THE WEEK/WEEKEND: Nov 15th-21st.

 

SANDY FUNDRAISERS: 

WAW CLOSING AND SANDY FUNDRAISER
FLAVORS / SANDY RELIEF FUNDRAISER
Sandy Hates Books Hurricane Relief Fundraiser
Foley Gallery presents #SANDY
THE SECRET CITY: ANCESTORS AND 3rd ANNUAL FOOD DRIVE
QMA ROCKAWAY FUNDRAISER
WHITE BOX FUNDRAISER (RED HOOK)
House of Yes
Jalopy Theatre And Friends Present: A Benefit to Restore Red Hook-Starring Rosanne Cash at THE BELL HOUSE
New Amsterdam Headquarters Fundraiser
Soup Bowl Fundraiser at EAT (Greenpointers)
THE KITCHEN: FUNDRAISER
Donations for Printed Matter

MORE EVENTS:

Kid Koala 12 bit Blues Vinyl Vaudeville
Music Hall of Williamsburg
Nov 21st

KID KOALA presents 12 bit Blues! The VINYL VAUDEVILLE TOUR To celebrate the release of his new album ’12 bit Blues’ featuring KID KOALA and HIS INCREDIBLE DANCING MACHINES! And introducing kid k’s very special guests: ADIRA AMRAM AND THE EXPERIENCE (NYC)

Calico Presents “Bad on its Own”
Calico (67 West St)
November 16 – December 2, 2012

Technically, a tree falling in the woods doesn’t make a sound unless the resonance has an eardrum to bounce off of – an argument that only stands under the assumption that the “anyone” in the famous question is a human being. Yet the crash displays independence even within its own nature. The tree falls despite our ears and despite its own roots.Art also provides an example of an imaginary sentience, and “Bad on its Own” is a particularly mischievous one. Pairing the malleable found textile patterns of Amanda Browder with “nature” paintings by Martin Esteves, the show demonstrates a pretend awareness through a more puckish spite; but art isn’t actually aware of itself, so the line treads wearily between a straight face and a smirk. Browder’s oversized installations create optical hallucinations from the simplest found sources. Her materials have been freed from all practical intentions and aren’t afraid to let you know it. Esteves’ paintings highlight the fact that nature is mean spirited already, regardless of human interferences such as greenhouse effects or global warming. Both artists’ mix of beauty and farce are what gives this show its title. The word “Bad” here means an intentional state.

Ethan Lipton & His Orchestra/Sven Ratzke with special guest Joey Arias/Alice Smith
Joe’s Pub
11:30 PM – November 16 

There comes a time in every artist’s life when they have to step into the spotlight on their own terms. For Janet, it was about Control. For Prince, it was about Emancipation. But for Alice Smith, it’s the art (and hard-won battle) of simply being herself. The NYC-bred singer/songwriter/producer, known for her 4-octave vocal range and stunning stage presence, made a name for herself with her critically-acclaimed 2006 debut album, For Lovers, Dreamers & Me, released on BBE Records. At the time, her artful blend of bluesy, soulful vocals and mid-tempo grooves garnered a passionate following that packed venues like NYC’s Mercury Lounge and Joe’s Pub, while Vibe Magazine gushed that her sound “evoke[s] Fiona Apple’s finest material.” Her single “Dream” was nominated for a Grammy Award in the Best Urban/Alternative category.

DREW CONRAD, AIN’T DEAD YET
Fitzroy Gallery
November 15, 2012 – January 20, 2013

Jeffrey Gibson
Marc Strauss
November 18 – December 23, 2012

Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, England and elsewhere. He is also a member of the Mississippi Band of Choctaw Indians and half Cherokee. This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.

SUGAR presents: Expressly Physical
449 Troutman St. #3-5, third fl. buzz #21
opening reception: Sunday Nov. 18th, 4-7pm

The Bunker (Untold/Bryan Kasenic/Nihal Ramchandani)
285 Kent
Saturday, Nov 15

Jack Dunning’s production work as Untold has reinvigorated the climate of dancefloors around the globe. Through his work with Hessle Audio, Clone, R&S and Hotflush, Dunning elevated dubstep to uncharted territories, combining it with grime, jungle and more recently techno. A lot of his music is truly alien and doesn’t really easily fit into any of these categories. Through his label, Hemlock Recordings, he has continued this pioneering role – discovering James Blake and releasing groundbreaking work from Ramadanman and Breton. Untold recently releasing his most comprehensive work to date – the three part EP “Change in a Dynamic Environment” (which you can hear in full on his Soundcloud). We’ve been eager to bring back Untold ever since he played the set of the night at the fist Bass Mutations at The Bunker at Unsound Festival New York back in 2010.


Mind Over Mirrors + Miguel Gutierrez

Fri, November 16, 2012 – 8:00pm
Actors Fund: 160 Schermerhorn Street, Brooklyn

Mind Over Mirrors, AKA Jaime Fennelly, performs with dancer and musician Miguel Gutierrez as part of Fennelly’s two-night residency at ISSUE Project Room. After four years of constant collaboration, trans-continental performance, cohabitation and detritus exorcising from 2001 – 2004 as their duo Sabotage and the early formative years of The Powerful People, this evening marks the first time Fennelly and Gutierrez have performed together in over eight years.

THE LITTLE TOP CIRCUS & MEDICINE SHOW/HEART OF DARKNESS W/GREG BARRIS
Union Hall
Sat, Nov 17

Calling the low, the weak, and the ungodly! Calling the faithless, the mentally infirm, and the spiritually bereft! This is the end of days and that rumble in the distance is the wagons of The Little Top Circus & Medicine Show, rolling into town to save your sad sinner’s soul. Led by the evangelically infamous Good Reverend Doctor Professor Elucius Clay, this band of befouled lowlifes will horrify (watch as Stitch the Geek mutilates his own flesh!), flummox (recoil at Bobby Phobia’s feats of physiology), mystify (witness the Good Reverend’s holy fingersmithery, learned unto him in the Orient!) and titillify (surrender to the undulant charms of burlesque!), all to the blood-stirring sounds of musicianers Doc Minch, plus Ratty Mousebites & Miz E of The Hot Sardines.

The Poetry Brothel’s 327th Annual Masquerade [Rescheduled]
The Back Room: 102 Norfolk Street
Nov 18th

Guests are encouraged to come in disguise and inhabit an alter ego. Featured readers include Ariana Reines, Dorothea Lasky, Jennifer Tamayo, and Angelo Nikolopoulos! Other poetry whores include Will Brewer, Seth Oelbaum as Reinhardt Gobbles, Carina Finn as Cherry Cherie, Lisa Marie Basile as Luna Liprari, Meghann Plunkett as Echo Rose, Lauren Hunter as Harriett Van Os, Alyssa Morhardt-Goldstein as Elka, Rachel Herman-Gross as Simone, Rachel Boyadjis as Cosette Chapiteau, and Evan Burton as Buster Van Orson The night will include burlesque performances by Moxie Sazerac and Luna Liprari, tarot readings by Robert Cunningham, body painting by Liz Belomlinsky, sleight of mind performances from Who Is Cooper, AND we’ll enjoy live music by Karen Marie Richardson, better known as Stella Sinclair of Punchdrunk’s Sleep No More.

Short & Sweet: The Brooklyn Filmmakers Collective
Union Docs
Sunday, November 18 at 7:30pm

The BFC will present a night of short films by its members.  Diverse skill sets and wide interests converge at the collective’s weekly meetings, where members present works-in-progress to receive feedback and criticism from their peers.  Beyond the workshops, members share resources, ideas, gear, and crew-power.  The collective is also excited to present the Brooklyn premier of Alex Mallis’ short documentary, Spoils: Extraordinary Harvest.

My Ideal Bookshelf by Jane Mount and Thessaly La Force
Powerhouse Arena
Nov 16th

PowerHouse Arena celebrates the launch of My Ideal Bookshelf and presents an exhibition of prints from the book, which will be displayed on the Arena walls. Writer Thessaly La Force interviewed dozens of prominent artists, writers, chefs, and thinkers, to create this loving homage to book collecting illustrated by artist Jane Mount.

Perpetual Recombination : Ian Trask Solo Exhibition
Recession Art
OPENING, Saturday, November 17, 6–10pm

In Perpetual Recombination, Recession Art’s  featured artist Ian Trask presents a collection of sculptures that visualize an evolved interplay between concept, material and technique.  The show’s title refers to the exchange of material between chromosomes during meiosis (cell division) and the resulting recombination of maternal and paternal DNA, a process that perpetuates genetic diversity of species and biodiversity of ecosystems.  By analogy, this body of work represents nearly a decade of creative evolution.  The combinatorial potential between the materials Trask collects and the processes he applies over time generate an elaborate diversity of forms all descended from a fundamental intuitive origin.

PEPPE VOLTARELLI: THE JOURNEY, THE FATHER, THE MEMBERSHIP”/TARRAS BAND
Barbes
Sat 11/17

Based in Bologna, Italy, Peppe Voltarelli was the leader of Calabrian folk rock group Il Parto delle Nuvole Pesanti. In 2005, he starred in the cult movie “The true legend of Tony Vilar” about the search for an argentinean-Italian singer, and then embarked on a solo career, using his dual background as musician and performance artist. His new show is a look the Italian heritage through songs that shaped the global Italian identity and Peppe’s own career.

First Look: Aboveground Animation
New Museum
11/17

Artist and curator Casey Jane Ellison will present twenty short-form animations from Aboveground Animation, the online archive and roving exhibition platform she founded in 2008. The screening is staged in conjunction with First Look, the New Museum’s Digital Project series—through which a selection of animations from Aboveground Animation, exploring 3-D renderings of post-human forms, premiered in October. For this screening, Ellison will present a more expansive selection of Aboveground Animation. Made by an international group of emerging artists, the featured works take up a variety of themes and concerns, and exhibit original approaches to hand-drawn and stop animation, as well as employ new tools such as CGI. Following the hour-long screening, a discussion will be held with local artists Erin Dunn, Steve Emmons, Ryan Whittier Hale, Lauren Gregory, Rhett LaRue, Robert Bittenbender, Jacolby Satterwhite, Lale Westvind, and Ellison.

As Real As It Gets
ApexArt
Opening Reception: Thursday, November 15: 6-8 pm

Tell me about yourself, and you might mention where you’re from, the music you prefer, perhaps a favorite writer or filmmaker or artist, possibly even the sports teams you root for. But I doubt you’ll mention brands or products. That would seem shallow, right? There’s just something illegitimate about openly admitting that brands and products can function as cultural material, relevant to identity and expression. It’s as if we would prefer this weren’t true. (But we know it is: Tell me about a neighbor, co-worker, someone you met at a party, and it becomes far easier, convenient, maybe even necessary, to situate that other person within branded material culture.) The underlying discomfort is something I’ve noted over many years spent writing about brands and products. One reader comment clarifies the dilemma. In a column about products and companies that exist only in the fictional worlds of books and movies, I categorized such things as “imaginary brands.” Harrumph to that, this reader replied: All brands are imaginary.

Roman Tragedies
BAM
Nov 16—Nov 18, 2012

Visionary director Ivo van Hove transforms the BAM Howard Gilman Opera House into a modern-day Roman amphitheater with this interactive, hyper-modern take on Shakespeare’s powerful trilogy about the use and abuse of power: Julius CaesarAntony and Cleopatra, andCoriolanus. Staged as a single immersive experience, van Hove’s production turns audience members into the citizens of Rome, encouraging them to grab a drink during the action at the on-stage bar, push through the crowd to hear Marc Antony defend Caesar, or take it all in on giant video screens and tickertape news feeds.

THE SCREWTAPE LETTERS
Skirball Center
Nov 15-18

The magnificent theatrical adaptation of C. S. Lewis’ THE SCREWTAPE LETTERS returns to New York City starring award-winning actor Max McLean. THE SCREWTAPE LETTERS is a provocative and inspiring look at spiritual warfare from a demon’s point of view. Now in its third smash year, THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities.

HABEAS CORPUS
IF IT’S SO THEN LET ME KNOW / CHRIS FENNELL
Gym, Dear, Northwood, Twi the Humble Feather
Meta-Monumental Garage Sale
RADIO UNNAMABLE
Mickalene Thomas: Origin of the Universe
NOVEMBER OPEN HOUSE and SUNDAY SESSIONS
CONTINUUM: CAGE CENTENNIAL
American Landscapes
Surfaces, Supports. Tatiana Berg & Evan Nesbit
Katarzyna Krakowiak “Possibility 02: Growth, Part II”
Haik Kocharian CD Release
André Cypriano: Two Decades
Y? O! G… A [RESCHEDULED]
THOMAS BROADBENT
Fall into Frost : New works by Kelly Denato/The Dandy : New works by Julie West
R. SIKORYAK & NEIL NUMBERMAN CAROUSEL FOR KIDS!

Ital Tek Us Tour feat. Howse (Tri Angle) & Lamin Fofana (Dutty Artz)
Uncommon Ground: Alternative Realities (Forum Gallery)
IOVIS reading at Poets House

AFTERMATH (ARTIFACT)
DAVID GARLAND/GLENN JONES/C SPENCER YEH
ED RUSCHA
A CATHODE RAY SEANCE
THE MUPPET VAULT: THE MAN OF A THOUSAND MUPPETS
Lauren Elder
Ellipsis: Allison Somers
Bernadette 
Corporation
Lines of Sight: Readings of photography in fiction
Opening Reception for “On Purpose: Art & Design in Brooklyn, 2012″
Secret Keeper
Chavisa Woods author of Love Does Not Make Me Gentle or Kind with Steve Dalachinsky

CHRISTEENE
JOHN BLAKEMORE (KLOMPCHING GALLERY)

Renegade Craft Fair Holiday Market in Brooklyn
UP IN THE AIR: Antoine Rose
Melodie Provenzano “Rock Center”(Lyons Weir)
Jim Krueger and artist Zach Brunner (The High Cost of Happily Ever After) Book Signing
“How I Learned” Storyslam
NAOMI PUNK/G Green/Parquet Courts/Psychic Blood
Live Drone Performance w/Acupuncture

Devin Powers (Book Release and Artist Talk)
Repo: The Genetic Opera
From the Akashic Jukebox: Magic and Music in Britain, 1888-1978: Illustrated Lecture and Rare British Occult Recordings with Mark Pilkington of Strange Attractor Press
Echo Eggebrecht: Probably Science
Andrew Kalleen
talk: zoo-topia: zoo architecture as taxonomies of representation
Phutureprimitive, Space Jesus, Soulacybin
Trenton Doyle Hancock
BARE!
Tokyo 1955–1970: A New Avant-Garde

COMING UP:

PUPPET PARLOR goes $BUCK NAKED$
{RESCHEDULED} 25TH ANNUAL HILLA REBAY LECTURE: The Para-Architectural Imagination of Gustav Klutsis
Witnessing Human Rights: Past, Present, and Future
Aki Sasamoto’s Centripetal Run
Selected Shorts: Comedy
Laura Vitale: White Sands
DJ Shadow
An Evening with Joyce Carol Oates
Music and Copyright in the Digital Era: DAVID BYRNE in conversation with CHRIS RUEN
Building Stories: CHRIS WARE in conversation with ZADIE SMITH
Night Train with Wyatt Cenac

The Where, The Why, and The How: 75 Artists Illustrate Wondrous Mysteries of Science.

A rather beautiful art object (and read) from Chronicle books, The Where, Why and How: 75 Artists Illustrate Wondrous Mysteries of Science  brings together 75 artists with 75 academics and scientists to contribute short synopses of the mysteries of science including things like, “Are there more than 3 dimensions?” “Why don’t animals atrophy during hibernation?” “Do rogue waves exist?” and more socially prevalent questions like “What Causes Autism?” and “Is Sexual Orientation Innate?”  Each image is paired with an illustration or artwork by professional and emerging artists. Though not much variety in artistic styles, the penchant towards illustration was interesting and the design itself, done by ALSO (the designers of  The Exquisite Book and Drawn In) is truly impressive. Some of the standout pieces include John Hendrix, Lauren Nassef, Ben Finer, Dave Zackin, and Edie Fake.

Check out some photos below and pick up a copy HERE.

THE WEEKEND: May 4-6.

EDITOR’S PICKS:

The Birth of Public Speaking
http://thesupercoda.com/
05/05/2012-05/05/2012
7pm-

The Super Coda and Jason Anthony Harris team up to present a night of decadence, delirium, featuring artists from DC, also to celebrate Jason’s birthday! Performances by Public Speaking, Valerie Kuehne, Jon Mizrachi, Dead Beat Dad, Blue Sausage Infant (DC), Pilesar (DC).

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THE WEEK: APRIL 30-MAY 4.

 EDITOR’S PICKS: 

FULL LIST OF ALL MAY DAY EVENTS HERE.

May Day 2012
http://www.maydaynyc.org/
05/01/2012-05/01/2012
-

We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!

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THE WEEK: APRIL 9-13.

EDITOR’S PICKS:

Adam Rudolph – Go Organic Orchestra
http://roulette.org/events/shelley-hirsch-simon-ho-3/
04/02/2012-04/30/2012
8pm-

Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.

JAMES GODWIN LUNATIC CUNNING
http://www.dixonplace.org/index2.html
04/06/2012-04/21/2012
7:30pm-

A semi-autobiographical “mockumentary” from a puppetry and performance art pioneer. Lunatic Cunning mixes experiences from Godwin’s own life—such as his work with Julie Taymor on Across the Universe and appearances on Saturday Night Live, Chappelle’s Show, PBS and with Jim Henson’s Muppets. It’s a humorous examination of the occult roots of puppetry and performance art.

I T I N E R A N T Performance Art Festival
http://www.qmad.org/itinerant/
04/06/2012-05/04/2012
3pm-6pm

QMAD, Queens Media Arts Development, presents ITINERANT, a citywide festival for Contemporary Performance Art to be hosted at various venues in the five boroughs of New York City. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. Artists working in Contemporary Performance Art were selected to participate from an open call that attracted more than 175 local, national and international submissions. Forty five artists will be featuring new and existing works that explore the program’s theme over a period of 5 weeks starting on March 30th through May 5th.

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Free Friday: Tentacles Coloring Book from John Jennison.

This FREE FRIDAY comes to your courtesy of John Jennison and one of my favorite coloring books, “Tentacles.” Made up of the many limbed sea creatures of Jennison’s devising, “Tentacles” will help you reconnect with your inner (somewhat morbid) child. Check out more of Jennison’s work here (and don’t forget to grab a copy of his “adult” comic as well.)

To enter your name for the running you can do one of the following things:

1) Email the22magazine (at) gmail (dot) com and say “Enter me for free friday!”
2) If you see this post on facebook, like it or comment on it.
3) Leave a comment below.

THE WEEK: Dec 5-9.

MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

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THE WEEK: Sept 26-30.

LIVE from the NYPLROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber 
Friday, September 30, 2011 7:00 p.m.

Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years.  The conversation will be instigated by Paul Holdengräber.

Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.

This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center.  It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.

Organs in The Snow
Opening Reception: Sep 30, 8-11pm

A Group Show and Story by Rachel Mason

Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White

Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco

She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.

The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.

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