The 22 Magazine


THE WEEK: Dec 5-9.
December 5, 2011, 6:51 pm
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MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

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Manju Shandler.

WEBSITE.

From the artist~ My large narrative paintings on translucent polyester film reflect on current events using myth, religion, and humor. In these paintings I am exploring concepts of a contemporary utopian ideal and it’s opposition- a place where paradise and the apocalypse meet. I borrow iconography from Renaissance masters, comic books, and religious illustrations.

I am a self-taught painter, developing my style through a process of exploration with materials and content that is both intuitive and ties to my background as craftsperson and theatre designer of puppets and masks. The medias I use – India ink, grease pencil, printing, acrylic and spray paint- are suspended on the transparent film allowing the wall to be visible behind the painting, breaking the metaphor of a painting as a window into another dimension.

My newest multi media paintings have been created in response to the recent tsunami in Japan. The imagery was created by using a mash up of flood images juxtaposed with renaissance masterpieces and 18th century etchings of whaling- one of the first super fuels.

 

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