The 22 Magazine


THE WEEK: Dec 5-9.
December 5, 2011, 6:51 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

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Powhida Performs Powhida by J.D. Siazon.

Famous for his brazen critique of the art world William Powhida asks if his presence in a gallery space is enough to qualify as a credible exhibit.  POWHIDA, on view at Marlborough Chelsea till August twelfth, strips the gallery down to nothing but the artist himself, a leather couch, two leather chairs, a coffee table, a mini fridge for beer, and a painting by Tom Sanford called “Portrait of a Genius” which shows William Powhida releasing a dove with a bottle of liquor in his right hand and a woman at his feet.

With the success of the show riding on his star power William Powhida attempted at the opening reception to grandstand presumably in parody of art celebrities.  Chauffeured in a black convertible Mercedes-Benz into the gallery whose glass facade had been retracted Powhida then commenced for the most part to drink champagne and beer on the aforementioned leather couch flanked by girls before being again chauffeured out of the gallery later that evening.

“The gallery is a world unto itself” William Powhida in the show’s press release states “a social space with a highly codified set of relationships having the formal beauty of a ballet.”

On my visit to the show I was surprised to find Powhida drinking beer and playing chess with two friends.  He was very amenable offering to pose in a photograph with me which I accepted.  Squatting just beside the portrait by Tom Sanford a man was scraping paint from the gallery floor.  Asking if I could take his picture Powhida quickly interjected saying that the gentleman was nothing more than a paintbrush and no need to ask his permission for a pic. Self-consciousness though made Powhida’s importunity unconvincing. Leaving the show I wished the artist best of luck with his endeavors.

Bad boy image aside creatively William Powhida’s talents are endless and his moxie refreshing.  With prescience his artwork has the potential to shine a more telling light on the art world than his current critical gestures strive to do. Invariably with Powhida it’s the difference between court jester and crown prince.



Support This Project: Secret City, Thomas Bangsted

Thomas Bangstead‘s surreal and sublime portraits of oft vacant landscapes and still life’s, seem to embody the suspense of the “happened.”

Devoid of obvious action, Bangstead’s work instead lingers in the moment (perhaps even the second) after a tragedy, before a meal, or in the midst of a scenic view and leave the viewer to conjure their own narratives based on these strange vignettes.

Bangstead is also currently part of “The Woods are Lovely, Dark, and Deep” at Asya Geisberg gallery and will be giving a talk on his work this coming Thursday during the Chelsea Art Walk. If you can, please help support Thomas and The Secret City!

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Matthew Cusick: Defacements.

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THE WEEKEND: May 6-8.

FRIDAY MAY 6th

Umirayushchii lebed (The Dying Swan), 1917 @ THE GUGGENHEIM.

Fridays, April 22 and May 6, 13 @ 1 and 2:30 pm

Directed by Evgeni Bauer
49 minutes, 35 mm, silent with musical score

Image Courtesy Milestone Film & Video

A figure of fundamental importance in the history of silent cinema, Russian director Evgeni Bauer brings to life a chilling tale that takes a sardonic view of popular morbid obsessions in pre-Revolutionary Russia. Bauer’s film features a decadent artist obsessed with capturing the image of death on canvas, an infatuation that drives him to the brink of despair until he watches a captivating and heartbroken ballerina perform. He sees in her the masterpiece he seeks, but ultimately, the young dancer cannot live up to the artist’s ideal and suffers the disturbing consequences.


ALCHEMICALLY YOURS – A Group Art Show @ OBSERVATORY.

alchemically

Robert M. Place “Caduceus” detail 2011

Opening: Saturday, May 7th, 2011 7-10pm
On View: May 8th – June 12th, 2011
Hours: Thursdays & Fridays 3-6pm; Saturdays & Sundays 12-6pm
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Observatory and Phantasmaphile’s Pam Grossman are proud to announce ALCHEMICALLY YOURS, a group show of alchemy-themed artwork, on view from May 7th through June 12th.

Alchemy is the art of transmutation. Of taking the rough and raw, and rendering it more precious. Rather than accepting the literal “lead into gold” definition, Carl Jung believed that alchemy is a process of individuation, a symbolic and active language which guides one’s personal journey toward the realization of selfhood. An alchemist is a shape-shifter, a mystic chemist. A patient and meticulous devotee who turns the base into something resplendent.

Like dreams, alchemy speaks in pictures. At first glimpse, alchemical manuscripts from the 16th and 17th centuries look like a panoply of hallucinations. They feature images of fornicating kings and queens. Suns and moons shining in stereo. Lions and serpents and eggs, oh my. Black and white and red all over. Secret codes and effulgent iconographies teeming with meaning, yet ultimately ineffable. These pictures beget picturing. They’re signs that beg to be resignified; to be reinterpreted and refined.

The participants in ALCHEMICALLY YOURS have done just that. Varying in medium and style, each piece in this exhibition pays homage to the alchemic tradition — all the while affirming that the artist fills the role of alchemist in the present-day. For who better can elevate the mundane, turn the sub- into the sublime? From the prima materia of color and canvas comes great and vivid work.

PARTICIPATING ARTISTS

Jesse Bransford
Molly Crabapple
Ted Enik
Marina Korenfeld

Adela Leibowitz
Sara Antoinette Martin
Ann McCoy
Robert M. Place
Ron Regé, Jr.
J.L. Schnabel
Hunter Stabler
Panos Tsagaris

ABOUT THE CURATOR

Pam Grossman is the creator and editor of Phantasmaphile, the premiere online destination for art aficionados with a passion for the surreal and the fantastical. An internationally beloved art and culture blog, it features daily spotlights on artists and events, as well as interviews with such visual luminaries as Thomas Woodruff, Nils Karsten, and Richard A. Kirk. Phantasmaphile was written up two years in a row on the Manhattan User’s Guide Top 400 New York Sites list, and Grossman’s previous shows, “Fata Morgana: The New Female Fantasists” and “VISION QUEST” were featured by myriad taste-making outlets including Juxtapoz, Arthur, Upper Playground, Reality Sandwich, Urban Outfitters, Creative Time, and Neil Gaiman’s Twitter page. “ALCHEMICALLY YOURS” is her latest curatorial effort, and she is proud to have it hanging at Observatory, the art and events space she co-founded.


Idée Fixe : Drawings of an Obsessive Nature @WINKLEMAN GALLERY

WINKLEMAN GALLERY
MAP
Featuring work by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, Daniel Zeller

May 6 – June 11, 2011

Opens May 6 6:00 PM – 8:00 PM
Winkleman Gallery is very pleased to present Idée Fixe: Drawings of an Obsessive Nature, a group exhibition of black and white drawings by Man Bartlett, Astrid Bowlby, Jacob El Hanani, Dan Fischer, Shane Hope, Joan Linder, Aric Obrosey, Michael Waugh, and Daniel Zeller. The drawings in Idée Fixe either build toward or seem to disintegrate away from complex systems and through what is obviously a time-consuming, perhaps even obsessive process. Running the gamut from highly photo realistic representation to abstractions that suggest imagined landscapes or fields, these works are created from intense, often repetitive gestures.


Jeff Whetstone “Seducing Birds, Snakes, Men”

at Julie Saul Gallery, Chelsea. Closed Sunday/Monday. Through May 21.
Jeff Whetstone’s second exhibition with the gallery explores the nexus of language and wilderness through narrative video, 16mm film, digital animation and photography. Hunters transcend gender, men draw with snakes, and a landscape is made from sound-waves. (READ MORE.)


BROOKLYN ART SONG SOCIETY presents MASTERWORKS: THE COMPLETE SONGS OF HENRY DUPARC




The 16 songs that comprise the French master’s entire surviving output feature some of the most moving and haunting vocal music ever written. The concert features some of New York’s finest established and up-and-coming artists: pianists Michael Brofman, Michael Rose, and Miori Sugiyama; baritones Robert Osborne and Kyle Oliver; and in her Brooklyn Art Song Society debut, soprano Eleanor Taylor. Tickets are $20\$10 for students and seniors.
WHERE: Brooklyn Conservatory of Music, 58 7th Ave. Park Slope. B or Q to 7th Ave, 2 or 3 to Grand Army Plaza
WHEN: Friday May 6, 7pm
CONTACT: 917.509.6258; www.brooklynartsongsociety.org


3
rd Ward Member Group Show
May 6, 2011, 7-10pm
195 Morgan Avenue, Brooklyn NY
MAP
FREE Admission
3rd Ward Members are some of the most creative and ground-breaking people we know. Now they’re taking their work out of the media lab, shop, and photo studios, and showing the world in our biggest 3rd Ward Member Group Show ever. 

(READ MORE.)LOST WAX CASTING @3rd WARD

Lost Wax Casting is the process in which an object, preferably wax, is turned into a metal form. The process is useful for jewelry or small scale metal fabrication.  Your object can be made out of other materials such as resin, plastic, or a variety of found objects. The exact surface that is on your initial model is going to be the surface of your metal piece.
(READ MORE.)

SATURDAY MAY 7th

7th Annual Brooklyn Peace Fair
Saturday May 7, 12 noon to 5 pm:

Location: Brooklyn College Student Center
Campus Road & E. 27th Street (near Flatbush–Nostrand Junction) (See below for how to get there)

2 pm: Keynote speaker: Juan Gonzalez, Daily News Columnist & co-host “Democracy Now”

Theme: “Peace Budget?…War Budget! How War and the Military Economy Affect YOU!!”
Workshops! Tables with information and resources by community peace and justice organizations!

4:45 pm: Peace Parade to local military recruiting station, led by Rude Mechanical Orchestra

Free admission.

Sponsor: Brooklyn For Peace
Co-Sponsors: Brooklyn College Student Center and Iraq Vets Against the War
Check out the schedule
See the Program (PDF)

How to get there:
Convenient Transportation from all over Brooklyn
Subway:
2 to Flatbush Ave/ Brooklyn College (NOTE: 5 does not run to Brooklyn College on the weekend)
Bus: B6, B103, B41, Q35, B44, B11, BM2
From 2/5 train, Flatbush Avenue Station (at Nostrand Ave)

Locate Hillel Place, direction Brooklyn College; turn right at Campus Road
Campus Road curves around to the left
Student Center is on the right, at Campus Rd & 27th Street

See a map (printable, PDF)
Learn more>>


STOREFRONT EVENTS @ FESTIVAL OF IDEAS FOR THE NEW CITY

VIEW FULL FOIFTNC listings.

PAINTING URBANISM: LEARNING FROM RIO

SATURDAY MAY 7, 2011

Haas & Hahn Opening Reception: Friday, May 13th, 7pm

Storefront is pleased to present the work of Dutch artists Haas&Hahn [Dre Urhahn and Jeroen Koolhaas] in the exhibition “Painting Urbanism: Learning from Rio”. 

The exhibition will showcase paintings, documentary footage, pictures, sketches and plans of past, present and future projects developed by Haas&Hahn. Featured past projects include the Favelapaintings in Praça Cantão in Santa Marta and “Rio Cruzeiro” on the stairs of Rua Santa Helena all in Rio de Janeiro. Present projects include proposals for two New York interventions and future projects span throughout the world.  READ MORE.

 SPACEBUSTER BY RAUMLABOR
11am-7pm at the intersection of Houston Street and the Sara D. Roosevelt Park

 

Spacebuster is a mobile inflatable structure – a portable, expandable pavilion – that is designed to transform public spaces of all kinds into points for community gathering. A new iteration of a Raumlabor project, the Küchenmonument (presented in Europe in 2006-8), the Spacebuster made its first appearance in the US in New York in 2009 and has returned for the Festival of Ideas for the New City.


Martha Colburn: Dolls vs. Dictators

at the Museum of the Moving Image, Queens. $10 general/$7.50 students and seniors. Closed Monday. Through May 15.


Urban Disorientation Game
The Urban Disorientation Game is an active, participatory journey through the City that involves map-making, exploration, homing instincts, and blindfolds. (READ MORE.)

Sublime Frequencies
Sublime Frequencies, the Seattle-based record label responsible for bringing Omar Souleyman to NYC, presents two documentaries with director Robert Millis in person. (READ MORE.)


MAY FAIR AT DING DONG


A Zine, Small Press, and Music Fair

Ding Dong Lounge
929 Columbus Ave. @ 106 St.
Saturday, May 7, 2011
1pm – 7pm

A zine, small press, and music fair. For one day, join us as we transform Ding Dong Lounge into an ephemeral bookshop, crafts fair, art gallery, speakeasy, underground music venue, cookie den, and inappropriately timed Christmas Party. This is the fifth fair of its kind over the course of three years, and it gets better each time. This year includes the rare opportunity to decorate a Christmas tree with both friends and total strangers in the middle of spring.(READ MORE.)

SUNDAY MAY 8th

Black Magic(1949) – Gregory Ratoff, stars Orson Welles
LOST ORSEN WELLS @SPECTACLE. Sun, May 8: 2:30pm
124 South 3rd Street
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Blackmagicposter

Sun, May 8: 2:30pm
This movie has it all: swashbuckling action, intrigue, romance, mind control, and Orson Welles!

A curious, little-seen oddity based on an Alexander Dumas tale, Black Magic adapts the story of Cagliostro (Welles) an 18th century magician and gypsy charlatan, discovered by Doctor Anton Mesmer himself, whose hypnotic powers, derived by the sheer force of his presence, involve him in a plot to overthrow the French monarchy and an opportunity to revenge himself on the aristocrat who was responsible for the execution of his parents. (READ MORE.)




LAST CALL: Susan Graham, Cletus Johnson, Brian DeGraw & Daniel Subkoff/Will Chancellor .

AS THE WORLD BURNS & PAST FITS, FUTURE PULLS @ JAMES FUENTES.

Closing May 8th.
Brian DeGraw

As The World Burns
Final Week at James Fuentes LLC, Gallery hours; Wed. – Sun., 11-6pm.
Special New York Gallery Week extended day, Sunday, May 8th, 12-8pm.
View exhibition images: here
New York Gallery Week link: here
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James Fuentes LLC proudly presents, as part of The New Museum’s Festival of Ideas For The New City;
Daniel Subkoff & Will Chancellor 
Past Fits and Future Pulls
Clemente Soto Vélez Cultural and Educational Center at 107 Suffolk St between Rivington and Delancey.
If you have trouble locating this project please text; (917) 509-2250
Saturday from 10am to midnight
Sunday from 2:30pm until 7pm
Festival of Ideaslink

Subkoff & Chancellor are offering their artwork for free to everyone who joins them, and ultimately back to the earth itself. Having traded their cash for living native seeds, soil and local clay, they’ve constructed a 13 foot tall sculpture with this material that they invite the public to help disassemble. Visitors are welcome to grab a handful of the sculpture and recast it in a provided mold, walking away with a small sculpture of their own. If left in an appropriate place such as an abandoned lot, garden or any soft ground it should dissolve and yield a significant number of native wildflowers within a month. If taken home and treated as an art object, it will likely dry out, crack and expire worthless.  The main small sculptural casting will be of a rendition of Tlaloc, the elemental Aztec god of water, rain and fertility whose name translates as “he who is made of earth”.


Susan Graham & Cletus Johnson @ Schroeder Romero & Shredder

Closing May14th
531 West 26th Street
New York NY 10001

Susan Graham
New Gardens

April 14, 2011–May 14, 2011

Susan Graham’s exhibition, New Gardens, features sculpture, photography and video that use strategies of pattern and decoration to poetically depict the eternal struggle between nature and technology. Central to the exhibition are Toile Landscape, a large scale installation of Graham’s delicate sugar sculptures, and the intimate porcelain Toile Floating Landscape sculptures. Mimicking the recurring patterns of complex pastoral scenes found on Toile de Jouy, these works depict clusters of invented flora interspersed with industrial structures such as transmission towers, satellite dishes, or even cell phone towers disguised as trees. Charming, delicate and foreboding, each small pastoral scene compresses nature and technology in a bittersweet attempt at reconciliation. Graham’s photographs and videos on view in New Gardens depict skies choked with flocks of airplanes, modern-day birds staking their claim on the atmosphere. These works showcase Graham’s deft touch and ability to evoke rich, multivalent narratives from a few simple, quiet gestures. New Gardens is Graham’s fourth solo exhibition with the gallery.

Cletus Johnson 
Collage 1968–2010

April 14, 2011–May 14, 2011

Cletus Johnson: Collage 1968–2010 presents a selection of Johnson’s beguiling collages, including collaborative pieces made with famed Black Mountain poet Robert Creeley. Johnson’s works are composed of deceptively simple materials inviting private, almost meditative contemplation on subjects of longing, erotic love and primal lust. Their quietude evokes a Cagean musicality, while a minimal juxtaposition of images wrings endless narrative associations. Envelopes containing black and white photographs of a woman’s breast are intimate love letters being sent and received, revealing a desire to both contain and set free the object of affection. Amusement park ride tickets are coupled with cropped images of naked male youths, granting the viewer permission to experience desire. Portrayals of Antinous—Roman Emperor Hadrian’s lover—as Cyclops become homorobotic emblems of a carnal hunger for an idealized beauty. Johnson’s collages show him as a master of the simple, poetic intervention.



Mary Frank/R. Wayne Reynolds/Mark Grotjahn/Michael Williams

MARY FRANK : TRANSFORMATIONS @ DC MOORE.
Opening reception: Thursday, May 5, 6:00-8:00 PM

Wood Sculpture, 1957-1967
and Recent Photographs
May 5-June 4, 2011
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As always, Mary starts with observation and moves towards myth.

– Hayden Herrera

DC Moore’s new exhibition of Mary Frank’s work, Transformations: Wood Sculpture, 1957-1967 and Recent Photographs, features her dynamic wood sculptures, direct carvings from the 1950s and 60s that marked her emergence as one of the most innovative artists on the New York art scene. The exhibition also presents drawings from the same time, vibrant figures that both complement her sculpture and expand the range of her explorations of space, motion, and the rhythms of the human body. This is the first exhibition of these seminal works since they were originally shown over forty years ago. VIEW FULL PRESS RELEASE.
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Chelsea Herman: Cellular Sweep.
April 17, 2011, 11:00 am
Filed under: FILM/VIDEO | Tags: , , , , , , , , , , , , , , , , , , , , ,

Cellular Sweep explores the aesthetic of the spill and the splatter.

CHELSEA HERMAN.



Park Sung Tae @ ArtGate Gallery.
March 12, 2011, 10:26 pm
Filed under: The 22 | Tags: , , , , , , , , , , , , , , , , , , , , ,




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