The 22 Magazine


VIDEO WEEKEND: I love your face/SEED.
January 5, 2013, 11:42 pm
Filed under: FILM/VIDEO, VIDEO WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , ,



Kali Briis – I love your face from Chintis Lundgren on Vimeo.

SEED from Seed Movie on Vimeo.



THE WEEK/WEEKEND: Dec 13th-?????!!!

Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!

The Bark and Scream Series: Eli Keszler: Percussion and Ashley Paul: Alto Sax
THE FIREHOUSE SPACE
December 13, 2012 8:00 pm

Where (we) Live
BAM
Paula Greif, ceramics (Dec 19)
Marsha Trattner, blacksmith (Dec 20)
Riccardo Vecchio, painter (Dec 21)
Victoria Valencia, woodworker/furniture-maker (Dec 22)

Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.

JOHN HODGMAN: THAT IS ALL
Friday, Dec 21, 2012
The Bell House

Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.

detail
Letha Wilson

Higher Pictures
Thursday, December 13, 6 – 8 pm

Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.

 

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I Keep a List of What I Must.
October 9, 2012, 10:50 pm
Filed under: POETRY, WRITING | Tags: , , , , , , , , , , , , , , , , , ,

by Christopher Citro

 

By the bed and last thing at night, first thing

in damp daylight, I consult. On rare occasion

I might add. Making love in the long grass

near the river, a vulture’s shadow crept across

her face while I was in the middle of it,

and I looked away. That went near the top.

Those afternoons with everything crashing

around me, watching through café windows—

when I stepped outside, the smell of wet streets

and dripping trees. I did not inhale enough.

Years later, trying to recall it is like reading

through water. So I’ll have to forgive myself

for that, for letting the domino rally lull me

asleep. I saw a woman on the street yelling

at a man who did not step back. He opened

his arms, I’m a lover not a fighter, and hugged her.

Both drunk as September. Most of October,

me forgiving myself for being surprised.

Christopher Citro’s poetry appears or is forthcoming in Salamander, Cream City Review, Los Angeles Review, Southeast Review, The Minnesota Review, Poetry East, Verse Daily, and elsewhere. He is a past recipient of a Langston Hughes Creative Writing Award for poetry. Recent broadsides of his poetry are available from Architrave Press, Broadsided, and Thrush Press. Christopher is currently completing an MFA in poetry at Indiana University. Find him at christophercitro.com.



I Miss Drugs (#3 and #4).
October 2, 2012, 8:58 pm
Filed under: FILM/VIDEO, I MISS DRUGS | Tags: , , , , , , , , ,

 

I Miss Drugs-Episode 3-”Dinner Party” from I MISS DRUGS on Vimeo.

I Miss Drugs-Episode 4-”Perfect Night” from I MISS DRUGS on Vimeo.



The 22 Playlist #3 (Threefifty), August 31, 2012.

We’ve got a special playlist this week, curated by and dedicated to the sonorous sounds of Threefifty and friends. Threefifty is currently trying to raise money for their third album and today is the last day to donate! Although they’ve reached a goal of around $2200, they need more like $7000 to create something truly spectacular. They’ve called on friends who are stellar musicians to help build this playlist. Ranging from the building block strings of Redhooker, to the randomized perfection of Dither, to the stripped down tones of Runaway Dorothy, each of these bands is special not only musically but as avid supporters, friends, brothers, and lovers of Threefifty. This playlist is truly amazing, please take a listen and HELP SUPPORT!

DONATE LINK: http://www.kickstarter.com/projects/threefifty/collapses

To check out artist’s websites, video and to buy tracks please visit the single tracks here.



The 22 Playlist #2 (The Submarine Hotel), August 25 2012.

In the sea, deep, in the sea, there is a submarine hotel. Men go there, women too, to water down the world and float free. The submarine hotel is a one way trip, and the passengers are always the same. This week we’re offering you the once in a lifetime opportunity to sonically explore the interior of this metallic getaway with sounds ranging the gurgle of tasty Bier from Bernd Klug and Bernhard Hammer to a lullaby at sea with CATFOX, to the expirmental fusion of Mostly Other People Do the Killing, and the playlist inspiring track from Taren McCallen-Moore, The Submarine Hotel, plus many more.

See the full line up below, or check it out here. Photo courtesy of National Archives of Norway.



The 22 Playlist: #1 (Sunburned), August 12, 2012.

We are so pleased to present the first incarnation of The 22 Playlist. Our first playlist speaks to love and third degree burns respectively. Ranging from the brain melting effects of Je suis le Petit Chevalier’s (Felicia Atkinson), “A Guide to the Sun” to a lethargic lullaby from Bee and Flowers’s most recent “Suspension,” to a parched call for joy from Franz Nicolay’s most recent album “Do the Struggle,” this playlist travels the spectrum of blind love.

Full Playlist:

The 22 Playlist #1 (Sunburned): Painted Figures by Je Suis le Petit Chevalier
http://feliciaatkinson.be/

The 22 Playlist #1 (Sunburned): The 22 Playlist #1 (Sunburned): We don’t have time for a hypothesis, science is fleeting by Lazurite

The 22 Playlist #1 (Sunburned): Mirror, Mirror by Wax Fang
http://waxfang.com/

The 22 Playlist #1 (Sunburned): Beav by Bassoon
http://popejoy.org/bassoon

The 22 Playlist #1 (Sunburned): Is it for Breaking? by Iron Dog
http://irondogmusic.com/

The 22 Playlist #1 (Sunburned): Red Giants by What Tryants
http://whattyrants.bandcamp.com/

The 22 Playlist #1 (Sunburned): I am the Sun by Taren McCallan-Moore
http://soundcloud.com/magicvan

The 22 Playlist #1 (Sunburned): Possession by Sarah Bernstein Unearthish
http://sarahbernstein.com/
http://sarahbernstein.bandcamp.com/album/unearthish

The 22 Playlist #1 (Sunburned): Lovebirds by Clara Engel
http://claraengel.bandcamp.com/

The 22 Playlist #1 (Sunburned): Joy by Franz Nicolay
http://franznicolay.com/

The 22 Playlist #1 (Sunburned): You’re not the Sun by Bee and Flower
http://beeandflower.com/



Video Weekend: I Miss Drugs.
July 6, 2012, 6:08 pm
Filed under: I MISS DRUGS, VIDEO WEEKEND | Tags: , , , , , , , , , , ,

I Miss Drugs-Episode 1-”Almost There” from I MISS DRUGS on Vimeo.

I Miss Drugs-Episode 2-”Simple Human” from I MISS DRUGS on Vimeo.



I AM THE SUN by MagicVan.
July 2, 2012, 1:37 pm
Filed under: FILM/VIDEO, MUSIC | Tags: , , , , , , , , , , , , , , ,



I Am The Sun from Taren McCallan-Moore on Vimeo.

From the forthcoming album, ‘Hampstead Heath’, due for release in 2012.
MORE MUSIC.



THE WEEK/WEEKEND: MAY 10-17.

EDITOR’S PICKS:

Stephen Hannock: Recent Paintings: Vistas with Text @Marlbourgh

Jacqueline De Jong’s Situationist Times, 1962-1967
http://boo-hooray.com/the-situationist-times/de-jong-situationist-times/
05/09/2012-05/25/2012
-

Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.

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THE WEEK: APRIL 30-MAY 4.
April 30, 2012, 4:41 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

 EDITOR’S PICKS: 

FULL LIST OF ALL MAY DAY EVENTS HERE.

May Day 2012
http://www.maydaynyc.org/
05/01/2012-05/01/2012
-

We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!

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THE WEEK: APRIL 16-20.

EDITOR’S PICKS:

Cross-Reference: A Collaborative Exhibition Featuring the work of Hans + Gieves
http://www.likethespice.com/Cross-Reference-Hans+Gieves.html
04/20/2012-05/27/2012
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Like the Spice gallery presents Cross-Reference, a collaborative of Nashville-based painter Hans Schmitt-Matzen and Brooklyn-based photographer Gieves Anderson. It’s fitting that Hans and Gieves begin the works in their latest series in libraries, which the two artists consider sanctuaries of thought. Duly titled Cross-Reference, the series enables a philosophical contemplation of color and composition through an alchemy of the disparate mediums of photography and painting. Libraries’ unbroken rows and columns of books were the artists’ inspiration for the new works, and Gieves’ large photographic prints of the buildings’ interiors and exteriors form the multicolored surfaces to which Hans applies oils in thick gestural strokes made with brushes, blades, and customized squeegees.

Marc Brotherton – New Work
http://www.causeycontemporary.com/node/marc-brotherton/6235?tpl=tpls/exhibitionpressrelease&location=6235
04/20/2012-05/27/2012
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Causey Contemporary is pleased to present two solo exhibitions this April, New Paintings by Marc Brotherton and Acid Bath by Nina Carelli. Marking his third solo exhibition with the gallery, Brotherton will present his newest series of bold, mixed-media paintings, which explore ideas of new technology, communication, color and design. Marc Brotherton contends that living in the twenty-first century, we are constantly bombarded by input– be it from televisions, news sources, the internet, or one of the many communication gadgets. In a way, Brotherton’s paintings are a form of communication, which address technological and political quandaries, but also banalities of daily life. The outcome of his work is a materialized investigation into the perplexing world in which we live. Brotherton states that his incentive to make art comes from an “…inner curiosity, a personal necessity to acknowledge an awareness that we are here together inhabiting an increasingly chaotic world.”

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THE WEEKEND: APRIL 13-15.

EDITOR’S PICKS:

NYC Anarchist Book Fair
http://anarchistbookfair.net/program
04/14/2012-04/15/2012
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New York City, a center of anarchist life, culture, struggle, and ideas for 150 years, will host its 6th annual NYC Anarchist Book Fair, a one-day exposition of books, zines, pamphlets, art, film/video, and other cultural and very political productions of the anarchist scene worldwide, on April 14, 2012 at Judson Memorial Church in Manhattan. The Book Fair also always includes two days of panels, presentations, workshops, and skillshares on to provide further opportunities to learn more and share your own experience and creativity. The goal of the book fair is to enable people to connect with one another as well as to provide broader access to the rich and varied field of anarchist ideas and practices. Now is the perfect time to be exploring those ideas and practices and bringing them into play in our communities and the world.

 

 

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THE WEEK: APRIL 9-13.
April 9, 2012, 7:10 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

EDITOR’S PICKS:

Adam Rudolph – Go Organic Orchestra
http://roulette.org/events/shelley-hirsch-simon-ho-3/
04/02/2012-04/30/2012
8pm-

Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.

JAMES GODWIN LUNATIC CUNNING
http://www.dixonplace.org/index2.html
04/06/2012-04/21/2012
7:30pm-

A semi-autobiographical “mockumentary” from a puppetry and performance art pioneer. Lunatic Cunning mixes experiences from Godwin’s own life—such as his work with Julie Taymor on Across the Universe and appearances on Saturday Night Live, Chappelle’s Show, PBS and with Jim Henson’s Muppets. It’s a humorous examination of the occult roots of puppetry and performance art.

I T I N E R A N T Performance Art Festival
http://www.qmad.org/itinerant/
04/06/2012-05/04/2012
3pm-6pm

QMAD, Queens Media Arts Development, presents ITINERANT, a citywide festival for Contemporary Performance Art to be hosted at various venues in the five boroughs of New York City. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. Artists working in Contemporary Performance Art were selected to participate from an open call that attracted more than 175 local, national and international submissions. Forty five artists will be featuring new and existing works that explore the program’s theme over a period of 5 weeks starting on March 30th through May 5th.

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THE WEEKEND: MARCH 2-4.

EDITOR’S PICKS:

Liz Biddle, Regine Granne, and Katherine Tzu-lan Mann at A.I.R. Gallery
http://www.airgallery.org/index.cfm?fuseaction=main.artists&artistid=885
03/01/2012-03/24/2012
6pm-9pm

This exhibition showcases Biddle’s continuing interest in mixed media, with a twist of humor found in much of her work. Old wires, light bulbs, screws and other found objects protrude from holes in ceramic objects, while creature-like robots – strange, disturbing and endearing – appear in collages and drawings. Liberty is a contemplation of the present in the wake of 9/11. The Statue of Liberty itself simultaneously represents an overused icon and a diminishing concept. These works offer a means of viewing such images and enable reflection of our world, our nation, our politics, our person, our perspective, and our relationship to all. Mann’s large paintings in Root, created by combining chance stains with highly rendered decorative elements on oversized, un-stretched paper, function as human-sized portholes into a landscape alive with minute details, patterns and interlocking systems.

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DOUBLE-DECKER VIDEO WEEKEND: Hallways/Do I have Power/What’s in it for?/White Winter Hymnal.

A special double-decker video weekend to welcome spring. If you’d like your work featured on video weekend please email your submission to the22magazine {at} gmail {dot} com with the subject line “Video Weekend.”

Level 1:

Hallways.

Do I have power.

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Video Weekend: I need nothing/Pelican.
January 6, 2012, 10:00 pm
Filed under: VIDEO WEEKEND | Tags: , , , , , , , , , , , , , , , , , , ,



VIMEO.

VIMEO.



THE WEEK: Nov 28-Dec 2.

MONDAY:

TALK SERIES: Poetry After the White House Jam: A Panel Discussion on the nature and Role of the Avant-Garde
This talk will focus on poets Alison Knowles (founding member of Fluxus) and Kenneth Goldsmith (Conceptual Writing figurehead) and their inclusion in the 2011 White House Poetry Jam. Specifically, thinking about Knowles and Goldsmith as “avant-garde” figures: whether there can be an avant-garde that is current and representative, and how that impulse affects/is affected by an institutional context such as the White House. Panelists include: Rod Smith,Sandra Simonds, and Steven Zultanski.



LAND OF TALK ”THE HATE I WON’T COMMIT” by Rémy M. Larochelle.
November 15, 2011, 6:53 pm
Filed under: ART, FILM/VIDEO | Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,


LAND OF TALK ”THE HATE I WON’T COMMIT” from Rémy M. Larochelle on Vimeo.

Animated music video for LAND OF TALK
Directed, animated and produced by Rémy M. Larochelle

Album: CLOAK AND CIPHER

facebook.com/​landoftalk
landoftalk.com/​

Saddle Creek Records
2011

special thanks to Daniel Lagacé, Shaun Bronstein and Elizabeth Powell



THE WEEK: NOV 1-4.
November 1, 2011, 6:40 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

TUESDAY:

PERFORMA 11 (ONGOING)
Performa 11, the fourth edition of the internationally acclaimed biennial of new visual art performance presented by Performa, will be held in New York City from November 1–21, 2011. The three-week biennial will showcase new work by more than 100 of the most exciting artists working today, in an innovative program breaking down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design, and the culinary arts. Presented in collaboration with a consortium of more than 50 arts institutions and over 50 curators, as well as a network of public spaces and private venues across the city, Performa 11 will ignite New York City with energy and ideas, acting as a vital “think tank” linking minds across the five boroughs and bringing audiences together for brilliant new performances in all disciplines.

Ben Gerstein (Jerome Foundation Commission) – FREEDOM CHOIR! A congregation for cathartic improvisational service
On November 1st, All Saints’ Day, The Day of the Dead — ancient holidays in honor of the saints, known or unknown; deceased friends and family — Ben Gerstein brings together for the first time a unique ensemble of enormous acoustic, experiential intensity to celebrate the powers of improvisation on this earth. FREEDOM CHOIR! A congregation for cathartic improvisational service. Inspired by the micro and macrocosms of nature, ecstatic spiritual and athletic experiences, dream, destiny, ritual, prayer, ancestry, and visions throughout Art and beyond… Dance floor, prairie, pow-wow, synagogue, church, mountain top, ocean, forest, desert, track and field, fighting ring, mosh pit … Ferocious love! A historic event for expansive sound and emotion; unnamable sound, unnamable emotion. We are the world! Communion between us all…

69°S. (Part of the 2011 Next Wave Festival)
“When I look back at those days, I have no doubt that divine providence guided us… it seemed to me often that we were not alone.” —Sir Ernest Henry ShackletonSixty-nine degrees south latitude, threshold of Antarctica, foreboding and cold. In an attempt to cross the continent, explorer Ernest Shackleton and crew have been shipwrecked, and now—through the work of Phantom Limb marionette maker and composer Erik Sanko and set designer Jessica Grindstaff (both at BAM with More Than Four, 2007 Next Wave)—they emerge before us in the snow.

CHAMBER MUSIC at INCUBATOR ARTS PROJECT
Robert Ashley’s music has long been recognized as some of the most radical, forward-thinking work produced today. The Incubator Arts Project’s MUSIC series, curated by Travis Just, focuses on his chamber and instrumental music, in addition to re-thinking one of his best-known vocal epics: Automatic Writing. A new generation of experimental composers and artists is looking to Ashley’s work for inspiration; this week will show why.(ONGOING)

PHARMA
The Herb Lubalin Study Center at The Cooper Union examines the influence and impact of graphic design on the pharmaceutical industry in PHARMA, a new exhibit featuring original and rarely seen works by luminaries including Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin. PHARMA’s exploration begins with the avant-garde promotionals of the 1940′s, when a market need emerged to promote “miracle” drugs, such as Penicillin, to the medical industry. In a compelling and thought-provoking way, PHARMA presents the relationship graphic design has had with the pharmaceutical industry ranging from the federal government’s increased regulations to new marketing tactics where the everyday consumer, not the doctor, is considered the target audience. While the exhibition provides examples of past and present, the public is encouraged to reflect and question how graphic design is used to market drugs and design has transformed these commodities into objects of desire.

Spartacus Chetwynd: The Lion Tamer
7th Annual Alternative Processes Winners: Barbara Ciurej & Lindsay Lochman 
UMBERTO ECO in conversation with Paul
Tod Lippy: The Conception and Development of ESOPUS
Holdengraber
Migratory Media: A Film Event
Counterfactual: Muybridge’s Debt to Watkins
Tom Brokaw in Conversation with Paul Holdengräber
BROOKLYN REAL ESTATE ROUNDTABLE
OSCAR PEÑAS
Enid Ellen at Piano’s
Tomorrow Land/Collaspe
Barbara Siegel, Arboretum/Privacy Please! Jan Johnson
Influential Friends
Matthew Stone: Optimism as Cultural Rebellion
ARAB SPRINGS/ ATLANTIC WEALTH: TRADING ROOM
Serenity Now!
BRADFORD NORDEEN WITH GARY INDIANA
Playing with Form
CAP/ICP – Artist Lecture: Joni Sternbach – Surfland
365 Drawings
panel discussion | residency as refuge?
GLOBAL ISSUES IN DESIGN AND VISUALITY IN THE 21ST CENTURY: CULTURE – FASHION HACKING
ROXANE BUTTERFLY
Mur Murs

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NUIT BLANCHE, Paris, 2011 by Matt Mowatt.

Nuit Blanche, the tenth annual city-wide art exploration (“art walk” is a gross understatement when over 125 artists’ works are sprinkled all over the City of Light), was a personal success this year than the last (as I was stuck in an apartment with ex-pats waiting to leave for hours as they pre-gamed and played horrible music – see article: Waiting for Nuit Blanche). I took precautions not to invite too many friends and to plan an accurate itinerary of the exploration that began in northern Paris and ended in the center. The journey clocked in at about ten hours, shedding three or four people in the process, leaving me with three others at five in the morning.

Here’s a brief description of the pieces we encountered and where they were located:

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THE WEEK: Sept 14-16.
September 14, 2011, 1:32 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

 ARIAS WITH A TWIST @ABRONS ART CENTER.
September 14-October 16
Wednesday-Saturday | 8 pm
Saturday Late Show | 10:30 pm
Sunday | 7 pm

This updated version of the original deliriously madcap fantasy once again features the soaring song stylings of demented diva Joey Arias surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers under the direction of Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards in addition to some original tunes by Alex Gifford as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements.

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