The 22 Magazine


THE WEEK: Dec 5-9.
December 5, 2011, 6:51 pm
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MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

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The Weekend:Dec 2-4.
December 2, 2011, 8:55 pm
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FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

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TROUBADOUR KAUL: Letters to Samārā: The Prologue to our Parable’s Premise by Troubadour Kaul

Troubadour Kaul is a collaboration project between the two people exploring poetry, travelogues, prose, photography and music. Their art-words have appeared in various magazines and journals. Their poetry is forthcoming in print issues of Full of Crow, Pyrta Journal, Redaction: Poetry & Poetics, Alligator Stew, Micro Poetry Anthology, Mud Luscious Press and elsewhere in Fall 2012. Troubadour Kaul is also a Guest Editor and Poetry reviewer at Cha: An Asian Literary Journal and will be the on the masthead of the Golden Sparrow Magazine’s upcoming ‘Best of’ print edition.Despite a 2011 Best of the Net + two Pushcart Prize nominations + winning the Golden Sparrow Poetry Prize 2011 and being shortlisted as a finalist in the Best Short Writing in the World in 2012, their ranking in the Indian arranged-marriage-market remains dismal. An MFA in Poetry and promoting their first full length collection of poems seems to be the modus operandi for a happily ever after in 2012.The series  “Letters to Samārā” are excerpts from Troubadour Kaul’s first collection of prose-poetry. His body of work explores the themes of existence, love and identity through the headset of a wayfarer writing to his beloved back home. The work draws its allegories from the Bhagwad Gita, German philosophy and pop-culture precepts with an occasional foray into European mythology.

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THE WEEK: NOV 21-25.

MONDAY:

From #occupy to revolution
Jed Brandt, Mike Ely, Eric Riebellarsi
Jed Brandt is an editor with the Occupied Wall Street  Journal, and together with Eric Ribellarsi, has recently returned from deep investigations into the “movement of the squares” in Greece and the revolutionary movement in Nepal. Mike Ely is a veteran revolutionary whose political life started with the early SDS and the Black Panther Party in the 1960s, and covers decades of experience attempting to build revolutionary organization, including among coal miners in the wildcat strike movements of the 1970s. All three are participants in the Kasama Project — a communist effort to re-imagine and regroup for  revolution in the U.S. All have been active in the Occupy Together movement in different cities.

Robert Ashley:That Morning Thing
A remounting of Robert Ashley’s legendary opera. That Morning Thing was performed only three times (Ann Arbor, MI, Oakland, CA and Tokyo, Japan) in the late 1960s, but the opera acquired its reputation through rumor and the famous recordings of two sections, Purposeful Lady Slow Afternoon and She Was A Visitor.

The Oven: AND HUMBABA CAME FROM HIS STRONG HOUSE OF CEDAR
Creative Sounds of Dissension 
JOAN DIDION in conversation with Sloane Crosley
The Secret Science Club presents paleoanthropologist, fossil hunter, and human evolution expert William Harcourt-Smith
Bailey Cooke/Time Travelers/Graham Lee Smith
Dance Film Lab Showcase
Chibi-rific Manga Drawing Workshop with Misako Rocks
Moonshot Magazine’s “Secret Issue” Reading and Release Party
Opre! A Symposium on Romani (Gypsy) Musics and Cultures
ALIEN COMIC / SALLEY MAY AND FRIENDS
Felix and Dexter
Blake Mackey/Mercies/Beet Juice / Kristy Kruger
1751 EASY STREET :: ARTIST TALK
NEW AMSTERDAM RECORD’S DOUBLE-RELEASE EVENT
CANSTRUCTION 

TUESDAY:

Citizen Cartography Workshop: Build a Virtual Atlas of New York
Help NYPL build the geospatial library of the future! This workshop (which takes place the three times a month) will get you oriented with the a set of tools the Library has developed (available at maps.nypl.org) that enables librarians and the general public to add valuable geographic context to old maps. The workshop will focus on the core activity of the website: georectification, or “warping” maps. This means overlaying digital images of historic maps onto a contemporary digital map (similar to Google Maps), transforming them into tiles of a virtual atlas.

THE STORY COLLIDER: BODIES IN MOTION
From finding awe in Hubble images to visiting the doctor, science is everywhere in our lives. Whether we wear a white lab coat or haven’t seen a test tube since 8th grade, science affects and changes us. We all have a story about science, and at The Story Collider, we want to hear those stories.

The Underdeveloped and Overexposed Life and Death of Deena Domino
E.S.P. TV Episodes 8-10 Screening Party

PHARMACOPHORE: ARCHITECTURAL PLACEBO

Myles Manley/The Lost Shores/Tom Devaney (of Rotary Club)/Johann
Researching Family History @ the Schomburg Center
CROSSING BOUNDARIES
GRADUATE POETS SERIES/TAKSIM
SALLIE FORD AND THE SOUND OUTSIDE/QUIET LIFE
Jean-Frédéric Schnyder
THE FUNES
Someone’s Trying to Kill Me 

WENESDAY: 

ANDRU BEMIS @ROOTS AND RUCKUS
Video@Hubertus – Screening of videos by Paul McCarthy
MARY BEARD
PERFECT SENSE/RYAN BLOTNICK’S 04646/TATTOOS AND MUSHROOMS FEATURING: MICHAEL BLAKE 

THURSDAY:

THANKSGIVING!

FRIDAY:

Jack Smith
Few artists can be said to have had a greater influence on the history of experimental cinema, queer cinema, and performance art than Jack Smith (1932–1989). Smith was an antic performer who played to the cheap seats, flamboyantly and tragicomically overwrought in the manner of Theda Bara, Maria Montez, Gloria Swanson, and Dorothy Lamour. His style of camp blended Hollywood orientalism, burlesque, kitsch, polymorphous sexuality, and social satire. Caustically funny, politically trenchant, and defiantly intolerant of intolerance, he provoked police raids and censorial judges, and created a beautiful, haunting, poignant, outrageous, orgiastic body of work that transformed the artistic landscape of the New York underground—a culture also being shaped in profoundly radical ways by Andy Warhol, Tony Conrad, Ken Jacobs, Ron Rice, the Kuchars, Jonas Mekas, the Velvet Underground, Charles Ludlam, and Susan Sontag—as well as inspiring a subsequent generation of artists, including Richard Foreman, Rainer Werner Fassbinder, Christophe Schlingensief, Laurie Anderson, Derek Jarman, Nan Goldin, Robert Wilson Jack Goldstein, Mike Kelley, Pipilotti Rist, Vaginal Davis, Cindy Sherman, Guy Maddin, Ryan Trecartin, John Waters, Vivienne Dick, The Cockettes, John Bock, and countless others.

PERFORMA 11
Performa 11, the fourth edition of the internationally acclaimed biennial of new visual art performance presented by Performa, will be held in New York City from November 1–21, 2011. The three-week biennial will showcase new work by more than 100 of the most exciting artists working today, in an innovative program breaking down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design, and the culinary arts. Presented in collaboration with a consortium of more than 50 arts institutions and over 50 curators, as well as a network of public spaces and private venues across the city, Performa 11 will ignite New York City with energy and ideas, acting as a vital “think tank” linking minds across the five boroughs and bringing audiences together for brilliant new performances in all disciplines.

Aid and Abet: Working With NGOs
Sonnambula
RON AGAM AND TONY SOULIÉ
Rona Yefman
THE STONE
American Letters 1927-1947: Jackson Pollock & Family
An Auteurist History of Film
Dead Laptop Series
SPANKIN’ STEPHEN’S MONDAY NIGHT PUB QUIZ
Carsten Höller: Experience
Street Scenes / Visual Narrative
Observatory: 
the ephemera: an exhibition by James Walsh
BRAIN CLOUD
Diego Rivera: Murals for The Museum of Modern Art
CHASE GRANOFF: INTUITION IS PRECEDING OVER MY UNDERSTANDING
WHERE AM I?: The tactile experience of sculpture work
The Curiously Sinister Art of Jim Flora: A 60 Year Retrospective
C.I.C.T. / Théātre des Bouffes du Nord Fragments
A BREAK FROM CONTENT: JASON MIDDLEBROOK
DEATHSCAPE
The Cherry Orchard
OPEN INVITATION FOR ACTIONS ON INTERNATIONAL MIGRANTS DAY
Simon Denny:Corporate Video Decisions
Behind the Curtains of XXI Century Communism

UPCOMING:

Jerry Walden 



THE WEEK: Nov 15-18.
November 15, 2011, 8:42 pm
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TUESDAY:

99% – The Occupy Wall Street Collaborative Film
Filmmakers Audrey Ewell and Aaron Aites in attendance for discussion including a video conversation with other film collaborators. Film critic Christopher Campbell will be moderating the discussion. Williams Cole will introduce the event.This feature length documentary film is spearheaded by over 50 independent filmmakers, photographers, and videographers across the country. We have come together to pledge our time, skills and gear to cover the events taking place in NYC and around the country. The end product will be a compelling, cinematic, resonant, and honest portrait of the Occupy Wall Street movement. Founded by NYC filmmakers Audrey Ewell and Aaron Aites, the project currently counts among its collaborative many award winning documentary producers, directors, musicians and editors (as well as PR people and distributors) including Michael Galinsky and Suki Hawley (Battle for BrooklynHorns and Halos), Ava Duvernay (distributor of independent black films via AFFRM, dir/prod I Will Follow), Aaron Yanes as supervising editor (a frequent Barry Levinson editor, he’s also edited many award-winning features and documentaries, from Sundance Grand Jury Prize winner Padre Nuestro to James Toback’s Cannes prize-winningTyson, Tyler Brodie (Another EarthTerri), Bob Ray (Total Badass) and many more.

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Letters by Valentina Cano.
October 20, 2011, 2:31 pm
Filed under: POETRY, WRITING | Tags: , , , , , , , , , , , , , , , , , ,

To hold your name

should not conjure up

days of stifling suns.

It shouldn’t mean hands

that fold themselves

over and over

like obsessive handkerchiefs.

Your name shouldn’t be a red dot

blinking in some warehouse,

warning of an open door.

I should feel no spider crawl,

hairs gluing and ungluing

themselves up my arms.

No.

Your name should be flour or sugar.

Substantial. Spotless. Filling.

It should carry the taste

of a lemon drop,

rolling and moist

on my lapping tongue.

Valentina Cano is a student of classical singing who spends whatever free time either writing or reading. Her works have appeared in Exercise Bowler, Blinking Cursor, Theory Train, Magnolia’s Press, Cartier Street Press, Berg Gasse 19, Precious Metals and will appear in the upcoming editions  A Handful of Dust, The Scarlet Sound, The Adroit Journal, Perceptions Literary Magazine, Welcome to WhereverThe Corner Club Press, Death Rattle, Danse Macabre, Subliminal Interiors, Generations Literary Journal, Super Poetry Highway, Stream Press, Stone Telling, Popshot and Perhaps I’m Wrong About the World. You can find her here: http://coldbloodedlives.blogspot.com 



Pat Padua: You and Your Pussycat Eyes.

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