Filed under: ART, COLLAGE | Tags: 22, andreas, art, artist, collage, german, magazine, nitschke, the
Filed under: WRITING | Tags: bhagwad, culture, european, german, gita, golden, india, kaul, letters, magazine, mythology, our, parable's, philosopy, poetry, pop, premise, prologue, samara, sparrow, the, to, troubadour, writing
Troubadour Kaul is a collaboration project between the two people exploring poetry, travelogues, prose, photography and music. Their art-words have appeared in various magazines and journals. Their poetry is forthcoming in print issues of Full of Crow, Pyrta Journal, Redaction: Poetry & Poetics, Alligator Stew, Micro Poetry Anthology, Mud Luscious Press and elsewhere in Fall 2012. Troubadour Kaul is also a Guest Editor and Poetry reviewer at Cha: An Asian Literary Journal and will be the on the masthead of the Golden Sparrow Magazine’s upcoming ‘Best of’ print edition.Despite a 2011 Best of the Net + two Pushcart Prize nominations + winning the Golden Sparrow Poetry Prize 2011 and being shortlisted as a finalist in the Best Short Writing in the World in 2012, their ranking in the Indian arranged-marriage-market remains dismal. An MFA in Poetry and promoting their first full length collection of poems seems to be the modus operandi for a happily ever after in 2012.The series “Letters to Samārā” are excerpts from Troubadour Kaul’s first collection of prose-poetry. His body of work explores the themes of existence, love and identity through the headset of a wayfarer writing to his beloved back home. The work draws its allegories from the Bhagwad Gita, German philosophy and pop-culture precepts with an occasional foray into European mythology.
Filed under: ART | Tags: 22, and, art, artist, artists, arts, brooklyn, city, gallery, german, magazine, maja, new, painting, surreal, the, vukoje, york
Filed under: THE WEEK/THE WEEKEND | Tags: 1, 1890s, 1920, 1929, 3, Academia, actors, Admission, Alumni, an, and, anticipate, arrive, art, artists, bill, Bizarro, Britain’s, by, cinema, Coincidence, come, dawn, early, ElSaffar’s, ensemble, ensure, entrance, event, FACT, fiction, First, fuse, futurist, gallery, gas, german, glass, golden, have, How, illustrated, in, Invite, is, ismaily, it, It OCEAN, lecture, LINERS, made, MASK, MILLER REDISCOVERING, Nabokov, note, ny, Occult, on, Otherwordliness Bohemian, out, Para, please, public, reading, rivers, school, screen, sell, series, served, shahzad, Shaped, so, SOLOWAY, STONE David, subculture, SVA, that, the, their, this, to, trio, two, Understanding, we, who, will, women, Work Amir, writers, writing, Yow
August 26 – September 21, 2011
Reception: Thursday, September 8, 6 – 8pm
Visual Arts Gallery
Panel Discussion Moderated by Lindsay Pollock
Tuesday, September 13, 7pm
School of Visual Arts (SVA) presents “The Influentials,” an exhibition featuring distinguished female alumni of the College and the diverse group of artists who have influenced their practice. “The Influentials” is both an investigation into the creative lineage between contemporary artists and a dialogue between mentors and mentees that crosses generations, gender and media. The exhibition is co-curated by independent curatorAmy Smith-Stewart and SVA Director of Development and Alumni Affairs Carrie Lincourt.
Filed under: ART | Tags: 22, antwerp, brooklyn, cat, condrad, Cromheecke, drawing, german, germna, gilbert, ink, joesph, magazine, minah, new, ny, nyc, Oswald, painting, the, watercolor, york
So very pleased to see a trailer for Oswald Cromheecke‘s new book Minah. His work continues to be beautiful, disturbing, intimate Conradian forays into the human psyche. Look for a link to buy coming soon on his blog and we’ll of course give a shout when it comes out.
Filed under: ART | Tags: 22, berlin, brooklyn, collage, drawings, fantasy, german, germany, graphite, haraldsen, ingri, ink, large, magazine, marker, new, ny, nyc, on, paper, pencil, scale, small, surreal, the, works, york
Filed under: ART | Tags: 22, abstract, Amsterdam, animals, chickens, crates, creative, cubism, de, egg, eggcubism, eggratism, eggs, enno, expressionism, fowl, german, hens, kroon, magazine, material, of, painter, painting, recycled, rotterdam, rotterdamn, the, use
From the Artist~ As a painter I consider egg cartons as two-and-a-half dimensional objects which offer me remarkable possibilities for imagery. The waves of the egg cartons limit the viewer’s perception; they also make him aware of his positioning towards the image. The intentional limitation in subjective perception gives room for imagination and recall: the process of occlusion. By a fusion of direct and indirect perception conventional imagery is overtaken. At first sight this leads to a physical and mental incompleteness, that forces an integration which can only take place within the inner experience, apart from time and space. (compare the ‘head of Janus’, that looks at the present and the future congruently.)
The shape of my new canvases – the eggbox structures- increases the amount of possible visual images in an almost exponential way. This forces the viewer towards an active perception, constantly changing the view-point and focus. Furthermore the true and represented space in these paintings interact during perception. One could say that the complete image just emerges sublimated in the viewers mind. Gestalt psychology states that human perception aims for completeness. Perceptions are being added subconsciously. My eggcubist works evoke conscious and dynamic adding.
More pictures at: www.flickr.com/photos/ennodekroon
For more information: firstname.lastname@example.org