KID KOALA presents 12 bit Blues! The VINYL VAUDEVILLE TOUR To celebrate the release of his new album ’12 bit Blues’ featuring KID KOALA and HIS INCREDIBLE DANCING MACHINES! And introducing kid k’s very special guests: ADIRA AMRAM AND THE EXPERIENCE (NYC)
Technically, a tree falling in the woods doesn’t make a sound unless the resonance has an eardrum to bounce off of – an argument that only stands under the assumption that the “anyone” in the famous question is a human being. Yet the crash displays independence even within its own nature. The tree falls despite our ears and despite its own roots.Art also provides an example of an imaginary sentience, and “Bad on its Own” is a particularly mischievous one. Pairing the malleable found textile patterns of Amanda Browder with “nature” paintings by Martin Esteves, the show demonstrates a pretend awareness through a more puckish spite; but art isn’t actually aware of itself, so the line treads wearily between a straight face and a smirk. Browder’s oversized installations create optical hallucinations from the simplest found sources. Her materials have been freed from all practical intentions and aren’t afraid to let you know it. Esteves’ paintings highlight the fact that nature is mean spirited already, regardless of human interferences such as greenhouse effects or global warming. Both artists’ mix of beauty and farce are what gives this show its title. The word “Bad” here means an intentional state.
There comes a time in every artist’s life when they have to step into the spotlight on their own terms. For Janet, it was about Control. For Prince, it was about Emancipation. But for Alice Smith, it’s the art (and hard-won battle) of simply being herself. The NYC-bred singer/songwriter/producer, known for her 4-octave vocal range and stunning stage presence, made a name for herself with her critically-acclaimed 2006 debut album, For Lovers, Dreamers & Me, released on BBE Records. At the time, her artful blend of bluesy, soulful vocals and mid-tempo grooves garnered a passionate following that packed venues like NYC’s Mercury Lounge and Joe’s Pub, while Vibe Magazine gushed that her sound “evoke[s] Fiona Apple’s finest material.” Her single “Dream” was nominated for a Grammy Award in the Best Urban/Alternative category.
Jeffrey Gibson Marc Strauss November 18 – December 23, 2012
Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, England and elsewhere. He is also a member of the Mississippi Band of Choctaw Indians and half Cherokee. This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.
Jack Dunning’s production work as Untold has reinvigorated the climate of dancefloors around the globe. Through his work with Hessle Audio, Clone, R&S and Hotflush, Dunning elevated dubstep to uncharted territories, combining it with grime, jungle and more recently techno. A lot of his music is truly alien and doesn’t really easily fit into any of these categories. Through his label, Hemlock Recordings, he has continued this pioneering role – discovering James Blake and releasing groundbreaking work from Ramadanman and Breton. Untold recently releasing his most comprehensive work to date – the three part EP “Change in a Dynamic Environment” (which you can hear in full on his Soundcloud). We’ve been eager to bring back Untold ever since he played the set of the night at the fist Bass Mutations at The Bunker at Unsound Festival New York back in 2010.
Mind Over Mirrors, AKA Jaime Fennelly, performs with dancer and musician Miguel Gutierrez as part of Fennelly’s two-night residency at ISSUE Project Room. After four years of constant collaboration, trans-continental performance, cohabitation and detritus exorcising from 2001 – 2004 as their duo Sabotage and the early formative years of The Powerful People, this evening marks the first time Fennelly and Gutierrez have performed together in over eight years.
Calling the low, the weak, and the ungodly! Calling the faithless, the mentally infirm, and the spiritually bereft! This is the end of days and that rumble in the distance is the wagons of The Little Top Circus & Medicine Show, rolling into town to save your sad sinner’s soul. Led by the evangelically infamous Good Reverend Doctor Professor Elucius Clay, this band of befouled lowlifes will horrify (watch as Stitch the Geek mutilates his own flesh!), flummox (recoil at Bobby Phobia’s feats of physiology), mystify (witness the Good Reverend’s holy fingersmithery, learned unto him in the Orient!) and titillify (surrender to the undulant charms of burlesque!), all to the blood-stirring sounds of musicianers Doc Minch, plus Ratty Mousebites & Miz E of The Hot Sardines.
Guests are encouraged to come in disguise and inhabit an alter ego. Featured readers include Ariana Reines, Dorothea Lasky, Jennifer Tamayo, and Angelo Nikolopoulos! Other poetry whores include Will Brewer, Seth Oelbaum as Reinhardt Gobbles, Carina Finn as Cherry Cherie, Lisa Marie Basile as Luna Liprari, Meghann Plunkett as Echo Rose, Lauren Hunter as Harriett Van Os, Alyssa Morhardt-Goldstein as Elka, Rachel Herman-Gross as Simone, Rachel Boyadjis as Cosette Chapiteau, and Evan Burton as Buster Van Orson The night will include burlesque performances by Moxie Sazerac and Luna Liprari, tarot readings by Robert Cunningham, body painting by Liz Belomlinsky, sleight of mind performances from Who Is Cooper, AND we’ll enjoy live music by Karen Marie Richardson, better known as Stella Sinclair of Punchdrunk’s Sleep No More.
The BFC will present a night of short films by its members. Diverse skill sets and wide interests converge at the collective’s weekly meetings, where members present works-in-progress to receive feedback and criticism from their peers. Beyond the workshops, members share resources, ideas, gear, and crew-power. The collective is also excited to present the Brooklyn premier of Alex Mallis’ short documentary, Spoils: Extraordinary Harvest.
PowerHouse Arena celebrates the launch of My Ideal Bookshelf and presents an exhibition of prints from the book, which will be displayed on the Arena walls. Writer Thessaly La Force interviewed dozens of prominent artists, writers, chefs, and thinkers, to create this loving homage to book collecting illustrated by artist Jane Mount.
In Perpetual Recombination, Recession Art’s featured artist Ian Trask presents a collection of sculptures that visualize an evolved interplay between concept, material and technique. The show’s title refers to the exchange of material between chromosomes during meiosis (cell division) and the resulting recombination of maternal and paternal DNA, a process that perpetuates genetic diversity of species and biodiversity of ecosystems. By analogy, this body of work represents nearly a decade of creative evolution. The combinatorial potential between the materials Trask collects and the processes he applies over time generate an elaborate diversity of forms all descended from a fundamental intuitive origin.
Based in Bologna, Italy, Peppe Voltarelli was the leader of Calabrian folk rock group Il Parto delle Nuvole Pesanti. In 2005, he starred in the cult movie “The true legend of Tony Vilar” about the search for an argentinean-Italian singer, and then embarked on a solo career, using his dual background as musician and performance artist. His new show is a look the Italian heritage through songs that shaped the global Italian identity and Peppe’s own career.
Artist and curator Casey Jane Ellison will present twenty short-form animations from Aboveground Animation, the online archive and roving exhibition platform she founded in 2008. The screening is staged in conjunction with First Look, the New Museum’s Digital Project series—through which a selection of animations from Aboveground Animation, exploring 3-D renderings of post-human forms, premiered in October. For this screening, Ellison will present a more expansive selection of Aboveground Animation. Made by an international group of emerging artists, the featured works take up a variety of themes and concerns, and exhibit original approaches to hand-drawn and stop animation, as well as employ new tools such as CGI. Following the hour-long screening, a discussion will be held with local artists Erin Dunn, Steve Emmons, Ryan Whittier Hale, Lauren Gregory, Rhett LaRue, Robert Bittenbender, Jacolby Satterwhite, Lale Westvind, and Ellison.
As Real As It Gets ApexArt Opening Reception: Thursday, November 15: 6-8 pm
Tell me about yourself, and you might mention where you’re from, the music you prefer, perhaps a favorite writer or filmmaker or artist, possibly even the sports teams you root for. But I doubt you’ll mention brands or products. That would seem shallow, right? There’s just something illegitimate about openly admitting that brands and products can function as cultural material, relevant to identity and expression. It’s as if we would prefer this weren’t true. (But we know it is: Tell me about a neighbor, co-worker, someone you met at a party, and it becomes far easier, convenient, maybe even necessary, to situate that other person within branded material culture.) The underlying discomfort is something I’ve noted over many years spent writing about brands and products. One reader comment clarifies the dilemma. In a column about products and companies that exist only in the fictional worlds of books and movies, I categorized such things as “imaginary brands.” Harrumph to that, this reader replied: All brands are imaginary.
Visionary director Ivo van Hove transforms the BAM Howard Gilman Opera House into a modern-day Roman amphitheater with this interactive, hyper-modern take on Shakespeare’s powerful trilogy about the use and abuse of power: Julius Caesar, Antony and Cleopatra, andCoriolanus. Staged as a single immersive experience, van Hove’s production turns audience members into the citizens of Rome, encouraging them to grab a drink during the action at the on-stage bar, push through the crowd to hear Marc Antony defend Caesar, or take it all in on giant video screens and tickertape news feeds.
The magnificent theatrical adaptation of C. S. Lewis’ THE SCREWTAPE LETTERS returns to New York City starring award-winning actor Max McLean. THE SCREWTAPE LETTERS is a provocative and inspiring look at spiritual warfare from a demon’s point of view. Now in its third smash year, THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities.
Charlotte Booker will make a New York poem with the assembled crowd. We’ll play a game of New York trivia…
And, of course, there will be storytelling, live music, community, art and LOTS of clapping. What more could you want out of a Sunday morning? Come celebrate the city with us. Oh, and feel free to bring something tasty for the refreshment table!
WADE GUYTON OS OCTOBER 4, 2012–JANUARY 13, 2013 The Whitney
Over the past decade, New York–based artist Wade Guyton (b. 1972) has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to daily lives now punctuated by misprinted photos and blurred images on our phone and computer screens. Comprising more than eighty works dating from 1999 to the present, Guyton’s first midcareer survey features a dramatic, non-chronological design in which staggered rows of parallel walls confront the viewer like the layered pages of a book or stacked windows on a monitor.
MI JU: GAIA
FREIGHT AND VOLUME September 27 – November 3, 2012
The exhibition’s title Gaia refers to the Greek earth mother goddess as well as the scientific Gaia Principle, proposing that “all organisms and their inorganic surroundings on Earth are closely integrated to form a single and self-regulating complex system, to maintain the conditions for life on our planet” (James Lovelock). Mi explores the significance of Gaia pictorially, as it relates to today’s ecological challenges. In works such as One -as well as Wind and Water–the artist celebrates and pays homage to the elements in all their glory by examining both microcosms and macrocosms in nature. Mi deconstructs space in the manner of classic Asian landscape painting to present a floating menagerie of symbols – disembodied lanterns, birds, insects, dragons and other hybrid creatures, rich organic matter – looming up from the primordial void. Mi also employs radical shifts in scale and density, subtle hues juxtaposed with jarring color, fluctuating perspective and other dramatic methods to convey her otherworldly vision. Negative space is addressed lovingly and carefully, with as much and perhaps more import than actual objects.
Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.
Printed Matter presents the seventh annual NY Art Book Fair, from September 30 to October 1, 2011, at MoMA PS1, Long Island City, Queens. A preview will be held on the evening of Thursday, September 29th. Free and open to the public, and featuring more than 200 exhibitors, the NY Art Book Fair is the world’s premier event for artists’ books, contemporary art catalogs and monographs, art periodicals, and artist zines. Exhibitors include international presses, booksellers, antiquarian dealers, artists and independent publishers from twenty-one countries.
Horton Gallery is proud to announce Martha Colburn’s Camera, lights, charge, Pop! – opening Friday, September 28th in the gallery’s new, expanded Lower East Side location at 55-59 Chrystie Street. Marking the first time that her work has been seen in this capacity, the exhibition will feature an hour and a half program of about thirty manipulated found footage and stop animation films from the mid-1990s to the present as well as Polaroids and large-scale collages.
The second evening of “Voices and Echoes” presents a series of unique collaborations including Otomo Yoshihide + Marina Rosenfeld duo, Gozo Yoshimasu + Tamio Shiraishi + Cammisa Buerhaus trio, and Akio Suzuki + Jason Lescalleet duo.
Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.
BROOKLYN BOOK FESTIVAL Brooklyn Borough Hall and Plaza SUNDAY, SEPTEMBER 23, 2012, 10am-6pm
On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.
In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.
On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.
In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.
Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection. Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques. His steadfast approach defines his meticulous attention for detail.
Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.
Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.
Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.
Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.
“Adapted from a Don Delillo novel, Cronenberg’s latest dystopian odyssey boats all three the ingredients for filmic greatness — sex, violence, and Robert Pattinson — in generous portions.” -Chloe Wyma
Activist New York includes an astonishing array of documents, historic artifacts, and personal items that transport us to iconic moments when grassroots movements changed the city’s history and culture. But the stories of New York activism are also woven through the lives and memories of countless New Yorkers. Join us for a gatherine during which we invite you to bring along a photograph, or just a story, that tells about your or your family’s involvement in the democratic process of change that occurs when citizens unite for common goals.
All are invited to be present in Dream Time, listening into the moment, discovering who we are in this moment, within and without, listening, sounding, moving, seriously playing the moment, exploring the moment as a community of listeners/viewers. A sound/video dreamscape which has evolved from Norman’s prior Singing Mask ceremonies, his latest work “Mysterium Magnum,” home videos and recent electronic music by Ezra will accompany us in this journey. As a shared dream, Ezra, Caleb and Norman will explore and guide us into the present moment with sound/movement/Singing Masks as we are all interdependently interconnected within the intricate interwoven depths and delights of Dream Time.
Trombonist and composer has worked with Slavic Soul Party, Lee Konitz and the Kronos Quartet but here he presents elegant and energetic compositions for his lithe trio. “Odd and excellent, taut with paradox” – Ben Ratliff, the New York Times. With Jacob Sacks, piano and Dan Weiss, drums.
Thursday August 16th @ 285 KENT AVE
11:15 || Cassie Ramone w/ Julie K-Holes
10:30 |||| Deep Time ——— formerly known as Yellow Fever
-9:45 |||||| Turn To Crime —- Derek Stanton from Awesome Color
-9:00 |||||||| Weird Rivers
-8:15 |||||||||||| I’m Turning Into
From myths of haggling savages to accounts of societies run on mutual aid, “barter” occupies a grey area between gift giving and market transactions. In this workshop, participants will experience the theory and practice of barter. Participants will (1) learn about contemporary and historic barter communities, (2) connect with potential barter partners and (3) discuss the problems and possibilities of barter: building trust, negotiating value, communicating clearly, and getting projects done without money. Workshop Facilitator: Caroline Woolard is a co-founder of OurGoods.org and TradeSchool.coop, two barter networks for cultural production. She is currently a Fellow at Eyebeam. cost: bring drinks/food to share, or volunteer to help clean up. You must RSVP to attend: email info@ourgoods.org with your name and the item/service you plan to bring.
A night of music & art brought to you by… Chandrikas. Music by Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART, the closing of “Growing the Garden,” a summer art exhibition of mixed media and mixed forms by David Shull.
A brief history of a word I use allot by Jesse Sheidlower lexicographer and writer of “The F-Word, a detailed history of the word f*ck,” Turntablist/percussionist/producer VAL INC. who pulls beautiful ghosts from a table of machines, very very real, very very human and very very funny New York stories by GREG Walloch and CHRIS WELLS, Fascinating smart songs and live electronic compositions of composer AMY X NEUBERG, beautiful and compelling 4 part vocal music of TREVOR WILSON and ENSEMBLE and a new composition inspired by Ali Farka Touré by SXIP SHIREY performed with Rob C. (special appearance by Leron Peled!)
Pitchblak Brass Band is a ten-piece brass collective comprised of composers, producers, artists, rappers, strivers, hustlers, and superstars. Hailed as NYC’s only hip hop brass band, PitchBlak has been rocking the city since 2010 with their original dance-worthy music, which combines robust horns, Afro-Caribbean beats, soaring jazz solos, and tongue-twisting raps. In addition to performing at notable venues such as 92YTribeca, Southpaw, and a packed headlining performance at Brooklyn Bowl, PitchBlak most recently played to enthusiastic crowds at the NXNE festival in Toronto. Because of each member’s diverse musical background and training, PitchBlak is active in teaching and mentoring young musicians in New York, and prides itself on giving back to the community. For more info, visit www.pitchblakbrassband.com.
Coriolanus” has been re-envisioned as a modern day “election fable” in the second production of the Drilling Company’s 2012 Shakespeare in the Park(ing) Lot series. This “Coriolanus” is set during an election year, when money can buy power and working class citizens feel threatened by a dwindling patrician class who are seeking to solidify their political power by manipulating political figures. The title character, played by Arash Mokhtar, is a potential leader who is vaunted for his success as a warrior but is completely out of touch with the every day citizen’s experience of hunger and joblessness.
In her new book The Breathless Zoo: Taxidermy and the Cultures of Longing, Rachel Poliquin–best known for her blog “Ravishing Beasts”–explores the cultural history and poetic resonance of taxidermy from its rudimentary beginnings in cabinets of wonder to its revival in contemporary art. From hunting trophies to extinct species and kitten weddings to perpetual pets, The Breathless Zoo examines the meaning and matter of preserved animal-things and why anyone would want them to exist, and attempts to get to the heart of taxidermy by answering two fundamental questions: why would anyone want to preserve an animal, and what is this animal-thing now? Animal or object? Animal and object. This is the irresolvable tension that defines all taxidermy. As The Breathless Zoo demonstrates, with taxidermy there are no easy answers.
There’s nothing remarkable about a movie theater today, but there used to be. When the great American Movie Palaces opened, they were some of the most lavish, stunning buildings anyone had ever seen. With the birth of the multiplex, theater companies found it harder and harder to keep these buildings open. Some were demolished, some were converted, and some remain to this day. “The Fall of the American Movie Palace” will take you through the history of these magnificent buildings, from their opening in the early 1900s to years after the final curtain.
REVERSE invites you to the exhibition of OPEN LAB, the culmination of a month of work at REVERSE SPACE, during which six emerging artists use the 1010 sq ft gallery space and convert it into their own work-stations. The artists: Jin Joo Chae, Scott Fitzgerald, Hudson Lines, Francesca Padron, Gabriel J. Shuldiner, Jeremy Zierau
Microcosm is Jonas Braasch’s new project. Expanding from his solo work, Microcosm is — in a nutshell — in a band with Jonas on the soprano saxophone, his alter ego on the Arturia Moog foot pedal, and Caira, an intelligent agent who improvises autonomously with the trio using auditory scene analysis techniques, machine listening, and logic-based reasoning. The agent is currently being developed through support from the National Science Foundation, together with team members Doug Van Nort, Pauline Oliveros, and Selmer Bringsjord. The Microcosm project was conceived to cross traditional boundaries between arts and science, and was conceptualized out of the desire to perform with an inspiring ensemble that can follow and provide musical cues very quickly. The concert will include adaptations from Jonas’ previous works: “Global Reflections”, “Sonic Territories”, and “Quartet for the End of Space”, which were released on Deep Listening and Pogus.
Rath’s porcelain sculptures allude to the odd forms and luminescent hues of little-known and endangered varieties, while large-scale photographic portraits document newly manufactured hybrid trees. These artifacts are designed to investigate diversity at a molecular level and human intervention in the natural world.
MY LOVE FOR YOU BURNS ALL THE TIME transforms the Packard Plant, Detroit’s notorious post-industrial behemoth, into a series of silver-plated fragments of a monument in miniature. Let’s call it Pirnanesian bling. Measured, documented, reconstructed instances suspend the ever-shifting site into a series of precisely scaled replicas of ruination. Some focus on the buildings’ acclaimed iconography: the water tower, the Grand Boulevard bridge. Others preserve unexceptional examples of architectural obsolescence: a reinforced column, a typical façade, an elevator shaft. Suspension here is a devise in the production of fetish-worthy fantasy, allowing an interminable return to an image of degradation that no longer exists in the material world. The copy, consequently, is rendered more auratic, more titillating.
Do you sometimes wonder where all these superhero movies come from? Are you new to comics or a lifelong fan? Join us for a celebration of all things comic and super! (super hero, that is).
11:00 am – Toon Town: Comic Books and New York City by Kent Worcester
12:30 pm – Manga drawing instruction with Ivan Velez
2:00 pm – Comic Trivia with Geeks Out
4:00 pm – Comics Panel, featuring Marvel writer Greg Pak and Marvel editor Daniel Ketchum
Guided conversation on the history of folk music through Woody Guthrie’s New York with Anna Canoni (Granddaughter of Woody Guthrie and researcher / licensing for “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”), Tiffany Colannino, Woody Guthrie Archivist and Assistant Producer of “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”, and Dom Flemons, a member of Carolina Chocolate Drops.
With vocal comparisons to Nina Simone and a musical style that pulls from jazz, blues and country, singer/songwriter Dayna Kurtz has found her best success not in America but in Europe. Kurtz started out as a folkie, but has expanded her influences over the years, creating a sound that fits in best with an Americana umbrella.
Do politics belong in music? They sure do, especially when delivered as entertainingly as by this handful of radically independent singer-songwriters. Indie folk singer and activist Erin McKeown owes much to the topical songwriting of folk legend Tom Paxton. Bedazzled creature Taylor Mac and band perform selections of political songs from his upcoming 24-hour concert of the history of popular music. Daniel Kahn, whose Painted Bird has been called “the Yiddish Pogues,” is to klezmer music what blues singer Pura Fé, founder of a cappella trio Ulali, is to Native American music.
Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.
Join us for Shake In/Shake Out, a special performance art edition of our monthly potluck dinner and art salon. Starting in the kitchen at 8pm we will feast and then at 9:00 we’ll head to the gallery for performances, video art, and installations curated by Fluxers Ye Taik, Lehna Huie, and Lena Hawkins.
Music Maker Relief Foundation is pleased to announce the release of Dom Flemons’ & Boo Hanks’Buffalo Junction. This album is the result of a partnership between Piedmont-style blues guitarist Hanks and Flemons, who in 2011 won a Grammy Award and played the Newport Folk Festival with his group the Carolina Chocolate Drops. Hanks worked the tobacco fields near his Virginia home for the majority of his 83 years. In 2006 he began a partnership with Music Maker Relief Foundation that led to opportunities such as opening for the Chocolate Drops collaborating with Dom Flemons on their album, Buffalo Junction, named for Boo Hanks’ hometown. The album, which will be released June 19, 2012, features upbeat, country blues that crosses generational lines.
This year’s championship event will be presented over 2 days with the Grand Finals being held at Le Poisson Rouge as well as an opening night International Open Mic series at Littlefield performance arts gallery in Brooklyn. The event will feature beatboxers from across America with special showcases by reigning American champion J-Flo, three man ill, and Word of Mouth (Killa Beatz and Subconscious) of Toronto.
Fronted by Sudanese singer Alsaraha, the group plays what they call “Nubian Soul”: a selection of Nubian ‘songs of return’ from the 1970s to today with original material and traditional music of central Sudan and southern Egypt. Featuring Alsarah – Vocals; Karine Fleurima – Vocals and Keys; Haig Manoukian – Oud; Rami El Aasser – Percussion and Mawuena Kodjovi – Bass.
The party, 9pm-late: Discover a circus long lost, with music from times gone by or times that never were: Amour Obscur (gypsy punk accordion vagabonds), Shayfer James (dark, danceable anthems of mischief), and Emperor Norton’s Stationary Marching Band (riotous steampunk brass). DJ Joro Boro bridges the dust of Burning Man with the sounds of a rogue Slavic circus.
The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues.
Streamline Kansas Gallery August 11 – September 08, 2012
Ryan Lauderdale, Owen Kydd, Ignacio Torres, Chloe Wessner, Constant Dullaart, Andrew Pomykalski, Juliette Bonneviot, Ann Hirsch, Kevin Kelly, Aude Pariset, Artie Vierkant, and Sarah Faux.
SIXTIES MUSIC/MEMORABILIA SHOW. RARE ’60S PSYCHEDELIC, ROCK & ROLL, FILM/ COUNTER CULTURE POSTERS, VINTAGE CLOTHING/JEWELRY /AUTOGRAPHS/ARTWORK/COMICS/MUSIC/ COLLECTABLE EPHEMERA, FROM THE “DECADE OF CHANGE” CELEBRATING PEACE & LOVE!, PLUS SPECIAL GUEST LEGENDARY GUITARIST GENE CORNISH FROM BK’S OWN ’60S MUSIC ICONS THE YOUNG RASCALS
Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs
Our next event is with three amazing NYC based artists, Jon Burgerman, Andrew Bell, and JK5 for the opening of ‘Other Mother Brothers’. Join us for a show filled with originals, prints, books, designer toys, apparel and more!
Get blasted by super-soakers! Witness the scorching of He-Man action figures! Be dazzled by James Cameron’s revolutionary action sequences and special effects… recreated LIVE (in true 3D)… with next to no budget at all! Think your Arnold Schwarzenegger impersonation is the best around? Here’s your chance to prove it. For each show, the role of THE TERMINATOR will be chosen from the audience… by the audience! Don’t worry, we’ll provide all of Arnold’s complex, important dialogue on cue cards.
Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.
In honor of the 25th anniversary of Socrates Sculpture Park, founded by Mark di Suvero, four artists who have exhibited at Socrates – Janelle Iglesias, Jory Rabinovitz, Rob Swainston, Lan Tuazon – will lead workshops and tours of the di Suvero exhibition and relate the exhibition to their own artistic practices.
Shark researcher Hans Walters of the New York Aquarium discusses his wet-and-wild work tagging and tracking sharks and curates a live-screening ofGreat White Highway, a new documentary debuting on Discovery Channel’s Shark Week that follows marine scientists as they pursue the mysterious migrations of great white sharks(Carcharodon carcharias).
Join us on Thursday, August 9 at 6:30pm for the third Poetry from the Rooftops of 2012. Aracelis Girmay, A. Van Jordan & Tom Sleigh will read from their work.
David’s debut album, Hidden, was released in 2005 and was called ” an exciting record that reflects restless creativity.” by All About Jazz. David also composes music for film, most recently completing the score for “The Happy House,” a feature filn by D.W. Young. David’s first film project, Atsushi Funahashi’s “Echoes,” was well received by critics and film festivals, winning three Jury and Audience Awards at Annonay International Film Festival in France and the High Hope Award at the Munich International Film Festival.
With David Ullmann – Guitar; Chris Dingman – Vibes; Karel Ruzicka Jr. – Sax; Vinnie Sperrazza – Drums and Gary Wang – Bass.
WHAT: PETE’S MINI ZINE FEST WHERE: Pete’s Candy Store WHEN: Saturday, July 21, 2pm-7pm
WHY: We are so pleased to announce the first print version EVER of The 22 Magazine will be available at Pete’s Mini Zine Fest, coming up this Saturday, July 21, 2-7pm at Pete’s Candy Store. We will have VERY limited copies but you will also be able sign up for pre-orders and if we’re lucky, you’ll be able to order directly at the table via ipad. Likewise, the first person to buy a copy of The 22, will receive a free mini-painting from editor Cat Gilbert! (Check out the catalog of work here.)Please join us, along with Volume One contributor’s John Jennison and Max Evry (who will be selling work for Pranas T. Naujokaitis), and if you just can’t wait until Saturday you can grab a print copy of The 22 HERE. If you are in any way confused, please don’t hesitate to contact us to help with your order at the22magazine (at) gmail (dot) com. If you are a retail store looking to get a bulk order, please contact for a special discount price!
WHY: Join us, Thursday July 26th for the Chelsea Art Walk and opening of Field Projects Show #6: How to Write a Novel. This exhibition centers on the labor and characterization of writing a novel. It draws a parallel between the source material of writing a novel and making art. Often the most potent source of inspiration for artists and novelists alike comes from the private, seemingly mundane aspects of our own lives. How to Write a Novel features drawings of text, photographs, receipts, books and the mesh-mash debris in an author/artist’s life. The artists in this exhibition include Polina Barskaya, Aaron Krach, Karl LaRocca, Thomas Marquet, Siobhan McBride, and Martin McMurray.
WHY: This year we’ve got more series, more poets, more headliners, more vendors, an additional arts and crafts village, healthy and delicious food options [though, yes iced coffee and yes ice cream], and a brand new children’s festival! Oh, and we plan on more sun too, though last year would be hard to beat! For a complete schedule of events click here, and be sure to click the banner below to check out the children’s festival!
WHY: Jeff DeGolier, Gabe Farrar, Elizabeth Ferry, Stacie Johnson, Anna Schachte, and Siebren Versteeg
WHAT: jerry blackman WHERE: toomer labzda PRESENTS WHEN: july 19 – 26, 2012 (by appointment only), opening reception / thursday, july 19: 6-8pm
WHY: toomer labzda PRESENTS is pleased to exhibit a collection of jerry blackman’s wall mounted works.each piece is penetrated and framed by the elements it is composed of: rope, metal chain, paint, faux wood and crystal. focusing on surface, he plays with the perception of materiality through a subtractive and additive process. his sculptures employ a malleable tension via a synthesis of patterns and objects which presents a core understanding of construction and craft.
WHY: Combining old-school jazz energy with raucous funk, hip-hop, and Mardi Gras Indian chants, the Stooges are rising stars among the new breed of New Orleans brass ensembles. Led by sousaphonist Walter “Whoadie” Ramsey, the Stooges were anointed the Crescent City’s best contemporary brass band at last year’s Big Easy Music Awards.
WHY: At the next installment of the wacky debate series, a team including Hot Tub‘s Kristen Schaal (30 Rock and Flight of the Concords) and Kurt Braunohler (host of IFC’s new comedy game show Bunk) face off against a team led by Christian Finnegan(VH1′s Best Week Ever) with Myq Kaplan(Last Comic Standing) and Bob Powers (Happy Cruelty Day) in this quirky take-off on the old school debate team. Hosted byMatthew Love (Comedy Editor Time Out New York).
WHY: Modeled on the Parisian acoustic jazz bands of the 1930s. While its instrumentation (violin, acoustic guitar, accordion and bass) has a distinctly continental sonic texture, the repertoire of this group is as diverse as Brooklyn itself. The technical mastery of its performers allows the group to slide gracefully between a burning Basie stomp to a slow Texas waltz without skipping a beat. Fronted by the vocalist Gretchen Vitamvas, the Hot Club of Flatbush is sure to please any musical palette. Stephane Wrembel is back next month.
WHY: The Silent Clowns Film Series is back and dedicated to silent era film star, Raymond Griffith, a star whom Walter Kerr described as “natty, lithe (and) un-mugging.” Today, view Griffith in Hands Up! (1926), with Mack Swain and Montagu Love. Dog Shy(1926) with Charley Chase is our added attraction.
WHY: tamara gayer creates a site specific kaleidoscopic installation, which focuses on the local and national monument – the Eldridge Street Synagogue in New York City’s Lower East Side. gayer manipulates, warps, inverts and expands the gallery’s appearance as she reinterprets the exterior and interior of the one hundred and twenty-five year old landmark.
WHY: This Summer, as part of its inaugural season of sonic-visual events, CoWorker Projects presents Kinematic Thursdays (June – July 2012) – a multi-disciplinary performance series bringing audiences in New York City’s meatpacking district some of the most dynamic and exciting sonic artists, electronic musicians and experimental visual artists and filmmakers from native New York to abroad. This innovative programme reflects CoWorker Project’s expanded vision as being an experimental space in the heart of the West Village.
WHAT: Hand Stories WHERE: Lincoln Center WHEN: july 18-25
WHY: It starts with hands: his father’s hands, his brothers’, his countrymen’s, and above all his own. Told through wordless, utterly playful scenes featuring hand puppets, poetic music, and striking visuals, Hand Stories is Chinese puppeteer Yeung Faï’s deeply personal family history during the vast changes that swept China during the 20th century.
WHAT: STOP THE FRACK ATTACK! WHERE: The Northwest Corner of 8th Ave and 34th St., New York City.
WHEN: Boarding starts 7:30 AM on Saturday July 28. Bus leaves promptly at 8:00 AM.
People across the country are converging on the U.S. Capitol to tell Congress, the President and the world:End the rush to drill! No to fracking, yes to renewables!
WHY: FRESH 2012 is co-curated by the distinguished collector of photo-based art, Fred Bidwell(Bidwell Projects), and Klompching Gallery owner, Darren Ching. Together, they have selected the work of five exciting new photographers from an international open call for submissions.
WHY: Following high school graduation in 2006, the band Murals dug their act out of the basement and planted it onto stages and into minds across Louisville, KY. Founding members Evan Blum (bass), Rob Monsma (drums) and Jacob Weaver (vocals/guitar) dreamed up a musical fruit jam, blending art-rock and psychedelic proto-punk. The addition of Hunter Presnell on guitar in 2009 completed the bands line-up.
WHY: Optical is an annual juried competition for photography. The theme from 2011, Portrait Stories, serves as a platform for photographers to present their work. The exhibition is comprised of photographs created by the top five finalists of the competition and serves to be dramatic as well as insightful into each artist’s individual definition of the theme. Congratulations to: Jennifer Judkins, Justin Chase Lane, Jacqueline Langelier, Linnea Lenkus and Johnny Tang.
WHY: Join The Believer in celebrating the launch of deputy editor Karolina Waclawiak’s debut novel, How To Get Into the Twin Palms. She’ll be in conversation with Ross Simonini, interviews editor. Facebook RSVP appreciated, but not required.
WHY: Court Square and pilot press… present an artists’ book open call and publishing night, an event that welcomes those who want to share their feminist artist’s books with new audiences, and those who want to learn more about the variety of such works being made today. Guests are invited to come together for an evening of discussion and publishing. The first twenty artists to RSVP will be able to present their artists’ books to an audience of other artists, curators, writers, and pilot press… published authors.
WHY: In her videos and photographs, Allison Kaufman creates temporary relationships with strangers, revealing the vulnerability, loneliness, aspirations, and disappointments of both her subjects and herself. Investigating these emotions in public and private spheres, her work highlights the gender roles we assume while playing on the performance and gaze inherent in all photography/video. In Dancing with Divorced Men, the artist records herself dancing with middle-aged, divorced men in their homes, allowing them to function as surrogates for her father. In Trust Falls, she collaborates with divorced men to stage intimate activities that require a sense of trust or caretaking. In Friday Nights at Guitar Center she explores the predominantly male customers of the musical instrument store via their impromptu in-store performances.
WHAT: Sandra Gottlieb WHERE: Kathleen Cullen WHEN: June 16 – July 13, 2012
WHY: In Sandra Gottlieb’s Black and White series, she zeroes in on the micro-creativity of waves crashing on the same stretch of Atlantic seaboard shore, cast in high relief by the setting sun. Gottlieb’s pictures are conceptual in nature, capturing moments that are structured to make the observer feel small, accept that one moment is quickly overtaken by another, or that some momentary phenomena remain beyond our reach, in terms of human perception. This is why wise beachgoers come away from a day there weary but strangely calm, drained and yet somehow massaged to serene wistfulness by what to others seems like the irritating monotony of the ocean.
WHY: Africanismo* is a project dedicated to showcasing the lesser-known performing arts traditions of The African Diaspora by highlighting the lineage and influence of the African continent throughout The Americas. Coming direct from Colombia and transcending borders, Los Gaiteros de San Jacinto are the seminal gaita group that serve as an overflowing fountain of inspiration for artists throughout Latin America. Noted as being the root of cumbia, gaita music is an amalgamation of African and Amerindian traditions. Thanks in great part to Los Gaiteros, gaita music has become one of the most influential traditional musics in contemporary Colombian popular music today. Worldwide DJ extraordinaire Geko Jones (Que Bajo?! nyc) joins these living legends by spinning music inspired and influenced by Los Gaiteros in a dance party infusing live music featuring special guests.
WHY: Banners & Cranks presents The Singing Picture Show July 20 & 21 at The Jalopy Theatre in Brooklyn featuring new works by a gaggle of cantastoria artists and musicians from across the country with yards and yards of art and folks there to sing its story.
WHY: Angels, Animals and Cyborgs: Visions of Human Enhancement An illustrated lecture by Salvador Olguin: Presented by Hollow Earth Society; originally presented by Morbid Anatomy Deplored by many as yet another fashionable post, and defended by its supporters because it encompasses our current fears, hopes and changing reality, posthumanism is an attempt to think seriously about the possible long-term effects of technology in our society, our bodies and our mind. According to some advocates of posthumanism, these effects will be so deep, that they might change the human species as we know it, allowing humans to transcend the boundaries of their mortal lives by technologically altering or enhancing our bodies.
WHY: Studio10 is pleased to announce an event in the Brooklyn Poets Reading Series in association with the exhibition “Text,” featuring readings by poets Alex Dimitrov, Dorothea Lasky and Timothy Donnelly. Admission is free. Wine, beer and light refreshments will be served.
WHY: Dent May, The Babies, Levek+GET DOWN…all night long to the exciting rare 1960s soul 45s of world famous DJ MR JONATHAN TOUBIN (at this point this is the only time of the month you can hear the DJ’s exquisite soul records in NYC)!
WHY: Smokey Hormel’s résumé reads like a history of American popular music over the decades. He has worked closely with Beck, Tom Waits, Johnny Cash, and Neil Diamond. His projects have included the Brazilian-influenced Smokey and Miho, as well as an ongoing tribute to Western swing. His latest endeavor is an idiosyncratic take on early Congolese rumba. In the late 1950s and early 1960s, African musicians looked to Cuba for inspiration. They recognized African roots in the music but were also captivated by its cosmopolitan aspect, which mirrored the evolution of their own culture. Using the electric guitar—fast becoming the symbol of urban culture—they forged a new hybrid that became an early soundtrack of decolonization. Hormel has hybridized the music further and taken it to the Americas for the second time. Keeping its pre-rock roots intact, he relies on a core sound of “wild guitars bursting through small amps afloat on a sea of hand drums and shakers.
WHY: Even in a music scene saturated with ‘chamber-pop’ bands and odd instrumentation, Kotorino stands out with its use of all variety of winds, strings, and other musical gadgetry. The music itself is omnivorous in its source material, quite pretty, and downright haunting. Kotorino includes Jeff Morris on guitar, words and birds, Estelle Bajou and Molly White on vocals, violins and verve, brother Jerome Morris on the batterie required, Sara Zar on musical sawesome, Liz Prince on tuba and invasive procedures, Mike Brown on upstanding bass, Stefan Zeniuk on reeds and rites and Jesse Selengut – trumpestuousness.
WHY: A bedazzled creature builds a community by singing 24 concerts of the last 24 decades of popular music. Ultimately all 24 decades will be stitched together culminating in a 24-hour long extravaganza (in 2014) but for now join Taylor Mac, musical director Alexander Horwitz, and band as they use popular music from the 1820s to honor Louise Braille who, in 1825, invented the Braille system. A note: all audience members will be blindfolded for the duration of this ninety-minute concert. All the Rats & Rags is an electric new musical based on Charles Dickens’s Oliver Twist and featuring music from Tim Fite’s 2008 album, Fair Ain’t Fair – a carnivalistic funhouse of soul, bluegrass and hip hop.Set in a future on the brink of a universe-altering revolutionary war, this sci-fi rock opera centers on an adorably clueless spy-bot named Twizt.
Three Colorists, curated by Michael Walls, highlights the work of three artists who have several things in common: they began their professional life as painters; the oeuvre of each importantly involves the role of color; and the work of each is not only labor intensive, but also revealing of a hard-won mastery of the chosen craft.
It’s the last show before we move to our new location at 29 Jay Street! What better way to say goodbye to 38 Water Street than with our 14th annual Labapalooza Festival? This year’s line-up of works-in-progress ranges from the traditional to the irreverent, from the ground breaking to the nostalgic, and from delightful to downright punk-rock.
If theatrical is the question, masterpiece is the answer. Modesty in art is over-rated, as anyone with a Schnabel complex knows, so be prepared for the challenge of ascertaining the significance of what these artists have been cooking up over the past four months. Yes, each can draw, paint, and employ color to bold effect, but that’s of secondary importance (the least we can expect of an artist). What drives these artists is Imagination. Another word for imagination is risk, another word for risk is danger, another word for danger is aesthetics. And aesthetics, as we know, is for the birds. But these artists aint tweeting.
Three pillars of the noise and avant-jazz scene collide : Thurston Moore, singer/songwriter/guitarist for Sonic Youth, teams up with free-noise guitarist Bill Nace and avant-jazz saxophonist Joe McPhee for an evening of mind bending cacophony.
Yossi Milo Gallery is pleased to announce Lakes, Trees and Honeybees, an exhibition of new photographs and prints by Matthew Brandt from his series Lakes and Reservoirs, Trees, Honeybees and Taste Tests in Color. The exhibition will open on Thursday, May 24, and will be on view through Saturday, June 30, with a reception for the artist on Thursday, May 24, from 6:00–8:00PM. This will be Matthew Brandt’s first exhibition with the gallery and his first solo exhibition in New York. Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate.
The 22 Magazine is pleased to present an evening of music, art, food and puppetry with Andru Bemis, Anna Gevalt, Elizabeth Laprelle and Katherine Fahey, who along with singing, will be presenting a cranky. Also known as scrolling panorama, or crank box, the cranky is an old-fashioned hand-cranked scrolling device, illustrating a story or song. They will be joined by FAHEY, puppeteer Daniel Patrick Fay, and visual artists Jimmy McBride, Megan Canning, Eileen Hoffman, Reineke Hollander and more. There will be a potluck style buffet, so feel free to bring something to contribute! The event will take place on April 26, at Vaudeville Park in Brooklyn.
Both these projects are reminders of the excellence of spring. Honeybees (for obvious reasons) and the NYC Poetry Fest because it’s one of those lovely outdoor affairs that allows you to stretch your legs and lounge in the grass while listening to some of NY’s best poets.
About The 2nd Annual New York City Poetry Festival: New York City has long been the cultural bellwether of the United States. It has been a Mecca for writers and artists from all over the world for nearly a century. Since its cultural and artistic heyday in the 1960s and ‘70s, the avenues and acceptance of artistic communities has drastically waned. These communities bring to light issues of vital importance not only to their members, but also for New York residents and visitors alike. They create avenues of intellect, introspection, political awareness and artistic communication. Fostering an open, accessible, diverse, innovative and culturally prominent literary community lies at the core of The Poetry Society of New York’s mission.
About the Brooklyn Grange Apiary Project: This spring Brooklyn Grange is launching New York City’s largest commercial apiary, which will include at least 25 bee hives and produce over 1,000 pounds of honey. The project will also include an apprenticeship program with a “pay-it-forward” twist. The program will enlist and train dozens of aspiring urban beekeepers, who will receive bees of their own if they complete the apprenticeship and commit to mentoring new apprentices the following year….(Read more.)
PERFORMA 11 (ONGOING) Performa 11, the fourth edition of the internationally acclaimed biennial of new visual art performance presented by Performa, will be held in New York City from November 1–21, 2011. The three-week biennial will showcase new work by more than 100 of the most exciting artists working today, in an innovative program breaking down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design, and the culinary arts. Presented in collaboration with a consortium of more than 50 arts institutions and over 50 curators, as well as a network of public spaces and private venues across the city, Performa 11 will ignite New York City with energy and ideas, acting as a vital “think tank” linking minds across the five boroughs and bringing audiences together for brilliant new performances in all disciplines.
Ben Gerstein (Jerome Foundation Commission) – FREEDOM CHOIR! A congregation for cathartic improvisational service On November 1st, All Saints’ Day, The Day of the Dead — ancient holidays in honor of the saints, known or unknown; deceased friends and family — Ben Gerstein brings together for the first time a unique ensemble of enormous acoustic, experiential intensity to celebrate the powers of improvisation on this earth. FREEDOM CHOIR! A congregation for cathartic improvisational service. Inspired by the micro and macrocosms of nature, ecstatic spiritual and athletic experiences, dream, destiny, ritual, prayer, ancestry, and visions throughout Art and beyond… Dance floor, prairie, pow-wow, synagogue, church, mountain top, ocean, forest, desert, track and field, fighting ring, mosh pit … Ferocious love! A historic event for expansive sound and emotion; unnamable sound, unnamable emotion. We are the world! Communion between us all…
69°S. (Part of the 2011 Next Wave Festival)
“When I look back at those days, I have no doubt that divine providence guided us… it seemed to me often that we were not alone.” —Sir Ernest Henry ShackletonSixty-nine degrees south latitude, threshold of Antarctica, foreboding and cold. In an attempt to cross the continent, explorer Ernest Shackleton and crew have been shipwrecked, and now—through the work of Phantom Limb marionette maker and composer Erik Sanko and set designer Jessica Grindstaff (both at BAM with More Than Four, 2007 Next Wave)—they emerge before us in the snow.
CHAMBER MUSIC at INCUBATOR ARTS PROJECT
Robert Ashley’s music has long been recognized as some of the most radical, forward-thinking work produced today. The Incubator Arts Project’s MUSIC series, curated by Travis Just, focuses on his chamber and instrumental music, in addition to re-thinking one of his best-known vocal epics: Automatic Writing. A new generation of experimental composers and artists is looking to Ashley’s work for inspiration; this week will show why.(ONGOING)
PHARMA The Herb Lubalin Study Center at The Cooper Union examines the influence and impact of graphic design on the pharmaceutical industry in PHARMA, a new exhibit featuring original and rarely seen works by luminaries including Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin. PHARMA’s exploration begins with the avant-garde promotionals of the 1940′s, when a market need emerged to promote “miracle” drugs, such as Penicillin, to the medical industry. In a compelling and thought-provoking way, PHARMA presents the relationship graphic design has had with the pharmaceutical industry ranging from the federal government’s increased regulations to new marketing tactics where the everyday consumer, not the doctor, is considered the target audience. While the exhibition provides examples of past and present, the public is encouraged to reflect and question how graphic design is used to market drugs and design has transformed these commodities into objects of desire.
“HUNTING SOMETHING SPHERICAL AND PEELING” Nyugen E. Smith [NEW JERSEY]+Esther Neff [NYC]
Nyugen E. Smith (b.Jersey City, NJ, 1976) is a multi-disciplinary artist and educator currently examining particular behaviors, customs, coping strategies, and psychological effects unique to blacks in the West Indies and Africa under European Colonial rule. Esther’s oniono is a part of a series of performances conflating specific vegetables with emotional experiences solely blamed on “external societal pressures.” The subject hunts for something spherical and peeling, a tumor or something else that won’t peel down to nothing, something inside but not like itself. There is no reflection here. Its stench bonds to the molecules around the head. Nobody is like it, the empiric, objectified self is somewhere at one of the cores, ideal-ly the flesh can be pitted out, eaten as identity, which must be found, without it, we are told, we must remain in the ground/on the ground.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”
It’s the 3rd Annual Manhattan Wonderwalk! Come join us as we stroll nearly the entirety of the great Island of Manhattan. We will visit familiar spots and little known pathways; we’ll see gorgeous public art and mundane displays of beauty. There will also be site-specific performances along the way. You may walk part of the way or all the way, just buy your map for $20, and you’ll be able to find us at any point throughout the day. (NOTE: tickets are $10 for Secret City members.)
An open, no-cover party at Screen Slate HQ featuring live music byStrange Rivals, DJing by Colin Beckett and Max Diamond and 16mm projections by Ryan Marino. Spirits available including beer lovingly provided by Brooklyn Brewery. 15 Bushwick Ave., 11211, two blocks from the Graham or Grand L stops in Williamsburg, Brooklyn.
In this workshop you will be introduced to the old world craft of Hatmaking. The skills involved in making a hat evolved in the 14th century and have hardly changed since. Participants will become familiar with all the basic tools, materials and terminology. Over the four classes participants will handblock a Panama straw hat, and learn to finish and trim it just in time for the Fall.
Interested in more project examples? Check out students work from the class on our tumblr. ENROLL.
Executive Producer – Chesney Snow Co-Founder/WBA
Co-Executive Producer – Kimberly Knox/ Ubiquita Worldwide
Executive Producer Co-Founder of WBA-Jim WildeSunday, August 14th 2011 at Le Poisson Rouge in New York City will see the undisputed Godfather of Noise Rahzel (the Roots) and Rakaa (DilatedPeoples) headlining the post-championship concert of the 2nd American Beatbox Championships. America’s top 16 beatboxers will battle it out live in an “8 mile style” beat down for the crown of America’s Best Beatboxer. Beatboxing’s finest will go mic to mic as Hasan Salaam and Eternia MC the evening with DJ Boo holding down the Red Bull decks alongside Colin Dean’s Roots & Grooves. (READ MORE.)
28th Annual Roots of American Music Festival (FULL SCHEDULE, VARIOUS LOCATIONS.)
ABIGAIL WASHBURN
SID SELVIDGE & SONS OF MUD BOY
SUN RECORDS ORAL HISTORIES Sat, Aug 13 at 2:00 Hearst Plaza Stage FREE
Clawhammer banjoist Abigail Washburn has emerged as a gifted singer-songwriter after perfecting the most unlikely of fusions—between Appalachian music and Chinese folk. Soulful folk-rocker Sid Selvidge’s astonishing voice takes the Memphis blues to another level, joined by Luther and Cody Dickinson, the sons of the influential late producer-musician Jim “Mud Boy & the Neutrons” Dickinson. Roots of American Music producer Spike Barkin starts the day with an onstage talk with the pioneering alumni of Sun Records, whose stories and recollections are a historical treasure trove.
Radio Happy Hour: The Final Episode August 12, 2011 Radio Happy Hour, the radio show not on the radio, has announced the end of their 2+ year run as the Village’s best variety show. After a US tour, appearances on public radio, feature articles in NY Post, Nylon, and many other places, the hit comedy show is ending its run. “Secretly, I was always surprised that anyone ever came to see a murder mystery on a fake radio show, or that anyone ever agreed to be on the show. Apparently, New Yorkers have a real appetite for idiocy,” says show host and head writer Sam Osterhout.
Please join us for the launch of the new web series “The Midnight Archives: Tales From the Observatory.” The series is the work of many time Observatory presenterRonni Thomas (Alias Ronni Raygun) of the IKA Collective and is centered around the esoteric and always exotic personalities that spring from the Brooklyn Observatory. It attempts to briefly document some of the truly unique people, talents and objects from around the world who gather there on a weekly basis. Mummies, Taxidermy, 18th century robotics, early French demonic 3d horror… its all here.
JAMES BROWN dance party w/JAMES CHANCE live and more @Zebulon Sat Aug 13
Williamsburg, Brooklyn – Zebulon (258 Wythe): James Brown dance party w/DJs Jonathan Toubin and James Chance plus a live performance by JAMES CHANCE AND THE J.C.’S (playing 2/3 James Brown and 1/3 Contortions songs! Supergroup featuring James Chance, Ivan Julian (Richard Hell and the Voidoids), Robert Aaron (avant-jazz legend who’s also played with everyone from B-52s and Blondie to Afrika Bambataa and Wu Tang Clan), Kim Clark (Defunkt and dozens of jazz projects), and Richard Dworkin [James White and the Blacks, Alex Chilton, etc), JAMES CHANCE SOLO, JAIL BAIT, and more at Zebulon…
AND ON SUNDAYNEW YORK NIGHT TRAIN’S DJ MR. JONATHAN TOUBIN! @ UNION POOL. August 14
Each Saturday in August join Brooklyn based artist collaborative Twig Terrariums as as they reveal their processes in creating small worlds within antique, vintage, and new glass containers.
Sol LeWitt knew that artists of many diverse types use simple forms to their own ends. Musician and multimedia artist, Morgan Packard believes that simple rules, when allowed to unfold, create the splendor of the world. In Euclidean geometry the simplest non-curved flat shape is the triangle, and the simplest non-curved three-dimensional shape is four triangles connected by their edges—the tetrahedron. In this crowd-sourced artwork the public is invited to create tetrahedrons from recycled office paper and a few pieces of tape while musicians perform. Under Morgan’s direction the participants will attach the vertices of the tetrahedrons to create a constantly expanding sculpture, filling the gallery with a geometric wonderland intersected by sonic vibrations.
InDigest 1207 Reading Series
InDigest also presents InDigest 1207, a reading series that takes place monthly in New York City and quarterly in Minneapolis. In addition to their own work, readers are encouraged to bring in something that has informed or influenced them in some way. The result is often funny, sometimes strange, but always interesting, showing us how we are all constantly influenced by what we see, hear, and read.
PORTAL: Perspectives on Video Performance Contemporary Video from Sydney @ Regina Rex. Friday, August 12th Curated by Janis Ferberg, organized by Stephen Truax
Portal is pleased to present a one-night screening of video works by Sydney-based artists engaged with performance mediated through video at Regina Rex in Ridgewood, New York.
This selection of work offers an alternative point of entry to the practice of performance, whereby video is used not as a medium for documentation, but rather as an end in itself.
Steve Bloom, Robert Gibbons, Judy Gorman, Sara Goudarzi, Kevin Keating, Gwen Laster, David Lippman, The NYC Metro Raging Grannies, Radio Noir, Mary Ellen Sanger, Secret Architecture, Jackie .Sheeler, Upsurge! & Angelo Verga. Festival Organizer: John Pietaro
Now a Manhattan mainstay, the Dissident Arts Festival was founded in upstate NY in 2006 with a primary goal of establishing an annual showcase of politically progressive music, poetry and performance art—perhaps the only such vehicle in the nation. This Festival has sought to bring together a wide variety of sounds and styles, tearing down boundaries, bending rules and infusing the arts with the strongest, most radical activism, where folk-protest song meets free improvisation and contemporary composition. Featured among our past performers and speakers were actor/raconteur Malachy McCourt, folk legend Pete Seeger, poet Louis Reyes Rivera, revolutionary hip hop group ReadNex Poetry Squad, protest/garage band The Last Internationale, labor luminary Henry Foner, topical singer Bev Grant, ‘anti-folk’ singer Lach, jazz artist Ben Barson and filmmaker Kevin Keating (“Giuliani Time”). And we presented tributes to Woody Guthrie, Paul Robeson, Bertolt Brecht and Phil Ochs along the way. As of 2010, the Festival became affiliated with NYC’s Brecht Forum, a center of Left education and culture which has proven itself the perfect host of the Dissident Arts Festival. This year, Dissident Arts focuses on the improvisational and modernist heart of Protest Music while also featuring topical folk/acoustic performance, radical film and revolutionary poetry.
FringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)
Sanda Weigl@ Cornelia St. Cafe. Saturday, August 13, 9:00 PM
OH THE SHARK HAS PRETTY TEETH DEAR, SONGS OF THE WEIMAR ERA Sanda Weigl, vocals; Anthony Coleman, piano
From Noam: The Noam Faingold Orchestra will play a set, then it’s members and some special guests will play contemporary chamber music by Jeremy Forbis, Jacob Druckman, Kurtag and others, and then we will play another set of Aleatoric pieces by Christian Wolff, Terry Riley, Louis Andriessen and others.
Saturday, August 13th
Noon through much much later…
$10 arrive before 3pm : $20 after
Sunday, August 14th
Noon through Midnight
$10 all day + Cheap Drinks
3rd Ward, Macro-Sea, Artists Wanted, TheDanger and Chashama have spent the past several weeks building out a fantastic oasis in the creative heart of Queens. A couple blocks from PS1, we are opening The Palms, a late summer ode to the Boca Raton Resort Pools of the 1940′s (with more music, spectacle and hedonism).
SWIMMING CITIES in collaboration with SEA WORTHY present: A Celebration of The Battle for Mau Mau Island with Rusty Lazer (New Orleans, Bounce.), Dirtyfinger (Black Label), Geko Jones (Que Bajo?.) and Barney Iller (Rubulad).
Last weekend the naval gangs of New York assembled to Battle for Mau Mau Island (see photos here). Come see the fallen soldiers, harvested booty, and glorious victors at a new two-story space in Bed-Stuy. Mau Mau gangs, gladiator raft jousting, cocktail catacombs, clothing optional watergun fight, underground casino & film screenings of eerily beautiful movies set on the water, slide show and videos of the battle, and an awards presentation for the victors. Wet & wild all night long.
$5 for gangs in matching costumes, Mau Mau vets, or before 11pm, $10 otherwise; 21+.
All proceeds go directly to the Swimming Cities India project.
In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc. At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment. After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous end. (READ MORE.)
Harvey Stein has been a fixture on the New York photo scene for many years. He has photographed the city from every angle with every kind of camera, at every time of day and night. Beyond these shores he has led photographic seminars and workshops all over the world…He’s gone everywhere, and for the last 40 years he’s been going to Coney Island…where New York City flows into the Atlantic Ocean at the end of Ocean Avenue, in Brooklyn.
A Lecture, Performance, and Party hosted by John Swenson, author of New Atlantis: Musicians Battle for the Survival of New Orleans
Date: Saturday, July 23rd
Time: 8:00 PM
Admission: $5
Night One of the New Atlantis 2020 Series ** Books will be available for sale and signing
“In New Orleans, it was the culture of the city—its musicians, its second-liners and Mardi Gras Indians, its chefs and trumpeters and sissy bounce rappers—who asserted for the future more than any political leadership or economic imperative. It was the refusal of the artists to let go of the idea of New Orleans that saved the city. NEW ATLANTIS tells this remarkable story and does so clearly, with considerable detail and affection.”
—David Simon, Producer of HBO’s Treme
New Orleans is under siege from a lethal combination of natural and man-made disasters. The effects of the flood following hurricane Katrina in 2005 are still being felt throughout New Orleans, while the rapid destruction of the south Louisiana wetlands that protect the city from hurricane surges brings the threat of future inundations.
Musicians have been in the forefront of efforts to educate the public about how to combat this threat even before Katrina; they have also led the economic recovery of New Orleans after the flood by returning quickly to restore the city’s cultural identity. Award winning author John Swenson’s book New Atlantis: Musicians Battle for the Survival of New Orleans (Oxford University Press) details the struggle musicians have undertaken to rebuild New Orleans and speak out for its future.
Tonight, join us for the inaugural event of the new Observatory series New Atlantis 2020; this series, curated and moderated by John Swenson, will feature live performances, readings and discussions that will explore the relationship between the musicians of New Orleans and the rebuilding of the city after Katrina. Tonight’s event will will begin with a lavishly illustrated introductory lecture by Swenson, introducing us to the key themes and characters of the book. Next, award-winning New Orleans based musician and songwriter Andy J. Forest–who figures prominently in the book–will perform live at Observatory on guitar and harmonica. Following this performance, Swenson will moderate a Q and A with the musician, after which he will DJ a rich variety of New Orleans music while we enjoy some beer and wine.
This Friday, Morbid Anatomy and The Great Coney Island Spectacularium cordially invite you to an opening reception to celebrate the launch of our short-term exhibition of “Four Hysterical Dramas” by Zoe Beloff. This exhibition will be on view at The Spectacularium from July 22nd until August 20th.
Four Hysterical Dramas
Beloff will present four miniature theaters housing depictions of actual hysterics filmed by doctors in Belgium,… Romania, and the United States. Updating a Victorian stage trick called “Pepper’s Ghost”, Beloff has transformed these patients into ghostly figures performing an endless loop of madness within the space of each diorama. Beloff was inspired by several remarkable developments at the end of the 19th century: the discovery of the unconscious by psychotherapists, doctors’ emerging practice of filming their hysterical patients with motion picture cameras, and the public’s fascination with madness which manifested itself in the emotive, hysterical behavior of actors in Parisian cabarets.
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Opening reception for “Cosmosis” Saturday, July 23 · 5:00pm – 8:00pm Pochron Studios Gallery’s 2nd show of the 2011 season will explore the transference of cosmic energies.
The exact moment when a star is born. The series of events that leads to a sun becoming a black hole. A sudden shift in orbit and the inevitable collision of cosmic bodies.
Cosmosis seeks to explore how the these cosmological concepts could be applied to personal experience.
What dark matter has overtaken a light in your life?
Alternately, when has a spark been ignited in the darkness?
Was there ever a time that your orbit was diverted and where did it
take you?
Artists: Rebecca Memoli , Jason Orrell , John Jennison , Aubrey Roemer , Alice Meichi Li , Laura Galbraith, Megan Van Deusen , Jeff Moore
Judy Chicago, Mary Beth Edelson, Kim McCarty, Ayanah Moor, Alex Prager, Lisa Steele, Swoon, Stella Vine and Hannah Wilke.
Subliminal Projects Gallery is honored to present Eve, an important group exhibition of works by revolutionary female artists Judy
Chicago, Mary Beth Edelson, Kim McCarty, Ayanah Moor, Alex Prager, Lisa Steele, Swoon, Stella Vine and Hannah Wilke. Eve is a cultural icon and reinforces the idea of equality that feminism drives home. Eve is a composition of powerful female artists, stemming from the feminist era of the 1970′s to the present. The exhibition explores how individual perceptions of femininity are expressed through each artist’s specific genre. Eve is on view July 23rd through August 20th, 2011. A reception for the artists will be held Saturday, July 23rd, from 8-11p.m.
Friday July 22nd:
Last Rites Gallery Opening Reception:
Doors open 7pm until 11pm No cover Refreshments served
Saturday July 23rd:
The unveiling of the all new Tattoo Theatre
Doors open 7pm until real late!
$10 cover charge after 10pm
18 and over
Refreshments served
Sunday July 24th
The Painting Lounge
Doors open 3pm until 11pm
No Cover
Refreshments served
July 21-September 3, 2011
Opening Reception: July 21, 6-8 pm
Image Wars addresses the representation of conflict in visual culture in an age of global crisis. This exhibition is curated by Miguel Amado and brings together works by Yevgeniy Fiks, Rinat Kotler, Michael Mandiberg, Carlos Noronha Feio, Mary Temple, and Kai-Oi Jay Yung. The artists in this exhibition mix archival documentation and fiction as well as research and personal reaction to daily events to comment on the articulation of geopolitics and the media in the “spectacularization” of warfare. The works on view examine the picturing of zones of conflict, from armed conflicts between countries trough dissent across national borders; the charismatic character of world leaders and unknown soldiers; and manifestations of both control and powerlessness in news and individual narratives.
Jul 07, 2011 through Sep 11, 2011 Limited Engagement
Don’t miss H.P.Lovecraft’s cult classics REANIMATOR and THE CALL OF CTHULHU.
Adapted, Directed, Sound/Music Design: Dan BianchiStarring: Frank Zilinyi, Erix WhittenSound Engineer: Sean BurnsNow, for the first time ever in the history of live theatre ….40 of the greatest stories from the grandmaster of american horror… presented by radiotheatre! complete with award winning sound design and original orchestral score!
The 1st Festival in March was a resounding success and attracted Lovecraftians from all over the world. Now, Horse Trade presents RadioTheatre in THE 2nd H.P.LOVECRAFT FESTIVAL which includes two of his greatest tales… REANIMATOR and THE CALL OF CTHULHU.FOR MORE INFO: www.radiotheatrenyc.com or www.horsetrade.info
New York Art Residency & Studios (NARS) Foundation is pleased to present Civilization and its Discontents, a group exhibition curated by the winner of the first NARS Emerging Curator Program: Cat Weaver. The exhibition includes work by Nancy Drew, Stephanie Homa, Olek, Kikuko Tanaka and VanillaRoyal.
If you’ve ever worn a T-shirt from a place you’ve never been, or felt elated by a song the language of which you did not understand, or dared to display a button for its color without paying mind to what it says, then you get it.
GLANK is a “green” percussion performance art group that utilizes multiple anonymous performers in Clean Room Suits, audience interaction, multi-media elements, unique percussion inventions, and recycled materials. GLANK instruments include found object metalophones such as tuned saw blades, LP tanks, motorcycle gears, artillery shells, brake drums, air vents, etc…
Join us for a free after-hours viewing of the Frick’s two summer exhibitions, In a New Light: Bellini’s St. Francis in the Desert and Turkish Taste at the Court of Marie-Antoinette, with opportunities to attend presentations and gallery talks, sketch in the Garden Court, and enjoy dance performances. Visitors of all ages over ten are welcome. Click here to download event schedule.
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GBM Friday Show Fri Jul 22 11, 08:00 PM (Brian Olin and Robert Pepper Duo, The Hot Solids, Cubehead, Loop B, ten minute caravan – A SERIES OF PLAYS IN THE BACKYARD
The Hot Solids /Brian Olin and Robert Pepper Duo/Cubehead/Loop B – ten minute caravan – A SERIES OF PLAYS IN THE BACKYARD)
Come hungry and dance the afternoon away at our 4th Annual Pig Out,
a summery celebration of gut-splitting proportions. There’s something for every appetite, musical taste and creative bent. Feast on cheap innovative BBQ by The Brindle Room, cool down with summery drinks, and buy local, farm-fresh produce from Plovgh.
NewFest is dedicated to bringing together filmmakers and audiences in the building of a community that passionately supports giving greater visibility and voice to a wide range of expressions and representations of the LGBT experience. We are committed to nurturing emerging LGBT and allied filmmakers. We support those artists who are willing to take risks in telling the stories that fully reflect the diversity and complexity of our lives. And we’re committed to bringing our audience stories that transform our vision of who we are and who we can be.
Through the New York LGBT film festival, presented annually since 1988, and year-round programming, NewFest celebrates fine domestic and international film as part of our mission to break through closet doors and glass ceilings everywhere.
The second annual POPSICKLE Festival unites Brooklyn-based poetry and prose reading series for a monster day of reading, performance, and screenings as well as book tables and a raffle with amazing prizes. POPSICKLE 2011 will take place on July 23rd at the amazing hybrid space known as GOWANUS BALLROOM = 55 9TH STREET = BROOKLYN NY.
With performances from:
Jason Helm + Julia Guez + Jon Sands + Roger Bonair-Agard + Will Edmiston + Paul Foster Johnson + Dorothea Lasky + Lonely Christopher + Megafortress + EJ McAdams + Becca Klaver + Angelina Dreem + Amy Jenkins + Courtney Ziegler + Jason Daniel Schwartz + Anna Fitzgerald + Carina Finn + Paul Legault + Chris Hosea + Ariana Reines + Jean-Paul Pecqueur + Paul Foster Johnson + Ben Pease + DJ Amourette And more TBA . . . .
Saturday Night, July 23rd, 9pm to 11am Sunday
Brooklyn Location TBA Friday (large, raw indoor/outdoor space with AC!)
Meet at Mothers (a bar) for shuttle bus pickup
near Graham Ave L train stop
at 347 Graham Ave betw. Metropolitan & Conselyea
Ticket Link: http://kostumekult.com/eve nts/freaKKshow4/
$20 limited presale
$25 door
Do circus freaks haunt your dreams? Do clowns creep you out? Does the sound of carnival music make you cry? well…
STEP RIGHT THIS WAY ladies and gentlemen and revisit those wonderful feelings with a night of Freaks, Geeks and Childhood Trauma Reenactment…
Fowler Arts Collective is pleased to be participating in this summer’s Northside Open Studios event which will be taking place in the Williamsburg/ Greenpoint neighborhoods of Brooklyn from Friday, June 17 to Sunday, June 19. NOS coincides with the L Magazine’s Northside Festival of music, art, film, and ideas.
Please join us for a reception celebrating the launch of Northside Open Studios on Friday, June 17 from 7-11pm. We will also be open during the day Sat. + Sun.,June 18 + 19 from 12-6pm for Northside Open Studios.
Fowler Arts Collective, 67 West Street, #216, Brooklyn, NY 11222
Fowler has a nice lounge area to rest your tired feet during the weekend, and we will have maps and information about the participating NOS studios and corresponding events.
Fowler’s 18 artist studios will be open for visitors the entire weekend, and our exhibition, Paint It Now, continues to rock the Fowler gallery.
Fowler studio artists include: Elana Alder, Melissa Dyanne Bartlett, Catherine Behan, Cameron Bishop, C.M. Butzer, Scott Chasse, Jennifer Galatioto, Daniel St. George, Andrew Gordon, Paul Hoppe, Heidi Howard, Aya Kakeda, Deanna Lee, Michael Aaron Lee, Chris Mottalini, Kate Nielsen, Cecelia Post, Krista Quick, Tory Sica, Kim Sielbeck, Hannah Lamar Simmons, Ramon Urenia, James Vanderberg, Jing Wei, and Fletcher Williams.For more information on our current exhibition, Paint It Now, go here: http://www.fowlerartsbrooklyn.org/paintitnow2011.html
SUMI INK CLUB @ RAWSON PROJECTS.Meeting: Saturday, June 18, 12 – 6 pmThe gallery will be conducting a collaborative drawing event as a part of The L Magazine’s Northside Festival. The event is free + all ages.sumi ink club is a Los Angeles-based drawing collective founded in 2005 by Sarah Rara and Luke Fischbeck. The group holds regular, open-to-the-public meetings to execute topsy-turvy, detailed, collaborative drawings using ink on various surfaces. In each of its permutations, sumi ink club uses group drawing as a means to open and fortify social interactions that bleed into everyday life. sumi ink club is non-hierarchical: all ages, all humans, all styles.http://sumiinkclub.com
Honesty Box @ THE END. Date(s): 18 Jun 2011 Time: 6:00 PM – 11:00 PM Where: The End, Brooklyn Event Details: “Honesty Box” is a live amalgam of the old Facebook app “Honesty Box”and the Catholic confessional. A white person-sized box with a light blue banner, replicating the Facebook aesthetic, is built to confessional proportions, so that participants can step in, and speak with honesty and confidentiality to the performance artist. The performance artist offers witnessing, listening, infinite patience and guidance, as she and the participant meet in the space between the communal intimacy of the old-school confessional and the flirtatious anonymity of the Facebook application. Most of us crave a safe and honest conference, and have lost faith in both religious models and cheap apps. What does it mean to unburden and receive comfort? Find out!
Crest Hardware Art Show
Since opening Crest Hardware in 1962, Manny Franquinha has become an icon in the Williamsburg neighborhood of Brooklyn through his dedication to customer service and focus on community improvement. Crest Hardware is an exemplary family business that has strengthened and transformed with their community’s ever-evolving needs and passions. As current owner of Crest Hardware and curator of the art show, Manny’s son Joe Franquinha creates a unique non-traditional atmosphere to showcase the hardware inspired artwork of over 120 artists; representing areas within and beyond the borders of the five boroughs, including places as close as Massachusetts and as far as Munich, Germany.The Crest Hardware Art Showis a unique experience appealing to a broad range of patrons while exhibiting numerous artistic mediums. The ideas and concepts in the art show are rendered on multiple creative levels, allowing for an accessible experience and journey throughout the 10,000+ square feet of indoor and outdoor retail space. Crest Hardware is retooled into a recognized art gallery from June 18th to July 30th, 2011 & showcases over 150 pieces. This year will proudly mark the 10th anniversary of the art show.(READ MORE.)
Once again the Urban Meadow will be hosting the Red Hook Jazz Festival in June 2011. This is the fourth year of a homegrown jazz festival featuring an amazing line-up of mostly local talent. When we say local we mean they often live and work in NYC but these musicians regularly play all over the country and the world – and we love that they also play in their own backyard. The RHJF is known for great music, a laid back vibe, an outdoor setting, and it’s family friendly good times. Adults pay $5 and kids are free.
Saturday, June 18 – 1PM – 6 PM
RENKU
michael atias (sax), john hébert (bass), satoshi takeishi (percussion) STEPHANE WREMBEL’S DJANGO EXPERIMENT
stephane wrembel (guitar), koran hasanagic (guitar), richard lee (percussions), ari folman cohen (bass) JEFF DAVIS BAND
oscar noriega (alto sax/clarinet/bass clarinet), kirk knuffke (cornet), jon goldberger (guitar), matt pavolka (bass), jeff davis (drums/compositions) JOSH SINTON’S HOLUS-BOLUS
josh sinton (sax), jon irabagon (sax), jonathan goldberger (guitar), peter bitenc (bass), mike pride (drums) INGRID LAUBROCK group w/Ben Gerstein, Mary Halvorson, Dan Peck & Tom Rainey
Sunday, June 12 1PM – 6 PM ON DAVIS’ FAMOUS ORIGINAL DJUKE MUSIC PLAYERS
pete barr (drums), nick gianni (baritone sax & flute), welf dorr (alto sax), cavassa (bass), ibrahiim muhamad (percussion) VINNIE SPERAZZA/MATT BLOSTEIN BAND
vinnie sperrazza (drums), matt blostein (sax), jacob garchik (trombone), geoff kraly (electric bass) MARCO CAPELLI PROJECT THE WEE TRIO
james westfall (vibraphonist), dan loomis (bassist), jared schonig (drummer) ANDREA WOLPER TRIO
andrea wolper (vocals), ken filiano (bass), michael howell (guitar), michael T.A. thompson (drums) JEFF NEWLETT’S NEW TRAD
jeff newell (sax), isrea butler (trombone), dan peck (tuba), brian woodruff (drums)
“Old fashioned radio is making a comeback in Greenwich Village!” - WCBS NewsRadio
“On occasion, you stumble upon something special and unique. This happened to me this past Saturday. I attendedRadioHappy Hour.” -Music Taster’s Choice
“I’m so hungover.” – author, Geoff Herbach
“Scallywags, the lot of ye.” -author, Arthur Phillips
“weird” – Norah Jones RadioHappy Hour, a live variety show featuring a made-for-radio murder mystery sitcom, is kicking off the summer season with their first ever live taping at City Winery. The episode will feature two musical guests with both Sun Airway and rising indie-darlings Hank & Cupcakes. There will be murder. There will be music. And everyone will go home regretting something they’ve done. These bands, and another guest yet to be announced, will join Radio Happy Hour host Sam Osterhout, RHH regulars Robin Reed and Matt Skibiak, as well as RHH’s own Jim Ed Poole, Rich Bologna.
With the start of a new season it’s a perfect time to catch up on (or discover) past episodes of Radio Happy Hour through their podcast, such as the most recent episode, “The Tax Murderer,” featuring musical guest Franz Nicolay and comedian Arden Myrin. Or maybe it’s a good time to realize that you should never miss a show because you never know what’s going to happen. Cloud Cult could show up as a surprise guest in the middle of an episode featuring Norah Jones and comedian Gabe Liedman. Or 2009 Air Guitar World Champion William Ocean might leap on stage in the middle of a performance by The Postelles to wail on his air guitar. You just never know. And that is why you should never miss a live taping of Radio Happy Hour. (READ MORE.)
Join Jad for a night of electrifying music and fascinating conversation on June 18th at NYU Skirball Center for the Performing Arts in New York. Jad will present three musical acts during a live taping for an upcoming short podcast. Glenn Kotche, Buke and Gass, and a surprise special guest will all perform live. Tickets are on sale now, and you get $5 off with the code “radiolab.”
Each act has a distinct, one-of-a-kind sound, but all three share a spirit of exploration and musical adventure. The evening will showcase riveting live performances, and delve into the process each artist engages when creating these musical experiences. (READ MORE.)
Performance Space 122′s longest running series kicks it up a notch and presents a demolition derby of theatre, dance, music, and video installation.
Hosted by: Murray Hill & Uncle Jimmy
Confirmed performers include: Koosil-Ja, M Lamar, John Kelly, Edgar Oliver, Urban Bush Women, Tigger, Lisa Kron, Janet Clancy, Peggy Pettitt, Karen Therese and many more TBA. (READ MORE.)
“… The risqué Floating Kabarette show at Galapagos Art Space will put an end to your weekend woes for good.” - DailyCandy
“If you want your low necklines with a highbrow gloss, head for Galapagos to catch the Floating Kabarette.”— Brooklyn Paper
“Some of New York City’s best performers.“
— The New York Times
Floating Kabarette is a unique weekly variety show featuring the very best of New York City’s cabaret, burlesque, music, circus, skill & feats, aerial/trapeze, and performance art communities. Its polished, well-produced show fills up the space with alluring narratives of society and culture. Check our events page for a detailed description of performers for each night.
Floating Kabarette
“… The risqué Floating Kabarette show at Galapagos Art Space will put an end to your weekend woes for good.” – DailyCandy
“If you want your low necklines with a highbrow gloss, head for Galapagos to catch the Floating Kabarette.”— Brooklyn Paper
“Some of New York City’s best performers.“
— The New York Times
Floating Kabarette is a unique weekly variety show featuring the very best of New York City’s cabaret, burlesque, music, circus, skill & feats, aerial/trapeze, and performance art communities. Its polished, well-produced show fills up the space with alluring narratives of society and culture. Check our events page for a detailed description of performers for each night. (READ MORE.)
MERMAID PARADE! SATURDAY JUNE 18, 2PM
A completely original creation of Coney Island USA, the MermaidParade is the nation’s largest art parade and one of New York City’s greatest summer events!
Announcing this year’s King Neptune and Queen Mermaid of The 2011 Mermaid Parade! Please welcome Brooklyn native Adam Richman from the Travel Channel’s Man V. Food and Cat Greenleaffrom the New York Emmy Award winning television show, Talk Stoop with Cat Greenleaf! (READ MORE.)
THE SECRET CITY
Sunday, June 19th
11:30 a.m.Dixon Place
161A Chrystie St
Suggested Donation: $10
And remember, FREE CHILDCARE!!
“People are as free as they want to be.” — James Baldwin
THE SECRET CITY is an Obie Award winning organization serving the spiritual, social and human needs of artists. We do this by creating and providing live, interactive programs that engage a growing community in restoring the sacred roots of art-making. Our primary program is our monthly service. http://www.thesecretcity.org
Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).
Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.
When: Tuesday, May 24 Where: Film Society of Lincoln Center, Walter Reade Theater, 165 W. 65 St., upper level (between Broadway and Amsterdam Ave.), New York City What time:7 p.m.With Russell Banks, Col. Morris Davis, Peter Godwin, Beth Gutcheon, Rula Jebreal, Dahlia Lithwick, John Buffalo Mailer, Kati Marton, Jack Rice, Lili Taylor, Dianne Wiest, and others, with original artwork by Jenny Holzer.
Tickets: $12 general; $9 students; $8 seniors; $7 ACLU/PEN/FSLC Members. More information and tickets at www.filmlinc.com/films/series/reckoning-with-torture
“Reckoning With Torture: Memos and Testimonies From the ‘War on Terror,’” an evening of readings from formerly secret government documents detailing the scope and human cost of the United States’ post-9/11 torture program
Acclaimed director Doug Liman (The Bourne Identity, Mr. and Mrs. Smith, Fair Game) will direct this performance of “Reckoning” for the stage and is filming the event for a future documentary. Celebrated writers including Russell Banks, Peter Godwin, Beth Gutcheon, Rula Jebreal, Dahlia Lithwick, John Buffalo Mailer, and Kati Marton will join actors Lili Taylor and Dianne Wiest, along with former CIA case officer Jack Rice and former military prosecutor Col. Morris Davis for readings from formerly secret government documents detailing the scope and disastrous human cost of the U.S. torture program. The artist Jenny Holzer, whose work was the subject of a retrospective at the Whitney Museum of American Art in 2009, has created original artwork for the “Reckoning” project.
Come learn about how to apply for housing opportunities through The Actors Fund, including The Schermerhorn, a permanent housing residence in downtown Brooklyn with reserved affordable space for actors and entertainment professionals. The Schermerhorn is co-sponsored by Common Ground and the The Actors Fund.
Housing at the The Schermerhorn is available to actors,screenwriters, musicians, dancers, editors, composers, set designers, producers, singers, directors and other performing arts and entertainment professionals. (READ MORE.)
WHERE: The Schermerhorn, 160 Schermerhorn Street, Brooklyn, NY 11201. Map.
WHEN: Tuesday, May 24th
Doors open and networking, 6:00-6:30 pm
Presentation and Q&A, 6:30-7:30 pm
The F Word The Legacy: Feminism in Literature Today 24 May, 2 p.m., Book Expo America, Jacob K. Javits Convention Center, 655 W 34th Street, New York 10001
Julie Otsuka, Francine Prose and Karen Russell talk about which writers passed feminism down to them, and what the word means to them today. For tickets, visit http://www.bookexpoamerica.com.
The F Word Launch Party in NYC 25 May, 6.30 p.m., Paragraph, 35 W 14th Street, New York 10011
Join Julie Otsuka and Francine Prose to celebrate the launch of the issue.(READ MORE.)
NEBULOUS TUSSLES@ CULTUREFIX. On May 25th in 1977, Star Wars came out in the theaters. I saw it in a drive-in theater two years later. And now I couldn’t care less. This is so much more exciting:
CULTUREfix & Jonathan Wood Vincent present:
NEBULOUS TUSSLES!
a night of unique song and dance
First: there will be:
Self-obsessed Jonathan Wood Vincent, playing the accordion and talking story-like about things of no particular importance just to wet your bustles.
Then: Enid Ellen, http://www.myspace.com/enidellen
In 2008, Enid Ellen was born: “I was writing poetry about specific men, and channeling a woman’s [point of] view,” says David Mramor about the feminine, earthly perspective that led him and pianist Greg Potter to create the songs on Enid Ellen’s debut album, Cannibal Disease. “There was a lot of anger and Mother Nature came forth and needed a vessel to speak through.” (READ MORE.)
Gonzalo Puch lives in Madrid, teaches at the University in Cuenca, and is a native of Sevilla. He creates situations or “incidents”, generally in neutral environments such as classrooms, or his own apartment, which he then records photographically and presents as large, color photographic prints. Although his working methods and environment are hermetic, the work itself addresses and tries to make order of the chaos of the world. His themes are linked to various traditional academic subjects such as math, science, music, biology and environmental studies. The settings are sparse and practical, well lit and benign. Recently he has been working in the landscape more immediately addressing environmental themes. However, the events taking place are inscrutable rituals or quiet procedures which are both serious and comic. They appear to have their own logic in which we can recognize the elements, but not their organization, like words without syntax.
Beginning in the fall of 2010, Puch maintained a year long artist’s residency at Location One in New York. As the title of the resulting series.A Temporary Garden suggests, Puch’s new work draws on the world of plants for its operative leit-motif. Leafy plants combine with busy line-drawings and assembled objects in one photograph; a bell pepper is carved into an ephemeral sculpture in another; and in yet another a twig and bits of colored thread are precariously organized into an image that brings to mind the traditional Chinese landscape drawing. In A Temporary Garden the line between the natural world and the world of artistic creation is not so much blurred as bridged — as it is in fact in any garden. (READ MORE.)
Date: Tuesday, May 24th
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy
Tonight, join Dr. Rolf ter Sluis--curator and director of the Netherlands based Groningen University Museum–for a virtual tour of the museum’s historic and amazing anatomy and pathology collections. The majority of the collection consists of preparations in spirit, but also includes dry preparations where the veins have been injected with coloured wax, wax and Papier-mâché models, skeletons and skulls, preserved tattooed skin, and much more. (READ MORE.)
During the golden age of safaris in the early twentieth century, one man set out to preserve Africa’s great beasts. In his new book Kingdom Under Glass: A Tale of Obsession, Adventure, and One Man’s Quest to Preserve the World’s Great Animals, Jay Kirk details the life and adventures of naturalist and taxidermist Carl Akeley, the brooding genius who revolutionized taxidermy and created the famed African Hall we visit today at New York’s Museum of Natural History. The Gilded Age was drawing to a close, and with it came the realization that men may have hunted certain species into oblivion. Renowned taxidermist Carl Akeley joined the hunters rushing to Africa, where he risked death time and again as he stalked animals for his dioramas and hobnobbed with outsized personalities of the era such as Theodore Roosevelt and P. T. Barnum. In a tale of art, science, courage, and romance, Jay Kirk resurrects a legend and illuminates a fateful turning point when Americans had to decide whether to save nature, to destroy it, or to just stare at it under glass. (READ MORE.)
Dana Rossi hosts a monthly merging of stories and songs in this legendary music venue. Six artists–writers, comics, actors and musicians–tell the stories they associate with songs of their choosing. There’s the song, the story behind the song, and the story inspired by the song. We’re the third one.
The storytellers and their songs for May 26, 2011 are…
Matthew Trumbull – Look Away/Chicago
Jon Baker – I Wanna Dance With Somebody/Whitney Houston
Julie Kraut – Keep the Car Running/Arcade Fire
Marc Landers – Gonna Make You Sweat/C + C Music Factory
Dana Rossi – Edge of Seventeen/Stevie Nicks
Lane Moore – Little Red Riding Hood/Sam the Sham and the Pharaohs
The Vinyl Frontier
Tickets are $10 online and at the door Buy tickets here
Thursday May 26th 2011 7:00 PM
At the dawn of the 21st century, renegade toy designers, bored with the G.I. Joe status quo, boldly remixed and reassembled the toys of their parent’s generation. Birthing a new format of toy and medium of artistic expression, these artists were the first to explore The Vinyl Frontier. A world where Art is Fun!
By exploring a landscape inhabited by a wide range of artists, their creations, and obsessive collectors, the documentary examines the hybrid objects’ artistic and commercial value, as well as the creative process of art-toy making. The Vinyl Frontier is a comprehensive look at a fresh and exciting art movement that anyone young at heart and imaginative can enjoy. (READ MORE.)
See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**
On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!
VIDEOROVER: Season II Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St Brooklyn, NY
NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.
VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.
Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)
Come celebrate the end of another season at the Poetry Project! The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food. An array of writers from the Poetry Project series as well as other local reading series will read/perform their work. Any one interested in bringing a dish for the potluck will contribute to an amazing feast. If you’re interested in bringing food, please email Brett Price at fridaynightseriesp@gmail.com.