DYLAN MORAN’S perspective is unashamedly unique. He observes life through the tinted hue of a glass of fine full-bodied red and then paints what he sees onto a deliciously cruel and rich life canvas. Blisteringly funny, and painfully accurate, this is like looking at a Canaletto painting whilst someone simultaneously punches you in the stomach and tickles you breath-less. Called “the Oscar Wilde of Comedy,” by the London Evening News, Moran is universally considered one of the foremost comics of his generation.Moran is best known in the United States for his roles in several well known films, including Notting Hill, the cult classic Shaun of the Dead, Michael Winterbottom’s Tristram Shandy: A Cock and Bull Story and David Schwimmer’s Run, Fatboy, Run.
In How Music Works, Byrne explores how profoundly music is shaped by its time and place, and how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music. Writing as historian, anthropologist, raconteur and social scientist, Byrne searches for patterns and shows how they have affected his own work over the years with Talking Heads and his many collaborations with the likes of Brian Eno and Caetano Veloso. Byrne sees music as part of a larger, almost Darwinian pattern of adaptations and responses to its cultural and physical context. His range is panoptic, taking us from Wagnerian opera houses to African villages, from his earliest high school reel-to-reel recordings to his latest work in a home music studio, with all the big studios in between.
The work of Kirk Nachman situates itself between the classic cartoon nostalgist and the formal self-consciousness of avant-garde practices. From the disjointed ‘stills’ – paintings rendered on drafting film, reminiscent of animation production art, to fragmentary serial animations which employ decontextualized snippets from old time radio shows, Nachman’s historical aesthetic populism collides with his background in the developments of 20th century fine-art.
In being alone (on a swing) together (in a field), we find a condition of the social that is… the event of a thread. Commissioned by the Armory, Ann Hamilton’s major new work fills the Drill Hall with a visceral and literal poetry. Set into motion by visitors, a field of swings, a massive white cloth, a flock of homing pigeons, spoken and written texts, and transmissions of weight, sound, and silence weave through this expansive space to create a fabric of experience
The current body of work was begun in 2007. These paintings and drawings feature human and animal figures in landscape and interior settings. Either alone or in groups, the figures do not tell a story. Rather, they form self-sufficient images with the power to shock, move, attract and repulse, without labels or explanations. The work constitutes an emotional research into the underlying motivations of human actions and interactions. This investigation goes beyond the rational, culturally and socially accepted surface, and looks closely at the irrational, unconscious and primitive animal instincts that ignite passion, violence and desire.
Praised by The New York Times for his “rich timbre” and “fine sense of line,” Mischa Bouvier is a winner of the 2010 CAG Victor Elmaleh Competition. A “delight to encounter for the first time” (Pittsburgh Tribune-Review). An advocate for new music, Mischa offers a series of concerts in 2012-13 at Barbes that focuses on contemporary music and explores American song in a collaboration with soprano Sarah Wolfson. Mr. Bouvier has performed with a wide array of ensembles including Anonymous 4, the Mark Morris Dance Group, American Handel Society, the Bach and the Baroque Ensemble of Pittsburgh.
YEAR TWO (Postcard Show) Fowler Arts Collective OPENING EVENT: Friday, Dec. 7th from 7-10pm EXHIBITION ON VIEW: Sat. + Sun., Dec. 8 + 9, 12-6pm
On Friday, Dec. from 7-10pm, Fowler Arts Collective presents YEAR TWO, a group exhibition of postcard-sized works sent from artists all across the United States, our annual birthday party celebration, and year-end fundraiser and raffle. All of the work in the exhibition will be affordably priced at $80 or below, so come ready to do some holiday shopping! Many local businesses have generously donated gifts and prizes to be raffled off at the end of the evening. See the amazing list of prizes below and RSVP on Facebook!
PLEASE NOTE: ALMOST ALL EVENTS IN NEW YORK AND BROOKLYN THIS WEEK ARE CANCELLED DUE TO HURRICANE SANDY. PLEASE CHECK WITH EACH VENUE ON CURRENT CONDITIONS. IF RELIEF AND TRANSPORTATION EFFORTS GO WELL, WE WILL BE BACK NEXT WEEK (NOV 7th) WITH NEW LISTINGS.
P.P.O.W is pleased to announce Out of Water, our sixth solo exhibition of figurative sculpture by Judy Fox. Well known for her exquisitely rendered human figures, including children that are at once iconic, psychological and subversive, Fox continues to explore mythological references that are used to reflect upon contemporary sociological issues. In her latest installations, virtuoso use of form extends to the surreal, with visual puns used to provoke conflicted emotional reactions. The centerpiece of this new installation is a comely standing life-size figure of a Mermaid. Legs pressed together as if fused into a tailfin, hands paddling downward, she looks dreamily over her entourage. A set of Worms spread out before her like the writhing sea horses that pull the chariot of a Greek sea goddess. They are curvy and sensual — some profiles resemble parts of naked human bodies.
Lubomyr Melnyk Sat, October 27, 2012 – 3:00pm First Unitarian Congregational Society
Composer and pianist Lubomyr Melnyk is the pioneer of Continuous Music— a piano technique he has developed since the 70s that uses extremely rapid notes and note-series to create a tapestry of sound. Inspired by the minimal, phase and pattern musics of Steve Reich, Philip Glass, and Terry Riley, yet frustrated by the ecstatic detachment from reality they can encourage, Lubomyr Melnyk created Continuous Music, based in the innovations of the minimalist composers but with its roots more deeply planted in harmony. His first recordKMH: Piano Music in the Continuous Mode (Music Gallery Editions, 1978) is the fruition of the idea he began developing in 1974 reimagines the sentiment expressed by Reich in his watershed Music for 18 Musicians, realized entirely for Solo Piano. Overtones blend or clash according to the harmonic changes. The technique of mastering his complex note patterns and speeds makes his music difficult for the normal pianist, and the kinetic athleticism of Melnyk’s performance is unparalleled.
Ana Cristea Gallery is pleased to present “Made of Matter,” the first solo exhibition in the United States by artist Teodora Axente. Teodora Axente’s work is centered on the duality of spirit and matter – the two spheres of existence between which humans oscillate in an attempt to uncover themselves. Portraying an unexpected array of materials, Axente addresses the essential human drive to reshape oneself. Through the flashy materiality of aluminum foil, satin pillows, nylon bags or curtains, she brings us into a world of mystery that appears to be spiritual, noble and attractive, on first glance. Aluminum foil serves as the central symbol of matter throughout many of her paintings. Its outward shine and its ability to reflect give off an illusory sense of nobility that blinds her subjects.
Andrea DeFelice Harvestworks Friday, Oct 26 at 6pm – Opening Saturday/Sunday Oct 27/28 from 3pm to 7:30pm – Installation
A small coupling of works combining both obsolete and new technologies, then reassembled to represent obsolete fables, folklore, literature, philosophy, mythology, and music. As responses to such stories inspired by the observation of human behavior, symbolic animals, objects and mechanics are used to further illustrate their foibles and behavioral patterns, whether expected or unpredictable.
VITAL VOX: A VOCAL FESTIVAL explores the myriad power of the human voice in its solo and ensemble forms across a multitude of genres. It celebrates composer-performers in the vocal arts who stretch and expand the voice in new and original ways, continuing a strong contemporary tradition developed in the United States. Over the course of two diverse evenings VITAL VOX explores “Vox Electronics.” Performances draw from wide-ranging international influences and genres including jazz, experimental, contemporary, free improvisation, world music, interactive electro-acoustic and audio sampling.
Charlotte Booker will make a New York poem with the assembled crowd. We’ll play a game of New York trivia…
And, of course, there will be storytelling, live music, community, art and LOTS of clapping. What more could you want out of a Sunday morning? Come celebrate the city with us. Oh, and feel free to bring something tasty for the refreshment table!
WADE GUYTON OS OCTOBER 4, 2012–JANUARY 13, 2013 The Whitney
Over the past decade, New York–based artist Wade Guyton (b. 1972) has pioneered a groundbreaking body of work that explores our changing relationships to images and artworks through the use of common digital technologies, such as the desktop computer, scanner, and inkjet printer. Guyton’s purposeful misuse of these tools to make paintings and drawings results in beautiful accidents that relate to daily lives now punctuated by misprinted photos and blurred images on our phone and computer screens. Comprising more than eighty works dating from 1999 to the present, Guyton’s first midcareer survey features a dramatic, non-chronological design in which staggered rows of parallel walls confront the viewer like the layered pages of a book or stacked windows on a monitor.
MI JU: GAIA
FREIGHT AND VOLUME September 27 – November 3, 2012
The exhibition’s title Gaia refers to the Greek earth mother goddess as well as the scientific Gaia Principle, proposing that “all organisms and their inorganic surroundings on Earth are closely integrated to form a single and self-regulating complex system, to maintain the conditions for life on our planet” (James Lovelock). Mi explores the significance of Gaia pictorially, as it relates to today’s ecological challenges. In works such as One -as well as Wind and Water–the artist celebrates and pays homage to the elements in all their glory by examining both microcosms and macrocosms in nature. Mi deconstructs space in the manner of classic Asian landscape painting to present a floating menagerie of symbols – disembodied lanterns, birds, insects, dragons and other hybrid creatures, rich organic matter – looming up from the primordial void. Mi also employs radical shifts in scale and density, subtle hues juxtaposed with jarring color, fluctuating perspective and other dramatic methods to convey her otherworldly vision. Negative space is addressed lovingly and carefully, with as much and perhaps more import than actual objects.
Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.
Printed Matter presents the seventh annual NY Art Book Fair, from September 30 to October 1, 2011, at MoMA PS1, Long Island City, Queens. A preview will be held on the evening of Thursday, September 29th. Free and open to the public, and featuring more than 200 exhibitors, the NY Art Book Fair is the world’s premier event for artists’ books, contemporary art catalogs and monographs, art periodicals, and artist zines. Exhibitors include international presses, booksellers, antiquarian dealers, artists and independent publishers from twenty-one countries.
Horton Gallery is proud to announce Martha Colburn’s Camera, lights, charge, Pop! – opening Friday, September 28th in the gallery’s new, expanded Lower East Side location at 55-59 Chrystie Street. Marking the first time that her work has been seen in this capacity, the exhibition will feature an hour and a half program of about thirty manipulated found footage and stop animation films from the mid-1990s to the present as well as Polaroids and large-scale collages.
The second evening of “Voices and Echoes” presents a series of unique collaborations including Otomo Yoshihide + Marina Rosenfeld duo, Gozo Yoshimasu + Tamio Shiraishi + Cammisa Buerhaus trio, and Akio Suzuki + Jason Lescalleet duo.
Their sound is a re-invention, a nostalgic throwback to a time and place mostly imagined where Peruvian waltzes, Andean huaynos and Cuban Guajiras mix with French opera, Cowboy tunes and Bollywood classics. The result plays like a dreamy soundtrack with classical harmonies set to a Latin beat. Their new album, Ziguala is an attempt to imagine what a pop record would sound like had the global Latin influence which was so prevalent until the early 60′s had continued its course without interruption. The tracks on the album are re-interpretations of songs from Spain, France, Peru, India, Mexico, Greece, Venezuela, Colombia and Naples. Ziguala is not so much a latin record as it is a pop record that uses a latin vocabulary. Think of it as the opposite of Rock en Español, itself a Latin genre which uses a rock vocabulary.
Barnes & Noble, Inc. today announced the next edition of “Upstairs at the Square,” described by Daily Candy as “an awesome literary salon on a date with an intimate rock concert,” at the Union Square Barnes & Noble in Manhattan (33 E. 17th St.). On Thursday, August 2, at 7.p.m., Cheryl Strayed, author of Tiny Beautiful Things (Vintage Books, July 10) and Theo Bleckmann, whose latest album is Hello Earth! – The Music of Kate Bush (Winter & Winter, March 13), join Katherine Lanpher to discuss and perform their work. Admission is free, and no tickets are required.
Exploring the body as a conduit for transformation, Cori Olinghouse will present excerpts from her latest Ghost lines Project. Inspired by ghost towns, silent era clown films, voguing, and eccentric dance, the characters in Ghost lines conjure a vaudevillian past as traces – remnants; as if rising from the dust, transmitting signals of light and shadow.
Basak Yavuz is a Turkish-born, New York City based vocalist, composer and arranger. From modern jazz to minimalism, from blues and world music to chromatic harmony, her music is eclectic, heartfelt, and has the just the right amount of biting honesty. Her songwriting covers the full range of human experience; it can be fragile or aggressive, beautifully simple or deceptively complex, and always tells a compelling story. She recently graduated from Manhattan School of Music, where she studied with Peter Eldridge, Theo Bleckmann, and Darmon Meader, Dave Liebman and Phil Markowitz. She was the winner of the Nardis Jazz Vocal Competition in Istanbul, and has performed with her quintet in the Istanbul Jazz Festival twice. Her debut album is slated for release in late 2012, which will feature Peter Eldridge, Dave Liebman, and many other great musicians.
A high-energy multinational hybrid of North African grooves, Middle Eastern modes, and American funk fleshed out with oud, gimbri, strings, and percussion, Yemen Blues is led by the charismatic Israeli-Yemenite singer Ravid Kahalani and go-to jazz bassist-arranger Omer Avital.
M’lumbo is a 8-piece multimedia jam band that crosses the boundaries of electronic, psychedelic, jazz, and world music. At this special performance the long-running shadowy and semi-legendary eight–piece band will celebrate the release of their twelfth album ’Tuning In to Tomorrow’ with their special guestGrammy-nominated guitarist/songwriterGary Lucas ‘The thinking man’s guitarist’-The New Yorker. The band includes Rob Ray, Paul-Alexandre Meurens, Vin Veloso, Cecil Young, Dehran Duckworth, Jaz Sawyer, Brian O’Neill, Jarek Szczyglak and other suprises. Come experience the band live in rare form and be ready to party!
– the time has finally come to officially unleash Bassoon’s eponymous CD upon the world — join us for a killer show with venerable riff-contortionists STATS and equally dexterous bass-drum duo RADIATION BLACKBODY for an evening of intelligent ear damage –
Peter Stampfel & the Ether Frolic Mob consists of whoever is available and up for it whenever. Stampfel is performing. What is Ether Frolic? Ether Frolic is when ether came into use in the 19th century, it was widely introduced by Ether Frolics–a stage would be rented, the audience would be charged, the ’show’ involved people inhaling ether on stage and carrying on in a manner not common to 19th century behavioral norms.
Mostly Other People Do the Killing is a quartet founded on the idea that not only is jazz still alive and vibrant, but that it can and should be fun, engaging and thoroughly contemporary. Rather than settling into one style or historical period, MOPDtK fuses the entire spectrum of jazz and the various forms of improvised music it has spawned into a single, seamless melange of what they call “uber-jass.”
Bassist/Composer Ben Rolston brings his quintet to Cornelia Street Café to play music from his debut album Fables, released in April of 2012 on Envoi Recordings.
Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.
Bob Jones started his career as singer in his father’s church choir. He was Andy Statman’s guitarist in his legendary klezmer quartet and currently plays with Boo Reiners in the Plunk Brothers, with the Danny Kalb Trio and with many Old Timey and Bluegrass musicians in the city.
Jon Sholle is a guitarist who has worked with such musicians as Vassar Clements, Larry Campbell, Keith Carradine, Allen Ginsberg, and Bela Fleck. He was a member of the David Grisman Quintet and has also released two solo albums on Rounder Records.
Antipop Consortium is an alternative hip hop ensemble based in New York. Conceived in 1997 out of a series of daring collaborations at the “Rap Meets Poetry” sessions of the Nuyorican Poets Café, the group has developed a cerebral, visionary strain of hip hop that incorporates the fragmented rhythms of contemporary electronic music with the confrontational, interrogative stance of rap.
Nicky Da B is a new generation New Orleans Bounce artist who is coming into national prominence in the footsteps of Big Freedia. At 21 years old, Nicky has already shared the stage with all the legends of the Bounce community and has traveled with Rusty Lazer to New York for a run of amazing shows in January and March of this year, performing at Santos Party House, Brooklyn Bowl, Public Assembly and with luminaries such as Roxy Cottontail and many more.
What better way to celebrate the John Cage centenary than with postmodern sounds of silence? Composer Phil Kline (Unsilent Night) draws upon the words and voices of Jim Jarmusch, Philip Glass, Meredith Monk, Bill T. Jones, and La Bruja, among sixty writers, artists, and musicians, for a GPS-based work inspired by Indeterminacy, Cage’s collection of one-minute epiphanies. Use your smartphone and a free downloadable audio app to trigger sixty koans scattered around the Lincoln Center campus. A podcast version will also be available.
Joe Gallant’s 18-piece Illuminati Orchestra celebrates the 35th anniversary release of the Grateful Deads’ “Terrapin Station” album (on this very day!) with a groove-heavy set of bones-shaking Dead tunes and sonic surprises.
The East Coast’s premier animation festival returns for its ninth edition, showcasing international works, award winners, experimental shorts, computer animation, student films, local cartoons, a special Animation for Kids show, and much more. On Saturday, July 28th BAM presents an animation trade-show, plus an exclusive evening after-party at the BAMcafé, with standup comedy and live music.
Latin-Grammy winner Octavio Brunetti on piano; Machiko Ozawa, former concertmaster of Orquesta Sinfonica Sinaloa de Las Artes, on violin; and acclaimed composer/arranger Pedro Giraudo on bass. Together, these three awesomely talented virtuoso musicians capture the passion and excitement of Argentine tango in a repertoire ranging from traditional favorites, to contemporary interpretations. They have dazzled audiences in New York, Washington DC, South Carolina, Virginia, and in Tokyo, Japan, with an upcoming tour to Japan this August. This appearance at Joe’s Pub will debut their new repertoire, which they will feature on their tour and will be the basis of their next CD.
Join us Saturday, July 21st as we do a test run with the first print copies of The 22 Magazine at Pete’s Mini Zine Fest!
Joining us will be Volume One contributors, John Jennison, Max Evry (selling work for Pranas J. Naujokaitis) and editor Cat Gilbert selling some of her own work along with the magazine. First person to buy a copy of The 22 gets a FREE mini-painting from Cat Gilbert’s “Flowers and Monsters” series. Show starts at 2pm! Come for the books! Stay for the drinks!
Yossi Milo Gallery is pleased to announce Lakes, Trees and Honeybees, an exhibition of new photographs and prints by Matthew Brandt from his series Lakes and Reservoirs, Trees, Honeybees and Taste Tests in Color. The exhibition will open on Thursday, May 24, and will be on view through Saturday, June 30, with a reception for the artist on Thursday, May 24, from 6:00–8:00PM. This will be Matthew Brandt’s first exhibition with the gallery and his first solo exhibition in New York. Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate.
Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.
We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!
This FREE FRIDAY comes to your courtesy of John Jennison and one of my favorite coloring books, “Tentacles.” Made up of the many limbed sea creatures of Jennison’s devising, “Tentacles” will help you reconnect with your inner (somewhat morbid) child. Check out more of Jennison’s work here (and don’t forget to grab a copy of his “adult” comic as well.)
To enter your name for the running you can do one of the following things:
1) Email the22magazine (at) gmail (dot) com and say “Enter me for free friday!”
2) If you see this post on facebook, like it or comment on it.
3) Leave a comment below.
MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.
Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.
HAZMAT MODINE draws from the rich soil of American music of the 20′s and 30′s through to the 50′s and early 60′s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.
This exhibition showcases Biddle’s continuing interest in mixed media, with a twist of humor found in much of her work. Old wires, light bulbs, screws and other found objects protrude from holes in ceramic objects, while creature-like robots – strange, disturbing and endearing – appear in collages and drawings. Liberty is a contemplation of the present in the wake of 9/11. The Statue of Liberty itself simultaneously represents an overused icon and a diminishing concept. These works offer a means of viewing such images and enable reflection of our world, our nation, our politics, our person, our perspective, and our relationship to all. Mann’s large paintings in Root, created by combining chance stains with highly rendered decorative elements on oversized, un-stretched paper, function as human-sized portholes into a landscape alive with minute details, patterns and interlocking systems.
Staring Graham Gordy
Directed by Ray McKinnon
Written by Graham Gordy
Produced by David Fowlkes
Original Score by John Swihart
Director of Photography Dave Calhoun
Edited by Bryan Stafford
Sound Design Dwight Chalmers
Assistant Editor Brent Bailey
“Oh The Vampyre” by A.A. Bondy
Celebrate your holidays Cephalopod style with a free Octi-card download from contributor John Jennison. The card includes a very special Christmas reminder for all your loved ones. Enjoy and check out more of John’s comic work at Crisis of Infinite Cells.
SONIC: Sounds of a New Century (ONGOING)
SONiC – Sounds of a New Century – a brand new festival of 21st century music by more than 100 composers age 40 and under, will take over New York from Friday, October 14 through Saturday, October 22, 2011. Events will range from a daylong marathon to a DJ/VJ night, from a free symphony concert at the World Financial Center Winter Garden to collaborations between emerging choreographers and composers. SONiC concerts will take place at ten different venues throughout New York, and will include performances by 16 extraordinary ensembles featuring at least 18 world premieres, eight US premieres, and eight New York premieres. SONiC is co-curated by composer Derek Bermel and pianist Stephen Gosling, and is a production of American Composers Orchestra and The Alice M. Ditson Fund of Columbia University. SONiC is presented in partnership with Carnegie Hall and Miller Theatre at Columbia University. New York Public Radio’s online radio station, Q2, is the media partner and digital venue.
Secret Science Club “Controlled Experiment SPECIAL EVENT: The Secret Science Club is teaming up with the Imagine Science Film Festival for “Controlled Experiment,” a night of science-inspired short films.
Vogt Gallery is pleased to present an exhibition of contemporary German drawing, “Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo Christian Larsson, and Florian Meisenberg. The exhibition brings together some of the most well-known German artists working in drawing today and is guest curated by Birgit Sonna, a Berlin-based writer and curator.
Dario Azzellini, Immanuel Ness & Victor Wallis
Capitalism would have us believe we need our bosses. This volume, edited by Immanuel Ness and Dario Azzellini, reveals the history of workers who dare to disagree. From the dawning of the industrial epoch, wage earners have gone so far as to challenge the very premises of the system by creating institutions of democratic self-management aimed at controlling production without bosses. With specific examples drawn from every corner of the globe and every period of modern history, this new book comprehensively traces this often underappreciated historical tradition.
Artist and curator, Charles Wilkin took the time to chat with The 22 about the upcoming collage show All That Remains presented by Ugly Art Room at Picture Farm in Brooklyn. Resourcing from a VAST pool of collage artists, the show is dynamic, bold and most of all, really fun. The show opens Oct 21st, with an reception from 7-9pm at Picture Farm (338 Wythe Ave.)
The 22 Magazine: You happen to be a collage artist yourself, correct? Tell me what it is that first got you hooked on collage and what you love about it?
Charles Wilkin: Yes I’m a collage artist. It’s funny because I sort of fell into collage by accident in college. I was late for a drawing class and forgot to bring my pencils and paper. I ran across the hall with nothing more than a stack of photos I’d just printed from my photo class. Instead of smacking my hand with a ruler for being unprepared my instructor said ” well use those photos”. Clearly she saw something in what I had done that day and encouraged me to make more collages. I guess what I love about collage is it’s immediacy and the happy little accidents that happen along the way. I love not knowing where I’m going until I get there and with collage I can sort of get lost in the moment. I think that’s what I really love about it most, for me it’s very freeing.
Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years. The conversation will be instigated by Paul Holdengräber.
Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.
This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center. It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.
Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White
Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco
She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.
The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.
Three legends of the New York Underground combine forces for an evening of extreme improvised music. “The most important multimedia artist of our time,”(LA Times), Laurie Anderson is best known for her multimedia presentations and musical recordings that have challenged and delighted audiences around the world for more than 30 years. Tonight Anderson teams up with husband Lou Reed – arguably one of the most influential musicians in rock history whose band, the Velvet Underground, redefined the music of the late ’60s. Also joining them tonight is maverick composer/performer and godfather of the Downtown New York scene, John Zorn.