The 22 Magazine


The Week/Weekend: Sept 13-20.

Exhibition / “Harry Smith: String Figures”
300 Nevins St (Cabinet)
20 September – 3 November 2012

Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.

BROOKLYN BOOK FESTIVAL
Brooklyn Borough Hall and Plaza
SUNDAY, SEPTEMBER 23, 2012, 10am-6pm

On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.

Michael Chabon @Greenlight
Sep 17 2012 7:30 pm
Greenlight Bookstore

In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.

Date the Time – Molly Dilworth
Reception: September 20, 6-8pm
Recess

On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.

Wendy White: Pix Vää
Leo Koenig
Opens September 13 6:00 PM – 8:00 PM

In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.

Stealth Reflections
Mighty Tanaka
September 14

Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection.  Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques.  His steadfast approach defines his meticulous attention for detail.

Tessa Farmer & Amon Tobin Control Over Nature
Spencer Brownstone Gallery
September 15 – October 6, 2012

Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.

Wondering Around Wandering
Saturday, September 15, 6:00–11:00pm
983 Dean Street

Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.


Fishtank Ensemble
/Baby Soda Jazz Band
Jalopy
Sat, Sept 15th

Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.

Who Gives a Sh*t About Literary Magazines?
Mon Sep 17, 7:00PM
BookCourt

Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.

Survival
War of Words
Strange Tales of Liaozhai

Kris Bowers & Carson Adjacent
The NY Theremin Society Presents: GOOD Vibrations – Theremin X 4 FT Dorit Chrysler, Michael Evans, Rob Schwimmer and Allison Sniffin
Eleh (US Debut) + Lary 7
PRACTICE! W/ IKEBE SHAKEDOWN + OSEKRE AND THE LUCKY BASTARDS + THE FORTHRIGHTS + TUNDE ADEBIMBE/ OHAL GREITZER/ DAREN HO/ RYAN SAWYER/ C. SPENCER YEH QUINTET
Best American Poetry 2012
My Heart Is An Idiot: FOUND Magazine’s 10th Anniversary Tour!
LIGHT OBJECTS
MECANICA POPULAR
LIGHTNING BOLT
R. SIKORYAK & FRIENDS: CAROUSEL

The Channel
Joseph Keckler + Mac Wellman
ASBA’s 15th Annual International
NYC HONEY FESTIVAL
EatSleepDraw (5 Years)
Chris Watson + Marcus Davidson
AURAL DYSTOPIA
ALESSANDRO PESSOLI: FIRED PEOPLE
REYES & STEEL
Beth Cavener Stichter: Come Undone
Liza LaCroix
Masami Teraoka: Cloisters Inquisition    
Metropolis: Alexis Duque
Richard Estes / New York by Night
BARNEY KULOK: BUILDING
Ralph Humphrey
Assembly 2012
Sunday Paintings for a Rainy Day
Nate Wooley + Mazen Kerbaj
TAKESHI MURATA: SYNTHESIZERS
Crossing the Line 2012
Printed Matter, Inc. presents Contemporary Artists’ Books Conference in conjunction with The NY Art Book Fair
SHABOYGEN BY STEVEN AND WILLIAM LADD
Luisa Rabbia
INNER CIRCLE MUSIC FESTIVAL: PETROS KLAMPANIS TRIO
Wildlife in the Post-Natural Age
Thomas Hirschhorn “Concordia, Concordia”
ANDREA ZITTEL: Fluid Panel State
Alexander Hahn

Allison Evans
Sally Mann: Upon Reflection
POST NATURAL
Occupy Your BFF
Lucie Fontaine : Estate
New York School Artists
Respect Sextet and Loadbang
SIGHTLINES: HELEN SEAR
Opera on Tap: BRIDES ON FIRE!!!
Red Baraat w/ M.A.K.U. SoundSystem
Mount Eerie w/ Loren Connors

LIGHTNESS OF BEING
CARL MAGUIRE, FAR FROM ALMOST ALWAYS
Charles Jarboe   New Paintings
CALEB CAIN MARCUS: PORTRAIT OF ICE
FITZGERALD & STAPLETON: WAGE
Teresita Fernández & Mr.
HAIRY SANDS/SOURCE OF YELLOW
GUYI-GUYI by Pereferia Teatro
DAVE COLE
Miriam (BAM 30th Next Wave Fest)
BEAT FESTIVAL
Andra Ursuta: Aboveground Animation
Trey Speegle: Good Luck With That
THE JOSHUA LIGHT SHOW
Pictures from the Moon: A Symposium on Holograms and Art
MIVOS QUARTET
Nublu 10 Years w/ performances by Wax Poetic, Hess is More, Love Trio and Clark Gayton
Gallow Green

COMING UP:

The Secret City – NEW YORK
Cave Canem at The New School Presents: Natasha Trethaway and Metta Sama
Crossing the Line
Devotchka
The Mountain Goats
Adults in the Dark: Avant-Garde Animation (MAD)



THE WEEK/WEEKEND: August 16-23.

Screening with Director David Cronenberg: “Cosmopolis”
Film Society of Lincoln Center
Friday, August 17th

“Adapted from a Don Delillo novel, Cronenberg’s latest dystopian odyssey boats all three the ingredients for filmic greatness — sex, violence, and Robert Pattinson — in generous portions.” -Chloe Wyma

Tales of Social Activism
Museum of the City of New York
Saturday, August 18 at 2:00 pm

Activist New York includes an astonishing array of documents, historic artifacts, and personal items that transport us to iconic moments when grassroots movements changed the city’s history and culture. But the stories of New York activism are also woven through the lives and memories of countless New Yorkers. Join us for a gatherine during which we invite you to bring along a photograph, or just a story, that tells about your or your family’s involvement in the democratic process of change that occurs when citizens unite for common goals.

What Can You Do?/Remember, Dream v. 2.5
The Stone
Wens, August 22nd

All are invited to be present in Dream Time, listening into the moment, discovering who we are in this moment, within and without, listening, sounding, moving, seriously playing the moment, exploring the moment as a community of listeners/viewers. A sound/video dreamscape which has evolved from Norman’s prior Singing Mask ceremonies, his latest work “Mysterium Magnum,” home videos and recent electronic music by Ezra will accompany us in this journey. As a shared dream, Ezra, Caleb and Norman will explore and guide us into the present moment with sound/movement/Singing Masks as we are all interdependently interconnected within the intricate interwoven depths and delights of Dream Time.

JACOB GARCHIK
Barbes
Wed,  August 22nd

Trombonist and composer has worked with Slavic Soul Party, Lee Konitz and the Kronos Quartet but here he presents elegant and energetic compositions for his lithe trio. “Odd and excellent, taut with paradox” – Ben Ratliff, the New York Times. With Jacob Sacks, piano and Dan Weiss, drums.

Cassie Ramone/Deep Time/Turn to Crime
285 Kent Ave
Thursday, August 16th

Thursday August 16th @ 285 KENT AVE
11:15 || Cassie Ramone w/ Julie K-Holes
10:30 |||| Deep Time ——— formerly known as Yellow Fever
-9:45 |||||| Turn To Crime —- Derek Stanton from Awesome Color
-9:00 |||||||| Weird Rivers
-8:15 |||||||||||| I’m Turning Into

OurGoods:Barter: Theory and Practice
Eyebeam: Art and Technology Center
Saturday, August 18

From myths of haggling savages to accounts of societies run on mutual aid, “barter” occupies a grey area between gift giving and market transactions. In this workshop, participants will experience the theory and practice of barter. Participants will (1) learn about contemporary and historic barter communities, (2) connect with potential barter partners and (3) discuss the problems and possibilities of barter: building trust, negotiating value, communicating clearly, and getting projects done without money. Workshop Facilitator: Caroline Woolard is a co-founder of OurGoods.org and TradeSchool.coop, two barter networks for cultural production. She is currently a Fellow at Eyebeam. cost: bring drinks/food to share, or volunteer to help clean up. You must RSVP to attend: email info@ourgoods.org with your name and the item/service you plan to bring.

Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART
SPR
Saturday, August 18

A night of music & art brought to you by… Chandrikas. Music by Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART, the closing of “Growing the Garden,” a summer art exhibition of mixed media and mixed forms by David Shull.

Pressed And, It is rain in my face, Cuddle Formation
Cameo
Saturday, August 18

Sxip Shirey’s Hour of Charm
Joe’s Pub
Friday, August 17th

A brief history of a word I use allot by Jesse Sheidlower lexicographer and writer of “The F-Word, a detailed history of the word f*ck,” Turntablist/percussionist/producer VAL INC. who pulls beautiful ghosts from a table of machines, very very real, very very human and very very funny New York stories by GREG Walloch and CHRIS WELLS, Fascinating smart songs and live electronic compositions of composer AMY X NEUBERG, beautiful and compelling 4 part vocal music of TREVOR WILSON and ENSEMBLE and a new composition inspired by Ali Farka Touré by SXIP SHIREY performed with Rob C. (special appearance by Leron Peled!)

Sky-Pony/PitchBlak Brass Band
Joe’s Pub
Sunday, August 19th

Pitchblak Brass Band is a ten-piece brass collective comprised of composers, producers, artists, rappers, strivers, hustlers, and superstars. Hailed as NYC’s only hip hop brass band, PitchBlak has been rocking the city since 2010 with their original dance-worthy music, which combines robust horns, Afro-Caribbean beats, soaring jazz solos, and tongue-twisting raps. In addition to performing at notable venues such as 92YTribeca, Southpaw, and a packed headlining performance at Brooklyn Bowl, PitchBlak most recently played to enthusiastic crowds at the NXNE festival in Toronto. Because of each member’s diverse musical background and training, PitchBlak is active in teaching and mentoring young musicians in New York, and prides itself on giving back to the community. For more info, visit www.pitchblakbrassband.com.

“CORIOLANUS” (Shakespeare in the Parking Lot)
Municipal Parking Lot at the corner of Ludlow and Broome Streets, Manhattan
August 2-18

Coriolanus” has been re-envisioned as a modern day “election fable” in the second production of the Drilling Company’s 2012 Shakespeare in the Park(ing) Lot series. This “Coriolanus” is set during an election year, when money can buy power and working class citizens feel threatened by a dwindling patrician class who are seeking to solidify their political power by manipulating political figures. The title character, played by Arash Mokhtar, is a potential leader who is vaunted for his success as a warrior but is completely out of touch with the every day citizen’s experience of hunger and joblessness. 

Popular Culture/Ferns
Cameo
Wed, August 22nd

GEORGE BARBA YIORGI AND THE BYZAN-TONES
Zebulon
Wed, August 22nd

An Illustrated lecture and book signing with Rachel Poliquin, author of The Breathless Zoo and the blog “Ravishing Beasts”
Observatory
Friday, August 17th

In her new book The Breathless Zoo: Taxidermy and the Cultures of Longing, Rachel Poliquin–best known for her blog “Ravishing Beasts”–explores the cultural history and poetic resonance of taxidermy from its rudimentary beginnings in cabinets of wonder to its revival in contemporary art. From hunting trophies to extinct species and kitten weddings to perpetual pets, The Breathless Zoo examines the meaning and matter of preserved animal-things and why anyone would want them to exist, and attempts to get to the heart of taxidermy by answering two fundamental questions: why would anyone want to preserve an animal, and what is this animal-thing now? Animal or object? Animal and object. This is the irresolvable tension that defines all taxidermy. As The Breathless Zoo demonstrates, with taxidermy there are no easy answers.

The Fall of the American Movie Palace
Observatory
Saturday, August 18th

There’s nothing remarkable about a movie theater today, but there used to be. When the great American Movie Palaces opened, they were some of the most lavish, stunning buildings anyone had ever seen. With the birth of the multiplex, theater companies found it harder and harder to keep these buildings open. Some were demolished, some were converted, and some remain to this day. “The Fall of the American Movie Palace” will take you through the history of these magnificent buildings, from their opening in the early 1900s to years after the final curtain.

Presentation Party Night 2 Year Blow Out
The Loom
Sunday, August 18th

Topics this month:
• Aesthetics
• L Train History
• Cider
• Self-Confidence
• History of Riddles
• PPN Past, Present, and Future!

OpenLab
Reverse
Saturday, August 17th

REVERSE invites you to the exhibition of OPEN LAB, the culmination of a month of work at REVERSE SPACE, during which six emerging artists use the 1010 sq ft gallery space and convert it into their own work-stations. The artists: Jin Joo Chae, Scott Fitzgerald, Hudson Lines, Francesca Padron, Gabriel J. Shuldiner, Jeremy Zierau

Microcosm: Sonic Territories
The Stone

Saturday, August 17th

Microcosm is Jonas Braasch’s new project. Expanding from his solo work, Microcosm is — in a nutshell — in a band with Jonas on the soprano saxophone, his alter ego on the Arturia Moog foot pedal, and Caira, an intelligent agent who improvises autonomously with the trio using auditory scene analysis techniques, machine listening, and logic-based reasoning. The agent is currently being developed through support from the National Science Foundation, together with team members Doug Van Nort, Pauline Oliveros, and Selmer Bringsjord. The Microcosm project was conceived to cross traditional boundaries between arts and science, and was conceptualized out of the desire to perform with an inspiring ensemble that can follow and provide musical cues very quickly. The concert will include adaptations from Jonas’ previous works: “Global Reflections”, “Sonic Territories”, and “Quartet for the End of Space”, which were released on Deep Listening and Pogus.

Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets
August 12, 2012–January 7, 2013

The Gay Agenda Plays It Straight
Look at Me Now
Debasement
Painting in the Digital Age

The 7th Annual Jazz Age Lawn Party

COMING UP:

Wondering Around Wandering
Day Joy/Gracie
Gayle Young with Reinhard Reitzenstein
Obscura Society NYC: The Poison Cauldron of the Newtown Creek

 



The Week/Weekend: August 9-16

Jessica Rath: Take me to the apple breeder
Jack Hanley Gallery
August 09 – 31 2012

Rath’s porcelain sculptures allude to the odd forms and luminescent hues of little-known and endangered varieties, while large-scale photographic portraits document newly manufactured hybrid trees. These artifacts are designed to investigate diversity at a molecular level and human intervention in the natural world.

MY LOVE FOR YOU BURNS ALL THE TIME
348 South 4th
August 11-August 30

MY LOVE FOR YOU BURNS ALL THE TIME transforms the Packard Plant, Detroit’s notorious post-industrial behemoth, into a series of silver-plated fragments of a monument in miniature. Let’s call it Pirnanesian bling. Measured, documented, reconstructed instances suspend the ever-shifting site into a series of precisely scaled replicas of ruination. Some focus on the buildings’ acclaimed iconography: the water tower, the Grand Boulevard bridge. Others preserve unexceptional examples of architectural obsolescence: a reinforced column, a typical façade, an elevator shaft. Suspension here is a devise in the production of fetish-worthy fantasy, allowing an interminable return to an image of degradation that no longer exists in the material world. The copy, consequently, is rendered more auratic, more titillating.

Grand Central Library’s first Comic Extravaganza
Grand Central Library
Saturday, August 11

Do you sometimes wonder where all these superhero movies come from? Are you new to comics or a lifelong fan? Join us for a celebration of all things comic and super! (super hero, that is).
11:00 am – Toon Town: Comic Books and New York City by Kent Worcester
12:30 pm – Manga drawing instruction with Ivan Velez
2:00 pm – Comic Trivia with Geeks Out
4:00 pm – Comics Panel, featuring Marvel writer Greg Pak and Marvel editor Daniel Ketchum

My Name Is New York: Ramblin’ Around Woody Guthrie’s Town
Central Park 
August 11th

Guided conversation on the history of folk music through Woody Guthrie’s New York with Anna Canoni (Granddaughter of Woody Guthrie and researcher / licensing for “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”), Tiffany Colannino, Woody Guthrie Archivist and Assistant Producer of “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”, and Dom Flemons, a member of Carolina Chocolate Drops.

DAYNA KURTZ 
Barbes
Thursday, August 16

With vocal comparisons to Nina Simone and a musical style that pulls from jazz, blues and country, singer/songwriter Dayna Kurtz has found her best success not in America but in Europe. Kurtz started out as a folkie, but has expanded her influences over the years, creating a sound that fits in best with an Americana umbrella.

29th Annual Roots of American Music Festival: Daniel Kahn & The Painted Bird/Taylor Mac/Swamp Dogg
Hearst Plaza
Aug 12 at 1pm, 3pm, and 6pm (see full schedule)

Do politics belong in music? They sure do, especially when delivered as entertainingly as by this handful of radically independent singer-songwriters. Indie folk singer and activist Erin McKeown owes much to the topical songwriting of folk legend Tom Paxton. Bedazzled creature Taylor Mac and band perform selections of political songs from his upcoming 24-hour concert of the history of popular music. Daniel Kahn, whose Painted Bird has been called “the Yiddish Pogues,” is to klezmer music what blues singer Pura Fé, founder of a cappella trio Ulali, is to Native American music.

Underpinnings
House of Yes
Thursday, August 9th

Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.

Flux Thursday
Flux Factory
August 9th, 8 pm – 11 pm

Join us for Shake In/Shake Out, a special performance art edition of our monthly potluck dinner and art salon. Starting in the kitchen at 8pm we will feast and then at 9:00 we’ll head to the gallery for performances, video art, and installations curated by Fluxers Ye Taik, Lehna Huie, and Lena Hawkins.

Dom Flemons and Boo Hanks
Joe’s Pub
August 16

Music Maker Relief Foundation is pleased to announce the release of Dom Flemons’ & Boo Hanks’Buffalo Junction. This album is the result of a partnership between Piedmont-style blues guitarist Hanks and Flemons, who in 2011 won a Grammy Award and played the Newport Folk Festival with his group the Carolina Chocolate Drops. Hanks worked the tobacco fields near his Virginia home for the majority of his 83 years. In 2006 he began a partnership with Music Maker Relief Foundation that led to opportunities such as opening for the Chocolate Drops collaborating with Dom Flemons on their album, Buffalo Junction, named for Boo Hanks’ hometown. The album, which will be released June 19, 2012, features upbeat, country blues that crosses generational lines.

The World Beatbox Association presents:The 3rd Annual American Beatbox Championships
Le Poisson Rouge
Sun., August 12, 2012 / 6:00 PM

This year’s championship event will be presented over 2 days with the Grand Finals being held at Le Poisson Rouge as well as an opening night International Open Mic series at Littlefield performance arts gallery in Brooklyn. The event will feature beatboxers from across America with special showcases by reigning American champion J-Flo, three man ill, and Word of Mouth (Killa Beatz and Subconscious) of Toronto.

ALSARAH & THE NUBATONES
Barbes
Friday, August 10

Fronted by Sudanese singer Alsaraha, the group plays what they call “Nubian Soul”: a selection of Nubian ‘songs of return’ from the 1970s to today with original material and traditional music of central Sudan and southern Egypt. Featuring Alsarah – Vocals; Karine Fleurima – Vocals and Keys; Haig Manoukian – Oud; Rami El Aasser – Percussion and Mawuena Kodjovi – Bass.

The Lost Circus
Irondale
Saturday, August 11

The party, 9pm-late: Discover a circus long lost, with music from times gone by or times that never were: Amour Obscur (gypsy punk accordion vagabonds), Shayfer James (dark, danceable anthems of mischief), and Emperor Norton’s Stationary Marching Band (riotous steampunk brass). DJ Joro Boro bridges the dust of Burning Man with the sounds of a rogue Slavic circus.

FringefestNYC
Various locations
August 10-26

The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues.

Streamline
Kansas Gallery
August 11 – September 08, 2012

Ryan Lauderdale, Owen Kydd, Ignacio Torres, Chloe Wessner, Constant Dullaart, Andrew Pomykalski, Juliette Bonneviot, Ann Hirsch, Kevin Kelly, Aude Pariset, Artie Vierkant, and Sarah Faux.

WoodStock Bowl
Brooklyn Bowl
SUN 8/12

SIXTIES MUSIC/MEMORABILIA SHOW. RARE ’60S PSYCHEDELIC, ROCK & ROLL, FILM/ COUNTER CULTURE POSTERS, VINTAGE CLOTHING/JEWELRY /AUTOGRAPHS/ARTWORK/COMICS/MUSIC/ COLLECTABLE EPHEMERA, FROM THE “DECADE OF CHANGE” CELEBRATING PEACE & LOVE!, PLUS SPECIAL GUEST LEGENDARY GUITARIST GENE CORNISH FROM BK’S OWN ’60S MUSIC ICONS THE YOUNG RASCALS

Détournement: Signs of the Times
Jonathan Levine 
August 8—25, 2012

Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs

Other Mother Brothers
Cotton Candy Machine
August 10th to September 9th, 2012

Our next event is with three amazing NYC based artists, Jon Burgerman, Andrew Bell, and JK5 for the opening of ‘Other Mother Brothers’. Join us for a show filled with originals, prints, books, designer toys, apparel and more!

TERMINATOR TOO JUDGMENT PLAY
Santos
Aug 11, 2012

Get blasted by super-soakers! Witness the scorching of He-Man action figures! Be dazzled by James Cameron’s revolutionary action sequences and special effects… recreated LIVE (in true 3D)… with next to no budget at all! Think your Arnold Schwarzenegger impersonation is the best around? Here’s your chance to prove it. For each show, the role of THE  TERMINATOR will be chosen from the audience… by the audience!  Don’t worry, we’ll provide all of Arnold’s complex, important dialogue on cue cards.

AMPLIFIED QUARTET – Jeremiah Cymerman, Peter Evans, Nate Wooley, Matt Bauder
Roulette
Thursday, August 9, 2012 @ 8:00 pm

Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.

RUFUS CAPPADOCIA’s ROOTS QUARTET
Barbes

Thursday, Aug 9

The cellist draws from “the similarities between seemingly diverse music forms such as blues, Sufi, Middle Eastern and even Gregorian chant.”.

FOUR TOURS : AUGUST 12, 18, 19 on GOVERNORS ISLAND
PROGRAMS MEET AT STORM KING’S VISITOR CENTER
AUGUST 12, 18, 19

In honor of the 25th anniversary of Socrates Sculpture Park, founded by Mark di Suvero, four artists who have exhibited at Socrates – Janelle Iglesias, Jory Rabinovitz, Rob Swainston, Lan Tuazon – will lead workshops and tours of the di Suvero exhibition and relate the exhibition to their own artistic practices.

The Secret Science Club presents Shark Mania! with Marine Biologist Hans
Thursday, August 16
The Bell House

Shark researcher Hans Walters of the New York Aquarium discusses his wet-and-wild work tagging and tracking sharks and curates a live-screening ofGreat White Highway, a new documentary debuting on Discovery Channel’s Shark Week that follows marine scientists as they pursue the mysterious migrations of great white sharks(Carcharodon carcharias).

Poetry from the Rooftops: Aracelis Girmay, A. Van Jordan & Tom Sleigh
Thurs., August 9, 6:30pm
The Arsenal Building in Central Park, 64th Street at 5th Avenue, NYC

Join us on Thursday, August 9 at 6:30pm for the third Poetry from the Rooftops of 2012. Aracelis Girmay, A. Van Jordan & Tom Sleigh will read from their work.

DAVID ULMANN QUINTET. CD Release Party for “Falling”
Barbes
Tuesday, August 14

David’s debut album, Hidden, was released in 2005 and was called ” an exciting record that reflects restless creativity.” by All About Jazz. David also composes music for film, most recently completing the score for “The Happy House,” a feature filn by D.W. Young. David’s first film project, Atsushi Funahashi’s “Echoes,” was well received by critics and film festivals, winning three Jury and Audience Awards at Annonay International Film Festival in France and the High Hope Award at the Munich International Film Festival.
With David Ullmann – Guitar; Chris Dingman – Vibes; Karel Ruzicka Jr. – Sax; Vinnie Sperrazza – Drums and Gary Wang – Bass.

Karen Marston: New Paintings
Vibrant Intersections
Livable Streets: Queens Style!
Deep In The Cut@ Mighty TanakaRoom No. 5 Circle of Arts and Pablo D’AntoniPolished work by artist Paul Catalanotto
The Post-Olympic City
Die Roten Punkte w/ special guest Jessica Delfino
Our Lady J
Birdy
BEE AND FLOWER are playing with friends BARBEZ and ULRICH ZIEGLER

COMING UP:

Joianne Bittle: On My Way Gone
Gypsy Fest
Al Green
The Fall of the American Movie Palace
Hour of Charm 



THE WEEK/WEEKEND: August 2-9.

Summer Group Exhibition 2012@Joshua Liner
Joshua Liner

August 2 to August 25, 2012

Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.

IRABAGON FEST: BARRY ALTSCHUL, JON IRABAGON TRIO
Cornelia St Cafe

Thursday,  Aug 02 – 8:30PM 

Jon Irabagon and Barry Altschul have performed continually in the last few years, including their tour-de-force Foxy (Hot Cup Records) and their upcoming duo release on Jon’s Irabbagast Records. As a preview of their upcoming trio tour, they invite master bassist Mark Helias to join them tonight at Cornelia St. Cafe, where they will be debuting new compositions as well as delving into the group improvisations that have made Barry and Mark such an important rhythm section combination over the last two decades.

IRABAGON FEST: BARRY ALTSCHUL GROUP
Cornelia St Cafe
Friday,  Aug 03 – 9:00PM & 10:30PM 

Since the early 1960′s, Barry Altschul has been associated with being at the forefront of Modern Jazz, playing with innovators such as Paul Bley, Steve Lacy, Chick Corea, Sam Rivers, Anthony Braxton, Dave Holland, Muhal Richard Abrams, George Lewis, Andrew Hill and Roswell Rudd, to name a few, as well as the likes of musicians such as Lee Konitz, Hampton Hawes, Sonny Criss, Art Pepper, Johnny Griffin, and many others.

IRABAGON FEST: JON IRABAGON JAZZ QUARTET
Cornelia St Cafe

Saturday,  Aug 04 – 9:00PM & 10:30PM 

Cyro Baptista @The Stone
The Stone
8/7 Tuesday and 8/8 Wednesday

Multicultural, polyphonic, highly creative entertainment that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled.

CAROUSEL @ SOLOWAY
SOLOWAY
Friday, August 3rd

Soloway is pleased to host the latest CAROUSEL, a long running series of Cartoon Slide Shows and other projected pictures, created and presented by a wide array of writers, cartoonists, and other characters. Hosted by R. Sikoryak.
This episode features:
Gabrielle Bell
Emily Flake
Myla Goldberg & Jason Little
Danny Hellman
Matthew Thurber

in the open
Kesting/Ray
Aug. 2 – 18, 2012

KESTING/RAY is pleased to announce its upcoming exhibition in the open, a group show featuring five emerging artists who recently completed their Masters in Fine Arts from the University of North Carolina at Greensboro.

The Skin We’re In
Yossi Milo Gallery
August 2, 2012–August 31, 2012

Yossi Milo Gallery is pleased to present The Skin We’re In, a group exhibition featuring the work of David Goldes,Lindsay Lawson, João Enxuto & Erica Love, Stephen Prina, Jon Rafman and Mark Tribe. The exhibition will be on view from August 2 through August 31, with an opening reception on August 2 from 6:00 – 8:00PM.

MIDNIGHT MONSTER MELTDOWN
Opening Party and Birthday Celebration: Saturday August 4th, 7pm-10pm
MF Gallery

Both artists are known for their colorful and horrific 2-D artwork in the form of drawings, prints and comic books. For this show, they have embarked on a brand new journey that will take us down the darkest roads of gore, the supernatural, and all things unknown. Witness Frankenstein, larger than life! Stand in awe of the giant blood dripping face, protruding from the wall! Behold the latest incarnation of The Creature From the Black Lagoon! Stumble in fear as you encounter Aliens dripping and oozing in blacklight pus, and look into the eyes of Death Itself! “Midnight Monster Meltdown” provides a visual explosion comparable to being high on LSD, trapped on a roller coaster inside an old time Spook House that never ends… All this and more only at MF Gallery!

Signs of the Apocalypse
myplasticheart
Friday August 3rd 2012 6 – 9pm

Underpinnings
House of Yes
Thursday, August 9th

Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.

Kimmo Pohjonen & Helsinki Nelson: Accordion Wrestling (U.S. premiere)
Damrosch Park Bandshell
Aug 3–4 at 8:30

SurroundSound grunts and groans punctuate accordionist Kimmo Pohjonen’s dance-theater work in which music, sport, and dance blend into a unique multimedia “squeeze play.” Reviving the dormant Finnish tradition of accordion-accompanied wrestling matches, Pohjonen performs while grapplers struggle on a custom-made mat embedded with microphones. His work, with choreography by Ari Numminen, comments on Cold War and gender politics while lending a modern artistic twist to a classic Olympic competition.

RUFUS CAPPADOCIA’s ROOTS QUARTET
Barbes

Thursday, Aug 9

The cellist draws from “the similarities between seemingly diverse music forms such as blues, Sufi, Middle Eastern and even Gregorian chant.”.

OLIVIA SALVADORI/PILLARS AND TONGUES/DJ HIRO KONE
Zebulon
AUG 4, 2012

Overturn Theater’s rendition of : Waiting for Godot
Arts@renaissance
August 2st – 18th, 7pm

Overturn’s artistic director Kristy Dodson has placed Samuel Beckett’s 1953 Godot in an former medical ward in North Brooklyn. Starring Joshua Levine (Off Bway’s Channeling Kevin Spacey ) Casey Greig (Off Bway’s Pure Confidence) James Fauvell, & Daniel Piper Kublick with set design by Cara Shih, lighting design by Jennifer Schriever, fight choreography by Casey Robinson, and sound design & costume design by Kristy Dodson. Overturn’s Godot will be running for three weeks August 2st – 18th(Wednesdays -Saturdays) at 7pm at Arts@Renaissance, 2 Kingsland Ave. BK, NY Garden level.

SCOTT TIXIER & ISOPROPYL BOP
Cornelia St Cafe
Sunday,  Aug 05 – 8:30PM

Violinist Scott Tixier is an award-winning recording artist, named as “Rising Star Violin” in the 60th Annual critics poll Downbeat. He is a true innovator on his instrument and is quickly becoming known as the new voice of jazz violin. He has earned international recognition for his playing.

M. Ward,Yo La Tengo, Wyatt Cenac (of The Daily Show)
Prospect Park Bandshell

Tue, August 7, 2012

Benefit concert to support free programming at Celebrate Brooklyn! a Performing Arts Program of BRIC Arts | Media | Bklyn.

AMPLIFIED QUARTET – Jeremiah Cymerman, Peter Evans, Nate Wooley, Matt Bauder
Roulette
Thursday, August 9, 2012 @ 8:00 pm

Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.

PULVERIZE THE SOUND/AURAL DYSTOPIA
The Grand Victory
Wednesday, August 8, 2012

An evening of punishingly heavy improv: PULVERIZE THE SOUND (Peter Evans/Tim Dahl/Mike Pride), SHEAJOY (Stuart Popejoy/Kevin Shea), BURNING GENITALS (Jamie Saft solo).

The Alaev Family (New York debut)
Damrosch Park Bandshell
Aug 8 at 7:30

The propulsive doyra hand drums of Bukhara, Uzbekistan, drive the ecstatic sound of “Bucharian Groove” band the Alaev Family, who immigrated to Israel in 1991. The Alaevs blend together the sounds of Turkey, Persia, China, and Russia alongside lyrics by Tajiki poets on their latest album, produced by Balkan Beat Box’s Tamir Muskat, which captures the fire and drive of their live shows.

NoTornado
Wednesday, August 8, 2012
ZirZamen 90 W. Houston St., NY, NY

Fay Victor and Anders Nilsson’s Exposed Blues Duo, Ed Pastorini, Jonathan Wood Vincent

GREEN SCREEN
Cornelia St Cafe
Wednesday,  Aug 08 – 8:30PM 
“Green Screen” was formed by the meeting of 3 musicians that were playing the Big Apple Circus. In contemporary music circles, the circus probably doesn’t hold much respect. But, the history of circus musicians would surprise most. According to Joe De Mare, ( Bronx trumpeter who played with Louie Prima ) – “back in the day , all the big bands got their cats from the circus – ( including Count Basie and Duke Ellington ) – these cats had chops and endurance. They could play ANYTHING. “
Under the Mattress
303 10th Ave.
August 2-25

Under the Mattress is a solo exhibition of works by Billy Frey. The collages are done by hand using original vintage materials and imagery, primarily from magazines fromt he 1930′s to the 80′s. With bold and often complex patterns of re-appropriated images, he offers us tales that are humorous, dark disturbing, playful, perverse, and fantastical. Frey is heavily influenced by classic film, comic book art, cartoons, surrealist film and literature. The collages represent a fusion of times past and present, creating an environment where time is non-linear. Within our minds, it is happening all at once. A place where the 30′s and the 60′s can do a dance together, unaware of the fact that time has already come and gone.

Heritage Sunday AYITI RASANBLE!
Hearst Plaza
August 5, 1pm

Ayiti Rasanble! (“Haiti, come together!”) celebrates the indomitable spirit of the Caribbean nation with dance and musical groups reflecting its resilience and pride. Feet of Rhythm Afro-Haitian Dance Company works to preserve traditional dance forms under the vision of founder Nadia Dieudonné, the dancer and choreographer best known for her infectious interpretations of banda, the dance of Ghede, the revered Haitian spiritual figure of the underworld.

Christopher Smith: Underbody
site95 @ Launch F18, New York, NY
August 6 – 18, 2012

In “Underbody,” Smith continues his investigation into the usage of current technology and assembly line manufactured materials to break beyond the traditional two-dimensional form of painting. The 14-minute projection of foaming paint drips across a 9 x 6 ft Plexiglas surface.

S!CK MAGIC W EGYPTRIXX//SINJIN HAWKE//N0ms//GOBBY//MIKEQ//REZZIE//RPEG//TOMAϟϟ
285 Kent
Saturday, Aug 4, 11:30pm until 4:00am

JENNY ODELL: THE FOSSILIZED PRESENT
Breeze Block Gallery
Wed. Aug. 1, 5:30-8

Interpreting the inhuman experience bred from modern technological advances that compose our commonplace environments, for the past two years Bay Area native Jenny Odell has been utilizing imagery taken from Google Satellite images in a commentary on the sanctification of otherwise mundane objects in our lives that are taken for granted. The show will feature eighteen prints displaying Odell’s unique interpretation on the alienation of this perspective provided by the revealing landscape that she manipulates in her distinct evaluation of our surroundings.

Alex Gingrow: All the money IS in the label
Mike Weiss
August 2, 2012 – September 1, 2012

Mike Weiss Gallery is pleased to present All the money IS in the label by Brooklyn based artist Alex Gingrow.  For her first solo exhibition, Alex Gingrow presents dozens of obsessively rendered drawings on paper loaded with cutting, antagonistic humor and a quick trigger finger pointed at the heart of the art world.   Over the past five years while working at a midtown frame shop, the artist has collected snippets of sordid conversations overheard from chief art world players as well as from peers working at entry- level positions within art institutions.   The resulting works are incredibly revealing, and often baiting epitaphs of insider conversations, reified and displayed, ironically within a frame.  With a snarky, sharp wit and a healthy dose of self-deprecation, Gingrow implicates all levels of the “establishment” including Gagosian, Hirst and Warhol, the New Museum and even our own Mike Weiss Gallery.

Midsummer’s Mayhem Poetry & Pub Crawl
Just Lorraine’s Place
Saturday, August 4, 2012

Skewered Syntax returns to Harlem for the Midsummer’s Mayhem Poetry & Pub Crawl. All who want to participate, or who bear witness to one of the greatest New York City literary spectcles are invited to gather in front of Just Lorraine’s Place at 8:00 PM with poem in hand or heart. After Featured Poets April Jones, Matthew Hupert, Robert Gibbons and Zev Torres open up the ceremonies, there will be an open mic, followed by drinks. Then we’ll take a short walk to the next venue where we’ll recite more poetry, imbibe a little more and move on once again. There’s no cost to join our merry band of poetic artisans or to recite your own pieces, but everyone pays for his or her own drinks.

Rockaway Pipeline Day of Awareness Action
Jacob Riis Park
AUG 4, SAT

Please join members of the Coalition Against the Rockaway Pipeline this Saturday August, 4th at Jacob Riis Park to gather signatures on the boardwalk, and distribute information opposing this pipeline!

Lucinda Williams
The Bowery Ballroom
Mon, August 6, 2012

It’s not all that hard to find an artist who’s capable of offering a guided tour of life’s dark clouds – nor is it rare to come into contact with one who can hone in on the silver lining. But the ability to do both with equal grace, well, that’s an altogether rarer gift – and it’s one that Lucinda Williams displays with remarkable élan on her latest Lost Highway album, Blessed.

M Shanghai String Band and Friends 10th ANNIVERSARY SHOW
Jalopy
Saturday, August 4

The Red Hook Ramblers Live Music with Silent Films
Jalopy
Sunday, August 5

COMING UP: 
The Fall of the American Movie Palace



An Interview with Adam Niklewicz.
July 31, 2012, 11:06 pm
Filed under: ART, INTERVIEWS | Tags: , , , , , , , , , , , , , , , , , , , ,

by Jade French

Adam Niklewicz plays with the relationship between identity and nationality with a slice of sausage in the middle. Removing our typical relationship with food (eat and run) Niklewicz forces the viewer to reimagine how we can view food with everything from beautifully rotating chicken bones to musical sausages! His sculptures are multi-faceted creations which resituate objects outside of their normal habitats. We caught up with the artist to find out more…

Jade French: How does your relationship with both Poland and America inform your work?

Adam Nikelwicz: On one hand, there’s the visual vocabulary of my Polish childhood, on the other – the American pop-cultural and commercial iconography. The two clash and blend together (there’s a bit of smoke) and all this occasionally produces some creative leaven.

JF: Do you think through creating art you gain a sense of identity? Or does art incorporate a universal feeling, which negates nationality?

AN: I’d dread to hear that my art is somehow ethnic, hermetic or obscure. True, I often base it on quirky, ethnic, folkish facts but I do hope I’m able to distill these facts into works with universal appeal.

JF: Can you explain more fully how ‘Romantycznosc is a reflection on the Polish psyche? How did you create that piece of work? Its amazing that the sound is so pitch perfect when made out of meat!

AN: It’s hard for me to explain the Polish psyche notion (other than through art itself), I know though it reaches its peak when a Pole plays a polonaise on the instrument. Putting this piece together took a lot of effort and a lot of sausage.  And there were these frequent (up to three times a day for a few weeks) visits to my local Polish deli, which confused the store clerk.  My appetite for always the same mundane kind of sausage, the shear amounts of the product purchased, the fact that I’d often produce a tape measure from my pocket to check on the sausage’s length before buying – all this made the clerk uneasy.  I fought against the instinct of explaining myself.  I decided that the explanation (I’m not really weird, I’m only making a musical instrument out of sausage) would not boost my image with the man. In other words, I enjoyed the process and misperceptions it produced.  The process has recurred several times since with other projects.  What makes the piece utter the right kind of sound must remain a secret.

JF: One thing that strikes me is the manipulation of found objects into functioning equipment- like the Art Forum kaleidoscope. How important is it that your art has a function, as well as an aesthetic value?

AN: I want my work to both look good and to possess content.  Yes, I need my objects to function, but their purpose must not adhere to an easy logic.

JF: Is the Art Forum piece a comment on art journalism? I noticed you cut the visuals from the review sections out- how much do art reviews affect an artist?

AN: Perhaps it’s a comment on the nature of art.  I truly believe that art is ever-changing (like the kaleidoscope effect used here) and ever-fresh (not unlike nature itself).

JF: Do you think using microscopic visuals forces the viewer to look harder at your artwork, or engages them in a different way?

AN: A small object of art feels precious, like a piece of jewelry. I noticed that people gladly focus their attention on a small work. They feel encouraged to wrap their minds around it.

JF: Would you classify your work as playful?

AN: I’m very happy when someone calls my work playful.  I’m equally happy when viewers find it humorous.

JF: Pieces such as Ounce have a strong sense of nostalgia and poignancy- does this piece relate directly to personal experiences?

AN: I love that you misspelled the title of this piece!  The actual title – ONUCE, stands for a garment of sorts – two pieces of fabric or paper (often a newspaper) designated to be wrapped around feet, usually in addition to socks.  All this for an extra protection against cold.  I suspect the term made the title partially because it looked like a misspelled English word (e.g. ONCE, OUNCE).  I used to wear onuce as a child.  Big time!

JF: Pieces such as Calle Lunga’ and Monument to Borscht, although stationary, seem to incorporate a sense of movement- is that something you recognize yourself?

AN: These two pieces are not really built to last.  They appear to face the imminent prospect of collapsing, breaking, sagging. I think, this is where the sense of movement comes from; their fragile nature implies change and change is related to movement.

JF: The kinetic sculpture Chicken Souphas a sense of frailty to it – what do you think this piece is trying to say?

AN: I like fantasizing about that chicken I consumed. I assembled its bones in a rather aerial manner.  I wonder- is this transformed bird on the verge of taking off?

JF: Why is there a link between food and heritage within your work?

AN: Food is a visible, tactile, sensuous (and surprisingly meaningful) way of experiencing a cultural heritage.

JF: I also read that you ate paint as an art student, which relates to the piece of bread with orange oil paint – can you tell us the story and why you recreated this moment later in life?

AN: The incident happened many years ago during a drinking party of a bunch of 17-year old art students – all ready, perhaps even certain, to conquer the artworld.  In my own drunken stupor, I spread orange oil paint over a slice of bread and challenged everyone to take a bite.  Nobody did!  Meanwhile, I put myself on the spot and now I had to have a good chunk of the slice.  The long forgotten incident returned to me quite suddenly, and made me realize that the then display of adolescent stupidity was in fact an act of commitment. A vow. I’m the only participant of that gathering from he past that keeps making art.  I recreated that ‘action’ now to renew the old vows.

For more about Adam visit his website.



American Meat.

By d.

how it comes of blood.

how it comes of bleeding.

meat.

meat.

american meat.

how it comes with feeling.

like you eat the way the slaughterhouse felt/feels.

it’s in the meat, like a secret

ingredient the FDA doesn’t wanna talk about. and it becomes you. and u wonder, y am

i so sad?

u go 2 the dr.

and you trust what comes in an orange plastic bottle with a nice white paper label and
directions for use in the typography of impartial findings.

slowly, your systems get confused-­‐-­‐is that cancer, some disease, or just another
expectation of me?

don’t be embarrassed. they’ll clean your bedpans, mop up the blood you come of, open
you and brace you open, and cut out of you the stuff you’re made of, throw it out, a barf
of surgery. you’re just hunks of made the easy way. and your funeral is the big show.

or someday, language will say these things. and we’ll see ourselves in its mirror like
things we never stood for.

like another war, and another war.

death before the bastard’s innocence.

Forgiveness?

like emptiness. like arduousness and emptiness, trying and trying and emptiness, and
trying and trying and trying and emptiness, and trying and trying and trying and trying…
and emptiness.

look!-­‐-­‐a dot.

or peephole.

animals!

cobra, phoenix, amoeba. mule deer, monkey, bee, moth, mammoth, giraffe, wolf-­‐-­‐ different things in different spaceships. be made, remade of cantaloupe and cucumbers,
of avocado and almonds, nuts and kale and flax seed, kelp and tomatoes and sea salt and lettuce and cayenne pepper.

robot and his monkey brother.

and lo!-­‐-­‐the sun doth riseth, a wailing, wasted ball of drunken water on fire, less
idealism, merely, and the ponderosa’s sap is hot and flowing, it flows, in the sunlight
glowing, and the mosquito is fat on blood and on the ponderosa napping when-­‐-­‐poor mwah-­‐skweet-­‐O!-­‐-­‐he is trapped in hot drip of sap avalanche and preserved for 40 million years.

 


d. is a graduate of the University of California, Davis and the University of Virginia, Charlottesville.  d.’s work has appeared or is forthcoming in Tattoo Highway, Fringe, The Collagist, Orion Headless, Birkensnake, and other places. d. lives on the river in Portland, Oregon.



THE WEEK/WEEKEND: MAY 10-17.

EDITOR’S PICKS:

Stephen Hannock: Recent Paintings: Vistas with Text @Marlbourgh

Jacqueline De Jong’s Situationist Times, 1962-1967
http://boo-hooray.com/the-situationist-times/de-jong-situationist-times/
05/09/2012-05/25/2012
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Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.

(more…)



The Weekend:Dec 2-4.
December 2, 2011, 8:55 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

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THE WEEK/WEEKEND: Oct 3-10th.
October 3, 2011, 4:20 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

“Coonskin 2: Flight to Canada”, a collection of art works by Terrance Hughes
Opening reception: Saturday, October 8th, 6 – 9pm

For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.

Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.

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Sigma By Pamela Murray Winters.
September 26, 2011, 1:46 pm
Filed under: WRITING | Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

They watch you on the box in Cyprus, worship you sextile
in the American board room. In ancient Rome,
they draped themselves over you to await the platters.

In Mega Man videogames, children fire on you.
In the fleshly world, Smith and Wesson hold you
in stinking hands and fire on others.

You bond in chemistry, deviate in statistics. You’re
volatile in the marketplace, sporty in Germany,
a busy beaver in computability theory. You’re a guitar,

the great Martin’s budget line, established the same year
lithium was prescribed to stabilize the psyche
and four kids died in Kent. Are you expedient?

How many bros and bras fly your flag? In Brazil,
you were carried in the Pajama Putsch, a right-wing attack.
Here, you’re too often the shape of the outline

of the bent body of some dumb sick kid
looking to be liked, looking to be alpha.


Pamela Murray Winters is a native of Takoma Park, Maryland. Her poems have appeared or will appear in Gargoyle, Gettysburg Review, JMWW, Innisfree Poetry Journal, Takoma Park Writers 1981, and other publications. She works at a major scientific association. Her natural habitat is the front row of a Richard Thompson concert.



NEW WORK FROM BRIAN DETTMER: American Peoples/Land and Peoples

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THE WEEKEND: Sept 2-5.
September 1, 2011, 4:28 am
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BRIAN M. VIVEROS: RETURNING ART TO THE UNCLEAN @ LAST RITES.
Opening Reception: Saturday, Sept 3rd, 7:00pm-11:00pm.  Show runs Sept 3rd thru 25th, 2011.

Known for his strong and sensuous depictions of women, Brian M. Viveros is a master of contemporary iconography paying homage to the femme fatale. While he almost exclusively paints portraits, within the expressions of his women is conveyed such deep emotion and overwhelming sexuality that his work is undeniably erotic. Often without even a hint of nudity, the viewer is seduced with a mere pout and gaze from his subject’s faces.

In what will be Brian’s second showing at the gallery, the opening will feature an all new collection of original paintings, as well as special rare prints from the artist’s own collection; poster giveaway and signing; live “Smoking Army” performance; screening of Brian’s films along with his new short, and much more.

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The Way the Story Ends.

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Interview with Fernando Herenu (Aka Pulpocorporate) by Max Evry.
August 17, 2011, 3:56 pm
Filed under: ART, INTERVIEWS | Tags: , , , , , , , , , , , , , , , , , , , , , ,

Born in Buenos Aires in 1977, Fernando Hereñú has created work that straddles the line between fine-art and illustration, psychoanalytical and pure fun. Using monochromatic tints and inking techniques that evoke the “Zap Comics”-era underground cartoonists of the 70′s as well as the pop surrealists of today, Hereñú (aka Pulpo) uses hallucinatory imagery to create mysterious yet unified motifs and symbols that tap a direct line into his subconscious. Fernando’s show at Tache Gallery in New York City recently closed, and during his free time we took this opportunity to find out what makes the man tick.

Max Evry: How does your experience as a Latin American inform your art?

Fernando Herenu (Aka Pulpocorporate): Much of my experience has to do traveling around the different regions. At first I had the strong feeling that my work had nothing to do with Latin American style, but every day that passes I realize it would be impossible to believe that my drawings come from another region.  I feel I have a strong presence of Latin spirit in my stuff. I see this as the greatest pride for me. All the different publications and exhibitions gave me this conclusion and have led to me being able to exhibit in Berlin, New York, Barcelona, Porto Alegre and Taiwan and to be published in Communication Art, Juxtapoz, Zupi and Xfunz among others.

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THE WEEK: AUGUST 15-19.
August 15, 2011, 3:38 pm
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PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday  8 and 10pm

PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS

THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/

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The New York International Fringe Festival
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)


Maya Zack: Living Room

The Jewish Museum
July 31, 2011 – October 30, 2011

In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.

Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.

In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument.  But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.

Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.

Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Flux Factory 

Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.

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The Weekend: July 29-31.

A Celebration of The Battle for Mau Mau Island

Saturday, July 30

9:30 pm – late

SWIMMING CITIES in collaboration with SEA WORTHY present: A Celebration of The Battle for Mau Mau Island with Rusty Lazer (New Orleans, Bounce.), Dirtyfinger (Black Label), Geko Jones (Que Bajo?.) and Barney Iller (Rubulad).

Last weekend the naval gangs of New York assembled to Battle for Mau Mau Island (see photos here).  Come see the fallen soldiers, harvested booty, and glorious victors at a new two-story space in Bed-Stuy. Mau Mau gangs, gladiator raft jousting, cocktail catacombs, clothing optional watergun fight, underground casino & film screenings of eerily beautiful movies set on the water, slide show and videos of the battle, and an awards presentation for the victors.  Wet & wild all night long.

$5 for gangs in matching costumes, Mau Mau vets, or before 11pm, $10 otherwise; 21+.

All proceeds go directly to the Swimming Cities India project.

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WATER LANDSCAPES/SUSPENDED ENERGY
PAUL BOBKO @ KLOTZ GALLERY.

July 7th-August 19th.

In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc.  At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment.  After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous  end. (READ MORE.)

CONEY ISLAND: 40 YEARS, HARVEY STEIN
KLOTZ GALLERY

July 7th-August 19th.

Harvey Stein has been a fixture on the New York photo scene for many years.  He has photographed the city from every angle with every kind of camera, at every time of day and night.  Beyond these shores he has led photographic seminars and workshops all over the world…He’s gone everywhere, and for the last 40 years he’s been going to Coney Island…where New York City flows into the Atlantic Ocean at the end of Ocean Avenue, in Brooklyn.

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The Week: July 25-29.
July 25, 2011, 3:49 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Tim Robbins & The Rogues Gallery Band @LPR.

Director, producer, activist, musician and Academy award winning actor Tim Robbins was born in West Covina, California on October 16, 1958 and raised in New York City. He began acting in the early ’80s and went on to star in such films as Bull Durham, Jacob’s Ladder, The Player, The Shawshank Redemption, The Hudsucker Proxy and Mystic River. He won a Best Supporting actor for the latter, and was nominated for Best Director for 1995’s Dead Man Walking. In 2010, Robbins rleased his debut album, Tim Robbins & the Rogues Gallery Band, a nine-track collection of self-described “raggle taggle and rousing gypsy Americana,” produced by Hal Willner, which featured the talents of Kate St. John, Leo Abrahams, David Coulter, Roger Eno, Rory McFarlane, Andrew Newmark and Dudley Phillips.

-by James Christopher Monger via All Music

Center for Book Arts: Art Study Tours: Illuminating Fashion at the Morgan Library

Karen Gorst
July 28 , Thursday afternoon, 3pm

The Center is pleased to continue its series of Art Study Tours. Class will be taught off-site, behind-the-scenes at various institutions, collections, and artists’ studios. This summer series will take advantage of the cultural resources in New York City and will focus on color and the uses and making of pigments. Consisting of 3 visits throughout the city this July and August, students may sign up for all three in the series or just for one class, each taking place on a Thursday afternoon.
LISTEN:

Illuminating Fashion at the Morgan Library and Museum. Visit this special exhibition and discover the uses of color in medieval manuscripts with an expert in the field, Karen Gorst. Drawn from the Morgan’s collections, over fifty illuminated medieval and Renaissance manuscripts and early printed books are featured in the exhibition. Join us and discover the difference between the depictions of contemporary fashions and the actual colors used in clothing of the time period. Students will discuss from a historical perspective the process of making paints and dyes. The exhibition will be used as a backdrop for a discussion on the different artistic techniques employed to produce the color in medieval manuscripts and on fabric from the medieval period.

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The Woods are Lovely, Dark, and Deep Artist’s Talk.

Please join Asya Geisberg Gallery for the second annual Chelsea Art Walk on Thursday, July 28th from 5 – 8 pm.

At 6:15 pm we will host a wine reception and talk with the artists Thomas Bangsted and Allison Gildersleeve about the exhibition “The Woods are Lovely, Dark, and Deep”.

More than 125 galleries and institutions participating in Chelsea Art Walk 2011 will be open for extended hours, artist talks, receptions, and other special events to showcase the vibrancy of the summer arts scene in Chelsea.

To learn more about the Art Walk, click here.

To view images from the exhibition, click here.

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w h i t e - h o tWhite Hot @ Margaret Thatcher Projects.
July 7 – September 17, 2011

Reception: Thursday, July 7, 6-8 pm

works by: Jaq Belcher, William Betts, Omar Chacon, Freddy Chandra, Carlos Estrada-Vega, Kevin Finklea, Adam Fowler, Teo Gonzalez, Susan Graham, Rainer Gross, Jus Juchtmans, Aric Obrosey, Joie Rosen, Analia Saban, Fran Siegel, William Steiger, Lars Strandh, Barbara Takenaga, Bill Thompson, Heidi van Wieren, and Venske & Spänle

Margaret Thatcher Projects is pleased to announce the opening of w h i t e-h o t, an exhibition of works by 21 artists, co-curated by Erin Brown and Margaret Thatcher. The exhibition, which includes work in a wide range of media from artists both represented in the gallery’s stable and guest artists, explores the visual and ideological possibilities of the color white.

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Magic for Beginners @PPOW.

Bas Jan Ader, Olaf Breuning, Jennifer Cohen, Scott Hug, Kevin Lips, Niall McClelland, Jesse McLean, Kristie Muller, Rbt. Sps, Brent Stewart

curated by Jamie Sterns and Joseph Whitt

Jul 28-Aug 27, 2011


SUPERCODA: FRIDAY 8-midnight.  The Back Pockets on tour with Huntronik, Rifle Recoil @ CAFE ORWELL.
http://thebackpockets.bandcamp.com/
http://riferecoil.bandcamp.com
http://huntronik.bandcamp.com

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@ THE STONE
7/26 Tuesday (NYDS)
8 pm
Kamala Sankaram / Drew Fleming / Pat Muchmore / Jeff Hudgins
Kamala Sankaram (compositions, voice, accordion, electronics) Drew Fleming (electric guitar, voice) Pat Muchmore (cello, voice) Jeff Hudgins (reeds, voice)
The Summer Music Project: themes for imaginary cartoons, Bollywood noir, and other assorted weirdness.

10 pm
Miguel Frasconi and David First
Miguel Frasconi (glass, electronics) David First (guitar, electronics)

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Wednesday, July 27, 8:30 PM 
“MIKE + RUTHY’S FOLK CITY”:THE SILVER HOLLERS
Amy Helm, voice, mandolin; Elizabeth Mitchell, voice, harmonium; Daniel Littleton, voice, guitar; Byron Isaacs, bass; Ruthy Ungar, voice, fiddle

Confluence an exhibition of paintings by Jess Hartley @Chashama.

Opening Reception July 29th 6pm – 10pm
Gallery Open July 29th through July 31st

Painting: a process, a reflection, an expression.

With the series “Confluence,” Jess Hartely explores all-over abstraction. She begins her work by creating a series of thin layers from which the painting begins to emerge and take on its own form. Depth and color develop as the painting is built up with each layer. She uses masonite board because it resists the water and does not absorb it like canvas would. This extended period of fluidity allows her to explore risk and uncertainty. For Hartley, abstraction is all about the experiment. The work in this series is rooted in Hartley’s own imagination, but follows the rules of experimental process that she has developed.

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Series: Strange NYC History Lectures@ BB.
A Rite of Return

Wednesday, July 27, 7pm, $10/$8 BHS Members
Out of an anonymous 1870 pocket-size diary bestowed on historian Ben Feldman, a fantastic story emerged, and a 100-year old rent in the cloth of a family’s history was repaired. Feldman will share the tale of Henry Knight Dyer (1846-1911), Brooklyn born and bred, who rose from a modest Fort Greene home and his first job as an office boy in the Dennison Paper Products Co. to become president of that multi-national enterprise at the turn of the twentieth century. Dyer’s daily scribblings in a cheap paper volume, as a single 24-year old living in Brooklyn and working in lower Manhattan, inspired Feldman’s lengthy journey for the truth of this man’s life and his wife’s sorry end after less than a year’s widowhood.

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DISAPPEARS & THE PSYCHIC PARAMOUNT@ UNION POOL.
9PM $10/$12

Hot Music for a Hot Summer

Tuesday night the 26th at Freddy’s Back Room,
a Trio concert at 8:30pm with

François Grillot, contrabass, compositions
Catherine Sikora, saxophones, compositions
Andrew Drury, drums, out of this world percussions

$10 admission.
And at 10:00 Duo concert with Sabir Mateen & Ingrid Laubrock

Freddy’s Bar
627 5th Ave
Brklyn, N.Y. 11215
freddysbar.com

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Arcade, Hosted by Kill Screen

Wednesday, July 27, 2011
8:30–11:30 P.M.
MoMA

PopRally invites you to Arcade, an interactive evening of games selected by Kill Screen and inspired by the exhibition Talk to Me. Guests can play games in a variety of spaces throughout the Museum and the Sculpture Garden, including Bit Trip Beat, Canabalt, Limbo, and a new motion-based Kinect project from Ryan Challinor and Matt Boch of Harmonix, creator of the hit music game Rock Band. Heathered Pearls (Ghostly International, ISO50) provides the soundtrack for the evening. more…

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BOMB Magazine: Issue 116
Wednesday, July 27, 6:30–9 PM The powerHouse Arena 37 Main Street, Brooklyn, NY 11201 Please RSVP: rsvp@powerHouseArena.com

Join the editors of BOMB Magazine and the contributors to the summer issue for an evening of readings, performances, and chilling out by the water in DUMBO. There will be raffles, poster giveaways, and other surprises!

Have a drink with BOMB staff and enjoy the literary stylings of writers Nicholas Elliott, Sarah V. Schweig, and Simon Van Booy. With a special theatrical piece directed by playwright and director Richard Maxwell starring Obie Award–winning actor Scott Shepherd.

Nicholas Elliott was raised in the Grand Duchy of Luxembourg and lives in Woodside, Queens. His plays have been performed in Luxembourg, France, and Denmark. He is a correspondent for French film magazine Cahiers du Cinéma and the company manager for the theater company New York City Players. His poems appear in BOMB’s summer literary supplement, First Proof.

Richard Maxwell is a playwright and director living in New York. He is the artistic director of New York City Players. A volume of his plays from 1996–2000 has been published by Theatre Communications Group. His most recent play, Neutral Hero, premiered in May at the Kunstenfestivaldesarts in Brussels and recently toured Europe. Maxwell interviewed actor Scott Shepherd for BOMB’s summer issue.

Sarah V. Schweig‘s poems have appeared in Boston Review, Painted Bride Quarterly, Western Humanities Review, and Verse Daily. She is a graduate of the University of Virginia and Columbia University, where her manuscript was recipient of the David Craig Austin Memorial Award. Her chapbook, S, is available through Dancing Girl Press. She lives in Brooklyn, New York. Her poems appear in BOMB’s summer literary supplement, First Proof.

Scott Shepherd is a New-York based actor. Most recently, Shepherd took on the roles of two characters in The Wooster Group’s production of Tenessee Williams’s Vieux Carré. His performance as Nick Carraway in Elevator Repair Service’s acclaimed Gatz, for which he delivered most of the narration in the nearly seven-hour production, earned him a 2011 Obie Award. Shepherd was interviewed by playwright and director Richard Maxwell in BOMB’s summer issue.

Simon Van Booy is a New York-based novelist and short-story writer born in London and raised in rural Wales. He has published two collections of stories: The Secret Lives of People in Love (2007), and Love Begins in Winter (2009), which won the Frank O’Connor International Short Story Award. He has also edited three books of philosophy: Why We Fight, Why We Need Love, and Why Our Decisions Don’t Matter. His novel Everything Beautiful Began After is just out from Harper Perennial. His conversation with author Siri Hustvedt appears in BOMB’s summer issue.

Founded in 1981, BOMB Magazine is celebrating 30 years of delivering the artist’s voice. Check out The BOMB Digital Archive at BOMBsite.com and don’t miss daily features about art, music, fiction, poetry, film, and dance on BOMBlog.

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Living Dolls: The Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum
A live automata demonstration and illustrated lecture>by Jere Ryder, Conservator of the Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum
Date: Friday, July 29th
Time: 8:00 PM
Admission: $10
Presented by Morbid Anatomy

Sound Clip.

The Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum in Morristown, New Jersey is one of the finest collections of automata–or moving mechanical toys popular in the 18th Century and 19th Centuries–in the world. Compiled over 50 years by heir to the Guinness beer fortune Murtogh D. Guinness (1913-2002), the collection features scores of immaculately preserved historic automata–many of them produced in 19th Century France–with subjects ranging from snake charmers to magicians, singing birds to anthropomorphic monkeys, Cleopatra in her death throes to a waltz-playing Mephistopheles; it also includes a number of mechanical musical instruments and a variety of programmed media ranging from player piano rolls to pinned cylinders.

MORE:
PAPACOOKIE: Flight of the Fancypants w/ ENID ELLEN (+many more.)
High above the lusty and lo-hanging midnight mist, we’ll gather like usual on floor number 8 but this time for something altogether different. Tonight Papa-C is a strange place. A spiritual place. A resplendent place. A haunted place. A place of sad, seductive glamour. Velvet. Sincerity. Lips. Pathos. Pretension. Rococo Red froufrou finery. It’s summertime so wear something appropriate—like a 2-piece bathos suit with a dead poodle pattern and a locket around your neck. Lots of sunscreen, too!
STAIN OF POETRY.
Anna Calvi @ LPR
Chelsea Art Walk

The Maria Bamford Show + Grey Gardens @MAD.
Summer, Sex and Spirits (PLANNED PARENTHOOD BENEFIT.)
MASTER CLASS & CONCERT SERIES – AMERICAN ACCORDIONISTS’ ASSOCIATION

GodByeBlueMonday: Mon Jul 25 11, 08:00 PM Retrospek, Tyler Rivenbark, la bruha desi la, tba 4 Tyler Rivenbark/Retrospek /la bruha desi la/tba4 & PROTOTHIEF, Beecher’s Fault, Michael Lafuentes, tba 4, BACKYARD – TUESDAY Plus Wed Jul 27 11, 08:00 PM Butcher Boy, Dane Terry, Pamola, The Waldos Dane Terry/tba2/Pamola/ Butcher Boy/The Waldos
Screening, Discussion, and Book Launch / The Beach Beneath the Street, with McKenzie Wark, Ali Dur, and D. Graham Burnett (Cabinet Magazine.)
Beijing Welcomes You by Tom Scocca @Powerhouse Arena.
What We Know About the Moon@Jalopy.
DESERT STARS, XANDER DUELL, BIZI GARA
Sam Owens @Pete’s Candy Store.
The Soundtrack Series w/ Dana Rossi @LPR.


LAST CALL:

Painting Urbanism: Learning from Rio @Storefront for Art and Architecture.
Henry Chung @ RHV.



SUPPORT THIS PROJECT: KICKSTARTER FILM FESTIVAL.

DONATE NOW!

About this project

We’re thrilled to announce that the Second Annual Kickstarter Film Festival will be held the evening of Saturday, July 9th in Brooklyn, New York, on the roof of the Old American Can Factory. We hope that you can join us!

The festival will feature 100 minutes of footage from 16 projects. The clips will range anywhere from two to ten minutes in length, and will include feature films, documentaries, shorts, project videos, animation, video art, and music videos.

There will be tasty snacks and other goodies from two amazing Kickstarter-funded eateries (Brooklyn’s Colonie and Soho’s What Happens When), beverages from City ‘Lasses, and ice cream from Phinizy & Phebe. There will also be activities from Kickstarter creators, including lucid dreaming lessons from Oneironautics, pics with the Magnolia Photo Booth, and animated GIFs turned into physical zoetropes.

Seating for the festival is divided into two sections: rooftop and courtyard. Both are great! The venue features two screens, one for each section. The rooftop section is located on top of the Old American Can Factory and the courtyard section is just beneath it. The afterparty will be held in the courtyard.

Doors will open at 7pm. Films will begin promptly at 9pm.

(READ MORE.)



The Ecstasy of Death No 1 & 2.

Directed by Angeline Gragasin.

FULL CAST AND CREW.

EOD Website.

A series of staged fauxtographs reenacting the History of the American Funeral Industry. The second in a series of videos documenting the life of a mortuary professional as she sets out to revolutionize the death industry one corpse at a time. For more info: orderofthegooddeath.com

SUPPORT Angeline Gragasin’s KICKSTARTER PROJECT “THE ANIMALS”:



THE THREE FURIES: WRITING WITH A VENGEANCE COMING UP THIS SUNDAY.

The Three Furies: Writing with a Vengeance

Sunday, May 15—5:00pm
A Gathering of the Tribes
285 East Third Street (between Ave C & D) #2
(212) 674-3778
A GATHERING OF THE TRIBES
ONLINE INVITE
THE 22 MAGAZINE
MAP

Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.

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INTERVIEW WITH THE PARLOR SNAKES BY MATT MOWATT.

I met up with Eugénie Alquezar (the singer/keyboardist) and Peter Kryznowek (the guitarist) of the Parlor Snakes last week at a Parisian bar in the 11th quarter, and they are very much the embodiment of rock and roll music. Peter with his cool rockabilly swagger and Eugénie with her stylish and energetic demeanor, it’s difficult to find this certain purity of rock and roll today without the adulterated elements of Macbooks, alligator sweaters, or the ironic pair of glasses. No slamming the indie circuit, but it’s refreshing to see, well, rock and roll once again. After seeing the Parlor Snakes play live, I was convinced that I was back in the heyday of New York City rock music (where Peter lived and was heavily influenced by). On the other hand, labeling the Parlor Snakes retro-rock, nostalgic for the drugged-out days of Lou Reed, Jim Carroll or the Cramps would be a grave mistake. They bring their own twist of space-out and shoe-gaze as much as any young band today – mixing both high-energy with calm-down beer time. A perfect combination for cellar-dweller rockers thirsty for the times of CBGB’s but also ready for some fresh sounds as well.

The 22 Magazine: First of all I’d like to thank you for this interview with The 22 Magazine.

The Parlor Snakes: Thank you for inviting us.

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Historic Gastronomy @ Brooklyn Brainery.

HISTORIC GASTRONOMY classes complete with hints of political undertones and a sprinkling of vintage cookbook porn at Brooklyn Braniery start May 3rd. Read below for more info and CLICK HERE  to sign up.

Instructor: Sarah L.
Cost: $50
Meeting Schedule: Three Tuesdays, May 3, 10, and 17, 8:30-10:30pm
Semester: May 2011

In this course, we will explore the day-to-day cooking of the past 200 years: tasting; talking; and extracting inspiration from the past to inspire contemporary cooking. In this three-part course, you’ll become familiar with the popular flavors and recipes of different eras, then learn how to interpret historic and vintage recipes for a modern day kitchen.

Part 1: A Timeline of Taste

A Timeline of Taste will explore the history of American food through flavor: we’ll travel from 1796-1950, making a pit stop every 50 years to explore the tastes of a particular time. You’ll be allowed to smell and sample the spices, fruits, extracts, and other ingredients that defined the flavors of different time periods. From rosewater to vanilla; nutmeg to cinnamon; citron to reddi-whip, we’ll discuss why each of these flavors were popular and how they were used in day to day cooking.

Part 2: Iconic Dishes

What was being cooked in the kitchens of American can reflect the politics and popular culture of an era. Looking at the past 200 years, we’ll explore iconic recipes from each time and discuss why each was popular: including the legends behind them and the technology that made them possible. We’ll taste each of these recipes and talk about what they represented to families, communities and culture.

Part 3: Re-writing Recipes

In our final session, participants are invited to bring in their own vintage cookbooks and handwritten recipe cards from the past as we learn how to interpret historic recipes. We’ll unveil tricks to modernize these recipes for today’s kitchen: how to interpret amounts, flesh out directions, find comparable ingredients and most importantly, learn how to pull inspiration from these recipes to create unique contemporary dishes.

http://brooklynbrainery.com/courses/84-historic-gastronomy




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