Filed under: THE WEEK/THE WEEKEND | Tags: 1810's, 1830's, a, all, ALL Letha, alto, an, and, anthony, arias, art, ashley, Bachman ALL, Bark, Bells, Benny Christopher, Binder, blind, Bookworms, Brand, Breaking COLORS, Buy, by, by Debbie, called, carol, Character Huerco, Christmas, Christmas A, Christmas! Why, Co. Sergei, Collages Charles, Colors Ali, CS, daniel, Dickens, Dodd, Drew, Duffy, EARS, eli, end, energy, event, eyes, Farrington’s, Fixed, full, Gibson, henry, Hodgman, Hubble, i, illustrated, in, INSULTING, is, Ish I, JOZEF, julie, Keszler, Key, Lazurite, lecture, listening A, little, live, Live JOHN, Lucy, Luxem WIM, Mac, megan, Millers, Millman ASCENSION, Moncrief, muhammad, muppet, murray, music, my, Naples, NATURE IAN, night, Northern, of, on, order, Ortegon, party, Paul, PEDIGO, Percussion, PICTURES Taylor, PigPen, presents, PROJECT Joey, quest, record, Refuse, reid, release, S, Sax Where, Scream, series, Shaheed, steve, Summers Timber, Tcherepnin, Terekke, that, that's, the, theatre, think, to, Tribe, Tropical, TWITCH Screening, upon, van, Vault, visuals, w, want, we, why, Wilson XALAM, Wissem, with, World The, year, zero
Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!
The Bark and Scream Series: Eli Keszler: Percussion and Ashley Paul: Alto Sax
THE FIREHOUSE SPACE
December 13, 2012 8:00 pm
Where (we) Live
Paula Greif, ceramics (Dec 19)
Marsha Trattner, blacksmith (Dec 20)
Riccardo Vecchio, painter (Dec 21)
Victoria Valencia, woodworker/furniture-maker (Dec 22)
Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.
JOHN HODGMAN: THAT IS ALL
Friday, Dec 21, 2012
The Bell House
Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.
Thursday, December 13, 6 – 8 pm
Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.
Filed under: THE WEEK/THE WEEKEND | Tags: 2020 THE, Aki, Always, and, ANDERSSON, ashley, August PAMELIA, Barnes, BASS-LAPTOP Landscapes, bill, Break MONICA, Bridges, Burleson, can, CELLAR, COMPANY JENNIFER, ComposerClarinet, Cycles, double, down, DRUNGLE How, Festival Raha, FIRE Ned, for, Geddes Music, Geoffrey, GHYS, House, in, is, kevin, kiss, KURSTIN, Machinic, make, maria, Mashups, McCOY TWENTY, nature, of, on, Onda WILLEM, one, Paintings Walls, performance, pete, piano, POINTFLORENT, Powers, Raissnia, Rhapsodies TYPES, solo, Soprano Hindsight, Soul Dead, South DAVID, still, Sublette, Tegzes, the, to, TRULLI second, TWELVE Devin, TYPE@COOPER Beth, voice, we, Wiemann, with, WoodJeremy, you
Ashley Wood/Jeremy Geddes
Oct 20 — Nov 17, 2012
Jonathan LeVine Gallery is pleased to announce Machine Sabbath, a series of new works by Australian artist Ashley Wood, in what will be his debut solo exhibition in the United States and exhale, a series of new paintings by Melbourne-based artist Jeremy Geddes, in what will be his debut solo exhibition in the United States. On Saturday, October 20th, there will be a print released at 1pm, and the opening reception for the exhibition will be held from 6—9pm.
Music for Voice: Cycles, Mashups, and Machinic Rhapsodies
Le Poisson Rouge
Sun., October 21, 2012 / 5:00 PM and Tue., October 23, 2012
Join Metropolis Ensemble’s celebration of song and contemporary lyricism in a concert featuring 3 extraordinarily talents from a new generation of star singers, Kate Lindsey, Kiera Duffy, and David Babin (along with members of his celebrated band from Paris, BabX). Music for Voice will be an unforgettable evening of kaleidoscopic textures, soaring melody, and elegiac poetry.
Leave The Bass Alone, 5 Basses
Installation: Sat/Sun, Oct 20/21, 4 -7pm
Reception and live performance: Friday, Oct 19, 7 – 9pm
Inspired by this quote from Morton Feldman to Stockhausen and studies of dramaturgic developments of different human and natural soundscapes, Leave the Bass Alone is a collection of sound installations, field recordings and performances exploring the depths of the double bass’ spectral world. In “5 basses”, five double basses are amplified and feedbacked with each other. The strings and the bodies of the basses resonate with their ambient surroundings, thus creating an interactive drone in which the basses are controlled both by their acoustic vibrations and their environment. Seemingly simple acoustic/physical principles take on the complex role of the composer, creating forms and structures surprisingly similar to those we find in our everyday life.
Beth Wiemann, Composer/Clarinet with Geoffrey Burleson, Piano and Maria Tegzes, Soprano
October 20, 2012 8:00 pm
Performing compostions with and without video accompaniment, including, Sharp Nostalgia, for bass clarinet and piano, The Primary Tool is Soup, for soprano, piano and DVD, The Star Theatre, for clarinet, piano and DVD and other short solo works. Link to earlier performance of one of “Star Theatre” http://www.youtube.com/watch?v=h6bRTph9MxY&feature=plcp
Hindsight is Always 20/20
Closing Nov. 7
Brooklyn Bridge Park, Walkway near the Carousel
Originally commissioned for display during the 2008 Democratic National Convention, Hindsight is Always 20/20 is a large public sculpture consisting of 43 light boxes. The work examines the history of American political discourse through the metaphor of vision. Drawing from the annual State of the Union (SOTU) addresses given by Presidents to Congress, Hindsight consists of a single Snellen-style eye chart for each president who gave SOTU addresses from George Washington through George W. Bush. Instead of the typical characters present in an eye chart, the piece employs words drawn from their speeches, presented in order of most frequent (top line) to least frequent (bottom line) word. The result is a startlingly clear snapshot of the lexicon of each presidency, containing a mix of historically topical keywords and rhetoric unique to each president and the time period in which they served in office.
THE CELLAR AND POINT/FLORENT GHYS – SOLO PERFORMANCE DOUBLE BASS-LAPTOP
Cornelia Street Cafe
Wed Oct 24th
The cellar and point is an adventurous “garage-chamber” sextet whose musical universe comprises the detail of modern concert music, the emotional directness of alt-rock, and the improvisational sensibilities of downtown jazz. Formed in 2010, the group features an impressive cross-section of young talent from NYCʼs classical, jazz, and new music scenes.Ghys is one of a new breed of composer/performers who thrives on performing the music he composes. He creates highly contrapuntal, post-minimalist chamber music showcasing intelligent multi-tracking and inventive use of electronics and sampled speech. On the surface, his music is lighthearted and easily engaging, with whimsical loops and repetitions dancing around each other, creating clever and pleasing rhythms. Acoustic bass lines interweave creatively and buoyantly with layered instrumental tracks, electronics or processed speech. These seemingly simple elements are carefully crafted, however, and pieced together very deliberately.
Landscapes of the Soul
October 19 – October 21, 2012
By using an array of musical traditions from around the world, composer and multi-instrumentalist Nacho Arimany offers a ritualistic expression that engages the audience in experiencing free interaction between different artistic disciplines. The incorporation of Jazz , Video-Art and Live Digital Drawing opens the space for tradition to be transformed and actualized by a new experience of collective creation.
TYPES WE CAN MAKE & TYPE@COOPER
OCTOBER 23 – NOVEMBER 17, 2012
“Types We Can Make”- A selection of contemporary Swiss typeface design curated by ECAL/University of Art & Design Lausanne (Switzerland), in association with The Herb Lubalin Study Center of Design and Typography. “Type@Cooper”- Graduates of Cooper Union’s Typeface design program, Type@Cooper, will exhibit a diverse range of their works.
Dead in August
October 19 – November 16, 2012
site95 is pleased to present “Dead in August,” a group exhibition organized by Meaghan Kent and Sara Maria Salamone. “Dead in August” is part of a multi venue project that uses additional spaces in New York to create in depth exhibitions highlighting emerging New York based artists. The exhibition will be held at NYCAMS, New York Center for Art and Media Studies, New York. Artists include: Nils Folke Anderson, Agnes Barley, Jude Broughan, Matthew Brownell, Peter Demos, Nathan Dilworth, Roberto Carlos Lange, Francesco Longenecker, Christian Maychack and Alexandra Posen. A panel discussion moderated by Andrea Hill will be held Thursday, October 25 at 6:30pm.
PAMELIA KURSTIN with PETE DRUNGLE
Invented in 1919 by Russian scientist Léon Theremin, the Theremin is one of the oldest electronic instrument – and the fact that it doesn’t need to be touched to produce a sound, makes it also the most magical. Pamelia is widely considered one of the world’s greatest theremin player. On an instrument primarily associated with horror and science fiction soundtracks, she can be lyrical. Her pitch, her technique and her taste are equally perfect. She can play microtonal puzzles and walking bass lines. She can sound like a violin, a human voice or an analog synthesizer. Out of what was once a symbol of modernism, she plays music of a very emotional order. Pamelia has been based in Vienna for a few years, and this is a rare chance to catch her here – and then with Barbez for the later set. She will be joined by pianist Pete Drungle.
How to Break
Here Arts Center
Oct 18-Nov 4
In their first co-producing endeavor, HERE and the Hip-Hop Theater Festival present the world premiere of How to Break, a collaboration between playwright Aaron Jafferis, reknowned breakersKwikstep and Rokafella, beatboxers Adam Matta and Yako 440, composer Rebecca Hart, and director Christopher Edwards. Recipient of the 2012 Thomas Barbour Playwright’s Award,How to Break sneaks into a hospital room with a fake ID, a potty mouth, and a bad case of heartsick.
MONICA BILL BARNES & COMPANY
OCTOBER 20 / 8:00 and OCTOBER 21 / 3:00
Monica Bill Barnes & Company return after their performance in This American Life Live! last May. Ira Glass will introduce these performances and join the company onstage for a post-performance discussion.
JENNIFER & KEVIN McCOY: TWENTY ONE TWELVE
October 20 – November 24, 2012
Postmasters is pleased to announce Twenty One Twelve, its sixth exhibition with Jennifer and Kevin McCoy and their 10th year with the gallery. Pioneering new media artists whose works explore both time-based and physical reality, the McCoys are perhaps best recognized for constructing subjective databases of film and television material and for creating miniature film sets with live video cameras. The integration of sculpture and video continues in their new exhibition. Pointing to a time 100 years from today Twenty One Twelve connects current trends with future failures and potential transformations. For this show the McCoys have created a series of ten sculptures which depict the landscapes of today and tomorrow. Corporate campuses, parking lots, man-made mountains, resort architecture, and factories all collide with a globalized media infrastructure. This framework exists to support utopian goals, even as it rests upon resource depletion, financial instabilities, and entropic decay. The problems of environmental and economic collapse persist in the face of the rhetoric of the assumed benefits of continued economic expansion and a technological future.
Filed under: EVENTS | Tags: 115th, all, Amith, Andrew Belcher, ashley, brian, candidate, Carter university, Chandrashaker, Chelsea D’Aprile, Cherish Duke, Chip, Columbia, david, directing, doctor, enthuse, faustus, G-Bowley, gertrude, kelly, Kevin Mannering, Kopp, Kristen, Lea McKenna-Garcia and Ryan R. Rinkel, Leeanne, lights, M., mcCorkle, MFA, mother, of, Rodgers, S, Schapiro, stein, Sunrise Marks, tata, the, theater, theatre, us, West, woman
Ashley Kelly Tata writing to invite you to the next theatrical extravaganza brought to you by Columbia University with the energy and collaboration of Enthuse Theater.
We are very excited (and a little bit nervous) to share with you the work we have been doing on Doctor Faustus Lights the Lights, written by “The Mother of us All,” Gertrude Stein. We have been hard at work detangling the knotty words of Stein in a valiant attempt to bring to you this take on a story we all know: Faustus has sold his soul to Mephisto for eternal life and knowledge—and light. But what if there is no proof of purchase? What if a woman entered this world and seems to possess that knowledge without having sold her soul? Who has the right to knowledge? What is the responsibility of power? What does a guy (or girl) have to do to get to hell?
We hope you will join us for 90 minutes of a theatrical exploratory event created by an incredible group of artists. Please come for the show, stay for the conversation, the environment, and the company.
Until then, with awe, enthusiasm and great anticipation,
Ashley Kelly Tata
MFA Directing Candidate 2012
Doctor Faustus Lights the Lights
By Gertrude Stein
Directed by Ashley Kelly Tata
Dramaturgy by David Carter
Music by Brian McCorkle
Choreography by Leeanne M. G-Bowley
Lighting Designed by Amith Chandrashaker
Costumes Designed by Kristen Kopp
Performed by: Andrew Belcher, Chelsea D’Aprile, Cherish Duke, Kevin Mannering, Sunrise Marks, Lea McKenna-Garcia and Ryan R. Rinkel
Image by Chip Rodgers
The Schapiro Theatre
605 West 115th St (in the basement)
Friday, April 22nd at 8PM
Saturday, April 23rd at 3PM and at 8PM
RSVP at email@example.com