The 22 Magazine


Dinks: The Accountant/Molly
October 1, 2013, 11:48 pm
Filed under: FILM/VIDEO | Tags: , , , , , , , , , ,

 

WEBSITE



Jason Limon
September 21, 2013, 1:48 am
Filed under: ART, PAINTING | Tags: , , , , , , , ,

7315085828_e5ee79d83e_b
WEBSITE



Jason Robert Bell
August 29, 2013, 10:45 am
Filed under: ART, PAINTING | Tags: , , , , , , , , , , , , ,

Jason Robert Bell, Ziffbuff, 2008

WEBSITE



THE WEEK/WEEKEND: October 11-17.

LISA 2012 from Blind Escrow Productions on Vimeo.

LISA Conference 2012
Peter B Lewis Theater: The Guggenheim Museum

Tuesday, October 16, 2012 from 8:00 AM to 11:45 PM

LISA 2012 is the Leaders in Software and Art conference at the Guggenheim in New York City, Tuesday October 16th, 2012.  We’ll have keynote speeches from Laurie Anderson, pioneering electronic artist, and Scott Snibbe, creator of Bjork’s Biophilia App, and panels on crowdsourced and social media art and the popular generative art toolkits openFrameworks, Processing, Cinder and Max/MSP. If you work with or care about new media, technology and interactive art, there’s still time to buy a ticket. Come meet and get inspired by some of the top artists and art experts in the field.

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THE WEEK/WEEKEND: September 28-October 4.

THE SECRET CITY (NEW YORK)
Sunday, September 30th
Dixon Place

  • Cabaret star, Justin Vivian Bond will sing for us
  • Chef Amanda Freitag will present the food offering.
  • Painter John Devaney will share his beautiful work, which captures the endless parade of life.
  • Brooklyn Express Drumline will energize with their rhythms.
  • Charlotte Booker will make a New York poem with the assembled crowd. We’ll play a game of New York trivia…

And, of course, there will be storytelling, live music, community, art and LOTS of clapping. What more could you want out of a Sunday morning? Come celebrate the city with us. Oh, and feel free to bring something tasty for the refreshment table!

WADE GUYTON OS
OCTOBER 4, 2012–JANUARY 13, 2013
The Whitney

Over the past decade, New York–based artist Wade Guyton (b. 1972) has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to daily lives now punctuated by misprinted photos and blurred images on our phone and computer screens. Comprising more than eighty works dating from 1999 to the present, Guyton’s first midcareer survey features a dramatic, non-chronological design in which staggered rows of parallel walls confront the viewer like the layered pages of a book or stacked windows on a monitor. 

MI JU: GAIA
FREIGHT AND VOLUME
September 27 – November 3, 2012

The exhibition’s title Gaia refers to the Greek earth mother goddess as well as the scientific Gaia Principle, proposing that “all organisms and their inorganic surroundings on Earth are closely integrated to form a single and self-regulating complex system, to maintain the conditions for life on our planet” (James Lovelock). Mi explores the significance of Gaia pictorially, as it relates to today’s ecological challenges. In works such as One -as well as Wind and Water–the artist celebrates and pays homage to the elements in all their glory by examining both microcosms and macrocosms in nature. Mi deconstructs space in the manner of classic Asian landscape painting to present a floating menagerie of symbols – disembodied lanterns, birds, insects, dragons and other hybrid creatures, rich organic matter – looming up from the primordial void. Mi also employs radical shifts in scale and density, subtle hues juxtaposed with jarring color, fluctuating perspective and other dramatic methods to convey her otherworldly vision. Negative space is addressed lovingly and carefully, with as much and perhaps more import than actual objects.

Adam Rudolph – GO Organic Orchestra
Roulette
Monday, October 1, 2012 @ 8:00 pm

Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.

NY ART BOOK FAIR
September 30 to October 1, 2011
MoMA PS1

Printed Matter presents the seventh annual NY Art Book Fair, from September 30 to October 1, 2011, at MoMA PS1, Long Island City, Queens. A preview will be held on the evening of Thursday, September 29th. Free and open to the public, and featuring more than 200 exhibitors, the NY Art Book Fair is the world’s premier event for artists’ books, contemporary art catalogs and monographs, art periodicals, and artist zines. Exhibitors include international presses, booksellers, antiquarian dealers, artists and independent publishers from twenty-one countries.

The Thrilling Adventure Hour featuring A staged show in the style of old-time radio with Paul F. Tompkins / Paget Brewster / John Hodgman / Busy Philipps / James Urbaniak

Martha Colburn : Camera, lights, charge, Pop!
Horton Gallery
Sep 28 – Nov 4, 2012

Horton Gallery is proud to announce Martha Colburn’s Camera, lights, charge, Pop! – opening Friday, September 28th in the gallery’s new, expanded Lower East Side location at 55-59 Chrystie Street. Marking the first time that her work has been seen in this capacity, the exhibition will feature an hour and a half program of about thirty manipulated found footage and stop animation films from the mid-1990s to the present as well as Polaroids and large-scale collages.

Collaborations with Marina Rosenfeld, Jason Lescalleet, Tamio Shiraishi + Cammisa Buerhaus
Abrons Arts Center
Fri, September 28, 2012 – 8:00pm

The second evening of “Voices and Echoes” presents a series of unique collaborations including Otomo Yoshihide + Marina Rosenfeld duo, Gozo Yoshimasu + Tamio Shiraishi + Cammisa Buerhaus trio, and Akio Suzuki + Jason Lescalleet duo.

Bob Log III
BABY SODA

SOMNAMBULISTS/DIMENSIONS/ROOTLESS
Felipe Jesus Consalvos: EXPLODED WHIMS
Vincent Castiglia @Sacred Gallery
LUZ at LaMama
AdA – Author Directing Author
Your Land/My Land
Brooklyn Commons: Martha Rosler and Michael Arcega
CHAPTER 2: PLACES
Pierce Warnecke + Richard Garret
Slow Boys – Michael Lowenstern and Todd Reynolds
Show #8: Forced Collaboration
Yarn/Wire
Lighthouse / Lightning Rod and Griot New York (excerpts)
Gasland Screening with Council Member Stephen Levin
Carver Audain (Jerome Commission) // Composers Inside Electronics (John Driscoll, Tom Hamilton and Doug Van Nort)
World Maker Faire New York
KERSTIN BRÄTSCH
“THERE WAS A TIME WE WERE PRESENT” WORKS BY DAN SABAU
2011 Digital/Electronic Arts NYFA Fellows Exhibit
Wild Leaves/Nathan Xander
Melanie Daniel: Artist Talk
THE END TIMES CABARET: THE LAST DAYS OF DISCO
BUSHWICK BOUNCE
VASKAKAS
Art & Law Residency Exhibition 2012
gozoCine: Works by Gozo Yoshimasu
Sonagi Project: Barame Soop
How Can Art Affect Political Change?
Macular Degeneration Reception and Listening Party
My Favourite Things
PARTY HEADQUARTERS – ART IN THE AGE OF POLITICAL ABSURDITY

COMING UP:

Rhinoceros
A Postcard from New Yorkshire New works by Doktor A.
8th Annual AQUAEFEST
Carnival Des Corbeaux
The Para-Architectural Imagination of Gustav Klutsis
Devin Powers, “Paintings”
SAM FALLS: BOOK AND SHOW

Paris Commune
Local Report 2012

Adults in the Dark: Avant-Garde Animation (MAD)
The Mountain Goats
THIRD ANNUAL BRING TO LIGHT: NUIT BLANCHE NEW YORK

WILLEM ANDERSSON at Nancy Margolis Gallery
THE HIVE
How to Break



An interview with Jason Bryant.
August 15, 2012, 2:29 pm
Filed under: ART, INTERVIEWS | Tags: , , , , , , , , , , , , , , , , , , ,

The 22 Magazine: So first the basics, where are you from, how did you end up in NY?

Jason Bryant: Well, I was born in Wilson, North Carolina. I was introduced to painting and drawing roughly when I was five and my love for art was immediate and without question. I was lucky enough to have people around me support this passion, to give me hope that the dream to be an artist can be a reality. Art was always a bright light that helped me get through a turbulent childhood. After getting my Masters from The Maryland Institute College of Art, my girlfriend at the time got a job in NY. Very reluctant and intimidated to move so quickly, the path was set for me to end up in NY.

The 22: Your bio says you are “heavily influenced by classic film,” tell me a little about that. Where did this love arise from? Who’s are some of your favorites?

JB: Film, to me, has always been an escape. Like painting, it sends us on a journey where we take what we bring into it, but always come out of the viewing process a little more informed and with a different perspective. There is something so elegant and clean about how black and white film translates to the viewer. It is very baseline and straight forward in its approach. Brando, Newman, and Grant are all some of my favorite actors. They were an actor’s actor, not afraid to take chances and capable of delivering powerful performances with effortless delivery.

The 22: Your upcoming show “Smoke and Mirrors,” from what I gathered, is meant to convey the trick of making something seem better than it is while simultaneously conveying its vulnerability? Why did you chose this topic? What relevance does it have for you or the  “stars” you portray?

JB: That’s exactly it. For “Smoke and Mirrors” I simply wanted to create a show with a double meaning. Every work in the exhibition is a painting based off a film still where the actor is either smoking or viewing their reflection in the mirror. I wanted to create a show where the paintings are beautiful and lavish, but once you read the title or look to see what is happening on the surface of these polished works, you start to see where there are “cracks in the faux finish.” I did not want to be overly dramatic in trying to convey the concept. I did not want to have paintings where the subjects were like pulling back their skin revealing all of their inner demons–nothing that dramatic and in your face.  I wanted the concept to come forward subtly while keeping with the conceptual “sleekness” of my paintings.

The 22: How does skateboarding culture fit into your artistic practice?

JB: I started skateboarding when I was 11. Skateboarding, like art, will be a lifelong love affair. It gave me an identity at a young age and it opened up my world to new ways of artistic expression. Most of all, it gave me lifelong friends who will always be like family. Since I can’t physically skate at the high level I once did, it’s fulfilling for me to bring skate graphics into my work and even paint directly on to skateboards like I’ve been doing the last couple of years. That is where the “Merging Icons” series was born. I wanted to merge iconic skate graphics with iconic film stills, basically combining the two most influential elements in my development as a person and as an artist. I love the effects and changes that my hand brings to the works, like I’m the instrument of combining two great passions. I’m actually working on a piece right now that will bring a third passion into the mix and I’m using a new medium. That’s all I can say at the moment!

The 22: Do you still skateboard?

JB: I still roll around, but at the age of 36, let’s just say I’m not going to go do a Tre-flip down eight stairs. Nowadays landing a kick-flip brings a smile to my face, but that is the point, it’s a joy that never goes away.

The 22: What is important to you about breaking the “frame” of a piece, painting directly on the wall?

JB: With the success of the “Merging Icons” I wanted to push the series forward to where the skate graphics would be breaking outside of the “frame” of the canvas and onto the wall. I got the opportunity to try it out at the Pulse Art Fair here in New York in May and this method will be a big part of “Smoke and Mirrors.” The graphics will be traveling all around the walls of the gallery creating a space in which the paintings and the graphics become the metaphorical “walls” of the environment in which the viewer has entered, bringing the viewer into the world of the paintings where each piece is connected to another through the graphics. The gallery agreed to shut down for a bit so I could do this, which is really great of them.

The 22: You talk about graffiti really brightening up the city in the winter. Are there are specific graffiti artists you admire? What about other painter’s?

JB: My approach is in some ways influenced by graffiti and how street art is used to engage the viewer with the mundane everyday structures we live around. I look at some street artists such as insa and r.o.a. Artists that influence my work are Damien Loeb, McDermott and McGough, Jeremy Fish, Kehinde Wiley, Marylyn Minter, Banks Violette. I do of course have my painting heroes such as Chuck Close and Barbara Kruger.

The 22: There’s one piece in your work that is really interesting, which looks like James Dean being arrested and has the tagline “What’s the matter  guys…didn’t you make your quota for the month?” How does this piece fit into your work? Is it a reflection on recent New York events?

JB: I had been developing three different bodies of work for the past four years that were shown in 2010 in a solo exhibition titled “Trilogy.” One piece which was the highlight of the show was a painting titled Paperwork and Quotas. It is a scene from The Wild One starring Marlon Brando. I simply recreated the film still, drawing and painting it in my normal style but then I added my own subtitles as a part of my “Text” series. I added subtitles that illustrated the film still but has a very contemporary meaning. The painting itself is the foundation trying to communicate struggles within any political system, not just law enforcement and how there is a “bottom line” in any profession that is at times unfair and unjust.

The 22: Another compelling piece is the “rainbows don’t mean shit” piece. What’s going on there?

JB: That piece is titled Happiness. The subject is a very elegant image of a woman staring off in sort of a daydream type of gaze. Her eyes are covered by a fun graphic of a rainbow bursting into the black and white picture plane. It seems to be a very fun and happy piece until you read the text “rainbows don’t mean shit” beneath the rainbow graphic. I simply wanted to have fun in sort of the sarcastic jaded way we view the world today. At the same time though it is commentating on one’s struggles in dealing with the “politics of a profession.” Maybe it is saying that a strong work ethic, talent, and integrity to how you approach your profession is not enough to fulfill a dream, especially not today. Maybe we have lost sight of those values.

The 22: Since so much of your work is based on counter-culture elements tell me how Porter Contemporary (as a Chelsea gallery) became the home for your work and what they offer to an artist like you.

JB: Although my work is based on counter-culture subjects balanced with elegant black and white cinematic imagery, at the core of my work is a foundation built upon a love for the history of painting. The works are highly technical and refined using a traditional approach to painting. This caught the eye of Porter Contemporary in 2006. They were a young gallery, having just opened, and I had lived in New York for just under a year. We have had a great working relationship because the gallery and my work have been able to grow together. The Gallery owner, Jessica Porter, has an incredible work ethic and integrity that is the backbone of the vision for her gallery. It is very inspirational to be around and it has been very exciting to watch the gallery grow along with my work. It is rare that a gallery and artist get to experience growing together with the same basic principles and a certain amount of integrity intact.

For more information about Jason Bryant and his upcoming show visit Porter Contemporary.
You can visit his Website at: http://jasonbryantpaintings.tumblr.com/



THE 22 MAGAZINE: VOLUME 3/III/THREE.

We are thrilled/charmed/humbled and just plain happy to present the 3rd volume of The 22 Magazine. To continue to support such amazing creative efforts in Brooklyn and the world and act as a collector of each contributors story is a role we never imagined we would have the luck to play.

We cannot thank enough all our contributors, interns, volunteers, funders, and everyone else who makes this magazine happen. It is with great honor that we present the contributors for Volume 3/III/Three of The 22 Magazine.

THE 22 MAGAZINE: VOLUME 3/III/THREE

Adam Void
Allison Sommers
Angeline Gragasin
Bradley Ehrsam
Charlotte Greenwood
Cless
Gerardo Mena
Iron Dog
Jason Stoneking
Jeff Tigchelaar
Jim Ford
J.J. Cromer
Joseph Daley
Megan Moncrief
Mike Bazzett
Nathan Vernau
Nick Lamia
Nicole Gordon
Penelope Gottlieb
Randy Mora
Ricky Allman
Sarah Boothroyd



THE WEEKEND: MARCH 30-APRIL 1st.

EDITOR’S PICKS:

Drew Maillard Solo Show: “Living In Interesting Times”
http://www.mfgallery.net/DrewMaillard/DrewMaillard.html
03/31/2012-05/05/2012

MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.

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Support this Project: Art Fusion for ICAF Paintings & Auctions Now Online.

Beautiful work up for auction from Last Rites Gallery collaborating artists. All at a steal (so far) and for a good cause.

About The Project:

Believing that creativity is a vital force for all of humanity, Last Rites Gallery supports ICAF in funding art programs for children across the world. Last Rites owner, Paul Booth, has raised thousands of dollars for ICAF since his first involvement with them in 2008, and founded The Art Fusion Experiment as a means of benefitting charities and connecting artists worldwide. The Art Fusion Experiment demonstrates through collaborative painting, contemporary artist’s ability to work together as a community.

In this spirit of sharing & global community, Last Rites is has hosted a large-scale collaborative painting project, the results of which are being auctioned off for charity.

Fifteen artists around the world received 24” x 30” canvas panels to sketch using pencil/ charcoal/ ink in order to design and lay the groundwork for a finished painting. The panels were then sent back to Last Rites for a select group of artists to collaboratively paint & finalize.

The project is a mash-up of the heaviest hitters in the realms of fine art, tattooing and illustration some of them familiar faces at Last Rites, as well as special guests. The event has enabled some of the most talented artists around globe to work together for the first time… and for a good cause!

BID ON WORK.
MORE INFO. 

 Artists:
Ana Bagayan, Angie Mason, Annie Owens, Anthony Pontius, Beau Stanton, Billy Norrby, Brian Despain, Brian Murphy, Buddy Nestor, Chris Mars,David MacDowell, David Stoupakis, Dan Harding, Dan Dos Santos, Darrin, White, Eric Richardson, Ewelina, Fred Harper, Gaia, Genevive Zacconi, Jason, D’Aquino, Jason Levesque, Jason Limon, Jennybird Alcantara, JoKa, Lucas Frazier, Mark Elliott, Matt Buck, Matt Rota, Mia Araujo,  Michael Mararian, Nick Baxter, Paul Booth, Scott G Brooks, Stefano Alcantara, Timothy Boor Tin, Vincent Castiglia, and more!


THE WEEK: NOV 21-25.

MONDAY:

From #occupy to revolution
Jed Brandt, Mike Ely, Eric Riebellarsi
Jed Brandt is an editor with the Occupied Wall Street  Journal, and together with Eric Ribellarsi, has recently returned from deep investigations into the “movement of the squares” in Greece and the revolutionary movement in Nepal. Mike Ely is a veteran revolutionary whose political life started with the early SDS and the Black Panther Party in the 1960s, and covers decades of experience attempting to build revolutionary organization, including among coal miners in the wildcat strike movements of the 1970s. All three are participants in the Kasama Project — a communist effort to re-imagine and regroup for  revolution in the U.S. All have been active in the Occupy Together movement in different cities.

Robert Ashley:That Morning Thing
A remounting of Robert Ashley’s legendary opera. That Morning Thing was performed only three times (Ann Arbor, MI, Oakland, CA and Tokyo, Japan) in the late 1960s, but the opera acquired its reputation through rumor and the famous recordings of two sections, Purposeful Lady Slow Afternoon and She Was A Visitor.

The Oven: AND HUMBABA CAME FROM HIS STRONG HOUSE OF CEDAR
Creative Sounds of Dissension 
JOAN DIDION in conversation with Sloane Crosley
The Secret Science Club presents paleoanthropologist, fossil hunter, and human evolution expert William Harcourt-Smith
Bailey Cooke/Time Travelers/Graham Lee Smith
Dance Film Lab Showcase
Chibi-rific Manga Drawing Workshop with Misako Rocks
Moonshot Magazine’s “Secret Issue” Reading and Release Party
Opre! A Symposium on Romani (Gypsy) Musics and Cultures
ALIEN COMIC / SALLEY MAY AND FRIENDS
Felix and Dexter
Blake Mackey/Mercies/Beet Juice / Kristy Kruger
1751 EASY STREET :: ARTIST TALK
NEW AMSTERDAM RECORD’S DOUBLE-RELEASE EVENT
CANSTRUCTION 

TUESDAY:

Citizen Cartography Workshop: Build a Virtual Atlas of New York
Help NYPL build the geospatial library of the future! This workshop (which takes place the three times a month) will get you oriented with the a set of tools the Library has developed (available at maps.nypl.org) that enables librarians and the general public to add valuable geographic context to old maps. The workshop will focus on the core activity of the website: georectification, or “warping” maps. This means overlaying digital images of historic maps onto a contemporary digital map (similar to Google Maps), transforming them into tiles of a virtual atlas.

THE STORY COLLIDER: BODIES IN MOTION
From finding awe in Hubble images to visiting the doctor, science is everywhere in our lives. Whether we wear a white lab coat or haven’t seen a test tube since 8th grade, science affects and changes us. We all have a story about science, and at The Story Collider, we want to hear those stories.

The Underdeveloped and Overexposed Life and Death of Deena Domino
E.S.P. TV Episodes 8-10 Screening Party

PHARMACOPHORE: ARCHITECTURAL PLACEBO

Myles Manley/The Lost Shores/Tom Devaney (of Rotary Club)/Johann
Researching Family History @ the Schomburg Center
CROSSING BOUNDARIES
GRADUATE POETS SERIES/TAKSIM
SALLIE FORD AND THE SOUND OUTSIDE/QUIET LIFE
Jean-Frédéric Schnyder
THE FUNES
Someone’s Trying to Kill Me 

WENESDAY: 

ANDRU BEMIS @ROOTS AND RUCKUS
Video@Hubertus – Screening of videos by Paul McCarthy
MARY BEARD
PERFECT SENSE/RYAN BLOTNICK’S 04646/TATTOOS AND MUSHROOMS FEATURING: MICHAEL BLAKE 

THURSDAY:

THANKSGIVING!

FRIDAY:

Jack Smith
Few artists can be said to have had a greater influence on the history of experimental cinema, queer cinema, and performance art than Jack Smith (1932–1989). Smith was an antic performer who played to the cheap seats, flamboyantly and tragicomically overwrought in the manner of Theda Bara, Maria Montez, Gloria Swanson, and Dorothy Lamour. His style of camp blended Hollywood orientalism, burlesque, kitsch, polymorphous sexuality, and social satire. Caustically funny, politically trenchant, and defiantly intolerant of intolerance, he provoked police raids and censorial judges, and created a beautiful, haunting, poignant, outrageous, orgiastic body of work that transformed the artistic landscape of the New York underground—a culture also being shaped in profoundly radical ways by Andy Warhol, Tony Conrad, Ken Jacobs, Ron Rice, the Kuchars, Jonas Mekas, the Velvet Underground, Charles Ludlam, and Susan Sontag—as well as inspiring a subsequent generation of artists, including Richard Foreman, Rainer Werner Fassbinder, Christophe Schlingensief, Laurie Anderson, Derek Jarman, Nan Goldin, Robert Wilson Jack Goldstein, Mike Kelley, Pipilotti Rist, Vaginal Davis, Cindy Sherman, Guy Maddin, Ryan Trecartin, John Waters, Vivienne Dick, The Cockettes, John Bock, and countless others.

PERFORMA 11
Performa 11, the fourth edition of the internationally acclaimed biennial of new visual art performance presented by Performa, will be held in New York City from November 1–21, 2011. The three-week biennial will showcase new work by more than 100 of the most exciting artists working today, in an innovative program breaking down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design, and the culinary arts. Presented in collaboration with a consortium of more than 50 arts institutions and over 50 curators, as well as a network of public spaces and private venues across the city, Performa 11 will ignite New York City with energy and ideas, acting as a vital “think tank” linking minds across the five boroughs and bringing audiences together for brilliant new performances in all disciplines.

Aid and Abet: Working With NGOs
Sonnambula
RON AGAM AND TONY SOULIÉ
Rona Yefman
THE STONE
American Letters 1927-1947: Jackson Pollock & Family
An Auteurist History of Film
Dead Laptop Series
SPANKIN’ STEPHEN’S MONDAY NIGHT PUB QUIZ
Carsten Höller: Experience
Street Scenes / Visual Narrative
Observatory: 
the ephemera: an exhibition by James Walsh
BRAIN CLOUD
Diego Rivera: Murals for The Museum of Modern Art
CHASE GRANOFF: INTUITION IS PRECEDING OVER MY UNDERSTANDING
WHERE AM I?: The tactile experience of sculpture work
The Curiously Sinister Art of Jim Flora: A 60 Year Retrospective
C.I.C.T. / Théātre des Bouffes du Nord Fragments
A BREAK FROM CONTENT: JASON MIDDLEBROOK
DEATHSCAPE
The Cherry Orchard
OPEN INVITATION FOR ACTIONS ON INTERNATIONAL MIGRANTS DAY
Simon Denny:Corporate Video Decisions
Behind the Curtains of XXI Century Communism

UPCOMING:

Jerry Walden 



THE WEEK: August 29th-Sept 2nd.

Odysseus at Hell Gate Performance @Socrates Sculpture Park
RESCHDEULED: AUGUST 29, FROM 6PM UNTIL DUSK.  

Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.

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THE WEEK: AUGUST 15-19.
August 15, 2011, 3:38 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

PROJECT FUKUSHIMA! BENEFIT CONCERTS @ THE STONE.
8/15 Monday  8 and 10pm

PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS

THIS NIGHT WILL BE BROADCAST LIVE OVER WEBSYN RADIO BY DOMINIQUE BALAY—THE LINK http://droitdecites.org/2011/06/08/websynradio-en-direct-de-the-stone-new-york-fukushima/

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The New York International Fringe Festival
Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)


Maya Zack: Living Room

The Jewish Museum
July 31, 2011 – October 30, 2011

In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.

Everybody Loves the Monster!
Thursday, August 18, 2011, 10 a.m.

In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument.  But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.

Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.

Yana Dimitrova and Angela Washko: Cheap Paradise of Familiar Tasks and Places
Opening reception: August 19th, 6:30 pm on
Flux Factory 

Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.

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THE WEEK: August 8-12th.
August 8, 2011, 2:30 pm
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Social Hijinks! A screening and live action lecture night
Wednesday August 10, 7:30 pm

In conjunction with the exhibition Why Participate?, Angela Washko has organized a lineup of videos and live performative lectures by artists whose projects take place within social spaces. The works being presented and discussed are mischievous, critical, occasionally hilarious, and examine the boundaries of legality. Artists Jason Eppink, Nate Hill, Ann Hirsch, Jaime Iglehart, Action Club, Paolo Pedercini, and Jeff Stark present and talk about their works discussing surveillance, costumed public service, reality television, knock-off culture, collaboration, video game evolution, protest, and performance in public spaces.
Free + Bring your own beverages and snacks
(images courtesy of Jeff Stark)

Gian Luigi Diana, electronics & Ben Gerstein, trombone
Wednesday, August 10, 10pm

SEEDS:Brooklyn - www.seedsbrooklyn.org
617 Vanderbilt Ave., Brooklyn (preceded at 8:30 by Jacob Garchik, trombone/computer)

All Star Poetry: A Benefit at the Bowery Poetry Club.
Tuesday, August 9

Nine poets from the First Annual New York Poetry Festival join forces to raise funds for the Festival and Bowery Arts + Science. Featured poets include Lisa Marie Basile, Jassie Harris, Meghann Plunkett, Rita Mercedes, Sarah Feeley, Ayala Sella, Nick Adamski and Bob Holman w/ Molissa Fenley.

Books will be available for purchase after the reading.
Admission: $8
The Bowery Poetry Club is located at 308 Bowery (between Houston and Bleecker)

New York Poetry Festival Afterparty at the Bowery

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The Week: June 6-10.


June 5-11

Vision Festival 16Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).

Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.

Visit visionfestival.org for more information and listings of Vision Festival events at satellite sites. (SEE FULL SCHEDULE.)

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THE WEEK: JUNE 1-3.
May 31, 2011, 9:38 pm
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!Women Art Revolution SCREENING @ IFC.

This revelatory “secret history” illuminates the Feminist Art movement through interviews with and works by visionary artists, scholars and critics like Miranda July, The Guerrilla Girls, Yvonne Rainer, Judy Chicago, Marina Abramovic, Yoko Ono, Cindy Sherman, Barbara Kruger, B. Ruby Rich, Ingrid Sischy and Carolee Schneemann. Score by Sleater-Kinney’s Carrie Brownstein.

In person appearances:
Wednesday, June 1: Lynn Hershman Leeson & Alexandra Chowaniec at 6:10pm, Leeson, Chowaniec, & Kathleen Hanna at 8:10pm
Thursday, June 2: Chowaniec & Howardena Pindell at 2:10pm, Chowaniec & Carolee Schneemann at 6:10pm, Chowaniec & J. Bob Alotta at 8:10pm
Friday, June 3: Chowaniec& Janine Antoni at 12:10pm, Chowaniec & Joyce Kozloff at 6:10pm, Chowaniec & Martha Wilson at 8:10pm
Saturday, June 4: Chowaniec & Howarden Pindell at 2:10pm, Chowaniec & B. Ruby Rich at 6:10pm, Chowaniec & Guerrilla Girls Frida Kahlo and Kathe Kollwitz at 8:10pm
Sunday, June 5: Chowaniec & Howardena Pindell at 2:10pm
Monday, June 6: Chowaniec & Carey Lovelace, Chowaniec & Connie Butler at 6:10pm
Tuesday, June 7: Chowaniec, Carey Lovelace & Faith Ringgold at 6:10pm

SCREENING TIMES.

GUERILLA GLEE CLUB (CLICK LINK FOR MORE INFO) (DATE CHANGED TO JUNE 2)


The Peripheterists
curated by Jocko Weyland

June 1 – July 30, 2011

Opening reception: Wed, June 1: 6-8 pm

Guided Tour: Wednesday, June 8: 6:30-8 pm
Music Event: Thursday, July 14: 7 pm

Featuring work by:
Nicole Andrews Brandes, Natascha Belt, Dave Bevan, Dwayne Boone, Gerardo Castillo, Rick Charnoski, Edward Colver, Ale Formenti, Renée French, Joseph Griffith, Thomas Hauser, Mark Hubbard, Chuckie Johnson, Gary Kachadourian, Taliah Lempert, Doug Magnuson, Alfredo Martinez, William McCurtin, Stu Mead, James Niehues, Gloria Park, Daniel Pineda, Randy Turner, Dennis Tyfus, Unidentified Cameroonian barbershop painters, Sereno Wilson, Jesse Wine, Jason Wright.

Tony Bennett unsuspectingly coined a new term of surprising relevance when he once said he liked what Oskar Kokoschka did “along the peripheter.” Though meaning the perimeter and periphery in the painting itself, he innocently zeroed in on a murky netherworld away from the formal where success and failure, acceptance and indifference, and Tony Bennett and Oskar Kokoschka meet. Like these two disparate personalities, the artists in The Peripheterists elude the standard definition of outsiders to form a diverse and unaligned but oddly complimentary non-scene that doesn’t really register with either the hoi polloi or the intelligentsia. In many cases low-key and unsung though prodigiously gifted, all are fairly unconcerned with and unknown in that rarely satisfying milieu known as “The Art World.”

The Peripherterists examines the wide-ranging connections, affinities, and allusions amongst works that posses the popular appeal often absent at the your typical white cube. That luck, social standing, ladder climbing, and a multitude of other variables determine who gets fêted is not news by any means, but it does give rise to an urge to address that vexing situation with a gathering of mostly uncelebrated rare birds. A few encounters amongst many will have Mark Hubbard’s fantastical diagrams for actual skateparks, Gloria T. Park’s expressionist wig designs, and Jim Nieuhues’ paintings that are the basis for ski area maps consorting with Sereno Wilson’s glittery Nubian goddesses, Nicole Andrews’ paper cutouts of ennui-suffused suburbanites, and Stu Mead’s poignant, troubling, and very funny depiction of sexually active adolescents. This is not a polemic but an excursion into parallel realm of wonderful art that combines the fiercely individualistic and unorthodox with the accessible, and brings up old-fashioned but eternal questions about what art is and why people bother.

Jocko Weyland is the author of The Answer is Never – A Skateboarder’s History of the World (Grove Press, 2002) and has written for Thrasher, The New York Times, Cabinet, Apartamento and other publications, and is also the creator of Elk magazine, books and gallery.

 Full Moon Storytelling Night: Folk Tales and Tellers From Guyana

Wednesday, June 1, 6:30-8:30pm
St. Stephen’s Church
East 28th St. and Newkirk Ave. (East Flatbush)


Moonlight Stories in the Garden (duppy (ghost) stories of the Caribbean and tales of the sea)

Thursday, June 2, 7-9pm
Prospect Heights Community Farm
256 St. Marks Avenue (Prospect Heights)

DIXON PLACE:
CHANGING SKINS: FOLKTALES ABOUT GENDER, IDENTITY AND HUMANITY
WEDNESDAY, JUNE 1 AT 7:30PM
& SCHISMISM: NATURAL LAW FRIDAY, JUNE 3 AT 9:30PM

SCHISMISM: NATURAL LAWCHANGING SKINS

SCHISMISM: NATURAL LAW: Lisa Karrer’s multi-media performance is inspired by the life of Charles Darwin. Karrer’s collaboration with composer and multi-instrumentalist, David Simons, features an arresting assortment of sonic and visual backdrops, including video sequences linked with original soundtracks, voice, triggered theremin, and live acoustic and electronic compositions. These combined elements illuminate an interwoven collection of concepts, associations and stories that mirror Darwin’s complex exploration of evolution and universal connectedness. In the spirit of natural selection, audience members choose the sequence of onstage events during the performance.

CHANGING SKINS: Compiled and performed by Milbre Burch and directed by Emily Rollie, featuring photographs from “Meta-Genesis,” (above) an exhibit of portraits of transgender folk by Columbia, MO-based photographer, Jane Lavender.Changing Skins interweaves gender-bending folktales from cultures spanning the globe with musings on the construction of gender and identity. Compelling storytelling for grownups!

Under Glass: A Victorian Obsession
An Illustrated Lecture and Show and Tell with Glass Parlor Dome Collector John Whiteknight

Date: Thursday, June 2nd
Time: 8:00 PM
Admission: $5
Part of the Out of the Cabinet: Tales of Strange Objects and the People Who Love Them Series, presented by Morbid Anatomy and Morbid Anatomy Scholar in Residence Evan Michelson

A smoking monkey dressed as a Marquis, a Wild West scalping scene created in beeswax, a cemetery scene made from the deceased’s hair, and stuffed pug dog puppies, all under glass domes!!!!!

The bell jar, or glass parlor dome, is synonymous with our memory of the Victorian Age (1837 – 1901). During the 19th century, these blown glass forms were referred to not as domes but as shades, and graced nearly every parlor, protecting a broad variety of treasures–including miniature tableaux, waxworks, natural history specimens, taxidermy of exotic birds and pets, automatons, and delicate arrangements of hairwork, featherwork, and shellwork–from dust and curious fingers. (READ MORE.)

MUSEUM OF (UN) NATURAL HISTORY featuring new works by KIM HOLLEMAN
Opening FRIDAY JUNE 3rd 6-10PM
65 Union Street  Brooklyn  NY

WORK Gallery is pleased to present Museum of (Un) Natural History featuring new sculptures and a street installation by artist Kim Holleman. The Museum is a collection of environments that have all been drastically physically and/or psychologically changed by human intervention. Using mostly synthetic materials, noxious chemicals, and items culled from the trash or found on the street, Holleman creates models of parks, empty lots, nostalgic structures and architectural futures. Each miniaturized landscape represents and critiques our consumptive habits and land use, the visual results of which are both fantastical and grim. Hazardous threats to the environment’s natural balance overwhelm the landscapes, leaving an eerie beauty in the wake of irreversible destruction.

In a truck lot adjacent to the Museum is Trailer Park: A Mobile Public Park, a “portable, natural, public park” inside an RV trailer. The interior is an actual park, where visitors go inside to go outside. Masonry paths, a waterfall, and the splendor of living shrubs, trees are ready for dispatch to wherever a green refuge is needed.


ASHES // JEREMY DYER || JUNE 2 // 6-9 PM @OCCULTER


OPENING RECEPTION
THURSDAY JUNE 2, 2011,  6-9PM
SOUND PERFORMANCE BY IAPETUS
RUNS THROUGH JULY 3

“I create fictional spaces that explore the intersection of memory, history and myth through the landscape-as-image. My method is to photograph, collect, deconstruct, and reassemble photographic material — collapsing multiple points in time and space into a single scene. This mirrors the fragmentation and flattening of experience as it occurs in the creation of memory while reflecting a sense of dislocation from place. As an atavistic response to the landscape, my images engage ‘land’ as a site of indifferent natural forces. Seen through a texture of skin, ash and the blackened fuzz of a violent guitar, each work is subsequently a nostalgic articulation of our histories, new histories made impossible by memory and mythology”. Jeremy Dyer lives and works in Brooklyn, NY.

UPTOWN ART STROLL: INWOOD/WASHINGTON HEIGHTS

NoMAA is pleased to announce the arrival of the Uptown Arts Stroll 2011, the most anticipated annual community arts festival in Washington Heights and Inwood. The Stroll will showcase the outstanding painters, photographers, writers, musicians, actors, dancers, and other creative people and arts groups that are contributing to the cultural life of Northern Manhattan. These artists will exhibit and perform in local businesses and institutions, open spaces, parks and other local venues throughout the month of June.

This year, NoMAA is delighted to partner with the 12th Annual Carnaval del Boulevard, a celebration of Dominican & Latino culture produced by the Juan Pablo Duarte Foundation, The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center, and the Washington Heights Business Improvement District, to kick-off the Stroll with a community celebration on Thursday, June 2nd, 6–8:30 p.m. at The Shabazz Center. On Saturday, June 4th, NoMAA and the Stroll will join El Carnaval del Boulevard and the Washington Heights BID from 11 a.m. – 5 p.m. on St. Nicholas Avenue from 181st to 188th Sts., presenting art and performances from our local artists. read more »

KAREN J. REVIS: LUCID @ SEARS PEYTON GALLERY.

Fuse Works presents: Alarums and Excursions
At Front Room Gallery
Friday June 3, 2011, 7-9pm
open friday – sunday 1 pm to 6 pm
147 roebling street
williamsburg, brooklyn

an exhibition of multiples and prints including: Gregory Curry, Glen Einbinder, Ross Racine, Chuck Jones, Jody Hanson, Luca Bertolo, Andrew MacDonald, James Leonard, Celeste Fichter, Peter Feigenbaum, David Shapiro, Jan Obornik, Chiara Camoni, John O. Smith, Julia Whitney Barnes, Rik de Boe, Lotte Lindner and Till Steinbrenner, Sarah Vogwill, George Spencer, Emily Roz and Cammi ClimacoAlarums and Excursions is the sixth exhibition of multiples and prints by Fuse Works, an organization dedicated to exhibiting and promoting editioned artwork. The exhibition presents new work by 21 artist comprising prints, multiples, books, and digital works. (READ MORE.)

Japan Society presents
416 MINUTES
Thursday, June 2, 7:30 PM
333 East 47th Street

Join us for a surprise work-in-progress presentation of WaxFactory’s 416 MINUTES, featuring an extraordinary collaboration with artists from Japan and Eastern Europe, and inspired by the imagination of Haruki Murakami. In the company’s signature multidisciplinary style, this unsettling new work shadows an actress whose escape from a film studio sets her on a trail of chance encounters during the hours of the night when things take on a particularly eerie glow. Conceived and directed by Ivan Talijancic. Free Admission. Reception to follow.

TIX & MORE >>

SLOAN FINE ART, FRIDAY JUNE 3rd

Main Gallery: Aaron Smith “Coterie of the Wooly-Woofter”
Opening Reception: Friday, June 3rd, 6 to 8 pm
Exhibition: June 2 to 26, 2011

Project Room: Anthony Iacono “Victor Victoria”
Opening Reception: Friday, June 3rd, 6 to 8 pm
Exhibition: June 2 to 26, 2011

DAVID SANDLIN @ CENTRAL BOOKING, JUNE 3rd 6:30pm


Over the past 15 years, David Sandlin has produced eight major volumes (and several side works) of narratively connected artist’s books, collectively called A Sinner’s Progress. The books have ranged in format from hand-silkscreened limited editions to tabloid-style newspapers and pulp comics, each in service to its narrative function. Thanks to a fellowship from the NYPL’s Cullman Center for Scholars and Writers in 2010, Sandlin has begun work on a graphic novel, which he intends to be the culmination of the series. Belfaust, a love-triangle mystery loosely based on the Faust legend, will depict the backstory of the three main characters in A Sinner’s Progress and bring the narrative to closure. Sandlin’s presentation will discuss his influences and process in regard to the series.

Fri., June 03, 2011 / 7:00 PM
$12 in adv, $15 at door
Cirque des Batardes
(presented by HITS Company)

Stemming from old world styles and techniques, Cirque des Batardes is an avant-garde approach to classical forms such as vaudeville, commedia dell’arte, buffon, ventriloquism and, of course, cirque. Essentially taking on the form of a comic variety show, Cirque features a dozen acts including dancers, actors, and musicians to create a hilarious evening of spectacle and oddity. Led by their questionable emcee, the entire company seems to come from a different time. The entire production, in fact, appears in sepia tone like an old film dusted off and rediscovered. The company of misfits and performers must learn deal with their old school ways in the modern context in order to survive.

FEATURING:
Erin Debold
Krista Worby
Jo Mei
Jack Ferver
Amelia Meath
Becky Abrams
Colin Drummond
Nessa Norich
Nick Choksi
William Popp
Carly Hoogendyk
Mark Junek
Julia Eichten
Addison Anderson



OUT OF PRACTICE: CURATED BY NUDASHANK
ART BLOG ART BLOG
new temporary location:
508 West 26th St., 11th Floor

ICP Store, 1133 Avenue of the Americas
Friday, June 3, 6:00pm–7:30pm

Join Danny Lyon for a signing of his book Deep Sea Diver.

With his vintage Leica and accompanied by a young translator named Lolly Pop, American photographer Danny Lyon traveled across Shanxi Province in North West China six times between 2005 and 2009. The result of Lyon’s unfailing enthusiasm for immersing himself in local banter and customs is an extraordinary portrait of China and the Chinese, one seldom seen by foreigners. Lyon’s unparalleled photographic findings and discoveries are presented in this limited edition photobook alongside his handwritten annotations and commentary, as well as his ever-inquisitive and non-judgmental prose.



Totems/Terrarium Building/ESP TV 3/Stephanie Bernheim/Regina Silveira/James Davis

PETER KAYAFAS: TOTEMS @SASHA WOLF.
Opens Wens May 25th 6-9pm.

(READ MORE.)




Stephanie Bernheim
Palm Project @ A.I.R. GALLERY

May 25 – June 19, 2011
Opening Reception: May 26, 6-8 pm
Read Bernheim’s Press Release

Craft Night: Learn How to Make Your Own Terrarium on May 26 @ CITY RELIQUARY.

Craft Night returns to the City Reliquary on May 26. This Craft Night, Anna Grant will be teaching us how to make terrariums. For $5 you will be supplied with a plant, as well as materials to decorate your terrarium. Just be sure to bring your own glass container. And because it is the month of Bicycle Celebrations and Bicycle awesomeness, we will have tiny bicycles.

We’re asking five dollars for crafting supplies. Terrarium-ing will commence at 7pm and will run until 10pm. See you there!

ESP TV 3 Screening Party

Screening party at K &M Bar, 225 N 8th St., Brooklyn NY, 8-11PM

Episode #3 of ESP TV airs Wednesday, May 25th on at 9:30 on channel 57 (Time Warner) / 84 (RCN) / Manhattan Neighborhood Network 3.

Featuring performances by:

MAZING VIDS
Dana Bell’s “A DELICATE BALANCE” w/ Meg Clixby, Kerry Davis and Leah Retherford w/ drumming by Jon Lockie (Sightings)

with videos by: Jordan Levine, Meredith James and Rachel MasonAaron NemecJason Underhill, Team Louis V E.S.P. and more!
With your host Sam Mickens (Sam Mickens Ecstatic Showband Revue, The Dead Science, Xiu Xiu)

Regina Silveira @ Alexander Gray
May 26 – July 29, 2011

Alexander Gray Associates is pleased to present the gallery’s second exhibition with the Brazilian artist, Regina Silveira. Since the 1960s, Silveira’s work has defied genre, moving between forms of installation, printmaking, sculpture and photography to explore visual distortion, perspective and scale.

For her exhibition at the gallery, Silveira presents her signature vinyl-decal mural-installations. The main installation, from her celebrated series, Desaparencia, depicts black and white diagrams of artists’ ateliers, graphically suggesting the ghosts of easels, tables, palettes, and other tools of the artist’s studio. In its iteration at Alexander Gray Associates, Silveira’s installation suggests the disappearance of traditional studio practice and location, as well as expectations of creation and alchemy that surround artistic mythology.

JAMES DAVIS @ RARE.
May 26 – June 23



That’s Beautiful Frank!

Contributor and cohort Jeff Burns first film, That’s Beautiful Frank, is about to get it’s sea legs! Starring Edgar Oliver (also one of this issue’s 22) in the lead role (Francis Eugene Carroll), TBF is a futurist thriller full of intrigue, romance, and barking girls.

Check out the Trailer!

From the director~

We are really happy to kick off this site and share with you some fun glimpses of our new Futurist-comedy-thriller ‘That’s Beautiful Frank.’ You can find a description of the film here and for the shorter explanation take a look at our teaser trailer.

Pretty soon we will have more video clips  for you to sink your fanged eyes into, so please keep checking back for more.

On this blog we will keep you up to date on screenings, events, and festivals along with breaking news from our cast and the Futurist art scene.  If anything pops in your head feel free to give us a shout, and with your permission we would love to add you to our mailing list of upcoming events. Make sure to look for us on facebook, and if you happen to be a user of YouTube or Vimeo we’d love to meet and greet you there as well.

I will leave you with the disclaimer written by the editors of the French paper Le Figaro that prefaced the  publication of Marinetti’s Futurist Manifesto in 1909:

“Mr Marinetti, the young Italian and French poet, a remarkable, hot-blooded talent known throughout the Latin countries by virtue of his resounding public appearances . . . is solely responsible for the ideas [expressed in the manifesto], which are singularly audacious and exaggerated to the point of being unjust to certain eminently respectable and – fortunately – generally respected matters. However, we thought it interesting to offer our readers the first edition of this publication, whatever opinion they may form of it.”

AND now…..the barking girls…




A-Lab Forum: FANTASIA (Today, 2pm)
QMAD, Queens Media Arts Development
A-Lab Forum
FANTASIA


Saturday, March 19th, 2011, 2 – 4 PM 

Crossing Art Gallery
136-17 39th Avenue at Main Street
Flushing, Queens-New York

www.qmad.org/alabforum

QMAD, Queens Media Arts Development, continues the presentation of  A-Lab Forum in March. The program is a series of monthly discussions designed as an opportunity for artists, working in various media, to present their work, share their visions and ideas in relation to selected topics and concepts in the field of art production, collaboration, and critical thinking. Each forum consists of a presentation by selected artists, followed by a discussion period with the curator and attending audience.  Participating artists are identified and invited by the curator / facilitator from a pull of entries for that month. The forums are open to the general public, and are free of charge. 

This month’s forum focuses on notions of the fantastic, the imaginary, and the surreal (re)presented in visual and performative arts. Selected works explore themes around the uncanny as an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being strange or fantastic. Participating artists using various media (painting, sculpture, video, illustration, photography, digital arts, multimedia, installation, mixed media, and performance art.) explore notions of “magical realism,” “phantasmagoria,” and/or the “supernatural” where distortions of the real –human or environmental- are referenced and used. Organized by artist Hector Canonge.

Participating Artists:
Carmen Einfinger
Anthony Gonzalez
Eva Nikolova
Carol Radsprecher
Jason Villegas

Networked Presentation (Los Angeles):
Maya Erdelyi-Perez

Location & Directions:

Crossing Art Gallery, 136-17 39th Avenue at Main Street, Flushing, NY.
7 train to Main Street Flushing. Walk one block on Main Street to 39th Ave (Opposite direction of the LIRR Overpass). Turn Right on 39th Ave & enter Queens Crossing (Large Glass Façade with Blue & Pink Flowers). Take the stairs or elevator to the Ground Floor. Phone: 212-359-4333.

About A-Lab:
A-Lab is an artists’ collective initiated by New-media artist, Hector Canonge. From its inception in 2009, A-Lab’s mission has been to promote and forge stronger collaborative projects for artists working and/or living in NYC. A-Lab is an independent initiative whose mission is to inform and assist artists in various aspects of their development. A-Lab’s monthly meetings have been designed as a collaborative effort among artists to share resources, know-how, and experience to compete in the market place. In addition, A-Lab highly encourages and supports social activities to take place in local businesses and institutions in New York City. The convergence of the Arts and Community Building is another important component of the A-Lab as members can propose performances, shows, music gatherings, poetry readings, projections, public interventions, and more, in and around the various boroughs.

For more information contact: alab.forum@gmail.com

 

A-Lab and the A-Lab Forum are independent initiatives supported by QMAD
Monthly presentations are hosted at Crossing Art Gallery.



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