THE WEEKEND: MARCH 9-11.

EDITOR’S PICKS:

Holi
http://www.festivalofcolors.org/
03/11/2012-03/11/2012
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Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.

Hazmat Modine
http://hazmatmodine.com/home.html
03/10/2012-03/10/2012
7pm-10pm

HAZMAT MODINE draws from the rich soil of American music of the 20’s and 30’s through to the 50’s and early 60’s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.

 

 

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THE WEEK: Nov 7-11.

MONDAY:

Paul McCarthy, The Dwarves, The Forests 
Hauser & Wirth New York is proud to present an exhibition of major new works by Los Angeles-based Paul McCarthy, one of America’s most challenging and influential artists. Comprising bronzes, a massive tour de force wood carving, and a pair of fantastical landscape maquettes all presented on the gallery’s two floors, ‘The Dwarves, The Forests’ is the first exhibition of sculptures to emerge from McCarthy’s recent exploration of the famous 19th century German folk tale Snow White (Schneewittchen) and the modern interpretation of that story in Disney’s beloved 1937 animated classic film ‘Snow White and the Seven Dwarfs’

AMRAM & CO @ Cornelia St.
David Amram, piano, french horn, flutes, composition & surprises; Kevin Twigg, drums, glockenspiel; John de Witt, bass; Adam Amram, percussion

With Liberty and Justice for Some: How the Law Is Used To Destroy Equality and Protect the Powerful
OCD Lecture Series
Stress and the Individual Litigant: Managing the Practical and Emotional Aspects of Litigation and Exploring Alternatives Zombies Identified – (Re)Considering the Monster #2
Harmony Holiday & Jared Stanley
Abigail Washburn
Evolving Music #5 – Remembering Raphe Malik
Occupy: Presented by n+1 and Housing Works
FALL DOWNTOWN: SEASON PARTY
Robert Graham
LINDEMANN YOUNG ARTIST DEVELOPMENT PROGRAM
League of Professional Theatre Women 

TUESDAY:

Listen to This by Alex Ross
Listen to This—which collects Alex Ross’ finest writing for The New Yorker since 1994—is that rare book that moves across the entire landscape of music, from classical to rock and back again. In this series of lively, erudite essays, Ross tells of his own late-blooming discovery of pop, and of how contemporary sounds relate to centuries of musical tradition. He vividly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and, in a previously unpublished essay, brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. Witty, passionate, and brimming with insight, Listen to Thisshows how music expresses the full complexity of the human condition.

The Moth StorySLAM. Theme: Warning Signs
Global Capitalism: A Monthly Update & DiscussionKIRSTIN KAPUSTIK, AMANDA HINCHEY, ALISA FENDLEY, MARI MEADE MONTOYA & FRANCINE ELIZABETH OTT
DANA SCHUTZ “If the Face Had Wheels” book signing and discussion with Barry Schwabsky
Rescue Me!
Balzac’s Omelette
Lonely Dear
CAN MOTHERS STOP TERRORISM?
ICONOMANCY

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THE WEEK: OCT 17-21.

MONDAY:

SONIC: Sounds of a New Century (ONGOING)
SONiC – Sounds of a New Century – a brand new festival of 21st century music by more than 100 composers age 40 and under, will take over New York from Friday, October 14 through Saturday, October 22, 2011. Events will range from a daylong marathon to a DJ/VJ night, from a free symphony concert at the World Financial Center Winter Garden to collaborations between emerging choreographers and composers. SONiC concerts will take place at ten different venues throughout New York, and will include performances by 16 extraordinary ensembles featuring at least 18 world premieres, eight US premieres, and eight New York premieres. SONiC is co-curated by composer Derek Bermel and pianist Stephen Gosling, and is a production of American Composers Orchestra and The Alice M. Ditson Fund of Columbia University. SONiC is presented in partnership with Carnegie Hall and Miller Theatre at Columbia University. New York Public Radio’s online radio station, Q2, is the media partner and digital venue.

Secret Science Club “Controlled Experiment
SPECIAL EVENT: The Secret Science Club is teaming up with the Imagine Science Film Festival for “Controlled Experiment,” a night of science-inspired short films.


EYES WIDE SHUT: CONTEMPORARY DRAWINGS FROM GERMANY

Vogt Gallery is pleased to present an exhibition of contemporary German drawing, “Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo Christian Larsson, and Florian Meisenberg. The exhibition brings together some of the most well-known German artists working in drawing today and is guest curated by Birgit Sonna, a Berlin-based writer and curator.

Dario Azzellini, Immanuel Ness & Victor Wallis
Capitalism would have us believe we need our bosses. This volume, edited by Immanuel Ness and Dario Azzellini, reveals the history of workers who dare to disagree. From the dawning of the industrial epoch, wage earners have gone so far as to challenge the very premises of the system by creating institutions of democratic self-management aimed at controlling production without bosses. With specific examples drawn from every corner of the globe and every period of modern history, this new book comprehensively traces this often underappreciated historical tradition.

La MaMa 50 Gala
TAR SANDS ACTION: Manhattan Obama for America office
CHRISTOPHER LUECK AND GUESTS:THE DOWNTOWN CLOWN REVU
Collaborative Means
Life Hack: How to Live Rent-Free in NYC
Robert Fernandez & Jennifer Tamayo
Stargazing Party Finalé
APERTURE 2011 Benefit and Auction
Author Julia Alvarez
A Dead Animal Man: Screening and Q and A with Film Maker Lily Henderson
Dr. Queen’s Drag Academy: The Martin Worman Papers
Around the Campfire: A Night of Ghost Stories with Storychord.com
Real and Scary Historical Halloween
LARS FROM MARS

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The Week: June 6-10.


June 5-11

Vision Festival 16Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).

Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.

Visit visionfestival.org for more information and listings of Vision Festival events at satellite sites. (SEE FULL SCHEDULE.)

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