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A Postcard from New Yorkshire New works by Doktor A.
October 12th 2012 (Through Nov 11)
While you are enjoying your spoils from the upcoming NYCC 2012 weekend, make sure to take a break from the Javits Center mayhem for a spectacular evening at the opening of A Postcard from New Yorkshire, featuring new artwork by Dok A. The steampunk extraordinaire is getting adventurous with his work in the show, pushing boundaries and showcasing newly acquired skills. Anticipate intricate details in custom toys as well as ink drawings. Show opens on Friday, October 12 from 7 – 10pm. Dok A will be in attendance at the opening and make sure to welcome him because this will mark his first visit to NYC. Show runs until November 11.
Octopus Project/The Vandelles
Sat, October 6, 2012
A group of young noise-rock musicians moves into a old, ghost-filled house and sets up shop. Though the spooks are at first rattled by the blasts of guitar feedback and unhinged drummery, they soon begin to share their own beautiful, otherworldly melodies with the band and discover a musical common ground. As the group, ghosts included, fills the neighborhood with strange, electrifying sounds, curious neighbors and passers-by find themselves drawn to the rumbling, hypnotic rhythms emanating from the old dwelling. And so you find yourself here, outside the house, where a sort of Tim Burton block party is unfolding. Come on inside. The Octopus Project is just getting started…
The Where, the Why, and the How: 75 Artists Illustrate Wondrous Mysteries of Science
Thursday, October 11, 7–9 PM
A science book like no other, The Where, The Why, and The How turns loose 75 of today’s hottest artists onto life’s vast questions, from how we got here to where we are going. Inside these pages some of the biggest (and smallest) mysteries of the natural world are explained in essays by real working scientists, which are then illustrated by artists given free rein to be as literal or as imaginative as they like. The result is a celebration of the wonder that inspires every new discovery.
The Butterfly Conservatory
October 6, 2012 – May 28, 2013
This is one of the museum’s most popular annual seasonal exhibitions. Butterflies and moths make up a large group of insects known as the Order Lepidoptera (lep-i-DOP-ter-ah). The name–from the Greek lepido, “scale”, and ptera, “wings”–refers to a prominent feature of adult butterflies and moths, the tiny scales that cover the wings and the rest of the body.
Daniel Temkin, 98.1034 Bottles of Beer
Opening Friday, October 5th, 7 – 11pm
98.1034 Bottles of Beer on the Wall provides drunken encounters with compulsive systems. A program continually preens itself, inserting lines of code to change its visual representation, but along the way, introducing glitches and new patterns of behavior. A therapist program tries to dispense advice as her logic slowly breaks down. Sound editing software turns simple geometric shapes into hallucinatory landscapes. Photoshop generates intricate patterns in an attempt to hide visual compression. A book displays the abuses and absurdities of the DNS system, an addressing apparatus that has seemingly exhausted meaningful combinations of English words.
Picasso Black and White
October 5, 2012–January 23, 2013
Picasso Black and White is the first exhibition to explore a remarkable focus that occupied the great Spanish artist, Pablo Picasso, throughout his prolific career: the use of black and white. Few artists have exerted as considerable an influence over subsequent generations as Picasso, one of the most recognized figures in 20th-century art. While his work is often seen through the lens of his diverse styles and subjects—his Blue and Rose periods, pioneering investigations into Cubism, neoclassical figurative paintings, and explorations in Surrealism, for example, or the forceful and somber scenes depicting the atrocities of war, the allegorical still lifes, the vivid interpretations of arthistorical masterpieces, and the highly sexualized canvases of his twilight years—the recurrent motif of black, white, and gray is frequently overlooked.
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An open, no-cover party at Screen Slate HQ featuring live music byStrange Rivals, DJing by Colin Beckett and Max Diamond and 16mm projections by Ryan Marino. Spirits available including beer lovingly provided by Brooklyn Brewery. 15 Bushwick Ave., 11211, two blocks from the Graham or Grand L stops in Williamsburg, Brooklyn.
In this workshop you will be introduced to the old world craft of Hatmaking. The skills involved in making a hat evolved in the 14th century and have hardly changed since. Participants will become familiar with all the basic tools, materials and terminology. Over the four classes participants will handblock a Panama straw hat, and learn to finish and trim it just in time for the Fall.
Co-Executive Producer – Kimberly Knox/ Ubiquita Worldwide
Executive Producer Co-Founder of WBA-Jim WildeSunday, August 14th 2011 at Le Poisson Rouge in New York City will see the undisputed Godfather of Noise Rahzel (the Roots) and Rakaa (DilatedPeoples) headlining the post-championship concert of the 2nd American Beatbox Championships. America’s top 16 beatboxers will battle it out live in an “8 mile style” beat down for the crown of America’s Best Beatboxer. Beatboxing’s finest will go mic to mic as Hasan Salaam and Eternia MC the evening with DJ Boo holding down the Red Bull decks alongside Colin Dean’s Roots & Grooves. (READ MORE.)
28th Annual Roots of American Music Festival
(FULL SCHEDULE, VARIOUS LOCATIONS.)
SID SELVIDGE & SONS OF MUD BOY
SUN RECORDS ORAL HISTORIES
Sat, Aug 13 at 2:00
Hearst Plaza Stage
Clawhammer banjoist Abigail Washburn has emerged as a gifted singer-songwriter after perfecting the most unlikely of fusions—between Appalachian music and Chinese folk. Soulful folk-rocker Sid Selvidge’s astonishing voice takes the Memphis blues to another level, joined by Luther and Cody Dickinson, the sons of the influential late producer-musician Jim “Mud Boy & the Neutrons” Dickinson. Roots of American Music producer Spike Barkin starts the day with an onstage talk with the pioneering alumni of Sun Records, whose stories and recollections are a historical treasure trove.
Radio Happy Hour: The Final Episode
August 12, 2011
Radio Happy Hour, the radio show not on the radio, has announced the end of their 2+ year run as the Village’s best variety show. After a US tour, appearances on public radio, feature articles in NY Post, Nylon, and many other places, the hit comedy show is ending its run. “Secretly, I was always surprised that anyone ever came to see a murder mystery on a fake radio show, or that anyone ever agreed to be on the show. Apparently, New Yorkers have a real appetite for idiocy,” says show host and head writer Sam Osterhout.
Friday, August 12th
COMPLIMENTARY “MIDNIGHT MARTINI’S” AND SPECIALTY DRINKS FOR ALL!
Please join us for the launch of the new web series “The Midnight Archives: Tales From the Observatory.” The series is the work of many time Observatory presenter Ronni Thomas (Alias Ronni Raygun) of the IKA Collective and is centered around the esoteric and always exotic personalities that spring from the Brooklyn Observatory. It attempts to briefly document some of the truly unique people, talents and objects from around the world who gather there on a weekly basis. Mummies, Taxidermy, 18th century robotics, early French demonic 3d horror… its all here.
JAMES BROWN dance party w/JAMES CHANCE live and more @Zebulon
Sat Aug 13
Williamsburg, Brooklyn – Zebulon (258 Wythe): James Brown dance party w/DJs Jonathan Toubin and James Chance plus a live performance by JAMES CHANCE AND THE J.C.’S (playing 2/3 James Brown and 1/3 Contortions songs! Supergroup featuring James Chance, Ivan Julian (Richard Hell and the Voidoids), Robert Aaron (avant-jazz legend who’s also played with everyone from B-52s and Blondie to Afrika Bambataa and Wu Tang Clan), Kim Clark (Defunkt and dozens of jazz projects), and Richard Dworkin [James White and the Blacks, Alex Chilton, etc), JAMES CHANCE SOLO, JAIL BAIT, and more at Zebulon…
AND ON SUNDAY NEW YORK NIGHT TRAIN’S DJ MR. JONATHAN TOUBIN! @ UNION POOL.
Twig Terrariums @MAD.
Saturday, August 13, 2011 – 11:00 am to 6:00 pm
Each Saturday in August join Brooklyn based artist collaborative Twig Terrariums as as they reveal their processes in creating small worlds within antique, vintage, and new glass containers.
Generative crowd sourced sculpture with music performances @ Devotion.
Opening: Friday, August 12th, 2011.
Sol LeWitt knew that artists of many diverse types use simple forms to their own ends. Musician and multimedia artist, Morgan Packard believes that simple rules, when allowed to unfold, create the splendor of the world. In Euclidean geometry the simplest non-curved flat shape is the triangle, and the simplest non-curved three-dimensional shape is four triangles connected by their edges—the tetrahedron. In this crowd-sourced artwork the public is invited to create tetrahedrons from recycled office paper and a few pieces of tape while musicians perform. Under Morgan’s direction the participants will attach the vertices of the tetrahedrons to create a constantly expanding sculpture, filling the gallery with a geometric wonderland intersected by sonic vibrations.
InDigest 1207 Reading Series w/ Matt Bell , Michael Czyzniejewski and Robert Lopez
Sun., August 14, 2011 / 7:00 PM FREE
InDigest 1207 Reading Series
InDigest also presents InDigest 1207, a reading series that takes place monthly in New York City and quarterly in Minneapolis. In addition to their own work, readers are encouraged to bring in something that has informed or influenced them in some way. The result is often funny, sometimes strange, but always interesting, showing us how we are all constantly influenced by what we see, hear, and read.
PORTAL: Perspectives on Video Performance Contemporary Video from Sydney @ Regina Rex.
Friday, August 12th
Curated by Janis Ferberg, organized by Stephen Truax
Portal is pleased to present a one-night screening of video works by Sydney-based artists engaged with performance mediated through video at Regina Rex in Ridgewood, New York.
This selection of work offers an alternative point of entry to the practice of performance, whereby video is used not as a medium for documentation, but rather as an end in itself.
Saturday August 13th6th Annual Celebration of Progressive Culture
Now a Manhattan mainstay, the Dissident Arts Festival was founded in upstate NY in 2006 with a primary goal of establishing an annual showcase of politically progressive music, poetry and performance art—perhaps the only such vehicle in the nation. This Festival has sought to bring together a wide variety of sounds and styles, tearing down boundaries, bending rules and infusing the arts with the strongest, most radical activism, where folk-protest song meets free improvisation and contemporary composition. Featured among our past performers and speakers were actor/raconteur Malachy McCourt, folk legend Pete Seeger, poet Louis Reyes Rivera, revolutionary hip hop group ReadNex Poetry Squad, protest/garage band The Last Internationale, labor luminary Henry Foner, topical singer Bev Grant, ‘anti-folk’ singer Lach, jazz artist Ben Barson and filmmaker Kevin Keating (“Giuliani Time”). And we presented tributes to Woody Guthrie, Paul Robeson, Bertolt Brecht and Phil Ochs along the way. As of 2010, the Festival became affiliated with NYC’s Brecht Forum, a center of Left education and culture which has proven itself the perfect host of the Dissident Arts Festival. This year, Dissident Arts focuses on the improvisational and modernist heart of Protest Music while also featuring topical folk/acoustic performance, radical film and revolutionary poetry.
Friday, Saturday and Sunday
Sanda Weigl@ Cornelia St. Cafe.
Saturday, August 13, 9:00 PM
OH THE SHARK HAS PRETTY TEETH DEAR, SONGS OF THE WEIMAR ERA
Sanda Weigl, vocals; Anthony Coleman, piano
Noam Faingold Presents a night of Chamber Music plus a Rock Orchestra @ CAFE ORWELL.
SATURDAY 8/13. 8-midnight.
From Noam: The Noam Faingold Orchestra will play a set, then it’s members and some special guests will play contemporary chamber music by Jeremy Forbis, Jacob Druckman, Kurtag and others, and then we will play another set of Aleatoric pieces by Christian Wolff, Terry Riley, Louis Andriessen and others.
Saturday, August 13th
Noon through much much later…
$10 arrive before 3pm : $20 after
Sunday, August 14th
Noon through Midnight
$10 all day + Cheap Drinks
3rd Ward, Macro-Sea, Artists Wanted, TheDanger and Chashama have spent the past several weeks building out a fantastic oasis in the creative heart of Queens. A couple blocks from PS1, we are opening The Palms, a late summer ode to the Boca Raton Resort Pools of the 1940′s (with more music, spectacle and hedonism).
BAMBOO KAYAK BUILDING WITH MARE LIBERUM
ARLEKINO THEATER TROUPE PRESENTS: CARNEVALE!
TIMOTHY ATTICUS: UNZIPPED
Pay Day / Sunnyside / The Idle Class & Modern Times in HD @ Symphony Space.
Manhattan Graphics Center First Annual Juried Show
George Kuchar, Occasions @Mulherin + Pollard.
Local Party on the Block @Local Project.
Lemonaids: A collaboration between Jason Fritz/Matthew Momchilov
Going Green@ Crossing Art.
SANKALPA: Art Therapy in India.
Music in the Garden Series @ The Noguchi Museum
The Official Bass Island After Party featuring: FreQ Nasty (Giveback.net) , Virtual Boy (Alpha Pup records) , Proper Villains (Nightshifters/Play Me Records) andWilly Whompa (Muti Music) @LPR
CAN’T HEAR THE REVOLUTION.
FLOAT: FIELD OF DREAMS
I Am Still Alive: Politics and Everyday Life in Contemporary Drawing
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Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)
MAY 20–AUGUST 28, 2011
After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.
Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…
Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!
For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)
The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”
An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Part of Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson
Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)
The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.
QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW
As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:
- DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
- CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?
- KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
- LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.
There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.
The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.
This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.
More info: http://tinyurl.com/blvr-nypl-qna
May 18 – June 19 2011
Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.
Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)
Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.
Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)
May 19 – June 25
I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.
Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.
David Levinthal: Black Again
May 19th to July 2nd
John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.
Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and 3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.
In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes
A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Presented by the Hollow Earth Society
Part one of a four-part series
Post-apocalyptic arts & crafts survival skills workshops, you say!? That’s right: Creative-making for the improvisational, post-industrial future (and present). When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)
3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB
with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)