The 22 Magazine


Musta Fior
January 24, 2013, 12:51 am
Filed under: ART, COLLAGE | Tags: , , , , , , , , , , ,

38378817191
WEBSITE

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Mark Powell.
November 2, 2012, 1:23 pm
Filed under: ART | Tags: , , , , , , , , , , , , , ,



WEBSITE.



Adrian Caicedo.
October 1, 2012, 2:21 am
Filed under: ART | Tags: , , , , , , , ,

WEBSITE.



Julien Pacaud.
August 28, 2012, 4:38 am
Filed under: ART | Tags: , , , , , , , , , , ,


WEBSITE.



The back door.
May 29, 2012, 4:43 am
Filed under: POETRY, WRITING | Tags: , , , , , , , , , , , , , , , , , , ,

By Erica Manolith.

I don’t understand,

your life.

The sick look by the back door,

porch screen, flapping in the wind.

You don’t seem to notice the human,

of the humans around you.

Perhaps this makes you vomit?

Where are your skills?

Where is your voice?

It’s a vapor,

it’s a screen in the wind,

it fades,

it aches,

it has nothing to say,

and from nothing,

there is born,

nothing.

 



Erica Manolith is a writer living in Northwestern Pennsylvania. She is currently finishing her degree in France, and is home for the summer writing poetry for sport.



Tiny Naked Men Riding on Small Feral Animals: Philippe Jarry.
March 8, 2012, 1:00 am
Filed under: ART | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , ,

WEBSITE.
OTHER.

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Hand Fool of Desire/We are not young and immortal anymore by Miyoko Caubet.
November 17, 2011, 4:03 pm
Filed under: ART, FILM/VIDEO | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,



Hand-Fool of Desire – 10′ excerpt from Miyoko, french video maker on Vimeo.

At the request of theater director Mélanie Mary, and in collaboration with video artists Alexandra Loewe and Kai-Duc Luong, this video was created specifically for adding ambience to a literary rock music event that centered around the theme of sex.
The challenge was to create images that would depict sensuality in such a way as not to be overtly vulgar or ridiculous. We took this to be our guideline throughout the creation process of “Hand-Fool of Desire.”

I was offered to make a video and display it at a gallery exhibition with other artists.
“We were young and immortal,” the name of the exhibit, resonated with me during my work with it, prompting me to respond to this idea and how I felt about it.
It made me think about how being a 32 year-old woman doesn’t feel like being young and immortal like I did when I was 19.
In fact, I’ve been thinking about how short life is, of how close the possibility of death is to me as I reached my 30’s.. (READ MORE.)

We are not young and immortal anymore / english version from Miyoko, french video maker on Vimeo.



LIVE REVIEW BY MATT MOWATT: HEALTH W/CHAD VALLEY, POINT EPHEMERE
September 30, 2011, 7:00 am
Filed under: MUSIC | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

LIVE REVIEW
HEALTH W/CHAD VALLEY
POINT EPHEMERE
9.6.11
“To Your Health”

It all began with work in Mexico City. A friend of mine had bought a ticket to Health only to find out that he’d be unable to go. “You want it?” he asked me, a bit forlorn and deflated. “Sure,” I responded not particularly knowing what I was throwing myself into. And then events happen as they do to everybody, the ones that cripple the will and crush the desire, the ones where you either decide to go to a concert or to keep hiding under your sheets worrying what the hell to do with your life – the proletariat blues.

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12SEPTEMBER2001 (Part 3 of 3) BY MIYOKO CAUBET.



memories, desires, dreams and fantasies the ingredients with which one builds their own story and self identity? This is the question from which the video “12september2001” was conceived. The passing images live in the mind of the narrator. His inner voice addresses two young women whom he sees in a house – imagined to be abandoned and destroyed – which they used to spend their summers together. He recalls memories and dreams, shares his nostalgia, and confesses his still vivid fantasies about them.

These images are a mix between the narrator’s memories, his fantasies and emotions, and his personal experience of historical events, all of which are constitutive elements of his identity.

Directed by Miyoko Caubet
Text written by Matthew Mowatt
narrated by Georges Vitek

Part 1
Part 2



12SEPTEMBER2001 (PART 2 OF 3) BY MIYOKO CAUBET.

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12september2001 (Part 1 of 3) by Miyoko Caubet.

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An Interview with Bonnie Li by Matt Mowatt.

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BLOOMSDAY CONTEST: Christine Greenslade

Christine Greenslade
Contemporary/surrealist artist

Born in Penzance, Cornwall ,England,1947.
Retired contract interior designer
National Awards and International recognition for design (interior and advertising) Lived and worked in England, Bermuda, Germany, and Spain
At present living in Pays de Loire, France. Works in oils or acrylics on board or canvas. Use of collage and newpaper as principal part of design.
Living in the heart of the Andulucian mountains, poor and frustrated, I turned to painting as a way of release.  I soon discovered it was my missing link the part that is always in front of you but you never see!  Spain gave me the colours I love and the passion I feel.  Inspired by a Picasso  documentary and the simple way he used shape, form and colour allowed me to do my latest collection. I love the characters of the normal man or woman in the street and I’ve endeavored to capture this in its simplist form. Showing love, anger, disputes between races, old love, and a soupson of humour .  I hope you enjoy and that they will impress upon your memory.  Please contact me at http://www.artslantParis or Amsterdam under christine greenslade or e-mail at:cristolgs@gmail.com to purchase originals or limited copies.  telephone:00 33 241610986
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INTERVIEW WITH THE PARLOR SNAKES BY MATT MOWATT.

I met up with Eugénie Alquezar (the singer/keyboardist) and Peter Kryznowek (the guitarist) of the Parlor Snakes last week at a Parisian bar in the 11th quarter, and they are very much the embodiment of rock and roll music. Peter with his cool rockabilly swagger and Eugénie with her stylish and energetic demeanor, it’s difficult to find this certain purity of rock and roll today without the adulterated elements of Macbooks, alligator sweaters, or the ironic pair of glasses. No slamming the indie circuit, but it’s refreshing to see, well, rock and roll once again. After seeing the Parlor Snakes play live, I was convinced that I was back in the heyday of New York City rock music (where Peter lived and was heavily influenced by). On the other hand, labeling the Parlor Snakes retro-rock, nostalgic for the drugged-out days of Lou Reed, Jim Carroll or the Cramps would be a grave mistake. They bring their own twist of space-out and shoe-gaze as much as any young band today – mixing both high-energy with calm-down beer time. A perfect combination for cellar-dweller rockers thirsty for the times of CBGB’s but also ready for some fresh sounds as well.

The 22 Magazine: First of all I’d like to thank you for this interview with The 22 Magazine.

The Parlor Snakes: Thank you for inviting us.

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Help support DAMP PATCHES with April Gertler.

HELP SUPPORT CONTRIBUTOR APRIL GERTLER’S BOOK PROJECT: DAMP PATCHES.
I’ve had the very great pleasure of seeing some of these pieces in person and each one of them is so uniquely lovely. April will talk about this and other projects in the forthcoming video interview for the 22 but in the meantime help her make it happen!

Donations range from $25 to $750 (which includes a personal hand-made collage from April.)

ABOUT THIS PROJECT

In October 2010 I was invited to Paris for an artist residency at l’entreprise culturelle. Out of that residency came DAMP PATCHES – which is a new collection of work I developed into an artist book that mixes my collage work with photography and drawing. The title of the book comes from the loose translation of a deodorant ad from the French fashion magazine Votre Beaute (1973): Prisonnière des taches d’humidité sous les bras. – A prisoner of damp patches.

I like working with collage because I enjoy using original source materials such as found photographs, fashion magazine ads, and bits and pieces that I find on the street or in the trash, and the hands-on experience of working with paper, glue, scissors and thread. It feels increasingly relevant to use a hands-on approach as many other parts of my life are being swallowed by the digital world.

I use collage as my primary medium because I feel it is the best way for me to combine images and explore various concepts that interest me the most, such as; the complex dynamics of intimate relationships, female empowerment, and the anonymity of urban life. I am dedicated to my original source materials which tend to restrict the final size of my work, but in that way they become more precious and intimate for the viewer, DAMP PATCHES has challenged my continuing understanding of what collage can become.

The idea of creating a book surrounding the project came together when I was speaking to my colleague and friend, Eduardo Serafim about DAMP PATCHES. Eduardo co-founded AML-Press in February 2011, and suggested that AML print the book with their newly acquired Risograph printer; a machine part Xerox copier, part offset press which has the quality of a silkscreen.

The Risograph machine was not initially intended for artist books or printed projects but rather for high volume commercial use. I loved the idea of using the Riso because the quality and texture of the images produced by the machine highly compliment the source material I use in my work which typically comes from the 1960′s – 1980′s.

The final book will marry the low-tech feel of the collage work with the high tech printing method of the Riso. As a result the collages and photographs will be the same size and the same texture as the original works. I am really enthusiastic about this part of the project because it helps me push my practice further by exploring my interest in all 3 mediums and takes them to a new level.

The funding I’m requesting would support the production of the book by supplementing the printing costs, paper, assembly, and shipping/distribution of the finished book.

The book would be:

  • 36 pages
  • Book size (closed) 8.5″ x 11.5″
  • Printed on the Risograph
  • Staple binding
  • Edition of 300

I hope you are interested in sharing in my enthusiasm. Thank you for your time, attention and support.

My best,

April Gertler

////

Kopenhagenerstrasse 4

10437 Berlin, Germany

a@aprilgertler.com

www.aprilgertler.com

Project location: Berlin, Germany




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