The 22 Magazine


THE WEEK: APRIL 16-20.

EDITOR’S PICKS:

Cross-Reference: A Collaborative Exhibition Featuring the work of Hans + Gieves
http://www.likethespice.com/Cross-Reference-Hans+Gieves.html
04/20/2012-05/27/2012
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Like the Spice gallery presents Cross-Reference, a collaborative of Nashville-based painter Hans Schmitt-Matzen and Brooklyn-based photographer Gieves Anderson. It’s fitting that Hans and Gieves begin the works in their latest series in libraries, which the two artists consider sanctuaries of thought. Duly titled Cross-Reference, the series enables a philosophical contemplation of color and composition through an alchemy of the disparate mediums of photography and painting. Libraries’ unbroken rows and columns of books were the artists’ inspiration for the new works, and Gieves’ large photographic prints of the buildings’ interiors and exteriors form the multicolored surfaces to which Hans applies oils in thick gestural strokes made with brushes, blades, and customized squeegees.

Marc Brotherton – New Work
http://www.causeycontemporary.com/node/marc-brotherton/6235?tpl=tpls/exhibitionpressrelease&location=6235
04/20/2012-05/27/2012
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Causey Contemporary is pleased to present two solo exhibitions this April, New Paintings by Marc Brotherton and Acid Bath by Nina Carelli. Marking his third solo exhibition with the gallery, Brotherton will present his newest series of bold, mixed-media paintings, which explore ideas of new technology, communication, color and design. Marc Brotherton contends that living in the twenty-first century, we are constantly bombarded by input– be it from televisions, news sources, the internet, or one of the many communication gadgets. In a way, Brotherton’s paintings are a form of communication, which address technological and political quandaries, but also banalities of daily life. The outcome of his work is a materialized investigation into the perplexing world in which we live. Brotherton states that his incentive to make art comes from an “…inner curiosity, a personal necessity to acknowledge an awareness that we are here together inhabiting an increasingly chaotic world.”

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THE WEEK: APRIL 2-6.
April 2, 2012, 3:41 am
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EDITOR’S PICKS: 

Every Exit is an Entrance: 30 Years of Exit Art
http://www.viiphoto.com/news/exhibition-every-exit-is-an-entrance-30-years-of-exit-art/
04/01/2012-05/19/2012
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Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.

 

 

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Ugly Art Room presents, All That Remains @ Picture Farm.

Artist and curator, Charles Wilkin took the time to chat with The 22 about the upcoming collage show All That Remains presented by Ugly Art Room at Picture Farm in Brooklyn. Resourcing from a VAST pool of collage artists, the show is dynamic, bold and most of all, really fun. The show opens Oct 21st, with an reception from 7-9pm at Picture Farm (338 Wythe Ave.)

The 22 Magazine: You happen to be a collage artist yourself, correct? Tell me what it is that first got you hooked on collage and what you love about it?

Charles Wilkin: Yes I’m a collage artist. It’s funny because I sort of fell into collage by accident in college. I was late for a drawing class and forgot to bring my pencils and paper. I ran across the hall with nothing more than a stack of photos I’d just printed from my photo class. Instead of smacking my hand with a ruler for being unprepared my instructor said ” well use those photos”. Clearly she saw something in what I had done that day and encouraged me to make more collages. I guess what I love about collage is it’s immediacy and the happy little accidents that happen along the way. I love not knowing where I’m going until I get there and with collage I can sort of get lost in the moment. I think that’s what I really love about it most, for me it’s very freeing.

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VOL 1: AN INTERVIEW WITH APRIL GERTLER.
September 26, 2011, 2:41 pm
Filed under: INTERVIEWS, The 22, VOLUME ONE | Tags: , , , , , , , , , , , , , , , , , ,

The month of September is devoted to Vol 1 contributors April Gertler and Dolores Alfieri. April contributed an amazing interview to Vol 1 and you can give it a read below in its entirety or on the magazine site at: http://www.the22magazine.com/Pages/AprilGertler.html

THE 22 MAGAZINE: Why did you choose to live and work in Berlin?

APRIL GERTLER: I finished graduate school and had done an exchange program in Germany and Frankfort at an art school there, and I was sort of weighing my pros and cons. I had always wanted to live in Europe. My father’s from Hungary, and my mother’s from Holland. I thought about living in Holland, but having this chance to be in Frankfort had been really exciting, and Berlin has always been this kind of city of promise. Berlin is really exciting and just offers so much. There is so much vastness and openness. There is still this feeling of opportunity, but the opportunity is very much there for you to develop yourself, which is what I also find really difficult about living in Berlin. There is a huge positive, but the huge negative is that there’s not a lot of energy coming from the city. What I mean is, here, in New York, you walk on the street and there’s sort of this vibration. There’s this buzz because there are so many people in the street; you feel people’s energy and get electrified from that. It doesn’t exist in Berlin. It’s a very slow city. It’s very calm. That is why I really like it, although, it’s very hard to get motivated. So, there’s this challenge with the city.

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THE 22 PRESENTS VOL 1 VIDEO INTERVIEW: APRIL GERTLER.

It’s finally here! April Gertler was SO kind to do this interview during a trip over from Berlin promoting her project PICTURE BERLIN. Even in the midst of a terrible cold she spoke eloquently and with the kind of grace that is evident in all of her work. Like her pieces, April herself is subtle and wonderfully complex at the same time. Her collages speak to her background in social science, and often include witty or poignant references to collective and personal histories.

Special thanks to Robert O’Haire of Straw2Gold and Jeff Burns.

SEE APRIL’S CONTRIBUTOR PAGE.
READ THE FULL INTERVIEW.
PICTURE BERLIN.



NEW BOOKS! DAMP PATCHES, CRIPTOGRAPHS & MEZZO.


DAMP PATCHES by April Gertler

First up, a new book from contributor April Gertler, DAMP PATCHES.

Inspired by the lovely lady below, DP is a risograph printed gem, perfectly made for the summertime heat. Give April a shout at the email below to order your copy, and to avoid unsightly missed opportunities.

The book, including postage, costs 25 Euros.
Payments are accepted via Paypal : a@aprilgertler.com
Don’t forget to include your mailing address when making the payment.
If you live in Germany and want to do a transfer – contact me for banking details.
Read a Review.
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Woodblock at Cherry Blossom Festival.

Upcoming Japanese Woodblock Classes and Demonstrations (TAUGHT BY APRIL VOLLMER.)
April 30 and May 1, 2011: Brooklyn Botanic Garden
Demonstrations from 3:00 to 4:00 on Saturday and Sunday
BBG Sakura Matsuri

To see more woodblock dates click further.

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PUPPET PARLOR @ HERE THIS WEEKEND-2 NIGHTS ONLY (APRIL 30-MAY 1).

The Dream Music Puppetry Program’s feisty showcase of tidbits, characters & shorts from the pinnacles of the puppet community. And after selling-out the last two Parlors, we’ve decided to add an additional show!
Featuring:
Hanne Tierney
Malgosia Szkandera
Joey Arias
Basil Twist
Chris DeVille

April 30 and May 1 7pm

Tickets $20 @ door

MORE INFO: http://here.org/shows/detail/599/

December Puppet Parlor: Basil Twist w/ Stickman from here on Vimeo.

ALSO COMING UP!




Jeanette Mundt @ Michael Clifton.

Jeanette Mundt

April 30 – May 28, 2011
Opening Reception: Saturday, April 30, 3-7 pm

Clifton Benevento is pleased to present a solo exhibition by artist Jeanette Mundt featuring a series of oil paintings and drawings from personal and found sources.



Bedevilment In Paradise @ Proteus Gowanus Opening this Sat.

Bedevilment In Paradise

   

Opening Reception: Saturday, April 16, 7-9m

PROTEUS GOWANUS

DIRECTIONS

For our last exhibition of the Paradise year, we focus on Bedevilment, in collaboration with our friends at Curious Matter, who will install an exhibit within the exhibit entitled The Naming of the Animals.

Myth says that naming the animals is an obligation assigned to humankind at the creation and it is one that has never ceased to demand attention: the task of naming, ordering, cataloging, dividing, pairing, discerning, describing, speaking…. Indeed, Paradise itself, where naming first began, was a place divided and separated, which is why its beatific presence bedevils us. As the exhibitions at Proteus Gowanus and Curious Matter attest, these paradisiacal topics are vexing.

We are bedeviled by threatened harmony, endless desiring,  dangerous magic and unhinged innocence, all on view in the works of 19  artists, writers , designers and collectives. Also in store is the Spring line-up of evening events with musicians, scholars, priests, dancers, filmmakers, historians and writers.

The exhibit at Proteus opens this Saturday and will run through July 16. The show at Curious Matter opened on April 3 and closes May 15. For details on Naming the Animals and directions to Curious Matter, click here.

Contributors: Sally Agee, Diane Bertolo, Peter Bonner, Jessica Cannon, Stella Chasteen, Enome Ekeh, David Eustace, Nancy Friedemann, Anne Garland, Madhu Kaza, Edith Kollath, Paula Lalala, Clarinda Mac Low, Walter Polkosnik, Eaton Purdy, Leon Waller, Cate Whittemore, A Wrecked Tangle Press, and The Writhing Society.

…………………………………………………………………………………………………………………….

In addition, we are pleased to host this spring two Paradise projects-in-residence. In the work of Madhu Kaza’s Here Is Where We Meet and Clarinda Mac Lowe’s Cyborg Nation, we examine the relationship between intimacy and service, domestic ritual and public space, and between our human selves and the smart machines which serve and guide us.

Cyborg Nation extends our recent inquiries into future utopias,  offering Teknotherapy for all who need help coping with their increasing dependence upon electronic gadgets. Have you fully accepted your cyborg nature? With Teknotherapy, a Cyborg interlocutor (or “teknotherapist”) leads group and individual sessions during April and May for those of us grappling with our machinic selves, helping us to come to terms with our relationships with our electronic extensions. For more details or to make an appointment, click here.

For our second project, Here is Where We Meet, Madhu Kaza will travel to individual participant’s homes by appointment to read them to sleep at bedtime. Here is Where We Meet is part of the artist’s ongoing Hospitalityseries, projects that examine social conventions, rituals of domestic and daily life, relations between strangers, hosts and guests, and boundaries of public and intimate space. Here is Where We Meet is particularly concerned with the transitional state between wakefulness and sleep, the drift from the world of stories to the world of dreams, and a re-engagement of the pleasure of voice in our experience of texts. More details will be available soon.



WITH FOOD IN MIND: THE CENTER FOR BOOK ARTS.

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Help support DAMP PATCHES with April Gertler.

HELP SUPPORT CONTRIBUTOR APRIL GERTLER’S BOOK PROJECT: DAMP PATCHES.
I’ve had the very great pleasure of seeing some of these pieces in person and each one of them is so uniquely lovely. April will talk about this and other projects in the forthcoming video interview for the 22 but in the meantime help her make it happen!

Donations range from $25 to $750 (which includes a personal hand-made collage from April.)

ABOUT THIS PROJECT

In October 2010 I was invited to Paris for an artist residency at l’entreprise culturelle. Out of that residency came DAMP PATCHES – which is a new collection of work I developed into an artist book that mixes my collage work with photography and drawing. The title of the book comes from the loose translation of a deodorant ad from the French fashion magazine Votre Beaute (1973): Prisonnière des taches d’humidité sous les bras. – A prisoner of damp patches.

I like working with collage because I enjoy using original source materials such as found photographs, fashion magazine ads, and bits and pieces that I find on the street or in the trash, and the hands-on experience of working with paper, glue, scissors and thread. It feels increasingly relevant to use a hands-on approach as many other parts of my life are being swallowed by the digital world.

I use collage as my primary medium because I feel it is the best way for me to combine images and explore various concepts that interest me the most, such as; the complex dynamics of intimate relationships, female empowerment, and the anonymity of urban life. I am dedicated to my original source materials which tend to restrict the final size of my work, but in that way they become more precious and intimate for the viewer, DAMP PATCHES has challenged my continuing understanding of what collage can become.

The idea of creating a book surrounding the project came together when I was speaking to my colleague and friend, Eduardo Serafim about DAMP PATCHES. Eduardo co-founded AML-Press in February 2011, and suggested that AML print the book with their newly acquired Risograph printer; a machine part Xerox copier, part offset press which has the quality of a silkscreen.

The Risograph machine was not initially intended for artist books or printed projects but rather for high volume commercial use. I loved the idea of using the Riso because the quality and texture of the images produced by the machine highly compliment the source material I use in my work which typically comes from the 1960′s – 1980′s.

The final book will marry the low-tech feel of the collage work with the high tech printing method of the Riso. As a result the collages and photographs will be the same size and the same texture as the original works. I am really enthusiastic about this part of the project because it helps me push my practice further by exploring my interest in all 3 mediums and takes them to a new level.

The funding I’m requesting would support the production of the book by supplementing the printing costs, paper, assembly, and shipping/distribution of the finished book.

The book would be:

  • 36 pages
  • Book size (closed) 8.5″ x 11.5″
  • Printed on the Risograph
  • Staple binding
  • Edition of 300

I hope you are interested in sharing in my enthusiasm. Thank you for your time, attention and support.

My best,

April Gertler

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Kopenhagenerstrasse 4

10437 Berlin, Germany

a@aprilgertler.com

www.aprilgertler.com

Project location: Berlin, Germany



LAST CALL: PICTURE BERLIN DEADLINE.
April 8, 2011, 6:00 am
Filed under: ART, SUPPORT THIS PROJECT! | Tags: , , , , , , , , , , , , , , , , , , , ,

 

  Last chance to apply for a summer in Berlin with contributor April Gertler.

SUMMER SESSION DATES
30 June – 31 July 2011
Deadline: 8 April 2011
Application

PICTURE BERLIN, founded in 2009, is a hybrid residency/art academy. The program is designed for emerging artists working and using the medium of photography. This past summer marked our first Summer Session, which was extremely successful – with artists representing 8 countries, putting together 2 exhibitions and creating new bodies of work that far exceeded each artist’s expectations. Ultimately PICTURE BERLIN did what any residency should do – it pulled out the best in each artist.

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A FEMINIST TEA PARTY.
April 8, 2011, 5:00 am
Filed under: EVENTS | Tags: , , , , , , , , , , , , , , , , , , ,

NYFA’s Curatorial Program Presents:

A Feminist Tea Party
by Caitlin Rueter and Suzanne Stroebe

Monday, April 11 – Friday, April 15, 2011
12-5pm each day

NYFA Gallery
20 Jay Street, 7th floor
Brooklyn, New York

Free and open to the public

NYFA is pleased to announce A Feminist Tea Party, a week-long residency event presented through NYFA’s Curatorial Program.

A Feminist Tea Party at NYFA is Caitlin Rueter and Suzanne Stroebe’s first solo exhibition for their collaborative project A Feminist Tea Party. A Feminist Tea Party lies somewhere between a performance, an installation and a participatory event. Rueter and Stroebe will be welcoming guests for tea, sweets and informal conversation daily in the NYFA Gallery from 12 noon until 5 o’clock during the week of April 11th, 2011.

Provoked by the Tea Party protests, A Feminist Tea Party recasts the “tea party” as a playful, progressive, inquisitive and inclusive space. At its inception, the project was only meant to last for an afternoon. It has now continued for over a year, and is constantly re-imagined as it finds new audiences, spaces, and participants.

Stroebe and Rueter revisit the consciousness-raising groups of the 1970′s in the set of a midcentury tea party. Rather than recreating the exclusive environment of the historical consciousness-raising groups, or the homogeneous scene typical of the historical tea party, they include a wider cast of discussants, conflating the past and present to create an environment where essential and discomfiting issues can be discussed freely and with a sense of humor.

Each day a different co-host or team of co-hosts will introduce a discussion or event, engaging guests in casual conversation surrounding a topic related to feminism that they have chosen for this space. Please see below for a schedule.

Everyone is welcome to participate regardless of your gender, your political persuasion or
whether you identify as feminist.

Schedule of events:

Monday April 11, 2-4pm
“Feminist Swag : Bitches and Hoes in contemporary Rap and Hip Hop”
Co-host: Jenn Dierdorf

Tuesday April 12, 2-4pm
“Pop Music and Feminism”
Co-host: damali abrams

Wednesday April 13, 4:30-6pm
“Male / Female (Check One)
A discussion of how our gender defines (and/or doesn’t) our everyday life”
Co-hosts: Jennifer Dalton and William Powhida

Thursday April 14, 2-4pm
“Activism in Performance: Representing Women”
Co-hosts: Jaimianne Amicucci, Autumn Horne and Bonnie MacAllister

Friday April 15, time TBA
“Sexual Relations/Violence on Campus”
with Susan Ball

For more information, visit A Feminist Tea Party‘s blog: http://www.afeministteaparty.wordpress.com

The New York Foundation for the Arts (NYFA) now offers curatorial services to help organizations, corporations and individuals find engaging artwork for their offices, homes, festivals, events and other spaces. Over the past 40 years, NYFA has worked with thousands of visual, literary and performing artists working in all styles and disciplines.

Whether large-scale or small, permanent or temporary, for an open courtyard, a film series, or an office foyer, NYFA’s in-house curator will work with you and your organization to determine the best work to suit your needs.

For information contact David Terry at dterry@nyfa.org or go to: http://www.nyfa.org/level2.asp?id=170&fid=2



LAST CALL: Sarah Anne Johnson Arctic Wonderland @ JULIE SAUL

Sarah Anne Johnson
Arctic Wonderland
Julie Saul Gallery
February 24- April 9, 2011

During October 2009 Sarah Anne Johnson participated in an artist’s residency on board a double masted schooner in the Norwegian territory of the Arctic Circle. Each of the twelve days at sea the group visited a different site on land, ranging from untouched vistas of pure landscape to abandoned mining camps. She photographed what she saw, which became the basis for her new body of work entitled “Arctic Wonderland.”
She described the experience as “amazing, it was exotic, breathtakingly beautiful and sublime. It seemed so pristine and perfect, vast and strong, but also somehow delicate and fleeting. After such an experience, one can’t help speculating about the impact we have on this planet.

We are in the process of creating irreparable damage to the earth and will soon have no choice but to gamble on increasingly dubious theories. A favorite theory of engineers as a last resort to stop global warming is the blocking out of the sun. With this body of work I have been assessing and questioning western ideas of progress, growth and innovation. What are we progressing toward? Where does innovation lead us? How big can we go? What will it mean for us to take over the sun? Not only for the environment, but also psychologically for us, what will that mean?

To explore these concerns I have painted, photo shopped, embossed and used printmaking on the photographs I took during the expedition. I do this to create a more honest image. To show not just what I saw, but how I feel about what I saw.”

The imagery is celebratory with an ironic underside. Fireworks, confetti, cheerleaders and banners inhabit the landscape. Wonderland has the double meaning of referring to the brilliant beauty of the landscape, but also the absurdity of some of the notions of how to colonize this place.

“Arctic Wonderland” will be Sarah Anne Johnson’s fourth solo exhibition with the gallery, the first being “Tree Planting” in 2005 which was recently exhibited at the Guggenheim in “Haunted: recent acquisitions in photography and video”. Each of her exhibitions has been conceived as an installation and has been acquired in their entirety by a public museum, including the Guggenheim, Art Gallery of Ontario, and the National Gallery of Canada. This is the first project that is comprised of free standing independent works.

Johnson lives and works in Winnipeg, Canada and received her MFA from Yale University. She was the recipient of the first Annual Grange prize. Her work has been exhibited and collected by numerous public institutions as noted above.



PPL FOCUS WRKSP at Anarchist Book Fair April 9th and 10th.
April 4, 2011, 9:46 pm
Filed under: EVENTS | Tags: , , , , , , , , , , , ,

 

http://panoplylab.org/institute.html

We’ll be at the Anarchist Book Fair next weekend!

April 9, 11am-12:30pm
…FOCUS WORKSHOP for kids and their parents:

Institute_Institut FOCUS WORKSHOP #5: the self and its image
The Panoply Performance Laboratory

What is an individual? What is an “institution”? Using live-feed video that allows kids (and parents) to see themselves move onscreen in real time, we will explore the place where our selves are often asked to “feed” into structures such as school, work, and family. Kids/parents may play an interactive game that examines the mechanics of institutional engagement and invites subjective critical analysis of any current institutional relationships that the participants may have. Smaller kids may choose to play with their own image and their endlessly repeating, smaller and smaller images continuing off into the distance.

and for adults and teens, April 10, 4:15-5:45pm

FOCUS WORKSHOP on “Institutions.”
Part radical think tank, part focus group, part physical workshop, the Panoply Performance Laboratory invites participants to discuss their relationships with institutions, and focus on the role(s) that institutions play, both as groups of individuals and as emergent entities, through group exercises. Each participant will also have the opportunity to make an individual public statement on video for inclusion in PPL’s 2011 documentary opera, Institute_Institut (and will get a free ticket to PPL’s final performances.)

***********

Join PPL for a Focus Workshop in March and April, 2011!

Seeking opinions, experiences, and feedback from individuals, these workshops form a public co-creation aspect of the experimental opera project Institute_Institut.

NO EXPERIENCE REQUIRED, ALL INDIVIDUALS OF ALL AGES, FROM ALL BACKGROUNDS INVITED!

(March workshops complete, THANK YOU TO ALL WHO ATTENDED!)

APRIL:

Saturday, April 9th
6-7:30pm (kids and parents)

Sunday, April 10
4:15pm-5:45pm (adults and teens)

both as part of the Anarchist Book Fair
at Judson Church
55 Washington Square South
New York (A/C/E/F/M/B/D to W4 or R to 8th Ave)

JUST SHOW UP!

FREE

Between Dec. 2010 and June 2011, PPL is conducting a series of Focus Workshops, investigating cultural structures, interpersonal politics, daily conceptions of reality, and institutional ecologies through group discussion, performance work, and co-creation.

A Focus Workshop is part focus group and part thinktank. “Workshop” is used to note the performance-based perspective held by the workshop facilitators (the artists creating the project) and the performance research direction that some workshops take, depending on the interests of the participants.

Part I: Group Discussion. What are institutions? How do they function in your life? What are some of your experiences with them?

Part 2: Enactions, observations, and games.

All participants will receive a free ticket to the performances of Institute_Institut, in Fall 2011. The project is a staged documentary opera about authority, reality, institutionality, and sensibility. Issues and ideas discussed and researched through these Focus Workshops, as well as selected experiences, statements, and documentation from them (and many other forms of research) will largely form the libretto.

For more information, email panoplylab@gmail.com.

***************************************************

CONVOCATORIA:
Participa con tus opiniones, experiencias y reacciones.

Se parte de nuestro Grupo de Enfoque.

Experiencia no necesaria. Personas de cualquier edad y nacionalidad pueden participar.

Domingo, 13 de Marzo, 2-5pm en Surreal Estate (15 Thames St., Brooklyn)

Domingo, 20 de Marzo, 2-5pm en Studio Maya (603 Bergen St., Brooklyn)

Domingo, 27 de Marzo, 2-5pm en PULSE Studios (1102 Dean St., Brooklyn)

(Reservaciones: panoplylab@gmail.com)

GRATIS

Desde el mes de diciembre 2010 a junio 2011, PPL ha estado realizando una serie de talleres informativos en Brooklyn, Manhattan y Queens. Los talleres investigan las estructuras culturales, las políticas mediativas, las construcciones diarias de la realidad, y las ecologías institucionales.

Se hace un llamado a personas de todas las edades y nacionalidades que quieran participar y contribuir con sus opiniones, experiencias e ideas en los talleres creativo-informativos. Los resultados serán incluidos como parte de colaboración en el proyecto Institute_Institut.

El Grupo de Enfoque funcionara también como fuente de inspiración y creación. En este sentido, “Taller” se refiere al aspecto performativo realizado por los artistas que facilitan la creación del proyecto y dirigen la investigación del mismo en base a los intereses de cada participante.

PRIMERA PARTE: Discusión en grupo.
- ¿Qué son las instituciones?
- ¿Cómo funcionan?
- ¿Cómo han sido tus experiencias con ellas?

SEGUNDA PARTE: Interpretaciones, observaciones y juegos.

Participantes recibirán una entrada gratis para la presentación de
Institute_Institut, en Otoño 2011. El proyecto se presentara como un documental montado al estilo de una ópera que tratará temas de autoridad, realidad, institucionalidad y sensibilidad. Las ideas y conceptos que fueron discutidos e investigados durante los talleres de enfoque de grupo, así como las experiencias, declaraciones y documentación de los participantes, serán incluidos como parte del libreto.



SCROLL BOWL V & THE 22 SHOW ARE HERE!

We are so pleased to announce our premier events for The 22 Magazine! We hope you can join and help increase the amazing 22 community!

THE 22 MAGAZINE PRESENTS: SCROLL BOWL V APRIL 2nd

OPENING RECEPTION: APRIL 2nd, 7pm
RUNS APRIL 2nd-8th
17 FROST STREET, BROOKLYN NY(MAP)
ONLINE INVITE
FACEBOOK INVITE
THE 22 MAGAZINE

Harnessing the ancient power of scroll storytelling, some of the world’s finest creators gather to show off their work on large and small rolls of parchment. Created in 2008 by artist Will Varner, Scroll Bowl was a unique way for artists and illustrators to present their work large scale and interactively. In 2009 Will Varner left the Scroll Bowl project to pursue a professional illustration career and artist/curator John Jennison took over the project. After accepting Jennison as one of the premier issue contributors,The 22 Magazine partnered with him to present Scroll Bowl as both a performance and installation event. Drawing from an array of traditions, commentary and communication, Scroll Bowl V presents a modern look at the scroll as both an object and as a tool.

&

THE 22 SHOW APRIL 9th

OPENING RECEPTION: APRIL 9th, 7pm
RUNS APRIL 9th-29th
17 FROST STREET, BROOKLYN NY(MAP)
ONLINE INVITE
FACEBOOK INVITE
THE 22 MAGAZINE

The 22 is annual arts and literature online magazine that seeks to explore connections and intersections between the works of artists, musicians and writers. In some portions of The 22 the structure is presented as a diptych or sometimes triptych, allowing the viewer to actively participate in the task of opening the hinges that link conversation between the pieces.

The 22 Show was formed to showcase the talents of each issue’s contributors. This year’s show will feature performances, music, reading and film work from several of the artists and writers. By forming a collective group and by carefully selecting contributors whose work is enhanced through combination, The 22 Show is a comparison and celebration of the voice of the artist as solo and unified.

 

 




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