Jonathan LeVine Gallery is pleased to announce Machine Sabbath, a series of new works by Australian artist Ashley Wood, in what will be his debut solo exhibition in the United States and exhale, a series of new paintings by Melbourne-based artist Jeremy Geddes, in what will be his debut solo exhibition in the United States. On Saturday, October 20th, there will be a print released at 1pm, and the opening reception for the exhibition will be held from 6—9pm.
Join Metropolis Ensemble’s celebration of song and contemporary lyricism in a concert featuring 3 extraordinarily talents from a new generation of star singers, Kate Lindsey, Kiera Duffy, and David Babin (along with members of his celebrated band from Paris, BabX). Music for Voice will be an unforgettable evening of kaleidoscopic textures, soaring melody, and elegiac poetry.
Leave The Bass Alone, 5 Basses Harvestworks Installation: Sat/Sun, Oct 20/21, 4 -7pm Reception and live performance: Friday, Oct 19, 7 – 9pm
Inspired by this quote from Morton Feldman to Stockhausen and studies of dramaturgic developments of different human and natural soundscapes, Leave the Bass Alone is a collection of sound installations, field recordings and performances exploring the depths of the double bass’ spectral world. In “5 basses”, five double basses are amplified and feedbacked with each other. The strings and the bodies of the basses resonate with their ambient surroundings, thus creating an interactive drone in which the basses are controlled both by their acoustic vibrations and their environment. Seemingly simple acoustic/physical principles take on the complex role of the composer, creating forms and structures surprisingly similar to those we find in our everyday life.
Performing compostions with and without video accompaniment, including, Sharp Nostalgia, for bass clarinet and piano, The Primary Tool is Soup, for soprano, piano and DVD, The Star Theatre, for clarinet, piano and DVD and other short solo works. Link to earlier performance of one of “Star Theatre” http://www.youtube.com/watch?v=h6bRTph9MxY&feature=plcp
Originally commissioned for display during the 2008 Democratic National Convention, Hindsight is Always 20/20 is a large public sculpture consisting of 43 light boxes. The work examines the history of American political discourse through the metaphor of vision. Drawing from the annual State of the Union (SOTU) addresses given by Presidents to Congress, Hindsight consists of a single Snellen-style eye chart for each president who gave SOTU addresses from George Washington through George W. Bush. Instead of the typical characters present in an eye chart, the piece employs words drawn from their speeches, presented in order of most frequent (top line) to least frequent (bottom line) word. The result is a startlingly clear snapshot of the lexicon of each presidency, containing a mix of historically topical keywords and rhetoric unique to each president and the time period in which they served in office.
The cellar and point is an adventurous “garage-chamber” sextet whose musical universe comprises the detail of modern concert music, the emotional directness of alt-rock, and the improvisational sensibilities of downtown jazz. Formed in 2010, the group features an impressive cross-section of young talent from NYCʼs classical, jazz, and new music scenes.Ghys is one of a new breed of composer/performers who thrives on performing the music he composes. He creates highly contrapuntal, post-minimalist chamber music showcasing intelligent multi-tracking and inventive use of electronics and sampled speech. On the surface, his music is lighthearted and easily engaging, with whimsical loops and repetitions dancing around each other, creating clever and pleasing rhythms. Acoustic bass lines interweave creatively and buoyantly with layered instrumental tracks, electronics or processed speech. These seemingly simple elements are carefully crafted, however, and pieced together very deliberately.
By using an array of musical traditions from around the world, composer and multi-instrumentalist Nacho Arimany offers a ritualistic expression that engages the audience in experiencing free interaction between different artistic disciplines. The incorporation of Jazz , Video-Art and Live Digital Drawing opens the space for tradition to be transformed and actualized by a new experience of collective creation.
“Types We Can Make”- A selection of contemporary Swiss typeface design curated by ECAL/University of Art & Design Lausanne (Switzerland), in association with The Herb Lubalin Study Center of Design and Typography. “Type@Cooper”- Graduates of Cooper Union’s Typeface design program, Type@Cooper, will exhibit a diverse range of their works.
site95 is pleased to present “Dead in August,” a group exhibition organized by Meaghan Kent and Sara Maria Salamone. “Dead in August” is part of a multi venue project that uses additional spaces in New York to create in depth exhibitions highlighting emerging New York based artists. The exhibition will be held at NYCAMS, New York Center for Art and Media Studies, New York. Artists include: Nils Folke Anderson, Agnes Barley, Jude Broughan, Matthew Brownell, Peter Demos, Nathan Dilworth, Roberto Carlos Lange, Francesco Longenecker, Christian Maychack and Alexandra Posen. A panel discussion moderated by Andrea Hill will be held Thursday, October 25 at 6:30pm.
Invented in 1919 by Russian scientist Léon Theremin, the Theremin is one of the oldest electronic instrument – and the fact that it doesn’t need to be touched to produce a sound, makes it also the most magical. Pamelia is widely considered one of the world’s greatest theremin player. On an instrument primarily associated with horror and science fiction soundtracks, she can be lyrical. Her pitch, her technique and her taste are equally perfect. She can play microtonal puzzles and walking bass lines. She can sound like a violin, a human voice or an analog synthesizer. Out of what was once a symbol of modernism, she plays music of a very emotional order. Pamelia has been based in Vienna for a few years, and this is a rare chance to catch her here – and then with Barbez for the later set. She will be joined by pianist Pete Drungle.
In their first co-producing endeavor, HERE and the Hip-Hop Theater Festival present the world premiere of How to Break, a collaboration between playwright Aaron Jafferis, reknowned breakersKwikstep and Rokafella, beatboxers Adam Matta and Yako 440, composer Rebecca Hart, and director Christopher Edwards. Recipient of the 2012 Thomas Barbour Playwright’s Award,How to Break sneaks into a hospital room with a fake ID, a potty mouth, and a bad case of heartsick.
Monica Bill Barnes & Company return after their performance in This American Life Live! last May. Ira Glass will introduce these performances and join the company onstage for a post-performance discussion.
Postmasters is pleased to announce Twenty One Twelve, its sixth exhibition with Jennifer and Kevin McCoy and their 10th year with the gallery. Pioneering new media artists whose works explore both time-based and physical reality, the McCoys are perhaps best recognized for constructing subjective databases of film and television material and for creating miniature film sets with live video cameras. The integration of sculpture and video continues in their new exhibition. Pointing to a time 100 years from today Twenty One Twelve connects current trends with future failures and potential transformations. For this show the McCoys have created a series of ten sculptures which depict the landscapes of today and tomorrow. Corporate campuses, parking lots, man-made mountains, resort architecture, and factories all collide with a globalized media infrastructure. This framework exists to support utopian goals, even as it rests upon resource depletion, financial instabilities, and entropic decay. The problems of environmental and economic collapse persist in the face of the rhetoric of the assumed benefits of continued economic expansion and a technological future.
Following his acclaimed project SEEK, featured as a 2011 TED Talk, Hembrey’s new work attempts to visualize his 20 year exploration of dark matter and dark energy (scientifically hypothesized to comprise over 95% of the cosmos). Hembrey’s paintings and sculptures are a collective meditation on the unseen structure of our universe. Painted with trompe l’oeil technique, the series Unstill Lifes attempts to visualize the tangible structures of matter pared down to bits. Ghostly wisps of smoke appear to the viewer at certain angles and improbable assemblages of matches, tree branches, and string appear to float off of the inky blackground.
Larsen is an accomplished painter who has always challenged herself to invent new styles and ways of composition. Her recent oeuvre marks a synopsis of previous works ranging between abstraction and figuration. Using modernist Russian constructivist paintings as a point of departure for numerous compositions, she also engages ideas of reverse perspective and conflicting vanishing points, as can be found in Japanese narrative scrolls. Her pool of inspirations is vast, ranging from masterpieces of Renaissance through 20th century art, to traditional Japanese puppet theatre, to photographs she has taken of classrooms and faculty meetings during her 35-year long Professorship in Florida.
Roulette with Ghostly International and Rvng Intl. are pleased to present an evening of electroacoustic music, featuring a rare US performance by Polish composer Jacaszek and San Francisco based Holly Herndon.
Paul Kasmin Gallery is pleased to present an exhibition of eleven 2012 still-life and jungle-landscape paintings by Erik Parker (b. 1968 Stuttgart, Germany; lives and works in New York City). Updating these traditional art-historical genres through the pictorial idioms and sly humor of satirical cartoons, psychedelia, and underground comic books, Parker’s paintings provide vistas into brilliantly colored worlds of semi-sentient flora and idiosyncratic geometries.
The members of Rusty Belle swagger between raw blues, tiny tangos, country waltzes and backyard symphonies. Sometimes a walk with the Roma, a twisted tale in metered time, or a yell-along-after-dinner drunken opera. A dance band that tries to tie your shoes together. The music is littered with dented paint cans, smashed up trashcan lids, old hacksaw blades, and broken glass. Like junkyard songbirds, they sing sweet through all the rubbage.
After seven years since Stephen Powers’ last solo exhibition in New York, Joshua Liner Gallery is pleased to present A Word is Worth a Thousand Pictures. In this new exhibition series, the prolific artist will present a panoramic assemblage of paintings that will occupy the entire breadth of the gallery. A Word is Worth a Thousand Pictures will consist of a multitude of enamel on aluminum paintings, ranging from 10-x-8 inches to 10-x-10 feet.
Choreographer Jonah Bokaer and artist Anthony McCall explore total motion in this breathtaking collaboration that places dance within an installation built from shifting avenues of light and spatialized, sonic images. Featuring four dancers as well as a special appearance by Bokaer,ECLIPSE utilizes the unique flexibility of the Fishman Space, with a four-sided seating configuration to create an utterly intimate experience between artists and audience.
LONG DISTANCE POISON play live music & soundscape to the film. Composer David First will be sitting in with LONG DISTANCE POISON on Friday and TELECULT POWERS member Matthew Regula will be sitting in on Saturday.
The Shirey is pleased to present Bushwick Blackout, an immersive multi-media exhibition and video screening of luminous works that twinkle and glow in the dark.In this exhibition, traditional gallery lighting is abandoned. The only sources of light are ultraviolet lamps and the works themselves. Emerging from the walls, ceiling, and floors, the works create a three-dimensional constellation, encompassing the viewer and transforming the conventional gallery space into a spellbound landscape.
A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.
Butoh Electra August 29 – September 8
Irondale Center The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.
Churner and Churner is pleased to present “On My Way Gone,” an exhibition of new work by Joanne Bittle. With an installation, over twenty-five paintings, and the artist’s first film, the exhibition is Bittle’s largest and most ambitious to date. This is her second show with the gallery.
The 22 is headed out this Saturday to check out Atlas Obscura’s tour of Newton Creek. We’ll have a full update afterwards, but in the meantime buy your tickets and join us! We will be exploring the petroleum and waste transfer districts of the Newtown Creek watershed in North Brooklyn. Heavily industrialized, the area we will be walking through is the heart of the Greenpoint Oil Spill and home to scores of waste transfer stations and other heavy industries. We will be heading for the thrice damned Kosciuszko Bridge, which is scheduled for a demolition and replacement project which will be starting in 2013. Photographers, in particular, will find this an interesting walk through a little known and quite obscure section of New York City.
“Battle on Bergen” is a site-specific performance incorporating elements of dance, street theater, puppetry, and live music, depicting certain events from the Battle of Brooklyn and drawing parallels between the American Revolutionary War and events today. Sometimes forgotten in the very neighborhoods where it took place, the Battle was fought on August 27th, 1776 weeks after the signing of the Declaration of Independence. ”Battle on Bergen” is co-directed by Selene Colburn and features David Freeman, James Hannaham, Aaron Stanley, Willis Bigelow, Alan Balicki, Katie Merz, John Bauman, Tyler Sussman, and J.J. Hill-Wood.
A celebration of the under-appreciated creatures that roam the planet. From the Australian Bilby to the deep-sea Magnapinna Squid, to the Saddleback Caterpillar. The songs are brought to life by a gaggle of curious instruments and peculiar sounds including theremin, claviola, stylophone, and more.. With Michael Hearst, Ron Caswell, Allyssa Lamb Ben Holmes and Kristin Mueller.
Day Joy is the creation of Peter Michael Perceval and Michael Serrin of Orlando FL. Their music began acoustically on the porch and recordings began with just the duo layering instrumentation together and and creating the lush and layered Dream Folk/Pop recordings you can hear now.
AFP returns to The Paper Box in East Williamsburg for a new monthly multimedia experience showcasing some of the finest emerging talent NYC has to offer. Most recently, AFP hosted “Brooklyn Beat Music and Arts Festival” at The Paper Box, and will continue the multidisciplinary arts experience with their new monthly series “Mixed Greens.” Taking place on Saturday nights the third week of each month, “Mixed Greens” will bring together a fresh new mix of musicians, artists, and DJ’s, creating an eclectic experience.
Sound Off is an intimate performance series of sound art and experimental music that connects audiences with composers, musicians, artists, and one another. It takes place in a simple loft: no stage, no curtain, and little distance between performer and audience.
The Australian so-called “graffiti artist” LUSH is having his debut New York solo exhibition at Klughaus Gallery on Saturday, August 25, 2012. Following successful shows in Australia and London, LUSH is going to be bringing his “Art” to the Big Apple.
A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.
Young and Reitzenstein combine pre-recorded sounds — ranging from oceans to railways — with two of Young’s stringed instruments, one wood and the other a prototype in aluminum. Their approach is a playful exploration of sound that integrates soundscape with unusual tunings.
Butoh Electra August 29 – September 8
Irondale Center The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.
Veronica Klaus delves into the amazingly broad songbook of the inimitable Miss Peggy Lee and brings her own sultry, smokey soulful style to some favorites and some lesser known gems from the Lee songbook, with the Tammy Hall Trio backing her, this is a great night of music for fans of jazz and the immortal Peggy Lee!
Neil Rolnick works for violin, piano and computer, with violinist Todd Reynolds and pianist Vicky Chow. Including Hammer & Hair, Digits, Fiddle Faddle and Robert Johnson Sampler.
Record release party for Harry Pussy’s Let’s Build A Pussy (1998) & One Plus One (1992-1993) with solo sets and a world premere duo performance by Bill Orcutt (one of the most influential noise artists of the 20th century) and “one of the most exciting drummers on the planet”, Chris Corsano.
Leland Sundries, a band from New York led by Nick Loss-Eaton, is dedicated to storytelling in a way that recalls Woody Guthrie and his Folkways brethren.Raquel and David are performing a rare duo set of past songs from their now defunct band, Norden Bombsight, and some of their new material from recently formed, Mesiko (Ray Rizzo, Chris Rodahaffer).”Taking her cues from the bold ladies of classic Americana country, Angela Perley’s vocal whippoorwill twang and down-home lyrics are so darling they will keep you up at night.
Neverheard Inc and Klerkx Art Agency will be presenting ICY AND SOT’s Made in Iran at Openhouse Gallery. The street art duo will be debuting at Openhouse 379 Broome in Nolita. Made in Iran will expose viewers to site-specific installation and new stencil work that has been seen on the streets of Paris, Turin, San Paolo, New York, and many other cities.
Critically acclaimed pianist TAKA KIGAWA will present a solo piano recital on Monday, August 27th, 2012, at 8:00 pm, at (Le) Poisson Rouge. Doors open at 7:00 pm. For this recital, Mr. Kigawa will perform Johann Sebastian Bach’s The Art of Fugue, BWV 1080 (complete.)
The Snow is a cinematic literary-pop quartet from Brooklyn, New York led by Pierre de Gaillande (Bad Reputation, Melomane, Morning Glories) and Hilary Downes. The Snow’s influences are as diverse as its sound – having been described in turns as post-apocalyptic French cabaret, gypsy pop, and carnival Americana.
Their sound is a re-invention, a nostalgic throwback to a time and place mostly imagined where Peruvian waltzes, Andean huaynos and Cuban Guajiras mix with French opera, Cowboy tunes and Bollywood classics. The result plays like a dreamy soundtrack with classical harmonies set to a Latin beat. Their new album, Ziguala is an attempt to imagine what a pop record would sound like had the global Latin influence which was so prevalent until the early 60′s had continued its course without interruption. The tracks on the album are re-interpretations of songs from Spain, France, Peru, India, Mexico, Greece, Venezuela, Colombia and Naples. Ziguala is not so much a latin record as it is a pop record that uses a latin vocabulary. Think of it as the opposite of Rock en Español, itself a Latin genre which uses a rock vocabulary.
Barnes & Noble, Inc. today announced the next edition of “Upstairs at the Square,” described by Daily Candy as “an awesome literary salon on a date with an intimate rock concert,” at the Union Square Barnes & Noble in Manhattan (33 E. 17th St.). On Thursday, August 2, at 7.p.m., Cheryl Strayed, author of Tiny Beautiful Things (Vintage Books, July 10) and Theo Bleckmann, whose latest album is Hello Earth! – The Music of Kate Bush (Winter & Winter, March 13), join Katherine Lanpher to discuss and perform their work. Admission is free, and no tickets are required.
Exploring the body as a conduit for transformation, Cori Olinghouse will present excerpts from her latest Ghost lines Project. Inspired by ghost towns, silent era clown films, voguing, and eccentric dance, the characters in Ghost lines conjure a vaudevillian past as traces – remnants; as if rising from the dust, transmitting signals of light and shadow.
Basak Yavuz is a Turkish-born, New York City based vocalist, composer and arranger. From modern jazz to minimalism, from blues and world music to chromatic harmony, her music is eclectic, heartfelt, and has the just the right amount of biting honesty. Her songwriting covers the full range of human experience; it can be fragile or aggressive, beautifully simple or deceptively complex, and always tells a compelling story. She recently graduated from Manhattan School of Music, where she studied with Peter Eldridge, Theo Bleckmann, and Darmon Meader, Dave Liebman and Phil Markowitz. She was the winner of the Nardis Jazz Vocal Competition in Istanbul, and has performed with her quintet in the Istanbul Jazz Festival twice. Her debut album is slated for release in late 2012, which will feature Peter Eldridge, Dave Liebman, and many other great musicians.
A high-energy multinational hybrid of North African grooves, Middle Eastern modes, and American funk fleshed out with oud, gimbri, strings, and percussion, Yemen Blues is led by the charismatic Israeli-Yemenite singer Ravid Kahalani and go-to jazz bassist-arranger Omer Avital.
M’lumbo is a 8-piece multimedia jam band that crosses the boundaries of electronic, psychedelic, jazz, and world music. At this special performance the long-running shadowy and semi-legendary eight–piece band will celebrate the release of their twelfth album ’Tuning In to Tomorrow’ with their special guestGrammy-nominated guitarist/songwriterGary Lucas ‘The thinking man’s guitarist’-The New Yorker. The band includes Rob Ray, Paul-Alexandre Meurens, Vin Veloso, Cecil Young, Dehran Duckworth, Jaz Sawyer, Brian O’Neill, Jarek Szczyglak and other suprises. Come experience the band live in rare form and be ready to party!
– the time has finally come to officially unleash Bassoon’s eponymous CD upon the world — join us for a killer show with venerable riff-contortionists STATS and equally dexterous bass-drum duo RADIATION BLACKBODY for an evening of intelligent ear damage –
Peter Stampfel & the Ether Frolic Mob consists of whoever is available and up for it whenever. Stampfel is performing. What is Ether Frolic? Ether Frolic is when ether came into use in the 19th century, it was widely introduced by Ether Frolics–a stage would be rented, the audience would be charged, the ’show’ involved people inhaling ether on stage and carrying on in a manner not common to 19th century behavioral norms.
Mostly Other People Do the Killing is a quartet founded on the idea that not only is jazz still alive and vibrant, but that it can and should be fun, engaging and thoroughly contemporary. Rather than settling into one style or historical period, MOPDtK fuses the entire spectrum of jazz and the various forms of improvised music it has spawned into a single, seamless melange of what they call “uber-jass.”
Bassist/Composer Ben Rolston brings his quintet to Cornelia Street Café to play music from his debut album Fables, released in April of 2012 on Envoi Recordings.
Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.
Bob Jones started his career as singer in his father’s church choir. He was Andy Statman’s guitarist in his legendary klezmer quartet and currently plays with Boo Reiners in the Plunk Brothers, with the Danny Kalb Trio and with many Old Timey and Bluegrass musicians in the city.
Jon Sholle is a guitarist who has worked with such musicians as Vassar Clements, Larry Campbell, Keith Carradine, Allen Ginsberg, and Bela Fleck. He was a member of the David Grisman Quintet and has also released two solo albums on Rounder Records.
Antipop Consortium is an alternative hip hop ensemble based in New York. Conceived in 1997 out of a series of daring collaborations at the “Rap Meets Poetry” sessions of the Nuyorican Poets Café, the group has developed a cerebral, visionary strain of hip hop that incorporates the fragmented rhythms of contemporary electronic music with the confrontational, interrogative stance of rap.
Nicky Da B is a new generation New Orleans Bounce artist who is coming into national prominence in the footsteps of Big Freedia. At 21 years old, Nicky has already shared the stage with all the legends of the Bounce community and has traveled with Rusty Lazer to New York for a run of amazing shows in January and March of this year, performing at Santos Party House, Brooklyn Bowl, Public Assembly and with luminaries such as Roxy Cottontail and many more.
What better way to celebrate the John Cage centenary than with postmodern sounds of silence? Composer Phil Kline (Unsilent Night) draws upon the words and voices of Jim Jarmusch, Philip Glass, Meredith Monk, Bill T. Jones, and La Bruja, among sixty writers, artists, and musicians, for a GPS-based work inspired by Indeterminacy, Cage’s collection of one-minute epiphanies. Use your smartphone and a free downloadable audio app to trigger sixty koans scattered around the Lincoln Center campus. A podcast version will also be available.
Joe Gallant’s 18-piece Illuminati Orchestra celebrates the 35th anniversary release of the Grateful Deads’ “Terrapin Station” album (on this very day!) with a groove-heavy set of bones-shaking Dead tunes and sonic surprises.
The East Coast’s premier animation festival returns for its ninth edition, showcasing international works, award winners, experimental shorts, computer animation, student films, local cartoons, a special Animation for Kids show, and much more. On Saturday, July 28th BAM presents an animation trade-show, plus an exclusive evening after-party at the BAMcafé, with standup comedy and live music.
Latin-Grammy winner Octavio Brunetti on piano; Machiko Ozawa, former concertmaster of Orquesta Sinfonica Sinaloa de Las Artes, on violin; and acclaimed composer/arranger Pedro Giraudo on bass. Together, these three awesomely talented virtuoso musicians capture the passion and excitement of Argentine tango in a repertoire ranging from traditional favorites, to contemporary interpretations. They have dazzled audiences in New York, Washington DC, South Carolina, Virginia, and in Tokyo, Japan, with an upcoming tour to Japan this August. This appearance at Joe’s Pub will debut their new repertoire, which they will feature on their tour and will be the basis of their next CD.
Three Colorists, curated by Michael Walls, highlights the work of three artists who have several things in common: they began their professional life as painters; the oeuvre of each importantly involves the role of color; and the work of each is not only labor intensive, but also revealing of a hard-won mastery of the chosen craft.
It’s the last show before we move to our new location at 29 Jay Street! What better way to say goodbye to 38 Water Street than with our 14th annual Labapalooza Festival? This year’s line-up of works-in-progress ranges from the traditional to the irreverent, from the ground breaking to the nostalgic, and from delightful to downright punk-rock.
If theatrical is the question, masterpiece is the answer. Modesty in art is over-rated, as anyone with a Schnabel complex knows, so be prepared for the challenge of ascertaining the significance of what these artists have been cooking up over the past four months. Yes, each can draw, paint, and employ color to bold effect, but that’s of secondary importance (the least we can expect of an artist). What drives these artists is Imagination. Another word for imagination is risk, another word for risk is danger, another word for danger is aesthetics. And aesthetics, as we know, is for the birds. But these artists aint tweeting.
Three pillars of the noise and avant-jazz scene collide : Thurston Moore, singer/songwriter/guitarist for Sonic Youth, teams up with free-noise guitarist Bill Nace and avant-jazz saxophonist Joe McPhee for an evening of mind bending cacophony.
Hi Folks, we’ve decided to pare down The Week/Weekend listings to a much more condensed version for the summer months.
Why you may ask? A couple of reasons factor into it but the most important being the amount of time it takes to create the listings each week. Even with an automated system, there are hours of work to format and post correctly and although we want to support all creative endeavors in New York, there are A-LOT of them. We feel a more in-depth focus will benefit not only local events but also give us more time to focus on the increasingly wonderful creation of the 3rd volume our flagship publication, The 22 Magazine, as well as allow us to move towards future goals such as the publication of special editions like the upcoming Rule of Three.
On that note, instead of full listings we will start to narrow down the focus to specific event previews, interviews, and reviews. At the end of these listings there will be a link to the events listings page. To get on this page you must enter your event via our events input page. Listings will still come out on Thursdays, and submissions must be made by noon on the prior Wednesday to be considered.
Thanks for sticking by us during this transition, and as always with this transition comes new opportunities. If you are looking for coverage make sure to hit us up at the22magazine (at) gmail (dot) com. We have varying styles and tastes and are always open to interesting ideas. If you are a writer interested in pitching an idea or writing a review please also contact at the email above and we will give you more details.
Three trios, one night…Iron Dog, The Sound Bats, and The Reuben Radding Group have influences that reach from the far corners of the globe to the mysterious nether regions of the psyche. Filled with electronically manipulated organic sounds, bristly downtown punk-jazz, and traditional Balkan music – get ready for a cosmopolitan night of music that could only be Made In Brooklyn.
Also check out Stuart Popejoy’s (Iron Dog) solo show at The Firehouse Space on May 31.
We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!
Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.
August 26 – September 21, 2011 Reception: Thursday, September 8, 6 – 8pm Visual Arts Gallery
Panel Discussion Moderated by Lindsay Pollock
Tuesday, September 13, 7pm
SVA Theatre
School of Visual Arts (SVA) presents “The Influentials,” an exhibition featuring distinguished female alumni of the College and the diverse group of artists who have influenced their practice. “The Influentials” is both an investigation into the creative lineage between contemporary artists and a dialogue between mentors and mentees that crosses generations, gender and media. The exhibition is co-curated by independent curatorAmy Smith-Stewart and SVA Director of Development and Alumni Affairs Carrie Lincourt.
The art made by Baltimore artist Dan Deacon is about community and how to organize and inspire it. From founding a now well-known art collective (Wham City), to organizing and running an annually sold-out DIY music festival (Whartscape), to conceiving, planning and curating a massive 60 person/30 band tour (Baltimore Round Robin Tour), it’s clear to see that community and bringing people together is the major theme of his work. Bromst is the embodiment of that way of thinking. (READ MORE.)
Summer Group Exhibition 2011
August 4 to August 27, 2011
Joshua Liner Gallery is pleased to present the 2011 Summer Group Exhibition showcasing 17 artists, including established gallery regulars and several newcomers to the gallery. The exhibition will feature painting, collage, and drawing, with works by the following artists:
Cameron Gray, Chloe Early, Damon Soule, Dave Kinsey, David Ellis, Evan Hecox, Evelyn Rydz, Greg Lamarche, Herbert Baglione, Oliver Vernon, Pema Rinzin, Ryan McLennan, Shawn Barber, Stephen Powers, Tiffany Bozic, Tomokazu Matsuyama and Tony Curanaj.
A Monthly Night of Accordion-Driven Variety The first Monday of every month, David F. Slone, Esq. invites you to join him in a celebration of the beauty of the bellows with Brooklyn’s hottest underground accordionists, dancers, strippers, singers, comedians and magicians!
HOSPITAL: EPISODE 3 @ AXIS Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp (Edgar Oliver’s East 10th Street: Self Portrait with Empty House), the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20. (more…)
Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).
Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.
Ryan Feeney’s ‘Obscene Sunsets’ series of photographs explore the power and authority that image cultures have over our sense of reality while Ryan Macdonald’s ‘Pale in Compairison’ body of work explores how the phenomenology of nostalgia and narrative can disrupt our sense of stability in a normal world.
Opening Reception 6-9PM Friday June 3 Featuring demonstrations and a live performance by exhibiting artists.
Why does a minor chord sound sad? Is there a formula for the perfect hit? Whistling, dancing, finger-snapping, and toe-tapping—what makes us do it? Find out when music and science join forces in an interactive bazaar of beats, sounds, and rhythm in the exhibition BIORHYTHM, created by the Science Gallery and presented at Eyebeam as part of the World Science Festival. Learn what drives sound manipulation and discover how different types of music evoke different emotions. Trace the power of an impactful pop hook in a song, measuring the way our brains and bodies react, down to the responses in our fingertips.
Included works: Binaural Head; Sonic Bed; Klangkapsel; Something for the Girl Who Has Everything; Optofonica Capsule; Theremin Inspector V2; Music, Emotion, Empathy; Heart ‘N’ Beat; Reactable; Contacts; Hear, Hear; Traffic; Instrumen; Body Snatcher; Chains of Emotion. (READ MORE.)
June 4 – August 5th, 2011
Clifton Benevento is proud to present the New York solo debut of Los Angeles based visual and performance artist Wu Tsang, featuring video, collage and site-specific installation.
Central to the exhibition is DAMELO TODO (Give Me Everything), 2010, a hybrid narrative-documentary installation incorporating elements of Tsang’s lived experience organizing WILDNESS, a party/performance night for two years at the Los Angeles bar Silver Platter. The film depicts a fictional protagonist, Teódulo Mejía, a 15 year-old Salvadorian civil war refugee arriving to Los Angeles in 1985, who discovers community support among trans women at the bar. Based on a short story written by Raquel Gutierrez, and adapted to screen by Tsang, DAMELO TODO fictionalizes a larger narrative about the collaboration and tenuous coalition between the Silver Platter and the young artists of WILDNESS. (READ MORE.)
Featured artists: Delaney DelPonti, Bianca Dorsey, Jae Y Lee, Rebecca (Marks) Leopold, Steven Ketchum, Graham McNamara, Bridget Parris, Boris Rasin and Judy Richardson
Blood, Sweat, and Tears: the Work of Art and Tragedy endeavors to examine 21st century tragedy, disaster and renewal. The exhibition is an attempt to connect with contemporary artists who are also passionate about this theme. Nine artists were selected whose work explores a particular contemporary disaster, personal tragedy, or the rigor of cultivating new beginnings. As young adults who have come of age in the burgeoning 21st century, the curators of this exhibition are themselves well-versed in tragedy, disaster and renewal firsthand (as New York City dwellers) and from a distance. (READ MORE.)
Artists:
Peter Acheson, Hector Arce-Espasas, Maria Barbo, Genesis Belanger, Chris Bertholf, Erik den Breejen, Maria Calandra, Joy Curtis, Karen Dana, N. Dash, Carol Diamond,Ryan Franklin, Tamara Gonzales, Erica Greenwald, Xico Greenwald, EJ Hauser, Michael Hilsman, Rolf Jacobsen, Michael Kenney, Osamu Kobayashi, Jonah Koppel, Ben La Rocco, Elisa Lendvay, JJ Manford, Sarah Louden, Mike Olin, Craig Olson, Linnea Paskow, Alta Price, Nathlie Provosty, Christopher Rivera, Aaron Sinift, Elisa Soliven, Kol Solthon, Thomas Spoerndle, Deirdre Swords, Katherine Young
The art world experienced a caesura in the 1960s when the paradigm of the artist, working in solitary fashion, was taken apart by the advent of collaborative art. Through collaboration, the definition of what art was, and how it could be produced, shifted. No longer was the cult of the artist, producing a singular vision understood to be the only viable artistic model. Instead, this now re-evaluated model began to generate questions about authenticity, authorship,audience and methodology. Such collaborative projects as those executed by Gilbert and George, Martin Kippenberger and Albert Oehlen, Jeanne Claude and Christo, and Marina Abramovic and Ulay were instrumental in the development of such major evolutions in conceptual art as Body Art, Systems Art, Earth Art, and Performance Art.
The artists in Temporary Antumbra Zone have come together, collaborating through the lenses of painting, photography, video, and mixed media sculpture to promote collaboration as an invaluable mode of artistic production.
If you haven’t heard, this Weekend is Bushwick Open Studios. Bushwick waxes full of openings, events, and public art. http://www.artsinbushwick.org/
The Super Coda makes no exception:
Friday, 6/3. 7-10: Gabrielle Muller, Cafe Orwell’s new Art Director, will be presenting her first show, “Brooklyn Loves Philly”, featuring artists and musicians from both cities. Including:
Joanna Quigley, Kat Moran, Ryann Casey, Amelia Runyan, Paul DeMuro, Mary Price, Bobby Heinemann, Bobby Gonzales, Liz Thamm, Brendon Stuart, Gabrielle Muller, Austin Saylor Jackson, Hilary Price, Matt DeFillipo, Crystal Stokowski. Plus an outdoor installation by Oliver Warden, “Untitled Box”
The Art will be on display at the Cafe through July.
Saturday, 6/4. 9-midnight. The Super Coda presents Jazz that is all over the place and from all over the place. Featuring:
Kirk Knuffke – http://www.kirkknuffke.com/
Otra Gente (Luis Ianes/Carlo Costa/Ivan Barenboim)
Steven Ruel – http://www.purevolume.com/steveruel
The Booklyn Art Gallery is pleased to present MASTER OF REALITY, a group exhibition featuring works by Milano Chow, Cynthia Daignault, Gary Kachadourian, and STO.
MASTER OF REALITY includes drawings, paintings, sculpture and prints that alter our perceptions of commonplace scenery, find fodder in the mundane, and draw our attention to the handling rather than the objects themselves. The featured artists create an alternate dimension of familiar objects, carefully mimicking reality so that it is recognizable, yet altering it enough to uniquely capture their own way of seeing. (READ MORE.)
We’re creating an open and inclusive event that benefits the neighborhood by sharing artistic projects and encouraging community interaction and dialogue. BOS brings the neighborhood’s thousands of artists and performers out into the streets and in view of each other, other community residents, and the general public. (READ MORE AND SEE FULL SCHEDULE.)
The influence of comics on our culture continues to grow. From the pop fantasias of Hollywood blockbusters to the rawness and refinement of intimate memoirs—and everything in between—it’s impossible to deny the wide appeal of comics’ words and images. The theater, of course, is no less immune to its spell. This summer, The Brick will invite one of history’s newest art forms to meet one of its oldest—and, through collaborations between visual and dramatic artists, the form and content of comics will collide with the content and form of theater to create strange new hybrids across both media. (READ MORE.)
Although not officially open until Fall 2011, ROULETTE BROOKLYN will open its doors this June for a two day John Cage MUSICIRCUS as part of the Atlantic Avenue Art Walk!
A carnival of all things experimental, the Roulette Brooklyn MUSICIRCUS brings a cornucopia of musicians, dancers, video artists, and performance artists from all corners of New York City’s artistic community together for a celebration of chaos and and the harmonies of simultaneity. (READ MORE.)
Contributor and cohort Jeff Burns first film, That’s Beautiful Frank, is about to get it’s sea legs! Starring Edgar Oliver (also one of this issue’s 22) in the lead role (Francis Eugene Carroll), TBF is a futurist thriller full of intrigue, romance, and barking girls.
Check out the Trailer!
From the director~
We are really happy to kick off this site and share with you some fun glimpses of our new Futurist-comedy-thriller ‘That’s Beautiful Frank.’ You can find a description of the film here and for the shorter explanation take a look at our teaser trailer.
Pretty soon we will have more video clips for you to sink your fanged eyes into, so please keep checking back for more.
On this blog we will keep you up to date on screenings, events, and festivals along with breaking news from our cast and the Futurist art scene. If anything pops in your head feel free to give us a shout, and with your permission we would love to add you to our mailing list of upcoming events. Make sure to look for us on facebook, and if you happen to be a user of YouTube or Vimeo we’d love to meet and greet you there as well.
I will leave you with the disclaimer written by the editors of the French paper Le Figaro that prefaced the publication of Marinetti’s Futurist Manifesto in 1909:
“Mr Marinetti, the young Italian and French poet, a remarkable, hot-blooded talent known throughout the Latin countries by virtue of his resounding public appearances . . . is solely responsible for the ideas [expressed in the manifesto], which are singularly audacious and exaggerated to the point of being unjust to certain eminently respectable and – fortunately – generally respected matters. However, we thought it interesting to offer our readers the first edition of this publication, whatever opinion they may form of it.”