The 22 Magazine


Robert Porazinski
July 22, 2013, 6:49 pm
Filed under: ART, PAINTING | Tags: , , , , , , , , , , , , , , , ,

Screen shot 2013-07-22 at 10.44.07 AM
WEBSITE



SUPPORT THIS PROJECT: THIS HOUSE.

When Daniel Hymanson approached me to support “This House,” a documentary of a living installation project in 75-year-old Jackie Seiden’s Chicago home, I was intrigued but wary. Documentaries of artists (particularly older artists) often have the, sometimes unfair, stench of exploitation. However, upon further review, it became clear that this was a story of  lifelong creation, a mentor, a kinship and a friend. Jackie and Daniel met when Daniel was only four years old, while Jackie was teaching at SAIC, where she inspired in Daniel for love of creation and building. Daniel went on to study film while Jackie developed an incredible, mutable home, with a different installation in each room. Straddling the line between pastels and coffins, Jackie’s unique perception of the world is wholly countered by Daniel’s incredibly charming devotion towards memorializing a teacher who inspired his love of narrative. I hope you’ll take the time to look not only at the project but the beautiful story that started it, and help support.

(Left: Daniel and Jackie)

SUPPORT THIS PROJECT.

FROM DANIEL:

Jackie Seiden and her husband Don Seiden live in a large pink and yellow house in Rogers Park, on the north side of Chicago. Each room in the house is a distinct installation–a world of painstakingly found and placed objects. Ever since Jackie moved into the house 30 years ago, these installations have been constantly evolving. They are deeply personal and generally explore subjects relating to Jackie’s own childhood.

When I was four years old, my mom enrolled me in Jackie’s children’s art class at the School of the Art Institute of Chicago (that’s me on the left and jackie in the middle in the picture below). Every week Jackie would guide us as we completely transformed the classroom and traveled to impossible places. Once, we used huge sheets of crunched up brown paper to change the classroom into a prehistoric cave and made cave paintings. Another week, with chairs, a slide projector, echoing chugging sound effects, and a sheet, the classroom became a train and Jackie took us on a tour of India. Ever since that class, Jackie has been a friend and huge inspiration to me. (READ MORE.)



THE WEEK: SEPT 6-9.
September 6, 2011, 1:42 am
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WHITE SWALLOW READING SERIES: B.C. EDWARDS LL BEN FAMA LL ELY SHIPLEY @ CORNELIA.
Tuesday, September 6 · 6:00pm - 7:30pm

B.C. EDWARDS lives in Brooklyn. He is the recipient of the 2011 Hudson Prize put out by Black Lawrence Press which will be publishing his collection of short fiction, The Aversive Clause in 2012 and his collection of poetry From the Standard Cyclopedia of Recipes in 2013. His work can be found in Red Line Blues, The Sink Review, Food-i-Corp, Hobart and others. His short story “Illfit” is being adapted into a piece by the Royal Ballet of Flanders. BEN FAMA is the author of the chapbook Aquarius Rising (UDP 2009) and NEW WAVES (Minutes Books). He is the founding editor of Supermachine Poetry Journal. His work has been featured in GlitterPony, notnostrums, LIT, Poor Claudia, and on the Best American Poetry Blog, among others. He has contributed tips to gawker, words to urban dictionary, and has an ongoing correspondence with Lady Gaga. ELY SHIPLEY’s first book, Boy with Flowers, won the 2007 Barrow Street Press book prize judged by Carl Phillips, the 2009 Thom Gunn Award, and was a Lambda Literary Award finalist. His writing appears in the Western Humanities Review, Prairie Schooner, Diagram, Gulf Coast, and elsewhere. He holds a PhD in Literature and Creative Writing from the University of Utah and currently teaches at Baruch College, CUNY. Hosted by Angelo Nikolopoulos $7 cover includes a house drink.

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Alessandro Keegan.

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Ky Anderson.


WEBSITE.

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THE WEEK: August 1-5th.

Mostly Other People Do The Killing @Cornelia.
Monday, August 1, 10:00 PM

Peter Evans, trumpet; Jon Irabagon, saxophone; Moppa Elliot, bass; Kevin Shea, drums.

Students from So Percussion’s Summer Institute (SOSI) play the music of Dan Deacon other surprises@LPR.
Jamie xx (DJ Set) w/ Brenmar (10pm)
special guests Dan Deacon

The art made by Baltimore artist Dan Deacon is about community and how to organize and inspire it. From founding a now well-known art collective (Wham City), to organizing and running an annually sold-out DIY music festival (Whartscape), to conceiving, planning and curating a massive 60 person/30 band tour (Baltimore Round Robin Tour), it’s clear to see that community and bringing people together is the major theme of his work. Bromst is the embodiment of that way of thinking. (READ MORE.)

Group Exhibition @Joshua Liner Gallery

Summer Group Exhibition 2011
August 4 to August 27, 2011

Joshua Liner Gallery is pleased to present the 2011 Summer Group Exhibition showcasing 17 artists, including established gallery regulars and several newcomers to the gallery. The exhibition will feature painting, collage, and drawing, with works by the following artists:

Cameron Gray, Chloe Early, Damon Soule, Dave Kinsey, David Ellis, Evan Hecox, Evelyn Rydz, Greg Lamarche, Herbert Baglione, Oliver Vernon, Pema Rinzin, Ryan McLennan, Shawn Barber, Stephen Powers, Tiffany Bozic, Tomokazu Matsuyama and Tony Curanaj.

xperi-MENTAL Festival 3
August-5, 6, 7

Three days or avant garde and experimental music madness!

Curated by Robert L. Pepper (PAS) and Valerie Kuhne (Prehistoric Horse)

Goodbye Blue Monday
J Train to Kosciusko St

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Round Robin Collective in Residence at A.I.R Gallery
August 5th through August 27th A.I.R Gallery will host Round Robin Collective in Residence at A.I.R Gallery.

Opening Reception: Thursday, August 4th, 6-9pm.
Gallery Hours during this exhibition: Thursday 5:30 – 8:30pm, and Fri – Sun, 11 to 6pm.

Le Squeezebox Cabaret @ Public Assembly: 

A Monthly Night of Accordion-Driven Variety
The first Monday of every month, David F. Slone, Esq. invites you to join him in a celebration of the beauty of the bellows with Brooklyn’s hottest underground accordionists, dancers, strippers, singers, comedians and magicians!

HOSPITAL: EPISODE 3 @ AXIS
Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp (Edgar Oliver’s East 10th Street: Self Portrait with Empty House), the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.
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Support This Project: Secret City, Robert Lucy

I’m so pleased to present one of my personal favorite’s, Robert Lucy.

Lucy studied with Ed Paschke at Northwestern and eventually headed to SAIC to finish. His works are somewhere between altarpieces, meditations and still life’s on ordinary objects or people, and are influenced by mystic teachings, dreams and the inspiration of Lucy’s daily encounters.

For a full account of Lucy’s work, there happens to be an amazing timeline on his website that walks the viewer through the life of Robert Lucy (particularly great story in 2005.)

WEBSITE.

DONATE TO SECRET CITY.



THE WEEK: JUNE 1-3.
May 31, 2011, 9:38 pm
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!Women Art Revolution SCREENING @ IFC.

This revelatory “secret history” illuminates the Feminist Art movement through interviews with and works by visionary artists, scholars and critics like Miranda July, The Guerrilla Girls, Yvonne Rainer, Judy Chicago, Marina Abramovic, Yoko Ono, Cindy Sherman, Barbara Kruger, B. Ruby Rich, Ingrid Sischy and Carolee Schneemann. Score by Sleater-Kinney’s Carrie Brownstein.

In person appearances:
Wednesday, June 1: Lynn Hershman Leeson & Alexandra Chowaniec at 6:10pm, Leeson, Chowaniec, & Kathleen Hanna at 8:10pm
Thursday, June 2: Chowaniec & Howardena Pindell at 2:10pm, Chowaniec & Carolee Schneemann at 6:10pm, Chowaniec & J. Bob Alotta at 8:10pm
Friday, June 3: Chowaniec& Janine Antoni at 12:10pm, Chowaniec & Joyce Kozloff at 6:10pm, Chowaniec & Martha Wilson at 8:10pm
Saturday, June 4: Chowaniec & Howarden Pindell at 2:10pm, Chowaniec & B. Ruby Rich at 6:10pm, Chowaniec & Guerrilla Girls Frida Kahlo and Kathe Kollwitz at 8:10pm
Sunday, June 5: Chowaniec & Howardena Pindell at 2:10pm
Monday, June 6: Chowaniec & Carey Lovelace, Chowaniec & Connie Butler at 6:10pm
Tuesday, June 7: Chowaniec, Carey Lovelace & Faith Ringgold at 6:10pm

SCREENING TIMES.

GUERILLA GLEE CLUB (CLICK LINK FOR MORE INFO) (DATE CHANGED TO JUNE 2)


The Peripheterists
curated by Jocko Weyland

June 1 – July 30, 2011

Opening reception: Wed, June 1: 6-8 pm

Guided Tour: Wednesday, June 8: 6:30-8 pm
Music Event: Thursday, July 14: 7 pm

Featuring work by:
Nicole Andrews Brandes, Natascha Belt, Dave Bevan, Dwayne Boone, Gerardo Castillo, Rick Charnoski, Edward Colver, Ale Formenti, Renée French, Joseph Griffith, Thomas Hauser, Mark Hubbard, Chuckie Johnson, Gary Kachadourian, Taliah Lempert, Doug Magnuson, Alfredo Martinez, William McCurtin, Stu Mead, James Niehues, Gloria Park, Daniel Pineda, Randy Turner, Dennis Tyfus, Unidentified Cameroonian barbershop painters, Sereno Wilson, Jesse Wine, Jason Wright.

Tony Bennett unsuspectingly coined a new term of surprising relevance when he once said he liked what Oskar Kokoschka did “along the peripheter.” Though meaning the perimeter and periphery in the painting itself, he innocently zeroed in on a murky netherworld away from the formal where success and failure, acceptance and indifference, and Tony Bennett and Oskar Kokoschka meet. Like these two disparate personalities, the artists in The Peripheterists elude the standard definition of outsiders to form a diverse and unaligned but oddly complimentary non-scene that doesn’t really register with either the hoi polloi or the intelligentsia. In many cases low-key and unsung though prodigiously gifted, all are fairly unconcerned with and unknown in that rarely satisfying milieu known as “The Art World.”

The Peripherterists examines the wide-ranging connections, affinities, and allusions amongst works that posses the popular appeal often absent at the your typical white cube. That luck, social standing, ladder climbing, and a multitude of other variables determine who gets fêted is not news by any means, but it does give rise to an urge to address that vexing situation with a gathering of mostly uncelebrated rare birds. A few encounters amongst many will have Mark Hubbard’s fantastical diagrams for actual skateparks, Gloria T. Park’s expressionist wig designs, and Jim Nieuhues’ paintings that are the basis for ski area maps consorting with Sereno Wilson’s glittery Nubian goddesses, Nicole Andrews’ paper cutouts of ennui-suffused suburbanites, and Stu Mead’s poignant, troubling, and very funny depiction of sexually active adolescents. This is not a polemic but an excursion into parallel realm of wonderful art that combines the fiercely individualistic and unorthodox with the accessible, and brings up old-fashioned but eternal questions about what art is and why people bother.

Jocko Weyland is the author of The Answer is Never – A Skateboarder’s History of the World (Grove Press, 2002) and has written for Thrasher, The New York Times, Cabinet, Apartamento and other publications, and is also the creator of Elk magazine, books and gallery.

 Full Moon Storytelling Night: Folk Tales and Tellers From Guyana

Wednesday, June 1, 6:30-8:30pm
St. Stephen’s Church
East 28th St. and Newkirk Ave. (East Flatbush)


Moonlight Stories in the Garden (duppy (ghost) stories of the Caribbean and tales of the sea)

Thursday, June 2, 7-9pm
Prospect Heights Community Farm
256 St. Marks Avenue (Prospect Heights)

DIXON PLACE:
CHANGING SKINS: FOLKTALES ABOUT GENDER, IDENTITY AND HUMANITY
WEDNESDAY, JUNE 1 AT 7:30PM
& SCHISMISM: NATURAL LAW FRIDAY, JUNE 3 AT 9:30PM

SCHISMISM: NATURAL LAWCHANGING SKINS

SCHISMISM: NATURAL LAW: Lisa Karrer’s multi-media performance is inspired by the life of Charles Darwin. Karrer’s collaboration with composer and multi-instrumentalist, David Simons, features an arresting assortment of sonic and visual backdrops, including video sequences linked with original soundtracks, voice, triggered theremin, and live acoustic and electronic compositions. These combined elements illuminate an interwoven collection of concepts, associations and stories that mirror Darwin’s complex exploration of evolution and universal connectedness. In the spirit of natural selection, audience members choose the sequence of onstage events during the performance.

CHANGING SKINS: Compiled and performed by Milbre Burch and directed by Emily Rollie, featuring photographs from “Meta-Genesis,” (above) an exhibit of portraits of transgender folk by Columbia, MO-based photographer, Jane Lavender.Changing Skins interweaves gender-bending folktales from cultures spanning the globe with musings on the construction of gender and identity. Compelling storytelling for grownups!

Under Glass: A Victorian Obsession
An Illustrated Lecture and Show and Tell with Glass Parlor Dome Collector John Whiteknight

Date: Thursday, June 2nd
Time: 8:00 PM
Admission: $5
Part of the Out of the Cabinet: Tales of Strange Objects and the People Who Love Them Series, presented by Morbid Anatomy and Morbid Anatomy Scholar in Residence Evan Michelson

A smoking monkey dressed as a Marquis, a Wild West scalping scene created in beeswax, a cemetery scene made from the deceased’s hair, and stuffed pug dog puppies, all under glass domes!!!!!

The bell jar, or glass parlor dome, is synonymous with our memory of the Victorian Age (1837 – 1901). During the 19th century, these blown glass forms were referred to not as domes but as shades, and graced nearly every parlor, protecting a broad variety of treasures–including miniature tableaux, waxworks, natural history specimens, taxidermy of exotic birds and pets, automatons, and delicate arrangements of hairwork, featherwork, and shellwork–from dust and curious fingers. (READ MORE.)

MUSEUM OF (UN) NATURAL HISTORY featuring new works by KIM HOLLEMAN
Opening FRIDAY JUNE 3rd 6-10PM
65 Union Street  Brooklyn  NY

WORK Gallery is pleased to present Museum of (Un) Natural History featuring new sculptures and a street installation by artist Kim Holleman. The Museum is a collection of environments that have all been drastically physically and/or psychologically changed by human intervention. Using mostly synthetic materials, noxious chemicals, and items culled from the trash or found on the street, Holleman creates models of parks, empty lots, nostalgic structures and architectural futures. Each miniaturized landscape represents and critiques our consumptive habits and land use, the visual results of which are both fantastical and grim. Hazardous threats to the environment’s natural balance overwhelm the landscapes, leaving an eerie beauty in the wake of irreversible destruction.

In a truck lot adjacent to the Museum is Trailer Park: A Mobile Public Park, a “portable, natural, public park” inside an RV trailer. The interior is an actual park, where visitors go inside to go outside. Masonry paths, a waterfall, and the splendor of living shrubs, trees are ready for dispatch to wherever a green refuge is needed.


ASHES // JEREMY DYER || JUNE 2 // 6-9 PM @OCCULTER


OPENING RECEPTION
THURSDAY JUNE 2, 2011,  6-9PM
SOUND PERFORMANCE BY IAPETUS
RUNS THROUGH JULY 3

“I create fictional spaces that explore the intersection of memory, history and myth through the landscape-as-image. My method is to photograph, collect, deconstruct, and reassemble photographic material — collapsing multiple points in time and space into a single scene. This mirrors the fragmentation and flattening of experience as it occurs in the creation of memory while reflecting a sense of dislocation from place. As an atavistic response to the landscape, my images engage ‘land’ as a site of indifferent natural forces. Seen through a texture of skin, ash and the blackened fuzz of a violent guitar, each work is subsequently a nostalgic articulation of our histories, new histories made impossible by memory and mythology”. Jeremy Dyer lives and works in Brooklyn, NY.

UPTOWN ART STROLL: INWOOD/WASHINGTON HEIGHTS

NoMAA is pleased to announce the arrival of the Uptown Arts Stroll 2011, the most anticipated annual community arts festival in Washington Heights and Inwood. The Stroll will showcase the outstanding painters, photographers, writers, musicians, actors, dancers, and other creative people and arts groups that are contributing to the cultural life of Northern Manhattan. These artists will exhibit and perform in local businesses and institutions, open spaces, parks and other local venues throughout the month of June.

This year, NoMAA is delighted to partner with the 12th Annual Carnaval del Boulevard, a celebration of Dominican & Latino culture produced by the Juan Pablo Duarte Foundation, The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center, and the Washington Heights Business Improvement District, to kick-off the Stroll with a community celebration on Thursday, June 2nd, 6–8:30 p.m. at The Shabazz Center. On Saturday, June 4th, NoMAA and the Stroll will join El Carnaval del Boulevard and the Washington Heights BID from 11 a.m. – 5 p.m. on St. Nicholas Avenue from 181st to 188th Sts., presenting art and performances from our local artists. read more »

KAREN J. REVIS: LUCID @ SEARS PEYTON GALLERY.

Fuse Works presents: Alarums and Excursions
At Front Room Gallery
Friday June 3, 2011, 7-9pm
open friday – sunday 1 pm to 6 pm
147 roebling street
williamsburg, brooklyn

an exhibition of multiples and prints including: Gregory Curry, Glen Einbinder, Ross Racine, Chuck Jones, Jody Hanson, Luca Bertolo, Andrew MacDonald, James Leonard, Celeste Fichter, Peter Feigenbaum, David Shapiro, Jan Obornik, Chiara Camoni, John O. Smith, Julia Whitney Barnes, Rik de Boe, Lotte Lindner and Till Steinbrenner, Sarah Vogwill, George Spencer, Emily Roz and Cammi ClimacoAlarums and Excursions is the sixth exhibition of multiples and prints by Fuse Works, an organization dedicated to exhibiting and promoting editioned artwork. The exhibition presents new work by 21 artist comprising prints, multiples, books, and digital works. (READ MORE.)

Japan Society presents
416 MINUTES
Thursday, June 2, 7:30 PM
333 East 47th Street

Join us for a surprise work-in-progress presentation of WaxFactory’s 416 MINUTES, featuring an extraordinary collaboration with artists from Japan and Eastern Europe, and inspired by the imagination of Haruki Murakami. In the company’s signature multidisciplinary style, this unsettling new work shadows an actress whose escape from a film studio sets her on a trail of chance encounters during the hours of the night when things take on a particularly eerie glow. Conceived and directed by Ivan Talijancic. Free Admission. Reception to follow.

TIX & MORE >>

SLOAN FINE ART, FRIDAY JUNE 3rd

Main Gallery: Aaron Smith “Coterie of the Wooly-Woofter”
Opening Reception: Friday, June 3rd, 6 to 8 pm
Exhibition: June 2 to 26, 2011

Project Room: Anthony Iacono “Victor Victoria”
Opening Reception: Friday, June 3rd, 6 to 8 pm
Exhibition: June 2 to 26, 2011

DAVID SANDLIN @ CENTRAL BOOKING, JUNE 3rd 6:30pm


Over the past 15 years, David Sandlin has produced eight major volumes (and several side works) of narratively connected artist’s books, collectively called A Sinner’s Progress. The books have ranged in format from hand-silkscreened limited editions to tabloid-style newspapers and pulp comics, each in service to its narrative function. Thanks to a fellowship from the NYPL’s Cullman Center for Scholars and Writers in 2010, Sandlin has begun work on a graphic novel, which he intends to be the culmination of the series. Belfaust, a love-triangle mystery loosely based on the Faust legend, will depict the backstory of the three main characters in A Sinner’s Progress and bring the narrative to closure. Sandlin’s presentation will discuss his influences and process in regard to the series.

Fri., June 03, 2011 / 7:00 PM
$12 in adv, $15 at door
Cirque des Batardes
(presented by HITS Company)

Stemming from old world styles and techniques, Cirque des Batardes is an avant-garde approach to classical forms such as vaudeville, commedia dell’arte, buffon, ventriloquism and, of course, cirque. Essentially taking on the form of a comic variety show, Cirque features a dozen acts including dancers, actors, and musicians to create a hilarious evening of spectacle and oddity. Led by their questionable emcee, the entire company seems to come from a different time. The entire production, in fact, appears in sepia tone like an old film dusted off and rediscovered. The company of misfits and performers must learn deal with their old school ways in the modern context in order to survive.

FEATURING:
Erin Debold
Krista Worby
Jo Mei
Jack Ferver
Amelia Meath
Becky Abrams
Colin Drummond
Nessa Norich
Nick Choksi
William Popp
Carly Hoogendyk
Mark Junek
Julia Eichten
Addison Anderson



OUT OF PRACTICE: CURATED BY NUDASHANK
ART BLOG ART BLOG
new temporary location:
508 West 26th St., 11th Floor

ICP Store, 1133 Avenue of the Americas
Friday, June 3, 6:00pm–7:30pm

Join Danny Lyon for a signing of his book Deep Sea Diver.

With his vintage Leica and accompanied by a young translator named Lolly Pop, American photographer Danny Lyon traveled across Shanxi Province in North West China six times between 2005 and 2009. The result of Lyon’s unfailing enthusiasm for immersing himself in local banter and customs is an extraordinary portrait of China and the Chinese, one seldom seen by foreigners. Lyon’s unparalleled photographic findings and discoveries are presented in this limited edition photobook alongside his handwritten annotations and commentary, as well as his ever-inquisitive and non-judgmental prose.



POST PLASTIC PROJECT AT LITTLEFIELD.


In the middle of the Pacific Ocean, thousands of miles away from land, and humans, there is enormous floating reminder of the indelible mark we leave from afar. Called the Great Pacific Garbage Patch, the Plastic Vortex and the world’s largest landfill, the North Pacific Gyre is a combination of currents and carelessness that makes up what some suggest is a wasteland filled with plastic. Rife with fantastic sounding aquatic traps such as “ghost nets,” it is suggested that its collection is of such a scale that, as of yet, no one has been able to calculate its true size.

In a song by local Park Slope musicians Whale Belly, there is an interesting lyric  “I know what I hate, I just don’t know why.”

The upcoming show Whale Belly is slated to perform in, Post Plastic Project at Littlefield in Brooklyn, plans to remedy just such ignorance through a feast of artists, musicians and comedians curated to raise money, and awareness for the environmental organization, Project Kaisei.

Discovered by chance in 1997 by oceanographer Charles Moore, the North Pacific Gyre is Project Kaisei’s main focus. Kaisei itself began in late 2008 when co-founders, Doug Woodring, George Orbelian, and Mary T. Crowley, found a need to bring attention and research to the growing problem of plastic pollution. In 2009 Kaisei launched its brigantine vessel (the namesake of Kaisei, meaning “Ocean Planet”) and an oceanography vessel called “New Horizon,” donated from partnering organization Scripps Institute of Oceanography. The mission was to collect and calculate data on the amount, type, and breakdown rates of plastic litter that is trapped in the middle of the ocean.

Some findings maintain that certain types of plastic are breaking down at rates much faster than imagined. Most recently the rate was a year or less for some materials to completely disintegrate and penetrate waters and wildlife, raising concerns about toxin levels in fish and other saltwater animals. Utilizing a variety of technological outlets to get their message across, Team Kaisei reports directly from the boat with updates on their findings, and even has a voyage tracker via Google Earth that allows you pinpoint the location, and view interactive message from crew members.

When I asked Lindsay Bourget, one of the curators of the Post Plastic Project, “Why Kaisei?” she answered directly, “I started this project because I wanted to find someone to donate to that made the most sense and they [Project Kaisei] made the most sense to me, because their number one goal is to capture the plastic vortex and that’s exactly what I was most concerned about, so it seemed like a natural fit.” Some debate remains about the severity and size of the  litter in the North Pacific Gyre, along with concerns about disturbing wildlife in the effort to collect, as well as the idea that full collection of all the plastic is a Sisyphean task. Nevertheless when I asked Lindsay about her concern for the validity of such projects in the face these doubts as well as major global disasters (particularly oil spills) she acknowledged “it can be really discouraging, but then you think there’s only one way to really start making a change.”

Co-curator Laina Karavani adds, “Sometimes artists and musicians are the only one’s that people really listen to and can help illicit change, and that’s what this is all about, moving towards that change.”

Post Plastic Project will demonstrate by example, using soy ink, and semi-recycled paper in their printing materials through Long Island City based, ColorCoded, and party materials (cups, plates, etc) provided by SustyParty, a New York based company that provides a line of eco-friendly, biodegradable party products made from corn oil, tapioca starch and other recycled materials, along with a bin to collect and ensure compost.

The artists and musicians are pooled from both Lindsay and Laina’s art and design background. Lindsay currently works in packing and architectural design, and went to Colorado Institute of Art, while Laina is photographer originally from New Jersey. Laina moved to San Francisco to attend the Art Academy of San Francisco, and found herself in an environment of high sustainability expectations. Drawing from this experience and from a childhood where recycling was the norm, Laina and Lindsay were eventually introduced by a professor who thought they might be a good match (their birthdays are only two days apart.) As the project grew larger both realized that this kind of grassroots organization for a less dire cause might be exactly what people were looking for.

The show is a powerhouse in itself with fifteen artists, four bands, and two MC’s. Mostly local fare, the artists were friends of or approached directly by Lindsay and Laina, and much to their surprise, nearly all said yes. With the increase of sustainable forms of living becoming the norm in Brooklyn it was easy to see that Lindsay and Laina’s project provided the perfect outlet for supporters looking for a more manageable idea of altruism.

The line up for music is strong and ranges from the pipes of a classically trained opera singer (singing in a rock band of course) Little Grey Girlfriend, the upbeat and introspective words and sound of Whale Belly (Park Slope), The Robin Electric with nostalgic twinges of their Cleveland roots, and string band turned electric from Chicago, Panoramic and True.

Artists include talent like artist and curator Ben Peterson, Christine Nguyen, illustrator Mariana Silva, award-winning motion graphics designer Mauricio Leon, illustrator Travis Simon, Daria Tessler and many more.

There will be prints for sale, a raffle, giveaways and comedic relief with the help of couple MC’s Brooke Van Poppelen and Luca Molandes.

The show takes place this Sunday June 5th at Littlefield in Brooklyn
Doors open at 6, with a free art reception and $10 cover for the music.
All proceeds will benefit the effort of Project Kaisei.

MORE INFORMATION.



The Weekend May 20-22.
May 20, 2011, 12:00 am
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False Idols:Al Wadzinski Convergent Evolution: Deborah Simon

Reception May 20; 7-9pm

May 19, 2011 through June 19, 2011

NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)

LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)

LISTEN TO AN INTERVIEW WITH DEBORAH FOR THE 22! 
 

Hiroshima: Ground Zero 1945 @ICP.

MAY 20–AUGUST 28, 2011
MAP 

After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)

The Super Coda presents: DUCK CALLS AND HALLELUJAHS!

FRIDAY 5/20. 8-midnight.
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.

Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…

Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!

http://www.reverbnation.com/themolassesgospel
https://www.facebook.com/toothandwail

DONATE TO SUPER CODA SOUNDPROOFING ON KICKSTARTER!

22 VOL 1 CONTRIBUTOR JOHN JENNISON @ GREENPOINT GALLERY SALON SHOW
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The 22 Magazine contributer John Jennison will have work this Friday, May 20th at Greenpoint Gallery’s Spring Juried Show.

http://www.facebook.com/event.php?eid=101072903317023

http://www.thegreenpointgallery.com/

http://www.the22magazine.com/Pages/johnjennison.html

MEET THE FILMMAKERS OF LOST BOHEMIA

Filmmakers in person Fri-Sat at 7:00pm!
Movie Screenings:
Fri, May 20 at:
3:20 PM, 5:15 PM, 7:00 PM, 8:50 PM, 10:35 PM
Sat, May 21 at:
 
3:20 PM5:15 PM7:00 PM8:50 PM,10:35 PM

For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)

Cortlandt Hull with figure of his great uncle, Henry Hull, "The Werewolf Of London"

The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”

An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Admission: $5
Part of 
Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson

Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)

The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.

QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW

http://facebook.com/event.php?eid=120307598051270

  

As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:

  • DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
  • CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?   
  • KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
  • LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.

There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.

The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.

This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.

More info: http://tinyurl.com/blvr-nypl-qna

UNDER DESTRUCTION II: Jimmie Durham, Martin Kersels, Michael Landy, Liz Larner, Christian Marclay, Ariel Orozco, Arcangelo Sassolino, Roman Signer, and Johannes Vogl @ Swiss Institute.

 

May 18 – June 19 2011

Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.

Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)

Andrew Schoultz: Unrest
May 19 – July 1, 2011
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Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.

Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)

Nicholas Kashian
DEAN PROJECT

May 19 – June 25
solo-exhibition
MAP

I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.

Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.



David Levinthal: Black Again
May 19th to July 2nd

John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.

Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)

Hazmat Modine & Guests Celebrate The Release Of Cicada (Barbes Records) @ LE POISSON ROUGE
w/ special opening guest: Rachelle Garniez
Sat., May 21, 2011 / 6:30 PM
(READ MORE)

Destroy All Monsters
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and  3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.

In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)




Gamelan Dharma Swara w/ Momenta Quartet and Shahzad Ismaily
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara
 is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes

_tastycake

A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Admission: $15
Presented by the Hollow Earth Society
Part one of a four-part series

Post-apocalyptic arts & crafts survival skills workshops, you say!?  That’s right:  Creative-making for the improvisational, post-industrial future (and present).  When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)

MORE:

3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB

with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)






An Interview with Deborah Simon.

Deborah in the studio with her sculptures. ©2011 The 22 Magazine

This past Friday, I paid a visit to Deborah Simon who has an upcoming show at NY Studio Gallery‘s LZ Project Space opening this Friday, May 20th. Deborah has been a painter and sculptor for several years now and will be part of the Sculpture Space residency  in Utica, this coming October and November. She has worked at the Bronx Zoo building habitats and “intellectual toys” for the animals, and her work reflects the understanding of the dual nature of man-made versus natural environments and the drawbacks and necessity of both. Her sculpture’s present a strange encounter and cause the viewer to approach the animal in an unusual and raw manner, suggesting a reevaluation of the nature of human and animal interaction.

We truly appreciate her taking the time to talk about her work and upcoming show.

LISTEN TO THE INTERVIEW

The 22 Magazine: You worked at the Bronx Zoo correct? Can you tell us a little about what you did there?

Deborah Simon: Sure, I did some design work. It was everything from giving exhibits face lifts to mural work, to sometimes just flat out designing and building exhibits. [I also built] intellectual toys for the animals. With that you have to make everything look natural. So [you have to make a] tiger toy that looks [for example] like a rotten piece of wood. It was one of those oddball weird request situations, keepers would come and say we need hummingbird feeders made out of XY and Z and we’d have to figure how to make them look natural.

The 22: How did you get into that kind of work? Did you study design in school or elsewhere?

DS: No, I’ve got a fine arts background. [I studied at] San Francisco Art Institute, which prepares you for nothing but making conceptual art. I just happened to have a realistic bent to what I do, which was thoroughly discouraged but…
I started working as a muralist and then the zoo had an ad in the paper. I replied to it and got hired. It’s one of those jobs where the guy who runs the department is fantastic, and he just expects that you need a lot of on the job training. You need to be able to weld, you need to be able to fiberglass, you need to be able to do some basic carpentry. There are just so many skills that no one person is going to have them all. They do invest in teaching you quite a bit [so], I learned a lot, and it all goes back into what I do.

The 22: In regards to your artists statement, which talks a little about the animal confronting the viewer in an unrestricted environment, did working at the zoo conflict with ideas of how animals should be treated in any way?

DS: I think it’s a conflict a lot of the people who work at the zoo have, because everyone who works there more or less loves animals. We all have multiple animals, we are deeply concerned about animal welfare. Some of the holding areas are very old and not that great. Some of the animals are permanently on medications because [there is] not the best ventilation but, on the other hand, you can’t just let them go. [I believe] Finland ran into this problem. They decided it was cruel and inhumane to keep this baboon exhibit. They decided it was inhumane to keep more tropical animals in Finland, but they couldn’t get rid of them because they breed really well and every zoo has a ton of them. So, they were going to euthanize them but the public had a fit and they had to keep them. So, now they have these unhappy baboons; animals that are obviously not doing well, but there are no other options for them. [I think] a lot of the people [that work at the zoo] go through this. [They think] these animals didn’t ask for this, they didn’t want to become ambassadors of their species, but on the other hand sometimes when your standing and watching the public watch these animals and they suddenly make this connection to the human traits of the animals you really hope it does something. They are suddenly more aware of them and, you think, I hope this means that it will translate into something, maybe [that wouldn't be there] if they hadn’t seen it. Then again, zoo animals they don’t behave like wild animals, they have three meals a day, they sleep all day. [In the end] it’s a lot of mixed emotions.

The 22: A lot of your animals actually are puppets or look a lot like traditional marionettes. Stylistically how did you decide this was how you were going to build?

DS: It’s weird because I have this totally anal goal to be as accurate as humanly possibly, but I’m always reminding myself it’s art, not taxidermy. I was living in India for a while and India is a very sculpture oriented place. I had been painting for years and years at that point, and maybe it was just being around so much sculpture. I was home in the states and one day I just thought, what would happen if I make sculpted animals with fake fur? The hyena was the first one. I found [the hyena's fur] in the bargain bin and I thought, this looks just like spotted hyena fur, no wonder it’s on sale. I brought back Sculpy and fur and whatever else I thought I wouldn’t be able to get in India, and just started working. I was originally thinking of porcelain dolls-[with] the hard heads and the soft body. I was thinking more along the lines of what would it be like to make these things so they look like creeped out porcelain dolls, but they actually ended up a little but more like [weird] taxidermy.

Deborah working in her studio. photo ©2011 Ted Szczepanski

The 22: They seem to have this really human quality, a very aggressive straight on gaze…

DS:I feel even though animals are a really popular subject right now, it’s always animal as metaphor or animal as parable. They play the role of an odalisque and they don’t confront the viewer. They are a stand in for history, they’re a stand in for human behavior, but they are never just themselves, and when they are themselves it’s more kitschy animal art. I want it to be as if you were walking into their space. It’s kind of that feeling when you out in the woods or hiking, or even in Central Park [where] it tends to be a bird of prey, a hawk or something, and you have that instant where they look at you, and you look at them, and you have no idea what’s going to go on. Especially if it’s big enough to hurt you. Then it’s this totally different interaction than the zoo or anything else. Your walking into their space, and they are psychologically dominating it. The sculptures themselves are going to be hung so your going to have to walk around them. They force you to move around them instead of being on the walls or giving a pathway.

The 22: Can you tell me a little about Coyote Pursue’s puppet project?

DS: It was a pretty amazing experience. Collaborating was new to me but Matt Reeck is a good friend and amazing to work with. We shored up each others strengths and weaknesses really well. I would never have been able to direct something like that. I think in the future I may do more puppetry but do it so it’s video.

Coyote Pursues, 2010. photo courtesy of St. Ann's Warehouse

 The 22: Is there a difference between building the puppets versus building the sculptures? Is that something you had to learn?

DS: Yes. St. Ann’s puppet lab is a nine month program so they are a huge resource, but it took me forever just to figure how to walk them. It took me two months just to build one, to actually physically construct it so that it moved properly. Once I got the basic structure it took me weeks to figure out how to string it, and that’s one of the times the lab was great. I brought them in and said I don’t know what to do, and one of the guys [showed me], and it was done. It was wonderful.

The 22: The piece itself was about a world where humans are gone, and coyotes are the only ones left right?

DS: [Matt Reeck] is a wonderful poet and he gave me a book of his poetry and asked me to illustrate it. At the time I was just feeling like, I don’t want to paint anything, and I don’t want to sketch.
[But] I was thinking [the poetry] would be perfect to do a puppet show with, and so we said what the hell, we’ll write a puppet lab. We threw it together in two weeks, and we were really surprised we got in. Originally we had taken three of his poems, more short prose really, and the one we both had a very clear vision-that was the same vision-was [the coyote] one. We started building and time started ticking by, and we realized the other two we’re never going to make it, and that we wouldn’t have time [to perform more than one]. You only got twenty minutes tops to perform. So, we decided just to focus on the coyotes, and it was really based on his writing, and [the idea of] not using the animals as parables but to be really Darwinian about it. What would a coyote really be doing if they were wandering around in this world with nothing really left. We were thinking of it as The Road but with coyotes.

The 22: Did you do a cover for The Beastie Boys [Intergalatic]?

DS: I had actually done the paintings and they ended up on the cover. The paintings were actually in the small works show at NYU and Mike D’s wife  bought them. So, she came over to my studio and she’s chatting and we’re having this very nice conversation, and she keeps talking about her husband’s band and so I’m thinking….ok, band whatever and being polite, I ask oh what band is your husband in? And she’s says, The Beastie Boys, and at that point I’m immediately intimidated. So about six months later, they called to see if it was ok with me if they used it as an album cover and I just thought….ooook, twist my arm. It was just this little freak thing, they were just these little freak paintings, that I wasn’t planning to do as a body of work or anything.

Memento mori: Ocelot and ocelot skeleton, oil on wood, 68” w x 36” h, 2001

The 22: What about the memento mori series paintings? Can you talk a little about what this series means to you and why you decided to do it?

DS: I think in that series I’d been reading a lot about evolution. I was thinking about how death influences life. I was thinking about a Darwinian perspective, you have these animals with these constant pressures, and it’s survival of the fittest but also thinking about viewing what human’s do in the world [destruction and pollution] as unnatural, but it is natural because we are part of the world and this is part of what we do. Animals routinely destroy their environments, but they don’t do it in the same numbers that we do. Elephants constantly  trash environments and have to move on, but there are so few of them, they aren’t ruining Africa or Asia-we sort of beat them to it. I guess I was thinking about that simple pressure and interaction, and how some of your stiffest competition is from your species. You know species always have more children than your going to need. You really only need a one to one replacement and chances are that’s all your going to get if your lucky.



Kiki Smith discusses creativity at The New York Psychoanalytic Society and Institute.

May 11 (Wed) 7:30 pm “Conversations with…” III:
Lois Oppenheim interviews Kiki Smith (admission fee of $25 per person)

MAP 

The New York Psychoanalytic Society and Institute, in celebration of the Centenary of its Society, continues its “Conversations with….” series and is pleased to present Lois Oppenheim in discussion with internationally-acclaimed artist Kiki Smith. The discussion will explore how to define creativity and what constitutes the creative process.


Bruce Bischoff.

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DAN GUALDONI @Kathryn Markel.

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APRIL VOLLMER.

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KEWPIE WITH STYLE: SOFA NY 2011: JAN HULING.
April 7, 2011, 10:00 am
Filed under: EVENTS | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Jan Huling

SOFA NY 2011

Opening Night Preview:

Wednesday April 13th, 2011

5-9 PM (Invitation Only)

Where: Park Avenue Armory

Exhibition Dates: April 14-17, 2011

Show Hours:

Thursday: 11am – 7pm

Friday: 11am – 6pm

Saturday: 11am – 7pm

Sunday: Noon – 6pm

Show Location: Park Avenue at 67th St.

www.LyonsWierGallery.com

Lyons Wier Gallery is pleased to present a solo exhibition of new sculptural work by artist Jan Huling and an entrance installation by ceramicist Sin-ying Ho at SOFA NEW YORK 2011.

Neither sketched nor planned, Jan Huling‘s three-dimensional works draw inspiration from her travels to India and Mexico, as well as imagined, playful scenes reminiscent of childhood fairy tales and fantasies. Huling’s work is approachable yet evocative, incorporating spiritual iconography alongside humorous artifacts of contemporary popular culture. The armatures for Huling’s sculptures are an unpredictable mix of forms ranging from Kewpie and Munny dolls to birds and tiny life-sized insects. This exploration of shape and scale adds to the whimsical charm of her work.

In addition to seed beads, Huling’s colorful sculptures incorporate a variety of found objects, such as buttons, coins, tokens and costume jewelry. Huling’s slow and meticulous beading process, the intricacy of her swirling, hypnotic patterns, and the spontaneous manner with which Huling approaches each new project results in sculpture that is both delicate and alluring to touch – simply put, she transforms the ordinary into the extraordinary.

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This Sunday: Institute_Institut at Studio Maya

The final piece in the Transformational Grammar of the Institutional Glorybowltrilogy. Performances will be in early Fall, 2011.

NOW SEEKING OPINIONS, EXPERIENCES, AND FEEDBACK

Please join us for a Focus Workshop in March, 2011. NO EXPERIENCE REQUIRED, ALL INDIVIDUALS OF ALL AGES, FROM ALL BACKGROUNDS INVITED

Sunday, March 13th, 2-5pm at Surreal Estate (15 Thames St., Brooklyn)
Sunday, March 20th, 2-5pm at Studio Maya (603 Bergen St., Brooklyn)
Sunday, March 27th, 2-5pm at Force and Flow (1102 Dean St. #4, Brooklyn)
(RSVP for addresses to: panoplylab@gmail.com)

FREE

Between Dec. 2010 and June 2011, PPL is conducting a series of Focus Workshops in Brooklyn, NY, investigating cultural structures, interpersonal politics, daily conceptions of reality, and institutional ecologies.

Seeking opinions, experiences, and feedback from individuals of all ages and from all backgrounds, these workshops form a public co-creation aspect of the experimental opera project Institute_Institut.

A Focus Workshop is part focus group and part thinktank. “Workshop” is used to note the performance-based perspective held by the workshop facilitators (the artists creating the project) and the performance research direction that some workshops take, depending on the interests of the participants.

Part I: Group Discussion. What are institutions? How do they function in your life? What are some of your experiences with them?

Part 2: Enactions, observations, and games.

All participants will receive a free ticket to the performances ofInstitute_Institut, in Fall 2011. The project is a staged documentary opera about authority, reality, institutionality, and sensibility. Issues and ideas discussed and researched through these Focus Workshops, as well as selected experiences, statements, and documentation from them (and many other forms of research) will largely form the libretto.

For more information, email panoplylab@gmail.com.

CONVOCATORIA: Participa con tus opiniones, experiencias y reacciones.

Se parte de nuestro Grupo de Enfoque. Experiencia no necesaria. Personas de cualquier edad y nacionalidad pueden participar.

Domingo, 13 de Marzo, 2-5pm en Surreal Estate (15 Thames St., Brooklyn)
Domingo, 20 de Marzo, 2-5pm en Studio Maya (603 Bergen St., Brooklyn)
Domingo, 27 de Marzo, 2-5pm en Force and Flow (1102 Dean St. #4, Brooklyn)
(Reservaciones: panoplylab@gmail.com)

GRATIS

Desde el mes de diciembre 2010 a junio 2011, PPL ha estado realizando una serie de talleres informativos en Brooklyn, Manhattan y Queens. Los talleres investigan las estructuras culturales, las políticas mediativas, las construcciones diarias de la realidad, y las ecologías institucionales.

Se hace un llamado a personas de todas las edades y nacionalidades que quieran participar y contribuir con sus opiniones, experiencias e ideas en los talleres creativo-informativos. Los resultados serán incluidos como parte de colaboración en el proyecto Institute_Institut.

El Grupo de Enfoque funcionara también como fuente de inspiración y creación. En este sentido, “Taller” se refiere al aspecto performativo realizado por los artistas que facilitan la creación del proyecto y dirigen la investigación del mismo en base a los intereses de cada participante.

PRIMERA PARTE: Discusión en grupo. – ¿Qué son las instituciones? – ¿Cómo funcionan? – ¿Cómo han sido tus experiencias con ellas?

SEGUNDA PARTE: Interpretaciones, observaciones y juegos.

Participantes recibirán una entrada gratis para la presentación deInstitute_Institut, en Otoño 2011. El proyecto se presentara como un documental montado al estilo de una ópera que tratará temas de autoridad, realidad, institucionalidad y sensibilidad. Las ideas y conceptos que fueron discutidos e investigados durante los talleres de enfoque de grupo, así como las experiencias, declaraciones y documentación de los participantes, serán incluidos como parte del libreto.

Para información: panoplylab@gmail.com.




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