Filed under: THE WEEK/THE WEEKEND | Tags: 2020 THE, Aki, Always, and, ANDERSSON, ashley, August PAMELIA, Barnes, BASS-LAPTOP Landscapes, bill, Break MONICA, Bridges, Burleson, can, CELLAR, COMPANY JENNIFER, ComposerClarinet, Cycles, double, down, DRUNGLE How, Festival Raha, FIRE Ned, for, Geddes Music, Geoffrey, GHYS, House, in, is, kevin, kiss, KURSTIN, Machinic, make, maria, Mashups, McCOY TWENTY, nature, of, on, Onda WILLEM, one, Paintings Walls, performance, pete, piano, POINTFLORENT, Powers, Raissnia, Rhapsodies TYPES, solo, Soprano Hindsight, Soul Dead, South DAVID, still, Sublette, Tegzes, the, to, TRULLI second, TWELVE Devin, TYPE@COOPER Beth, voice, we, Wiemann, with, WoodJeremy, you
Ashley Wood/Jeremy Geddes
Oct 20 — Nov 17, 2012
Jonathan LeVine Gallery is pleased to announce Machine Sabbath, a series of new works by Australian artist Ashley Wood, in what will be his debut solo exhibition in the United States and exhale, a series of new paintings by Melbourne-based artist Jeremy Geddes, in what will be his debut solo exhibition in the United States. On Saturday, October 20th, there will be a print released at 1pm, and the opening reception for the exhibition will be held from 6—9pm.
Music for Voice: Cycles, Mashups, and Machinic Rhapsodies
Le Poisson Rouge
Sun., October 21, 2012 / 5:00 PM and Tue., October 23, 2012
Join Metropolis Ensemble’s celebration of song and contemporary lyricism in a concert featuring 3 extraordinarily talents from a new generation of star singers, Kate Lindsey, Kiera Duffy, and David Babin (along with members of his celebrated band from Paris, BabX). Music for Voice will be an unforgettable evening of kaleidoscopic textures, soaring melody, and elegiac poetry.
Leave The Bass Alone, 5 Basses
Installation: Sat/Sun, Oct 20/21, 4 -7pm
Reception and live performance: Friday, Oct 19, 7 – 9pm
Inspired by this quote from Morton Feldman to Stockhausen and studies of dramaturgic developments of different human and natural soundscapes, Leave the Bass Alone is a collection of sound installations, field recordings and performances exploring the depths of the double bass’ spectral world. In “5 basses”, five double basses are amplified and feedbacked with each other. The strings and the bodies of the basses resonate with their ambient surroundings, thus creating an interactive drone in which the basses are controlled both by their acoustic vibrations and their environment. Seemingly simple acoustic/physical principles take on the complex role of the composer, creating forms and structures surprisingly similar to those we find in our everyday life.
Beth Wiemann, Composer/Clarinet with Geoffrey Burleson, Piano and Maria Tegzes, Soprano
October 20, 2012 8:00 pm
Performing compostions with and without video accompaniment, including, Sharp Nostalgia, for bass clarinet and piano, The Primary Tool is Soup, for soprano, piano and DVD, The Star Theatre, for clarinet, piano and DVD and other short solo works. Link to earlier performance of one of “Star Theatre” http://www.youtube.com/watch?v=h6bRTph9MxY&feature=plcp
Hindsight is Always 20/20
Closing Nov. 7
Brooklyn Bridge Park, Walkway near the Carousel
Originally commissioned for display during the 2008 Democratic National Convention, Hindsight is Always 20/20 is a large public sculpture consisting of 43 light boxes. The work examines the history of American political discourse through the metaphor of vision. Drawing from the annual State of the Union (SOTU) addresses given by Presidents to Congress, Hindsight consists of a single Snellen-style eye chart for each president who gave SOTU addresses from George Washington through George W. Bush. Instead of the typical characters present in an eye chart, the piece employs words drawn from their speeches, presented in order of most frequent (top line) to least frequent (bottom line) word. The result is a startlingly clear snapshot of the lexicon of each presidency, containing a mix of historically topical keywords and rhetoric unique to each president and the time period in which they served in office.
THE CELLAR AND POINT/FLORENT GHYS – SOLO PERFORMANCE DOUBLE BASS-LAPTOP
Cornelia Street Cafe
Wed Oct 24th
The cellar and point is an adventurous “garage-chamber” sextet whose musical universe comprises the detail of modern concert music, the emotional directness of alt-rock, and the improvisational sensibilities of downtown jazz. Formed in 2010, the group features an impressive cross-section of young talent from NYCʼs classical, jazz, and new music scenes.Ghys is one of a new breed of composer/performers who thrives on performing the music he composes. He creates highly contrapuntal, post-minimalist chamber music showcasing intelligent multi-tracking and inventive use of electronics and sampled speech. On the surface, his music is lighthearted and easily engaging, with whimsical loops and repetitions dancing around each other, creating clever and pleasing rhythms. Acoustic bass lines interweave creatively and buoyantly with layered instrumental tracks, electronics or processed speech. These seemingly simple elements are carefully crafted, however, and pieced together very deliberately.
Landscapes of the Soul
October 19 – October 21, 2012
By using an array of musical traditions from around the world, composer and multi-instrumentalist Nacho Arimany offers a ritualistic expression that engages the audience in experiencing free interaction between different artistic disciplines. The incorporation of Jazz , Video-Art and Live Digital Drawing opens the space for tradition to be transformed and actualized by a new experience of collective creation.
TYPES WE CAN MAKE & TYPE@COOPER
OCTOBER 23 – NOVEMBER 17, 2012
“Types We Can Make”- A selection of contemporary Swiss typeface design curated by ECAL/University of Art & Design Lausanne (Switzerland), in association with The Herb Lubalin Study Center of Design and Typography. “Type@Cooper”- Graduates of Cooper Union’s Typeface design program, Type@Cooper, will exhibit a diverse range of their works.
Dead in August
October 19 – November 16, 2012
site95 is pleased to present “Dead in August,” a group exhibition organized by Meaghan Kent and Sara Maria Salamone. “Dead in August” is part of a multi venue project that uses additional spaces in New York to create in depth exhibitions highlighting emerging New York based artists. The exhibition will be held at NYCAMS, New York Center for Art and Media Studies, New York. Artists include: Nils Folke Anderson, Agnes Barley, Jude Broughan, Matthew Brownell, Peter Demos, Nathan Dilworth, Roberto Carlos Lange, Francesco Longenecker, Christian Maychack and Alexandra Posen. A panel discussion moderated by Andrea Hill will be held Thursday, October 25 at 6:30pm.
PAMELIA KURSTIN with PETE DRUNGLE
Invented in 1919 by Russian scientist Léon Theremin, the Theremin is one of the oldest electronic instrument – and the fact that it doesn’t need to be touched to produce a sound, makes it also the most magical. Pamelia is widely considered one of the world’s greatest theremin player. On an instrument primarily associated with horror and science fiction soundtracks, she can be lyrical. Her pitch, her technique and her taste are equally perfect. She can play microtonal puzzles and walking bass lines. She can sound like a violin, a human voice or an analog synthesizer. Out of what was once a symbol of modernism, she plays music of a very emotional order. Pamelia has been based in Vienna for a few years, and this is a rare chance to catch her here – and then with Barbez for the later set. She will be joined by pianist Pete Drungle.
How to Break
Here Arts Center
Oct 18-Nov 4
In their first co-producing endeavor, HERE and the Hip-Hop Theater Festival present the world premiere of How to Break, a collaboration between playwright Aaron Jafferis, reknowned breakersKwikstep and Rokafella, beatboxers Adam Matta and Yako 440, composer Rebecca Hart, and director Christopher Edwards. Recipient of the 2012 Thomas Barbour Playwright’s Award,How to Break sneaks into a hospital room with a fake ID, a potty mouth, and a bad case of heartsick.
MONICA BILL BARNES & COMPANY
OCTOBER 20 / 8:00 and OCTOBER 21 / 3:00
Monica Bill Barnes & Company return after their performance in This American Life Live! last May. Ira Glass will introduce these performances and join the company onstage for a post-performance discussion.
JENNIFER & KEVIN McCOY: TWENTY ONE TWELVE
October 20 – November 24, 2012
Postmasters is pleased to announce Twenty One Twelve, its sixth exhibition with Jennifer and Kevin McCoy and their 10th year with the gallery. Pioneering new media artists whose works explore both time-based and physical reality, the McCoys are perhaps best recognized for constructing subjective databases of film and television material and for creating miniature film sets with live video cameras. The integration of sculpture and video continues in their new exhibition. Pointing to a time 100 years from today Twenty One Twelve connects current trends with future failures and potential transformations. For this show the McCoys have created a series of ten sculptures which depict the landscapes of today and tomorrow. Corporate campuses, parking lots, man-made mountains, resort architecture, and factories all collide with a globalized media infrastructure. This framework exists to support utopian goals, even as it rests upon resource depletion, financial instabilities, and entropic decay. The problems of environmental and economic collapse persist in the face of the rhetoric of the assumed benefits of continued economic expansion and a technological future.
Filed under: FILM/VIDEO, TAPE ONE | Tags: 2005, a, Becker, down, for, Give, one, other, pulling, signigicant, sky, song, Sun, the, to, tommy, track, you
“pulling down the sky to give you the sun”
Track Number One: song for a significant other | 1min 50sec | DV | 2005
After piecing together a yellow outfit from second hand stores, the simple act of jumping is turned into a performed act of giving as a figure struggles to transform himself into the sun. Track Number One was a belated birthday present and is a gift to be shared with others, especially the artists who continue to exercise their light and amuse their imaginations.
video & music – written, recorded, performed and edited by T.Becker | 2005
Filed under: THE WEEK/THE WEEKEND | Tags: (READ, a, Adventures, AMOUR, and, ANDERSON ABJECT, Annie, anthony, art, artist, AWAKE, BABYLON Julia, Beekeepers, Belle Stephen, bill, bittle, Blackout FLASH, Bokaer, by, bye, c, CHAPTERS Ghostly, chorus, chris, CHUN JISOO, COMPOSERS Butoh, Corruptions LIEBE, Corsano The, CUTLER, dark, david, down, earth, Electra Joianne, ELISE, Erik, Fair Elad, FERGUSON “How, FEVERISH, First, FREE, Gibbs, Gone KWANG YOUNG, guest, Haltigan, Harnessing, Harry, Hembrey, Herndon, hess, HOLLY, Ikonen, in, Int’l, international, is, it, Jacaszek, Jiha, Jonah, Kennedy, LARSEN, Lassry, LDP, Lee, LIBRARY DO, life, literature, live, love, marie, matters MERNET, matthew, McCall, michael, MICROCOSMOS, Miyagi, moon, more, mountain, my, mysterious, Netzer Dreamland, not, nyc, of, on, Orcutt, Parker, party, Pictures ECLIPSE, Point, poland, Post DAVID, power, Powers, Presence, present, Pussy, record, Regula Bushwick, release, Riitta, RUSTY, Rvng, saul, s Island, science, Shea, Sivak, Sleep Sweet, snow, soundtrack, special, stars, strange, street, Sylvia, talk, the, Thousand, three, to, Untitled, USA, WALLPAPER Governor, way, WILLIAMS Presents, Wilsen Fujiya, Wishes THE, with, word, Worth, writers, x
Following his acclaimed project SEEK, featured as a 2011 TED Talk, Hembrey’s new work attempts to visualize his 20 year exploration of dark matter and dark energy (scientifically hypothesized to comprise over 95% of the cosmos). Hembrey’s paintings and sculptures are a collective meditation on the unseen structure of our universe. Painted with trompe l’oeil technique, the series Unstill Lifes attempts to visualize the tangible structures of matter pared down to bits. Ghostly wisps of smoke appear to the viewer at certain angles and improbable assemblages of matches, tree branches, and string appear to float off of the inky blackground.
MERNET LARSEN: THREE CHAPTERS
CHAPTER 1: HEADS AND BODIES (SEPT. 6 – 26)
CHAPTER 2: PLACES (SEPT. 27 – OCT. 10)
CHAPTER 3: NARRATIVES (OCT. 11 – 27)
Larsen is an accomplished painter who has always challenged herself to invent new styles and ways of composition. Her recent oeuvre marks a synopsis of previous works ranging between abstraction and figuration. Using modernist Russian constructivist paintings as a point of departure for numerous compositions, she also engages ideas of reverse perspective and conflicting vanishing points, as can be found in Japanese narrative scrolls. Her pool of inspirations is vast, ranging from masterpieces of Renaissance through 20th century art, to traditional Japanese puppet theatre, to photographs she has taken of classrooms and faculty meetings during her 35-year long Professorship in Florida.
Ghostly International & Rvng Intl. Present: Jacaszek (Poland) / Holly Herndon (USA)
Thursday, September 6, 2012 @ 8:00 pm
Roulette with Ghostly International and Rvng Intl. are pleased to present an evening of electroacoustic music, featuring a rare US performance by Polish composer Jacaszek and San Francisco based Holly Herndon.
ERIK PARKER: BYE BYE BABYLON
Thursday, 6 September, Opening Reception 6-8PM
Paul Kasmin Gallery
Paul Kasmin Gallery is pleased to present an exhibition of eleven 2012 still-life and jungle-landscape paintings by Erik Parker (b. 1968 Stuttgart, Germany; lives and works in New York City). Updating these traditional art-historical genres through the pictorial idioms and sly humor of satirical cartoons, psychedelia, and underground comic books, Parker’s paintings provide vistas into brilliantly colored worlds of semi-sentient flora and idiosyncratic geometries.
Julia Haltigan / Rusty Belle
The members of Rusty Belle swagger between raw blues, tiny tangos, country waltzes and backyard symphonies. Sometimes a walk with the Roma, a twisted tale in metered time, or a yell-along-after-dinner drunken opera. A dance band that tries to tie your shoes together. The music is littered with dented paint cans, smashed up trashcan lids, old hacksaw blades, and broken glass. Like junkyard songbirds, they sing sweet through all the rubbage.
Stephen Powers: A Word is Worth A Thousand Pictures
Joshua Liner Gallery
September 6 to September 29, 2012
After seven years since Stephen Powers’ last solo exhibition in New York, Joshua Liner Gallery is pleased to present A Word is Worth a Thousand Pictures. In this new exhibition series, the prolific artist will present a panoramic assemblage of paintings that will occupy the entire breadth of the gallery. A Word is Worth a Thousand Pictures will consist of a multitude of enamel on aluminum paintings, ranging from 10-x-8 inches to 10-x-10 feet.
ECLIPSE (Jonah Bokaer x Anthony McCall)
Sep 5—Sep 9, 2012
Choreographer Jonah Bokaer and artist Anthony McCall explore total motion in this breathtaking collaboration that places dance within an installation built from shifting avenues of light and spatialized, sonic images. Featuring four dancers as well as a special appearance by Bokaer,ECLIPSE utilizes the unique flexibility of the Fishman Space, with a four-sided seating configuration to create an utterly intimate experience between artists and audience.
MICROCOSMOS with live soundtrack by LDP, David First, and Matthew Regula
Friday September 7th with composer David First
Saturday September 8th with Telecult Powers mem Matthew Regula
LONG DISTANCE POISON play live music & soundscape to the film. Composer David First will be sitting in with LONG DISTANCE POISON on Friday and TELECULT POWERS member Matthew Regula will be sitting in on Saturday.
August 31 – September 21, 2012
The Shirey is pleased to present Bushwick Blackout, an immersive multi-media exhibition and video screening of luminous works that twinkle and glow in the dark.In this exhibition, traditional gallery lighting is abandoned. The only sources of light are ultraviolet lamps and the works themselves. Emerging from the walls, ceiling, and floors, the works create a three-dimensional constellation, encompassing the viewer and transforming the conventional gallery space into a spellbound landscape.
FLASH POINT/ NYC: WRITERS AND COMPOSERS
Thursday, Aug 30 – 6:00PM
Cornelia St Cafe
A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.
August 29 – September 8
The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.
KWANG YOUNG CHUN
Brötzmann/ Adasiewicz Duo and Joshua Abrams Natural Information Society with Chad Taylor
JISOO LEE/Marie Sivak/Sylvia Netzer
Dreamland: Adventures in the Strange Science of Sleep
LIEBE LOVE AMOUR!
MICHAEL ANDERSON ABJECT STREET WALLPAPER
Governor’s Island Art Fair
Elad Lassry: Untitled (Presence)
Harry Pussy Record Release Party with Bill Orcutt & Chris Corsano
The Snow / C. Gibbs/Annie and The Beekeepers with special guest Wilsen
Fujiya & Miyagi, Hess Is More, Wishes
THE FEVERISH LIBRARY
DO IT AWAKE! (on Mysterious Mountain)
Riitta Ikonen: Post
How Not to Read: Harnessing The Power of a Literature-Free Life”
Jiha Moon: Stars Down to Earth (Artist Talk)
SAUL WILLIAMS Presents CHORUS – A spoken word tour
PILC MOUTIN HOENIG
Slice Magazine Issue 11 Launch Party
The Emily Dickinson Reader
Matthew Miller: “Fools Are Those Who Lose Their Mirrors”
AMRAM & CO
Final opening of: …Is This Free?
ERIC YAHNKER: Virgin Birth ‘N’ Turf
DANCENOW Joe’s Pub Festival
KILL LIES ALL / JAVIER ARCE
Bridget Everett & The Tender Moments
The Performing Garage Presents: Findlay//Sandsmark’s Fractured Bones/Let’s Get Lost
Todd Sickafoose’s TINY RESISTORS
I THOUGHT WE WERE THE SAME PERSON
Happy Birthday, Conlon! A Tribute to Nancarrow on his 100th Birthday
w/ The Bugallo-Williams Piano Duo
David Stoupakis/Matthew Bone
EatSleepDraw (5 Years)
Arnold Dreyblatt: Turntable History / Spin Ensemble
Ryan Turley’s Hi/Lo
ELISA LENDVAY: Small Sculpture
Strange Tales of Liaozhai
Thomas Allen: Beautiful Evidence
Wondering Around Wandering
Pauline Oliveros with Doug Van Nort and FILTER
Pictures from the Moon: A Symposium on Holograms and Art
Steve Reich: complete string quartets (Different Trains, Triple Quartet, & world premiere of WTC 9/11, all-live version) performed by ACME
Jozef Van Wissem and Noveller
Odd Job @Fowler Arts
THE NY ART BOOK FAIR
Next wave Festival
The Mountain Goats
Origins of the Forest
Filed under: THE WEEK/THE WEEKEND | Tags: a, Ages JohnKelly Find, AJ, al, all, an, and, Andrews Electronic, art, Art Night, as, Awards, Ball Manly, Bathers, BEAR BAT, BedStuy/UWS/Cobble, Bellona, Bigbee, car, carter, Cash Music, century, Century Allison, Ceremony Featured, concert, Contemporary, Darkness, day, Derivatives Rental, down, Down VANISHING, Duncan DEJA, duo, Eddie, elana, Ensemble Tiny, FALLS DARKNESS, Falls INTRODUCTION, Feige, Festival ALARM, Festival Don’t, Festival William, Festival Clearwater, film, from, FrostAirplane, george, Go Brett, group, hall, HALVORSON Blouse, Hell RE/Mixed, Hill/Stu, History Shahzia, home, Home ABANDONMENT, Honors, Huffman Mark, in, Indoor, Inside/Outside Mad, is, Jayhawks Rosanne, JibadeKhalil, joan, Jorden SONIC, KAWAGUCHI, Komunyakaa, LABAZEVITCHLEVYATOV, Larkin, L², Letting, LIGHT NY, Light Paul, like, location, love, MCLEAN, me, media, Mode JESSE, Moth, Museum, my, natural, new, night, ny, OBSESSED RADICAL Poets, of, one, ONE UTOPIA, open, over, P, party, Pawelec, piano, play, poets, POINT Ernesto, powhida, PRESENTS ALL, Pujol, Qadiri GenreSpecific, Rally Rob, reception Home, recycling, Rehm Pamela, REMAINS Doomsday, REVELATION By, Revisited Alistar, Revisited Jacob, room, Roth, Screening BENEFIT, secret, Shakin, Show Ian, Sideways, Sikander Trust, sonic, sound, sounds, Sport PARTY, Starfest I, STETSON JOSEPHINE, StorySlam Doomsday, Studio International, sweet, teachings, that, the, Theater NYC, to, TOMOKO, Town Urban, Train) Fatima, TRUST, Try, Two BOY, UGLY, under, VINYL Rouge, VU Doxita, WASTE, way, Wein The, will, Xperience Release, Yusef
Mathilde Aubier, Paul Burgess, Cless, Virginia Echeverria, Fred Free, John Gall, James Gallagher, April Gertler, Ashkan Honarvar, Colin Jenkins, Gordon Magnin, Clarita Mata, Jeffery Meyer, Tom Moglu, Randy Mora, Julien Pacaud, Lilly Pereira, Dave Plunkert, Ciara Phelan, Eduardo Recife, Kareen Rizk, Javier Rodriguez, Valerie Roybal, Katherine Streeter, Leigh Wells, Charles Wilkin, Lionel Williams, Bill ZindelFrom its abstract roots in Cubism to the political and counter culture movements of Dada and Punk, collage has always been a product of its environment. With the rise of 24 hour media cycles, social networks and search engines, contemporary culture has effectively rendered print media obsolete, creating a virtual boom in discarded paper ephemera for collage artists to examine and reinvent. Through these discarded remnants collage artists have become the archivists and activists of this post modern age, paralleling the frenetic pace in which we live while exposing the voyeuristic and often disjointed nature of popular culture.INTERVIEW WITH THE 22.
Doomsday Film Festival
Filed under: THE WEEK/THE WEEKEND | Tags: 2, 2011, 30, 4th, 5, a, accompanied, Activator Born, Albo, american, and, ANIMALS Robert, Antarctica, Arches, art, arts, as Urban, at, b, baby, band, Banking DAVID, BARBES LITTLE, BEEKEEPER Crash, best, big, Birth, blind, book, Brief, Broadway An, by, Canada, CENTRIC Mike, CHORAL, city, classical, CLERI, collection, collective, community, Coonskin, Corner, Course, Crinkles Screening, cut, Day INTERROGATION, DAYDREAMING, death, Decade, Derfner, DIXON Best, DJ, down, Economies, ensemble, ensemble OCCUPY, event, Everest, Expano Hilary, Exploration, FAMILY BARBES, FLIGHT, Flipsides M, floating, folk, for, FREE, Freedom, Fridays, Friends JIMMY, from, Gallery Ben, GARNIEZ, Ghastly, Goldsworthy, graphic, Hawke, Hughes DJ, ice, Illuminated, in, Industries, installation, INSTITUTE_INSTITUT Anyone, japanese, jerry, Joel, KILL, KOTAK, la, labor, laboratory, lady, lamb, LIBERTY, library, live, Loory, love, metropolis, michael, Minds Woodsman, MOONLIGHERS, MORENO, Museum, music, Musto, Narrative DAVID, neff, Nightime, NYAA Jeremy, O5, OCCUPYWALLSTREET, october, of, on, panoply, paper, paste, Performa Ascent, performance, performative, Phantom ESTHER, PHILLIPS, Plaza, PM PEOPLE, porn, presents, Process RACHELLE, recent, Reflections, release. I, Rossman, Rupert, S, SANDA, science, secret, sensing, SHANGHAI, shaw, side, singing, site, sleep, SMOKEY, Some, sound, south, space, Spaces Illuminating, specific, Spooky, Square, STING, Storefront TREMBLING, stories, story, STREET PM, string, surround, Swallow Internet, SWEETEST, Terrance, the, theater, to, trio, TROTTER, turntables, university, Vic, vinyl, wall, Wattstax MARNI, weigl, white, WOES, works, world, Writing Jae, X O, yale, Yarber
“Coonskin 2: Flight to Canada”, a collection of art works by Terrance Hughes
Opening reception: Saturday, October 8th, 6 – 9pm
For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.
Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.
Filed under: MUSIC | Tags: 2011, after, amy, and, ASTRAL, bassist, bloody, bunnymen, california, carbon, cure, dave, division, down, drummer, Echo, forever, francisco, han, joy, matt, mowatt, my, october, orchids, poh, post, punk, raining, records, revivial, rio, robert, rosenoff, san, shawn, shoegaze, slowdive, smith, the, valentine, vibraphone
Described as maintaining a “rightful place at the crossroads of the shoegaze and post-punk revival” Astral’s 2011 release, “Forever After” from Vibraphone Records feels like a fast ride through a field full of flowers. The band currently lives in San Francisco and frontman, Dave Han took a moment to talk to Matt Mowatt about the project.