Filed under: THE WEEK/THE WEEKEND | Tags: 1, 22, a, A Marriage, alvin, apsara, art, arts, Arts Center, barbes, center, delrium, HERE, legend, magazine, marriage, masters, mcsweeny's, Newman, of, pelavin, popiashvili, public, public theater, romance, sputnik, Suburbia, the, theater, true, VILLA, week, weekend
Legend Tripping at Masters & Pelavin
Reception April 18, 2013; 6-9PM
Masters & Pelavin invites you to join us for a group exhibition with works by Karl Klingbiel, Timothy Paul Myers, Cecilia Vissers, Peter Buechler, Steven Katzman, Norman Mooney, Vincent Valdez, Jeremy Harris, Tara Fracalossi, Jon Rappleye, Julia Randall, Ruth Hardinger, RAE, Cooper Holoweski and Charles Wilkin.
Smashed at Here (Arts Center): Apr 4-6 @ 7pm
Opera on Tap premieres SMASHED: The Carrie Nation Story, an absurd opera about drinking booze (and the people who don’t drink booze).
VILLA DELIRIUM @Barbes: April 26th
“Disturbed Songs for Disturbed Times” Villa Delirium combines eerie traditional folk songs of Germany, Ireland and the Balkans with murder ballads of the American South and heir own startling compositions. With Tine Kindermann – Voice, saw and violin; John Kruth – Voice, guitar, mandolin, banjo and flutes; Kenny Margolis – Accordion and keyboards; Steve Bear – Pots, pans and boxes and Doug Wieselman – clarinets and bass harmonica.
Amon Tobin (DJ set) at Le Poisson Rouge
Portia Munson: Reflecting Pool at P.P.O.W
The AIPAD Photo Show
Drink to Me at Porter Contemporary
Hanno Otten ‘Boulevard’at Janet Border, Inc.
“Washington Square” Launch Party
Jim Houser: Search Party at Jonathan Levine
Festival of Conscience, with Performances of “Another Life” and staged readings of “Extreme Whether”
MOCCA Arts Festival 2013
“Art, Sex, and Power: Tattooed Women Today”
Not Your Sunday Funnies
Mark DeMaio: I Walk The Line
Critical Language: A forum on International Art English
Mappathon @Reverse Space
A WORKSHOP WITH RED NOSE STUDIO
CZECHOSLOVAK-AMERICAN MARIONETTE THEATER in KING EXECUTIONER
F.A.T. GOLD: Five Years of Free Art & Technology
Winnie Truong and Kris Knight at Mulherin + Pollard
Legends of Balkan Brass: Kočani Orkestar with Sazet Band
Hans Benda Something on Water: April 18 – May 25, 2013
Miyako Yoshinaga is pleased to announce Something on Water, the fourth solo exhibition of figurative oil paintings by German artist Hans Benda, on view from April18 through May 25, 2013. A reception will be held on Thursday, April 18 from 6 to 8 p.m.
Uncharted Waters: Friday April 12th
Uncharted Waters: REVERSE 2013 is the inaugural exhibition of work by members of the REVERSE Artist Community, a select group of artists who feature regularly in its exhibitions and programming. Participating artists include: CHi KA, Melissa F. Clarke, Serra Victoria Bothwell Fels, Brandon Friend & Jason Douglas Griffin, Daria Irincheeva and Aleksey Yudzon
The adventures of alvin sputnik: Deep sea Explorer
The Adventures of Alvin Sputnik: Deep Sea Explorer has been on a remarkable journey, touring worldwide and consistently attracting sold-out crowds, rave reviews and prestigious awards. The “ingenious” (The Guardian UK) one-man micro-epic puppet show melds technology and multimedia into a touching story of enduring love and the end of the world.
EXTREME WHETHER by Karen Malpede
A new play about the censorship of climate change science.
5th Annual Brooklyn Folk Festival
ALYSON SHOTZ: Fluid State
Zach Harris: Central Park in a No Vex Cave
JOHN DILG AND KARSTEN KREJCAREK AT REGINA REX
Victorious at Aureus Contemporary
Intangible: Carole Pierce
Audiophile: Ava Luna with Lushlife
New York Book Fair at the Park Avenue Armory
MAYDAY MAYDAY : A TRUE STORY BY THE MAN WHO FELL
Letha Wilson: Landmarks and Monuments
We are Winning, Don’t Forget: Jean-Gabriel Périot at the MoMA & North American Tour
Andrei Rubley – 60 minutes
The Calm Before the Storm
LIVE from the NYPL: William Gibson
GREEN FESTIVAL, JACOB JAVITS CENTER, NYC
POLIXENI PAPAPETROU: Stories from the Other Side
A Swarm, A Flock, A Host: A Compendium of Creatures
HEREart exhibit: A Marriage: 1 (Suburbia): April 23-May 4
Step into a double self-portrait steeped with the iconography of the American Dream in Nick Vaughan and Jake Margolin’s panorama of visual and performative art, A Marriage: 1 (Suburbia).
A Steady Progress of Nothingness / Basim Magdy at Newman Popiashvili
Newman Popiashvili gallery is pleased to present A Steady Progress of Nothingness, the third solo exhibition at the gallery by Egyptian artist Basim Magdy. The artist will present a film, a slide projection and paintings. Magdy’s titles for his works and exhibitions always play on the idea of human achievement through the ages, but hints at the ultimate failure that occurs with each generation. Highlighting this idea in My Father Looks For An Honest City, 2010, Magdy asked his own father to reenact Diogenes of Sinope’s philosophical statement of carrying a lamp in daytime. Diogenes, who was one of the founders of the philosophy of cynicism, was most known by his repeated act of carrying a lamp in daylight supposedly “looking for an honest man.”
OLD-FASHIONED PROSTITUTES (A TRUE ROMANCE) @ The Public Theater
April 30-June 2, 2013
Snapshots from an enigmatic fairy-tale in which Suzie, the elusive coquette, brings Samuel to his knees – from where he worships a life he only half understands. OLD-FASHIONED PROSTITUTES (A TRUE ROMANCE) is an expressionistic chamber-play that twists emotional heartache into a landscape of continual mental invention, marking the return to theater of a celebrated artist whom The New York Times has dubbed “the Godfather of the American avant-garde.” Presented in association with Ontological-Hysteric Theater.
PEN World Voices: An Evening with McSweeney’s @Joe’s Pub
Join us for a celebration of the art of translation. McSweeney’s contributors will read excerpts from their translations in McSweeney’s Issue 42 –an ambitious experiment which took twelve stories through six phases of translation of a variety of languages, granting each translator a liberal creative license to change the story at will.
The Legend of Apsara Mera
The Royal Ballet of Cambodia comes to BAM with this breathtaking work, featured in the citywide Season of Cambodia festival, with movement constructed by Her Royal Highness Princess Norodom Buppha Devi.
THIRTEENTH PEKING OPERA FESTIVAL
Jackie Meier: Razzmatazz at Nancy Margolis Gallery
Kirra Jamison: Still Point
Scrabble for Cheaters
The How I Learned Series Presents:How I Learned I Might Be Obsessed
Kenny Scharf Kolors
Charles Fréger and Tim Hetherington at Yossi Milo Gallery
DOWNTOWN NEW YORK: a group exhibition of artists who live & work in Downtown NYC
THE STORY OF MY PURITY by FRANCESCO PACIFICO
MFA Open Studios
Filed under: DANCE, REVIEWS, THEATER | Tags: aaron jaffries, amber, arts, break, center, christopher, damongues, dan, EDWARDS, HERE, How, morillo, Pedro, to, williams
Above: Dan Domingues as Aden and Amber Williams as Ana
How to Break, HERE’s most recent production, centers on the revolving story of a doctor, 2 patients (one with leukemia, the other with sickle-cell anemia) and a well-meaning artist in residence at a hospital. The show, while focusing on hip-hop, freestyle culture, more complexly focuses on the decision facing a person, particularly a young person, with a fatal disease and a moment of “breaking” for both strength and freedoms sake.
The show itself is incredibly well suited for adolescents (highly recommend for high school classes,) slightly dull at times for the older crowd, but Jafferis writing is fast paced, funny, if never completely emotionally raw. Part of this may be the nature of utilizing freestyle throughout the piece. While this is definitely a central component in understanding a big part of the “break” of the piece, at times it makes difficult moments funny or more lighthearted than necessary. For anyone who has had, or known someone with cancer, you can’t help but wonder when the true “break” is going to happen and think that when it does…it’s probably not going to rhyme. That being said, grain of salt included, we all cope in our own ways and Christopher V. Edwards says in the director’s note “Everyone involved in the initial collaborative process has been inspired by hip-hop. Some of us breathe it and eat it for breakfast….” so it’s hard to fault her for utilizing freestyle throughout the piece that is based on it. Likewise, the age of the patients also make the flirtatious insult on the playground behavior more realistic and the piece itself, written in part by actual hospital patients through the Mixing Texts Collective project, does speak to Jafferis claim to portray “breaking” as “inspiration, courage, and possibility.”
The standout actors included Dan Domingues and Amber Williams who portray both the over involved doctor (a bit of a fantasy no doubt) and leukemia ridden Ana, popper, design student, and love interest of Joel played by Perdro Morillo, a professional break dancer who is admirably comfortable in his first acting role.
The set, a series of medical curtains that range from translucent to opaque were used to highlight the beatboxer Yako 440, playing a nurse character who provided beatbox accompaniment (written by Adam Matta) and sometimes comic relief, as well as the canvas for graffitiesque sketches. Yako 440 definitely could have been utilized more fluidly with the other characters on stage. One of the most interesting moments comes at the start of the play when he tells Ana to “breathe” into the microphone and creates a series of loops from it. And while the setup was interesting and the cast navigated the curtains flawlessly, the opening and closing did at times get distracting. Likewise one wanted to see more physical moments to accompany the soundtrack which was often lost behind the curtains.
Overall this piece feels like a very dynamic moment set within the context of a beautiful but sometimes misunderstood artistic culture, as well as the experience of facing mortality head on. What is lacking is visceral emotion, is often made up for in surprising moments of writing and acting, and it’s this combination that speaks to the strength of the creators and the cast.
Filed under: ART, DESIGN | Tags: 2001, 22, aren't, brooklyn, docklab, falling, fiji's, HERE, islands, magazine, MIR, new, ruins, russian, space, station, the, york
This is part of a series of events called “RUINS Aren’t HERE”, in particular, the title of this event is: “Falling MIR” (dedicated to the old Russian space station), it fell down in the Fiji Islands’s sea in 2001, after 15 years of flying near to stars.
In 2006, after working with various local firms, Massimiliano and Emanuele Ercolani Bros. decide to open a laboratory devoted to creativity. Architecture, design, graphic design and architectural research, these are the main areas, but in our laboratory we create music, events, magazines, etc.. In all these areas we trying to trace the route with a precise goal: quality. The study is currently in Civitavecchia (Rome), Via Aurelia Sud, near to the port “Riva di Traiano.”
Filed under: ART, PERFORMANCE ART, PUPPETS, REVIEWS | Tags: 22, basil, dream, HERE, liaochai, magazine, new, of, puppet, puppetry, puppets, strange, tales, the, theater, twist, york
by Cat Gilbert
Strings break. They bend. They lead, and they follow (if prompted.) It was physical strings that brought me to Hanne Tierney’s most recent piece “Strange Tale of Liaozhai” at HERE arts center, (as it did many) and it was more metaphorical ones that lead me to learn her rich history as both puppeteer and person. Known for her elaborate puppet rig utilizing (this time) over 114 strings, even Tierney’s herself in an interview for her past work (My Life in a Nutshell) says “80 strings can tangle, can break, can slip out, it’s such a high risk business that I kind of say “Why am I doing this?” Knowing Tierney’s tragic history of losing her son in Sierra Leone and picking up his designated NY space to create a community art gallery (FiveMyles) that has won an Obie for its ability to energize a transition community, it’s easy to see there is very little that truly scares Hanne.
Whether the audience echos the sentiment of “why” or not, they certainly are aware of the elements of “danger” or at least the intricacy involved with watching three dedicated puppeteers manipulate the medieval mechanism (creaky as a ship but with no threat of storm) that Hanne has created. A self-professed “art performer,” who works in galleries as well as theaters, Tierney’s work, while sometimes autobiographical, is also the product of her love affair with Gertrude Stein’s ideal of theater without actors. “Strange Tales of Liaozhai” was aesthetically driven by Stein’s piece “A play called Not and Now,” which employed ball gowns and tuxedos to create a piece which deconstructed the foundations of theater.
“Strange Tales” uses 18th century folktales to tell the stories of a bad trade among a pigeon merchant, and the story of two lovers (one a fox spirit) who struggle for martial bliss. The pigeon piece does so through shadow screens and the hand drawn visual projections of Hannah Wasileski, while the lovers pieces utilizes the inanimate puppet players in the forms of scarves, bamboo, umbrellas and the like. Both pieces were joined by the complex, strange constructions of Jane Wang, who played a setup that rivaled the string mechanism of the puppeteers in its visual interest and sound. The stories though slow, are poignant and worth the patience of watching, however anyone who has seen (or heard) Hanne’s work, knows that a good portion of the engagement of the audience relies on her beautifully subtle, slightly accented narration, and on the puppeteer’s ghost within the machine movements. The genius behind creating something that resembles the interior of a grand piano, complete with string manipulators is almost enough to capture audience for the full hour in itself.
The “new” puppets in the piece (many of Tierney’s older “puppets”-bamboo poles, beaded curtains made appreciated cameo appearances), were mostly the silk scarves which made up the bulk of the cast. The stage itself was cloaked in purposefully laid cloth, and each main character was represented in choice colors, that changed pattern with movement and time across the stage and in the plotline; the overly doting mother in deep reds and pinks, the brash, fickle uncle in blacks and blues, the young lovers in pinks, sky blues and rainbows, and the fox spirit, a satiny silver.
Jane Wang’s setup included a variety of musical instruments (perquisite toy pianos included) but the most interesting moments came when she engaged the “space plates” (metal plates balanced on balloons, balanced in plastic containers), and more simply in her playing of the upright bass which she plucked to create beautiful movement and drama within the puppet pieces. Jamey McGilray and Shawn Lane helped manipulate the puppet strings and did so with a great amount of grace and ease.
“Strange Tales of Liaozhai” the book certainly relies on a great amount of history (with humans or no) to appreciate its tales and appropriately enough Hanne’s work is no different. Woven within the strings she pulls there are connections to both her past apprenticeship at a spinning wheel factory, her ability to see more than mundane in simple machinery, and her choice to move forward even and sometimes because of the great danger within.
Filed under: THE WEEK/THE WEEKEND | Tags: 11, 19th, 2, 2012, 22, a, Acab R., an, and, are, art, artist, artists, arts, at, Atelier City, Balam, Bark, Bauch Selma, Beneath, Bernstein, Book SMOKEY’S, Brock, brooklyn, Brooklyn ERIK, BUTCH, by, CAROUSEL CP6, CEG, century, CG, Chamber, cinema, Conduction, Cult, curated, D., david, Depths, DUBOIS, Dugovic 2012, Eel THE, Enchanted, ensemble, EXHIBITION Bret, Exhibition SNEHASISH, Fest DUB, festival, Festival Distended, Festival Northside, Festival Vision, Fever Lawrence, Fracking, Fragmental, friends, from, fuse, Giants, Girls River, Hallet, HAND NYAA, HERE, history, horror, i'm, in, is, jacob, jazz, jeff, Jung’s, LAZURITE Ban, leon, life, Linton Great, LOSKAMP, lost, luke, magazine, matthew, MERMAID, MMOTHS, Monroe, Morris, MOZUMDER, Museum Phill, music, Musik, Musings, new, Niblock NADJA, nick, no., NOLAFUNK, note, NOVELLER, ny, nyc, of, on, Opera, ORGAN, ostrowski, paintings, PARADE BLUE, Parlour, peter, phantom, photographs, Popova NELSON, porn, postcard, present, presents, project, red, REDBONE To, river, ROUNDUPNorthside, sarah, Satoshi, Scape Finding, SCHOONEBEEK, Scream, series, Sewer, Sewers, show, signs, SIKORYAK, slater, SOM Incidental, stars, State! Karlheinz, Stockhausen’s, Streams, summer, Takeishi, the, there, to, Tunnels, Upstairs The, VOICES, WEAPON Mogwai, week, weekend, were, Wings, workshop, Yelena, Yeller, you, young, Zilm Wish
There Are No Giants Upstairs
Where: Theodore: Art
When: 16 June – 29 July 2012
Chris Baker Harriet Korman, Mel Bernstine ,Gary Petersen, Steven Charles, Andrew Seto, Opening reception: Saturday, 16 June, 6-9 pm, Gallery hours Friday – Sunday 1-6 pm
The Bark and Scream Series presents:Sarah Bernstein Chamber Project (curated by Satoshi Takeishi)
Where: The Firehouse Space
When: Thursday June 14, 8:00 PM
Christa Robinson:Oboe, Scott Tixier:Violin,
Mat Maneri:Viola, Rubin Kodheli:Cello,
Stephanie Richards:Trumpet, Michael Rose:Piano
Fuse Ensemble presents “Voices from the Depths, Musings on CG Jung’s Red Book”
Where: The Firehouse Space
When: June 16, 2012 8:00 pm
Fuse Ensemble is a concept-based new music/new media performing ensemble. Each season a concept is presented, giving voice to new music composers and creating musical happenings with visual elements of live, interactive video and/or kinetic installations. The musicians of Fuse perform on an eclectic mix of flute, clarinet, electric violin, electric guitar, cello, piano, electronic playback, percussion, and invented instruments. Linked by the insane possibilities of software such as MaxMSP/Jitter, using sensors on the musicians and live interactive cameras on stage, the artists create an experience that fuses sound, video and humans into a liquefied state and gives each concept a setting — a visual and kinetic environment to experience it in that furthers communication
and unifies the concept.
When: June 16
Smokey Hormel is probably best known for his works with Beck, Tom Waits and his Brazilian project with Miho Hatori. He’s also been playing western swing for quite some time and his Roundup is inspired by the sounds of Milton Brown and his musical brownies and other Western Swing classics. With Smokey Hormel vocals and guitar; Charley Burnham – fiddle; Tim Luntzel – string bass; Andrew Burger – Drums.
DUB IS A WEAPON
When: June 16
Where: Webster Hall
When: June 15-June 16
Where: Dixon Place
When: WEDNESDAY, JUNE 20 AT 7:30PM
Where: Grit n’ Glory
Thursday, June 14th 7-10pm
In celebration of the release of issue no. 2 of our second volume, Carrier Pigeon: Illustrated Fiction and Fine Art is pleased to announce a free, public reception and exhibition hosted by Grit N Glory boutique from 7–10pm on Thursday, June 14th.
SNEHASISH MOZUMDER & SOM
When: June 21
Snehasish Mozumder is among those few established musicians in India who has mastered the art of playing Mandolin, and has blended it perfectly into the style of Hindustani Indian Classical Music. He will be performing his trademark doubleneck mandolin along with Nick Gianni – Flute/Soprano/Bari Saxophone. Vin Scialla – Drums. Bopa King Carre – percussion. Jason Hogue – Upright Bass. Jason Lindner – keys, Sameer Gupta – tabla. Rick Bottari – keys.
Fragmental Museum’s Sound Series kicks-off with a day of site-specific installations and performances curated by composer/turntablist Tristan Shepherd. A group of interdisciplinary artists comprised of Richard Garet, Bethany Ides, Erin Yerby, Netta Yerushalmy, Ed Bear, Andrea Parkins, Tristan Shepherd and Doron Sadja, whose work converges around sound will distribute five pieces across the four floors of the building, investigating on the mutual inflection of interior and occupant, leaving affective traces on the horizontal architecture of the vacant warehouse. http://www.fragmentalmuseum.net/
When:Thursday, June 21, 2012 @ 8:00 pm
To celebrate the summer solstice, Phill Niblock presents “Two Lips”, a scored orchestra piece featuring the Dither Guitar Quartet (James Moore, Joshua Lopes, Gyan Riley, Grey McMurray) and Neil Leonard playing saxophone with Sax Mix. Chris McIntyre, Jen Baker, Will Lang, tenor trombone; James Rogers, bass trombone, will play “A Third Trombone”. More to be announced.
NADJA, NOVELLER, LAZURITE
Where: Glasslands Gallery
When: Wednesday, June 20, 2012, 8:30pm
Ban Fracking in NY State!
Where: 7408 Fifth Avenue, Bay Ridge
When: Thursday, June 14, at 4 p.m.
Fracking poses a serious threat to our drinking water, our agricultural land, and our air quality. It adds to our greenhouse gas emissions, and pushes us even further away from renewable energy solutions.
We need to persuade key Albany legislators to ban fracking in New York State. One of those key legislators is Brooklyn’s State Senator Martin Golden. Join Climate Action/Brooklyn For Peace and New Yorkers Against Fracking as we send a message to Senator Golden: Save Our Water! Ban Fracking Now!
Karlheinz Stockhausen’s Musik Im Bauch
Where: Naumberg Bandshell, Central Park, Manhattan
When: June 21
Karlheinz Stockhausen‘s 1975 music-theatre work Musik Im Bauch (“Music in the Belly”) for six percussionists places its audience in an outré fairly-tale dream world. The piece was inspired by a game Stockhausen played with his two-year-old daughter, Julika, in which the composer listened to the sounds in her noisy stomach. Seven years later, Stockhausen conceived Musik Im Bauch during a dream. A loose narrative defines the transformation into humanity of three automatons, who attack a giant bird-man, named Miron, savagely cutting open his stomach and pulling out 3 music boxes which play melodies based on the signs of the Zodiac.
Selma Parlour and Yelena Popova
Where: Horton Gallery
When: Jun 14 – Jul 14, 2012
Horton Gallery is pleased to announce a two-person exhibition featuring the work of London based painter Selma Parlour and Nottingham based multi-media artist Yelena Popova. In this exhibition, the abstract paintings on view examine not only the visual iconography of Modernist painting, but also the rhetorical structures used to define both Modernism and its critique.
NELSON LOSKAMP: Horror Girls
Where: LAUNCH F18
When: June 12 – July 28, 2012
Launch F18 is pleased to announce Horror Girls, the first solo exhibition of work at the gallery by Nelson Loskamp. The exhibition will be open by appointment starting Tuesday June 12 and runs until Saturday July 28, 2012. The artist reception will be held on Saturday June 23, 2012 from 6 – 8pm. Nelson Loskamp is known for his dynamic relationship with the figure. He has executed work in a multitude of media within the parameters of individualistic style and cultural visual stigmas. Horror Girls comes from an interpretation of still shots from an assortment of 1960’s horror films. Loving the style in these B films, Nelson considers the 60’s hair and make-up in their depicted period settings and recreates them in haunting paintings that are both
beautiful and macabre.
River to River Festival
Where: Various Locations
When: June 17-July 15
Each summer, the Festival activates more than 25 indoor and outdoor locations in the neighborhood with an unparalleled collection of music, dance, theater, visual art, film, and participatory experiences by renowned and breakout artists from New York City and beyond. For more than 100,000 attendees from around the region and overseas, River To River Festival provides an intense and rewarding way to experience Lower Manhattan’s waterfronts, parks, plaza, and other hidden treasures. The Festival’s densely packed schedule of daytime, evening, and weekend events showcases Lower Manhattan as a thriving center for cultural activity and a key destination point for experiencing New York City’s wealth and diversity of heritage, history, dining, shopping, and art.
Distended Cinema: Brock Monroe, Nick Hallet, Luke Dubois, Matthew Ostrowski, David Linton
Where: The Firehouse Space
When: June 15, 2012 8:30 pm
Audio visual performance in the time of temporal collapse, Brock Monroe visual & Nick Hallet audio, Fair Use (Duo) Luke Dubois, Matthew Ostrowski, David Linton: Bicameral Research Sound & Projection System w/ special guests David Watson & Alex Waterman Fair Use, Matthew Ostrowski looks at our accelerating culture through elecronic performance and remixing of cinema.
Great Photographs: Scape
Where: Hasted Krautler
When: June 14-July 20, 2012
Reception June 14, 6-8pm.
When: June 19
From ancient underground rivers and forgotten quarry tunnels to modern sewers and utility networks, the underground layers of the world’s great cities are full of places that are usually unseen, but that reveal the city’s history in new and startling ways. These hidden layers of the urban environment can teach us about how cities grow and function, and can provide a new perspective that highlights the ways that our daily experience in any city shapes– and is shaped by– the built environment around us.
ERIK SCHOONEBEEK: PHANTOM HAND
Where: Jeff Bailey Gallery
When: June 14 – July 13, 2012, Opening Reception: Thursday, June 14 6-8 pm
Jeff Bailey Gallery is pleased to present Erik Schoonebeek: Phantom Hand. This is his first solo exhibition in New York, featuring paintings and drawings made on found paper, old book covers and other materials. Schoonebeek is influenced by contemporary advertising images, especially those seen while driving: road signs, billboards, commercial graphics, logos and posters. Although these images and graphic symbols are designed to communicate in some way, for Schoonebeek they become enmeshed with one another and change, as he says, “ into autonomous images that confront you with a blank stare”. From this source material, Schoonebeek forms his own imagery that hovers between recognizable graphic cues and amorphous narrative.
Bret Slater | Jeff Zilm
Where: et al projects
When: June 15 thru July 16, 2012, Opening Reception Friday June 15, 6 to 9 pm
Where: The Firehouse Space
When: June 16, 2012 2:00 pm
Over the last 25 years, Mr. Morris has opened the door to a new understanding of musical language. It is called Conduction®. Employing 5,000+ musicians in 23 countries and 65 cities, Conduction® has amply demonstrated its capacity for cultural diplomacy, compelling and inspiring musicians and audiences alike. By facilitating a new social logic based on collective interpretation and personal interaction, it demonstrates a significant medium for the creation of a contemporary music. Known for its ceaseless investigation of an “extra dimension” that transcends style and category, Conduction has also proven itself supplemental to the entire scope of musical and artistic endeavor. Here, ensemble identity, and cultural tradition cohere.
City Life Signs / Paintings by Peter Dugovic
Where: Clic Gallery
When: Opening Reception: Thursday, June 14, 6-8pm
When: June 22 – July 28, 2012
Wish You Were Here 11 (Postcard show)
Where: A.I.R. Gallery
When: June 21, 6-8pm
When: Tuesday, June 19, 8:30pm
2012 MERMAID PARADE
Where: Coney Island
When: June 23
Coney Island USA is pleased to present the 10th Annual Mermaid Parade Ball, the official after-party of the Mermaid Parade, held at The New York Aquarium, Surf Ave. & West 8th Street, 7pm – 12:30am, 21 and over. 2012 Ball Tickets are now on sale! Click here to get all of the details on this years ball and to buy tickets online! For Mermaid Parade Ball updates, check out our Facebook Event Page.
BLUE NOTE JAZZ FESTIVAL & NOLAFUNK/CEG PRESENT: LEON REDBONE
Where: June 23, 2012 , 7:30 pm
When: June 23
For decades, Leon Redbone has remained musically resonant and personally elusive. Although his iconic guise of white fedora, jacket, and sunglasses has been thoroughly satirized, it’s easy to overlook what a genuinely gifted artist he remains — a role he inevitably tries to downplay.
To the Stars on the Wings of an Eel
Where: The Gowanus Ballroom
When: June 29th–July 7th, 2012
Throughout its history the Gowanus has inspired both utopian dreams and dystopian nightmares. The past four-hundred years have witnessed the site’s transformation from a fertile series of tidal wetlands to one of the busiest industrial waterways in the United States. The canal, once a source for sustenance and hope, is today tainted by a notorious legacy of pollution and decay.
THE ENCHANTED ORGAN: A PORN OPERA
Where: Dixon Place
When:Friday-Saturday, June 22-23, 9:30pm
The Enchanted Organ” is a burlesque opera that celebrates sexuality and satirizes the porn industry, while parodying four hundred years of the operatic tradition. Composer/librettist team Gordon Beeferman and Charlotte Jackson, with director Beth Greenberg, bring their trademark wit and polymorphous perversity to this journey through “the Magical Kingdom of Porn,” a place where past and present, straight and queer, and dead and living converge. Bridging the gap between “high” art and “low,” we puncture the turgid balloon of “traditional” opera and revivify the flaccid clichés of porn. Drawing on influences as diverse as classic 70s porn soundtracks, Monteverdi, and Ancient Greek hymns, and bridging the worlds of opera, drag, and striptease, this work-in-progress is as close as you’ll get (or want to get!) to “aural sex.”
Filed under: THE WEEK/THE WEEKEND | Tags: $10, 00pm, 100, 11, 11 The, 22, 3, 30pm Jordan, 57, 6, 7, 9, a, Absorb, abstract, air, also, an, and, art, artist, Aspirations, ASTRAL, at, b, Bearing, BELLY Independence, Below, ben, Bjerklie, booking, box, Burch, by, BYOC, c, Causey, Cell, central, Chatterson, climb, clown, club, Collaborative Insurgent, color, Contemporary, Cornelia, CURATES, DALACHINKSY, DEV, Diffuse, don, DORIAN, downtown, Eagles, early, Eccentricity, EDWARDS, ELY, Empires, event, Everybody, exhibition, Exploding, eye, eyes, fall, Fallen, FAMA, fence, Festival Crazy, film, find, FLIGHT, friends, gallery, GARFUNKEL Kris, Georgian, glass, Gray, Grunge The, hack, HANGAR, HARLAN, Hediger, Heller, HEMOGLYPHS, HERE, history, home, HOMOPHOBES, HOSTESS, House, hugo, ICP, in, institute, Instiut, international, is, john, julie, Keever, kim, kitchen, klompching, la, lady, Landscapes “Another, Later Das, Lehman DEFINITIONS, Lesley, Lied, LIES THE, life, like, LL, location, Lordan, Loren, Loteria, Loves, lush, lyons, magazine, mahler, man, Mapping, martos, me, microscope, Milo, mind, Missing, Mobility, MOMA, momenta, morgan, Munk, Negron, never, new, Newman, nights, NIKLEWICZ, NORWAY, now, ny, NY1 The, nyc, NYC ADAM, observatory, of, on, opening, Opera, or, Oral, our, Paintings The, paper, Parker, PARTY THISORGANIZED, Passage, performance, perspective, peter, photographers, photographs, pieter, Pioneers, PLUG, poetry, Popiashvii, puppet, reading, reception, Resistor Autuerist, Reuben, RITTER, S, saul, Schoenberg Signs, Sekaer, september, series, SHIPLEY, SHOW Pieces, simon, snapshots, sound, special, spice, SRandS, stars, steve, surreal, SWALLOW, t, terrarium Craft, the, theater, theatre, this, three, through, to, town, tuesday, UGLY, unknown, UOTS, up, valley, Vernacular, view, ways, weir, white, Within, Witness, Worked, world, writing, years, yes, york, Yossi
WHITE SWALLOW READING SERIES: B.C. EDWARDS LL BEN FAMA LL ELY SHIPLEY @ CORNELIA.
Tuesday, September 6 · 6:00pm - 7:30pm
B.C. EDWARDS lives in Brooklyn. He is the recipient of the 2011 Hudson Prize put out by Black Lawrence Press which will be publishing his collection of short fiction, The Aversive Clause in 2012 and his collection of poetry From the Standard Cyclopedia of Recipes in 2013. His work can be found in Red Line Blues, The Sink Review, Food-i-Corp, Hobart and others. His short story “Illfit” is being adapted into a piece by the Royal Ballet of Flanders. BEN FAMA is the author of the chapbook Aquarius Rising (UDP 2009) and NEW WAVES (Minutes Books). He is the founding editor of Supermachine Poetry Journal. His work has been featured in GlitterPony, notnostrums, LIT, Poor Claudia, and on the Best American Poetry Blog, among others. He has contributed tips to gawker, words to urban dictionary, and has an ongoing correspondence with Lady Gaga. ELY SHIPLEY’s first book, Boy with Flowers, won the 2007 Barrow Street Press book prize judged by Carl Phillips, the 2009 Thom Gunn Award, and was a Lambda Literary Award finalist. His writing appears in the Western Humanities Review, Prairie Schooner, Diagram, Gulf Coast, and elsewhere. He holds a PhD in Literature and Creative Writing from the University of Utah and currently teaches at Baruch College, CUNY. Hosted by Angelo Nikolopoulos $7 cover includes a house drink.
Filed under: ART, THE WEEK/THE WEEKEND | Tags: $10, 22, a.i.r, art, artists, brooklyn, calls, for, frank, gallery, HERE, kiki, magazine, mary, new, ny, nyc, postcard, reuse, smith, space III, submissions, sustainable, the, were, wish, woman, women, york, you
From A.I.R. Gallery:
We invite you to participate in our yearly benefit postcard show, Wish You Were Here 10 from June 22 – July 16, 2011. Last year’s exhibit had work by over 400 artists including Kiki Smith and Mary Frank. This year we hope you will join us in our mission to provide leadership and community to women in the arts by exhibiting your work in Wish Your Were Here 10.
Filed under: EVENTS | Tags: 1, 2, 22, 30, april, arias, arts, basil, beautiful, brooklyn, center, charcters, chris, city, community, deville, dirty, dream, entertainment, feisty, hanne, HERE, joey, magazine, malgosia, May, music, naught, new, nights, only, parlor, parolor, partlors, pinnacles, puppet, puppetry, puppets, sacred, shorts, show, showcase, shows, sinful, sunday, szkandera, the, tierney, twist, york
The Dream Music Puppetry Program’s feisty showcase of tidbits, characters & shorts from the pinnacles of the puppet community. And after selling-out the last two Parlors, we’ve decided to add an additional show!
April 30 and May 1 7pm
Tickets $20 @ door
MORE INFO: http://here.org/shows/detail/599/
ALSO COMING UP!
Filed under: The 22 | Tags: 22, arts, billy, brooklyn, center, club, cristobal, don, erin, faud, federico, garcia, HERE, large, lorca, magazine, man, manhattan, music, new, ny, orr, puppetry, puppets, rima, shado, the, york
A psychological exploration inspired by the Billy Club Plays of Lorca. Beautiful piece. Check out the video below and if your still not convinced watch the bio pic on Lorca below that.
For centuries, the puppet Don Cristóbal has charmed audiences with his drunken, lusty, billy-club wielding antics. But does he secretly struggle with his role as the Billy-Club Man and long for love and escape? Through experimental puppetry, clowning and live music, Don Cristóbal, Billy-Club Man explores the violent appetites of Cristóbal’s on-stage persona and follows him off-stage to reveal his poetic possibilities. Inspired by the puppet plays of Federico García Lorca, the piece features shadow, hand and large figurative puppetry by Erin Orr and evocative original music by Rima Fand.