (The New Yorker). Rachelle has released four CDs as well as a single “My House of Peace”, which was produced by Jack White and released on vinyl by Third Man Records. Rachelle also composed the music for Taylor Mac’s epic 5-hour long theater piece “The Lily’s Revenge” which premiered at Here Arts Center October ’09.
NATMF: A quirky combination of indie rock songwriting with Gypsy Jazz. Think Tom Waits meets Django Reinhardt – with a full horn section, violin and vocal duets.8:00pm
BS: They play an eclectic mix influenced by New Orleans brass bands, jug music, southern gospel and hot jazz and feel at home at the Village Vanguard or playing on the street. The band features members New Orleans band the Loose Marbles and alumni of Stephane Wrembel’s Hot Club of NY. With Ben Polcer, Trumpet; Patrick Harison, Accordion; Jared Engel, Banjo; David Langlois, Washboard and Peter Ford, Washtub bass.
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Billy Fox’s Blackbirds and Bullets 7/6 Wednesday (CB) @ THE STONE. 8 pm
Billy Fox (director, composer, percussion) Gary Pickard (alto and soprano sax) Miki Hirose (trumpet) Matt Parker (tenor sax) Julianne Carney (violin) Evan Mazunik (keyboard) James Ilgenfritz (bass) Arei Sekiguchi (drums)
Opening Reception: Wednesday, July 6th, 6 to 8 pm
Exhibition: July 7 to 29, 2011
Main Gallery:
“+1″ Group Exhibition of Small Works
Several artists who have shown with Sloan Fine Art and SFA Projects during our 2010/2011 season were asked to create a new piece and each invite one artist of his or her choice to participate.
With works by Sarah Awad, Andrew Baker, Mia Brownell, Elizabeth Carney, Roni Feldman, Eric Finzi, Ashley Folkman, Rebecca Smith Ford, Kady Grant, Martin Grasser, Greg Hopkins, Patrick Hruby, Anthony Iacono, Martin Kruck, Noah Landfield, Julia Marchand, Jiyoung Park, Marion Peck, Martha Rich, Jean-Pierre Roy, KRK Ryden, Heather Sherman, Sally Sloan, Aaron Smith, Gina Triplett & Matt Curtius, Jonathan Viner, Nagisa Wada, Jeremy Wagner, Carly Waito, Seth Weiner and Brad Woodfin.
The Secret Science Club presents Mind Mapper and Neuroscientist Partha Mitra,
Wednesday, July 6, 8 pm @ the Bell House, Free It’s all in your head . . . One hundred billion neurons. One hundred trillion neural connections. The architecture of the human brain is more complex than any super computer. In fact, neuroscientists recently calculated that one single human brain contains more “switches” than all the computers on Earth combined. And yet . . . we still know so little about what makes the mind tick.
Partha Mitra of Cold Spring Harbor Laboratory is seeking to change all that, embarking on a bold new project to build a blueprint of the brain’s architecture. Dr. Mitra asks: What is the brain circuitry that underlies human behavior and emotion? How many basic emotions do we have, and what causes them? How can we fundamentally expand our knowledge of the brain’s systems and interconnections in order to better treat neurological conditions and diseases of the mind?
Before & After
–Groove to wet-wired tunes
–Stick around for the nervy Q&A
–Peek into Dr. Mitra’s mind-blowing microscope!
–Try our synapse-stimulatingcocktail of the night, the Circuit Party Don’t miss one microsecond of this mind-expanding evening! SUPPORT THE SECRET SCIENCE CLUB! Be a Secret Science Superstar! Keep the science flowing (and growing) by donating here.
This cerebral edition of the Secret Science Club meets Wednesday, July 6 at 8 pm @ the Bell House, 149 7th St. (between 2nd and 3rd avenues) in Gowanus, Brooklyn. Subway: F to 4th Ave; R to 9th St; F or G to Smith/9th. Doors open at 7:30 pm. Please bring ID: 21+. No cover. Just bring your smart self!For information: contact secretscienceclub@gmail.com
Or visit us on the Web at http://secretscienceclub.blogspot.com
Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.
While most audience members return to see multiple, if not all four, parts of the summer’s production, each episode is a self-contained short play that can be seen in isolation. The brief premise film that begins each year’s production—depicting the event that brought on the coma—is shown at the beginning of each performance.