Filed under: MUSIC, REVIEWS | Tags: 22 magazine, alt, art, avant, beat, blong, bono, brooklyn, california, electronica, esoteric., garde, hippie, hipster, House, Le, mast, mazy, new, ny, nyc, poissson, poppies, poppy, redhead, rock, rouge, star, the, U2, wil, york
I had always thought that the djembe was an instrument solely relegated to the living room of a stoned and nude Matthew McConaughey. To the sandal clad college kid; or perhaps set in the corner of some ecologically sound mansion as a decorative gesture of cultural awareness. It’s refreshing to have one’s stereotypes shattered. The Mast’s new album Wild Poppies -and their djembe- did just that.
The ethereal vocals of Haale, whose riffs conjure scenes of panoramic deserts, compliment the unfolding complexity of Matt Kilmer’s poly-rhythmic drumming (using not only the djembe, but also a frame drum a bass drum, a floor tom, and cymbals) and invoke a sort of blooming, colorful landscape of layers, organically grown. I think of a toned down Kills, a hyperactive (or perhaps simply active) Mazzy Star, a straightforward Blonde Redhead. In spite of these comparisons, and in a music world saturated with tuned glossy duos, The Mast has carved out a niche all their own, weaving together a sound both simulated and organic.
Song titles like “The Lake” and “Hummingbird,” and lyrics such as “gold dust of the sun has settled, brightens my mind,” or “rolling over the reeds, rolling over mounds of earth, from my head to feet, oh land, the grand masseuse,” reinforce the earthiness of the sound. Despite the fact that the cover art, a fractal image of poppies grown in the band’s backyard, invites the psychedelic, to label their music as simply psychedelic, electronic or rock/pop would be off the mark. Much like their self-proclaimed symbol, The Mast’s strength lies in its ability to merge the best of all three in symbiotic sound.
The Mast will play THURS, JULY 7, 2011 @ Le Poisson Rouge for the release of their album “Wild Poppies.”
ABOUT MATT MOWATT: Matthew Mowatt is currently working as a freelance editor and English teacher in Paris, France. He’s searching for publishers to accept his first finished novella and in the meantime, he seeks out musicians and writers for entertainment of the inspirational kind. He occasionally contributes to his own fanless blog (fairweather chronicles) when he’s licked by life.
Filed under: THE WEEK/THE WEEKEND | Tags: $10, 2000, a, abstraction, agony, al, Alexandra, alissa, ana, animation, art, artists, beautiful, Birch, blachly, blip, boar, bradshaw, brainery, Brehm, brooklyn, chadwick, chanty, chast, chats, christians, christopher, Crispin, cristea, digital, dixon, Doron, electronica, experiments, eyebeam, family papers, festival, fireside, gallery, Gorczynski, grossmalerman, Guy, horton, Howard, hunnicut, idolatry, idols, indie, inside, Ion, Jacques, jedeo, jimbo, jonathan, kate, kid, Langberg, Lindsay, louis, lytly, manobar, most, nautical, nelson, new, Nicolas, NYSG, of, painter, painting, patti, physcs, place, puppet, razvan, richards, romanitc, romero, salse, Sassoon, satire, schroder, sea, shaw, show, shredder, smith, solo, sterling, sticom, studio, summer, television, the, through, TV, Vidal, Video, wadzinski, walk, Wheat, williams, years, york
531 West 26th Street, NYC
Guy Richards Smit satirically bends artistic authorship with new paintings and video in Grossmalerman! Thanks to Guy Richards Smit for the following text from Jonathan Grossmalerman, writing in defense of his portrayal in Grossmalerman!, Amagansett, April 2011:
“That a man, any man, be he a thundering genius or a mere citizen, might die never having had his own sitcom, seems to me, a terrible injustice.” Those were the last words of my father, Saul Grossmalerman, a strikingly sullen man with few ambitions, a habitual liar about boring things not worth lying about. What a piece of shit. In any case, this was one of the more interesting things he said and that it was uttered on his deathbed gave it a certain…approximation of gravitas. For what it’s worth, it has always been a burr on the tunic of my outrageous success. It was with that in mind that I, perhaps foolishly, gave permission to the painfully charismatic Guy Richards Smit when asked to use my name and paintings in his “sitcom,” a show ostensibly about me and my life. Let me state frankly: it is not.(READ MORE.)
May 18 at 6:00pm FREE
Curated and hosted by Kate Brehm, this on-going series features impromptu, informal and intimate conversations with NYC’s puppet artists. This month’s special guests: Christopher Williams and Patti Bradshaw and we will discuss the End of the World! Followed by a performance of Alissa Hunnicutt’s The Kid Inside. (READ MORE.)
Date: Thursday, 19 May 2011, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
FREE. No RSVP necessary
Please join Jimbo Blachly and Lytle Shaw, editors of the Chadwick Family Papers, for the land launch of the Nelson Manobar. The Chadwicks’ recently restored occupiable model of Admiral Nelson’s HMS Victory has never before been exhibited publicly in the United States.
The event features:
Drinks from the hull of the Manobar
Rare recordings of Chadwick Dalton’s legendary sea chanty collection
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
Thursday, May 19, 6:30-8pm
If we think back to our High School years…probably nothing. But to the scientific mind, the concept of the “elegant proof” is deep and satisfying thing. In a survey some years back, physicists identified the 10 experiments that they felt were not just important…but really cool, elegant…and beautiful. They span millennia, from Ancient Egypt to Modern Europe.
Each experiment will be related, along with the how and why of its execution (some may be tried at home – depending on your research budget). How to measure the size, mass and rotation of the Earth. What light is made up of. The atom and electron. Wave mechanics. And a smidgen of Quantum Mechanics. At the end, you will walk out with a broad, expansive survey of Physics and its history. Led by Daniel. (READ MORE.)
Romantic Agony @ HORTON GALLERY.
May 19 – Jun 18, 2011
Jacques Louis Vidal
Blip Festival will take place May 19-21, 2011
Marshall McLuhan writes, “Obsolescence never meant the end of anything, it’s just the beginning.” Taking Blip Festival’s spirit of ‘obsolescence as the beginning’ into the realm of visual art, a nightly screening is presented by artists who are bringing new life to the technology and aesthetics of our recent past.
From animated GIFs to video collage, from memes to digital abstraction, the artists included in Blip Festival Gallery employ the wealth of creative technologies of networked culture. Includes work and premieres by: Sterling Crispin, Alexandra Gorczynski and Nicolas Sassoon.
Curated by Lindsay Howard
Filed under: FILM/VIDEO, MUSIC | Tags: 22, angels, brooklyn, children, electronic, electronica, flowers, hallucinists, hexadecagon, kalidoscope, magazine, multiscreen, music, new, ny, nyc, octopus, project, refraction, the, Video, wiggings, wiggins, wiley, york