Friends and colleagues since 1988, Ikue Mori and Zeena Parkins are two of the strongest musical voices out of the downtown scene. Lynchpins of bands as diverse as DNA, Skeleton Crew, Electric Masada, Hemophiliac and Björk, each have been leading figures of the downtown scene since the early 1980s, and their collaboration, Phantom Orchard is the perfect outlet for their unique and personal musical languages. Tonight, Phantom Orchard presents duo arrangements of work from their most recent album,Trouble in Paradise (Tzadik), featuring Mori on live visuals and electronics and Parkins on harps, keyboard, and celesta.
The latest work from Pulitzer Prize-winning composer David Lang, love fail marries evocative new music with timeless storytelling to tell a tale of love both found and unfulfilled, performed by the ravishing voices of legendary early music group Anonymous 4.
DYLAN MORAN’S perspective is unashamedly unique. He observes life through the tinted hue of a glass of fine full-bodied red and then paints what he sees onto a deliciously cruel and rich life canvas. Blisteringly funny, and painfully accurate, this is like looking at a Canaletto painting whilst someone simultaneously punches you in the stomach and tickles you breath-less. Called “the Oscar Wilde of Comedy,” by the London Evening News, Moran is universally considered one of the foremost comics of his generation.Moran is best known in the United States for his roles in several well known films, including Notting Hill, the cult classic Shaun of the Dead, Michael Winterbottom’s Tristram Shandy: A Cock and Bull Story and David Schwimmer’s Run, Fatboy, Run.
In How Music Works, Byrne explores how profoundly music is shaped by its time and place, and how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music. Writing as historian, anthropologist, raconteur and social scientist, Byrne searches for patterns and shows how they have affected his own work over the years with Talking Heads and his many collaborations with the likes of Brian Eno and Caetano Veloso. Byrne sees music as part of a larger, almost Darwinian pattern of adaptations and responses to its cultural and physical context. His range is panoptic, taking us from Wagnerian opera houses to African villages, from his earliest high school reel-to-reel recordings to his latest work in a home music studio, with all the big studios in between.
The work of Kirk Nachman situates itself between the classic cartoon nostalgist and the formal self-consciousness of avant-garde practices. From the disjointed ‘stills’ – paintings rendered on drafting film, reminiscent of animation production art, to fragmentary serial animations which employ decontextualized snippets from old time radio shows, Nachman’s historical aesthetic populism collides with his background in the developments of 20th century fine-art.
In being alone (on a swing) together (in a field), we find a condition of the social that is… the event of a thread. Commissioned by the Armory, Ann Hamilton’s major new work fills the Drill Hall with a visceral and literal poetry. Set into motion by visitors, a field of swings, a massive white cloth, a flock of homing pigeons, spoken and written texts, and transmissions of weight, sound, and silence weave through this expansive space to create a fabric of experience
The current body of work was begun in 2007. These paintings and drawings feature human and animal figures in landscape and interior settings. Either alone or in groups, the figures do not tell a story. Rather, they form self-sufficient images with the power to shock, move, attract and repulse, without labels or explanations. The work constitutes an emotional research into the underlying motivations of human actions and interactions. This investigation goes beyond the rational, culturally and socially accepted surface, and looks closely at the irrational, unconscious and primitive animal instincts that ignite passion, violence and desire.
Praised by The New York Times for his “rich timbre” and “fine sense of line,” Mischa Bouvier is a winner of the 2010 CAG Victor Elmaleh Competition. A “delight to encounter for the first time” (Pittsburgh Tribune-Review). An advocate for new music, Mischa offers a series of concerts in 2012-13 at Barbes that focuses on contemporary music and explores American song in a collaboration with soprano Sarah Wolfson. Mr. Bouvier has performed with a wide array of ensembles including Anonymous 4, the Mark Morris Dance Group, American Handel Society, the Bach and the Baroque Ensemble of Pittsburgh.
YEAR TWO (Postcard Show) Fowler Arts Collective OPENING EVENT: Friday, Dec. 7th from 7-10pm EXHIBITION ON VIEW: Sat. + Sun., Dec. 8 + 9, 12-6pm
On Friday, Dec. from 7-10pm, Fowler Arts Collective presents YEAR TWO, a group exhibition of postcard-sized works sent from artists all across the United States, our annual birthday party celebration, and year-end fundraiser and raffle. All of the work in the exhibition will be affordably priced at $80 or below, so come ready to do some holiday shopping! Many local businesses have generously donated gifts and prizes to be raffled off at the end of the evening. See the amazing list of prizes below and RSVP on Facebook!
Centripetal Run explores parallels between gray situations in personal lives, and electromagnetic radiation that forms the universe.ÊThe sculptural arrangement is a theatrical cosmology, and the performer unfolds, negotiates, and psychologically challenges its matter of factness.
Alec Baldwin leads a lineup of stars, including Michael Showalter (The State), Wyatt Cenac (The Daily Show), David Furr (Shakespeare in the Park As You Like It) and Aya Cash (Sleepwalk with Me) performing hilarious and wacky fictions, just in time to cheer you up after the Thanksgiving doldrums. Hosted by B.D. Wong.
For over thirteen years Phil Elverum has been releasing beguiling records from and about the Pacific Northwest, first as the Microphones and since 2004 as Mount Eerie. Some standouts are The Glow pt. 2 (2001), Mount Eerie (2003), Lost Wisdom (2008), Wind’s Poem (2009), and now 2 companion albums for 2012: Clear Moon and Ocean Roar.
Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.
BROOKLYN BOOK FESTIVAL Brooklyn Borough Hall and Plaza SUNDAY, SEPTEMBER 23, 2012, 10am-6pm
On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.
In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.
On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.
In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.
Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection. Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques. His steadfast approach defines his meticulous attention for detail.
Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.
Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.
Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.
Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.
In this exhibition, Hegarty takes her point of departure from themes of consumption, lust,reproduction and greed. Playing with traditional still life and figurative painting, Hegarty cites as inspiration the cult comedy Little Shop of Horrors along with current newsheadlines concerning the enhancement and mutilation of body and food. These four new paintings metamorphose sculpturally, as the paintings burst, grow and propagate in bodily gestures, leading the overgrowth to travel ominously beyond the canvas boundaries.
Through choreography and manipulation, master puppeteer Hanne Tierney conducts an intricate counterweight system of over 100 strings, transforming a full stage of inanimate objects into the players of two emotionally charged tales.
Betty Cuningham Gallery is pleased to open its 2012-13 season with Nancy Davidson, featuring her inflatable sculpture, Dustup. This will be the artist’s first exhibition at the Gallery. The artist will be present for the opening reception. Davidson, a sculptor and video artist, is known for her unique media – larger than life inflatable sculptures – and for her interest in American icons and gender issues. In 2005 with the support of a Creative Capital Grant, she began her exploration on the myth and reality of the cowgirl. After researching western women’s history Davidson focused on the rodeo cowgirl.
Allen’s signature use of cutting and repurposing book illustrations has not vanished. Instead of the pulp fiction genre, Allen plays with 50’s era versions of clean cut youths and domesticated moms. His unmistakable talent for creating the illusion of 3D in photography with his deft cuts and crimps, establishes a magical world in which a boy and girl play tag creating their own kind of electricity, a milkman makes a very special delivery in space, young toughs play marbles with the solar system and a mother busily sews her own version of “string theory.”
David Stoupakis is an internationally recognized painter who creates eerie portraits of beings that appear wise beyond their years. The self-taught artist adds both haunting imagery and grim fairytale-like elements to his work to juxtapoz childhood innocence with macabre surroundings. InAshes to Sorrow, his new collection of drawings and oil paintings, David creates a continuation of his previous body of work-Walking with These Shadows./With his new work, Matthew Bone continues to explore the visual language he created as a child when massive unmonitored media consumption informed his worldview. A latchkey kid from an early age, pornography, comic books and movies formulated his ideas of sexuality, masculinity, and femininity- in essence reality and perception were sculpted by imaginary worlds steeped heavily in sensationalistic imagery.
Following his acclaimed project SEEK, featured as a 2011 TED Talk, Hembrey’s new work attempts to visualize his 20 year exploration of dark matter and dark energy (scientifically hypothesized to comprise over 95% of the cosmos). Hembrey’s paintings and sculptures are a collective meditation on the unseen structure of our universe. Painted with trompe l’oeil technique, the series Unstill Lifes attempts to visualize the tangible structures of matter pared down to bits. Ghostly wisps of smoke appear to the viewer at certain angles and improbable assemblages of matches, tree branches, and string appear to float off of the inky blackground.
Larsen is an accomplished painter who has always challenged herself to invent new styles and ways of composition. Her recent oeuvre marks a synopsis of previous works ranging between abstraction and figuration. Using modernist Russian constructivist paintings as a point of departure for numerous compositions, she also engages ideas of reverse perspective and conflicting vanishing points, as can be found in Japanese narrative scrolls. Her pool of inspirations is vast, ranging from masterpieces of Renaissance through 20th century art, to traditional Japanese puppet theatre, to photographs she has taken of classrooms and faculty meetings during her 35-year long Professorship in Florida.
Roulette with Ghostly International and Rvng Intl. are pleased to present an evening of electroacoustic music, featuring a rare US performance by Polish composer Jacaszek and San Francisco based Holly Herndon.
Paul Kasmin Gallery is pleased to present an exhibition of eleven 2012 still-life and jungle-landscape paintings by Erik Parker (b. 1968 Stuttgart, Germany; lives and works in New York City). Updating these traditional art-historical genres through the pictorial idioms and sly humor of satirical cartoons, psychedelia, and underground comic books, Parker’s paintings provide vistas into brilliantly colored worlds of semi-sentient flora and idiosyncratic geometries.
The members of Rusty Belle swagger between raw blues, tiny tangos, country waltzes and backyard symphonies. Sometimes a walk with the Roma, a twisted tale in metered time, or a yell-along-after-dinner drunken opera. A dance band that tries to tie your shoes together. The music is littered with dented paint cans, smashed up trashcan lids, old hacksaw blades, and broken glass. Like junkyard songbirds, they sing sweet through all the rubbage.
After seven years since Stephen Powers’ last solo exhibition in New York, Joshua Liner Gallery is pleased to present A Word is Worth a Thousand Pictures. In this new exhibition series, the prolific artist will present a panoramic assemblage of paintings that will occupy the entire breadth of the gallery. A Word is Worth a Thousand Pictures will consist of a multitude of enamel on aluminum paintings, ranging from 10-x-8 inches to 10-x-10 feet.
Choreographer Jonah Bokaer and artist Anthony McCall explore total motion in this breathtaking collaboration that places dance within an installation built from shifting avenues of light and spatialized, sonic images. Featuring four dancers as well as a special appearance by Bokaer,ECLIPSE utilizes the unique flexibility of the Fishman Space, with a four-sided seating configuration to create an utterly intimate experience between artists and audience.
LONG DISTANCE POISON play live music & soundscape to the film. Composer David First will be sitting in with LONG DISTANCE POISON on Friday and TELECULT POWERS member Matthew Regula will be sitting in on Saturday.
The Shirey is pleased to present Bushwick Blackout, an immersive multi-media exhibition and video screening of luminous works that twinkle and glow in the dark.In this exhibition, traditional gallery lighting is abandoned. The only sources of light are ultraviolet lamps and the works themselves. Emerging from the walls, ceiling, and floors, the works create a three-dimensional constellation, encompassing the viewer and transforming the conventional gallery space into a spellbound landscape.
A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.
Butoh Electra August 29 – September 8
Irondale Center The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.
Churner and Churner is pleased to present “On My Way Gone,” an exhibition of new work by Joanne Bittle. With an installation, over twenty-five paintings, and the artist’s first film, the exhibition is Bittle’s largest and most ambitious to date. This is her second show with the gallery.
The 22 is headed out this Saturday to check out Atlas Obscura’s tour of Newton Creek. We’ll have a full update afterwards, but in the meantime buy your tickets and join us! We will be exploring the petroleum and waste transfer districts of the Newtown Creek watershed in North Brooklyn. Heavily industrialized, the area we will be walking through is the heart of the Greenpoint Oil Spill and home to scores of waste transfer stations and other heavy industries. We will be heading for the thrice damned Kosciuszko Bridge, which is scheduled for a demolition and replacement project which will be starting in 2013. Photographers, in particular, will find this an interesting walk through a little known and quite obscure section of New York City.
“Battle on Bergen” is a site-specific performance incorporating elements of dance, street theater, puppetry, and live music, depicting certain events from the Battle of Brooklyn and drawing parallels between the American Revolutionary War and events today. Sometimes forgotten in the very neighborhoods where it took place, the Battle was fought on August 27th, 1776 weeks after the signing of the Declaration of Independence. ”Battle on Bergen” is co-directed by Selene Colburn and features David Freeman, James Hannaham, Aaron Stanley, Willis Bigelow, Alan Balicki, Katie Merz, John Bauman, Tyler Sussman, and J.J. Hill-Wood.
A celebration of the under-appreciated creatures that roam the planet. From the Australian Bilby to the deep-sea Magnapinna Squid, to the Saddleback Caterpillar. The songs are brought to life by a gaggle of curious instruments and peculiar sounds including theremin, claviola, stylophone, and more.. With Michael Hearst, Ron Caswell, Allyssa Lamb Ben Holmes and Kristin Mueller.
Day Joy is the creation of Peter Michael Perceval and Michael Serrin of Orlando FL. Their music began acoustically on the porch and recordings began with just the duo layering instrumentation together and and creating the lush and layered Dream Folk/Pop recordings you can hear now.
AFP returns to The Paper Box in East Williamsburg for a new monthly multimedia experience showcasing some of the finest emerging talent NYC has to offer. Most recently, AFP hosted “Brooklyn Beat Music and Arts Festival” at The Paper Box, and will continue the multidisciplinary arts experience with their new monthly series “Mixed Greens.” Taking place on Saturday nights the third week of each month, “Mixed Greens” will bring together a fresh new mix of musicians, artists, and DJ’s, creating an eclectic experience.
Sound Off is an intimate performance series of sound art and experimental music that connects audiences with composers, musicians, artists, and one another. It takes place in a simple loft: no stage, no curtain, and little distance between performer and audience.
The Australian so-called “graffiti artist” LUSH is having his debut New York solo exhibition at Klughaus Gallery on Saturday, August 25, 2012. Following successful shows in Australia and London, LUSH is going to be bringing his “Art” to the Big Apple.
A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.
Young and Reitzenstein combine pre-recorded sounds — ranging from oceans to railways — with two of Young’s stringed instruments, one wood and the other a prototype in aluminum. Their approach is a playful exploration of sound that integrates soundscape with unusual tunings.
Butoh Electra August 29 – September 8
Irondale Center The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.
Veronica Klaus delves into the amazingly broad songbook of the inimitable Miss Peggy Lee and brings her own sultry, smokey soulful style to some favorites and some lesser known gems from the Lee songbook, with the Tammy Hall Trio backing her, this is a great night of music for fans of jazz and the immortal Peggy Lee!
Neil Rolnick works for violin, piano and computer, with violinist Todd Reynolds and pianist Vicky Chow. Including Hammer & Hair, Digits, Fiddle Faddle and Robert Johnson Sampler.
Record release party for Harry Pussy’s Let’s Build A Pussy (1998) & One Plus One (1992-1993) with solo sets and a world premere duo performance by Bill Orcutt (one of the most influential noise artists of the 20th century) and “one of the most exciting drummers on the planet”, Chris Corsano.
Leland Sundries, a band from New York led by Nick Loss-Eaton, is dedicated to storytelling in a way that recalls Woody Guthrie and his Folkways brethren.Raquel and David are performing a rare duo set of past songs from their now defunct band, Norden Bombsight, and some of their new material from recently formed, Mesiko (Ray Rizzo, Chris Rodahaffer).”Taking her cues from the bold ladies of classic Americana country, Angela Perley’s vocal whippoorwill twang and down-home lyrics are so darling they will keep you up at night.
Neverheard Inc and Klerkx Art Agency will be presenting ICY AND SOT’s Made in Iran at Openhouse Gallery. The street art duo will be debuting at Openhouse 379 Broome in Nolita. Made in Iran will expose viewers to site-specific installation and new stencil work that has been seen on the streets of Paris, Turin, San Paolo, New York, and many other cities.
Critically acclaimed pianist TAKA KIGAWA will present a solo piano recital on Monday, August 27th, 2012, at 8:00 pm, at (Le) Poisson Rouge. Doors open at 7:00 pm. For this recital, Mr. Kigawa will perform Johann Sebastian Bach’s The Art of Fugue, BWV 1080 (complete.)
The Snow is a cinematic literary-pop quartet from Brooklyn, New York led by Pierre de Gaillande (Bad Reputation, Melomane, Morning Glories) and Hilary Downes. The Snow’s influences are as diverse as its sound – having been described in turns as post-apocalyptic French cabaret, gypsy pop, and carnival Americana.
MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.
Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.
FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need. join us tonight for their first annual holiday party and fundraiser.
Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.
“In October 2007, I rented a small white room on West 14th Street in New York City. I asked three friends to meet me there, and to bring anything they might like to share in the way of a poem or a quote or a picture. We sat in a circle on the floor and I explained that I wanted to start a sanctuary for artists, a regular gathering that would celebrate the creative spirit and those who keep it alive. We discussed the idea, and everyone shared their poems, pictures and quotes. We all agreed that a monthly event celebrating artists and creativity could be a very powerful thing. We all left feeling excited. I booked the room for a Sunday morning the following month. And so the Secret City was born.”
Ryan Feeney’s ‘Obscene Sunsets’ series of photographs explore the power and authority that image cultures have over our sense of reality while Ryan Macdonald’s ‘Pale in Compairison’ body of work explores how the phenomenology of nostalgia and narrative can disrupt our sense of stability in a normal world.
Opening Reception 6-9PM Friday June 3 Featuring demonstrations and a live performance by exhibiting artists.
Why does a minor chord sound sad? Is there a formula for the perfect hit? Whistling, dancing, finger-snapping, and toe-tapping—what makes us do it? Find out when music and science join forces in an interactive bazaar of beats, sounds, and rhythm in the exhibition BIORHYTHM, created by the Science Gallery and presented at Eyebeam as part of the World Science Festival. Learn what drives sound manipulation and discover how different types of music evoke different emotions. Trace the power of an impactful pop hook in a song, measuring the way our brains and bodies react, down to the responses in our fingertips.
Included works: Binaural Head; Sonic Bed; Klangkapsel; Something for the Girl Who Has Everything; Optofonica Capsule; Theremin Inspector V2; Music, Emotion, Empathy; Heart ‘N’ Beat; Reactable; Contacts; Hear, Hear; Traffic; Instrumen; Body Snatcher; Chains of Emotion. (READ MORE.)
June 4 – August 5th, 2011
Clifton Benevento is proud to present the New York solo debut of Los Angeles based visual and performance artist Wu Tsang, featuring video, collage and site-specific installation.
Central to the exhibition is DAMELO TODO (Give Me Everything), 2010, a hybrid narrative-documentary installation incorporating elements of Tsang’s lived experience organizing WILDNESS, a party/performance night for two years at the Los Angeles bar Silver Platter. The film depicts a fictional protagonist, Teódulo Mejía, a 15 year-old Salvadorian civil war refugee arriving to Los Angeles in 1985, who discovers community support among trans women at the bar. Based on a short story written by Raquel Gutierrez, and adapted to screen by Tsang, DAMELO TODO fictionalizes a larger narrative about the collaboration and tenuous coalition between the Silver Platter and the young artists of WILDNESS. (READ MORE.)
Featured artists: Delaney DelPonti, Bianca Dorsey, Jae Y Lee, Rebecca (Marks) Leopold, Steven Ketchum, Graham McNamara, Bridget Parris, Boris Rasin and Judy Richardson
Blood, Sweat, and Tears: the Work of Art and Tragedy endeavors to examine 21st century tragedy, disaster and renewal. The exhibition is an attempt to connect with contemporary artists who are also passionate about this theme. Nine artists were selected whose work explores a particular contemporary disaster, personal tragedy, or the rigor of cultivating new beginnings. As young adults who have come of age in the burgeoning 21st century, the curators of this exhibition are themselves well-versed in tragedy, disaster and renewal firsthand (as New York City dwellers) and from a distance. (READ MORE.)
Artists:
Peter Acheson, Hector Arce-Espasas, Maria Barbo, Genesis Belanger, Chris Bertholf, Erik den Breejen, Maria Calandra, Joy Curtis, Karen Dana, N. Dash, Carol Diamond,Ryan Franklin, Tamara Gonzales, Erica Greenwald, Xico Greenwald, EJ Hauser, Michael Hilsman, Rolf Jacobsen, Michael Kenney, Osamu Kobayashi, Jonah Koppel, Ben La Rocco, Elisa Lendvay, JJ Manford, Sarah Louden, Mike Olin, Craig Olson, Linnea Paskow, Alta Price, Nathlie Provosty, Christopher Rivera, Aaron Sinift, Elisa Soliven, Kol Solthon, Thomas Spoerndle, Deirdre Swords, Katherine Young
The art world experienced a caesura in the 1960s when the paradigm of the artist, working in solitary fashion, was taken apart by the advent of collaborative art. Through collaboration, the definition of what art was, and how it could be produced, shifted. No longer was the cult of the artist, producing a singular vision understood to be the only viable artistic model. Instead, this now re-evaluated model began to generate questions about authenticity, authorship,audience and methodology. Such collaborative projects as those executed by Gilbert and George, Martin Kippenberger and Albert Oehlen, Jeanne Claude and Christo, and Marina Abramovic and Ulay were instrumental in the development of such major evolutions in conceptual art as Body Art, Systems Art, Earth Art, and Performance Art.
The artists in Temporary Antumbra Zone have come together, collaborating through the lenses of painting, photography, video, and mixed media sculpture to promote collaboration as an invaluable mode of artistic production.
If you haven’t heard, this Weekend is Bushwick Open Studios. Bushwick waxes full of openings, events, and public art. http://www.artsinbushwick.org/
The Super Coda makes no exception:
Friday, 6/3. 7-10: Gabrielle Muller, Cafe Orwell’s new Art Director, will be presenting her first show, “Brooklyn Loves Philly”, featuring artists and musicians from both cities. Including:
Joanna Quigley, Kat Moran, Ryann Casey, Amelia Runyan, Paul DeMuro, Mary Price, Bobby Heinemann, Bobby Gonzales, Liz Thamm, Brendon Stuart, Gabrielle Muller, Austin Saylor Jackson, Hilary Price, Matt DeFillipo, Crystal Stokowski. Plus an outdoor installation by Oliver Warden, “Untitled Box”
The Art will be on display at the Cafe through July.
Saturday, 6/4. 9-midnight. The Super Coda presents Jazz that is all over the place and from all over the place. Featuring:
Kirk Knuffke – http://www.kirkknuffke.com/
Otra Gente (Luis Ianes/Carlo Costa/Ivan Barenboim)
Steven Ruel – http://www.purevolume.com/steveruel
The Booklyn Art Gallery is pleased to present MASTER OF REALITY, a group exhibition featuring works by Milano Chow, Cynthia Daignault, Gary Kachadourian, and STO.
MASTER OF REALITY includes drawings, paintings, sculpture and prints that alter our perceptions of commonplace scenery, find fodder in the mundane, and draw our attention to the handling rather than the objects themselves. The featured artists create an alternate dimension of familiar objects, carefully mimicking reality so that it is recognizable, yet altering it enough to uniquely capture their own way of seeing. (READ MORE.)
We’re creating an open and inclusive event that benefits the neighborhood by sharing artistic projects and encouraging community interaction and dialogue. BOS brings the neighborhood’s thousands of artists and performers out into the streets and in view of each other, other community residents, and the general public. (READ MORE AND SEE FULL SCHEDULE.)
The influence of comics on our culture continues to grow. From the pop fantasias of Hollywood blockbusters to the rawness and refinement of intimate memoirs—and everything in between—it’s impossible to deny the wide appeal of comics’ words and images. The theater, of course, is no less immune to its spell. This summer, The Brick will invite one of history’s newest art forms to meet one of its oldest—and, through collaborations between visual and dramatic artists, the form and content of comics will collide with the content and form of theater to create strange new hybrids across both media. (READ MORE.)
Although not officially open until Fall 2011, ROULETTE BROOKLYN will open its doors this June for a two day John Cage MUSICIRCUS as part of the Atlantic Avenue Art Walk!
A carnival of all things experimental, the Roulette Brooklyn MUSICIRCUS brings a cornucopia of musicians, dancers, video artists, and performance artists from all corners of New York City’s artistic community together for a celebration of chaos and and the harmonies of simultaneity. (READ MORE.)
In the middle of the Pacific Ocean, thousands of miles away from land, and humans, there is enormous floating reminder of the indelible mark we leave from afar. Called the Great Pacific Garbage Patch, the Plastic Vortex and the world’s largest landfill, the North Pacific Gyre is a combination of currents and carelessness that makes up what some suggest is a wasteland filled with plastic. Rife with fantastic sounding aquatic traps such as “ghost nets,” it is suggested that its collection is of such a scale that, as of yet, no one has been able to calculate its true size.
In a song by local Park Slope musicians Whale Belly, there is an interesting lyric “I know what I hate, I just don’t know why.”
The upcoming show Whale Belly is slated to perform in, Post Plastic Project at Littlefield in Brooklyn, plans to remedy just such ignorance through a feast of artists, musicians and comedians curated to raise money, and awareness for the environmental organization, Project Kaisei.
Discovered by chance in 1997 by oceanographer Charles Moore, the North Pacific Gyre is Project Kaisei’s main focus. Kaisei itself began in late 2008 when co-founders, Doug Woodring, George Orbelian, and Mary T. Crowley, found a need to bring attention and research to the growing problem of plastic pollution. In 2009 Kaisei launched its brigantine vessel (the namesake of Kaisei, meaning “Ocean Planet”) and an oceanography vessel called “New Horizon,” donated from partnering organization Scripps Institute of Oceanography. The mission was to collect and calculate data on the amount, type, and breakdown rates of plastic litter that is trapped in the middle of the ocean.
Some findings maintain that certain types of plastic are breaking down at rates much faster than imagined. Most recently the rate was a year or less for some materials to completely disintegrate and penetrate waters and wildlife, raising concerns about toxin levels in fish and other saltwater animals. Utilizing a variety of technological outlets to get their message across, Team Kaisei reports directly from the boat with updates on their findings, and even has a voyage tracker via Google Earth that allows you pinpoint the location, and view interactive message from crew members.
When I asked Lindsay Bourget, one of the curators of the Post Plastic Project, “Why Kaisei?” she answered directly, “I started this project because I wanted to find someone to donate to that made the most sense and they [Project Kaisei] made the most sense to me, because their number one goal is to capture the plastic vortex and that’s exactly what I was most concerned about, so it seemed like a natural fit.” Some debate remains about the severity and size of the litter in the North Pacific Gyre, along with concerns about disturbing wildlife in the effort to collect, as well as the idea that full collection of all the plastic is a Sisyphean task. Nevertheless when I asked Lindsay about her concern for the validity of such projects in the face these doubts as well as major global disasters (particularly oil spills) she acknowledged “it can be really discouraging, but then you think there’s only one way to really start making a change.”
Co-curator Laina Karavani adds, “Sometimes artists and musicians are the only one’s that people really listen to and can help illicit change, and that’s what this is all about, moving towards that change.”
Post Plastic Project will demonstrate by example, using soy ink, and semi-recycled paper in their printing materials through Long Island City based, ColorCoded, and party materials (cups, plates, etc) provided by SustyParty, a New York based company that provides a line of eco-friendly, biodegradable party products made from corn oil, tapioca starch and other recycled materials, along with a bin to collect and ensure compost.
The artists and musicians are pooled from both Lindsay and Laina’s art and design background. Lindsay currently works in packing and architectural design, and went to Colorado Institute of Art, while Laina is photographer originally from New Jersey. Laina moved to San Francisco to attend the Art Academy of San Francisco, and found herself in an environment of high sustainability expectations. Drawing from this experience and from a childhood where recycling was the norm, Laina and Lindsay were eventually introduced by a professor who thought they might be a good match (their birthdays are only two days apart.) As the project grew larger both realized that this kind of grassroots organization for a less dire cause might be exactly what people were looking for.
The show is a powerhouse in itself with fifteen artists, four bands, and two MC’s. Mostly local fare, the artists were friends of or approached directly by Lindsay and Laina, and much to their surprise, nearly all said yes. With the increase of sustainable forms of living becoming the norm in Brooklyn it was easy to see that Lindsay and Laina’s project provided the perfect outlet for supporters looking for a more manageable idea of altruism.
The line up for music is strong and ranges from the pipes of a classically trained opera singer (singing in a rock band of course) Little Grey Girlfriend, the upbeat and introspective words and sound of Whale Belly (Park Slope), The Robin Electric with nostalgic twinges of their Cleveland roots, and string band turned electric from Chicago, Panoramic and True.
There will be prints for sale, a raffle, giveaways and comedic relief with the help of couple MC’s Brooke Van Poppelen and Luca Molandes.
The show takes place this Sunday June 5th at Littlefield in Brooklyn
Doors open at 6, with a free art reception and $10 cover for the music.
All proceeds will benefit the effort of Project Kaisei.
(TOP video, Song: The Surface of the Ocean
Matt Lavelle: composition and alto clarinet
Jason Kao Hwang: viola
Lola Danza: vocals
Francois Grillot: bass
Recorded,mixed,and mastered by Francois Grillot http://www.myspace.com/mattlavelle
Friday May 27th, 8pm: François Grillot Contraband
Catherine Sikora – reeds
Roy Campbell – trumpet
Anders Nilsson – guitar
Daniel Levin – cello
François Grillot – bass and compositions
Jay Rosen – drums
Rhythm in the Kitchen Music Festival @ The Church of All Nations 410 West 57th Street, $10
The ever-changing arena of contemporary art presents endless challenges for those who find themselves caught in its currents. From white cube gallery exhibits to brick wall paste-ups and graffiti, the push and pull of what is important, relevant, or dismissible can be both distracting and empowering. (READ MORE.)
SUPERCODA PRESENTS:
Show 1 (Friday, 5/27. 9-midnight) : Mamie Minch, Eliza Rickman (LA), Anomylos @CAFE ORWELL.
http://www.myspace.com/mamieminch -
As devilishly funny, irrepressible and irreverent as the former Roulette Sisters frontwoman is live, a lot of this album is rivetingly dark. Minch’s solo debut is a sparse, terse collection of both original and classic acoustic blues songs, several of them imbued with Minch’s signature wit, but it also shows off an altogether different side of her writing. As any good blueswoman knows, the blues can pack a mighty emotional wallop, and Minch sings with an unflinching honesty, even anguish in places. Minch’s soulful, passionate alto voice resounds over old-school instrumentation.
Come celebrate the end of another season at the Poetry Project! The Poets’ Potluck is an opportunity for New York City’s poetry community(ies) to come together for an evening of readings, performances, and delicious food. An array of writers from the Poetry Project series as well as other local reading series will read/perform their work. Any one interested in bringing a dish for the potluck will contribute to an amazing feast. If you’re interested in bringing food, please email Brett Price at fridaynightseriesp@gmail.com.
VIDEOROVER: Season II Curated by: Rachel Steinberg
May 27 – Dec 17, 2011
Opening Reception: Friday, May 27, 7-9 PM
Screening begins at 8 PM
910 Grand St Brooklyn, NY
NURTUREart Non-Profit is pleased to present VIDEOROVER: Season II, the second installment of its semi-annual video series. VIDEOROVER: Season II is curated by Rachel Steinberg and features artists: Fatima Al Qadiri and Lyndsy Welgos, Cecilia Bonilla, Juan Pablo Echeverri, Derek Larson, Dana Levy, Pernille With Madsen, Colin Snapp, and JULIACKS.
VIDEOROVER seeks to present a wide range of works from artists locally and internationally who are all working to expand the perceptual limitations of video. This season’s selection aims to disorient viewers by removing an essential reality context, only to redeposit them into seemingly familiar settings.
Dana Levy, Fatima Al Qadiri and Lyndsy Welgos explore the pluralism of eastern and western conventions by looking at traditions through a contemporary perspective. Cecilia Bonilla examines our relationships to the seductive nature of commercial images of women through minimal manipulation, while Juan Pablo Echeverri shows us a self-projected fantasy of mass-produced femininity. Colin Snapp acts as a ‘journalist’ of sorts, documenting moments of real-time, but relieving the viewer of imposed intentions. Pernille With Madsen dizzies and disorients us with a vision of how to imagine architectural surroundings. Derek Larson’s playful experimentations extend through other worldly humor while JULIACKS’ narrative pulls back and forth between a character’s inner psyche and external world. (READ MORE.)
See “Knitting is for Pus****” for the last time (in NYC) and like never before… with a **SPECIAL BLACK LIGHT PRESENTATION!**
On Friday May 27th, 2011 Christopher Henry Gallery NYC will host a Closing Party for Celebrity Artist OLEK. Olek’s acclaimed installation “Knitting is for Pus****” has created a total sensation since it 1st opened back in September 2010. It traveled to SCOPE MIAMI, and was extended repeatedly due to pop…ular demand and endless press requests… next it will be highlighted in a traveling museum show called “40 Under 40″ opening at The SMITHSONIAN Museum in 2012!
Two terrific improvisers are on tour and will be performing one night in NYC , Joe Burgio and Andrew Eisenberg, two of Boston’s most creative and strongest performers.
Carol Liebowitz (pno)
Adam Caine (gtr)
Claire DeBrunner (bsn)
Ratzo Harris (bs)
Joe Burgio (movement/dance)
Andrew Eisenberg (percussion/found objects)
Chris Welcome (gtr)
Shayna Dulberger (b)
Elliot Levin (sx)
Tom Zlabinger (b)
John Wagner (dr)
Take the 61 bus to Ryerson from jay street the AC and F trains transfer at jay street. The 54 bus is also a good option. You would take it to the bus stop b/t ryerson and grand. the subways that transfer are the 2 and 3 at Hoyt St as Well as the BMQR at Dekalb ave. Also the L train takes you to the 61 bus at N 6 and Driggs. You Could also take the G Train to Classon.
Join Marguerite Dabaie and tons of rad zinesters at Pete’s Candy Store for the upcoming Mini Zine Fest!
Saturday, May 28th
3PM – 7PM More info
Pub(l)ic Identities: Reading Medical Representations of Sex
An illustrated lecture with medical artist Shelley Wall Date: Saturday, May 28th
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy
“It’s a girl!” “It’s a boy!”… The genitals, those body parts conventionally expected to remain most hidden, are also the first and most powerful shapers of our public identity. In this illustrated talk, medical artist Shelley Wall considers how sexual anatomy, gendered bodies, and dimorphic sex have been represented in the visual discourse of medicine. From early anatomical atlases through to present-day clinical illustrations and the Visible Human datasets, medical imagery has influenced ideas about sexual identity and what it means to be “normal”.
540 W. 26th Street, Chelsea
In Nocturnes, Bickerton’s third solo exhibition at Lehmann Maupin, the artist revisits mankind’s antithetical attraction and repulsion to the grotesque, exotic, and sexual. Whereas previous works depicted abundant worlds of health, happiness, family, and cohesion, Bickerton has become disillusioned with the brilliance and wholesomeness that colored these preceding works, now drawing inspiration from the phrase ‘twisting and flapping in the neon wilderness’. For more information and to view images from the the exhibition,Click here
Show 2 (Saturday, May 28th 9-midnight): Nick Lyons Trio, Yoni Kretzmer Double Bass Quartet (Yoni Kretzmer/Ruben Radding/Sean Conly/Mike Pride), Jessie Nelson Trio (Jessie Nelson/Todd Martino/Conner Martinez)
Works by: Chris Astley, Carlton DeWoody, Ethan Long, Steven and William, Suzanne Sattler, Chris Dunbar, Antonia Wright, Ruben Millares, Wayne Adams, Paul Bloodgood, Sally French, Allyn Bromley, Stephen Freedman, Deborah Nehmad, Evan Ryer, Michael Joaquin Grey, Project Lab @ PS58, Aaron Padilla, John Silvis, Anne Pearce, Andrew Zuckerman, Jennifer Mills, Robin Kang, Ian Trask. Artists Bios here
Through a variety of processes connected to the act of weaving, Through The Warp presents seven different approaches to the same overarching structure—material building upon material via linear repetition and overlap. From woven fibers and pigments to language and pixels, artistsJoell Baxter, Karl Erickson, John Houck, Beryl Korot, Jamisen Ogg, Mike Paré and Lawrence Weiner engage with this ancient framework in ways that warp prior perceptions of familiar structures, or even put forth a new language altogether. (READ MORE.)
SUNDAY: MAY 29th
Class: Mummification @OBSERVATORY
Date: Sunday, May 29th (sold out, but see newly added class info here)
Time: 1-4 PM
Admission: $60 *** Must RSVP to morbidanatomy [at] gmail.com in order to attend this class; Class size limited to 15 people
In today’s class, learn the mummification process as described in the “Egyptian Book of the Dead” (Book of Coming Forth By Day). Instructor Sorceress Cagliastro will guide students in the use of the traditional materials–such as natron salts, canopic jars, oils and herbs, dried flowers and linen or gauze wraps–and traditional ritual–such as ritual of the opening of the mouth–in the creation of an authentic and perfectly respected animal mummy. Each student will leave class with an animal mummy of their own making. (READ MORE.)
Sunday, May 29th, from 6-1030, Papacookie Hosts a Special Super Coda Soundproofing Benefit Wonderful Show Time Vegetarian Potluck, Festively. Featuring:
Papacookie is a private residence apartment fantasy world atop the Upper West Side. Here’s the address:
201 W. 86th st. The Belnord
Apt. 806 (tell the doorman you are here to see Jonathan Vincent)
Non-flesh potluck at 6
Exquisite Music to begin at 7.
We will be asking everyone for donations. This show is a fundraiser to soundproof Cafe Orwell so the Super Coda may continue.
Here’s the Kickstarter campaign we’ve been running so you know what I am talking about -http://www.kickstarter.com/projects/827158541/keep-the-super-coda-living-through-creative-soundp
Jim Sullivan at Nancy Hoffman Gallery
May 26-July 1, 2011
The next exhibition at Nancy Hoffman Gallery will be new graphite drawings of trees by Jim Sullivan, opening on May 26th and continuing through July 1st. This is the artist’s
first solo show in six years, and reveals a new vista onto nature. His last show included a series of horizontal landscapes, wide cinematic views into invented
detailed oriented oils. The artist delighted in painting myriad details. These were obsessive paintings,
and as the artist says: “The new drawings, the work of the past five years, present the same viewing issues
as the long landscapes, in that they have normal viewing distance but offer a close scrutinizing experience
(of infinite detail) on closer examination.”
The Dream Music Puppetry Program’s feisty showcase of tidbits, characters & shorts from the pinnacles of the puppet community. And after selling-out the last two Parlors, we’ve decided to add an additional show! Featuring:
Hanne Tierney
Malgosia Szkandera
Joey Arias
Basil Twist
Chris DeVille