Abigail Fischer and Now Ensemble and Aaron Roche performed SFTU at Le Poisson Rouge, Dec 2012
Song from the Uproar originally premiered at The Kitchen in Feb 2012 and was reprised at Le Poisson Rouge this past December with the NOW Ensemble and Abigail Fischer. Aaron Roche also preformed and video was shown from Stephen Taylor. The narrative of SFTU revolves around Isabelle Eberhardt, a gender defying Swiss explorer and journalist who kept extensive diaries of her extraordinary lifestyle in the 1800s. In the early 1900s she moved to Algeria where she wore the garb of men and called herself, Si Mahmoud Essadi. She married an Algerian solider, andwas eventually killed by a flood in 1904, after an early assassination attempt.Creator Missy Mazzoli and librettist Royce Vavrek were interviewed about the project below.
The 22: What in Isabelle’s character do you identify with? What originally made her unique to you?
Missy/Royce: I identified with her inner conflicts, with this feeling that she was caught between eastern and western culture, between her desire to be with her husband and her need to travel endlessly. At a time when most of what we do is shared and recorded through Facebook, Twitter, etc, I was attracted to the fact that we really don’t know that much about Isabelle. We are left to imagine how she felt while these very extreme things happened to her.
22: Do you know much about how Isabelle’s conversion to Sufism effected her during that era? Is this what lead to her attempted assassination?
M/R: I know that the Sufi sect she was a part of did not typically include women – she was only invited into the group because she chose to live as a man. It was in fact the event that led to her attempted assassination; because she was a European woman she was a very visible member of the sect, and became a target for rival Sufis.
22: In the film you repeat images of a little girl and her father (who appears and disappears) and of a girl swimming and/or drowning. Tell me what those symbolic elements represent to you.
M/R: The films were made by Stephen Taylor – the little girl and her father represent Isabelle and her father, and the water imagery represents the flood that will eventually take her life. To me, the water also represents her life, this force that swept her along down an untrodden path.
22: Tell me a little about your costume choices (which have evolved throughout the shows), particularly Isabelle.
M/R: The costumes were made by our designer Alixandra Englund in consultation with the director Gia Forakis. We wanted to show a mix of genders and also a mix of North African and European influences. The pants reflect what was worn by African men at the turn of the century. The entire opera is actually Isabelle’s memory of what happened, rather than what actually happened – it’s a subtle but important distinction. By placing the work in the sphere of memories and dreams, we opened up the story to ideas and styles that don’t necessarily reflect reality in an accurate way. Isabelle’s costume is a perfect example of that – it’s a sort of dreamy, mis-remembered version of something she would have actually worn.
22: Isabelle seems to have a real kinship with death in the piece, “death moves his hands through me again,” “death is my joy, my happiness,” tell me what you or Isabelle meant by these lines?
M/R: Isabelle’s relationship with death is complicated and fascinating. She wrote about death obsessively in her journals and contemplated suicide at one point, but claims to not fear death because of her Islamic faith. In reality I think she did fear death (she was found drown in a flash flood with her arms raised over her head, as if fighting with the water) but more than that I think she feared being alone. When her family dies early in the opera she repeatedly sings “death moves his hands through me again”, and it is this pain that, in my interpretation, forces her to make the extreme choice of moving to North Africa to find a new life.
22: Through part of the opera, Isabelle is (quite enthusiastically) drinking from a bottle. Was she a big drinker?
M/R: Isabelle did enjoy her liquor and was a known smoker of kif, her liberal consumption of substances is widely discussed.
22: It’s particularly interesting that Isabelle was in a sense a political voice against french colonial rule, a dynamic that is relative today. It seemed her representation of both sides allowed her acceptance into the culture, but also created a great distrust of her. Can you talk a little about this?
M/R: I feel that Isabelle was actually on whatever side would help her most at any given moment. Yes, she was for the most part anti-colonial, but also worked for the French as a census-taker at one point. The impression I got was that she found more acceptance in North African culture than she did as a cross-dressing Arabic-speaking anarchist living in Geneva.
22: What appeals to you about turmoil, the “uproar” or Isabelle’s life? You seem to find both joy and sorrow in it, can you speak of both those elements?
M/R: Isabelle’s journals vacillate between supreme joy and a near-rock-bottom depression. We were really excited to create world that reflected these shifts in Isabelle’s outlook on life, which meant looking at things from both angles: how can so many elements of life cause great happiness and also suffocate you?
22: This piece, in my humble opinion, seems to be asking for interlocking narratives of other woman who broke through gender boundaries throughout centuries. If you were to do opera’s on female role models who might they be?
M/R: This is the first opera in a planned trilogy which will feature strong female protagonists of the 20th and 21st centuries. I will have more news as to the subjects of the 2nd and 3rd operas soon, but they are very much in the initial planning stages!
22: Tell me a little about your work with NOW ensemble and why you felt they were right for this piece?
M/R: I’ve been working with NOW Ensemble for the past five years, and have come to know those performers very well. I felt that the small size of their group, their diverse instrumentation, and their commitment to contemporary music made them a perfect match for this project. I also loved the fact that their ensemble had a piano and an electric guitar, instruments that I felt could anchor the music throughout the work, and could create a rich harmonic tapestry that I felt was necessary for the storyline. I wrote all of the music – the collaborative aspects pertained only to the interpretation of the work. I also worked extensively with the guitarist Mark Dancigers to work on the guitar effects (distortion, looping) for the work.
22: Tell me a little about working with Beth Morrison and how her choreography played a role in the piece?
M/R: Beth Morrison was actually the producer of the piece, the movement was developed by director Gia Forakis in collaboration with the singers through a methodology called “One Thought One Action” in which the text is broken down into micro-beats and gestures are created that become married to the linguistic units. Everything developed very organically, staging wise!
22: Tell me a little Abigail Fischer (Isabelle Eberhardt) and why you felt she was right for this piece?
M/R: I saw Abby perform in Nico Muhly’s piece “Elements of Style” and I was hooked. I could sense, even before talking to her, that she was a complete musician; she’s someone who is committed to understanding her roles in a profound way. She’s a cellist as well as a singer, and is a brilliant, inquisitive person outside of music. I knew I needed someone who could understand Isabelle’s dark side – someone who would be willing to read the journals, and someone who was willing to sound gritty and at times ugly, because that’s what the role demanded.
22: Why did you chose video to create a sense of atmosphere in a story that is meant to take place in the 1800s? Why did you chose to use pictures of more 1920-40s based families, what did they come to represent?
M/R: Here I’m speaking for Stephen Taylor, our filmmaker, but I’ll do my best! We wanted the films to reflect Isabelle’s memories and dreams, and didn’t want them to serve as simple background images within the set. Because we’re dealing with the language of mis-remembered events and surreal dreams, we did not feel bound to use footage from Isabelle’s lifetime. We instead chose to use film footage that gives the impression (to a 21st century audience) of “the past”, and settled on footage from the 30′s and 40′s. This choice also gave us a lot more variety when it comes to selecting footage, since there was very little film shot in the first few years of the 20th century.
22: In the end Isabelle is represented by a picture of a swimmer. Tell me a little about this interplay between the film footage and the character. What moment does it signify for Isabelle?
M/R:The opera ends with Isabelle’s transformation (on film) from a drowning woman into a high-diver. The footage is turned upside-down so it looks as if she is diving into the sky. This image has many potential interpretations – at the most basic level it represents Isabelle’s death and her ascent into that unknown world. To me, it represents her willingness to rise above the uproar and release herself from her tumultuous life. This is a piece that constantly walks the line between ecstatic joy and a dark, unfathomable sorrow. The image of Isabelle as a diver represents this fine line more than any other image in the piece.
Friends and colleagues since 1988, Ikue Mori and Zeena Parkins are two of the strongest musical voices out of the downtown scene. Lynchpins of bands as diverse as DNA, Skeleton Crew, Electric Masada, Hemophiliac and Björk, each have been leading figures of the downtown scene since the early 1980s, and their collaboration, Phantom Orchard is the perfect outlet for their unique and personal musical languages. Tonight, Phantom Orchard presents duo arrangements of work from their most recent album,Trouble in Paradise (Tzadik), featuring Mori on live visuals and electronics and Parkins on harps, keyboard, and celesta.
The latest work from Pulitzer Prize-winning composer David Lang, love fail marries evocative new music with timeless storytelling to tell a tale of love both found and unfulfilled, performed by the ravishing voices of legendary early music group Anonymous 4.
Listen below or on SOUNDCLOUD. Check out the comments section for track credits.
And as you may have noticed we have a new format for the playlist this week. We think it’s pretty cool, if you like, or if there is something you simply loathe about the new setup please hit us up with comments/suggestions at the 22magazine (at) gmail (dot) com. Otherwise, enjoy!
LISA Conference 2012 Peter B Lewis Theater: The Guggenheim Museum Tuesday, October 16, 2012 from 8:00 AM to 11:45 PM
LISA 2012 is the Leaders in Software and Art conference at the Guggenheim in New York City, Tuesday October 16th, 2012. We’ll have keynote speeches from Laurie Anderson, pioneering electronic artist, and Scott Snibbe, creator of Bjork’s Biophilia App, and panels on crowdsourced and social media art and the popular generative art toolkits openFrameworks, Processing, Cinder and Max/MSP. If you work with or care about new media, technology and interactive art, there’s still time to buy a ticket. Come meet and get inspired by some of the top artists and art experts in the field.
While you are enjoying your spoils from the upcoming NYCC 2012 weekend, make sure to take a break from the Javits Center mayhem for a spectacular evening at the opening of A Postcard from New Yorkshire, featuring new artwork by Dok A. The steampunk extraordinaire is getting adventurous with his work in the show, pushing boundaries and showcasing newly acquired skills. Anticipate intricate details in custom toys as well as ink drawings. Show opens on Friday, October 12 from 7 – 10pm. Dok A will be in attendance at the opening and make sure to welcome him because this will mark his first visit to NYC. Show runs until November 11.
A group of young noise-rock musicians moves into a old, ghost-filled house and sets up shop. Though the spooks are at first rattled by the blasts of guitar feedback and unhinged drummery, they soon begin to share their own beautiful, otherworldly melodies with the band and discover a musical common ground. As the group, ghosts included, fills the neighborhood with strange, electrifying sounds, curious neighbors and passers-by find themselves drawn to the rumbling, hypnotic rhythms emanating from the old dwelling. And so you find yourself here, outside the house, where a sort of Tim Burton block party is unfolding. Come on inside. The Octopus Project is just getting started…
A science book like no other, The Where, The Why, and The How turns loose 75 of today’s hottest artists onto life’s vast questions, from how we got here to where we are going. Inside these pages some of the biggest (and smallest) mysteries of the natural world are explained in essays by real working scientists, which are then illustrated by artists given free rein to be as literal or as imaginative as they like. The result is a celebration of the wonder that inspires every new discovery.
This is one of the museum’s most popular annual seasonal exhibitions. Butterflies and moths make up a large group of insects known as the Order Lepidoptera (lep-i-DOP-ter-ah). The name–from the Greek lepido, “scale”, and ptera, “wings”–refers to a prominent feature of adult butterflies and moths, the tiny scales that cover the wings and the rest of the body.
98.1034 Bottles of Beer on the Wall provides drunken encounters with compulsive systems. A program continually preens itself, inserting lines of code to change its visual representation, but along the way, introducing glitches and new patterns of behavior. A therapist program tries to dispense advice as her logic slowly breaks down. Sound editing software turns simple geometric shapes into hallucinatory landscapes. Photoshop generates intricate patterns in an attempt to hide visual compression. A book displays the abuses and absurdities of the DNS system, an addressing apparatus that has seemingly exhausted meaningful combinations of English words.
Picasso Black and White is the first exhibition to explore a remarkable focus that occupied the great Spanish artist, Pablo Picasso, throughout his prolific career: the use of black and white. Few artists have exerted as considerable an influence over subsequent generations as Picasso, one of the most recognized figures in 20th-century art. While his work is often seen through the lens of his diverse styles and subjects—his Blue and Rose periods, pioneering investigations into Cubism, neoclassical figurative paintings, and explorations in Surrealism, for example, or the forceful and somber scenes depicting the atrocities of war, the allegorical still lifes, the vivid interpretations of arthistorical masterpieces, and the highly sexualized canvases of his twilight years—the recurrent motif of black, white, and gray is frequently overlooked.
Charlotte Booker will make a New York poem with the assembled crowd. We’ll play a game of New York trivia…
And, of course, there will be storytelling, live music, community, art and LOTS of clapping. What more could you want out of a Sunday morning? Come celebrate the city with us. Oh, and feel free to bring something tasty for the refreshment table!
WADE GUYTON OS OCTOBER 4, 2012–JANUARY 13, 2013 The Whitney
Over the past decade, New York–based artist Wade Guyton (b. 1972) has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to daily lives now punctuated by misprinted photos and blurred images on our phone and computer screens. Comprising more than eighty works dating from 1999 to the present, Guyton’s first midcareer survey features a dramatic, non-chronological design in which staggered rows of parallel walls confront the viewer like the layered pages of a book or stacked windows on a monitor.
MI JU: GAIA
FREIGHT AND VOLUME September 27 – November 3, 2012
The exhibition’s title Gaia refers to the Greek earth mother goddess as well as the scientific Gaia Principle, proposing that “all organisms and their inorganic surroundings on Earth are closely integrated to form a single and self-regulating complex system, to maintain the conditions for life on our planet” (James Lovelock). Mi explores the significance of Gaia pictorially, as it relates to today’s ecological challenges. In works such as One -as well as Wind and Water–the artist celebrates and pays homage to the elements in all their glory by examining both microcosms and macrocosms in nature. Mi deconstructs space in the manner of classic Asian landscape painting to present a floating menagerie of symbols – disembodied lanterns, birds, insects, dragons and other hybrid creatures, rich organic matter – looming up from the primordial void. Mi also employs radical shifts in scale and density, subtle hues juxtaposed with jarring color, fluctuating perspective and other dramatic methods to convey her otherworldly vision. Negative space is addressed lovingly and carefully, with as much and perhaps more import than actual objects.
Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.
Printed Matter presents the seventh annual NY Art Book Fair, from September 30 to October 1, 2011, at MoMA PS1, Long Island City, Queens. A preview will be held on the evening of Thursday, September 29th. Free and open to the public, and featuring more than 200 exhibitors, the NY Art Book Fair is the world’s premier event for artists’ books, contemporary art catalogs and monographs, art periodicals, and artist zines. Exhibitors include international presses, booksellers, antiquarian dealers, artists and independent publishers from twenty-one countries.
Horton Gallery is proud to announce Martha Colburn’s Camera, lights, charge, Pop! – opening Friday, September 28th in the gallery’s new, expanded Lower East Side location at 55-59 Chrystie Street. Marking the first time that her work has been seen in this capacity, the exhibition will feature an hour and a half program of about thirty manipulated found footage and stop animation films from the mid-1990s to the present as well as Polaroids and large-scale collages.
The second evening of “Voices and Echoes” presents a series of unique collaborations including Otomo Yoshihide + Marina Rosenfeld duo, Gozo Yoshimasu + Tamio Shiraishi + Cammisa Buerhaus trio, and Akio Suzuki + Jason Lescalleet duo.
Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.
BROOKLYN BOOK FESTIVAL Brooklyn Borough Hall and Plaza SUNDAY, SEPTEMBER 23, 2012, 10am-6pm
On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.
In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.
On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.
In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.
Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection. Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques. His steadfast approach defines his meticulous attention for detail.
Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.
Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.
Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.
Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.
The 22 is headed out this Saturday to check out Atlas Obscura’s tour of Newton Creek. We’ll have a full update afterwards, but in the meantime buy your tickets and join us! We will be exploring the petroleum and waste transfer districts of the Newtown Creek watershed in North Brooklyn. Heavily industrialized, the area we will be walking through is the heart of the Greenpoint Oil Spill and home to scores of waste transfer stations and other heavy industries. We will be heading for the thrice damned Kosciuszko Bridge, which is scheduled for a demolition and replacement project which will be starting in 2013. Photographers, in particular, will find this an interesting walk through a little known and quite obscure section of New York City.
“Battle on Bergen” is a site-specific performance incorporating elements of dance, street theater, puppetry, and live music, depicting certain events from the Battle of Brooklyn and drawing parallels between the American Revolutionary War and events today. Sometimes forgotten in the very neighborhoods where it took place, the Battle was fought on August 27th, 1776 weeks after the signing of the Declaration of Independence. ”Battle on Bergen” is co-directed by Selene Colburn and features David Freeman, James Hannaham, Aaron Stanley, Willis Bigelow, Alan Balicki, Katie Merz, John Bauman, Tyler Sussman, and J.J. Hill-Wood.
A celebration of the under-appreciated creatures that roam the planet. From the Australian Bilby to the deep-sea Magnapinna Squid, to the Saddleback Caterpillar. The songs are brought to life by a gaggle of curious instruments and peculiar sounds including theremin, claviola, stylophone, and more.. With Michael Hearst, Ron Caswell, Allyssa Lamb Ben Holmes and Kristin Mueller.
Day Joy is the creation of Peter Michael Perceval and Michael Serrin of Orlando FL. Their music began acoustically on the porch and recordings began with just the duo layering instrumentation together and and creating the lush and layered Dream Folk/Pop recordings you can hear now.
AFP returns to The Paper Box in East Williamsburg for a new monthly multimedia experience showcasing some of the finest emerging talent NYC has to offer. Most recently, AFP hosted “Brooklyn Beat Music and Arts Festival” at The Paper Box, and will continue the multidisciplinary arts experience with their new monthly series “Mixed Greens.” Taking place on Saturday nights the third week of each month, “Mixed Greens” will bring together a fresh new mix of musicians, artists, and DJ’s, creating an eclectic experience.
Sound Off is an intimate performance series of sound art and experimental music that connects audiences with composers, musicians, artists, and one another. It takes place in a simple loft: no stage, no curtain, and little distance between performer and audience.
The Australian so-called “graffiti artist” LUSH is having his debut New York solo exhibition at Klughaus Gallery on Saturday, August 25, 2012. Following successful shows in Australia and London, LUSH is going to be bringing his “Art” to the Big Apple.
A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.
Young and Reitzenstein combine pre-recorded sounds — ranging from oceans to railways — with two of Young’s stringed instruments, one wood and the other a prototype in aluminum. Their approach is a playful exploration of sound that integrates soundscape with unusual tunings.
Butoh Electra August 29 – September 8
Irondale Center The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.
Veronica Klaus delves into the amazingly broad songbook of the inimitable Miss Peggy Lee and brings her own sultry, smokey soulful style to some favorites and some lesser known gems from the Lee songbook, with the Tammy Hall Trio backing her, this is a great night of music for fans of jazz and the immortal Peggy Lee!
Neil Rolnick works for violin, piano and computer, with violinist Todd Reynolds and pianist Vicky Chow. Including Hammer & Hair, Digits, Fiddle Faddle and Robert Johnson Sampler.
Record release party for Harry Pussy’s Let’s Build A Pussy (1998) & One Plus One (1992-1993) with solo sets and a world premere duo performance by Bill Orcutt (one of the most influential noise artists of the 20th century) and “one of the most exciting drummers on the planet”, Chris Corsano.
Leland Sundries, a band from New York led by Nick Loss-Eaton, is dedicated to storytelling in a way that recalls Woody Guthrie and his Folkways brethren.Raquel and David are performing a rare duo set of past songs from their now defunct band, Norden Bombsight, and some of their new material from recently formed, Mesiko (Ray Rizzo, Chris Rodahaffer).”Taking her cues from the bold ladies of classic Americana country, Angela Perley’s vocal whippoorwill twang and down-home lyrics are so darling they will keep you up at night.
Neverheard Inc and Klerkx Art Agency will be presenting ICY AND SOT’s Made in Iran at Openhouse Gallery. The street art duo will be debuting at Openhouse 379 Broome in Nolita. Made in Iran will expose viewers to site-specific installation and new stencil work that has been seen on the streets of Paris, Turin, San Paolo, New York, and many other cities.
Critically acclaimed pianist TAKA KIGAWA will present a solo piano recital on Monday, August 27th, 2012, at 8:00 pm, at (Le) Poisson Rouge. Doors open at 7:00 pm. For this recital, Mr. Kigawa will perform Johann Sebastian Bach’s The Art of Fugue, BWV 1080 (complete.)
The Snow is a cinematic literary-pop quartet from Brooklyn, New York led by Pierre de Gaillande (Bad Reputation, Melomane, Morning Glories) and Hilary Downes. The Snow’s influences are as diverse as its sound – having been described in turns as post-apocalyptic French cabaret, gypsy pop, and carnival Americana.
Sarah Craft:Mezzo-Soprano, Christa Robinson:Oboe, Scott Tixier:Violin,
Mat Maneri:Viola, Rubin Kodheli:Cello,
Sara Schoenbeck:Bassoon,
Stephanie Richards:Trumpet, Michael Rose:Piano
Fuse Ensemble is a concept-based new music/new media performing ensemble. Each season a concept is presented, giving voice to new music composers and creating musical happenings with visual elements of live, interactive video and/or kinetic installations. The musicians of Fuse perform on an eclectic mix of flute, clarinet, electric violin, electric guitar, cello, piano, electronic playback, percussion, and invented instruments. Linked by the insane possibilities of software such as MaxMSP/Jitter, using sensors on the musicians and live interactive cameras on stage, the artists create an experience that fuses sound, video and humans into a liquefied state and gives each concept a setting — a visual and kinetic environment to experience it in that furthers communication
and unifies the concept.
Smokey Hormel is probably best known for his works with Beck, Tom Waits and his Brazilian project with Miho Hatori. He’s also been playing western swing for quite some time and his Roundup is inspired by the sounds of Milton Brown and his musical brownies and other Western Swing classics. With Smokey Hormel vocals and guitar; Charley Burnham – fiddle; Tim Luntzel – string bass; Andrew Burger – Drums.
Cartoon slide shows & other projected pictures presented by a glittering array of artists, performers, graphic novelists, & other characters. Hosted by R. Sikoryak. Featuring: Emily Flake, Miss Lasko-Gross, Dyna Moe, Neil Numberman, K. A. Polzin & Sean Chiki; special guest voices:Lisa Hirschfield and Kevin Maher and more!
CP6 Exhibition Where: Grit n’ Glory Thursday, June 14th 7-10pm
In celebration of the release of issue no. 2 of our second volume, Carrier Pigeon: Illustrated Fiction and Fine Art is pleased to announce a free, public reception and exhibition hosted by Grit N Glory boutique from 7–10pm on Thursday, June 14th.
SNEHASISH MOZUMDER & SOM Where: Barbes When: June 21
Snehasish Mozumder is among those few established musicians in India who has mastered the art of playing Mandolin, and has blended it perfectly into the style of Hindustani Indian Classical Music. He will be performing his trademark doubleneck mandolin along with Nick Gianni – Flute/Soprano/Bari Saxophone. Vin Scialla – Drums. Bopa King Carre – percussion. Jason Hogue – Upright Bass. Jason Lindner – keys, Sameer Gupta – tabla. Rick Bottari – keys.
Fragmental Museum’s Sound Series kicks-off with a day of site-specific installations and performances curated by composer/turntablist Tristan Shepherd. A group of interdisciplinary artists comprised of Richard Garet, Bethany Ides, Erin Yerby, Netta Yerushalmy, Ed Bear, Andrea Parkins, Tristan Shepherd and Doron Sadja, whose work converges around sound will distribute five pieces across the four floors of the building, investigating on the mutual inflection of interior and occupant, leaving affective traces on the horizontal architecture of the vacant warehouse. http://www.fragmentalmuseum.net/
To celebrate the summer solstice, Phill Niblock presents “Two Lips”, a scored orchestra piece featuring the Dither Guitar Quartet (James Moore, Joshua Lopes, Gyan Riley, Grey McMurray) and Neil Leonard playing saxophone with Sax Mix. Chris McIntyre, Jen Baker, Will Lang, tenor trombone; James Rogers, bass trombone, will play “A Third Trombone”. More to be announced.
Fracking poses a serious threat to our drinking water, our agricultural land, and our air quality. It adds to our greenhouse gas emissions, and pushes us even further away from renewable energy solutions.
We need to persuade key Albany legislators to ban fracking in New York State. One of those key legislators is Brooklyn’s State Senator Martin Golden. Join Climate Action/Brooklyn For Peace and New Yorkers Against Fracking as we send a message to Senator Golden: Save Our Water! Ban Fracking Now!
Karlheinz Stockhausen‘s 1975 music-theatre work Musik Im Bauch (“Music in the Belly”) for six percussionists places its audience in an outré fairly-tale dream world. The piece was inspired by a game Stockhausen played with his two-year-old daughter, Julika, in which the composer listened to the sounds in her noisy stomach. Seven years later, Stockhausen conceived Musik Im Bauch during a dream. A loose narrative defines the transformation into humanity of three automatons, who attack a giant bird-man, named Miron, savagely cutting open his stomach and pulling out 3 music boxes which play melodies based on the signs of the Zodiac.
Horton Gallery is pleased to announce a two-person exhibition featuring the work of London based painter Selma Parlour and Nottingham based multi-media artist Yelena Popova. In this exhibition, the abstract paintings on view examine not only the visual iconography of Modernist painting, but also the rhetorical structures used to define both Modernism and its critique.
Launch F18 is pleased to announce Horror Girls, the first solo exhibition of work at the gallery by Nelson Loskamp. The exhibition will be open by appointment starting Tuesday June 12 and runs until Saturday July 28, 2012. The artist reception will be held on Saturday June 23, 2012 from 6 – 8pm. Nelson Loskamp is known for his dynamic relationship with the figure. He has executed work in a multitude of media within the parameters of individualistic style and cultural visual stigmas. Horror Girls comes from an interpretation of still shots from an assortment of 1960’s horror films. Loving the style in these B films, Nelson considers the 60’s hair and make-up in their depicted period settings and recreates them in haunting paintings that are both
beautiful and macabre.
Each summer, the Festival activates more than 25 indoor and outdoor locations in the neighborhood with an unparalleled collection of music, dance, theater, visual art, film, and participatory experiences by renowned and breakout artists from New York City and beyond. For more than 100,000 attendees from around the region and overseas, River To River Festival provides an intense and rewarding way to experience Lower Manhattan’s waterfronts, parks, plaza, and other hidden treasures. The Festival’s densely packed schedule of daytime, evening, and weekend events showcases Lower Manhattan as a thriving center for cultural activity and a key destination point for experiencing New York City’s wealth and diversity of heritage, history, dining, shopping, and art.
Audio visual performance in the time of temporal collapse, Brock Monroe visual & Nick Hallet audio, Fair Use (Duo) Luke Dubois, Matthew Ostrowski, David Linton: Bicameral Research Sound & Projection System w/ special guests David Watson & Alex Waterman Fair Use, Matthew Ostrowski looks at our accelerating culture through elecronic performance and remixing of cinema.
From ancient underground rivers and forgotten quarry tunnels to modern sewers and utility networks, the underground layers of the world’s great cities are full of places that are usually unseen, but that reveal the city’s history in new and startling ways. These hidden layers of the urban environment can teach us about how cities grow and function, and can provide a new perspective that highlights the ways that our daily experience in any city shapes– and is shaped by– the built environment around us.
ERIK SCHOONEBEEK: PHANTOM HAND Where: Jeff Bailey Gallery When: June 14 – July 13, 2012, Opening Reception: Thursday, June 14 6-8 pm
Jeff Bailey Gallery is pleased to present Erik Schoonebeek: Phantom Hand. This is his first solo exhibition in New York, featuring paintings and drawings made on found paper, old book covers and other materials. Schoonebeek is influenced by contemporary advertising images, especially those seen while driving: road signs, billboards, commercial graphics, logos and posters. Although these images and graphic symbols are designed to communicate in some way, for Schoonebeek they become enmeshed with one another and change, as he says, “ into autonomous images that confront you with a blank stare”. From this source material, Schoonebeek forms his own imagery that hovers between recognizable graphic cues and amorphous narrative.
Bret Slater | Jeff Zilm Where: et al projects When: June 15 thru July 16, 2012, Opening Reception Friday June 15, 6 to 9 pm
et al Projects is pleased to announce the opening of an exhibition featuring new paintings by Bret Slater and new paintings by Jeff Zilm. The exhibition will convey these artists’ intimate work in a dynamic setting of individual experimentations and dialog.
Over the last 25 years, Mr. Morris has opened the door to a new understanding of musical language. It is called Conduction®. Employing 5,000+ musicians in 23 countries and 65 cities, Conduction® has amply demonstrated its capacity for cultural diplomacy, compelling and inspiring musicians and audiences alike. By facilitating a new social logic based on collective interpretation and personal interaction, it demonstrates a significant medium for the creation of a contemporary music. Known for its ceaseless investigation of an “extra dimension” that transcends style and category, Conduction has also proven itself supplemental to the entire scope of musical and artistic endeavor. Here, ensemble identity, and cultural tradition cohere.
Coney Island USA is pleased to present the 10th Annual Mermaid Parade Ball, the official after-party of the Mermaid Parade, held at The New York Aquarium, Surf Ave. & West 8th Street, 7pm – 12:30am, 21 and over. 2012 Ball Tickets are now on sale! Click here to get all of the details on this years ball and to buy tickets online! For Mermaid Parade Ball updates, check out our Facebook Event Page.
For decades, Leon Redbone has remained musically resonant and personally elusive. Although his iconic guise of white fedora, jacket, and sunglasses has been thoroughly satirized, it’s easy to overlook what a genuinely gifted artist he remains — a role he inevitably tries to downplay.
Throughout its history the Gowanus has inspired both utopian dreams and dystopian nightmares. The past four-hundred years have witnessed the site’s transformation from a fertile series of tidal wetlands to one of the busiest industrial waterways in the United States. The canal, once a source for sustenance and hope, is today tainted by a notorious legacy of pollution and decay.
The Enchanted Organ” is a burlesque opera that celebrates sexuality and satirizes the porn industry, while parodying four hundred years of the operatic tradition. Composer/librettist team Gordon Beeferman and Charlotte Jackson, with director Beth Greenberg, bring their trademark wit and polymorphous perversity to this journey through “the Magical Kingdom of Porn,” a place where past and present, straight and queer, and dead and living converge. Bridging the gap between “high” art and “low,” we puncture the turgid balloon of “traditional” opera and revivify the flaccid clichés of porn. Drawing on influences as diverse as classic 70s porn soundtracks, Monteverdi, and Ancient Greek hymns, and bridging the worlds of opera, drag, and striptease, this work-in-progress is as close as you’ll get (or want to get!) to “aural sex.”
Three Colorists, curated by Michael Walls, highlights the work of three artists who have several things in common: they began their professional life as painters; the oeuvre of each importantly involves the role of color; and the work of each is not only labor intensive, but also revealing of a hard-won mastery of the chosen craft.
It’s the last show before we move to our new location at 29 Jay Street! What better way to say goodbye to 38 Water Street than with our 14th annual Labapalooza Festival? This year’s line-up of works-in-progress ranges from the traditional to the irreverent, from the ground breaking to the nostalgic, and from delightful to downright punk-rock.
If theatrical is the question, masterpiece is the answer. Modesty in art is over-rated, as anyone with a Schnabel complex knows, so be prepared for the challenge of ascertaining the significance of what these artists have been cooking up over the past four months. Yes, each can draw, paint, and employ color to bold effect, but that’s of secondary importance (the least we can expect of an artist). What drives these artists is Imagination. Another word for imagination is risk, another word for risk is danger, another word for danger is aesthetics. And aesthetics, as we know, is for the birds. But these artists aint tweeting.
Three pillars of the noise and avant-jazz scene collide : Thurston Moore, singer/songwriter/guitarist for Sonic Youth, teams up with free-noise guitarist Bill Nace and avant-jazz saxophonist Joe McPhee for an evening of mind bending cacophony.
Yossi Milo Gallery is pleased to announce Lakes, Trees and Honeybees, an exhibition of new photographs and prints by Matthew Brandt from his series Lakes and Reservoirs, Trees, Honeybees and Taste Tests in Color. The exhibition will open on Thursday, May 24, and will be on view through Saturday, June 30, with a reception for the artist on Thursday, May 24, from 6:00–8:00PM. This will be Matthew Brandt’s first exhibition with the gallery and his first solo exhibition in New York. Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate.
Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.
Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.
A semi-autobiographical “mockumentary” from a puppetry and performance art pioneer. Lunatic Cunning mixes experiences from Godwin’s own life—such as his work with Julie Taymor on Across the Universe and appearances on Saturday Night Live, Chappelle’s Show, PBS and with Jim Henson’s Muppets. It’s a humorous examination of the occult roots of puppetry and performance art.
QMAD, Queens Media Arts Development, presents ITINERANT, a citywide festival for Contemporary Performance Art to be hosted at various venues in the five boroughs of New York City. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. Artists working in Contemporary Performance Art were selected to participate from an open call that attracted more than 175 local, national and international submissions. Forty five artists will be featuring new and existing works that explore the program’s theme over a period of 5 weeks starting on March 30th through May 5th.
This FREE FRIDAY comes to your courtesy of John Jennison and one of my favorite coloring books, “Tentacles.” Made up of the many limbed sea creatures of Jennison’s devising, “Tentacles” will help you reconnect with your inner (somewhat morbid) child. Check out more of Jennison’s work here (and don’t forget to grab a copy of his “adult” comic as well.)
To enter your name for the running you can do one of the following things:
1) Email the22magazine (at) gmail (dot) com and say “Enter me for free friday!”
2) If you see this post on facebook, like it or comment on it.
3) Leave a comment below.
Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.
MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.
Our ongoing Blogger/Author Pairings series features conversations between authors and bloggers who share territories, passions, and preoccupations. New York City-based author Ben Marcus discusses his new novel, The Flame Alphabet, with blogger Ryan Britt, a teacher at The Gotham Writers’ Workshop and staff writer for the popular science fiction and fantasy blog, Tor.com and Tor’s series “Genre in the Mainstream.” In The Flame Alphabet, the most maniacally gifted writer of our generation delivers a work of heartbreak and horror, a novel about how far we will go, and the sorrows we will endure, in order to protect our families. Both morally engaged and wickedly entertaining, a gripping page-turner as strange as it is moving, this intellectual horror story ensures Ben Marcus’s position in the first rank of American novelists. The event is hosted by series curator Ron Hogan, creator of the seminal literary blog Beatrice.com.
Dan Deacon (pictured) returns to the Ecstatic Music Festival after last year’s sold-out show, this time writing a series of new works for acclaimed chamber groups NOW Ensemble (“a deft young group gaining attention,” New Yorker) and the Calder Quartet (“outstanding,” New York Times), both for the individual ensembles and for the two together in a mini-chamber orchestra.
Crystal Fighters, Tubetops, Antoine Karl & The Woofgang (DJ Set) http://glasslands.blogspot.com/
03/19/2012-03/19/2012
8:30pm-
Crystal Fighters, Tubetops, Antoine Karl & The Woofgang (DJ Set)
OPERA ON TAP. Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandeliers.
With its cautionary title, Triumph skewers the hubris and folly of human ambition. This cavalcade of epic works references mythology, the occult, and organized religion, and uses age-old techniques of visual storytelling to voice personal angst. Depicting grand themes with extravagant embellishments, Kuksi’s assemblages of small, mass-produced materials are intrinsically narrative. Like gilt Baroque altarpieces, their stunning excess of detail is the ideal vehicle for the artist’s critique of power and piety. And like those early works of public art, they appeal to the viewer to transcend the strife and striving associated with greed.
Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.
HAZMAT MODINE draws from the rich soil of American music of the 20′s and 30′s through to the 50′s and early 60′s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.