The 22 Playlist #2 (The Submarine Hotel), August 25 2012.

In the sea, deep, in the sea, there is a submarine hotel. Men go there, women too, to water down the world and float free. The submarine hotel is a one way trip, and the passengers are always the same. This week we’re offering you the once in a lifetime opportunity to sonically explore the interior of this metallic getaway with sounds ranging the gurgle of tasty Bier from Bernd Klug and Bernhard Hammer to a lullaby at sea with CATFOX, to the expirmental fusion of Mostly Other People Do the Killing, and the playlist inspiring track from Taren McCallen-Moore, The Submarine Hotel, plus many more.

See the full line up below, or check it out here. Photo courtesy of National Archives of Norway.

THE WEEKEND: March 23-25.

EDITOR’S PICKS:

Floating Points: Francisco López
http://www.issueprojectroom.org/2012/02/14/floating-points-francisco-lopez/
03/24/2012-03/25/2012
8pm-

Stephan Moore and ISSUE Project Room have commissioned a new piece by sound artist Francisco López for Moore’s unique multi-channel sound system. Francisco López has worked with a variety of multi-channel systems, both in live performances and sound installations, from constellations of small transducers to Wave Field Synthesis systems with hundreds of speakers, and acoustic spaces ranging from concert halls to galleries to underground water reservoirs. For his new piece, López has worked in residency at ISSUE Project Room to develop a detailed sonic construction resulting from the actual space and multi-channel sound system. It is a true site-specific composition that unfolds with richness and detail as an intense and immersive experience inside a self-contained virtual world of sound.

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The 22 V 2/II SIGN & SYMBOL ONLINE NOW!

It is with no small amount of honor that we present the contributors of Vol 2/II: Sign & Symbol. These works are potent and it is with great awe, wonder, shock, respect, and pride that we raise The 22′s banner to pay tribute.

The contributors in Volume 2/II display an uncanny ability to manipulate context. Artists, writers, and musicians often stand at the forefront of cultural change, reflecting visions and revisions of our shared history. The contributors in this volume prove that icons come in many shapes, sizes, and media. At The 22, it is not our job to decide which is more correct, but instead to showcase a spectrum of interpretations. From the brash innuendos of Alexander Barton, the subtle humor of Captain Panda Pants, the visceral statements of Kikuko Tanaka, the humorous apocalypses of Marcus Kenny, the bold words of Nancy Flynn, the pressing urgency of Robert Kulesz, the enduring marks of David Bailin, the mementos and monuments of Kyle Coffin and Joseph Leroux, the clockwork perfection of Emily Ginsburg, the quiet intensity of Edwin Rostron, Mario Kolaric and Thera Webb, the humanity of Jonathan Wood Vincent, the minimalist seduction of James Gallagher, the perfected symbols and sounds of Yuko Otomo and Steve Dalachinksy, the strange surrealities of Derek Larson, the gut-wrecking prose of Ventral is Golden and Damien Knightley, the unabashed beauty of Robert Lucy, to the professed arbitrariness of Colin Oulighan, this volume covers the gamut of symbology and speaks to the underlying notion that we all are highly aware of our public and personal icons-whatever they may be.

Thank you to each and every person who made this volume possible including our generous fundraiser contributors.

~Cat Gilbert, Editor and Publisher

The 22 Volume 2/II: Sign & Symbol (ISSUU version)

The 22 Volume 2/II: Sign & Symbol (Website Version)

Visit our Website

THE WEEK: Nov 28-Dec 2.

MONDAY:

TALK SERIES: Poetry After the White House Jam: A Panel Discussion on the nature and Role of the Avant-Garde
This talk will focus on poets Alison Knowles (founding member of Fluxus) and Kenneth Goldsmith (Conceptual Writing figurehead) and their inclusion in the 2011 White House Poetry Jam. Specifically, thinking about Knowles and Goldsmith as “avant-garde” figures: whether there can be an avant-garde that is current and representative, and how that impulse affects/is affected by an institutional context such as the White House. Panelists include: Rod Smith,Sandra Simonds, and Steven Zultanski.

THE WEEK: Nov 15-18.

TUESDAY:

99% – The Occupy Wall Street Collaborative Film
Filmmakers Audrey Ewell and Aaron Aites in attendance for discussion including a video conversation with other film collaborators. Film critic Christopher Campbell will be moderating the discussion. Williams Cole will introduce the event.This feature length documentary film is spearheaded by over 50 independent filmmakers, photographers, and videographers across the country. We have come together to pledge our time, skills and gear to cover the events taking place in NYC and around the country. The end product will be a compelling, cinematic, resonant, and honest portrait of the Occupy Wall Street movement. Founded by NYC filmmakers Audrey Ewell and Aaron Aites, the project currently counts among its collaborative many award winning documentary producers, directors, musicians and editors (as well as PR people and distributors) including Michael Galinsky and Suki Hawley (Battle for BrooklynHorns and Halos), Ava Duvernay (distributor of independent black films via AFFRM, dir/prod I Will Follow), Aaron Yanes as supervising editor (a frequent Barry Levinson editor, he’s also edited many award-winning features and documentaries, from Sundance Grand Jury Prize winner Padre Nuestro to James Toback’s Cannes prize-winningTyson, Tyler Brodie (Another EarthTerri), Bob Ray (Total Badass) and many more.

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THE WEEK: Sept 26-30.

LIVE from the NYPLROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber 
Friday, September 30, 2011 7:00 p.m.

Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years.  The conversation will be instigated by Paul Holdengräber.

Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.

This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center.  It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.

Organs in The Snow
Opening Reception: Sep 30, 8-11pm

A Group Show and Story by Rachel Mason

Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White

Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco

She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.

The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.

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THE WEEKEND: Sept 2-5.

BRIAN M. VIVEROS: RETURNING ART TO THE UNCLEAN @ LAST RITES.
Opening Reception: Saturday, Sept 3rd, 7:00pm-11:00pm.  Show runs Sept 3rd thru 25th, 2011.

Known for his strong and sensuous depictions of women, Brian M. Viveros is a master of contemporary iconography paying homage to the femme fatale. While he almost exclusively paints portraits, within the expressions of his women is conveyed such deep emotion and overwhelming sexuality that his work is undeniably erotic. Often without even a hint of nudity, the viewer is seduced with a mere pout and gaze from his subject’s faces.

In what will be Brian’s second showing at the gallery, the opening will feature an all new collection of original paintings, as well as special rare prints from the artist’s own collection; poster giveaway and signing; live “Smoking Army” performance; screening of Brian’s films along with his new short, and much more.

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THE WEEK: August 29th-Sept 2nd.

Odysseus at Hell Gate Performance @Socrates Sculpture Park
RESCHDEULED: AUGUST 29, FROM 6PM UNTIL DUSK.  

Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.

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