The 22 Magazine


THE WEEK/WEEKEND: Oct 3-10th.
October 3, 2011, 4:20 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

“Coonskin 2: Flight to Canada”, a collection of art works by Terrance Hughes
Opening reception: Saturday, October 8th, 6 – 9pm

For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.

Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.

Continue reading



THE WEEK: August 29th-Sept 2nd.

Odysseus at Hell Gate Performance @Socrates Sculpture Park
RESCHDEULED: AUGUST 29, FROM 6PM UNTIL DUSK.  

Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.

Continue reading



Support this Project:The 30th Anniversary Concert of Sachiyo Ito and Company.

Sachiyo Ito has been an active participant in Japanese traditional dance in New York for over 30 years. Her salon series is a tribute to a fading art and her school remains a oasis for those who wish to learn without previous formal training. She also sometimes gives reduced rates to artists or performers who are somehow incorporating traditional Japanese dance or other elements into their projects.

Please help Sachiyo and her students celebrate 30 years of an amazing tradition. Donate here.

 

Continue reading



atsushi kuba.

Continue reading



Interview wth Pablo Malaurie.



The 22:
When did you start playing music? Did anyone teach you?

Pablo Malaurie: My father had a spanish guitar and I used to take it and play it while watching the Benny Hill show. I was nine years old.

The 22: El Festival Del Beso was your first album correct? Did you write all these songs or are any of them traditional or taught to you?

PM: I wrote all these songs. El festival del Beso was my first album. My first idea was a minstrel who travel with a message. But the way is to long and the travel take him some ages. So, his speechs is so old that it became modern.

Continue reading



THE WEEKEND: July 1-4th.


The Architecture of Devotion
GOWANUS BALLROOM
June 24 – July 3, 2011
Closing Party Saturday at 5:00pm – Sunday at 12:00am
Show starts at 7pm

The Architecture of Devotion group show continues this Friday, July 1st with a night of great music by returning players: Apocalypse Five and Dime, Morgan O’kane, and Crooks and Perverts. These guys put on an amazing show with us back in April with moments like these:

Apocalypse Five and Dime will be releasing their new album “Ballads for the End Times” on July 1st, this is your first chance to get your hands on it!

If you missed the show last weekend or just need a healthy dose of seconds, come on out and join us!

Performances begin at 7pm.
Free Sangria from 6-8
$10 admission after 7pm

ABOUT THE SHOW:

The Architecture of Devotion is a large scale group art, music and performance event hosted by the Gowanus Ballroom.

The exhibition transforms the cathedral-like Gowanus Ballroom, a nineteenth century steel mill and current home of Serrett Metalworks, to interrogate various representations of the sacred and profane.

Works including stained glass, paintings embellished with gilt adornment, modern reinventions of medieval retables, a cabinet of curiosities, and an enchanted grotto form an installation that explores themes of spirituality, mysticism and religion. Revisiting historic interpretations of divine presence through a contemporary lens allows artist and audience to reconsider what might at first glance appear mundane.

-

Federico Ughi Quartet/Killer Bob
CAFE ORWELL
Friday, July 1st.
9 pm

Kae Reed Ensemble/Brad Balliet
CAFE ORWELL
Saturday, July 2nd.  Exotic Post-Classical Magic Spells and an Electronic Bassoon.
8:30 pm.

-

THE MOVIE LIBRARIANS FILM SCREENING WITH A.G. GRAHAM
DUMBO ARTS CENTER
JULY 1 ZARDOZ, dir. John Boorman. 1974
4pm

“If nothing is happening in your community library, it’s not a library.”
– Institute of Museum and Library Services

Dumbo Arts Center’s current exhibition is (The Missing Library). This summer, artist Annie Shaw has invited five artists (Jen Kennedy & Liz Linden, Marie Lorenz, Michelle Rosenberg and Angie Waller), an architect (Lori Brown) and two librarians (A.G. Graham and web-specialist Nate Hill) to turn DAC into a civic, non-commercial public space in the form of the Dumbo neighborhood’s first library. The project encourages contemplation on how libraries’ function, physical space, and role within communities is changing as the content libraries have traditionally housed migrates to a digital form.

-

PABLO MALURIE
BARBES

MONDAY JULY 4th

PABLO MALAURIE. Pablo Malaurie hails from Buenos Aires playing original folklore on banjo and ukelele, songs that are sweet, timeless and oddly global. Soaring melodies evoke geisha girls and Buddy Holly in equal parts. He scored a Romanian film that premiered at this year’s Cannes, Loverboy, and released El Festival Del Beso in Japan. Pablo’s voice can pierce through you in a painful tremelo and then soothe your broken heart with a pleasing, unexpected harmony. KCRW’s Jose Galvan says, “Malaurie combines both Japanese and South American folk rhythms with a minimalist approach. Some songs recreate traditional Japanese melodies simply using a mandolin banjo and a haunting falsetto. Others integrate rhythms more akin to indigenous music of the Andes. Add to that introspective lyrics and his affected Argentine accent and you’ve got the perfect soundtrack for a road trip in the Japanese countryside a la Motorcycle Diaries.”

Rob Curto’s PE DE SERRA ALL-STARS.
BARBES
SUNDAY JULY 3rd

Accordionist Rob Curto’s band plays Northeastern Brazil’s traditional “forró pé de serra” with a style born out of New York City’s diverse and dynamic musical culture. Forró is the accordion-based party music of the sertão, the dry interior of the Brazilian Northeast. Accordion master Rob Curto leads this ensemble which combines the classic brazilian Northeast forros of Luis Gonzagua and Jackson do Pandeiro with original compositions and improvisation rolled into an amazing dance party

-

Migration: MIN HYUNG, EUNAH KIM, MERIDITH PINGREE, GENEVIEVE WHITE
FREIGHT AND VOLUME
June 23 – July 30, 2011The life of an artist can be a nomadic one, for any number of reasons, amongst them financial, emotional and spiritual. In many instances, artists find more support and camaraderie in large urban areas, and for quite a few all roads eventually lead to New York (or London or Berlin). The four artists comprising “Migration”, the summer show opening June 23rd at Freight+Volume, are no exception.

-


PETER EDWARDS: SPECTER FLUX

FLUX FACTORY
Dates: July 1 – 3, noon – 6 pm

Flux Factory is proud to present Specter Flux , an interactive environment and performance by artist-in-residence Peter Edwards, aka casperelectronics. The installation consists of three suspended orbs that glow at varying hues according to the sounds of its surroundings, including the ambient noise of the space and those made by the viewer. Its interior mechanism – a hybrid circuit using both digital and analogue electronics – transforms sound into an evolving display of multicolored lights. The performative element includes a constructed pyramid centered around a complex sound and light synthesizer that the artist plays. Viewers are invited to interact with the machine throughout the show.

HACKPOSIUM
FLUX FACTORY
Saturday July 2 4pm

This day-long event explores the practical, philosophical, and playful applications of the term “hacking.” Presentations and workshops will cover topics such as circuit bending, culture jamming, dumpster diving, email encryption, and the repurposing of waste items into useful tools. The symposium is geared towards providing visitors with foundational information in order to become hackers themselves. Hackposiumis part of Flux Factory’s Summer School program and is curated by Jaime Iglehart via New Age Beverages, in collaboration with Pete Edwards of Casper Electronics.

Demos of hacked objects and freegan snacks start at 4pm.
Talks and presentations start at 6 pm, and are followed by musical performances.

-

Hamyul/Hamlet
La Mama
June 23 – July 10, 2011
“A highly stylized adaptation of Hamlet performed in Korean, Hamyul feels like a traditional drama that could have been performed in the ancient Korean court.” – nytheatre.comThursday – Saturday at 7:30pm
Sunday at 2:30pm

Hamyul/Hamlet is an adaptation of William Shakespeare’s play, Hamlet, Prince of Denmark. The play is set in one of the ancient dynasties in Korea. The original Prince Hamyul, a Korean adaptation of Hamlet by William Shakespeare was presented to Western audiences in the United States and Europe in 1977. Adapted and directed by Minsoo Ahn, Prince Hamyul was the first Korean theatrical production ever performed outside Korea, making an indelible mark on the history of Korean theater thanks to the late Ellen Stewart at La MaMa.

MORE:
Michael Attias’s CLINAMEN ORCHESTRA@ THE STONE
SMALL TOWN MURDER SONGS @RERUN (DUMBO.)
THE TIGER AND THE SUNFLOWER: DECORATIVE TRADITIONS AND CONTEMPORARY VOICES IN JAPANESE ART @SCHROEDER ROMERO & SHREDDER
.
MIDNIGHT HORROR SAT JULY 2 12AM @SPECTACLE THEATER
STEVE DALACHINSKY SHRINE IN HARLEM JULY 3 AFTER 8 PM
ILLUMINATING FASHION: DRESS IN THE ART OF MEDIEVAL FRANCE AND THE NETHERLANDS @THE MORGAN MUSEUM AND LIBRARY.
FILMS AND RED HOOK RAMBLERS @ JALOPY.




The Weekend May 20-22.
May 20, 2011, 12:00 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


False Idols:Al Wadzinski Convergent Evolution: Deborah Simon

Reception May 20; 7-9pm

May 19, 2011 through June 19, 2011

NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)

LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)

LISTEN TO AN INTERVIEW WITH DEBORAH FOR THE 22! 
 

Hiroshima: Ground Zero 1945 @ICP.

MAY 20–AUGUST 28, 2011
MAP 

After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)

The Super Coda presents: DUCK CALLS AND HALLELUJAHS!

FRIDAY 5/20. 8-midnight.
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.

Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…

Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!

http://www.reverbnation.com/themolassesgospel
https://www.facebook.com/toothandwail

DONATE TO SUPER CODA SOUNDPROOFING ON KICKSTARTER!

22 VOL 1 CONTRIBUTOR JOHN JENNISON @ GREENPOINT GALLERY SALON SHOW
MAP 

The 22 Magazine contributer John Jennison will have work this Friday, May 20th at Greenpoint Gallery’s Spring Juried Show.

http://www.facebook.com/event.php?eid=101072903317023

http://www.thegreenpointgallery.com/

http://www.the22magazine.com/Pages/johnjennison.html

MEET THE FILMMAKERS OF LOST BOHEMIA

Filmmakers in person Fri-Sat at 7:00pm!
Movie Screenings:
Fri, May 20 at:
3:20 PM, 5:15 PM, 7:00 PM, 8:50 PM, 10:35 PM
Sat, May 21 at:
 
3:20 PM5:15 PM7:00 PM8:50 PM,10:35 PM

For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)

Cortlandt Hull with figure of his great uncle, Henry Hull, "The Werewolf Of London"

The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”

An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Admission: $5
Part of 
Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson

Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)

The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.

QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW

http://facebook.com/event.php?eid=120307598051270

  

As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:

  • DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
  • CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?   
  • KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
  • LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.

There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.

The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.

This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.

More info: http://tinyurl.com/blvr-nypl-qna

UNDER DESTRUCTION II: Jimmie Durham, Martin Kersels, Michael Landy, Liz Larner, Christian Marclay, Ariel Orozco, Arcangelo Sassolino, Roman Signer, and Johannes Vogl @ Swiss Institute.

 

May 18 – June 19 2011

Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.

Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)

Andrew Schoultz: Unrest
May 19 – July 1, 2011
MAP 

Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.

Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)

Nicholas Kashian
DEAN PROJECT

May 19 – June 25
solo-exhibition
MAP

I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.

Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.



David Levinthal: Black Again
May 19th to July 2nd

John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.

Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)

Hazmat Modine & Guests Celebrate The Release Of Cicada (Barbes Records) @ LE POISSON ROUGE
w/ special opening guest: Rachelle Garniez
Sat., May 21, 2011 / 6:30 PM
(READ MORE)

Destroy All Monsters
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and  3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.

In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)




Gamelan Dharma Swara w/ Momenta Quartet and Shahzad Ismaily
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara
 is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes

_tastycake

A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Admission: $15
Presented by the Hollow Earth Society
Part one of a four-part series

Post-apocalyptic arts & crafts survival skills workshops, you say!?  That’s right:  Creative-making for the improvisational, post-industrial future (and present).  When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)

MORE:

3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB

with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)






THE WEEKEND May 13-14.

MakerBot Make-A-Thon // Experience Cutting-Edge Rapid Prototyping

MakerBot Make-A-Thon
Saturday, May 14th, 2:00 – 6:00 pm
195 Morgan Avenue, Brooklyn NY
FREE

The MakerBot Thing-O-Matic is 1) a modern manufacturing breakthrough, and 2) also a lot of fun.

The 3rd Ward MakerBot Make-A-Thon is your chance to see these tiny factories in action, print awesome 3D objects and even a 3D portrait of yourself.

MakerBot Artist-in-Residence Kyle McDonald will be presenting his work turning the Xbox Kinect into a 3D Scanner.  He will scan you in his 3D Photo Booth, then print you using the MakerBot.

The Makerbot prints anything up to 4”x5”x5” with ABS and PLA (biodegradable) plastic. All you do is hit print, and the machine does all the work. Print 100 butterflies, an entire chess set — anything! And see a 9 foot-wide geodesic dome, printed entirely on the MakerBot.

Learn more about the MakerBot and the 3rd Ward Make-A-Thon in The New York Times here.

Plus, win prizes from MakerBotApress Books, and MAKE Magazine!

RSVPs are required at http://www.3rdward.com/rsvp

MakerBot Industries was named one of the top 20 startups in NYC, and has been featured in The New York Times, Wired, Make: Magazine, The Wall Street Journal, IEEE Spectrum, CNN, Financial Times, NPR, The Economist and others. For more information on MakerBot, click here and see photos of the MakerBot Thing-O-Matic here.

Learn more about Kyle McDonald’s Xbox Kinect hack in this 3rd Ward blog post.


BYE BYE KITTY @JAPAN SOCIETY. Between Heaven and Hell in Contemporary Japanese Art
Friday, March 18 — Sunday, June 12

Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future.

Buy the Catalog
Admission & Gallery Hours


MY W. B. YEATS

Timothy Donnelly, Philip Levine, and Rosanna Warren, with Eamon Grennan

Saturday, May 14, 2:30pm
MAP

An event curated by noted Irish poet Eamon Grennan, with American poets reading and responding to Yeats’ work and exploring the influence of this literary giant on their own poetry.

Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.

Admission is free.

Bruno Walter Auditorium
111 Amsterdam Avenue and 65th Street


THE BLACK LIGHT LOUNGE@ SECRET PROJECT ROBOT.

Saturday, May 14 8-11pm.
How awesome would it be to walk into a room filled salon style with black light posters and art!?  This Spring Secret Project Robot creates the long awaited fluorescent opulence.  Over 30 artists participate to transform the gallery into a black light cocktail lounge.
DIRECTIONS.

THE ART OF MONEY: PERSONAL FINANCE RESOURCES FOR ARTISTS
WEBSITE

Join the Department of Cultural Affairs, Bedford Stuyvesant Restoration Corporation, and Department of Consumer Affairs Office of Financial Empowerment for a day of FREE financial counseling sessions and workshops designed to help working artists, arts administrators, and independent workers reduce debt and manage credit.

SATURDAY, MAY 14, 2011
Information Fair, Workshops and Counseling Sessions 12 PM – 5 PM
Post Event Reception 5 PM – 7 PM
Bedford Stuyvesant Restoration Corporation | 1368 Fulton Street, Brooklyn, NY 11216

OPENING REMARKS BY
Kate D. LevinCommissioner, New York City Department of Cultural Affairs
Marty MarkowitzBrooklyn Borough President
Jimmy Van BramerNew York City Council Member and Chair of the Committee on Cultural Affairs, Libraries & International Intergroup Relations
Domenic M. Recchia, Jr., New York City Council Member and Chair of the Finance Committee
Colvin GrannumPresident, Bedford Stuyvesant Restoration Corporation
Danny SimmonsChair of New York State Council on the Arts and Artist



Love Your Library Day!

Saturday, May 14, 10 AM – 3 PM
Central Library, 10 Grand Army Plaza

As Brooklyn Public Library (BPL) faces a city budget cut that could reduce library hours, materials and free programs, we need your support!

Show your elected officials how much you love BPL by coming to this important, fun event on Central Library’s Plaza.

10 AM – 3 PM: Book, T-shirt and tote bag sale
10 AM – 12 PM: Performance by BPL’s own Lost in the Stacks
12 – 1 PM: Advocacy rally
1 PM: Performance by Vo-Duo, a group inspired by the vodou music traditions of Haiti

You can also use our computers to email your elected officials to say NO to budget cuts and remind them how much your library means to you.

Suggested donation for the event is $5. This donation, as well as proceeds from book, T-shirt and tote bag sales, will help purchase new library materials.


CROSSING ART GALLERY
Saturday, May 14 from 6 to 9 PM

136-17 39th Avenue
Flushing, NY 11354

QMAD, Queens Media Arts Development, in partnership with Crossing Art Gallery, presents the First Annual Performance Art Festival of Queens featuring new works by local, national and international performance artists.  This year’s program, ITINERANT, focuses on works that treat notions of displacement, delivery, and transformation.  Participating artists use performance narratives and actions that evoke immediacy and intimacy to bridge the gap of communication and distance. (READ MORE.)


Shadow-stalkers and Resurrected Chickens:
Animals on the Road to Paradise

Saturday, May 14 at 7 pm
$5 admission
MAP

Stories about the journey to paradise, in religious and literary traditions, feature animals as both obstacles and allies.
In Seamus Heaney’s translation of Beowulf, Grendel is the “shadow-stalker” the hero must slay
to prove himself and attain an earthly paradise; on the medieval pilgrimage trail to Santiago de Compostela, Spain,
there is still an ornate chicken coop housing a pure white rooster and hen in the cathedral in one town
to commemorate a pilgrim’s miraculous escape from disaster.

What beasts block our roads or assist us on the way?

Rev. Craig Townsend presents an evening of tales, images, and soundscape evoking and exploring
the human-animal interactions that illuminate both the journey and its goal.  

Craig Townsend is an Episcopal priest serving as Vicar at St. James’ Church on the Upper East Side of Manhattan.
He has a Ph.D. from Harvard that, while focused on American religious history, also entailed
the study of the world’s major religious traditions.

Please visit the Proteus Gowanus website for more news and information about upcoming events.

SXIP SHIREY’s B-DAY at Joe’s Pub.
Saturday, May 14 at 9 pm
MAP

It’s my birthday next month and as a present to myself I’m doing a big “solo show” at Joe’s Pub with some of my very favorite NYC artists who I haven’t had a chance to perform with much or at all. (Aside from Adam but…he’s ADAM) Adam Matta, Ned Rothenberg, Terry Dame, Rachelle Garniez, Racheal Price, Sonny Singh and Xavier.

I will be presenting an expanded version of the Sxipenspiel. I also have a new device called a gravity marble tree…and a perfect Sam Cook styled R & B tune to be sung by Xaxier. I am going to do “Ring My Bell with Rachel Price and I’ll be performing an improv piece with the amazing Ned Rothenberg. PLUS I do a rendition of a composition by Shelley Segal.Very exited to announce that Mathias Kunzli will be the percussionist for the evening.


A brief interview with Sxip about the show and participants:

THE 22: Variations and experiments in breath seem to play a large role in both yours and Ned’s work. Besides the fact that you both play reed instruments do you feel you push the boundaries of the human body as a musical tool?

SXIP SHIREY: I don’t think I am pushing the boundaries of the human body honestly. Back in my 20s when I wanted to be a punk Michael Hedges I ended up with tendinitis for two years. The first time Ned saw me play he commented on how tense I held my body when I played. He plays with such a focused relaxed quality and puts the intensity just in music. He circular breaths beautifully, which is pushing the body in a sense, but really what is great about him is the calm control of tones that are ever evolving and unwieldy. My playing is definitely a product directly of what my body is doing. Modern dancers sense this and they love my performance, but I don’t think I’m pushing the body, I am pushing the instrument. Oh shit..I just reread the question. I see what you are asking now. I didn’t think of breath as pushing the boundaries of the human body as a musical tool, I just did it. Breath is a rhythm we all understand deeply, it is the most intimate rhythm we make that we can easily hear (unlike a heart beat), there is incredible power in making this intimate sound epic. I am ever creating a palette of compelling of sounds that that I can draw from to take me and the audience to effective places.

THE 22: What are you thoughts on the traditions in music versus the basic elemental pleasure of sound? Is either more important?

SXIP SHIREY: I am finding this question hard to answer. It’s not that either is important or not important. It’s just not the issue. I make sound and music because I have to. It’s what I have to do, sometimes it’s a song with guitar, sometimes it’s playing folks songs, sometimes it’s rolling marbles in glass bowls, sometimes it’s tweaking virtual synths on the computer. It’s all the same to me.

THE 22: What about each of these musician’s appeal to you in collaboration and why did you chose to share this birthday celebration with them?

SXIP SHIREY:They are musicians who have an immediately strong seductive presence the moment they play or sing. They are people I simply like hearing and will go out to hear when I am in NYC. I thought it would be great to actually play with them. Most of them are not my normal collaborators.

THE 22: Can you tell us a little about the SxipenspieI and gravity marble tree?

SXIP SHIREY: The Sxipenspiel is perhaps my favorite birthday gift of all time. I was on tour with Amanda Palmer and Jason Webely’s Evelyn Evelyn tour and my birthday fell on a day we were in Berlin. Amanda and Neil went to a flea market in Berlin and bought these great bicycle bells that do a trilling long tone. They mounted them on a candlestick with a bent copper pipe at the top and dubbed it “The Sxipenspiel”. It’s a totally awkward instrument that sounds somehow amazing. I’ve learned to play it gracefully and I play it a lot. There is something magical sounding about it.

Bells historically are used to give us directions. “it’s time to go to church” “come to the door I am here” ” the egg is done cooking”. There is certain power to use them as a compositional element because their sound stimulates those parts of the brain.

Also check out the WSJ article.

THE 22 MAGAZINE PRESENTS: The Three Furies, Writing with a Vengeance

Sunday, May 15—5:00pm
A Gathering of the Tribes
285 East Third Street (between Ave C & D) #2
(212) 674-3778
A GATHERING OF THE TRIBES
THE 22 MAGAZINE
MAP

Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.

Ansel Elkins

has poems appearing this spring in Boston Review, Mississippi Review, Ninth Letter, The American Scholar, The Believer and The Southern Review. She is one of four winners of the 2011 “Discovery”/Boston Review poetry prize. She lives in North Carolina.

Jamey Bradbury

has appeared in Black Warrior Review and is forthcoming in Zone 3. She is a literary assistant in Vermont, and is working on her first novel and a collection of short stories.

Thera Webb

is a radical feminist and resident of Brooklyn. She received her MFA in poetry from UNC Greensboro, and has had work in Fiction (JP) and Forklift, Ohio. Her chapbook, On The Shoulders of the Bear, was released this fall from Fractious Press. 




Woodblock at Cherry Blossom Festival.

Upcoming Japanese Woodblock Classes and Demonstrations (TAUGHT BY APRIL VOLLMER.)
April 30 and May 1, 2011: Brooklyn Botanic Garden
Demonstrations from 3:00 to 4:00 on Saturday and Sunday
BBG Sakura Matsuri

To see more woodblock dates click further.

Continue reading



Japanese Gagaku Ensemble TONIGHT @ Columbia University.

Japanese Gagaku Ensemble

Wednesday, April 27, 2011 - 8:00pm - 10:00pm
Columbia University, Morningside Campus, St. Paul’s Chapel
Come hear a free performance in St. Paul’s Chapel of Japanese court music. This is an extremely rare chance to experience such unique music in the United States. Students will be playing on excellent traditional instruments, including the hichiriki, ryuteki, sho, biwa, and koto(gaku-so), under instructor is Louise Sasaki.


APRIL VOLLMER.

Continue reading



What Makes Japanese Art: SALON SERIES NO. 40 WITH Sachiyo Ito.

*Salon Series No. 40*

*”What makes Japanese art?”*

Guests: Masayo Ishigure, T. Kenjitsu Nakagaki, Kaoru Watanabe, John Stevenson, Dale Walkonen

Time: Sunday May 22, 2011 3-4pm

Place: Tenri Cultural Institute, 43A W. 13th St., between 5th & 6th Ave, NYC

MAP

Admission: $15, $10 for student & senior

Information: Sachiyo Ito & Company

212-627-0265

www.dancejapan.com

Salon Series # 40 on May 22, 2011 will be a collaboration of artists in various disciplines from dance, music, calligraphy, and literature.The program will begin with a haiku written and read as appropriate to season, place, occasion, followed by calligraphy on the haiku. Inspired by haiku, writing and image, dancer and musicians on koto, fue, and drum will unfold the program as an improvisation. Poetry in western style and haiku will weave through the improvisation as it develops. Post performance discussion will focus on Japanese aesthetics that threads through different forms of Japanese art, ”What makes Japanese art?”

*The Salon Series is a series of performances informative educational lectures, lecture-demonstrations performances, on the performing arts of Japan held three times a year on Sunday afternoons.

*Upcoming Events 2011*

Sat. & Sun., April 30 & May 1 2011 at 1pm
Sakura Matsuri (Cherry Blossom Festival)
Cherry Esplanade Main Stage at Brooklyn Botanic Garden
Information:www.bbg.org
MAP
Sunday, June 26, 2011 3-4pm
Salon Series No. 41
At the Still Point of Turning World
Guests: Egil Rostad, Beth Griffith, Elena Rivera
The influence of Japanese theater on western theater and literature

Sunday, October 16 at 3pm
The 30th Anniversary Concert of Sachiyo Ito and Company
Manhattan Movement and Arts Center, NYC

MAP

This program is, in part, supported by public fund from New York City Department of Cultural Affairs in partnership with the City Council.




Follow

Get every new post delivered to your Inbox.

Join 1,099 other followers

%d bloggers like this: