Filed under: VIDEO WEEKEND | Tags: 22, brooklyn, couleurs d, des, Jeremiah, jours, LES, magazine, maine, mcdonald, new, portland, the, Video, war, weekend, york
Filed under: ART, EVENTS, MATT MOWATT, REVIEWS | Tags: (UN), 140, 22, a, animal, ardouvin, art, artist, artists, arts, auguste, blanche, brooklyn, burning, central, chatlet, d’années, dormeuil, du, espina, fanguese, glisse, halles, i, ignicion, il, issac, Julien, keep, leopard, LES, light, magazine, massif, millions, new, nuit, ny, nyc, paris, performance, Pierre, plage, purple, rain, renaud, sur, tassef, the, thomas, une, virginie, will, Y, york
Nuit Blanche, the tenth annual city-wide art exploration (“art walk” is a gross understatement when over 125 artists’ works are sprinkled all over the City of Light), was a personal success this year than the last (as I was stuck in an apartment with ex-pats waiting to leave for hours as they pre-gamed and played horrible music – see article: Waiting for Nuit Blanche). I took precautions not to invite too many friends and to plan an accurate itinerary of the exploration that began in northern Paris and ended in the center. The journey clocked in at about ten hours, shedding three or four people in the process, leaving me with three others at five in the morning.
Here’s a brief description of the pieces we encountered and where they were located:
Filed under: ART, SUPPORT THIS PROJECT! | Tags: 22, aml-press, april, artists, arts, beaute, berlin, bras, collage, culturelle, cutter, d'humidite, damp, des, eduardo, fashion, france, french, germany, gertler, l'entreprise, LES, magazine, minimal, minimalist, new, ny, nyc, paris, patches, prisonniere, project, risograph, serafim, sous, taches, the, votre, york
HELP SUPPORT CONTRIBUTOR APRIL GERTLER’S BOOK PROJECT: DAMP PATCHES.
I’ve had the very great pleasure of seeing some of these pieces in person and each one of them is so uniquely lovely. April will talk about this and other projects in the forthcoming video interview for the 22 but in the meantime help her make it happen!
Donations range from $25 to $750 (which includes a personal hand-made collage from April.)
ABOUT THIS PROJECT
In October 2010 I was invited to Paris for an artist residency at l’entreprise culturelle. Out of that residency came DAMP PATCHES – which is a new collection of work I developed into an artist book that mixes my collage work with photography and drawing. The title of the book comes from the loose translation of a deodorant ad from the French fashion magazine Votre Beaute (1973): Prisonnière des taches d’humidité sous les bras. – A prisoner of damp patches.
I like working with collage because I enjoy using original source materials such as found photographs, fashion magazine ads, and bits and pieces that I find on the street or in the trash, and the hands-on experience of working with paper, glue, scissors and thread. It feels increasingly relevant to use a hands-on approach as many other parts of my life are being swallowed by the digital world.
I use collage as my primary medium because I feel it is the best way for me to combine images and explore various concepts that interest me the most, such as; the complex dynamics of intimate relationships, female empowerment, and the anonymity of urban life. I am dedicated to my original source materials which tend to restrict the final size of my work, but in that way they become more precious and intimate for the viewer, DAMP PATCHES has challenged my continuing understanding of what collage can become.
The idea of creating a book surrounding the project came together when I was speaking to my colleague and friend, Eduardo Serafim about DAMP PATCHES. Eduardo co-founded AML-Press in February 2011, and suggested that AML print the book with their newly acquired Risograph printer; a machine part Xerox copier, part offset press which has the quality of a silkscreen.
The Risograph machine was not initially intended for artist books or printed projects but rather for high volume commercial use. I loved the idea of using the Riso because the quality and texture of the images produced by the machine highly compliment the source material I use in my work which typically comes from the 1960′s – 1980′s.
The final book will marry the low-tech feel of the collage work with the high tech printing method of the Riso. As a result the collages and photographs will be the same size and the same texture as the original works. I am really enthusiastic about this part of the project because it helps me push my practice further by exploring my interest in all 3 mediums and takes them to a new level.
The funding I’m requesting would support the production of the book by supplementing the printing costs, paper, assembly, and shipping/distribution of the finished book.
The book would be:
- 36 pages
- Book size (closed) 8.5″ x 11.5″
- Printed on the Risograph
- Staple binding
- Edition of 300
I hope you are interested in sharing in my enthusiasm. Thank you for your time, attention and support.
10437 Berlin, Germany
Project location: Berlin, Germany
Filed under: The 22 | Tags: 22, art, artist, brooklyn, cat, charles, disneyland, drawer, dream, gallery, gilbert, ink, kopelson, LES, magazine, marker, mnahattan, new, orchard, painter, printz, sharpie, the, windows, york
I began art-making as a realist. After a creative crisis I began to re-investigate essential qualities of composition. This departure took me on a slow ascent toward my current style in which I attempt to incorporate childhood fascinations and the emotional weight of adulthood to excavate a system of a private language. From simple systems, complexity emerges. Through assigning a structural hierarchy to my line what began to take shape was a technological body of tremendous volume, dynamism and movement.