Filed under: ART, EVENTS, PAINTING | Tags: adel, arcadia, brosio, casey, cogan, connelly, Contemporary, daniel, john, jonathan, kim, lipke, malcom, micahel, new, painting, Rosenfeld, sam, show, skollar, small, steven, t, the22magazine, viner, Woolf, works, york
Filed under: ART, DRAWING | Tags: Contemporary, drawing, garrison, henry, painting, repackaged, richard, robert, the22magazine
Repackaged is a continuation of Richard Garrison’s analysis of ubiquitous materials, objects and places from the suburban, often consumer related, American landscape, such as Sunday newspaper sale circulars, parking lot colors, product packaging, Disney World and Wal-mart, among others. Garrison’s recontextualization of aspects of consumer culture affords us a new perspective on commonplace objects, places and experiences. (read more)
Filed under: ART, COLLAGE | Tags: 22, art, artist, ashtan, brooklyn, collage, Contemporary, creation, forms, installations, magazine, mixed-media, new, sculpture, the, transdisciplinary, visual artist, york
Filed under: ART, INTERVIEWS | Tags: 22, an, and, art, bryant, classic, comic, Contemporary, film, interview, jason, magazine, Mirrors, monsters, porter, skateboard, smokea, star, the, with
The 22 Magazine: So first the basics, where are you from, how did you end up in NY?
Jason Bryant: Well, I was born in Wilson, North Carolina. I was introduced to painting and drawing roughly when I was five and my love for art was immediate and without question. I was lucky enough to have people around me support this passion, to give me hope that the dream to be an artist can be a reality. Art was always a bright light that helped me get through a turbulent childhood. After getting my Masters from The Maryland Institute College of Art, my girlfriend at the time got a job in NY. Very reluctant and intimidated to move so quickly, the path was set for me to end up in NY.
The 22: Your bio says you are “heavily influenced by classic film,” tell me a little about that. Where did this love arise from? Who’s are some of your favorites?
JB: Film, to me, has always been an escape. Like painting, it sends us on a journey where we take what we bring into it, but always come out of the viewing process a little more informed and with a different perspective. There is something so elegant and clean about how black and white film translates to the viewer. It is very baseline and straight forward in its approach. Brando, Newman, and Grant are all some of my favorite actors. They were an actor’s actor, not afraid to take chances and capable of delivering powerful performances with effortless delivery.
The 22: Your upcoming show “Smoke and Mirrors,” from what I gathered, is meant to convey the trick of making something seem better than it is while simultaneously conveying its vulnerability? Why did you chose this topic? What relevance does it have for you or the “stars” you portray?
JB: That’s exactly it. For “Smoke and Mirrors” I simply wanted to create a show with a double meaning. Every work in the exhibition is a painting based off a film still where the actor is either smoking or viewing their reflection in the mirror. I wanted to create a show where the paintings are beautiful and lavish, but once you read the title or look to see what is happening on the surface of these polished works, you start to see where there are “cracks in the faux finish.” I did not want to be overly dramatic in trying to convey the concept. I did not want to have paintings where the subjects were like pulling back their skin revealing all of their inner demons–nothing that dramatic and in your face. I wanted the concept to come forward subtly while keeping with the conceptual “sleekness” of my paintings.
The 22: How does skateboarding culture fit into your artistic practice?
JB: I started skateboarding when I was 11. Skateboarding, like art, will be a lifelong love affair. It gave me an identity at a young age and it opened up my world to new ways of artistic expression. Most of all, it gave me lifelong friends who will always be like family. Since I can’t physically skate at the high level I once did, it’s fulfilling for me to bring skate graphics into my work and even paint directly on to skateboards like I’ve been doing the last couple of years. That is where the “Merging Icons” series was born. I wanted to merge iconic skate graphics with iconic film stills, basically combining the two most influential elements in my development as a person and as an artist. I love the effects and changes that my hand brings to the works, like I’m the instrument of combining two great passions. I’m actually working on a piece right now that will bring a third passion into the mix and I’m using a new medium. That’s all I can say at the moment!
The 22: Do you still skateboard?
JB: I still roll around, but at the age of 36, let’s just say I’m not going to go do a Tre-flip down eight stairs. Nowadays landing a kick-flip brings a smile to my face, but that is the point, it’s a joy that never goes away.
The 22: What is important to you about breaking the ”frame” of a piece, painting directly on the wall?
JB: With the success of the “Merging Icons” I wanted to push the series forward to where the skate graphics would be breaking outside of the “frame” of the canvas and onto the wall. I got the opportunity to try it out at the Pulse Art Fair here in New York in May and this method will be a big part of “Smoke and Mirrors.” The graphics will be traveling all around the walls of the gallery creating a space in which the paintings and the graphics become the metaphorical “walls” of the environment in which the viewer has entered, bringing the viewer into the world of the paintings where each piece is connected to another through the graphics. The gallery agreed to shut down for a bit so I could do this, which is really great of them.
The 22: You talk about graffiti really brightening up the city in the winter. Are there are specific graffiti artists you admire? What about other painter’s?
JB: My approach is in some ways influenced by graffiti and how street art is used to engage the viewer with the mundane everyday structures we live around. I look at some street artists such as insa and r.o.a. Artists that influence my work are Damien Loeb, McDermott and McGough, Jeremy Fish, Kehinde Wiley, Marylyn Minter, Banks Violette. I do of course have my painting heroes such as Chuck Close and Barbara Kruger.
The 22: There’s one piece in your work that is really interesting, which looks like James Dean being arrested and has the tagline “What’s the matter guys…didn’t you make your quota for the month?” How does this piece fit into your work? Is it a reflection on recent New York events?
JB: I had been developing three different bodies of work for the past four years that were shown in 2010 in a solo exhibition titled “Trilogy.” One piece which was the highlight of the show was a painting titled Paperwork and Quotas. It is a scene from The Wild One starring Marlon Brando. I simply recreated the film still, drawing and painting it in my normal style but then I added my own subtitles as a part of my “Text” series. I added subtitles that illustrated the film still but has a very contemporary meaning. The painting itself is the foundation trying to communicate struggles within any political system, not just law enforcement and how there is a “bottom line” in any profession that is at times unfair and unjust.
The 22: Another compelling piece is the “rainbows don’t mean shit” piece. What’s going on there?
JB: That piece is titled Happiness. The subject is a very elegant image of a woman staring off in sort of a daydream type of gaze. Her eyes are covered by a fun graphic of a rainbow bursting into the black and white picture plane. It seems to be a very fun and happy piece until you read the text “rainbows don’t mean shit” beneath the rainbow graphic. I simply wanted to have fun in sort of the sarcastic jaded way we view the world today. At the same time though it is commentating on one’s struggles in dealing with the “politics of a profession.” Maybe it is saying that a strong work ethic, talent, and integrity to how you approach your profession is not enough to fulfill a dream, especially not today. Maybe we have lost sight of those values.
The 22: Since so much of your work is based on counter-culture elements tell me how Porter Contemporary (as a Chelsea gallery) became the home for your work and what they offer to an artist like you.
JB: Although my work is based on counter-culture subjects balanced with elegant black and white cinematic imagery, at the core of my work is a foundation built upon a love for the history of painting. The works are highly technical and refined using a traditional approach to painting. This caught the eye of Porter Contemporary in 2006. They were a young gallery, having just opened, and I had lived in New York for just under a year. We have had a great working relationship because the gallery and my work have been able to grow together. The Gallery owner, Jessica Porter, has an incredible work ethic and integrity that is the backbone of the vision for her gallery. It is very inspirational to be around and it has been very exciting to watch the gallery grow along with my work. It is rare that a gallery and artist get to experience growing together with the same basic principles and a certain amount of integrity intact.
Filed under: SHORTLIST, Uncategorized | Tags: aka, Always, Andrea, Anton, art, at, at Parallel, BOSI, Braun, Bujdoss, Contemporary, Days, Dupuis, field, fuse, gallery, HALCYON, in, inside, It's, Jaffé WAPPEN, JAYSON, judith, kern, Michelle, MUSSON, on, queen, Space David, Sunny, the, Typograff, von
A few artists worth an extra look this week…
Parallel Art Space proudly presents Pressing Matter, a three-person art exhibition featuringJudith Braun, Antonia Perez, and Hilda Shen, who fashion the material components of their work almost entirely by hand (pressing, folding, turning); resulting in finished products that are monumental, insistent, and imbued with a gravitational presence that belies the human span of their creation.
Wappen Field is a sculpture and sound installation comprised of 12 chrome plated steel helmets resembling face guards. Running through SuperCollider each helmet’s dedicated speaker animates the room with vocals and extended voice techniques created for this work by Ayelet Rose Gottlieb. The sonic configuration imagines the collective unconscious as energy propelled between the yin and yang impulses of the universe.
The title itself is comprised of two somewhat contradictory parts: Itʼs Always Summer and On the Inside, which is unusual in that Summer typically conjures images of the Outside. This conceptual bridge between the two distinct parts of the exhibitionʼs title functions like a Zen Koan and forms the crux of the exhibition. Which begs the question: what or where is The Inside?
“The thing I found most alluring about Coogi sweaters was how painterly they were.They seemingly lingered on the borders of gestural abstraction. I made the joke, “That Coogi looks like a Pollock”. Over the course of the following weeks, I began collecting images of the sweaters, studying their composition. They seemed to defy the traditional logic of the textile, opting instead to appear spontaneous and created by hand rather than machine-made. Each sweater, though a manufactured object seemed to seek its own authenticity. Even the old Coogi slogan “Wearable Art” seemed to confirm the desire for each sweater to be considered an objet unique, a specialized commodity.”
Andrea von Bujdoss (AKA graffiti surname “Queen Andrea”) is a New York City based fine artist, illustrator, graffiti artist and graphic designer. A native New Yorker, Andrea was inspired by the urban landscape from an early age, and befriended some of the most prolific old school graffiti writers. She earned her BFA in Graphic Design from Parsons School of Design, after which she began a successful career, working for worldwide brands who appreciate the urban creative flavor of her work and her versatile and passionate knowledge of typography, branding and visual communication. She is one of the most skilled and notable female graffiti artists in the country, possessing an explosively creative style inspired by the excitement of the urban landscape. Andrea has been featured in major art shows, toy shows, magazines, books, fashion lines and brand collaborations.
Filed under: THE WEEK/THE WEEKEND | Tags: 1, 12, 1916, 1960 Guernica, 2012, 2012 Workshop, 22, a, and, archive, Armstrong, Arnold, art, Art Radical, artist, artists, arts, as, baby, Band The, bang, be, Boss, brent, brooklyn, by, cage, cheap, chris, city, Comedy, computer, Contemporary, Copperhead, culture, curated, day, Day Queers, DELIGHTS Object, dr, Drew, duo, e, Education, every, experimental, festival, fireside, Follies Optipus, for, Fritz, from, ghost, hard, history, How, Hut, III ITINERANT, illustration, Imitation Bryan, in, inch, Insides, interesting, Jacobs, jason, jazz, john, KAHN, Kembra, Kraus, Laboratory panoramasfoldslosthorizons Ladies, Lessons New, LIBERTY, living, Localism, Loughlin The, louis, machine, magazine, magic, Maillard, Man Flash, medicine., Mexicali, modern, MODERNITY, montreal, music, new, Nips GIVERNY, Nuevo’s, ny, nyc, of, old, on, Orchestra Baby, Orders MICHAEL, out, OWS, performance, Pfahler Beyond, popular, Project Same, Pueblo, recent, Revival, RHETORIC, rich, Right, rose, Salon of, SAPPOL, Satie, scientific, SEMINAR, share, show, SODA, solo, space, Space Ken, surreal, Synchroneity EARTHLY, the, times, to, together, tour, train, Tribute Nari, V, very, Video, visual, w, ward, week, WHAM, with, works, Works Load, writing, X NewOp, york, Zanisnik
Drew Maillard Solo Show: “Living In Interesting Times”
MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.
Filed under: Uncategorized | Tags: 22, art, artist, artists, arts, aureus, brooklyn, collage, Contemporary, gallery, immer, magazine, new, ny, nyc, P, painting, surreal, the, william, york
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BROOKLYN FOLK ARTS DAY
Filed under: THE WEEK/THE WEEKEND | Tags: a, Ages JohnKelly Find, AJ, al, all, an, and, Andrews Electronic, art, Art Night, as, Awards, Ball Manly, Bathers, BEAR BAT, BedStuy/UWS/Cobble, Bellona, Bigbee, car, carter, Cash Music, century, Century Allison, Ceremony Featured, concert, Contemporary, Darkness, day, Derivatives Rental, down, Down VANISHING, Duncan DEJA, duo, Eddie, elana, Ensemble Tiny, FALLS DARKNESS, Falls INTRODUCTION, Feige, Festival ALARM, Festival Don’t, Festival William, Festival Clearwater, film, from, FrostAirplane, george, Go Brett, group, hall, HALVORSON Blouse, Hell RE/Mixed, Hill/Stu, History Shahzia, home, Home ABANDONMENT, Honors, Huffman Mark, in, Indoor, Inside/Outside Mad, is, Jayhawks Rosanne, JibadeKhalil, joan, Jorden SONIC, KAWAGUCHI, Komunyakaa, LABAZEVITCHLEVYATOV, Larkin, L², Letting, LIGHT NY, Light Paul, like, location, love, MCLEAN, me, media, Mode JESSE, Moth, Museum, my, natural, new, night, ny, OBSESSED RADICAL Poets, of, one, ONE UTOPIA, open, over, P, party, Pawelec, piano, play, poets, POINT Ernesto, powhida, PRESENTS ALL, Pujol, Qadiri GenreSpecific, Rally Rob, reception Home, recycling, Rehm Pamela, REMAINS Doomsday, REVELATION By, Revisited Alistar, Revisited Jacob, room, Roth, Screening BENEFIT, secret, Shakin, Show Ian, Sideways, Sikander Trust, sonic, sound, sounds, Sport PARTY, Starfest I, STETSON JOSEPHINE, StorySlam Doomsday, Studio International, sweet, teachings, that, the, Theater NYC, to, TOMOKO, Town Urban, Train) Fatima, TRUST, Try, Two BOY, UGLY, under, VINYL Rouge, VU Doxita, WASTE, way, Wein The, will, Xperience Release, Yusef
Mathilde Aubier, Paul Burgess, Cless, Virginia Echeverria, Fred Free, John Gall, James Gallagher, April Gertler, Ashkan Honarvar, Colin Jenkins, Gordon Magnin, Clarita Mata, Jeffery Meyer, Tom Moglu, Randy Mora, Julien Pacaud, Lilly Pereira, Dave Plunkert, Ciara Phelan, Eduardo Recife, Kareen Rizk, Javier Rodriguez, Valerie Roybal, Katherine Streeter, Leigh Wells, Charles Wilkin, Lionel Williams, Bill ZindelFrom its abstract roots in Cubism to the political and counter culture movements of Dada and Punk, collage has always been a product of its environment. With the rise of 24 hour media cycles, social networks and search engines, contemporary culture has effectively rendered print media obsolete, creating a virtual boom in discarded paper ephemera for collage artists to examine and reinvent. Through these discarded remnants collage artists have become the archivists and activists of this post modern age, paralleling the frenetic pace in which we live while exposing the voyeuristic and often disjointed nature of popular culture.INTERVIEW WITH THE 22.
Doomsday Film Festival
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MoMA Premiere: Through the Weeping Glass: An Evening with the Quay Brothers
September 24, 2011
As part of a limited three-city tour that includes premieres in Philadelphia and Los Angeles, MoMA presents the Quay Brothers’Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum), a new work by the American-born, British-based independent filmmakers. In the tradition of their prior museum documentaries—The Phantom Museum (2003), on London’s Sir Henry Wellcome Collection, and Inventorium of Traces (2009), on Poland’s Lancut Castle—the Quays return to the city where they began their education as graphic designers to explore the medical collections of the Mütter Museum, part of the College of Physicians of Philadelphia. Examining obscure archives, antique volumes, and artifacts, Through the Weeping Glass investigates marvels of pathology and anatomical oddities, finding poetry in the ill-fated, true-life stories of the “ossified man” Harry Eastlack and famed Siamese twins Chang and Eng Bunker. The documentary Behind the Scenes with the Quay Brothers, shot during production ofThrough the Weeping Glass, also premieres. Directors Stephen and Timothy Quay will be present to discuss the film with writer David Spolum and moderator Barbara London.
Filed under: THE WEEK/THE WEEKEND | Tags: 2011, 826NYC The, 92nd, a, about, ABRONS, Alan’s, Alexis, Alive Mortified, Allan, almost, an, and, AND ROBERT, are, art, artist, Arvo, at, Atsuro, AUDREY, Awai, “The, Backroom, Baez, BALLROOM Sacred, BAM, BARBES PAINT, bell, benefit, BERNARD, BloK!:, broadway, building, Buildings Jazz, by, canonge, Canonical2011, Careening, CATTIN, center, CHAMBERLAIN, Childs, Cinema Breaking, CIRCUSAaron, city, clown, club, Cohan, COHEN, color, Comedy, community, Contemporary, Corporation, Creators”, curated, DANDAN, david, de, deborah, DECADES Aliza, DILLON–NINE, dixon, drawings, Drunken, early, EDMUNDS, Effective, egg, Eliazarov, emerging, england, EPIGRAPHS, Estéreo w, eugene, Eve, evening, Exhibition PITCH, EyeALIEN, FEEDFEED Nicole, fellowship, feminist, festival, Festival Mike, FestivalNow, film, for, FORDProject, FOUNEX EAF11, Freedom, from, gagosian, gallery, GALLERY Bomba, geeks, germany, Gershwin, gets, gowanus, GRAPHEMES, great, GRECO, group, GUEPIN Puppet, Habits, head, hector, Hempel, Highly, HOLLY, Hotel ANDREW, HOTELMOTEL, House Amoralists, Hundley, Huntington ARIAS, i, in, installation, is, ISCP, It…Color, james, Jean, joan, johnson, JUSTIN, Kenzo, Klabin, KONTRABAND, Landau, last, Le, lesbians, living, Lukoil, michael, Miller, Minami JAMES, Minday, Mind’s, Mirman, MOTEL, MOUNT, Moyer, muriel, my, Navegante and DJ, new, next, Nocturnal”, not, ny, nyc, o, ocean, of, of stillspotting, off, on, open, out, Paintings “We, paper, Parigi, part, PARTY Kevin, Paul, People Jeff, performance, peters, Photography Carrie, Photography EDWARD, Pictures Art, PLACE LJOVA, planet, Plus, poetry, poisson, presents, PRINTING O, profane, Prom, Promised, PUNCHED, Rama! Lesbians, Reddy, Reflections, RH, RHV, richard, Riley TABAIMO, Rip, RIVERS Lothar, Rockass, Rodolpho, Rooftops, rose, rouge, Rufus, science, secret, see, Seeing, SERRA, seven, Shapero This, show, six, Snøhetta, space, Spaces, Srikanth, st, station, stefanos, STEICHEN, stone, Suedehead The, SUNS, Sussman, Sustain Marc, symphony, the, theatre, the 2011, THEORY JOHN, to, tsivopoulos, twist, U, Undone LIVE, VAMPIRE, VIVIANBOND, VOGT, WALDEN), want, wave, WEDDING, were, with, work, works, Works IMAGINE, Writers According, Wuyts, Y The, york, you, Zhao
ARIAS WITH A TWIST @ABRONS ART CENTER.
September 14-October 16
Wednesday-Saturday | 8 pm
Saturday Late Show | 10:30 pm
Sunday | 7 pm
This updated version of the original deliriously madcap fantasy once again features the soaring song stylings of demented diva Joey Arias surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers under the direction of Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards in addition to some original tunes by Alex Gifford as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements.
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WHITE SWALLOW READING SERIES: B.C. EDWARDS LL BEN FAMA LL ELY SHIPLEY @ CORNELIA.
Tuesday, September 6 · 6:00pm - 7:30pm
B.C. EDWARDS lives in Brooklyn. He is the recipient of the 2011 Hudson Prize put out by Black Lawrence Press which will be publishing his collection of short fiction, The Aversive Clause in 2012 and his collection of poetry From the Standard Cyclopedia of Recipes in 2013. His work can be found in Red Line Blues, The Sink Review, Food-i-Corp, Hobart and others. His short story “Illfit” is being adapted into a piece by the Royal Ballet of Flanders. BEN FAMA is the author of the chapbook Aquarius Rising (UDP 2009) and NEW WAVES (Minutes Books). He is the founding editor of Supermachine Poetry Journal. His work has been featured in GlitterPony, notnostrums, LIT, Poor Claudia, and on the Best American Poetry Blog, among others. He has contributed tips to gawker, words to urban dictionary, and has an ongoing correspondence with Lady Gaga. ELY SHIPLEY’s first book, Boy with Flowers, won the 2007 Barrow Street Press book prize judged by Carl Phillips, the 2009 Thom Gunn Award, and was a Lambda Literary Award finalist. His writing appears in the Western Humanities Review, Prairie Schooner, Diagram, Gulf Coast, and elsewhere. He holds a PhD in Literature and Creative Writing from the University of Utah and currently teaches at Baruch College, CUNY. Hosted by Angelo Nikolopoulos $7 cover includes a house drink.
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The Architecture of Devotion group show continues this Friday, July 1st with a night of great music by returning players: Apocalypse Five and Dime, Morgan O’kane, and Crooks and Perverts. These guys put on an amazing show with us back in April with moments like these:
Apocalypse Five and Dime will be releasing their new album “Ballads for the End Times” on July 1st, this is your first chance to get your hands on it!
If you missed the show last weekend or just need a healthy dose of seconds, come on out and join us!
ABOUT THE SHOW:
The Architecture of Devotion is a large scale group art, music and performance event hosted by the Gowanus Ballroom.
The exhibition transforms the cathedral-like Gowanus Ballroom, a nineteenth century steel mill and current home of Serrett Metalworks, to interrogate various representations of the sacred and profane.
Works including stained glass, paintings embellished with gilt adornment, modern reinventions of medieval retables, a cabinet of curiosities, and an enchanted grotto form an installation that explores themes of spirituality, mysticism and religion. Revisiting historic interpretations of divine presence through a contemporary lens allows artist and audience to reconsider what might at first glance appear mundane.
THE MOVIE LIBRARIANS FILM SCREENING WITH A.G. GRAHAM
DUMBO ARTS CENTER
JULY 1 ZARDOZ, dir. John Boorman. 1974
– Institute of Museum and Library Services
Dumbo Arts Center’s current exhibition is (The Missing Library). This summer, artist Annie Shaw has invited five artists (Jen Kennedy & Liz Linden, Marie Lorenz, Michelle Rosenberg and Angie Waller), an architect (Lori Brown) and two librarians (A.G. Graham and web-specialist Nate Hill) to turn DAC into a civic, non-commercial public space in the form of the Dumbo neighborhood’s first library. The project encourages contemplation on how libraries’ function, physical space, and role within communities is changing as the content libraries have traditionally housed migrates to a digital form.
PABLO MALAURIE. Pablo Malaurie hails from Buenos Aires playing original folklore on banjo and ukelele, songs that are sweet, timeless and oddly global. Soaring melodies evoke geisha girls and Buddy Holly in equal parts. He scored a Romanian film that premiered at this year’s Cannes, Loverboy, and released El Festival Del Beso in Japan. Pablo’s voice can pierce through you in a painful tremelo and then soothe your broken heart with a pleasing, unexpected harmony. KCRW’s Jose Galvan says, “Malaurie combines both Japanese and South American folk rhythms with a minimalist approach. Some songs recreate traditional Japanese melodies simply using a mandolin banjo and a haunting falsetto. Others integrate rhythms more akin to indigenous music of the Andes. Add to that introspective lyrics and his affected Argentine accent and you’ve got the perfect soundtrack for a road trip in the Japanese countryside a la Motorcycle Diaries.”
Accordionist Rob Curto’s band plays Northeastern Brazil’s traditional “forró pé de serra” with a style born out of New York City’s diverse and dynamic musical culture. Forró is the accordion-based party music of the sertão, the dry interior of the Brazilian Northeast. Accordion master Rob Curto leads this ensemble which combines the classic brazilian Northeast forros of Luis Gonzagua and Jackson do Pandeiro with original compositions and improvisation rolled into an amazing dance party
Migration: MIN HYUNG, EUNAH KIM, MERIDITH PINGREE, GENEVIEVE WHITE
FREIGHT AND VOLUME
June 23 – July 30, 2011The life of an artist can be a nomadic one, for any number of reasons, amongst them financial, emotional and spiritual. In many instances, artists find more support and camaraderie in large urban areas, and for quite a few all roads eventually lead to New York (or London or Berlin). The four artists comprising “Migration”, the summer show opening June 23rd at Freight+Volume, are no exception.
Flux Factory is proud to present Specter Flux , an interactive environment and performance by artist-in-residence Peter Edwards, aka casperelectronics. The installation consists of three suspended orbs that glow at varying hues according to the sounds of its surroundings, including the ambient noise of the space and those made by the viewer. Its interior mechanism – a hybrid circuit using both digital and analogue electronics – transforms sound into an evolving display of multicolored lights. The performative element includes a constructed pyramid centered around a complex sound and light synthesizer that the artist plays. Viewers are invited to interact with the machine throughout the show.
This day-long event explores the practical, philosophical, and playful applications of the term “hacking.” Presentations and workshops will cover topics such as circuit bending, culture jamming, dumpster diving, email encryption, and the repurposing of waste items into useful tools. The symposium is geared towards providing visitors with foundational information in order to become hackers themselves. Hackposiumis part of Flux Factory’s Summer School program and is curated by Jaime Iglehart via New Age Beverages, in collaboration with Pete Edwards of Casper Electronics.
Demos of hacked objects and freegan snacks start at 4pm.
Talks and presentations start at 6 pm, and are followed by musical performances.
June 23 – July 10, 2011
“A highly stylized adaptation of Hamlet performed in Korean, Hamyul feels like a traditional drama that could have been performed in the ancient Korean court.” – nytheatre.comThursday – Saturday at 7:30pm
Sunday at 2:30pm
Hamyul/Hamlet is an adaptation of William Shakespeare’s play, Hamlet, Prince of Denmark. The play is set in one of the ancient dynasties in Korea. The original Prince Hamyul, a Korean adaptation of Hamlet by William Shakespeare was presented to Western audiences in the United States and Europe in 1977. Adapted and directed by Minsoo Ahn, Prince Hamyul was the first Korean theatrical production ever performed outside Korea, making an indelible mark on the history of Korean theater thanks to the late Ellen Stewart at La MaMa.
Michael Attias’s CLINAMEN ORCHESTRA@ THE STONE
SMALL TOWN MURDER SONGS @RERUN (DUMBO.)
THE TIGER AND THE SUNFLOWER: DECORATIVE TRADITIONS AND CONTEMPORARY VOICES IN JAPANESE ART @SCHROEDER ROMERO & SHREDDER.
MIDNIGHT HORROR SAT JULY 2 12AM @SPECTACLE THEATER
STEVE DALACHINSKY SHRINE IN HARLEM JULY 3 AFTER 8 PM
ILLUMINATING FASHION: DRESS IN THE ART OF MEDIEVAL FRANCE AND THE NETHERLANDS @THE MORGAN MUSEUM AND LIBRARY.
FILMS AND RED HOOK RAMBLERS @ JALOPY.
Filed under: ART | Tags: 22, america, arts, award, beth, board, book, britain, brooklyn, china, Contemporary, critical, dow, fellowship, frand, historical, issues, japan, land, magazine, mass, McKnight, minneapolis, minnesota, new, ny, nyc, of, photography, priz, refernces, state, the, use, york
Filed under: THE WEEK/THE WEEKEND | Tags: 22, 3rd, a, Adam Matta, affairs, and Rosanna Warren, animals, ansel, apress, art, artists, arts, b, bedford, between, birthday, black, blacklight, books, bradbury, brooklyn, bruno, budget, bye, center, central, chickens, cocktail, Colvin Grannum, conseling, consumer, Contemporary, Corporation, crossing, cullman, culture, cultureal, cut, cutting, Danny Simmons, day, department, department of, development, Domenic M. Recchia, dortothy, eamon, edge, elkins, empowerment, experience, fair, for, furies, gallery, gathering, gowanus, grennan, heaven, hell, in, information, ireland, itinerant, jamey, japan, japanese, Jimmy Van Bramer, joe, joe's, Jr., Kate D. Levin, kincet, kitty, kyle, lewis, library, light, lincoln, lounge, love, magazine, make, makerbot, Marty Markowitz, mcdonald, media, money, my, narratives, Ned Rothenberg, of, of financial, office, on, performance, personal finance, Philip Levine, poet, poetry, project, proteus, prototyping, pub, public, QMAD, queens, Racheal Price, Rachelle Garniez, rapid, reading, resources, Restoration, resurrected, robot, secret, shadow, shirey, society, Sonny Singh, spring, stalkers, Stuyvesant, sxip, Terry Dame, the, the road, thera, thon, three, Timothy Donnelly, to paradise, tribes, Vengeance, W.B., walter, ward, webb, with, with Eamon Grennan, workships, writing, xavier, xBox, yeast, your
Saturday, May 14th, 2:00 – 6:00 pm
195 Morgan Avenue, Brooklyn NY
The MakerBot Thing-O-Matic is 1) a modern manufacturing breakthrough, and 2) also a lot of fun.
The 3rd Ward MakerBot Make-A-Thon is your chance to see these tiny factories in action, print awesome 3D objects and even a 3D portrait of yourself.
MakerBot Artist-in-Residence Kyle McDonald will be presenting his work turning the Xbox Kinect into a 3D Scanner. He will scan you in his 3D Photo Booth, then print you using the MakerBot.
The Makerbot prints anything up to 4”x5”x5” with ABS and PLA (biodegradable) plastic. All you do is hit print, and the machine does all the work. Print 100 butterflies, an entire chess set — anything! And see a 9 foot-wide geodesic dome, printed entirely on the MakerBot.
Learn more about the MakerBot and the 3rd Ward Make-A-Thon in The New York Times here.
RSVPs are required at http://www.3rdward.com/rsvp
MakerBot Industries was named one of the top 20 startups in NYC, and has been featured in The New York Times, Wired, Make: Magazine, The Wall Street Journal, IEEE Spectrum, CNN, Financial Times, NPR, The Economist and others. For more information on MakerBot, click here and see photos of the MakerBot Thing-O-Matic here.
Learn more about Kyle McDonald’s Xbox Kinect hack in this 3rd Ward blog post.
Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future.
An event curated by noted Irish poet Eamon Grennan, with American poets reading and responding to Yeats’ work and exploring the influence of this literary giant on their own poetry.
Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.
Admission is free.
Bruno Walter Auditorium
111 Amsterdam Avenue and 65th Street
THE BLACK LIGHT LOUNGE@ SECRET PROJECT ROBOT.
Saturday, May 14 8-11pm.
How awesome would it be to walk into a room filled salon style with black light posters and art!? This Spring Secret Project Robot creates the long awaited fluorescent opulence. Over 30 artists participate to transform the gallery into a black light cocktail lounge.
Join the Department of Cultural Affairs, Bedford Stuyvesant Restoration Corporation, and Department of Consumer Affairs Office of Financial Empowerment for a day of FREE financial counseling sessions and workshops designed to help working artists, arts administrators, and independent workers reduce debt and manage credit.
SATURDAY, MAY 14, 2011
Information Fair, Workshops and Counseling Sessions 12 PM – 5 PM
Post Event Reception 5 PM – 7 PM
Bedford Stuyvesant Restoration Corporation | 1368 Fulton Street, Brooklyn, NY 11216
OPENING REMARKS BY
Kate D. Levin, Commissioner, New York City Department of Cultural Affairs
Marty Markowitz, Brooklyn Borough President
Jimmy Van Bramer, New York City Council Member and Chair of the Committee on Cultural Affairs, Libraries & International Intergroup Relations
Domenic M. Recchia, Jr., New York City Council Member and Chair of the Finance Committee
Colvin Grannum, President, Bedford Stuyvesant Restoration Corporation
Danny Simmons, Chair of New York State Council on the Arts and Artist
Love Your Library Day!
Saturday, May 14, 10 AM – 3 PM
Central Library, 10 Grand Army Plaza
As Brooklyn Public Library (BPL) faces a city budget cut that could reduce library hours, materials and free programs, we need your support!
Show your elected officials how much you love BPL by coming to this important, fun event on Central Library’s Plaza.
|10 AM – 3 PM:||Book, T-shirt and tote bag sale|
|10 AM – 12 PM:||Performance by BPL’s own Lost in the Stacks|
|12 – 1 PM:||Advocacy rally|
|1 PM:||Performance by Vo-Duo, a group inspired by the vodou music traditions of Haiti|
You can also use our computers to email your elected officials to say NO to budget cuts and remind them how much your library means to you.
Suggested donation for the event is $5. This donation, as well as proceeds from book, T-shirt and tote bag sales, will help purchase new library materials.
CROSSING ART GALLERY
Saturday, May 14 from 6 to 9 PM
136-17 39th Avenue
Flushing, NY 11354
QMAD, Queens Media Arts Development, in partnership with Crossing Art Gallery, presents the First Annual Performance Art Festival of Queens featuring new works by local, national and international performance artists. This year’s program, ITINERANT, focuses on works that treat notions of displacement, delivery, and transformation. Participating artists use performance narratives and actions that evoke immediacy and intimacy to bridge the gap of communication and distance. (READ MORE.)
Saturday, May 14 at 7 pm
Stories about the journey to paradise, in religious and literary traditions, feature animals as both obstacles and allies.
In Seamus Heaney’s translation of Beowulf, Grendel is the “shadow-stalker” the hero must slay
to prove himself and attain an earthly paradise; on the medieval pilgrimage trail to Santiago de Compostela, Spain,
there is still an ornate chicken coop housing a pure white rooster and hen in the cathedral in one town
to commemorate a pilgrim’s miraculous escape from disaster.
What beasts block our roads or assist us on the way?
Rev. Craig Townsend presents an evening of tales, images, and soundscape evoking and exploring
the human-animal interactions that illuminate both the journey and its goal.
Craig Townsend is an Episcopal priest serving as Vicar at St. James’ Church on the Upper East Side of Manhattan.
He has a Ph.D. from Harvard that, while focused on American religious history, also entailed
the study of the world’s major religious traditions.
Please visit the Proteus Gowanus website for more news and information about upcoming events.
It’s my birthday next month and as a present to myself I’m doing a big “solo show” at Joe’s Pub with some of my very favorite NYC artists who I haven’t had a chance to perform with much or at all. (Aside from Adam but…he’s ADAM) Adam Matta, Ned Rothenberg, Terry Dame, Rachelle Garniez, Racheal Price, Sonny Singh and Xavier.
I will be presenting an expanded version of the Sxipenspiel. I also have a new device called a gravity marble tree…and a perfect Sam Cook styled R & B tune to be sung by Xaxier. I am going to do “Ring My Bell with Rachel Price and I’ll be performing an improv piece with the amazing Ned Rothenberg. PLUS I do a rendition of a composition by Shelley Segal.Very exited to announce that Mathias Kunzli will be the percussionist for the evening.
A brief interview with Sxip about the show and participants:
THE 22: Variations and experiments in breath seem to play a large role in both yours and Ned’s work. Besides the fact that you both play reed instruments do you feel you push the boundaries of the human body as a musical tool?
SXIP SHIREY: I don’t think I am pushing the boundaries of the human body honestly. Back in my 20s when I wanted to be a punk Michael Hedges I ended up with tendinitis for two years. The first time Ned saw me play he commented on how tense I held my body when I played. He plays with such a focused relaxed quality and puts the intensity just in music. He circular breaths beautifully, which is pushing the body in a sense, but really what is great about him is the calm control of tones that are ever evolving and unwieldy. My playing is definitely a product directly of what my body is doing. Modern dancers sense this and they love my performance, but I don’t think I’m pushing the body, I am pushing the instrument. Oh shit..I just reread the question. I see what you are asking now. I didn’t think of breath as pushing the boundaries of the human body as a musical tool, I just did it. Breath is a rhythm we all understand deeply, it is the most intimate rhythm we make that we can easily hear (unlike a heart beat), there is incredible power in making this intimate sound epic. I am ever creating a palette of compelling of sounds that that I can draw from to take me and the audience to effective places.
THE 22: What are you thoughts on the traditions in music versus the basic elemental pleasure of sound? Is either more important?
SXIP SHIREY: I am finding this question hard to answer. It’s not that either is important or not important. It’s just not the issue. I make sound and music because I have to. It’s what I have to do, sometimes it’s a song with guitar, sometimes it’s playing folks songs, sometimes it’s rolling marbles in glass bowls, sometimes it’s tweaking virtual synths on the computer. It’s all the same to me.
THE 22: What about each of these musician’s appeal to you in collaboration and why did you chose to share this birthday celebration with them?
SXIP SHIREY:They are musicians who have an immediately strong seductive presence the moment they play or sing. They are people I simply like hearing and will go out to hear when I am in NYC. I thought it would be great to actually play with them. Most of them are not my normal collaborators.
THE 22: Can you tell us a little about the SxipenspieI and gravity marble tree?
SXIP SHIREY: The Sxipenspiel is perhaps my favorite birthday gift of all time. I was on tour with Amanda Palmer and Jason Webely’s Evelyn Evelyn tour and my birthday fell on a day we were in Berlin. Amanda and Neil went to a flea market in Berlin and bought these great bicycle bells that do a trilling long tone. They mounted them on a candlestick with a bent copper pipe at the top and dubbed it “The Sxipenspiel”. It’s a totally awkward instrument that sounds somehow amazing. I’ve learned to play it gracefully and I play it a lot. There is something magical sounding about it.
Bells historically are used to give us directions. “it’s time to go to church” “come to the door I am here” ” the egg is done cooking”. There is certain power to use them as a compositional element because their sound stimulates those parts of the brain.
Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.
has poems appearing this spring in Boston Review, Mississippi Review, Ninth Letter, The American Scholar, The Believer and The Southern Review. She is one of four winners of the 2011 “Discovery”/Boston Review poetry prize. She lives in North Carolina.
is a radical feminist and resident of Brooklyn. She received her MFA in poetry from UNC Greensboro, and has had work in Fiction (JP) and Forklift, Ohio. Her chapbook, On The Shoulders of the Bear, was released this fall from Fractious Press.
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