The 22 Magazine


THE WEEKEND: MARCH 9-11.
March 8, 2012, 9:57 pm
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EDITOR’S PICKS:

Holi
http://www.festivalofcolors.org/
03/11/2012-03/11/2012
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Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.

Hazmat Modine
http://hazmatmodine.com/home.html
03/10/2012-03/10/2012
7pm-10pm

HAZMAT MODINE draws from the rich soil of American music of the 20′s and 30′s through to the 50′s and early 60′s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.

 

 

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THE WEEK: Sept 26-30.
September 26, 2011, 1:03 am
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LIVE from the NYPLROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber 
Friday, September 30, 2011 7:00 p.m.

Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years.  The conversation will be instigated by Paul Holdengräber.

Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.

This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center.  It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.

Organs in The Snow
Opening Reception: Sep 30, 8-11pm

A Group Show and Story by Rachel Mason

Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White

Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco

She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.

The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.

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Gertrude Stein’s Doctor Faustus Lights the Lights Friday and Sat.

Ashley Kelly Tata writing to invite you to the next theatrical extravaganza brought to you by Columbia University with the energy and collaboration of Enthuse Theater.

We are very excited (and a little bit nervous) to share with you the work we have been doing on Doctor Faustus Lights the Lights, written by “The Mother of us All,” Gertrude Stein. We have been hard at work detangling the knotty words of Stein in a valiant attempt to bring to you this take on a story we all know: Faustus has sold his soul to Mephisto for eternal life and knowledge—and light. But what if there is no proof of purchase? What if a woman entered this world and seems to possess that knowledge without having sold her soul? Who has the right to knowledge? What is the responsibility of power? What does a guy (or girl) have to do to get to hell?

We hope you will join us for 90 minutes of a theatrical exploratory event created by an incredible group of artists. Please come for the show, stay for the conversation, the environment, and the company.

Until then, with awe, enthusiasm and great anticipation,

Ashley Kelly Tata

Artistic Director
Enthuse Theater

MFA Directing Candidate 2012
Columbia University

Doctor Faustus Lights the Lights
By Gertrude Stein

Directed by Ashley Kelly Tata
Dramaturgy by David Carter
Music by Brian McCorkle
Choreography by Leeanne M. G-Bowley
Lighting Designed by Amith Chandrashaker
Costumes Designed by Kristen Kopp
Performed by: Andrew Belcher, Chelsea D’Aprile, Cherish Duke, Kevin Mannering, Sunrise Marks, Lea McKenna-Garcia and Ryan R. Rinkel
Image by Chip Rodgers

At:
The Schapiro Theatre
605 West 115th St (in the basement)
Friday, April 22nd at 8PM
Saturday, April 23rd at 3PM and at 8PM
MAP

It’s FREE!

RSVP at doctorfaustuslightsthelights@gmail.com




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