Jessica Rath: Take me to the apple breeder
Jack Hanley Gallery
August 09 – 31 2012
MY LOVE FOR YOU BURNS ALL THE TIME
348 South 4th
August 11-August 30
MY LOVE FOR YOU BURNS ALL THE TIME transforms the Packard Plant, Detroit’s notorious post-industrial behemoth, into a series of silver-plated fragments of a monument in miniature. Let’s call it Pirnanesian bling. Measured, documented, reconstructed instances suspend the ever-shifting site into a series of precisely scaled replicas of ruination. Some focus on the buildings’ acclaimed iconography: the water tower, the Grand Boulevard bridge. Others preserve unexceptional examples of architectural obsolescence: a reinforced column, a typical façade, an elevator shaft. Suspension here is a devise in the production of fetish-worthy fantasy, allowing an interminable return to an image of degradation that no longer exists in the material world. The copy, consequently, is rendered more auratic, more titillating.
Grand Central Library’s first Comic Extravaganza
Grand Central Library
Saturday, August 11
Do you sometimes wonder where all these superhero movies come from? Are you new to comics or a lifelong fan? Join us for a celebration of all things comic and super! (super hero, that is).
11:00 am – Toon Town: Comic Books and New York City by Kent Worcester
12:30 pm – Manga drawing instruction with Ivan Velez
2:00 pm – Comic Trivia with Geeks Out
4:00 pm – Comics Panel, featuring Marvel writer Greg Pak and Marvel editor Daniel Ketchum
My Name Is New York: Ramblin’ Around Woody Guthrie’s Town
Guided conversation on the history of folk music through Woody Guthrie’s New York with Anna Canoni (Granddaughter of Woody Guthrie and researcher / licensing for “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”), Tiffany Colannino, Woody Guthrie Archivist and Assistant Producer of “MY NAME IS NEW YORK: Ramblin’ Around Woody Guthrie’s Town”, and Dom Flemons, a member of Carolina Chocolate Drops.
Thursday, August 16
With vocal comparisons to Nina Simone and a musical style that pulls from jazz, blues and country, singer/songwriter Dayna Kurtz has found her best success not in America but in Europe. Kurtz started out as a folkie, but has expanded her influences over the years, creating a sound that fits in best with an Americana umbrella.
29th Annual Roots of American Music Festival: Daniel Kahn & The Painted Bird/Taylor Mac/Swamp Dogg
Aug 12 at 1pm, 3pm, and 6pm (see full schedule)
Do politics belong in music? They sure do, especially when delivered as entertainingly as by this handful of radically independent singer-songwriters. Indie folk singer and activist Erin McKeown owes much to the topical songwriting of folk legend Tom Paxton. Bedazzled creature Taylor Mac and band perform selections of political songs from his upcoming 24-hour concert of the history of popular music. Daniel Kahn, whose Painted Bird has been called “the Yiddish Pogues,” is to klezmer music what blues singer Pura Fé, founder of a cappella trio Ulali, is to Native American music.
House of Yes
Thursday, August 9th
Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.
August 9th, 8 pm – 11 pm
Join us for Shake In/Shake Out, a special performance art edition of our monthly potluck dinner and art salon. Starting in the kitchen at 8pm we will feast and then at 9:00 we’ll head to the gallery for performances, video art, and installations curated by Fluxers Ye Taik, Lehna Huie, and Lena Hawkins.
Dom Flemons and Boo Hanks
Music Maker Relief Foundation is pleased to announce the release of Dom Flemons’ & Boo Hanks’Buffalo Junction. This album is the result of a partnership between Piedmont-style blues guitarist Hanks and Flemons, who in 2011 won a Grammy Award and played the Newport Folk Festival with his group the Carolina Chocolate Drops. Hanks worked the tobacco fields near his Virginia home for the majority of his 83 years. In 2006 he began a partnership with Music Maker Relief Foundation that led to opportunities such as opening for the Chocolate Drops collaborating with Dom Flemons on their album, Buffalo Junction, named for Boo Hanks’ hometown. The album, which will be released June 19, 2012, features upbeat, country blues that crosses generational lines.
The World Beatbox Association presents:The 3rd Annual American Beatbox Championships
Le Poisson Rouge
Sun., August 12, 2012 / 6:00 PM
This year’s championship event will be presented over 2 days with the Grand Finals being held at Le Poisson Rouge as well as an opening night International Open Mic series at Littlefield performance arts gallery in Brooklyn. The event will feature beatboxers from across America with special showcases by reigning American champion J-Flo, three man ill, and Word of Mouth (Killa Beatz and Subconscious) of Toronto.
ALSARAH & THE NUBATONES
Friday, August 10
Fronted by Sudanese singer Alsaraha, the group plays what they call “Nubian Soul”: a selection of Nubian ‘songs of return’ from the 1970s to today with original material and traditional music of central Sudan and southern Egypt. Featuring Alsarah – Vocals; Karine Fleurima – Vocals and Keys; Haig Manoukian – Oud; Rami El Aasser – Percussion and Mawuena Kodjovi – Bass.
The Lost Circus
Saturday, August 11
The party, 9pm-late: Discover a circus long lost, with music from times gone by or times that never were: Amour Obscur (gypsy punk accordion vagabonds), Shayfer James (dark, danceable anthems of mischief), and Emperor Norton’s Stationary Marching Band (riotous steampunk brass). DJ Joro Boro bridges the dust of Burning Man with the sounds of a rogue Slavic circus.
The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues.
August 11 – September 08, 2012
Ryan Lauderdale, Owen Kydd, Ignacio Torres, Chloe Wessner, Constant Dullaart, Andrew Pomykalski, Juliette Bonneviot, Ann Hirsch, Kevin Kelly, Aude Pariset, Artie Vierkant, and Sarah Faux.
SIXTIES MUSIC/MEMORABILIA SHOW. RARE ’60S PSYCHEDELIC, ROCK & ROLL, FILM/ COUNTER CULTURE POSTERS, VINTAGE CLOTHING/JEWELRY /AUTOGRAPHS/ARTWORK/COMICS/MUSIC/ COLLECTABLE EPHEMERA, FROM THE “DECADE OF CHANGE” CELEBRATING PEACE & LOVE!, PLUS SPECIAL GUEST LEGENDARY GUITARIST GENE CORNISH FROM BK’S OWN ’60S MUSIC ICONS THE YOUNG RASCALS
Détournement: Signs of the Times
August 8—25, 2012
Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs
Other Mother Brothers
Cotton Candy Machine
August 10th to September 9th, 2012
Our next event is with three amazing NYC based artists, Jon Burgerman, Andrew Bell, and JK5 for the opening of ‘Other Mother Brothers’. Join us for a show filled with originals, prints, books, designer toys, apparel and more!
TERMINATOR TOO JUDGMENT PLAY
Aug 11, 2012
Get blasted by super-soakers! Witness the scorching of He-Man action figures! Be dazzled by James Cameron’s revolutionary action sequences and special effects… recreated LIVE (in true 3D)… with next to no budget at all! Think your Arnold Schwarzenegger impersonation is the best around? Here’s your chance to prove it. For each show, the role of THE TERMINATOR will be chosen from the audience… by the audience! Don’t worry, we’ll provide all of Arnold’s complex, important dialogue on cue cards.
AMPLIFIED QUARTET – Jeremiah Cymerman, Peter Evans, Nate Wooley, Matt Bauder
Thursday, August 9, 2012 @ 8:00 pm
Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.
RUFUS CAPPADOCIA’s ROOTS QUARTET
Thursday, Aug 9
The cellist draws from “the similarities between seemingly diverse music forms such as blues, Sufi, Middle Eastern and even Gregorian chant.”.
FOUR TOURS : AUGUST 12, 18, 19 on GOVERNORS ISLAND
PROGRAMS MEET AT STORM KING’S VISITOR CENTER
AUGUST 12, 18, 19
In honor of the 25th anniversary of Socrates Sculpture Park, founded by Mark di Suvero, four artists who have exhibited at Socrates — Janelle Iglesias, Jory Rabinovitz, Rob Swainston, Lan Tuazon — will lead workshops and tours of the di Suvero exhibition and relate the exhibition to their own artistic practices.
The Secret Science Club presents Shark Mania! with Marine Biologist Hans
Thursday, August 16
The Bell House
Shark researcher Hans Walters of the New York Aquarium discusses his wet-and-wild work tagging and tracking sharks and curates a live-screening ofGreat White Highway, a new documentary debuting on Discovery Channel’s Shark Week that follows marine scientists as they pursue the mysterious migrations of great white sharks(Carcharodon carcharias).
Poetry from the Rooftops: Aracelis Girmay, A. Van Jordan & Tom Sleigh
Thurs., August 9, 6:30pm
The Arsenal Building in Central Park, 64th Street at 5th Avenue, NYC
Join us on Thursday, August 9 at 6:30pm for the third Poetry from the Rooftops of 2012. Aracelis Girmay, A. Van Jordan & Tom Sleigh will read from their work.
DAVID ULMANN QUINTET. CD Release Party for “Falling”
Tuesday, August 14
David’s debut album, Hidden, was released in 2005 and was called ” an exciting record that reflects restless creativity.” by All About Jazz. David also composes music for film, most recently completing the score for “The Happy House,” a feature filn by D.W. Young. David’s first film project, Atsushi Funahashi’s “Echoes,” was well received by critics and film festivals, winning three Jury and Audience Awards at Annonay International Film Festival in France and the High Hope Award at the Munich International Film Festival.
With David Ullmann – Guitar; Chris Dingman – Vibes; Karel Ruzicka Jr. – Sax; Vinnie Sperrazza – Drums and Gary Wang – Bass.
Karen Marston: New Paintings
Livable Streets: Queens Style!
Deep In The Cut@ Mighty TanakaRoom No. 5 Circle of Arts and Pablo D’AntoniPolished work by artist Paul Catalanotto
The Post-Olympic City
Die Roten Punkte w/ special guest Jessica Delfino
Our Lady J
BEE AND FLOWER are playing with friends BARBEZ and ULRICH ZIEGLER
By Robert Herbert
Buzzard pecks the glass pane that frames outsides.
He is pretty pissed about something.
I let him in, he beaksnaps my smoking jacket.
“Say something, you stupid bird, bogle me
less at such an hour as this, the gay sun
is still to galivant this way and you
should be nesting.” He perches on the shelf
for the poetry books and squawks, livid,
stomping now like a trooper. I could kill
him, and as I guage this ill, it becomes clear,
he is comparing the vague emptiness
of my bookshelves to a totalitarian regime.
He wants me to flail freestyle for freedom,
to scorn my propaganda in a false past,
to write better poems, that maybe outlast
links I like, I post, on Facebook, about David Graeber.
Every Exit is an Entrance: 30 Years of Exit Art
Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.
LIVE from the NYPL: ROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber
Friday, September 30, 2011 7:00 p.m.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Organs in The Snow
Opening Reception: Sep 30, 8-11pm
A Group Show and Story by Rachel Mason
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
she is petulant; partly,
of feathers, even after
the mourners come and go
stand on a man’s legs,
and bathe in the water
this is what they told her
in the backyard that day, full
of professional mourners
that come and go
they are thick, floating
on webbed legs,
and still, there is writhing
bergamot, rosemary, rose hips
set to lips, white-washed
to kiss her through netting,
but, to catch a bird,
that is the real feat.
Stephanie Valente lives in New York. One day, she would like to be a silent film star. Her work has appeared in or is forthcoming from dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at http://kitschy.tumblr.com
Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).
Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.
$10 w/ Student ID
This is a first-come, first-served partially seated event. Seating is limited and not guaranteed; please arrive early.
Search & Restore and BoomCollective are proud to present another even of Undead Jazz, featuring two of our favorite groups. It is going to be unreal. Todd’s band will include the magnificent Andrew Bird on violin, and the rest of the cast of characters are listed below. GET ‘EM!
TODD SICKAFOOSE’S TINY RESISTORS:
John Ellis (sax & clarinet)
Alan Ferber (trombone)
Andrew Bird (violin & looping)
Steve Cardenas (guitar)
Jonathan Goldberger (guitar)
Ted Poor (drums & percussion)
Todd Sickafoose (bass & piano)
MARY HALVORSON TRIO:
Mary Halvorson (guitar)
John Hebert (bass)
Ches Smith (drums)
10PM – Bassist/composer Todd Sickafoose’s band is a marvel of musical cross-breeding, pairing indie rock muscle and whimsy with the extended forms, timbres, and sophistication of a jazz orchestra. Their newest recording “Tiny Resistors” (Cryptogramophone) has been called “thoroughly original, endlessly creative…one of the year’s most compelling listens” (JazzTimes), “stunningly brilliant…a modern jazz masterpiece” (Bassplayer), and “a one-disc explanation of why today’s Brooklyn jazz scene is so exciting” (HotHouse). A Bay Area native, Sickafoose’s penchant for genre-bending may or may not be attributible to a classical upbringing, CalArts years studying bass with Charlie Haden, or the last seven years with folk hero Ani DiFranco, performing as a duo and quartet everywhere from punk clubs to Carnegie Hall. Since 2005, he’s been active in New York, performing with a ton of innovative folks including Jenny Scheinman, Ron Miles, Nels Cline, Allison Miller and Myra Melford. For tonight’s special performance, Tiny Resistors, which features saxophonist John Ellis, trombonist Alan Ferber, guitarists Steve Cardenas and Jonathan Goldberger, and drummer Ted Poor, will be joined by special guest violinist (and whistler) Andrew Bird. (READ MORE.)
Joshua Liner Gallery is pleased to present White Flag, an exhibition of new paintings by the Los Angeles-based artist Cleon Peterson. This is Peterson’s first solo show at the gallery.
If the title of this new body of work suggests a surrender, it’s not the conventional sort. Known for his depictions of graphic violence and depravity, Peterson’s dystopian art rips the lid off of accepted social decorum to unleash aggression and other pent-up impulses. As figures torture, maim, cut, and abuse one another, a surrender to the worst in humanity is staged on the surfaces of the artist’s work—here, it can be safely, cathartically, and even aesthetically enacted. (READ MORE.)
Joshua Liner Gallery is pleased to present Memento Mori, an exhibition of new paintings by the New York-based artist Tat Ito. This occasion marks Ito’s solo debut in New York, and is his fourth appearance in shows at the gallery.
Tat Ito was born and raised in Japan, but he later made his art studies in the United States. Consequently, the artist and his paintings are a dynamic confluence of East and West, traditional and contemporary. The poetic analogy of “oil on water” describes Ito’s approach to both imagery and cultural references; in his vibrantly colored work, traditional Japanese aesthetics are a foundation upon which floats a contemporary (i.e., Western-influenced) viewpoint. Like a skim of oil on water, the beautiful, reflective surfaces of his paintings fascinate viewers. These top layers never mix but, rather, are presented in dialogue with the substance beneath. (READ MORE.)
Cao Fei: Play Time @ LOMBARD FRIED
May 18- June 25, 2011
Mat 12 6:00pm-8:00pm
Play Time by Cao Fei, one of the key artists of the new generation emerging from Mainland China, will open at Lombard Freid Projects on Wednesday May 18th 2011.
For her fourth solo exhibition at Lombard Freid, Cao Fei’s recent exploration into the theme of “play” has multiple connotations; Play Time is layered with ambiguities. Does it relish a time of game planning and exhilaration, or an onstage performance? This exhibition leaves viewers with no clear-cut answers, but rather with ideas and associations of different dimensions.
Following her powerful and widely influential RMB City Series (2008-2011), Play Time returns to Cao Fei’s previous interest in the convergence of fantasy and reality and premieres her latest works. She continues to utilize different types of media including video, photography and sculptural installations that evoke childhood games, story telling and TV programs that have a profound influence on children. (READ MORE.)
EXIT ART: OUTER SPACE BENEFIT AUCTION
Wednesday, May 18, 7:30-9:30PM at EXIT ART / LIVE AUCTION 8:15PM
475 10th Ave at 36th Street
CLICK HERE TO VIEW AUCTION CATALOGUE
CLICK HERE TO BUY TICKETS
Thursday, May 19, 6 – 9 PM