The 22 Magazine


THE WEEK/WEEKEND: Nov 9-14.

SANDY FUNDRAISERS:

GREENPOINTERS ONLINE RAFFLE
Brooklyn Relief: A night of words, music, and comedy to Benefit Hurricane Sandy Relief Efforts

THE KITCHEN: FUNDRAISER
Fuck. Off. Sandy. // Vintage Crawl // Dog Masquerade
New Amsterdam Headquarters Fundraiser
Defiance: A Literary Benefit to Rebuild Red Hook
ROB DELANEY Benefit
FASHION ACTION AT HOUSING WORKS
SPIRITUAL LEADERS AND ELDERS | PRAYER | LIVE MUSIC | FOOD | HEALING
SANCTUARY | ARTISAN MARKET
BROOKLYN LOVES BROOKLYN
QMA ROCKAWAY FUNDRAISER
“Anything But Politics” – A Pop Culture Trivia Benefit for Hurricane Sandy Relief
GENERAL ASSEMBLY
ED OSBORNAlbedo Prospect

Party + Auction + Community = TLC for an Ailing DUMBO
FOOD EVENTS FROM GRUB ST
Bushwick Star Auction
HURRICANE SANDY FUNDRAISER WITH…NASS GNAWA

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THE WEEK/WEEKEND: August 16-23.

Screening with Director David Cronenberg: “Cosmopolis”
Film Society of Lincoln Center
Friday, August 17th

“Adapted from a Don Delillo novel, Cronenberg’s latest dystopian odyssey boats all three the ingredients for filmic greatness — sex, violence, and Robert Pattinson — in generous portions.” -Chloe Wyma

Tales of Social Activism
Museum of the City of New York
Saturday, August 18 at 2:00 pm

Activist New York includes an astonishing array of documents, historic artifacts, and personal items that transport us to iconic moments when grassroots movements changed the city’s history and culture. But the stories of New York activism are also woven through the lives and memories of countless New Yorkers. Join us for a gatherine during which we invite you to bring along a photograph, or just a story, that tells about your or your family’s involvement in the democratic process of change that occurs when citizens unite for common goals.

What Can You Do?/Remember, Dream v. 2.5
The Stone
Wens, August 22nd

All are invited to be present in Dream Time, listening into the moment, discovering who we are in this moment, within and without, listening, sounding, moving, seriously playing the moment, exploring the moment as a community of listeners/viewers. A sound/video dreamscape which has evolved from Norman’s prior Singing Mask ceremonies, his latest work “Mysterium Magnum,” home videos and recent electronic music by Ezra will accompany us in this journey. As a shared dream, Ezra, Caleb and Norman will explore and guide us into the present moment with sound/movement/Singing Masks as we are all interdependently interconnected within the intricate interwoven depths and delights of Dream Time.

JACOB GARCHIK
Barbes
Wed,  August 22nd

Trombonist and composer has worked with Slavic Soul Party, Lee Konitz and the Kronos Quartet but here he presents elegant and energetic compositions for his lithe trio. “Odd and excellent, taut with paradox” – Ben Ratliff, the New York Times. With Jacob Sacks, piano and Dan Weiss, drums.

Cassie Ramone/Deep Time/Turn to Crime
285 Kent Ave
Thursday, August 16th

Thursday August 16th @ 285 KENT AVE
11:15 || Cassie Ramone w/ Julie K-Holes
10:30 |||| Deep Time ——— formerly known as Yellow Fever
-9:45 |||||| Turn To Crime —- Derek Stanton from Awesome Color
-9:00 |||||||| Weird Rivers
-8:15 |||||||||||| I’m Turning Into

OurGoods:Barter: Theory and Practice
Eyebeam: Art and Technology Center
Saturday, August 18

From myths of haggling savages to accounts of societies run on mutual aid, “barter” occupies a grey area between gift giving and market transactions. In this workshop, participants will experience the theory and practice of barter. Participants will (1) learn about contemporary and historic barter communities, (2) connect with potential barter partners and (3) discuss the problems and possibilities of barter: building trust, negotiating value, communicating clearly, and getting projects done without money. Workshop Facilitator: Caroline Woolard is a co-founder of OurGoods.org and TradeSchool.coop, two barter networks for cultural production. She is currently a Fellow at Eyebeam. cost: bring drinks/food to share, or volunteer to help clean up. You must RSVP to attend: email info@ourgoods.org with your name and the item/service you plan to bring.

Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART
SPR
Saturday, August 18

A night of music & art brought to you by… Chandrikas. Music by Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART, the closing of “Growing the Garden,” a summer art exhibition of mixed media and mixed forms by David Shull.

Pressed And, It is rain in my face, Cuddle Formation
Cameo
Saturday, August 18

Sxip Shirey’s Hour of Charm
Joe’s Pub
Friday, August 17th

A brief history of a word I use allot by Jesse Sheidlower lexicographer and writer of “The F-Word, a detailed history of the word f*ck,” Turntablist/percussionist/producer VAL INC. who pulls beautiful ghosts from a table of machines, very very real, very very human and very very funny New York stories by GREG Walloch and CHRIS WELLS, Fascinating smart songs and live electronic compositions of composer AMY X NEUBERG, beautiful and compelling 4 part vocal music of TREVOR WILSON and ENSEMBLE and a new composition inspired by Ali Farka Touré by SXIP SHIREY performed with Rob C. (special appearance by Leron Peled!)

Sky-Pony/PitchBlak Brass Band
Joe’s Pub
Sunday, August 19th

Pitchblak Brass Band is a ten-piece brass collective comprised of composers, producers, artists, rappers, strivers, hustlers, and superstars. Hailed as NYC’s only hip hop brass band, PitchBlak has been rocking the city since 2010 with their original dance-worthy music, which combines robust horns, Afro-Caribbean beats, soaring jazz solos, and tongue-twisting raps. In addition to performing at notable venues such as 92YTribeca, Southpaw, and a packed headlining performance at Brooklyn Bowl, PitchBlak most recently played to enthusiastic crowds at the NXNE festival in Toronto. Because of each member’s diverse musical background and training, PitchBlak is active in teaching and mentoring young musicians in New York, and prides itself on giving back to the community. For more info, visit www.pitchblakbrassband.com.

“CORIOLANUS” (Shakespeare in the Parking Lot)
Municipal Parking Lot at the corner of Ludlow and Broome Streets, Manhattan
August 2-18

Coriolanus” has been re-envisioned as a modern day “election fable” in the second production of the Drilling Company’s 2012 Shakespeare in the Park(ing) Lot series. This “Coriolanus” is set during an election year, when money can buy power and working class citizens feel threatened by a dwindling patrician class who are seeking to solidify their political power by manipulating political figures. The title character, played by Arash Mokhtar, is a potential leader who is vaunted for his success as a warrior but is completely out of touch with the every day citizen’s experience of hunger and joblessness. 

Popular Culture/Ferns
Cameo
Wed, August 22nd

GEORGE BARBA YIORGI AND THE BYZAN-TONES
Zebulon
Wed, August 22nd

An Illustrated lecture and book signing with Rachel Poliquin, author of The Breathless Zoo and the blog “Ravishing Beasts”
Observatory
Friday, August 17th

In her new book The Breathless Zoo: Taxidermy and the Cultures of Longing, Rachel Poliquin–best known for her blog “Ravishing Beasts”–explores the cultural history and poetic resonance of taxidermy from its rudimentary beginnings in cabinets of wonder to its revival in contemporary art. From hunting trophies to extinct species and kitten weddings to perpetual pets, The Breathless Zoo examines the meaning and matter of preserved animal-things and why anyone would want them to exist, and attempts to get to the heart of taxidermy by answering two fundamental questions: why would anyone want to preserve an animal, and what is this animal-thing now? Animal or object? Animal and object. This is the irresolvable tension that defines all taxidermy. As The Breathless Zoo demonstrates, with taxidermy there are no easy answers.

The Fall of the American Movie Palace
Observatory
Saturday, August 18th

There’s nothing remarkable about a movie theater today, but there used to be. When the great American Movie Palaces opened, they were some of the most lavish, stunning buildings anyone had ever seen. With the birth of the multiplex, theater companies found it harder and harder to keep these buildings open. Some were demolished, some were converted, and some remain to this day. “The Fall of the American Movie Palace” will take you through the history of these magnificent buildings, from their opening in the early 1900s to years after the final curtain.

Presentation Party Night 2 Year Blow Out
The Loom
Sunday, August 18th

Topics this month:
• Aesthetics
• L Train History
• Cider
• Self-Confidence
• History of Riddles
• PPN Past, Present, and Future!

OpenLab
Reverse
Saturday, August 17th

REVERSE invites you to the exhibition of OPEN LAB, the culmination of a month of work at REVERSE SPACE, during which six emerging artists use the 1010 sq ft gallery space and convert it into their own work-stations. The artists: Jin Joo Chae, Scott Fitzgerald, Hudson Lines, Francesca Padron, Gabriel J. Shuldiner, Jeremy Zierau

Microcosm: Sonic Territories
The Stone

Saturday, August 17th

Microcosm is Jonas Braasch’s new project. Expanding from his solo work, Microcosm is — in a nutshell — in a band with Jonas on the soprano saxophone, his alter ego on the Arturia Moog foot pedal, and Caira, an intelligent agent who improvises autonomously with the trio using auditory scene analysis techniques, machine listening, and logic-based reasoning. The agent is currently being developed through support from the National Science Foundation, together with team members Doug Van Nort, Pauline Oliveros, and Selmer Bringsjord. The Microcosm project was conceived to cross traditional boundaries between arts and science, and was conceptualized out of the desire to perform with an inspiring ensemble that can follow and provide musical cues very quickly. The concert will include adaptations from Jonas’ previous works: “Global Reflections”, “Sonic Territories”, and “Quartet for the End of Space”, which were released on Deep Listening and Pogus.

Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets
August 12, 2012–January 7, 2013

The Gay Agenda Plays It Straight
Look at Me Now
Debasement
Painting in the Digital Age

The 7th Annual Jazz Age Lawn Party

COMING UP:

Wondering Around Wandering
Day Joy/Gracie
Gayle Young with Reinhard Reitzenstein
Obscura Society NYC: The Poison Cauldron of the Newtown Creek

 



THE WEEKEND: MARCH 30-APRIL 1st.

EDITOR’S PICKS:

Drew Maillard Solo Show: “Living In Interesting Times”
http://www.mfgallery.net/DrewMaillard/DrewMaillard.html
03/31/2012-05/05/2012

MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.

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Mad Men: Set Me Free: Popculture Pirate.
March 20, 2012, 11:27 am
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Popculture Pirate.



The Week/Weekend IS BACK.
February 18, 2012, 12:23 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , ,

We are pleased to announce, The Week/Weekend, an inclusive list of shows and events going on around NYC and Brooklyn has returned and is better than ever.

How so? For starters, we’ve got a brand new input page. This means that folks have direct access to getting their event listed. While we will still retain the right to editorial discretion, the process is now easier than ever. You also have the option to submit your event for review, or to be an “editor’s pick.” Events will be listed on the blog as usual on Monday’s and Friday’s.

To get your event listed for The Week you must submit by midnight Friday.
To get your event listed for The Weekend you must submit by midnight Wednesday.

To get started visit: http://www.the22magazine.com/EventSubmission

Submit your event by filling in all the fields in the correct format and follow up with an image by emailing images directly to the22magazine (at) gmail (dot) com. Images will be chosen for use at the discretion of the magazine. Do not send more than one image. Please do not send enormous images.

We hope you are excited by this new streamlined process and thank you for your continued support of The 22 Magazine! If you see any hiccups as we finalize this process, please email us at the22magazine (at) gmail (dot) com and let us know what the problem is.



TROUBADOUR KAUL: Letters to Samārā: The Prologue to our Parable’s Premise by Troubadour Kaul

Troubadour Kaul is a collaboration project between the two people exploring poetry, travelogues, prose, photography and music. Their art-words have appeared in various magazines and journals. Their poetry is forthcoming in print issues of Full of Crow, Pyrta Journal, Redaction: Poetry & Poetics, Alligator Stew, Micro Poetry Anthology, Mud Luscious Press and elsewhere in Fall 2012. Troubadour Kaul is also a Guest Editor and Poetry reviewer at Cha: An Asian Literary Journal and will be the on the masthead of the Golden Sparrow Magazine’s upcoming ‘Best of’ print edition.Despite a 2011 Best of the Net + two Pushcart Prize nominations + winning the Golden Sparrow Poetry Prize 2011 and being shortlisted as a finalist in the Best Short Writing in the World in 2012, their ranking in the Indian arranged-marriage-market remains dismal. An MFA in Poetry and promoting their first full length collection of poems seems to be the modus operandi for a happily ever after in 2012.The series  “Letters to Samārā” are excerpts from Troubadour Kaul’s first collection of prose-poetry. His body of work explores the themes of existence, love and identity through the headset of a wayfarer writing to his beloved back home. The work draws its allegories from the Bhagwad Gita, German philosophy and pop-culture precepts with an occasional foray into European mythology.

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THE WEEK: NOV 1-4.
November 1, 2011, 6:40 pm
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TUESDAY:

PERFORMA 11 (ONGOING)
Performa 11, the fourth edition of the internationally acclaimed biennial of new visual art performance presented by Performa, will be held in New York City from November 1–21, 2011. The three-week biennial will showcase new work by more than 100 of the most exciting artists working today, in an innovative program breaking down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design, and the culinary arts. Presented in collaboration with a consortium of more than 50 arts institutions and over 50 curators, as well as a network of public spaces and private venues across the city, Performa 11 will ignite New York City with energy and ideas, acting as a vital “think tank” linking minds across the five boroughs and bringing audiences together for brilliant new performances in all disciplines.

Ben Gerstein (Jerome Foundation Commission) – FREEDOM CHOIR! A congregation for cathartic improvisational service
On November 1st, All Saints’ Day, The Day of the Dead — ancient holidays in honor of the saints, known or unknown; deceased friends and family — Ben Gerstein brings together for the first time a unique ensemble of enormous acoustic, experiential intensity to celebrate the powers of improvisation on this earth. FREEDOM CHOIR! A congregation for cathartic improvisational service. Inspired by the micro and macrocosms of nature, ecstatic spiritual and athletic experiences, dream, destiny, ritual, prayer, ancestry, and visions throughout Art and beyond… Dance floor, prairie, pow-wow, synagogue, church, mountain top, ocean, forest, desert, track and field, fighting ring, mosh pit … Ferocious love! A historic event for expansive sound and emotion; unnamable sound, unnamable emotion. We are the world! Communion between us all…

69°S. (Part of the 2011 Next Wave Festival)
“When I look back at those days, I have no doubt that divine providence guided us… it seemed to me often that we were not alone.” —Sir Ernest Henry ShackletonSixty-nine degrees south latitude, threshold of Antarctica, foreboding and cold. In an attempt to cross the continent, explorer Ernest Shackleton and crew have been shipwrecked, and now—through the work of Phantom Limb marionette maker and composer Erik Sanko and set designer Jessica Grindstaff (both at BAM with More Than Four, 2007 Next Wave)—they emerge before us in the snow.

CHAMBER MUSIC at INCUBATOR ARTS PROJECT
Robert Ashley’s music has long been recognized as some of the most radical, forward-thinking work produced today. The Incubator Arts Project’s MUSIC series, curated by Travis Just, focuses on his chamber and instrumental music, in addition to re-thinking one of his best-known vocal epics: Automatic Writing. A new generation of experimental composers and artists is looking to Ashley’s work for inspiration; this week will show why.(ONGOING)

PHARMA
The Herb Lubalin Study Center at The Cooper Union examines the influence and impact of graphic design on the pharmaceutical industry in PHARMA, a new exhibit featuring original and rarely seen works by luminaries including Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin. PHARMA’s exploration begins with the avant-garde promotionals of the 1940′s, when a market need emerged to promote “miracle” drugs, such as Penicillin, to the medical industry. In a compelling and thought-provoking way, PHARMA presents the relationship graphic design has had with the pharmaceutical industry ranging from the federal government’s increased regulations to new marketing tactics where the everyday consumer, not the doctor, is considered the target audience. While the exhibition provides examples of past and present, the public is encouraged to reflect and question how graphic design is used to market drugs and design has transformed these commodities into objects of desire.

Spartacus Chetwynd: The Lion Tamer
7th Annual Alternative Processes Winners: Barbara Ciurej & Lindsay Lochman 
UMBERTO ECO in conversation with Paul
Tod Lippy: The Conception and Development of ESOPUS
Holdengraber
Migratory Media: A Film Event
Counterfactual: Muybridge’s Debt to Watkins
Tom Brokaw in Conversation with Paul Holdengräber
BROOKLYN REAL ESTATE ROUNDTABLE
OSCAR PEÑAS
Enid Ellen at Piano’s
Tomorrow Land/Collaspe
Barbara Siegel, Arboretum/Privacy Please! Jan Johnson
Influential Friends
Matthew Stone: Optimism as Cultural Rebellion
ARAB SPRINGS/ ATLANTIC WEALTH: TRADING ROOM
Serenity Now!
BRADFORD NORDEEN WITH GARY INDIANA
Playing with Form
CAP/ICP – Artist Lecture: Joni Sternbach – Surfland
365 Drawings
panel discussion | residency as refuge?
GLOBAL ISSUES IN DESIGN AND VISUALITY IN THE 21ST CENTURY: CULTURE – FASHION HACKING
ROXANE BUTTERFLY
Mur Murs

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The ART of pumpkin carving from Chicquero.

Chicquero is consistently amazing in their fun and beautiful coverage of fashion and arts but this one is particularly fantastic. Happy Halloween! : The ART of pumpkin carving.

More about Chicquero

Chic [French] meaning stylish or smart, as an element of art, fashion and design.
Quero [Portuguese] verb. like, want; will, desire; love; list

An  i n s p i r a t i o n a l  place, created to vulgarize trends, expand beauty and share fashion thoughts!
We want our secrets kept  s e c r e t..
.. and maybe shared with a few special  f r i e n d s..  Welcome!




THE WEEKEND: SEPT 9-11.

THE SECRET CITY PRESENTS: THE MANHATTAN WONDERWALK!

It’s the 3rd Annual Manhattan Wonderwalk! Come join us as we stroll nearly the entirety of the great Island of Manhattan. We will visit familiar spots and little known pathways; we’ll see gorgeous public art and mundane displays of beauty. There will also be site-specific performances along the way. You may walk part of the way or all the way, just buy your map for $20, and you’ll be able to find us at any point throughout the day. (NOTE: tickets are $10 for Secret City members.)

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THE WEEKEND: July 8th-10th.

WHAT’S YER GLITCH?!? Image Node Fundraiser @HOY.

Help out New York’s premiere audio-visual techie art camp, IMAGE NODE!
Come for the badass glitchy music and stay because you are hypnotized
by the pretty blinky lights!!!
DJ Line up:
Jon Margulies, Hobotech
http://soundcloud.com/search?q%5Bfulltext%5D=hobotech
Willy Whompa, http://soundcloud.com/willywhompa
Tinseltown, http://soundcloud.com/search?q%5Bfulltext%5D=tinseltown
Ingtzi, Glitch.cz
VJ Line up:
Housewives’ Guide To Anatomy
VJ Fuzzy Bastard
Animatronic
10pm-5am, $10 before midnight, $15 after
****All proceeds got to camp Image Node in our effort to blinkie out
the playa*****
http://imagenode.org/

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Fri 07/08 NOAH AND THE MEGAFAUNA AND BABY SODA @BARBES

NATMF: A quirky combination of indie rock songwriting with Gypsy Jazz. Think Tom Waits meets Django Reinhardt – with a full horn section, violin and vocal duets.8:00pm

BS: They play an eclectic mix influenced by New Orleans brass bands, jug music, southern gospel and hot jazz and feel at home at the Village Vanguard or playing on the street. The band features members New Orleans band the Loose Marbles and alumni of Stephane Wrembel’s Hot Club of NY. With Ben Polcer, Trumpet; Patrick Harison, Accordion; Jared Engel, Banjo; David Langlois, Washboard and Peter Ford, Washtub bass.

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Game Play 2011 @ THE BRICK.
July 7 – 31, 2011

A Celebration of Video Game Performance Art

Now in its 3rd year, the video game performance festival continues in what Seth Schiesel of the New York Times called “the most ambitious effort I know of to fuse the techniques and live presentation of theater with the themes, structures and technology of interactive electronic entertainment.” See the media of stage and game collide in the most unexpected and surprising ways.

Game Play explores the collision of technology, theater, performance art, and video game culture by staging the collaborative work of performance and media artists across the digital spectrum.

See Game Play’s lineups for 2009 and 2010!

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Music in the Garden featuring So Percussion

Sunday, July 10, 2011 – 3:00pm

So Percussion (Eric Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting) will join with Grey McMurray on guitar to perform work-in-progress excerpts from their next major theatrical work. A celebration of diversity, community, and collaboration, this project is an exploration of their outermost artistic boundaries, as well as a re-examination of comfort zones.

For more information about So Percussion, see www.sopercussion.com.

Music in the Garden is presented through partnership with Bang on a Can

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HOSPITAL 2011 @ AXIS THEATER

Tickets & Info: http://www.axiscompany.org/mainstage.htm

Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.

While most audience members return to see multiple, if not all four, parts of the summer’s production, each episode is a self-contained short play that can be seen in isolation. The brief premise film that begins each year’s production—depicting the event that brought on the coma—is shown at the beginning of each performance.

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Hunter/Gatherer
July 9 – August, 7, 2011.
Opening reception July 9, 2011; 7 – 10pm.
The Booklyn Art Gallery is pleased to present Hunter/Gatherer, featuring works by Evan Robarts, Jason Kachadourian, Jessica Williams, Jon Bocksel and Scott Meyers.
Hunter/Gatherer
includes artists with the common practice of borrowing both aesthetic inspirations and found objects from their local surroundings. These artists accumulate visual, physical, and conceptual source material from everyday encounters and observations. They manipulate materials and appropriate techniques from discarded objects, sign-painting and murals, printed ephemera, and urban architecture. While each artist has their own unique approach to collecting and manipulating, their work evokes similar appreciations for the found and overlooked. With their work combined, Hunter/Gatherer creates a personal map of the city they share and the scenery they encounter. The viewer is confronted by these recognizable, yet often ignored images and encouraged to take a second look when walking down the street.

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LA MACCHINA AMMAZZACATTIVI @ SPECTACLE
Sat, July 9: 5:00pm
 

Minor but pleasing Rossellini, set in a small town in Southern Italy thrown into a tizzy by the machinations of a mysterious old man. Saint or devil, he endows a camera with the power not merely to kill people, but to ferret out sources of wealth. Cue for a flurry of treachery and greed, all casually swept under the carpet in a final pirouette. The neo-realist techniques don’t always mix too comfortably with the fantasy, making it an Ealing comedy with an edifying bent.

… anticipates with remarkable prescience the conceits of Godard and others about photography in the 60’s” — Jonathan Rosenbaum, Chicago Reader

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DAY IN PICTURES
is saxophonist and clarinetist Matt Bauder’’s latest band. Downbeat Magazine described the recent debut album as “modern jazz of a half-century past, with an instrumetal line-up and compositions that echoes classic efforts from Prestige, Columbia and Blue Note catalogs with nary a whiff of condescencion or dabbling.” With Matt Bauder – Tenor Saxophone, Clarinet; Justin Walter – Trumpet; Kris Davis – Piano; Jason Ajemian – Bass and Chad Taylor – Drums.
July 9th, 2011, 5pm
Barbes
376 9th St
Brooklyn, NY 11215
$ Donation

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Rubulad Presents on Saturday July 9, 2011:

Brooklyn
A ^ Odyssey! In which our heroes are buffeted by storms on the high seas of Kings County, lured by the sweet siren singers of East Williamsburg and menaced by Mayor Mike’s minotaurs, landing in a sweet loft space in Greenpoint on our way home. (READ MORE)


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Saturday, July 9th. Night of Poetry and Music @ CAFE ORWELL.

Blaise Siwula/Erika Dagnino
www.erikadagnino.it
http://www.blaisesiwula.com/

Valerie Kuehne/April Elizabeth Pierce.
New Compositions for poet and cellist.
http://www.soundcloud.com/zolaleverkuhn

Ken Silverman is bringing in a couple of poets, he tells me.
http://www.kensilvermanguitarandstrings.com/

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Brooklyn County Fair Summerfest DAY 2011 at Urban Meadow
Saturday, July 9
Show starts at 12:00
$10 cover
BUY TICKETS

This seasonal festival is back with all new acts celebrating Brooklyn’s diverse country music scene. Whether you like country, bluegrass, Americana, cow-punk, or rockabilly, this is the scene for you!

SummerFest at Urban Meadow
12:00 – Dirt Floor Revue
12:30 – Mini Max Band
1:00 – Kamara Thomas
1:30 – Big Slyde
2:00 – The Newton Gang
2:30 – The Whiskey Boys
3:00 – I’ll Be John Brown
3:30 – Maynard and The Musties
4:00 – Jack Grace Band
4:30 – Ramblin’ Andy and The See Ya Laters
5:00 – Trailer Radio
5:30 – The Dustbusters
6:00 – Hans Chew

Sponsored by Sixpoint Craft Ales, Jalopy Theatre, BrooklynCountry.com

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THEATER: Frazer Hines: The Time Traveling Scot
July 8
We are very excited to announce that the next Who York Event will feature one of the Doctor’s most popular companions: Mr. Frazer Hines!!!

Who York is delighted to welcome Frazer to New York City, to perform his one man show – “The Time Traveling Scot”. There will also be a short Q&A, hosted by Ken Deep, from Doctor Who Podshock,, an autograph session (see details below) and possibly a surprise or two – as I hope you have come to expect from our previous SOLD OUT Who York events!!!

We have room for around 100 people in total, and seating will be first come first served in this small theatre. Mingling will still be possible in the lounge at the theatre, and in the auditorium itself before and after the show, making this a more intimate event than most conventions you may have attended.

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MORE:
THE MEDICINE BAG @Maccarone Gallery.
Ken Vandermark, Steve Swell, Sean Conly and Chad Taylor @ THE STONE.
Los Lobos with Hello Seahorse! and Zigmat @ CELEBRATE BROOKLYN! @ Prospect Park Bandshell
BabySkinGlove’s Butoh Auction @Culture Fix.
E.S.P. TV at Silvershed @Sat. July 9, 8pm-12am

KAL SPELLETICH: Where’s My Jetpack?! @Jack Hanley.
Ted Leo + the Pharmacists, w/ Screaming Females! @Seaport Music Fest.
BOOGALOO W/SPANGLISH FLY @NUBLU.
FROLIC@CENTRAL PARK.

COMING UP NEXT WEEK!

SUPERCODA AND THE 22 MAGAZINE PRESENT:
PABLO MALAURIE, JULY 14th
CAFE ORWELL 7pm

Excited to announce this one. Pablo Malaurie’s voice is of the angels, and he’s come all the way from Argentina to play for you. It’s going to be beautiful, and glorious, and fun. Pablo has been widely praised for his fusion style (South American and Japanese in some cases), opened for Devandra Banhart and recently was a part of Catalin Mitulescu’s film “Loverboy.” He’s making the rounds in NY for the next couple days and we’re really pleased to have him.

Come help support not only our effort to see Volume II of The 22 Magazine in PRINT but also witness the  brainchild of Valerie Kuehne, i.e. Supercoda @ Cafe Orwell, the gorgeous spectacle that goes on nearly every  night (when does Valerie sleep?!?) and allows you to witness sounds that are otherworldly and stunning. Now, please watch/listen to the gorgeous song below.

PS- This show will be also be one of the first opportunities to be part of The 22′s Artist’s Open Forum. Have a question, concern, or problem as an artist? This is where we can help. We’ll be passing out signup sheets allowing you to let us know what is concerning you as artists, writers, and musicians and will address those concerns in our next meeting or on the blog. More info about what this all about at the show.



An Interview with Deborah Simon.

Deborah in the studio with her sculptures. ©2011 The 22 Magazine

This past Friday, I paid a visit to Deborah Simon who has an upcoming show at NY Studio Gallery‘s LZ Project Space opening this Friday, May 20th. Deborah has been a painter and sculptor for several years now and will be part of the Sculpture Space residency  in Utica, this coming October and November. She has worked at the Bronx Zoo building habitats and “intellectual toys” for the animals, and her work reflects the understanding of the dual nature of man-made versus natural environments and the drawbacks and necessity of both. Her sculpture’s present a strange encounter and cause the viewer to approach the animal in an unusual and raw manner, suggesting a reevaluation of the nature of human and animal interaction.

We truly appreciate her taking the time to talk about her work and upcoming show.

LISTEN TO THE INTERVIEW

The 22 Magazine: You worked at the Bronx Zoo correct? Can you tell us a little about what you did there?

Deborah Simon: Sure, I did some design work. It was everything from giving exhibits face lifts to mural work, to sometimes just flat out designing and building exhibits. [I also built] intellectual toys for the animals. With that you have to make everything look natural. So [you have to make a] tiger toy that looks [for example] like a rotten piece of wood. It was one of those oddball weird request situations, keepers would come and say we need hummingbird feeders made out of XY and Z and we’d have to figure how to make them look natural.

The 22: How did you get into that kind of work? Did you study design in school or elsewhere?

DS: No, I’ve got a fine arts background. [I studied at] San Francisco Art Institute, which prepares you for nothing but making conceptual art. I just happened to have a realistic bent to what I do, which was thoroughly discouraged but…
I started working as a muralist and then the zoo had an ad in the paper. I replied to it and got hired. It’s one of those jobs where the guy who runs the department is fantastic, and he just expects that you need a lot of on the job training. You need to be able to weld, you need to be able to fiberglass, you need to be able to do some basic carpentry. There are just so many skills that no one person is going to have them all. They do invest in teaching you quite a bit [so], I learned a lot, and it all goes back into what I do.

The 22: In regards to your artists statement, which talks a little about the animal confronting the viewer in an unrestricted environment, did working at the zoo conflict with ideas of how animals should be treated in any way?

DS: I think it’s a conflict a lot of the people who work at the zoo have, because everyone who works there more or less loves animals. We all have multiple animals, we are deeply concerned about animal welfare. Some of the holding areas are very old and not that great. Some of the animals are permanently on medications because [there is] not the best ventilation but, on the other hand, you can’t just let them go. [I believe] Finland ran into this problem. They decided it was cruel and inhumane to keep this baboon exhibit. They decided it was inhumane to keep more tropical animals in Finland, but they couldn’t get rid of them because they breed really well and every zoo has a ton of them. So, they were going to euthanize them but the public had a fit and they had to keep them. So, now they have these unhappy baboons; animals that are obviously not doing well, but there are no other options for them. [I think] a lot of the people [that work at the zoo] go through this. [They think] these animals didn’t ask for this, they didn’t want to become ambassadors of their species, but on the other hand sometimes when your standing and watching the public watch these animals and they suddenly make this connection to the human traits of the animals you really hope it does something. They are suddenly more aware of them and, you think, I hope this means that it will translate into something, maybe [that wouldn't be there] if they hadn’t seen it. Then again, zoo animals they don’t behave like wild animals, they have three meals a day, they sleep all day. [In the end] it’s a lot of mixed emotions.

The 22: A lot of your animals actually are puppets or look a lot like traditional marionettes. Stylistically how did you decide this was how you were going to build?

DS: It’s weird because I have this totally anal goal to be as accurate as humanly possibly, but I’m always reminding myself it’s art, not taxidermy. I was living in India for a while and India is a very sculpture oriented place. I had been painting for years and years at that point, and maybe it was just being around so much sculpture. I was home in the states and one day I just thought, what would happen if I make sculpted animals with fake fur? The hyena was the first one. I found [the hyena's fur] in the bargain bin and I thought, this looks just like spotted hyena fur, no wonder it’s on sale. I brought back Sculpy and fur and whatever else I thought I wouldn’t be able to get in India, and just started working. I was originally thinking of porcelain dolls-[with] the hard heads and the soft body. I was thinking more along the lines of what would it be like to make these things so they look like creeped out porcelain dolls, but they actually ended up a little but more like [weird] taxidermy.

Deborah working in her studio. photo ©2011 Ted Szczepanski

The 22: They seem to have this really human quality, a very aggressive straight on gaze…

DS:I feel even though animals are a really popular subject right now, it’s always animal as metaphor or animal as parable. They play the role of an odalisque and they don’t confront the viewer. They are a stand in for history, they’re a stand in for human behavior, but they are never just themselves, and when they are themselves it’s more kitschy animal art. I want it to be as if you were walking into their space. It’s kind of that feeling when you out in the woods or hiking, or even in Central Park [where] it tends to be a bird of prey, a hawk or something, and you have that instant where they look at you, and you look at them, and you have no idea what’s going to go on. Especially if it’s big enough to hurt you. Then it’s this totally different interaction than the zoo or anything else. Your walking into their space, and they are psychologically dominating it. The sculptures themselves are going to be hung so your going to have to walk around them. They force you to move around them instead of being on the walls or giving a pathway.

The 22: Can you tell me a little about Coyote Pursue’s puppet project?

DS: It was a pretty amazing experience. Collaborating was new to me but Matt Reeck is a good friend and amazing to work with. We shored up each others strengths and weaknesses really well. I would never have been able to direct something like that. I think in the future I may do more puppetry but do it so it’s video.

Coyote Pursues, 2010. photo courtesy of St. Ann's Warehouse

 The 22: Is there a difference between building the puppets versus building the sculptures? Is that something you had to learn?

DS: Yes. St. Ann’s puppet lab is a nine month program so they are a huge resource, but it took me forever just to figure how to walk them. It took me two months just to build one, to actually physically construct it so that it moved properly. Once I got the basic structure it took me weeks to figure out how to string it, and that’s one of the times the lab was great. I brought them in and said I don’t know what to do, and one of the guys [showed me], and it was done. It was wonderful.

The 22: The piece itself was about a world where humans are gone, and coyotes are the only ones left right?

DS: [Matt Reeck] is a wonderful poet and he gave me a book of his poetry and asked me to illustrate it. At the time I was just feeling like, I don’t want to paint anything, and I don’t want to sketch.
[But] I was thinking [the poetry] would be perfect to do a puppet show with, and so we said what the hell, we’ll write a puppet lab. We threw it together in two weeks, and we were really surprised we got in. Originally we had taken three of his poems, more short prose really, and the one we both had a very clear vision-that was the same vision-was [the coyote] one. We started building and time started ticking by, and we realized the other two we’re never going to make it, and that we wouldn’t have time [to perform more than one]. You only got twenty minutes tops to perform. So, we decided just to focus on the coyotes, and it was really based on his writing, and [the idea of] not using the animals as parables but to be really Darwinian about it. What would a coyote really be doing if they were wandering around in this world with nothing really left. We were thinking of it as The Road but with coyotes.

The 22: Did you do a cover for The Beastie Boys [Intergalatic]?

DS: I had actually done the paintings and they ended up on the cover. The paintings were actually in the small works show at NYU and Mike D’s wife  bought them. So, she came over to my studio and she’s chatting and we’re having this very nice conversation, and she keeps talking about her husband’s band and so I’m thinking….ok, band whatever and being polite, I ask oh what band is your husband in? And she’s says, The Beastie Boys, and at that point I’m immediately intimidated. So about six months later, they called to see if it was ok with me if they used it as an album cover and I just thought….ooook, twist my arm. It was just this little freak thing, they were just these little freak paintings, that I wasn’t planning to do as a body of work or anything.

Memento mori: Ocelot and ocelot skeleton, oil on wood, 68” w x 36” h, 2001

The 22: What about the memento mori series paintings? Can you talk a little about what this series means to you and why you decided to do it?

DS: I think in that series I’d been reading a lot about evolution. I was thinking about how death influences life. I was thinking about a Darwinian perspective, you have these animals with these constant pressures, and it’s survival of the fittest but also thinking about viewing what human’s do in the world [destruction and pollution] as unnatural, but it is natural because we are part of the world and this is part of what we do. Animals routinely destroy their environments, but they don’t do it in the same numbers that we do. Elephants constantly  trash environments and have to move on, but there are so few of them, they aren’t ruining Africa or Asia-we sort of beat them to it. I guess I was thinking about that simple pressure and interaction, and how some of your stiffest competition is from your species. You know species always have more children than your going to need. You really only need a one to one replacement and chances are that’s all your going to get if your lucky.



THE WEEKEND May 13-14.

MakerBot Make-A-Thon // Experience Cutting-Edge Rapid Prototyping

MakerBot Make-A-Thon
Saturday, May 14th, 2:00 – 6:00 pm
195 Morgan Avenue, Brooklyn NY
FREE

The MakerBot Thing-O-Matic is 1) a modern manufacturing breakthrough, and 2) also a lot of fun.

The 3rd Ward MakerBot Make-A-Thon is your chance to see these tiny factories in action, print awesome 3D objects and even a 3D portrait of yourself.

MakerBot Artist-in-Residence Kyle McDonald will be presenting his work turning the Xbox Kinect into a 3D Scanner.  He will scan you in his 3D Photo Booth, then print you using the MakerBot.

The Makerbot prints anything up to 4”x5”x5” with ABS and PLA (biodegradable) plastic. All you do is hit print, and the machine does all the work. Print 100 butterflies, an entire chess set — anything! And see a 9 foot-wide geodesic dome, printed entirely on the MakerBot.

Learn more about the MakerBot and the 3rd Ward Make-A-Thon in The New York Times here.

Plus, win prizes from MakerBotApress Books, and MAKE Magazine!

RSVPs are required at http://www.3rdward.com/rsvp

MakerBot Industries was named one of the top 20 startups in NYC, and has been featured in The New York Times, Wired, Make: Magazine, The Wall Street Journal, IEEE Spectrum, CNN, Financial Times, NPR, The Economist and others. For more information on MakerBot, click here and see photos of the MakerBot Thing-O-Matic here.

Learn more about Kyle McDonald’s Xbox Kinect hack in this 3rd Ward blog post.


BYE BYE KITTY @JAPAN SOCIETY. Between Heaven and Hell in Contemporary Japanese Art
Friday, March 18 — Sunday, June 12

Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future.

Buy the Catalog
Admission & Gallery Hours


MY W. B. YEATS

Timothy Donnelly, Philip Levine, and Rosanna Warren, with Eamon Grennan

Saturday, May 14, 2:30pm
MAP

An event curated by noted Irish poet Eamon Grennan, with American poets reading and responding to Yeats’ work and exploring the influence of this literary giant on their own poetry.

Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.

Admission is free.

Bruno Walter Auditorium
111 Amsterdam Avenue and 65th Street


THE BLACK LIGHT LOUNGE@ SECRET PROJECT ROBOT.

Saturday, May 14 8-11pm.
How awesome would it be to walk into a room filled salon style with black light posters and art!?  This Spring Secret Project Robot creates the long awaited fluorescent opulence.  Over 30 artists participate to transform the gallery into a black light cocktail lounge.
DIRECTIONS.

THE ART OF MONEY: PERSONAL FINANCE RESOURCES FOR ARTISTS
WEBSITE

Join the Department of Cultural Affairs, Bedford Stuyvesant Restoration Corporation, and Department of Consumer Affairs Office of Financial Empowerment for a day of FREE financial counseling sessions and workshops designed to help working artists, arts administrators, and independent workers reduce debt and manage credit.

SATURDAY, MAY 14, 2011
Information Fair, Workshops and Counseling Sessions 12 PM – 5 PM
Post Event Reception 5 PM – 7 PM
Bedford Stuyvesant Restoration Corporation | 1368 Fulton Street, Brooklyn, NY 11216

OPENING REMARKS BY
Kate D. LevinCommissioner, New York City Department of Cultural Affairs
Marty MarkowitzBrooklyn Borough President
Jimmy Van BramerNew York City Council Member and Chair of the Committee on Cultural Affairs, Libraries & International Intergroup Relations
Domenic M. Recchia, Jr., New York City Council Member and Chair of the Finance Committee
Colvin GrannumPresident, Bedford Stuyvesant Restoration Corporation
Danny SimmonsChair of New York State Council on the Arts and Artist



Love Your Library Day!

Saturday, May 14, 10 AM – 3 PM
Central Library, 10 Grand Army Plaza

As Brooklyn Public Library (BPL) faces a city budget cut that could reduce library hours, materials and free programs, we need your support!

Show your elected officials how much you love BPL by coming to this important, fun event on Central Library’s Plaza.

10 AM – 3 PM: Book, T-shirt and tote bag sale
10 AM – 12 PM: Performance by BPL’s own Lost in the Stacks
12 – 1 PM: Advocacy rally
1 PM: Performance by Vo-Duo, a group inspired by the vodou music traditions of Haiti

You can also use our computers to email your elected officials to say NO to budget cuts and remind them how much your library means to you.

Suggested donation for the event is $5. This donation, as well as proceeds from book, T-shirt and tote bag sales, will help purchase new library materials.


CROSSING ART GALLERY
Saturday, May 14 from 6 to 9 PM

136-17 39th Avenue
Flushing, NY 11354

QMAD, Queens Media Arts Development, in partnership with Crossing Art Gallery, presents the First Annual Performance Art Festival of Queens featuring new works by local, national and international performance artists.  This year’s program, ITINERANT, focuses on works that treat notions of displacement, delivery, and transformation.  Participating artists use performance narratives and actions that evoke immediacy and intimacy to bridge the gap of communication and distance. (READ MORE.)


Shadow-stalkers and Resurrected Chickens:
Animals on the Road to Paradise

Saturday, May 14 at 7 pm
$5 admission
MAP

Stories about the journey to paradise, in religious and literary traditions, feature animals as both obstacles and allies.
In Seamus Heaney’s translation of Beowulf, Grendel is the “shadow-stalker” the hero must slay
to prove himself and attain an earthly paradise; on the medieval pilgrimage trail to Santiago de Compostela, Spain,
there is still an ornate chicken coop housing a pure white rooster and hen in the cathedral in one town
to commemorate a pilgrim’s miraculous escape from disaster.

What beasts block our roads or assist us on the way?

Rev. Craig Townsend presents an evening of tales, images, and soundscape evoking and exploring
the human-animal interactions that illuminate both the journey and its goal.  

Craig Townsend is an Episcopal priest serving as Vicar at St. James’ Church on the Upper East Side of Manhattan.
He has a Ph.D. from Harvard that, while focused on American religious history, also entailed
the study of the world’s major religious traditions.

Please visit the Proteus Gowanus website for more news and information about upcoming events.

SXIP SHIREY’s B-DAY at Joe’s Pub.
Saturday, May 14 at 9 pm
MAP

It’s my birthday next month and as a present to myself I’m doing a big “solo show” at Joe’s Pub with some of my very favorite NYC artists who I haven’t had a chance to perform with much or at all. (Aside from Adam but…he’s ADAM) Adam Matta, Ned Rothenberg, Terry Dame, Rachelle Garniez, Racheal Price, Sonny Singh and Xavier.

I will be presenting an expanded version of the Sxipenspiel. I also have a new device called a gravity marble tree…and a perfect Sam Cook styled R & B tune to be sung by Xaxier. I am going to do “Ring My Bell with Rachel Price and I’ll be performing an improv piece with the amazing Ned Rothenberg. PLUS I do a rendition of a composition by Shelley Segal.Very exited to announce that Mathias Kunzli will be the percussionist for the evening.


A brief interview with Sxip about the show and participants:

THE 22: Variations and experiments in breath seem to play a large role in both yours and Ned’s work. Besides the fact that you both play reed instruments do you feel you push the boundaries of the human body as a musical tool?

SXIP SHIREY: I don’t think I am pushing the boundaries of the human body honestly. Back in my 20s when I wanted to be a punk Michael Hedges I ended up with tendinitis for two years. The first time Ned saw me play he commented on how tense I held my body when I played. He plays with such a focused relaxed quality and puts the intensity just in music. He circular breaths beautifully, which is pushing the body in a sense, but really what is great about him is the calm control of tones that are ever evolving and unwieldy. My playing is definitely a product directly of what my body is doing. Modern dancers sense this and they love my performance, but I don’t think I’m pushing the body, I am pushing the instrument. Oh shit..I just reread the question. I see what you are asking now. I didn’t think of breath as pushing the boundaries of the human body as a musical tool, I just did it. Breath is a rhythm we all understand deeply, it is the most intimate rhythm we make that we can easily hear (unlike a heart beat), there is incredible power in making this intimate sound epic. I am ever creating a palette of compelling of sounds that that I can draw from to take me and the audience to effective places.

THE 22: What are you thoughts on the traditions in music versus the basic elemental pleasure of sound? Is either more important?

SXIP SHIREY: I am finding this question hard to answer. It’s not that either is important or not important. It’s just not the issue. I make sound and music because I have to. It’s what I have to do, sometimes it’s a song with guitar, sometimes it’s playing folks songs, sometimes it’s rolling marbles in glass bowls, sometimes it’s tweaking virtual synths on the computer. It’s all the same to me.

THE 22: What about each of these musician’s appeal to you in collaboration and why did you chose to share this birthday celebration with them?

SXIP SHIREY:They are musicians who have an immediately strong seductive presence the moment they play or sing. They are people I simply like hearing and will go out to hear when I am in NYC. I thought it would be great to actually play with them. Most of them are not my normal collaborators.

THE 22: Can you tell us a little about the SxipenspieI and gravity marble tree?

SXIP SHIREY: The Sxipenspiel is perhaps my favorite birthday gift of all time. I was on tour with Amanda Palmer and Jason Webely’s Evelyn Evelyn tour and my birthday fell on a day we were in Berlin. Amanda and Neil went to a flea market in Berlin and bought these great bicycle bells that do a trilling long tone. They mounted them on a candlestick with a bent copper pipe at the top and dubbed it “The Sxipenspiel”. It’s a totally awkward instrument that sounds somehow amazing. I’ve learned to play it gracefully and I play it a lot. There is something magical sounding about it.

Bells historically are used to give us directions. “it’s time to go to church” “come to the door I am here” ” the egg is done cooking”. There is certain power to use them as a compositional element because their sound stimulates those parts of the brain.

Also check out the WSJ article.

THE 22 MAGAZINE PRESENTS: The Three Furies, Writing with a Vengeance

Sunday, May 15—5:00pm
A Gathering of the Tribes
285 East Third Street (between Ave C & D) #2
(212) 674-3778
A GATHERING OF THE TRIBES
THE 22 MAGAZINE
MAP

Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.

Ansel Elkins

has poems appearing this spring in Boston Review, Mississippi Review, Ninth Letter, The American Scholar, The Believer and The Southern Review. She is one of four winners of the 2011 “Discovery”/Boston Review poetry prize. She lives in North Carolina.

Jamey Bradbury

has appeared in Black Warrior Review and is forthcoming in Zone 3. She is a literary assistant in Vermont, and is working on her first novel and a collection of short stories.

Thera Webb

is a radical feminist and resident of Brooklyn. She received her MFA in poetry from UNC Greensboro, and has had work in Fiction (JP) and Forklift, Ohio. Her chapbook, On The Shoulders of the Bear, was released this fall from Fractious Press. 




THE WEEKEND:

FEATURED ARTIST: 9000

9000 WEBSITE.
 

SATURDAY APRIL 30th:

BENJY FOX-ROSEN CD RELEASE PARTY:


CTMD’s An-sky Institute for Jewish Culture
presents an incredible evening of Yiddish music and dancing. Come celebrate the CD release of Benjy Fox-Rosen’s Tick Tock, a new recording of Yiddish song from the acclaimed bassist/singer of the Luminescient Orchestrii and the Michael Winograd Trio. The evening will begin with a set of Yiddish song by Adrienne Cooper. And we’ll top it all off with a Tantshoyz Yiddish Dance party! At the Ukrainian East Village Restaurant, 140 2nd Ave between East 9th St. & St. Mark’s Place in Manhattan. Admission $10. (7:30-11:00PM)

MAP


SUNDAY MAY 1st:

Columbia University 2011 MFA THESIS EXHIBITION.

2011 MFA Thesis Exhibition
Curated by Larissa Harris
(Featured Photo by Yeon Joong Yue)

Opening Reception: Sunday, May 1, 2-5pm

Fisher Landau Center for Art
38-27 30th Street, Long Island City, New York
MAP
www.flcart.org

Exhibition Hours:
Friday-Tuesday 12-5pm
May 1-22, 2011

SEE ARTIST’S WORK BY CLICK BELOW:
Inbal Abergil
Maria Antelman
Adam Axel
Guy Ben-Ari
Alexander Carver
Matthew Fischer
Nadja Frank
Jesse A.Greenberg
Nora Griffin
Emily Henretta
Christopher Jehly
Yve Laris Cohen
Joseph Michael Lopez
Pooneh Maghazehe
Norbert Clyde Martinez Jr.
Tracy Molis
Nick Paparone
Rory Parks
Stephanie Prussin
Christine Rebet
Brie Ruais
William Santen
Julia Sherman
Walter Benjamin Smith
Francisco Vidal
Leah Wolff
Yeon Joong Yue

MATT MARBLE & STEVE BARSOTTI @ THE STONE:

Illustration by Matt Marble

8 pm
Matt Marble: Chain reactions and other music
Alex Waterman (cello) Katie Young (bassoon) Tucker Dulin (trombone) Andrew Lafkas (bass) Bob Jones (bass) Jim Altieri (violin) Kate Campbell (piano) Michael Vincent Waller (stereo) Ernie Brooks of Modern Lovers (bass) Till By Turning
Composer, improviser, and strategist Marble presents an evening of chain reaction improvisations, Arthur Russell homages, and maybe a string quartet

LISTEN.

10 pm
Steve Barsotti
Steve Barsotti (electronics)
Seattle-based sound artist/improviser/instrument builder Steve Barsotti performs music for invented instruments, field recordings, and electronics.

LISTEN. (recommend, terraces.)



BLANKNESS IS NOT A VOID @Marc Jancou Contemporary.

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MEET THE ARTIST: Fruit and Babies Brooks Frederick.

Fruit and Babies
Brooks Frederick

Meet the artist Thursday, May 12 @ 7:00

This series of paintings is inspired by the rich food culture of New Orleans and south Louisiana where I grew up. The plastic babies I depict are known as ‘King Cake Babies.’ They are placed inside King Cakes, a cinnamon filled pastry-like cake eaten during Mardi Gras season. Tradition has it that whoever gets the baby throws the next party. Growing up, we kids made a game of finding the baby in the cake. more…

Visit www.radarcuratorial.com.

BROOKS FREDERICK

Location: Dizzys, 511 9th Street, Brooklyn
Meet the Artist: Thursday, May 12 at 7:00
Show Dates: April 3 – August 6, 2011

MAP



DAVE MACDOWELL.

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