Legend Tripping at Masters & Pelavin Reception April 18, 2013; 6-9PM Masters & Pelavin invites you to join us for a group exhibition with works by Karl Klingbiel, Timothy Paul Myers, Cecilia Vissers, Peter Buechler, Steven Katzman, Norman Mooney, Vincent Valdez, Jeremy Harris, Tara Fracalossi, Jon Rappleye, Julia Randall, Ruth Hardinger, RAE, Cooper Holoweski and Charles Wilkin.
Smashed at Here (Arts Center): Apr 4-6 @ 7pm
Opera on Tap premieres SMASHED: The Carrie Nation Story, an absurd opera about drinking booze (and the people who don’t drink booze). VILLA DELIRIUM @Barbes: April 26th “Disturbed Songs for Disturbed Times” Villa Delirium combines eerie traditional folk songs of Germany, Ireland and the Balkans with murder ballads of the American South and heir own startling compositions. With Tine Kindermann – Voice, saw and violin; John Kruth – Voice, guitar, mandolin, banjo and flutes; Kenny Margolis – Accordion and keyboards; Steve Bear – Pots, pans and boxes and Doug Wieselman – clarinets and bass harmonica.
Hans Benda Something on Water: April 18 – May 25, 2013 Miyako Yoshinaga is pleased to announce Something on Water, the fourth solo exhibition of figurative oil paintings by German artist Hans Benda, on view from April18 through May 25, 2013. A reception will be held on Thursday, April 18 from 6 to 8 p.m.
Uncharted Waters: Friday April 12th Uncharted Waters: REVERSE 2013 is the inaugural exhibition of work by members of the REVERSE Artist Community, a select group of artists who feature regularly in its exhibitions and programming. Participating artists include: CHi KA, Melissa F. Clarke, Serra Victoria Bothwell Fels, Brandon Friend & Jason Douglas Griffin, Daria Irincheeva and Aleksey Yudzon
The adventures of alvin sputnik: Deep sea Explorer The Adventures of Alvin Sputnik: Deep Sea Explorer has been on a remarkable journey, touring worldwide and consistently attracting sold-out crowds, rave reviews and prestigious awards. The “ingenious” (The Guardian UK) one-man micro-epic puppet show melds technology and multimedia into a touching story of enduring love and the end of the world.
HEREart exhibit: A Marriage: 1 (Suburbia): April 23-May 4
Step into a double self-portrait steeped with the iconography of the American Dream in Nick Vaughan and Jake Margolin’s panorama of visual and performative art, A Marriage: 1 (Suburbia).
A Steady Progress of Nothingness / Basim MagdyatNewman Popiashvili
Newman Popiashvili gallery is pleased to present A Steady Progress of Nothingness, the third solo exhibition at the gallery by Egyptian artist Basim Magdy. The artist will present a film, a slide projection and paintings. Magdy’s titles for his works and exhibitions always play on the idea of human achievement through the ages, but hints at the ultimate failure that occurs with each generation. Highlighting this idea in My Father Looks For An Honest City, 2010, Magdy asked his own father to reenact Diogenes of Sinope’s philosophical statement of carrying a lamp in daytime. Diogenes, who was one of the founders of the philosophy of cynicism, was most known by his repeated act of carrying a lamp in daylight supposedly “looking for an honest man.”
OLD-FASHIONED PROSTITUTES (A TRUE ROMANCE) @ The Public Theater April 30-June 2, 2013 Snapshots from an enigmatic fairy-tale in which Suzie, the elusive coquette, brings Samuel to his knees – from where he worships a life he only half understands. OLD-FASHIONED PROSTITUTES (A TRUE ROMANCE) is an expressionistic chamber-play that twists emotional heartache into a landscape of continual mental invention, marking the return to theater of a celebrated artist whom TheNew York Times has dubbed “the Godfather of the American avant-garde.” Presented in association with Ontological-Hysteric Theater.
PEN World Voices: An Evening with McSweeney’s @Joe’s Pub Join us for a celebration of the art of translation. McSweeney’s contributors will read excerpts from their translations in McSweeney’s Issue 42 –an ambitious experiment which took twelve stories through six phases of translation of a variety of languages, granting each translator a liberal creative license to change the story at will.
Above: Dan Domingues as Aden and Amber Williams as Ana
How to Break, HERE’s most recent production, centers on the revolving story of a doctor, 2 patients (one with leukemia, the other with sickle-cell anemia) and a well-meaning artist in residence at a hospital. The show, while focusing on hip-hop, freestyle culture, more complexly focuses on the decision facing a person, particularly a young person, with a fatal disease and a moment of “breaking” for both strength and freedoms sake.
The show itself is incredibly well suited for adolescents (highly recommend for high school classes,) slightly dull at times for the older crowd, but Jafferis writing is fast paced, funny, if never completely emotionally raw. Part of this may be the nature of utilizing freestyle throughout the piece. While this is definitely a central component in understanding a big part of the “break” of the piece, at times it makes difficult moments funny or more lighthearted than necessary. For anyone who has had, or known someone with cancer, you can’t help but wonder when the true “break” is going to happen and think that when it does…it’s probably not going to rhyme. That being said, grain of salt included, we all cope in our own ways and Christopher V. Edwards says in the director’s note “Everyone involved in the initial collaborative process has been inspired by hip-hop. Some of us breathe it and eat it for breakfast….” so it’s hard to fault her for utilizing freestyle throughout the piece that is based on it. Likewise, the age of the patients also make the flirtatious insult on the playground behavior more realistic and the piece itself, written in part by actual hospital patients through the Mixing Texts Collective project, does speak to Jafferis claim to portray “breaking” as “inspiration, courage, and possibility.”
The standout actors included Dan Domingues and Amber Williams who portray both the over involved doctor (a bit of a fantasy no doubt) and leukemia ridden Ana, popper, design student, and love interest of Joel played by Perdro Morillo, a professional break dancer who is admirably comfortable in his first acting role.
The set, a series of medical curtains that range from translucent to opaque were used to highlight the beatboxer Yako 440, playing a nurse character who provided beatbox accompaniment (written by Adam Matta) and sometimes comic relief, as well as the canvas for graffitiesque sketches. Yako 440 definitely could have been utilized more fluidly with the other characters on stage. One of the most interesting moments comes at the start of the play when he tells Ana to “breathe” into the microphone and creates a series of loops from it. And while the setup was interesting and the cast navigated the curtains flawlessly, the opening and closing did at times get distracting. Likewise one wanted to see more physical moments to accompany the soundtrack which was often lost behind the curtains.
Overall this piece feels like a very dynamic moment set within the context of a beautiful but sometimes misunderstood artistic culture, as well as the experience of facing mortality head on. What is lacking is visceral emotion, is often made up for in surprising moments of writing and acting, and it’s this combination that speaks to the strength of the creators and the cast.
Their sound is a re-invention, a nostalgic throwback to a time and place mostly imagined where Peruvian waltzes, Andean huaynos and Cuban Guajiras mix with French opera, Cowboy tunes and Bollywood classics. The result plays like a dreamy soundtrack with classical harmonies set to a Latin beat. Their new album, Ziguala is an attempt to imagine what a pop record would sound like had the global Latin influence which was so prevalent until the early 60′s had continued its course without interruption. The tracks on the album are re-interpretations of songs from Spain, France, Peru, India, Mexico, Greece, Venezuela, Colombia and Naples. Ziguala is not so much a latin record as it is a pop record that uses a latin vocabulary. Think of it as the opposite of Rock en Español, itself a Latin genre which uses a rock vocabulary.
Barnes & Noble, Inc. today announced the next edition of “Upstairs at the Square,” described by Daily Candy as “an awesome literary salon on a date with an intimate rock concert,” at the Union Square Barnes & Noble in Manhattan (33 E. 17th St.). On Thursday, August 2, at 7.p.m., Cheryl Strayed, author of Tiny Beautiful Things (Vintage Books, July 10) and Theo Bleckmann, whose latest album is Hello Earth! – The Music of Kate Bush (Winter & Winter, March 13), join Katherine Lanpher to discuss and perform their work. Admission is free, and no tickets are required.
Exploring the body as a conduit for transformation, Cori Olinghouse will present excerpts from her latest Ghost lines Project. Inspired by ghost towns, silent era clown films, voguing, and eccentric dance, the characters in Ghost lines conjure a vaudevillian past as traces – remnants; as if rising from the dust, transmitting signals of light and shadow.
Basak Yavuz is a Turkish-born, New York City based vocalist, composer and arranger. From modern jazz to minimalism, from blues and world music to chromatic harmony, her music is eclectic, heartfelt, and has the just the right amount of biting honesty. Her songwriting covers the full range of human experience; it can be fragile or aggressive, beautifully simple or deceptively complex, and always tells a compelling story. She recently graduated from Manhattan School of Music, where she studied with Peter Eldridge, Theo Bleckmann, and Darmon Meader, Dave Liebman and Phil Markowitz. She was the winner of the Nardis Jazz Vocal Competition in Istanbul, and has performed with her quintet in the Istanbul Jazz Festival twice. Her debut album is slated for release in late 2012, which will feature Peter Eldridge, Dave Liebman, and many other great musicians.
A high-energy multinational hybrid of North African grooves, Middle Eastern modes, and American funk fleshed out with oud, gimbri, strings, and percussion, Yemen Blues is led by the charismatic Israeli-Yemenite singer Ravid Kahalani and go-to jazz bassist-arranger Omer Avital.
M’lumbo is a 8-piece multimedia jam band that crosses the boundaries of electronic, psychedelic, jazz, and world music. At this special performance the long-running shadowy and semi-legendary eight–piece band will celebrate the release of their twelfth album ’Tuning In to Tomorrow’ with their special guestGrammy-nominated guitarist/songwriterGary Lucas ‘The thinking man’s guitarist’-The New Yorker. The band includes Rob Ray, Paul-Alexandre Meurens, Vin Veloso, Cecil Young, Dehran Duckworth, Jaz Sawyer, Brian O’Neill, Jarek Szczyglak and other suprises. Come experience the band live in rare form and be ready to party!
– the time has finally come to officially unleash Bassoon’s eponymous CD upon the world — join us for a killer show with venerable riff-contortionists STATS and equally dexterous bass-drum duo RADIATION BLACKBODY for an evening of intelligent ear damage –
Peter Stampfel & the Ether Frolic Mob consists of whoever is available and up for it whenever. Stampfel is performing. What is Ether Frolic? Ether Frolic is when ether came into use in the 19th century, it was widely introduced by Ether Frolics–a stage would be rented, the audience would be charged, the ’show’ involved people inhaling ether on stage and carrying on in a manner not common to 19th century behavioral norms.
Mostly Other People Do the Killing is a quartet founded on the idea that not only is jazz still alive and vibrant, but that it can and should be fun, engaging and thoroughly contemporary. Rather than settling into one style or historical period, MOPDtK fuses the entire spectrum of jazz and the various forms of improvised music it has spawned into a single, seamless melange of what they call “uber-jass.”
Bassist/Composer Ben Rolston brings his quintet to Cornelia Street Café to play music from his debut album Fables, released in April of 2012 on Envoi Recordings.
Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.
Bob Jones started his career as singer in his father’s church choir. He was Andy Statman’s guitarist in his legendary klezmer quartet and currently plays with Boo Reiners in the Plunk Brothers, with the Danny Kalb Trio and with many Old Timey and Bluegrass musicians in the city.
Jon Sholle is a guitarist who has worked with such musicians as Vassar Clements, Larry Campbell, Keith Carradine, Allen Ginsberg, and Bela Fleck. He was a member of the David Grisman Quintet and has also released two solo albums on Rounder Records.
Antipop Consortium is an alternative hip hop ensemble based in New York. Conceived in 1997 out of a series of daring collaborations at the “Rap Meets Poetry” sessions of the Nuyorican Poets Café, the group has developed a cerebral, visionary strain of hip hop that incorporates the fragmented rhythms of contemporary electronic music with the confrontational, interrogative stance of rap.
Nicky Da B is a new generation New Orleans Bounce artist who is coming into national prominence in the footsteps of Big Freedia. At 21 years old, Nicky has already shared the stage with all the legends of the Bounce community and has traveled with Rusty Lazer to New York for a run of amazing shows in January and March of this year, performing at Santos Party House, Brooklyn Bowl, Public Assembly and with luminaries such as Roxy Cottontail and many more.
What better way to celebrate the John Cage centenary than with postmodern sounds of silence? Composer Phil Kline (Unsilent Night) draws upon the words and voices of Jim Jarmusch, Philip Glass, Meredith Monk, Bill T. Jones, and La Bruja, among sixty writers, artists, and musicians, for a GPS-based work inspired by Indeterminacy, Cage’s collection of one-minute epiphanies. Use your smartphone and a free downloadable audio app to trigger sixty koans scattered around the Lincoln Center campus. A podcast version will also be available.
Joe Gallant’s 18-piece Illuminati Orchestra celebrates the 35th anniversary release of the Grateful Deads’ “Terrapin Station” album (on this very day!) with a groove-heavy set of bones-shaking Dead tunes and sonic surprises.
The East Coast’s premier animation festival returns for its ninth edition, showcasing international works, award winners, experimental shorts, computer animation, student films, local cartoons, a special Animation for Kids show, and much more. On Saturday, July 28th BAM presents an animation trade-show, plus an exclusive evening after-party at the BAMcafé, with standup comedy and live music.
Latin-Grammy winner Octavio Brunetti on piano; Machiko Ozawa, former concertmaster of Orquesta Sinfonica Sinaloa de Las Artes, on violin; and acclaimed composer/arranger Pedro Giraudo on bass. Together, these three awesomely talented virtuoso musicians capture the passion and excitement of Argentine tango in a repertoire ranging from traditional favorites, to contemporary interpretations. They have dazzled audiences in New York, Washington DC, South Carolina, Virginia, and in Tokyo, Japan, with an upcoming tour to Japan this August. This appearance at Joe’s Pub will debut their new repertoire, which they will feature on their tour and will be the basis of their next CD.
This exhibition showcases Biddle’s continuing interest in mixed media, with a twist of humor found in much of her work. Old wires, light bulbs, screws and other found objects protrude from holes in ceramic objects, while creature-like robots – strange, disturbing and endearing – appear in collages and drawings. Liberty is a contemplation of the present in the wake of 9/11. The Statue of Liberty itself simultaneously represents an overused icon and a diminishing concept. These works offer a means of viewing such images and enable reflection of our world, our nation, our politics, our person, our perspective, and our relationship to all. Mann’s large paintings in Root, created by combining chance stains with highly rendered decorative elements on oversized, un-stretched paper, function as human-sized portholes into a landscape alive with minute details, patterns and interlocking systems.
Vaudeville Park presents…Noir Night Come out to our 4th Installation of Noir Night, this Saturday at Vaudeville Park. Rare Noir Films & TV, Dark Synth Jazz, Bloody Red Cocktails, Free PopcornVillains of Vaudeville play sullen & dark synth jazz homages to Dark Shadows and Vertigo.
Seven in One Blow – 10th Anniversary Production! For the tenth consecutive season, Axis Company will present its winter show for children, Seven In One Blow, or The Brave Little Kid. Adapted from the classic fairy tale by The Brothers Grimm, this interactive play with music is conceived by Axis Company and directed by Randy Sharp featuring Axis’ signature blend of advanced technology and live performance. Children in the audience will be encouraged to participate in many of the Kid’s challenges with singing and organized “shout outs.”
A-Lab Forum: ARTE UTIL
centers around the works of artists whose practice involves social and political engagement. Through actions, performances, situations, and in may instances the reference to the object(s) , participating artists explore possible ways to bridge the gap between audiences and art experience. Taking as departure the notion of Arte Util (Useful Art), first introduced in the 1960’s , the forum will open the dialogue to offer a possible re-formulation of ideas behind artistic creation, aesthetics, alternative narratives, and public participation. Selected artists were invited to present their work and share their approach, ideas and experimentation with art that can be found in the streets outside the white box of a gallery or museum setting.
WILDLIFE: FETISH SHOW has the honor of hosting the absurdly lovely Monica Emmons of BDSquad-curated House of Fetish–a one night art exhibit exploring the fetishistic response and its ritualistic roots. Free Entry. $5 Open Bar (beer provided by Nock Brewery, among other options). expect magic.
TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.
OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.
TALK SERIES: Poetry After the White House Jam: A Panel Discussion on the nature and Role of the Avant-Garde This talk will focus on poets Alison Knowles (founding member of Fluxus) and Kenneth Goldsmith (Conceptual Writing figurehead) and their inclusion in the 2011 White House Poetry Jam. Specifically, thinking about Knowles and Goldsmith as “avant-garde” figures: whether there can be an avant-garde that is current and representative, and how that impulse affects/is affected by an institutional context such as the White House. Panelists include: Rod Smith,Sandra Simonds, and Steven Zultanski.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”
Things are about to get fun. We’ve finally finalized our list for Volume 2/11! We’ll be wrapping up our showcase of Volume One contributors as the new models roll off the line for Vol 2/II: Sign and Symbol. I love this part, two ships creaking and swaying, as they pass each other in the night, and I am particularly excited about the fresh perspective in our upcoming volume. Our mission remains a showcase of contributors and luckily this volume has a real kick to it. The combination of emerging and established talent is gorgeous and I can’t thank anyone or everyone enough for sending work in or for helping us develop the blog. For me, this project makes it feel like Christmas every day of the year. As always it is your support and talent that makes it worthwhile.
Here’s what you can look forward to!
September-December 2011 (Wrap of contributor showcase for Vol 1.)
November 1st, 2011 (CONTRIBUTOR REVEAL BEGINS ONLINE)
December 22nd 2011 (Vol 2/II: Sign & Symbol goes live online)
Early 2012 (Really exciting announcement about the future course of the 22!)
Parties and events come as they may, often without warning, so we’ll keep you updated in the next couple of months on your chance to celebrate with these amazing folks.
MoMA Premiere: Through the Weeping Glass: An Evening with the Quay Brothers September 24, 2011 As part of a limited three-city tour that includes premieres in Philadelphia and Los Angeles, MoMA presents the Quay Brothers’Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum), a new work by the American-born, British-based independent filmmakers. In the tradition of their prior museum documentaries—The Phantom Museum (2003), on London’s Sir Henry Wellcome Collection, and Inventorium of Traces (2009), on Poland’s Lancut Castle—the Quays return to the city where they began their education as graphic designers to explore the medical collections of the Mütter Museum, part of the College of Physicians of Philadelphia. Examining obscure archives, antique volumes, and artifacts, Through the Weeping Glass investigates marvels of pathology and anatomical oddities, finding poetry in the ill-fated, true-life stories of the “ossified man” Harry Eastlack and famed Siamese twins Chang and Eng Bunker. The documentary Behind the Scenes with the Quay Brothers, shot during production ofThrough the Weeping Glass, also premieres. Directors Stephen and Timothy Quay will be present to discuss the film with writer David Spolum and moderator Barbara London.
Three legends of the New York Underground combine forces for an evening of extreme improvised music. “The most important multimedia artist of our time,”(LA Times), Laurie Anderson is best known for her multimedia presentations and musical recordings that have challenged and delighted audiences around the world for more than 30 years. Tonight Anderson teams up with husband Lou Reed – arguably one of the most influential musicians in rock history whose band, the Velvet Underground, redefined the music of the late ’60s. Also joining them tonight is maverick composer/performer and godfather of the Downtown New York scene, John Zorn.
This updated version of the original deliriously madcap fantasy once again features the soaring song stylings of demented diva Joey Arias surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers under the direction of Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards in addition to some original tunes by Alex Gifford as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements.
It’s the 3rd Annual Manhattan Wonderwalk! Come join us as we stroll nearly the entirety of the great Island of Manhattan. We will visit familiar spots and little known pathways; we’ll see gorgeous public art and mundane displays of beauty. There will also be site-specific performances along the way. You may walk part of the way or all the way, just buy your map for $20, and you’ll be able to find us at any point throughout the day. (NOTE: tickets are $10 for Secret City members.)
Contributor Tobias Stretch is the featured artist for the month of August and his mad videos will make your summer all the sunnier, or demented. You decide.
THE 22 MAGAZINE: Where did you grow up and what lead you to pursue art and filmmaking?
Tobias Stretch: I grew up in the hills of northern Appalachia, northeastern Pennsylvania. I’m not sure if it was a choice that led me to art, but I feel like the world in my head had to be made real, otherwise I’d go mad. Art is like a pressure valve for me: once my head gets too full, I have to let out all the wild thoughts. It’s like opening the gate to let a pen full of acrobatic, rabid children roam about the countryside creating mayhem and beautiful chaos—much like nature.
22: You describe your work, using the words of Antonin Artaud as “a cinema which is studded with dreams.” Are many of your works dream-inspired?
An open, no-cover party at Screen Slate HQ featuring live music byStrange Rivals, DJing by Colin Beckett and Max Diamond and 16mm projections by Ryan Marino. Spirits available including beer lovingly provided by Brooklyn Brewery. 15 Bushwick Ave., 11211, two blocks from the Graham or Grand L stops in Williamsburg, Brooklyn.
In this workshop you will be introduced to the old world craft of Hatmaking. The skills involved in making a hat evolved in the 14th century and have hardly changed since. Participants will become familiar with all the basic tools, materials and terminology. Over the four classes participants will handblock a Panama straw hat, and learn to finish and trim it just in time for the Fall.
Interested in more project examples? Check out students work from the class on our tumblr. ENROLL.
Executive Producer – Chesney Snow Co-Founder/WBA
Co-Executive Producer – Kimberly Knox/ Ubiquita Worldwide
Executive Producer Co-Founder of WBA-Jim WildeSunday, August 14th 2011 at Le Poisson Rouge in New York City will see the undisputed Godfather of Noise Rahzel (the Roots) and Rakaa (DilatedPeoples) headlining the post-championship concert of the 2nd American Beatbox Championships. America’s top 16 beatboxers will battle it out live in an “8 mile style” beat down for the crown of America’s Best Beatboxer. Beatboxing’s finest will go mic to mic as Hasan Salaam and Eternia MC the evening with DJ Boo holding down the Red Bull decks alongside Colin Dean’s Roots & Grooves. (READ MORE.)
28th Annual Roots of American Music Festival (FULL SCHEDULE, VARIOUS LOCATIONS.)
ABIGAIL WASHBURN
SID SELVIDGE & SONS OF MUD BOY
SUN RECORDS ORAL HISTORIES Sat, Aug 13 at 2:00 Hearst Plaza Stage FREE
Clawhammer banjoist Abigail Washburn has emerged as a gifted singer-songwriter after perfecting the most unlikely of fusions—between Appalachian music and Chinese folk. Soulful folk-rocker Sid Selvidge’s astonishing voice takes the Memphis blues to another level, joined by Luther and Cody Dickinson, the sons of the influential late producer-musician Jim “Mud Boy & the Neutrons” Dickinson. Roots of American Music producer Spike Barkin starts the day with an onstage talk with the pioneering alumni of Sun Records, whose stories and recollections are a historical treasure trove.
Radio Happy Hour: The Final Episode August 12, 2011 Radio Happy Hour, the radio show not on the radio, has announced the end of their 2+ year run as the Village’s best variety show. After a US tour, appearances on public radio, feature articles in NY Post, Nylon, and many other places, the hit comedy show is ending its run. “Secretly, I was always surprised that anyone ever came to see a murder mystery on a fake radio show, or that anyone ever agreed to be on the show. Apparently, New Yorkers have a real appetite for idiocy,” says show host and head writer Sam Osterhout.
Please join us for the launch of the new web series “The Midnight Archives: Tales From the Observatory.” The series is the work of many time Observatory presenterRonni Thomas (Alias Ronni Raygun) of the IKA Collective and is centered around the esoteric and always exotic personalities that spring from the Brooklyn Observatory. It attempts to briefly document some of the truly unique people, talents and objects from around the world who gather there on a weekly basis. Mummies, Taxidermy, 18th century robotics, early French demonic 3d horror… its all here.
JAMES BROWN dance party w/JAMES CHANCE live and more @Zebulon Sat Aug 13
Williamsburg, Brooklyn – Zebulon (258 Wythe): James Brown dance party w/DJs Jonathan Toubin and James Chance plus a live performance by JAMES CHANCE AND THE J.C.’S (playing 2/3 James Brown and 1/3 Contortions songs! Supergroup featuring James Chance, Ivan Julian (Richard Hell and the Voidoids), Robert Aaron (avant-jazz legend who’s also played with everyone from B-52s and Blondie to Afrika Bambataa and Wu Tang Clan), Kim Clark (Defunkt and dozens of jazz projects), and Richard Dworkin [James White and the Blacks, Alex Chilton, etc), JAMES CHANCE SOLO, JAIL BAIT, and more at Zebulon…
AND ON SUNDAYNEW YORK NIGHT TRAIN’S DJ MR. JONATHAN TOUBIN! @ UNION POOL. August 14
Each Saturday in August join Brooklyn based artist collaborative Twig Terrariums as as they reveal their processes in creating small worlds within antique, vintage, and new glass containers.
Sol LeWitt knew that artists of many diverse types use simple forms to their own ends. Musician and multimedia artist, Morgan Packard believes that simple rules, when allowed to unfold, create the splendor of the world. In Euclidean geometry the simplest non-curved flat shape is the triangle, and the simplest non-curved three-dimensional shape is four triangles connected by their edges—the tetrahedron. In this crowd-sourced artwork the public is invited to create tetrahedrons from recycled office paper and a few pieces of tape while musicians perform. Under Morgan’s direction the participants will attach the vertices of the tetrahedrons to create a constantly expanding sculpture, filling the gallery with a geometric wonderland intersected by sonic vibrations.
InDigest 1207 Reading Series
InDigest also presents InDigest 1207, a reading series that takes place monthly in New York City and quarterly in Minneapolis. In addition to their own work, readers are encouraged to bring in something that has informed or influenced them in some way. The result is often funny, sometimes strange, but always interesting, showing us how we are all constantly influenced by what we see, hear, and read.
PORTAL: Perspectives on Video Performance Contemporary Video from Sydney @ Regina Rex. Friday, August 12th Curated by Janis Ferberg, organized by Stephen Truax
Portal is pleased to present a one-night screening of video works by Sydney-based artists engaged with performance mediated through video at Regina Rex in Ridgewood, New York.
This selection of work offers an alternative point of entry to the practice of performance, whereby video is used not as a medium for documentation, but rather as an end in itself.
Steve Bloom, Robert Gibbons, Judy Gorman, Sara Goudarzi, Kevin Keating, Gwen Laster, David Lippman, The NYC Metro Raging Grannies, Radio Noir, Mary Ellen Sanger, Secret Architecture, Jackie .Sheeler, Upsurge! & Angelo Verga. Festival Organizer: John Pietaro
Now a Manhattan mainstay, the Dissident Arts Festival was founded in upstate NY in 2006 with a primary goal of establishing an annual showcase of politically progressive music, poetry and performance art—perhaps the only such vehicle in the nation. This Festival has sought to bring together a wide variety of sounds and styles, tearing down boundaries, bending rules and infusing the arts with the strongest, most radical activism, where folk-protest song meets free improvisation and contemporary composition. Featured among our past performers and speakers were actor/raconteur Malachy McCourt, folk legend Pete Seeger, poet Louis Reyes Rivera, revolutionary hip hop group ReadNex Poetry Squad, protest/garage band The Last Internationale, labor luminary Henry Foner, topical singer Bev Grant, ‘anti-folk’ singer Lach, jazz artist Ben Barson and filmmaker Kevin Keating (“Giuliani Time”). And we presented tributes to Woody Guthrie, Paul Robeson, Bertolt Brecht and Phil Ochs along the way. As of 2010, the Festival became affiliated with NYC’s Brecht Forum, a center of Left education and culture which has proven itself the perfect host of the Dissident Arts Festival. This year, Dissident Arts focuses on the improvisational and modernist heart of Protest Music while also featuring topical folk/acoustic performance, radical film and revolutionary poetry.
FringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)
Sanda Weigl@ Cornelia St. Cafe. Saturday, August 13, 9:00 PM
OH THE SHARK HAS PRETTY TEETH DEAR, SONGS OF THE WEIMAR ERA Sanda Weigl, vocals; Anthony Coleman, piano
From Noam: The Noam Faingold Orchestra will play a set, then it’s members and some special guests will play contemporary chamber music by Jeremy Forbis, Jacob Druckman, Kurtag and others, and then we will play another set of Aleatoric pieces by Christian Wolff, Terry Riley, Louis Andriessen and others.
Saturday, August 13th
Noon through much much later…
$10 arrive before 3pm : $20 after
Sunday, August 14th
Noon through Midnight
$10 all day + Cheap Drinks
3rd Ward, Macro-Sea, Artists Wanted, TheDanger and Chashama have spent the past several weeks building out a fantastic oasis in the creative heart of Queens. A couple blocks from PS1, we are opening The Palms, a late summer ode to the Boca Raton Resort Pools of the 1940′s (with more music, spectacle and hedonism).
Director, producer, activist, musician and Academy award winning actor Tim Robbins was born in West Covina, California on October 16, 1958 and raised in New York City. He began acting in the early ’80s and went on to star in such films as Bull Durham, Jacob’s Ladder, The Player, The Shawshank Redemption, The Hudsucker Proxy and Mystic River. He won a Best Supporting actor for the latter, and was nominated for Best Director for 1995’s Dead Man Walking. In 2010, Robbins rleased his debut album, Tim Robbins & the Rogues Gallery Band, a nine-track collection of self-described “raggle taggle and rousing gypsy Americana,” produced by Hal Willner, which featured the talents of Kate St. John, Leo Abrahams, David Coulter, Roger Eno, Rory McFarlane, Andrew Newmark and Dudley Phillips.
The Center is pleased to continue its series of Art Study Tours. Class will be taught off-site, behind-the-scenes at various institutions, collections, and artists’ studios. This summer series will take advantage of the cultural resources in New York City and will focus on color and the uses and making of pigments. Consisting of 3 visits throughout the city this July and August, students may sign up for all three in the series or just for one class, each taking place on a Thursday afternoon.
LISTEN:
Illuminating Fashion at the Morgan Library and Museum. Visit this special exhibition and discover the uses of color in medieval manuscripts with an expert in the field, Karen Gorst. Drawn from the Morgan’s collections, over fifty illuminated medieval and Renaissance manuscripts and early printed books are featured in the exhibition. Join us and discover the difference between the depictions of contemporary fashions and the actual colors used in clothing of the time period. Students will discuss from a historical perspective the process of making paints and dyes. The exhibition will be used as a backdrop for a discussion on the different artistic techniques employed to produce the color in medieval manuscripts and on fabric from the medieval period.
Please join Asya Geisberg Gallery for the second annual Chelsea Art Walk on Thursday, July 28th from 5 – 8 pm.
At 6:15 pm we will host a wine reception and talk with the artists Thomas Bangsted and Allison Gildersleeve about the exhibition “The Woods are Lovely, Dark, and Deep”.
More than 125 galleries and institutions participating in Chelsea Art Walk 2011 will be open for extended hours, artist talks, receptions, and other special events to showcase the vibrancy of the summer arts scene in Chelsea.
works by: Jaq Belcher, William Betts, Omar Chacon, Freddy Chandra, Carlos Estrada-Vega, Kevin Finklea, Adam Fowler, Teo Gonzalez, Susan Graham, Rainer Gross, Jus Juchtmans, Aric Obrosey, Joie Rosen, Analia Saban, Fran Siegel, William Steiger, Lars Strandh, Barbara Takenaga, Bill Thompson, Heidi van Wieren, and Venske & Spänle
Margaret Thatcher Projects is pleased to announce the opening of w h i t e-h o t, an exhibition of works by 21 artists, co-curated by Erin Brown and Margaret Thatcher. The exhibition, which includes work in a wide range of media from artists both represented in the gallery’s stable and guest artists, explores the visual and ideological possibilities of the color white.
@ THE STONE
7/26 Tuesday (NYDS)
8 pm
Kamala Sankaram / Drew Fleming / Pat Muchmore / Jeff Hudgins
Kamala Sankaram (compositions, voice, accordion, electronics) Drew Fleming (electric guitar, voice) Pat Muchmore (cello, voice) Jeff Hudgins (reeds, voice)
The Summer Music Project: themes for imaginary cartoons, Bollywood noir, and other assorted weirdness.
10 pm
Miguel Frasconi and David First
Miguel Frasconi (glass, electronics) David First (guitar, electronics)
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Wednesday, July 27, 8:30 PM “MIKE + RUTHY’S FOLK CITY”:THE SILVER HOLLERS
Amy Helm, voice, mandolin; Elizabeth Mitchell, voice, harmonium; Daniel Littleton, voice, guitar; Byron Isaacs, bass; Ruthy Ungar, voice, fiddle
Opening Reception July 29th 6pm – 10pm
Gallery Open July 29th through July 31st
Painting: a process, a reflection, an expression.
With the series “Confluence,” Jess Hartely explores all-over abstraction. She begins her work by creating a series of thin layers from which the painting begins to emerge and take on its own form. Depth and color develop as the painting is built up with each layer. She uses masonite board because it resists the water and does not absorb it like canvas would. This extended period of fluidity allows her to explore risk and uncertainty. For Hartley, abstraction is all about the experiment. The work in this series is rooted in Hartley’s own imagination, but follows the rules of experimental process that she has developed.
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Series: Strange NYC History Lectures@ BB.
A Rite of Return
Wednesday, July 27, 7pm, $10/$8 BHS Members
Out of an anonymous 1870 pocket-size diary bestowed on historian Ben Feldman, a fantastic story emerged, and a 100-year old rent in the cloth of a family’s history was repaired. Feldman will share the tale of Henry Knight Dyer (1846-1911), Brooklyn born and bred, who rose from a modest Fort Greene home and his first job as an office boy in the Dennison Paper Products Co. to become president of that multi-national enterprise at the turn of the twentieth century. Dyer’s daily scribblings in a cheap paper volume, as a single 24-year old living in Brooklyn and working in lower Manhattan, inspired Feldman’s lengthy journey for the truth of this man’s life and his wife’s sorry end after less than a year’s widowhood.
PopRally invites you to Arcade, an interactive evening of games selected by Kill Screen and inspired by the exhibition Talk to Me. Guests can play games in a variety of spaces throughout the Museum and the Sculpture Garden, including Bit Trip Beat, Canabalt, Limbo, and a new motion-based Kinect project from Ryan Challinor and Matt Boch of Harmonix, creator of the hit music game Rock Band. Heathered Pearls (Ghostly International, ISO50) provides the soundtrack for the evening. more…
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BOMB Magazine: Issue 116
Wednesday, July 27, 6:30–9 PM The powerHouse Arena 37 Main Street, Brooklyn, NY 11201 Please RSVP: rsvp@powerHouseArena.com
Join the editors of BOMB Magazine and the contributors to the summer issue for an evening of readings, performances, and chilling out by the water in DUMBO. There will be raffles, poster giveaways, and other surprises!
Have a drink with BOMB staff and enjoy the literary stylings of writers Nicholas Elliott, Sarah V. Schweig, and Simon Van Booy. With a special theatrical piece directed by playwright and director Richard Maxwell starring Obie Award–winning actor Scott Shepherd.
Nicholas Elliott was raised in the Grand Duchy of Luxembourg and lives in Woodside, Queens. His plays have been performed in Luxembourg, France, and Denmark. He is a correspondent for French film magazine Cahiers du Cinéma and the company manager for the theater company New York City Players. His poems appear in BOMB’s summer literary supplement, First Proof.
Richard Maxwell is a playwright and director living in New York. He is the artistic director of New York City Players. A volume of his plays from 1996–2000 has been published by Theatre Communications Group. His most recent play, Neutral Hero, premiered in May at the Kunstenfestivaldesarts in Brussels and recently toured Europe. Maxwell interviewed actor Scott Shepherd for BOMB’s summer issue.
Sarah V. Schweig‘s poems have appeared in Boston Review, Painted Bride Quarterly, Western Humanities Review, and Verse Daily. She is a graduate of the University of Virginia and Columbia University, where her manuscript was recipient of the David Craig Austin Memorial Award. Her chapbook, S, is available through Dancing Girl Press. She lives in Brooklyn, New York. Her poems appear in BOMB’s summer literary supplement, First Proof.
Scott Shepherd is a New-York based actor. Most recently, Shepherd took on the roles of two characters in The Wooster Group’s production of Tenessee Williams’s Vieux Carré. His performance as Nick Carraway in Elevator Repair Service’s acclaimed Gatz, for which he delivered most of the narration in the nearly seven-hour production, earned him a 2011 Obie Award. Shepherd was interviewed by playwright and director Richard Maxwell in BOMB’s summer issue.
Simon Van Booy is a New York-based novelist and short-story writer born in London and raised in rural Wales. He has published two collections of stories: The Secret Lives of People in Love (2007), and Love Begins in Winter (2009), which won the Frank O’Connor International Short Story Award. He has also edited three books of philosophy: Why We Fight, Why We Need Love, and Why Our Decisions Don’t Matter. His novel Everything Beautiful Began After is just out from Harper Perennial. His conversation with author Siri Hustvedt appears in BOMB’s summer issue.
Founded in 1981, BOMB Magazine is celebrating 30 years of delivering the artist’s voice. Check out The BOMB Digital Archive at BOMBsite.com and don’t miss daily features about art, music, fiction, poetry, film, and dance on BOMBlog.
The Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum in Morristown, New Jersey is one of the finest collections of automata–or moving mechanical toys popular in the 18th Century and 19th Centuries–in the world. Compiled over 50 years by heir to the Guinness beer fortune Murtogh D. Guinness (1913-2002), the collection features scores of immaculately preserved historic automata–many of them produced in 19th Century France–with subjects ranging from snake charmers to magicians, singing birds to anthropomorphic monkeys, Cleopatra in her death throes to a waltz-playing Mephistopheles; it also includes a number of mechanical musical instruments and a variety of programmed media ranging from player piano rolls to pinned cylinders.
Pre-cinematic technology takes over HERE for a week of contemporary cantastoria, cooked up by puppeteers, artists and craftspeople from across the country. A millennium-old art form is rejuvenated and re-imagined, as performers animate paintings and banners alongside texts, puppets, jokes, songs and stories.
Each unique program features several original shorts on a given theme, and the festival kicks off with a FREE opening celebration, presented by Great Small Works at Pier 1 in Brooklyn Bridge Park, featuring cantastoria and cranky performances by 15 different theater artists and live music by The Greatest Smallest Band. Bring a picnic and the whole family. In case of rain shows will take place in the Tobacco Warehouse Tent on Water Street. (READ MORE.)
Undead Jazzfest 2011 @LE POISSON ROUGE.
Thursday 06.23.11
w/ Satoko Fujii
Marc Ribot
Tarbaby
Marc Ribot’s Ceramic Dog
Escreet / Binney / Krantz / Gilmore
& David Torn Trio w/ Tim Berne and Ches Smith
6:00pm doors | 7:00pm show
$25 Single Day | $35 Two Day | $50 Festival Pass
18+ or accompanied by legal guardian
This is a general admission, standing event.Tickets available here: http://lepoissonrouge.com/events/view/2275http://www.youtube.com/user/SearchAndRestore#p/a/u/0/D-Oo0r2mID8thingNYIN HOUSE is a collection of new musical meditations on the idea of “the home”. The pieces are written with flexibility in mind. With each composer creating a work for one room of the home, each performance is adapted for and inspired by the individuality of each home’s distinct rooms. This allows IN HOUSE to be programmed differently for each home and experienced uniquely by its audience, who can listen to one piece in its entirety, or explore the house freely, hearing how the compositions fit together. (READ MORE.)
Open Source is proud to announce its first show in our new space. “Mi Tigre, My Lover,” is a multi-media installation by Naoe Suzuki, originated out of a series of Naoe’s paintings, and the related play by Anne Phelan of Dramahound Productions. Phelan’s play, of the same name as Suzuki’s paintings, was inspired by the paintings and uses them as a backdrop for her production. This is the third play at Open Source Gallery by Dramahound Productions and we are very excited to host the fusion of artworks and live theatre by these two talented artists.
Suzuki’s paintings were inspired by the life of Mabel Stark, a renowned female tiger trainer in the early 1900s, the golden age of the circus. During her research, she also came across “The Final Confession of Mabel Stark,” by Robert Hough, a fictional biography based on Mabel Stark’s life. For Suzuki, Hough’s novel provided another interesting layer to the life of the famous female cat tamer. (READ MORE.)
A Screening & Panel Discussion featuring Prof. Amy Herzog, Mica Scalin, Ilise “The Lady Aye” Carter and Bambi the Mermaid
Date: Thursday, July 21st
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy Forget vampires, werewolves, and zombies! All across America–at least according to USA Today’s Carol Memmot, who recently documented the explosion of high-profile books, blogs and movies devoted to modern “mermadia”–mermaids are emerging as “the next big thing.Tonight’s screening and panel discussion will investigate the new wave of mermaid imagery and lifestyle being created by individual artists and the culture industry at large. We will begin with a preview screening of the new documentary “Mermaids of New York,” followed by a panel discussion featuring professor Amy Herzog, filmmakers Mica Scalin and Ilise “The Lady Aye” Carter, and practicing mermaid Bambi the Mermaid. (READ MORE.)
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Old School 122 Benefit
Wednesday, June 22 – Saturday, June 25 beginning at 8PM nightly
A veritable who’s who of NYC performance promises to be on parade for 4 action-packed nights in the style of the original PS122 Benefits. Luminary MC’s: Julie Atlas-Muz + David White (6/22), DANCENOISE w/ Richard Move + guests (6/23), Lane Czaplinski & Sarah Michelson (6/24), Carmelita Tropicana & surprise guests (6/25). Confirmed performers include:Thurston Moore, John Zorn, Elevator Repair Service, Penny Arcade, David Leslie, Big Art Group, Young Jean Lee’s Theater Company, Charles Moulton, The Wooster Group, David Levine, Deb Margolin, Holly Hughes, Maria Hassabi, Temporary Distortion, Jennifer Miller, Jack Ferver, NTUSA, Neal Medlyn, Penny Arcade, Peter Rose, Praxis, Philippe Quesne, the TEAM, Sally Silvers, Mabou Mines, Tom Murrin, Sarah Maxfield, and many more. Single Tickets: $30 (READ MORE.)
We cordially invite you to join us on Wednesday, June 22 from 6pm to 8pm for the opening of Wish You Were Here 10. The proceeds from this exhibition of postcard-sized works benefit the A.I.R. Fellowship Program for Emerging and Underrepresented Artists and other programs that serve our mission to advance the status of women in the arts.The exhibit includes affordable works by more than 350 artists including Dotty Attie, Mimi Gross, Christopher Knowles, Joyce Kozloff, Linda Montano, Yoko Ono and Barbara Zucker.Please note the sale of works is first-come, first-served.The pieces are priced at $45 to $120 depending on siz0e. (READ MORE.)
Foley Galleryis pleased to present Altered States, a group exhibition featuring over 25 contemporary photographers curated by Michael Foley and Patrick Fleischman.Altered States begins to explore both the subtle and significant changes found in the alterations that photographers record in both natural settings and controlled environments.We look forward to presenting this work to you in the coming weeks. (READ MORE.)
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Kitchen presents PearlDamour + Shawn Hall: How to Build a Forest Wednesday, June 22, 8-10PMThe Friday-Sunday, June 17-19 and 24-26, 2-10pm
FREEA premiere by OBIE-winning PearlDamour (Katie Pearl and Lisa D’Amour) with New Orleans artist Shawn Hall: part visual art installation, part theater performance, over the course of 8 hours, a team of 7 assembles and dismantles an elaborate and impressive continually-evolving forest on stage. Audiences may come at any time as the forest fills The Kitchen. The piece contemplates our relationship with the natural world: how we live in it, rely on it, use it, and use it up.TIX & MORE >>To mark the re-release of his breakout novel American Gods, bestselling author Neil Gaiman discusses his career with Time magazine’s book reviewer and technology writer, Lev Grossman.Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book and Good Omens (with Terry Pratchett); the Sandman series of graphic novels and the story collections Smoke and Mirrors and Fragile Things. He is the winner of numerous literary honors, including the Hugo, Bram Stoker and World Fantasy Awards and the Newbery Medal. href=”http://www.thekitchen.org/event/263/0/1/”>(READ MORE.)
The performance that couldn’t be stopped!WITNESS! as the CATCH crew gangs up with video artist Myles Kaneand a ragtag posse of downtown darlings LIVE! for three tremendous evenings of powder-packed performance goodness.CATCH and Kane have dug deep, tunneling into the experimental heart of the Playhouse’s storied early history, uncovering performance fragments and artifacts that, resurrected by this cabal of canny craftspersons, will amaze and astonish even the haughtiest of downtown can’t-be-bothereds. Co-conspirator Kane has rustled up a healthy dose of video-graphic victuals sure to delight all and sundry. (READ MORE.)
Goethe-Institut Wyoming Building
5 East 3rd Street
New York, NY 10003 Free
VLA’s Associate Director, Sergio Muñoz Sarmiento, will be on an arts panel on Friday, June 24th, at the Goethe Institute in New York City. The panel, Artist Residencies & Conflict Areas, organized by Residency Unlimited, engages artists, independent arts organizations, residency programmers, and community initiatives on specific areas and conceptions of conflict. Issues for discussion will include mobility, community outreach, and exchange of knowledge through the broadly-interpreted artist residency model.Sergio will be speaking specifically about the impetus behind and origin of VLAs Art & Law Residency Program, and how it differs from and mirrors past and current artist residencies. (READ MORE.)
1. Broadcloth. They are Anne Rhodes (vocals), Nathan Bontrager (Cello), Adam Matlock (accordion).
Broadcloth performs improvised music with a nod to various compositional outlets. Using a unique instrumentation of voice, cello and accordion/recorders, the trio plays from notated, graphic, embroidered, and textual scores in addition to completely spontaneous pieces. Without shying away from virtuosity, Broadcloth creates music that reflects the order of composition and the risk of unpredictable musical interactions. Emphasis lies on establishing a holistic sound that favors cooperation over hierarchy. http://broadclothtrio.com/
Prehistoric Horse. http://music.kingtone.com/album/prehistoric-horse
Silver Process http://www.myspace.com/coralielonfat http://www.chuckbettis.com/
Mikko Innanen – alto sax, Joe Fonda – bass, Lou Grassi – drums.
06/13/2011 8:00 pm $10.
Monday, June 13 – Performance EVOLVING MUSIC Series @ Clemente Coto Velez Cultural Center
Presenting Joelle Leandre solo & Joelle Leandre / Steve Dalachinsky Duo!
7:30 – Joelle Leandre Solo Contrabass
8:30 – Steve Dalachinsky & Joelle Leandre Duo
Admission is $16 per set or $21 for the evening
At Clemente Coto Velez Cultural Center
(Suffolk St and Rivington St) F or J to Delancey/Essex
TUESDAY AND WENESDAY:
LANDON KNOBLOCK/OSCAR NORIEGA/JEFF DAVIS @UNIVERSITY OF THE STREETS
Landon Knoblock – keyboard,
Oscar Noriega – alto saxophone,
Jeff Davis – drums.
06/14/2011 10:00 pm $10.
Please join us for a lecture and screening by artist Carlos Motta, followed by a discussion with curator Niels Van Tomme.
In his lecture “Amnesia and Repression: A Series of Attempts to Establish a Memory Project of Political Conflict from an Aesthetic Practice,” Motta will discuss his recent video and performance projects Six Acts: An Experiment in Narrative Justice (2010) and Resistance and Repression (2010). In these works, Motta attempts to offer a space for the articulation of memory of political conflicts from an aesthetic perspective. He does so by using the concept of “narrative justice,” a notion of justice detached from the judicial field and focused on narrative and communication as pillars of possible reconciliation. The lecture reflects on unresolved instances of political violence in Colombia and Honduras—instances that unveil a lack of a culture of memory and of social justice.
This event is organized within the framework of Provisions Learning Project’s “Aesthetic Justice” exhibition on view at the Lambent Foundation in New York until 22 June 2011. The exhibition features the works of Alyse Emdur, Rajkamal Kahlon, Carlos Motta, and Larissa Sansour, and can be viewed by appointment, Tuesday to Thursday, 11 am to 4 pm. Email exhibitions@lambentfoundation.org to schedule an appointment.
Featuring visual responses to a collaborative sound piece by artists John Aslanidis, Katy Dove, Phoebe Hui, Sophie Hunter, Miler Lagos, John O’Connell, Gonzalo Puch, and Zane Saunders.
Recess @ Kidd Yellin
133 Imlay Street
Red Hook, Brooklyn
Tuesday, June 14th- Photographer and video artist, Rob Carter, will give an audio visual presentation of his work at the Red Hook outpost of Recess Activities, in collaboration with Kidd Yellin. He will discuss the evolution of his work and screen several animations, including some new unseen projects. (READ MORE.)
Award-winning puppet company Drama Of Works premieres their new historically-based full-length puppet theater piece in progress, Leakey’s Ladies. A collaboration with playwrights Crystal Skillman, Rachel Hoeffel and Erin Courtney,Leakey’s Ladies explores the work of female primatology pioneers; Birutė Galdikas, Jane Goodall and Dian Fossey.
Nels Cline is one of the most versatile, imaginative and original guitarists active today. Combining breathtaking technique with an informed musical intelligence, the self-taught Cline displays a mastery of guitar expression that encompasses delicate lyricism, sonic abstractions, and skull-crunching flights of fancy, inspiring Jazz Times to call him “The World’s Most Dangerous Guitarist.” Cline has performed on over 100 albums spanning numerous genres. In addition to his latest trio The Nels Cline Singers, formed with drummer Scott Amendola and bassist Devin Hoff, Cline is also the lead guitarist for the critically acclaimed rock band Wilco, which he joined in 2004.Click here to listen to “The Nomad’s Home”
Marc Ribot, who the New York Times describes as “a deceptively articulate artist who uses inarticulateness as an expressive device,” has released 19 albums under his own name over a 25-year career, exploring everything from the pioneering jazz of Albert Ayler to the Cuban son of Arsenio Rodríguez. His latest solo release, Silent Movies(Pi Recording 2010) has been described as a “down-in-mouth-near master piece” by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board.Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985′s Rain Dogs, and since then he’s become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp.” Additional recording credits include Elton John/Leon Russell’s latest The Union, Solomon Burke, John Lurie’s Lounge Lizards, Marianne Faithful, Joe Henry, Allen Toussaint, Medeski Martin & Wood, Caetono Veloso, Susana Baca, Allen Ginsburg, Madeline Peyroux, Nora Jones, Jolie Holland, Akiko Yano, The Black Keys, and many others. Marc works regularly with Grammy® award winning producer T Bone Burnett and NY composer John Zorn. He has also performed on numerous film scores such as “Walk The Line” (Mangold), “The Kids Are All Right,” and “The Departed” (Scorcese).“…he can sit down with just his guitar and simultaneously confound you with technique, beauty, and surprise.” – John Garratt and Will Layman, PopMatters Picks: The Best Music of 2010 for the album “Silent Movies”
LUMEN BENIFIT @Spattered Columns
JUNE 15th
6-9pm
491 Broadway, fifth floor, Manhattan Come down to Spattered Columns for one heck of a party. Check out a performance by Quinn Dukes McDivitt, and videos by Matthew Sleeth and Sander Houtkruijer. Music by DJ Mountains. Our sponsor BOMB Lager will be there handing out free merchandise ALL NIGHT LONG.
All proceeds from the party go to the participating LUMEN artists and curators. Tickets are pretty cheap, $10 in advance, $15 at the door. Where else does $10 get you food, drinks, art, and cool people??
Get your tix: http://statenislandarts.org/lumen.html
James Cohan Gallery is pleased to present the group exhibition, Catch the Moon in the Water: Emerging Chinese Artists, running from June 16 through July 29, 2011. Over the past decade, while the West consumed new art from China, a young generation of Chinese artists imagined America as the center of contemporary art discourse. This exhibition showcases a group of young Chinese artists and their thoughts and responses to America as an exotic and remote source of inspiration. (READ MORE.)
Literary Mingle
NYFA offices
20 Jay Street, Suite 740
Brooklyn, NY 11201
Thursday, June 16, 2011
6:30-8:30 p.m.
Please join us on Thursday, June 16 for NYFA’s literary mingle, a gathering of NYFA Fellows in Fiction, Nonfiction, and Poetry, NYFA Fiscally Sponsored Writers, as well as editors, agents, and the rest of New York’s literary community.
Wine and cheese will be served
$5 suggested donation to support NYFA Current, NYFA’s online arts magazine
Bethany Cosentino is a Los Angeles native with a brief stay in Brooklyn, and Best Coast’s influences reflects that: Beach Boys vibe with East Coast 60s girl group such as the Ronnettes and Shangri-Las. Best Coast is brought to life with the help of her long-time friend/guitarist/producer Bobb Bruno and guest drummer Ali Koehler (Vivian Girls). The pair have received heaps of critical praise from editorial publications including Pitchfork, who named their “When I’m With You” single “Best New Music”, New York Times, Spin, Paste, Nylon, Rolling Stone and The Guardian.http://bestycoasty.blogspot.com/
Those Darlins
A Planned Parenthood of New York City Action Fund Benefit
Middle Tennessee’s infamous country punk outfit known for their hooky, saucy songwriting and blistering live performances. They have mouths on them, yes they do. But their mouths are connected to their hearts and minds, and amped by loud guitars.
Noise Jam, an exhibit at The Gutter Brooklyn (200 No. 14th St), in
which musicians participating in the Northside Music Festival will
submit cell phone photos to explore the accessibility of experiences.
Opening reception: June 16, 2011, 10pm-12am.
It’s Bloomsday, the 16th of June, in the Brooklyn Lyceum Cafe. You are very welcome to join our resident Joycean scholar, Emmet Mc Gowan, in a casual celebration of this great day.
Bloomsday, named after the protagonist of James Joyce’s Ulysses, is an annual commemoration of Joyce’s life, and is a beloved Dublin tradition. The day typically involves food, drink, and readings and reenactments of excerpts from Joyce’s 265,000 word epic novel.
Our humble nod to Bloomsday will be a spontaneous evening of recitation and quaffing. We dedicate this evening to The New York Society for the Suppression of Vice, who in 1920 objected to the book’s content and took action to keep the book out of the USA.
Subject of the Academy Award-winning Man On Wire, Philippe Petit comes down to earth for three special evenings to share stories from his life as a creator and performer. WIRELESS! is a 90-minute, one man tour de force that is touching, funny, clever, and extemporaneous. Philippe reveals and demonstrates how he taught himself magic, juggling and the high wire.
Henry Chung continues his exploration of obsolete technologies as metaphor for the changes and complexities of contemporary life in a series of portraits of computer enhanced images culled from flea markets and garage sales, rendered in computer punch tape. (READ MORE.)
With their dizzying folktronica—a mix of innovative instrumentation and songwriting with obscure found sound and speech samples—and perfectly calibrated, hallucinatory quick-cut video collages, THE BOOKS “remain more or less a genre of one… the flotsam and jetsam of American culture aren’t a cheap joke to the Books, but a source of endless discovery and joy.” (Pitchfork) JUNIP, the band that predates Swedish-Argentine singer José González’s solo stardom, conjures an expansive and mesmerizing take on his songs in which “González’s classical guitar and weightless tenor float over soul jazz, Afrobeat, Ethiopian funk and krautrock.” (Rolling Stone) With the “haunting, ethereal, and beautifully melodic” (Paper Magazine) bedroom pop of in-demand pianist and composer Thomas Bartlett’s DOVEMAN. Sponsored locally by Aguayo Realty Group.
Greetings Art fans! In celebration of Father’s Day, the Observatory Things-That-Move Dept. invites you all to take a peek at procreation! In nature, talents can be predisposed, and passed on from generation to generation. Families like the Gentileschis, the Peales, the Bachs, the Wyethes, and most recently, the Kominsky-Crumbs have all made a strong case for this heredity thing; the Bush presidencies, not so much, but hey, it’s a crap shoot! Anyway, our latest show is about a wee dynasty of painters named Corrigan, and through their family oddments, we will examine art, eccentricity, and the vagaries of genetic code.
Fowler Arts Collectiveis pleased to be participating in this summer’s Northside Open Studios event which will be taking place in the Williamsburg/ Greenpoint neighborhoods of Brooklyn from Friday, June 17 to Sunday, June 19. NOS coincides with the L Magazine’s Northside Festival of music, art, film, and ideas.
Please join us for a reception celebrating the launch of Northside Open Studios on Friday, June 17 from 7-11pm. We will also be open during the day Sat. + Sun.,June 18 + 19 from 12-6pm for Northside Open Studios.
Fowler Arts Collective, 67 West Street, #216, Brooklyn, NY 11222
Fowler has a nice lounge area to rest your tired feet during the weekend, and we will have maps and information about the participating NOS studios and corresponding events.
Fowler’s 18 artist studios will be open for visitors the entire weekend, and our exhibition, Paint It Now, continues to rock the Fowler gallery.
Fowler studio artists include: Elana Alder, Melissa Dyanne Bartlett, Catherine Behan, Cameron Bishop, C.M. Butzer, Scott Chasse, Jennifer Galatioto, Daniel St. George, Andrew Gordon, Paul Hoppe, Heidi Howard, Aya Kakeda, Deanna Lee, Michael Aaron Lee, Chris Mottalini, Kate Nielsen, Cecelia Post, Krista Quick, Tory Sica, Kim Sielbeck, Hannah Lamar Simmons, Ramon Urenia, James Vanderberg, Jing Wei, and Fletcher Williams.
Performance Space 122′s longest running series kicks it up a few notches for this demolition derby of theatre, dance, music, and video installation as part of the 30th Anniversary RetroFutureSpective Festival.
Join us for hard core performance during what “always ends up exploding into an all-out party.” – Flavorpill
FRIDAY 6/17:
Hosted by Murray Hill
Performances by Salley May, Alien Comic, Tigger!, Janet Clancy, John Kelly, Andrew Schneider, The Factress aka Luc Sexton, The Dazzle Dancers, Julie Atlas Muz, Urban Bushwomen, Joe E Jeffreys, Miss Joan Moosey, Gina Vetro, Jonathan Berger Music by Hank & Cupcakes, Rockman
Friday-Sunday, June 17-19 and 24-26, 2-10pm
Known for transforming narrative into something richer, stranger, and ineluctably feminine, OBIE Award-winning PearlDamour (Katie Pearl and Lisa D’Amour) join forces with New Orleans-based visual artist Shawn Hall for a hybrid project: part visual art installation, part theater performance that unfolds over an extended eight-hour interval. Beginning with an empty stage, PearlDamour, Hall, and a team of performer-workers transforms The Kitchen’s theater from floor to ceiling, constructing and then dismantling an elaborate evolving environment evocative of an old growth forest at one moment and a spectacular deep-sea landscape the next. (READ MORE.)