The 22 Magazine


THE WEEK/WEEKEND: Dec 13th-?????!!!

Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!

The Bark and Scream Series: Eli Keszler: Percussion and Ashley Paul: Alto Sax
THE FIREHOUSE SPACE
December 13, 2012 8:00 pm

Where (we) Live
BAM
Paula Greif, ceramics (Dec 19)
Marsha Trattner, blacksmith (Dec 20)
Riccardo Vecchio, painter (Dec 21)
Victoria Valencia, woodworker/furniture-maker (Dec 22)

Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.

JOHN HODGMAN: THAT IS ALL
Friday, Dec 21, 2012
The Bell House

Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.

detail
Letha Wilson

Higher Pictures
Thursday, December 13, 6 – 8 pm

Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.

 

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Song from the Uproar: An Interview with Missy Mazzoli and Royce Vavrek.
December 10, 2012, 11:49 pm
Filed under: INTERVIEWS, MUSIC | Tags: , , , , , , , , , , , , , , , , , ,


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Abigail Fischer and Now Ensemble and Aaron Roche performed SFTU at Le Poisson Rouge, Dec 2012

Song from the Uproar originally premiered at The Kitchen in Feb 2012 and was reprised at Le Poisson Rouge this past December with the NOW Ensemble and Abigail Fischer. Aaron Roche also preformed and video was shown from Stephen Taylor. The narrative of SFTU revolves around Isabelle Eberhardt, a gender defying Swiss explorer and journalist who kept extensive diaries of her extraordinary lifestyle in the 1800s. In the early 1900s she moved to Algeria where she wore the garb of men and called herself, Si Mahmoud Essadi. She married an Algerian solider, and was eventually killed by a flood in 1904, after an early assassination attempt. Creator Missy Mazzoli and librettist Royce Vavrek were interviewed about the project below.

WATCH SFTU TRAILER.  
LEARN MORE ABOUT THE PROJECT.

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THE WEEK/WEEKEND: Dec 7th-11th.

phantomPhantom Orchard: Zeena Parkins & Ikue Mori // Pet Bottle Ningen
Roulette
Tuesday, December 11, 2012 @ 8:00 pm

Friends and colleagues since 1988, Ikue Mori and Zeena Parkins are two of the strongest musical voices out of the downtown scene.  Lynchpins of bands as diverse as DNA, Skeleton Crew, Electric Masada, Hemophiliac and Björk, each have been leading figures of the downtown scene since the early 1980s, and their collaboration, Phantom Orchard is the perfect outlet for their unique and personal musical languages.  Tonight, Phantom Orchard presents duo arrangements of work from their most recent album,Trouble in Paradise (Tzadik), featuring Mori on live visuals and electronics and Parkins on harps, keyboard, and celesta.

Love Fail
BAM
Dec 6—Dec 8, 2012

The latest work from Pulitzer Prize-winning composer David Lang, love fail marries evocative new music with timeless storytelling to tell a tale of love both found and unfulfilled, performed by the ravishing voices of legendary early music group Anonymous 4.

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THE WEEK/WEEKEND: Dec 2nd-5th.
December 2, 2012, 7:45 pm
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McSweeney’s Presents: A Book Release Party for T Cooper’s “Real Man Adventures”
Le Poisson Rouge
Sun., December 02, 2012 at 8:00 PM

Dylan Moran-yeah, yeah
St. Marks Theater
Dec 4-8

DYLAN MORAN’S perspective is unashamedly unique. He observes life through the tinted hue of a glass of fine full-bodied red and then paints what he sees onto a deliciously cruel and rich life canvas. Blisteringly funny, and painfully accurate, this is like looking at a Canaletto painting whilst someone simultaneously punches you in the stomach and tickles you breath-less. Called “the Oscar Wilde of Comedy,” by the London Evening News, Moran is universally considered one of the foremost comics of his generation.Moran is best known in the United States for his roles in several well known films, including Notting Hill, the cult classic Shaun of the Dead, Michael Winterbottom’s Tristram Shandy: A Cock and Bull Story and David Schwimmer’s Run, Fatboy, Run.

Music and Copyright in the Digital Era: DAVID BYRNE in conversation with CHRIS RUEN
NYPL

Wednesday, December 5, 2012, 7 p.m.

In How Music Works, Byrne explores how profoundly music is shaped by its time and place, and how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music. Writing as historian, anthropologist, raconteur and social scientist, Byrne searches for patterns and shows how they have affected his own work over the years with Talking Heads and his many collaborations with the likes of  Brian Eno and Caetano Veloso. Byrne sees music as part of a larger, almost Darwinian pattern of adaptations and responses to its cultural and physical context. His range is panoptic, taking us from Wagnerian opera houses to African villages, from his earliest high school reel-to-reel recordings to his latest work in a home music studio, with all the big studios in between.

Kirk Nachman: de anima
HERE Arts Center
Nov 14 – Dec 22

The work of Kirk Nachman situates itself between the classic cartoon nostalgist and the formal self-consciousness of avant-garde practices. From the disjointed ‘stills’ – paintings rendered on drafting film, reminiscent of animation production art, to fragmentary serial animations which employ decontextualized snippets from old time radio shows, Nachman’s historical aesthetic populism collides with his background in the developments of 20th century fine-art.

ANN HAMILTONthe event of a thread
Park Ave Armory
December 5, 2012 – January 6, 2013

In being alone (on a swing) together (in a field), we find a condition of the social that is… the event of a thread. Commissioned by the Armory, Ann Hamilton’s major new work fills the Drill Hall with a visceral and literal poetry. Set into motion by visitors, a field of swings, a massive white cloth, a flock of homing pigeons, spoken and written texts, and transmissions of weight, sound, and silence weave through this expansive space to create a fabric of experience

Carlos Fragoso: Etchings and Paintings
Kathleen Cullen Fine Arts
November 30, 2012 – January 5, 2013

The current body of work was begun in 2007. These paintings and drawings feature human and animal figures in landscape and interior settings. Either alone or in groups, the figures do not tell a story. Rather, they form self-sufficient images with the power to shock, move, attract and repulse, without labels or explanations. The work constitutes an emotional research into the underlying motivations of human actions and interactions. This investigation goes beyond the rational, culturally and socially accepted surface, and looks closely at the irrational, unconscious and primitive animal instincts that ignite passion, violence and desire.

CAG SINGS. A new vocal series presented by Concert Artist Guild and Barbès. MISHA BOUVIER
Barbes
12/04

Praised by The New York Times for his “rich timbre” and “fine sense of line,” Mischa Bouvier is a winner of the 2010 CAG Victor Elmaleh Competition. A “delight to encounter for the first time” (Pittsburgh Tribune-Review). An advocate for new music, Mischa offers a series of concerts in 2012-13 at Barbes that focuses on contemporary music and explores American song in a collaboration with soprano Sarah Wolfson. Mr. Bouvier has performed with a wide array of ensembles including Anonymous 4, the Mark Morris Dance Group, American Handel Society, the Bach and the Baroque Ensemble of Pittsburgh.

Neil Young & Crazy Horse
Special Screening of “Dear Governor Cuomo”
Gowanus Canal Community Advisory Group (CAG) with senior-level officials from the NY State Department of Environmental Conservation 

DALeast Powder of Light/Vinz Batella
Art in Flux Harlem presents DISCOVERY
The New Yorker “The Big Story”
TEDxSiliconAlley with Ray Kurzweil & Juan Enriquez, music by Jon Carin of Pink Floyd
TICA DOUGLAS // MOTION STUDIES // CATFOX // DANNY CHAIT
JOHN WILLIAMS NEW WORK
Workshop at the New Museum with Ximena Garnica

Joëlle Léandre “Hommage a John”
alina & jeff bliumis: CULTURAL TIPS takeaway
DOUBLE TAKE READING SERIES
HAIRSHIRT
The Return of THE MALABY TUBA TRIO
Russell Maliphant: The Rodin Project
THE SUPERNUMERARY RAINBOW
THE WHITE SWALLOW READING SERIES
Mamie Minch
From Tesla to the Transistor: An Introduction to Electronic Circuits
NEVERENDING STORY: Kari Steihaug & Tina Jonsbu
Brooklyn Holiday Book Fair
Etsy Holiday Fair
The Things Between
LAUNCHING A NEW ISSUE OFSOCIAL RESEARCH: AN INTERNATIONAL QUARTERLY
Jess Mynes + Simon Schuchat
Objects of Desire (EOC)
Ben Berlow at Rawson Projects
THE MOTH STORYSLAM HOSTED BY PETER AGUERO
Detroit City is the Place to Be
THE NEW SALON: READINGS AND CONVERSATIONS Iain Haley Pollock, with Charif Shanahan
THE FUTURE OF HIGHER EDUCATION LAUNCHING A NEW ISSUE OF SOCIAL RESEARCH: AN INTERNATIONAL QUARTERLY
Share and Share Alike: New Applications for Collaboration & Resource Optimization
Beyond Geography with Hari Kunzru, Jennifer Haigh, Sonya Chung and Jennifer Acker
The Holiday Train Show
ESTERHAZY PREVIEW: CALDER QUARTET
AMRAM & CO

Hohoho 2012
Rachael Yamagata

HURRICANE SANDY FUNDRAISERS:

The Brick Benefits Brooklyn: A Hurricane Sandy Benefit
THE TELL YOUR FRIENDS! THE CONCERT FILM! RELEASE SHOW/SANDY BENEFIT
STEAMPUNK BURLESQUE FUNDRAISER FOR CONEY ISLAND USA!

COMING UP: 

clickYEAR TWO (Postcard Show)
Fowler Arts Collective
OPENING EVENT: Friday, Dec. 7th from 7-10pm
EXHIBITION ON VIEW: Sat. + Sun., Dec. 8 + 9, 12-6pm

On Friday, Dec. from 7-10pm, Fowler Arts Collective presents YEAR TWO, a group exhibition of postcard-sized works sent from artists all across the United States, our annual birthday party celebration, and year-end fundraiser and raffle. All of the work in the exhibition will be affordably priced at $80 or below, so come ready to do some holiday shopping! Many local businesses have generously donated gifts and prizes to be raffled off at the end of the evening. See the amazing list of prizes below and RSVP on Facebook!


Concert for Sandy
Calico Presents: “CALICORNUCOPIA”

EELS
PUPPET PARLOR goes $BUCK NAKED$
Bouffon Glass Menajoree

Justseeds Sowing the Seeds of Love
MEREDITH MONK: A Benefit For Roulette
Sounds Elemental with the Association of Independents in Radio: GRAVITY
Humans and Other Animals (Bobby Lucy)
Building Stories: CHRIS WARE in conversation with ZADIE SMITH
An Evening with Joyce Carol Oates
DJ Shadow
Witnessing Human Rights: Past, Present, and Future

Caroline Burton & Susanne Slavick
Jacob Garchik w/special guest Ellery Eskelin- tenor sax “1st Thursday of the Month Series” at Ibeam Music 
CP8 Exhibition @Blackburn 20I20 gallery (Location: Blackburn 20I20 galleryW 39th Street between 8th and 9th, 5th floor)
Dave Kinsey ‘Everything at Once’
LOVE FAIL
Brooklyn Literary Mash-Up

BIBLOBALL 2012
The Musical Parlor of Emily Dickinson
Everything at Once
THE SKINT PRESENTS: THE WINTERLAND ROMP
Os Mutantes
Blockhead
Neuroscience and the Arts Today: Shared Interfaces
The Faint performing Danse Macabre in its entirety
4 Artists 1 Cause: A Benefit Concert for Sandy Relief Efforts with Sleigh Bells, Grizzly Bear, The Antlers, Cults
The Plowmen present SOLDIER
The Royal Huntsman’s Ball
CPS: Giving: the Needs of Strangers
COIL 2013 Festival
Annual Belladonna* Benefit

A Christmas Carol by the Puppet People
Navigating the New York Small Claims Court System
Smoking Kids | An Exhibition by Frieke Janssens
Peter Nadin Taxonomy Transplanted
RACHELLE GARNIEZ/GATO LOCO
OPERA ON TAP
A.I.R. Gallery’s 10th Biennial Exhibition
Erin Barra, Lily and the Parlour Tricks, Cold Blood Club with Blank Paper. Hosted By Genesis Be



THE WEEK/WEEKEND: Nov 9-14.

SANDY FUNDRAISERS:

GREENPOINTERS ONLINE RAFFLE
Brooklyn Relief: A night of words, music, and comedy to Benefit Hurricane Sandy Relief Efforts

THE KITCHEN: FUNDRAISER
Fuck. Off. Sandy. // Vintage Crawl // Dog Masquerade
New Amsterdam Headquarters Fundraiser
Defiance: A Literary Benefit to Rebuild Red Hook
ROB DELANEY Benefit
FASHION ACTION AT HOUSING WORKS
SPIRITUAL LEADERS AND ELDERS | PRAYER | LIVE MUSIC | FOOD | HEALING
SANCTUARY | ARTISAN MARKET
BROOKLYN LOVES BROOKLYN
QMA ROCKAWAY FUNDRAISER
“Anything But Politics” – A Pop Culture Trivia Benefit for Hurricane Sandy Relief
GENERAL ASSEMBLY
ED OSBORNAlbedo Prospect

Party + Auction + Community = TLC for an Ailing DUMBO
FOOD EVENTS FROM GRUB ST
Bushwick Star Auction
HURRICANE SANDY FUNDRAISER WITH…NASS GNAWA

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THE WEEK/WEEKEND: October 11-17.

LISA 2012 from Blind Escrow Productions on Vimeo.

LISA Conference 2012
Peter B Lewis Theater: The Guggenheim Museum

Tuesday, October 16, 2012 from 8:00 AM to 11:45 PM

LISA 2012 is the Leaders in Software and Art conference at the Guggenheim in New York City, Tuesday October 16th, 2012.  We’ll have keynote speeches from Laurie Anderson, pioneering electronic artist, and Scott Snibbe, creator of Bjork’s Biophilia App, and panels on crowdsourced and social media art and the popular generative art toolkits openFrameworks, Processing, Cinder and Max/MSP. If you work with or care about new media, technology and interactive art, there’s still time to buy a ticket. Come meet and get inspired by some of the top artists and art experts in the field.

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Bicentennial Curious (An Illusion of Movement.)
September 28, 2012, 12:49 am
Filed under: ART, FILM/VIDEO | Tags: , , , , , , , , , ,



“Bicentennial Curious” (Short Film) from An Illusion of Movement on Vimeo.

WEBSITE.



Tumbleweed! (An Illusion of Movement.)
September 25, 2012, 2:31 pm
Filed under: ART, FILM/VIDEO | Tags: , , , , , , , , , , ,



Tumbleweed! (Short Film) from An Illusion of Movement on Vimeo.

WEBSITE.



The Week/Weekend: Sept 13-20.

Exhibition / “Harry Smith: String Figures”
300 Nevins St (Cabinet)
20 September – 3 November 2012

Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.

BROOKLYN BOOK FESTIVAL
Brooklyn Borough Hall and Plaza
SUNDAY, SEPTEMBER 23, 2012, 10am-6pm

On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.

Michael Chabon @Greenlight
Sep 17 2012 7:30 pm
Greenlight Bookstore

In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.

Date the Time – Molly Dilworth
Reception: September 20, 6-8pm
Recess

On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.

Wendy White: Pix Vää
Leo Koenig
Opens September 13 6:00 PM – 8:00 PM

In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.

Stealth Reflections
Mighty Tanaka
September 14

Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection.  Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques.  His steadfast approach defines his meticulous attention for detail.

Tessa Farmer & Amon Tobin Control Over Nature
Spencer Brownstone Gallery
September 15 – October 6, 2012

Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM': sensory deprivation, disorienting situationism and the mechanization of natural things.

Wondering Around Wandering
Saturday, September 15, 6:00–11:00pm
983 Dean Street

Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.


Fishtank Ensemble
/Baby Soda Jazz Band
Jalopy
Sat, Sept 15th

Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.

Who Gives a Sh*t About Literary Magazines?
Mon Sep 17, 7:00PM
BookCourt

Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.

Survival
War of Words
Strange Tales of Liaozhai

Kris Bowers & Carson Adjacent
The NY Theremin Society Presents: GOOD Vibrations – Theremin X 4 FT Dorit Chrysler, Michael Evans, Rob Schwimmer and Allison Sniffin
Eleh (US Debut) + Lary 7
PRACTICE! W/ IKEBE SHAKEDOWN + OSEKRE AND THE LUCKY BASTARDS + THE FORTHRIGHTS + TUNDE ADEBIMBE/ OHAL GREITZER/ DAREN HO/ RYAN SAWYER/ C. SPENCER YEH QUINTET
Best American Poetry 2012
My Heart Is An Idiot: FOUND Magazine’s 10th Anniversary Tour!
LIGHT OBJECTS
MECANICA POPULAR
LIGHTNING BOLT
R. SIKORYAK & FRIENDS: CAROUSEL

The Channel
Joseph Keckler + Mac Wellman
ASBA’s 15th Annual International
NYC HONEY FESTIVAL
EatSleepDraw (5 Years)
Chris Watson + Marcus Davidson
AURAL DYSTOPIA
ALESSANDRO PESSOLI: FIRED PEOPLE
REYES & STEEL
Beth Cavener Stichter: Come Undone
Liza LaCroix
Masami Teraoka: Cloisters Inquisition    
Metropolis: Alexis Duque
Richard Estes / New York by Night
BARNEY KULOK: BUILDING
Ralph Humphrey
Assembly 2012
Sunday Paintings for a Rainy Day
Nate Wooley + Mazen Kerbaj
TAKESHI MURATA: SYNTHESIZERS
Crossing the Line 2012
Printed Matter, Inc. presents Contemporary Artists’ Books Conference in conjunction with The NY Art Book Fair
SHABOYGEN BY STEVEN AND WILLIAM LADD
Luisa Rabbia
INNER CIRCLE MUSIC FESTIVAL: PETROS KLAMPANIS TRIO
Wildlife in the Post-Natural Age
Thomas Hirschhorn “Concordia, Concordia”
ANDREA ZITTEL: Fluid Panel State
Alexander Hahn

Allison Evans
Sally Mann: Upon Reflection
POST NATURAL
Occupy Your BFF
Lucie Fontaine : Estate
New York School Artists
Respect Sextet and Loadbang
SIGHTLINES: HELEN SEAR
Opera on Tap: BRIDES ON FIRE!!!
Red Baraat w/ M.A.K.U. SoundSystem
Mount Eerie w/ Loren Connors

LIGHTNESS OF BEING
CARL MAGUIRE, FAR FROM ALMOST ALWAYS
Charles Jarboe   New Paintings
CALEB CAIN MARCUS: PORTRAIT OF ICE
FITZGERALD & STAPLETON: WAGE
Teresita Fernández & Mr.
HAIRY SANDS/SOURCE OF YELLOW
GUYI-GUYI by Pereferia Teatro
DAVE COLE
Miriam (BAM 30th Next Wave Fest)
BEAT FESTIVAL
Andra Ursuta: Aboveground Animation
Trey Speegle: Good Luck With That
THE JOSHUA LIGHT SHOW
Pictures from the Moon: A Symposium on Holograms and Art
MIVOS QUARTET
Nublu 10 Years w/ performances by Wax Poetic, Hess is More, Love Trio and Clark Gayton
Gallow Green

COMING UP:

The Secret City – NEW YORK
Cave Canem at The New School Presents: Natasha Trethaway and Metta Sama
Crossing the Line
Devotchka
The Mountain Goats
Adults in the Dark: Avant-Garde Animation (MAD)



THE WEEK/WEEKEND: September 6-13.

VALERIE HEGARTY: Figure, Flowers, Fruit
Nicelle Beauchene Gallery
September 9, 2012 – October 21, 2012

In this exhibition, Hegarty takes her point of departure from themes of consumption, lust,reproduction and greed. Playing with traditional still life and figurative painting, Hegarty cites as inspiration the cult comedy Little Shop of Horrors along with current newsheadlines concerning the enhancement and mutilation of body and food. These four new paintings metamorphose sculpturally, as the paintings burst, grow and propagate in bodily gestures, leading the overgrowth to travel ominously beyond the canvas boundaries.

Strange Tales of Liaozhai
Friday, September 7
HERE Arts Center

Through choreography and manipulation, master puppeteer Hanne Tierney conducts an intricate counterweight system of over 100 strings, transforming a full stage of inanimate objects into the players of two emotionally charged tales.

Nancy Davidson: Dustup
Betty Cunningham Gallery
9/6/2012 To 10/6/2012

Betty Cuningham Gallery is pleased to open its 2012-13 season with Nancy Davidson, featuring her inflatable sculpture, Dustup. This will be the artist’s first exhibition at the Gallery. The artist will be present for the opening reception. Davidson, a sculptor and video artist, is known for her unique media – larger than life inflatable sculptures – and for her interest in American icons and gender issues. In 2005 with the support of a Creative Capital Grant, she began her exploration on the myth and reality of the cowgirl. After researching western women’s history Davidson focused on the rodeo cowgirl.

Thomas Allen: Beautiful Evidence
Sep 9 – Oct 14, 2012
Foley Gallery

Allen’s signature use of cutting and repurposing book illustrations has not vanished. Instead of the pulp fiction genre, Allen plays with 50’s era versions of clean cut youths and domesticated moms. His unmistakable talent for creating the illusion of 3D in photography with his deft cuts and crimps, establishes a magical world in which a boy and girl play tag creating their own kind of electricity, a milkman makes a very special delivery in space, young toughs play marbles with the solar system and a mother busily sews her own version of “string theory.”

David Stoupakis/Matthew Bone
September 8th – October 19th
Last Rites Gallery

David Stoupakis is an internationally recognized painter who creates eerie portraits of beings that appear wise beyond their years. The self-taught artist adds both haunting imagery and grim fairytale-like elements to his work to juxtapoz childhood innocence with macabre surroundings. InAshes to Sorrow, his new collection of drawings and oil paintings, David creates a continuation of his previous body of work-Walking with These Shadows./With his new work, Matthew Bone continues to explore the visual language he created as a child when massive unmonitored media consumption informed his worldview. A latchkey kid from an early age, pornography, comic books and movies formulated his ideas of sexuality, masculinity, and femininity- in essence reality and perception were sculpted by imaginary worlds steeped heavily in sensationalistic imagery.

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An Interview with Cori Olinghouse.
September 4, 2012, 5:27 pm
Filed under: DANCE, FILM/VIDEO, INTERVIEWS | Tags: , , , , , , , , , , , , , , , ,

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An interview with Jason Bryant.
August 15, 2012, 2:29 pm
Filed under: ART, INTERVIEWS | Tags: , , , , , , , , , , , , , , , , , , ,

The 22 Magazine: So first the basics, where are you from, how did you end up in NY?

Jason Bryant: Well, I was born in Wilson, North Carolina. I was introduced to painting and drawing roughly when I was five and my love for art was immediate and without question. I was lucky enough to have people around me support this passion, to give me hope that the dream to be an artist can be a reality. Art was always a bright light that helped me get through a turbulent childhood. After getting my Masters from The Maryland Institute College of Art, my girlfriend at the time got a job in NY. Very reluctant and intimidated to move so quickly, the path was set for me to end up in NY.

The 22: Your bio says you are “heavily influenced by classic film,” tell me a little about that. Where did this love arise from? Who’s are some of your favorites?

JB: Film, to me, has always been an escape. Like painting, it sends us on a journey where we take what we bring into it, but always come out of the viewing process a little more informed and with a different perspective. There is something so elegant and clean about how black and white film translates to the viewer. It is very baseline and straight forward in its approach. Brando, Newman, and Grant are all some of my favorite actors. They were an actor’s actor, not afraid to take chances and capable of delivering powerful performances with effortless delivery.

The 22: Your upcoming show “Smoke and Mirrors,” from what I gathered, is meant to convey the trick of making something seem better than it is while simultaneously conveying its vulnerability? Why did you chose this topic? What relevance does it have for you or the  “stars” you portray?

JB: That’s exactly it. For “Smoke and Mirrors” I simply wanted to create a show with a double meaning. Every work in the exhibition is a painting based off a film still where the actor is either smoking or viewing their reflection in the mirror. I wanted to create a show where the paintings are beautiful and lavish, but once you read the title or look to see what is happening on the surface of these polished works, you start to see where there are “cracks in the faux finish.” I did not want to be overly dramatic in trying to convey the concept. I did not want to have paintings where the subjects were like pulling back their skin revealing all of their inner demons–nothing that dramatic and in your face.  I wanted the concept to come forward subtly while keeping with the conceptual “sleekness” of my paintings.

The 22: How does skateboarding culture fit into your artistic practice?

JB: I started skateboarding when I was 11. Skateboarding, like art, will be a lifelong love affair. It gave me an identity at a young age and it opened up my world to new ways of artistic expression. Most of all, it gave me lifelong friends who will always be like family. Since I can’t physically skate at the high level I once did, it’s fulfilling for me to bring skate graphics into my work and even paint directly on to skateboards like I’ve been doing the last couple of years. That is where the “Merging Icons” series was born. I wanted to merge iconic skate graphics with iconic film stills, basically combining the two most influential elements in my development as a person and as an artist. I love the effects and changes that my hand brings to the works, like I’m the instrument of combining two great passions. I’m actually working on a piece right now that will bring a third passion into the mix and I’m using a new medium. That’s all I can say at the moment!

The 22: Do you still skateboard?

JB: I still roll around, but at the age of 36, let’s just say I’m not going to go do a Tre-flip down eight stairs. Nowadays landing a kick-flip brings a smile to my face, but that is the point, it’s a joy that never goes away.

The 22: What is important to you about breaking the “frame” of a piece, painting directly on the wall?

JB: With the success of the “Merging Icons” I wanted to push the series forward to where the skate graphics would be breaking outside of the “frame” of the canvas and onto the wall. I got the opportunity to try it out at the Pulse Art Fair here in New York in May and this method will be a big part of “Smoke and Mirrors.” The graphics will be traveling all around the walls of the gallery creating a space in which the paintings and the graphics become the metaphorical “walls” of the environment in which the viewer has entered, bringing the viewer into the world of the paintings where each piece is connected to another through the graphics. The gallery agreed to shut down for a bit so I could do this, which is really great of them.

The 22: You talk about graffiti really brightening up the city in the winter. Are there are specific graffiti artists you admire? What about other painter’s?

JB: My approach is in some ways influenced by graffiti and how street art is used to engage the viewer with the mundane everyday structures we live around. I look at some street artists such as insa and r.o.a. Artists that influence my work are Damien Loeb, McDermott and McGough, Jeremy Fish, Kehinde Wiley, Marylyn Minter, Banks Violette. I do of course have my painting heroes such as Chuck Close and Barbara Kruger.

The 22: There’s one piece in your work that is really interesting, which looks like James Dean being arrested and has the tagline “What’s the matter  guys…didn’t you make your quota for the month?” How does this piece fit into your work? Is it a reflection on recent New York events?

JB: I had been developing three different bodies of work for the past four years that were shown in 2010 in a solo exhibition titled “Trilogy.” One piece which was the highlight of the show was a painting titled Paperwork and Quotas. It is a scene from The Wild One starring Marlon Brando. I simply recreated the film still, drawing and painting it in my normal style but then I added my own subtitles as a part of my “Text” series. I added subtitles that illustrated the film still but has a very contemporary meaning. The painting itself is the foundation trying to communicate struggles within any political system, not just law enforcement and how there is a “bottom line” in any profession that is at times unfair and unjust.

The 22: Another compelling piece is the “rainbows don’t mean shit” piece. What’s going on there?

JB: That piece is titled Happiness. The subject is a very elegant image of a woman staring off in sort of a daydream type of gaze. Her eyes are covered by a fun graphic of a rainbow bursting into the black and white picture plane. It seems to be a very fun and happy piece until you read the text “rainbows don’t mean shit” beneath the rainbow graphic. I simply wanted to have fun in sort of the sarcastic jaded way we view the world today. At the same time though it is commentating on one’s struggles in dealing with the “politics of a profession.” Maybe it is saying that a strong work ethic, talent, and integrity to how you approach your profession is not enough to fulfill a dream, especially not today. Maybe we have lost sight of those values.

The 22: Since so much of your work is based on counter-culture elements tell me how Porter Contemporary (as a Chelsea gallery) became the home for your work and what they offer to an artist like you.

JB: Although my work is based on counter-culture subjects balanced with elegant black and white cinematic imagery, at the core of my work is a foundation built upon a love for the history of painting. The works are highly technical and refined using a traditional approach to painting. This caught the eye of Porter Contemporary in 2006. They were a young gallery, having just opened, and I had lived in New York for just under a year. We have had a great working relationship because the gallery and my work have been able to grow together. The Gallery owner, Jessica Porter, has an incredible work ethic and integrity that is the backbone of the vision for her gallery. It is very inspirational to be around and it has been very exciting to watch the gallery grow along with my work. It is rare that a gallery and artist get to experience growing together with the same basic principles and a certain amount of integrity intact.

For more information about Jason Bryant and his upcoming show visit Porter Contemporary.
You can visit his Website at: http://jasonbryantpaintings.tumblr.com/



An Interview with Adam Niklewicz.
July 31, 2012, 11:06 pm
Filed under: ART, INTERVIEWS | Tags: , , , , , , , , , , , , , , , , , , , ,

by Jade French

Adam Niklewicz plays with the relationship between identity and nationality with a slice of sausage in the middle. Removing our typical relationship with food (eat and run) Niklewicz forces the viewer to reimagine how we can view food with everything from beautifully rotating chicken bones to musical sausages! His sculptures are multi-faceted creations which resituate objects outside of their normal habitats. We caught up with the artist to find out more…

Jade French: How does your relationship with both Poland and America inform your work?

Adam Nikelwicz: On one hand, there’s the visual vocabulary of my Polish childhood, on the other – the American pop-cultural and commercial iconography. The two clash and blend together (there’s a bit of smoke) and all this occasionally produces some creative leaven.

JF: Do you think through creating art you gain a sense of identity? Or does art incorporate a universal feeling, which negates nationality?

AN: I’d dread to hear that my art is somehow ethnic, hermetic or obscure. True, I often base it on quirky, ethnic, folkish facts but I do hope I’m able to distill these facts into works with universal appeal.

JF: Can you explain more fully how ‘Romantycznosc is a reflection on the Polish psyche? How did you create that piece of work? Its amazing that the sound is so pitch perfect when made out of meat!

AN: It’s hard for me to explain the Polish psyche notion (other than through art itself), I know though it reaches its peak when a Pole plays a polonaise on the instrument. Putting this piece together took a lot of effort and a lot of sausage.  And there were these frequent (up to three times a day for a few weeks) visits to my local Polish deli, which confused the store clerk.  My appetite for always the same mundane kind of sausage, the shear amounts of the product purchased, the fact that I’d often produce a tape measure from my pocket to check on the sausage’s length before buying – all this made the clerk uneasy.  I fought against the instinct of explaining myself.  I decided that the explanation (I’m not really weird, I’m only making a musical instrument out of sausage) would not boost my image with the man. In other words, I enjoyed the process and misperceptions it produced.  The process has recurred several times since with other projects.  What makes the piece utter the right kind of sound must remain a secret.

JF: One thing that strikes me is the manipulation of found objects into functioning equipment- like the Art Forum kaleidoscope. How important is it that your art has a function, as well as an aesthetic value?

AN: I want my work to both look good and to possess content.  Yes, I need my objects to function, but their purpose must not adhere to an easy logic.

JF: Is the Art Forum piece a comment on art journalism? I noticed you cut the visuals from the review sections out- how much do art reviews affect an artist?

AN: Perhaps it’s a comment on the nature of art.  I truly believe that art is ever-changing (like the kaleidoscope effect used here) and ever-fresh (not unlike nature itself).

JF: Do you think using microscopic visuals forces the viewer to look harder at your artwork, or engages them in a different way?

AN: A small object of art feels precious, like a piece of jewelry. I noticed that people gladly focus their attention on a small work. They feel encouraged to wrap their minds around it.

JF: Would you classify your work as playful?

AN: I’m very happy when someone calls my work playful.  I’m equally happy when viewers find it humorous.

JF: Pieces such as Ounce have a strong sense of nostalgia and poignancy- does this piece relate directly to personal experiences?

AN: I love that you misspelled the title of this piece!  The actual title – ONUCE, stands for a garment of sorts – two pieces of fabric or paper (often a newspaper) designated to be wrapped around feet, usually in addition to socks.  All this for an extra protection against cold.  I suspect the term made the title partially because it looked like a misspelled English word (e.g. ONCE, OUNCE).  I used to wear onuce as a child.  Big time!

JF: Pieces such as Calle Lunga’ and Monument to Borscht, although stationary, seem to incorporate a sense of movement- is that something you recognize yourself?

AN: These two pieces are not really built to last.  They appear to face the imminent prospect of collapsing, breaking, sagging. I think, this is where the sense of movement comes from; their fragile nature implies change and change is related to movement.

JF: The kinetic sculpture Chicken Souphas a sense of frailty to it – what do you think this piece is trying to say?

AN: I like fantasizing about that chicken I consumed. I assembled its bones in a rather aerial manner.  I wonder- is this transformed bird on the verge of taking off?

JF: Why is there a link between food and heritage within your work?

AN: Food is a visible, tactile, sensuous (and surprisingly meaningful) way of experiencing a cultural heritage.

JF: I also read that you ate paint as an art student, which relates to the piece of bread with orange oil paint – can you tell us the story and why you recreated this moment later in life?

AN: The incident happened many years ago during a drinking party of a bunch of 17-year old art students – all ready, perhaps even certain, to conquer the artworld.  In my own drunken stupor, I spread orange oil paint over a slice of bread and challenged everyone to take a bite.  Nobody did!  Meanwhile, I put myself on the spot and now I had to have a good chunk of the slice.  The long forgotten incident returned to me quite suddenly, and made me realize that the then display of adolescent stupidity was in fact an act of commitment. A vow. I’m the only participant of that gathering from he past that keeps making art.  I recreated that ‘action’ now to renew the old vows.

For more about Adam visit his website.



The Week/Weekend: June 14-21.

There Are No Giants Upstairs
Where: Theodore: Art
When: 16 June – 29 July 2012  

Chris Baker Harriet Korman, Mel Bernstine ,Gary Petersen, Steven Charles, Andrew Seto, Opening reception: Saturday, 16 June, 6-9 pm, Gallery hours Friday – Sunday 1-6 pm

The Bark and Scream Series presents:Sarah Bernstein Chamber Project  (curated by Satoshi Takeishi)
Where: The Firehouse Space
When: Thursday June 14, 8:00 PM

Sarah Craft:Mezzo-Soprano,
Christa Robinson:Oboe, Scott Tixier:Violin,
Mat Maneri:Viola, Rubin Kodheli:Cello,
Sara Schoenbeck:Bassoon,
Stephanie Richards:Trumpet, Michael Rose:Piano 


Fuse Ensemble presents “Voices from the Depths, Musings on CG Jung’s Red Book”
Where: The Firehouse Space
When: June 16, 2012 8:00 pm

Fuse Ensemble is a concept-based new music/new media performing ensemble. Each season a concept is presented, giving voice to new music composers and creating musical happenings with visual elements of live, interactive video and/or kinetic installations. The musicians of Fuse perform on an eclectic mix of flute, clarinet, electric violin, electric guitar, cello, piano, electronic playback, percussion, and invented instruments. Linked by the insane possibilities of software such as MaxMSP/Jitter, using sensors on the musicians and live interactive cameras on stage, the artists create an experience that fuses sound, video and humans into a liquefied state and gives each concept a setting — a visual and kinetic environment to experience it in that furthers communication
and unifies the concept.

SMOKEY’S ROUNDUP
Where: Barbes
When: June 16

Smokey Hormel is probably best known for his works with Beck, Tom Waits and his Brazilian project with Miho Hatori. He’s also been playing western swing for quite some time and his Roundup is inspired by the sounds of Milton Brown and his musical brownies and other Western Swing classics. With Smokey Hormel vocals and guitar; Charley Burnham – fiddle; Tim Luntzel – string bass; Andrew Burger – Drums.

DUB IS A WEAPON
Where: Zebulon

When: June 16 

Mogwai/Balam Acab
Where: Webster Hall
When: June 15-June 16

R. SIKORYAK AND FRIENDS: CAROUSEL
Where: Dixon Place
When: WEDNESDAY, JUNE 20 AT 7:30PM
Cartoon slide shows & other projected pictures presented by a glittering array of artists, performers, graphic novelists, & other characters. Hosted by R. Sikoryak. Featuring: Emily Flake, Miss Lasko-Gross, Dyna Moe, Neil Numberman, K. A. Polzin & Sean Chiki; special guest voices:Lisa Hirschfield and Kevin Maher and more!

CP6 Exhibition
Where: Grit n’ Glory
Thursday, June 14th 7-10pm

In celebration of the release of issue no. 2 of our second volume, Carrier Pigeon: Illustrated Fiction and Fine Art is pleased to announce a free, public reception and exhibition hosted by Grit N Glory boutique from 7–10pm on Thursday, June 14th.

SNEHASISH MOZUMDER & SOM
Where: Barbes

When: June 21
Snehasish Mozumder is among those few established musicians in India who has mastered the art of playing Mandolin, and has blended it perfectly into the style of Hindustani Indian Classical Music. He will be performing his trademark doubleneck mandolin along with Nick Gianni – Flute/Soprano/Bari Saxophone. Vin Scialla – Drums. Bopa King Carre – percussion. Jason Hogue – Upright Bass. Jason Lindner – keys, Sameer Gupta – tabla. Rick Bottari – keys.

Incidental Music at the Fragmental Museum
Where: http://www.fragmentalmuseum.net/
When: June 16th

Fragmental Museum’s Sound Series kicks-off with a day of site-specific installations and performances curated by composer/turntablist Tristan Shepherd. A group of interdisciplinary artists comprised of Richard Garet, Bethany Ides, Erin Yerby, Netta Yerushalmy, Ed Bear, Andrea Parkins, Tristan Shepherd and Doron Sadja, whose work converges around sound will distribute five pieces across the four floors of the building, investigating on the mutual inflection of interior and occupant, leaving affective traces on the horizontal architecture of the vacant warehouse. http://www.fragmentalmuseum.net/

Phill Niblock
Where: Roulette
When:Thursday, June 21, 2012 @ 8:00 pm

To celebrate the summer solstice, Phill Niblock presents “Two Lips”, a scored orchestra piece featuring the Dither Guitar Quartet (James Moore, Joshua Lopes, Gyan Riley, Grey McMurray) and Neil Leonard playing saxophone with Sax Mix. Chris McIntyre, Jen Baker, Will Lang, tenor trombone; James Rogers, bass trombone, will play “A Third Trombone”.  More to be announced. 

 

NADJA, NOVELLER, LAZURITE
Where: Glasslands Gallery
When: Wednesday, June 20, 2012, 8:30pm

NADJA
http://brokenspineprods.wordpress.com/
NOVELLER
http://noveller.bandcamp.com/
LAZURITE
http://lazurite.bandcamp.com/

Ban Fracking in NY State!
Where: 7408 Fifth Avenue, Bay Ridge
When: Thursday, June 14, at 4 p.m.

Fracking poses a serious threat to our drinking water, our agricultural land, and our air quality. It adds to our greenhouse gas emissions, and pushes us even further away from renewable energy solutions.
We need to persuade key Albany legislators to ban fracking in New York State. One of those key legislators is Brooklyn’s State Senator Martin Golden. Join Climate Action/Brooklyn For Peace and New Yorkers Against Fracking as we send a message to Senator Golden: Save Our Water! Ban Fracking Now!

Karlheinz Stockhausen’s Musik Im Bauch
Where:  Naumberg Bandshell, Central Park, Manhattan
When: June 21

Karlheinz Stockhausen‘s 1975 music-theatre work Musik Im Bauch (“Music in the Belly”) for six percussionists places its audience in an outré fairly-tale dream world. The piece was inspired by a game Stockhausen played with his two-year-old daughter, Julika, in which the composer listened to the sounds in her noisy stomach. Seven years later, Stockhausen conceived Musik Im Bauch during a dream. A loose narrative defines the transformation into humanity of three automatons, who attack a giant bird-man, named Miron, savagely cutting open his stomach and pulling out 3 music boxes which play melodies based on the signs of the Zodiac.

Selma Parlour and Yelena Popova
Where: Horton Gallery
When: Jun 14 – Jul 14, 2012

Horton Gallery is pleased to announce a two-person exhibition featuring the work of London based painter Selma Parlour and Nottingham based multi-media artist Yelena Popova. In this exhibition, the abstract paintings on view examine not only the visual iconography of Modernist painting, but also the rhetorical structures used to define both Modernism and its critique.

NELSON LOSKAMP: Horror Girls
Where: LAUNCH F18
When: June  12 – July 28, 2012 

Launch F18 is pleased to announce Horror Girls, the first solo exhibition of work at the gallery by Nelson Loskamp.  The exhibition will be open by appointment starting Tuesday June 12 and runs until Saturday July 28, 2012.  The artist reception will be held on Saturday June 23, 2012 from 6 – 8pm. Nelson Loskamp is known for his dynamic relationship with the figure.  He has executed work in a multitude of media within the parameters of individualistic style and cultural visual stigmas.  Horror Girls comes from an interpretation of still shots from an assortment of 1960’s horror films. Loving the style in these B films, Nelson considers the 60’s hair and make-up in their depicted period settings and recreates them in haunting paintings that are both
beautiful and macabre.

River to River Festival
Where: Various Locations
When: June 17-July 15

Each summer, the Festival activates more than 25 indoor and outdoor locations in the neighborhood with an unparalleled collection of music, dance, theater, visual art, film, and participatory experiences by renowned and breakout artists from New York City and beyond. For more than 100,000 attendees from around the region and overseas, River To River Festival provides an intense and rewarding way to experience Lower Manhattan’s waterfronts, parks, plaza, and other hidden treasures. The Festival’s densely packed schedule of daytime, evening, and weekend events showcases Lower Manhattan as a thriving center for cultural activity and a key destination point for experiencing New York City’s wealth and diversity of heritage, history, dining, shopping, and art.

Distended Cinema: Brock Monroe, Nick Hallet, Luke Dubois, Matthew Ostrowski, David Linton
Where: The Firehouse Space
When: June 15, 2012 8:30 pm

Audio visual performance in the time of temporal collapse, Brock Monroe visual & Nick Hallet audio, Fair Use (Duo) Luke Dubois, Matthew Ostrowski, David Linton: Bicameral Research Sound & Projection System w/ special guests David Watson & Alex Waterman Fair Use, Matthew Ostrowski looks at our accelerating culture through elecronic performance and remixing of cinema.

Great Photographs: Scape
Where: Hasted Krautler
When: June 14-July 20, 2012

Reception June 14, 6-8pm.

Finding History in Sewers: The Lost Streams and 19th-Century Sewer Tunnels Beneath Brooklyn
Where: Observatory
When: June 19

From ancient underground rivers and forgotten quarry tunnels to modern sewers and utility networks, the underground layers of the world’s great cities are full of places that are usually unseen, but that reveal the city’s history in new and startling ways. These hidden layers of the urban environment can teach us about how cities grow and function, and can provide a new perspective that highlights the ways that our daily experience in any city shapes– and is shaped by– the built environment around us.

ERIK SCHOONEBEEK: PHANTOM HAND
Where: Jeff Bailey Gallery
When: June 14 – July 13, 2012, Opening Reception: Thursday, June 14 6-8 pm

Jeff Bailey Gallery is pleased to present Erik Schoonebeek: Phantom Hand. This is his first solo exhibition in New York, featuring paintings and drawings made on found paper, old book covers and other materials.  Schoonebeek is influenced by contemporary advertising images, especially those seen while driving: road signs, billboards, commercial graphics, logos and posters. Although these images and graphic symbols are designed to communicate in some way, for Schoonebeek they become enmeshed with one another and change, as he says, “ into autonomous images that confront you with a blank stare”. From this source material, Schoonebeek forms his own imagery that hovers between recognizable graphic cues and amorphous narrative.

Bret Slater | Jeff Zilm
Where: et al projects
When: June 15 thru July 16, 2012, Opening Reception Friday June 15, 6 to 9 pm

et al Projects is pleased to announce the opening of an exhibition featuring new paintings by Bret Slater and new paintings by Jeff Zilm. The exhibition will convey these artists’ intimate work in a dynamic setting of individual experimentations and dialog.
Lawrence D. “Butch” Morris Conduction® Workshop/Atelier
Where: The Firehouse Space
When: June 16, 2012 2:00 pm

Over the last 25 years, Mr. Morris has opened the door to a new understanding of  musical language. It is called Conduction®. Employing 5,000+ musicians in 23 countries and 65 cities, Conduction® has amply demonstrated its capacity for cultural diplomacy, compelling and inspiring musicians and audiences alike. By facilitating a new social logic based on collective interpretation and personal interaction, it demonstrates a significant medium for the creation of a contemporary music. Known for its ceaseless investigation of an “extra dimension” that transcends style and category, Conduction has also proven itself supplemental to the entire scope of musical and artistic endeavor. Here, ensemble identity, and cultural tradition cohere.

City Life Signs / Paintings by Peter Dugovic
Where: Clic Gallery
When: Opening Reception: Thursday, June 14, 6-8pm 

Where: New York Academy of Art
When:  June 22 – July 28, 2012

Wish You Were Here 11 (Postcard show)
Where: A.I.R. Gallery
When: June 21, 6-8pm 

MMOTHS, Young Yeller, Jacob 2-2, Cult Fever
Where: Glasslands
When: Tuesday, June 19, 8:30pm

COMING UP:

2012 MERMAID PARADE
Where: Coney Island
When: June 23

Coney Island USA is pleased to present the 10th Annual Mermaid Parade Ball, the official after-party of the Mermaid Parade, held at The New York Aquarium, Surf Ave. & West 8th Street, 7pm – 12:30am, 21 and over. 2012 Ball Tickets are now on sale! Click here to get all of the details on this years ball and to buy tickets online! For Mermaid Parade Ball updates, check out our Facebook Event Page.

BLUE NOTE JAZZ FESTIVAL & NOLAFUNK/CEG PRESENT: LEON REDBONE
Where: June 23, 2012 , 7:30 pm
When: June 23

For decades, Leon Redbone has remained musically resonant and personally elusive. Although his iconic guise of white fedora, jacket, and sunglasses has been thoroughly satirized, it’s easy to overlook what a genuinely gifted artist he remains — a role he inevitably tries to downplay.

To the Stars on the Wings of an Eel 
Where: The Gowanus Ballroom
When: June 29th–July 7th, 2012

Throughout its history the Gowanus has inspired both utopian dreams and dystopian nightmares. The past four-hundred years have witnessed the site’s transformation from a fertile series of tidal wetlands to one of the busiest industrial waterways in the United States. The canal, once a source for sustenance and hope, is today tainted by a notorious legacy of pollution and decay.

THE ENCHANTED ORGAN: A PORN OPERA
Where: Dixon Place
When:Friday-Saturday, June 22-23, 9:30pm

The Enchanted Organ” is a burlesque opera that celebrates sexuality and satirizes the porn industry, while parodying four hundred years of the operatic tradition. Composer/librettist team Gordon Beeferman and Charlotte Jackson, with director Beth Greenberg, bring their trademark wit and polymorphous perversity to this journey through “the Magical Kingdom of Porn,” a place where past and present, straight and queer, and dead and living converge. Bridging the gap between “high” art and “low,” we puncture the turgid balloon of “traditional” opera and revivify the flaccid clichés of porn. Drawing on influences as diverse as classic 70s porn soundtracks, Monteverdi, and Ancient Greek hymns, and bridging the worlds of opera, drag, and striptease, this work-in-progress is as close as you’ll get (or want to get!) to “aural sex.”



THE WEEK/WEEKEND: MAY 10-17.

EDITOR’S PICKS:

Stephen Hannock: Recent Paintings: Vistas with Text @Marlbourgh

Jacqueline De Jong’s Situationist Times, 1962-1967
http://boo-hooray.com/the-situationist-times/de-jong-situationist-times/
05/09/2012-05/25/2012
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Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.

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THE WEEK: APRIL 30-MAY 4.
April 30, 2012, 4:41 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

 EDITOR’S PICKS: 

FULL LIST OF ALL MAY DAY EVENTS HERE.

May Day 2012
http://www.maydaynyc.org/
05/01/2012-05/01/2012
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We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!

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THE WEEK: APRIL 16-20.

EDITOR’S PICKS:

Cross-Reference: A Collaborative Exhibition Featuring the work of Hans + Gieves
http://www.likethespice.com/Cross-Reference-Hans+Gieves.html
04/20/2012-05/27/2012
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Like the Spice gallery presents Cross-Reference, a collaborative of Nashville-based painter Hans Schmitt-Matzen and Brooklyn-based photographer Gieves Anderson. It’s fitting that Hans and Gieves begin the works in their latest series in libraries, which the two artists consider sanctuaries of thought. Duly titled Cross-Reference, the series enables a philosophical contemplation of color and composition through an alchemy of the disparate mediums of photography and painting. Libraries’ unbroken rows and columns of books were the artists’ inspiration for the new works, and Gieves’ large photographic prints of the buildings’ interiors and exteriors form the multicolored surfaces to which Hans applies oils in thick gestural strokes made with brushes, blades, and customized squeegees.

Marc Brotherton – New Work
http://www.causeycontemporary.com/node/marc-brotherton/6235?tpl=tpls/exhibitionpressrelease&location=6235
04/20/2012-05/27/2012
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Causey Contemporary is pleased to present two solo exhibitions this April, New Paintings by Marc Brotherton and Acid Bath by Nina Carelli. Marking his third solo exhibition with the gallery, Brotherton will present his newest series of bold, mixed-media paintings, which explore ideas of new technology, communication, color and design. Marc Brotherton contends that living in the twenty-first century, we are constantly bombarded by input– be it from televisions, news sources, the internet, or one of the many communication gadgets. In a way, Brotherton’s paintings are a form of communication, which address technological and political quandaries, but also banalities of daily life. The outcome of his work is a materialized investigation into the perplexing world in which we live. Brotherton states that his incentive to make art comes from an “…inner curiosity, a personal necessity to acknowledge an awareness that we are here together inhabiting an increasingly chaotic world.”

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THE WEEK: APRIL 9-13.
April 9, 2012, 7:10 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

EDITOR’S PICKS:

Adam Rudolph – Go Organic Orchestra
http://roulette.org/events/shelley-hirsch-simon-ho-3/
04/02/2012-04/30/2012
8pm-

Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.

JAMES GODWIN LUNATIC CUNNING
http://www.dixonplace.org/index2.html
04/06/2012-04/21/2012
7:30pm-

A semi-autobiographical “mockumentary” from a puppetry and performance art pioneer. Lunatic Cunning mixes experiences from Godwin’s own life—such as his work with Julie Taymor on Across the Universe and appearances on Saturday Night Live, Chappelle’s Show, PBS and with Jim Henson’s Muppets. It’s a humorous examination of the occult roots of puppetry and performance art.

I T I N E R A N T Performance Art Festival
http://www.qmad.org/itinerant/
04/06/2012-05/04/2012
3pm-6pm

QMAD, Queens Media Arts Development, presents ITINERANT, a citywide festival for Contemporary Performance Art to be hosted at various venues in the five boroughs of New York City. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. Artists working in Contemporary Performance Art were selected to participate from an open call that attracted more than 175 local, national and international submissions. Forty five artists will be featuring new and existing works that explore the program’s theme over a period of 5 weeks starting on March 30th through May 5th.

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THE WEEK: APRIL 2-6.
April 2, 2012, 3:41 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

EDITOR’S PICKS: 

Every Exit is an Entrance: 30 Years of Exit Art
http://www.viiphoto.com/news/exhibition-every-exit-is-an-entrance-30-years-of-exit-art/
04/01/2012-05/19/2012
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Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.

 

 

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THE WEEK: MARCH 19-23.

EDITOR’S PICKS:

Ben Marcus & Ryan Britt
http://greenlightbookstore.com/event/ben-marcus-ryan-britt
03/19/2012-03/19/2012
7:30pm-

Our ongoing Blogger/Author Pairings series features conversations between authors and bloggers who share territories, passions, and preoccupations. New York City-based author Ben Marcus discusses his new novel, The Flame Alphabet, with blogger Ryan Britt, a teacher at The Gotham Writers’ Workshop and staff writer for the popular science fiction and fantasy blog, Tor.com and Tor’s series “Genre in the Mainstream.” In The Flame Alphabet, the most maniacally gifted writer of our generation delivers a work of heartbreak and horror, a novel about how far we will go, and the sorrows we will endure, in order to protect our families. Both morally engaged and wickedly entertaining, a gripping page-turner as strange as it is moving, this intellectual horror story ensures Ben Marcus’s position in the first rank of American novelists. The event is hosted by series curator Ron Hogan, creator of the seminal literary blog Beatrice.com.

ECSTATIC MUSIC FEST: DAN DEACON WITH NOW ENSEMBLE & THE CALDER QUARTET
http://kaufman-center.org/mch/event/new-sounds-live-dan-deacon-now-ensemble-the-calder-quartet
03/20/2012-03/20/2012
7:30pm-

Dan Deacon (pictured) returns to the Ecstatic Music Festival after last year’s sold-out show, this time writing a series of new works for acclaimed chamber groups NOW Ensemble (“a deft young group gaining attention,” New Yorker) and the Calder Quartet (“outstanding,” New York Times), both for the individual ensembles and for the two together in a mini-chamber orchestra.

Crystal Fighters, Tubetops, Antoine Karl & The Woofgang (DJ Set)
http://glasslands.blogspot.com/
03/19/2012-03/19/2012
8:30pm-

Crystal Fighters, Tubetops, Antoine Karl & The Woofgang (DJ Set)

Heidi Julavits: The Vanishers
http://www.centerforfiction.org/calendar/heidi-julavits-the-vanishers/
03/20/2012-03/20/2012
7pm-

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THE WEEKEND: MARCH 9-11.
March 8, 2012, 9:57 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

EDITOR’S PICKS:

Holi
http://www.festivalofcolors.org/
03/11/2012-03/11/2012
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Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.

Hazmat Modine
http://hazmatmodine.com/home.html
03/10/2012-03/10/2012
7pm-10pm

HAZMAT MODINE draws from the rich soil of American music of the 20’s and 30’s through to the 50’s and early 60’s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.

 

 

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An Interview with David Meiklejohn (My Heart is An Idiot).
February 7, 2012, 12:15 am
Filed under: FILM/VIDEO, INTERVIEWS | Tags: , , , , , , , , , , , , , , , , , ,

David Meiklejohn is the co-creator and director of the film, My Heart is an Idiot (2011), documenting the travels and relationships of Found Magazine creator Davy Rothbart. Found  is dedicated to showcasing items (mostly notes and pictures) found and sent in to the magazine from around the world. In the interview David talks about My Heart is an Idiot, working and creating with Davy, and gives his own advice on love. This interview originally took place in the late summer of 2011. My Heart is an Idiot is being released on DVD this April and will screen this Thursday in Houston, Texas. For more information on the movie visit their facebook page or watch the trailer.

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