The 22 Magazine


VIDEO WEEKEND: Hooray For Earth “True Loves” (Cereal Spiller Remix)/Ministry – Live Loops – Certified Dirty
January 27, 2013, 5:53 pm
Filed under: FILM/VIDEO, VIDEO WEEKEND | Tags: , , , , , , , , , , , ,

Hooray For Earth “True Loves” (Cereal Spiller Remix) from Cereal Spiller on Vimeo.

Ministry – Live Loops – Certified Dirty from RUFFMERCY on Vimeo.



Video Weekend: Moonhooch/KC Roberts & The Live Revolution
January 19, 2013, 2:18 am
Filed under: MUSIC, VIDEO WEEKEND | Tags: , , , , , , , , , , , , , ,




BAM: Where (we) Live Dec 19-22nd (Victoria Valencia.)

Victoria Valencia.

On Dec 19-22nd So Percussion will combine the wonderfully unique voices of Ain Gordon, Greg Mcmurray, Martin Schmidt, and Emily Johnson with an alternating artistic “performer” each night to creatively explore the idea of a home onstage in Where (we) Live at Brooklyn Academy of Music. Artists will include, Paula Greif (ceramics), Marsha Trattner (blacksmith), Ricardo Vecchio (painter), Victoria Valencia (woodworker.) These performances are part of BAM’s 30th Next Wave Festival.

BUY TICKETS.

Paula Greif, Ceramics (Dec 19)
Marsha Trattner, Blacksmith (Dec 20)
Riccardo Vecchio, Painter (Dec 21)
Victoria Valencia, Woodworker (Dec 22)

PREVIEW INTERVIEW WITH VICTORIA VALENCIA

By Nell Whittaker

THE 22: I wondered if you could expand a little on how you treat disused spaces and how you approach the challenge of trying to fill them with something suitable.

VICTORIA VALENCIA: A disused space to me; a space you want more from. Sometimes you want a space to hold a feeling, a purpose. Sometimes that purpose is function. Function of a piece can come in many forms. To be pleasing to the eye, hold a feeling or memory, to sit on, rest and think, have a meal, a drink, or get to work. I make things that fill those spaces. My work holds stories, those of its life before this form, marks from who used them before. The stories of why these trees have fallen.

22: Your designs are like a meeting between the natural and the man-made. If the raw materials you use dictate the shape of your final product (‘ the imperfect intentions of  [the] varied sourced material’), what purpose does the man-made serve?

VV: I respect its original form, not trying to make it too different. The raw materials are beautiful in themselves. A slab of tree can tell you why it fell or how fast it grew, marks of age. The raw material is nature’s art. The me-made is my art. Its my compliment to the nature.

22: What affect does Brooklyn have on what you create?

VV: I love this place. I use the wood from old watertowers. I use trees that grew in Brooklyn and fell in Brooklyn. I ride my bike through its streets and find inspiration.My friends and fellow artist in Brooklyn inspire me.

22: What is unique about your creative process – what do you think will make it interesting to an audience who has no familiarity already with your work?

VV: I work backwards sometimes…sometimes, I have the material before the design. I have a stack of wood that I’ve collected and been given. I get inspired and it moves forward. If I design (think too much) nothing happens.

22: On the other hand, do you think the audience or the atmosphere will affect what you are creating on the night itself?

VV: Yes. I have ideas of what I can do on that Saturday night, but no plan. I may just be handplaning the whole time. Working a rough piece towards a finished state.

22: Do you have a clear idea of what it is you will make at the show?

VV: Something with wood since it would be a bit complicated to weld on stage. My clear idea is I want to be comfortable, I want to have fun, I want to play.

22: Do you think that being self-taught has enabled you to work without restrictions?

VV: Its enabled me to be in my process. I learn something and I work at it until I feel I’ve improved. Then I move on to the next skill. I’m learning slow but well. I learn what intrigues me, while bypassing the “shoulds.” I learn from the materials, my peers and my experience.

22: What impact do you think a conventional education in furniture making would have had on your work?

VV: I wouldn’t have had the experiences I’ve had. I wouldn’t have lived in many places and found my passion through my love for challenges. I would have judged myself because I am not a traditional classroom student. I probably would know more design history. I would be been more in debt and felt like I need to make my work rather than want to.



BAM: Where (we) Live: Dec 19-22nd (So Percussion.)
December 15, 2012, 3:01 am
Filed under: ART, INTERVIEWS, MUSIC, WHERE (we) LIVE | Tags: , , , , , , , , , , , , , , , , , ,

SO and Grey

On Dec 19-22nd So Percussion will combine the wonderfully unique voices of Ain Gordon, Greg Mcmurray, Martin Schmidt, and Emily Johnson with an alternating artistic “performer” each night to creatively explore the idea of a home onstage in Where (we) Live at Brooklyn Academy of Music. Artists will include, Paula Greif (ceramics), Marsha Trattner (blacksmith), Ricardo Vecchio (painter), Victoria Valencia (woodworker.) These performances are part of BAM’s 30th Next Wave Festival.

BUY TICKETS.

Paula Greif, Ceramics (Dec 19)
Marsha Trattner, Blacksmith (Dec 20)
Riccardo Vecchio, Painter (Dec 21)
Victoria Valencia, Woodworker (Dec 22)

PREVIEW INTERVIEW FROM SO PERCUSSION

By Nell Whittaker

The 22: You have already experimented with industrial sounds in your music and now this project is very much to do with the connection between art/creation and music. What is it about the two which makes them agree with each other so well?

Jason Treuting: I think we think of process very much when we think of this piece. The long process we went through to put it together and the fact that every time it is on stage it looks a bit different because some of the process of creation is real time and different each time are both really important to the core of the piece.  It is about making things with people and that interaction is what makes up a community, a home, etc. A different artist will be on stage each night making something new with us or by us or around us and our collaborator Emily Johnson sits on stage each evening and draws different things out of the piece each night by giving us notes to follow. It is a wild experience where much of the creative process is given up to collaborators and guests in the moment. I guess I actually feel like this piece is more about something poetic and less married to the exploration of sound or maybe the exploration of sound is meant to serve a more poetic purpose. In the past, explorations of sound, industrial or otherwise, have been what the whole process was about.

22: How does the city affect your creative process generally?

JT: I definitely have a love hate relationship with this city.  t brings energy. It makes me want to work and explore my art. It keeps me moving forward creatively. But…it brings a crazy energy. It makes me work crazy hard and it keeps me moving forward very quickly. Two sides of the same coin, but it is a serious balancing act. In the end, I can’t imagine making art anywhere else right now and I think So owes a lot of its creative energy to the community we are directly and indirectly connected to and this project has been about expanding that community, both to different artists/mediums but also to different geographic communities as well.

22:What selection process did you use to work with the artists involved with the show? What were you looking for?

JT: The process was really organic. We have spent longer creating this project than any of the other evening length projects that we’ve created, like Music for Trains or Imaginary City. The beginning seed was expanding the types of artists we were bringing in to the creative process in hopes that we would be pushed to new places.  This meant very informally asking some friends or artists we respected to send video or ideas to contribute.

With Grey Mcmurray, we had played with him lots before.  He recorded on Amid the Noise and had sat in on many projects and some of the more improvised forms we started with were easy to bring him in to.  But we developed a new relationship with him as a songwriter and that came really slowly. By the end, there are four songs on the record that were co-written in ways that were new for all of us.

With Martin Schmidt, we had collaborated with his duo, Matmos, over a long period of time and are using his video work from that context. He started by sending us videos of him performing in different rooms of his house. These videos were great to write music to and slowly made there way out of the project in favor of shorter art video clips from material gathered in each of our homes. In the end, we found a way to work them in and much of the music transformed through that process as well.

With Emily Johnson, she sent two videos early on that we wrote music to.  One was dance in a slightly more traditional sense with two female dancers in a space. The second was from a series she has been working on of face dances—close-ups that deal with facial expressions and instructions to the performers on why/how to make an expression.  The idea of the instructions became key and her role evolved into an on stage director of sorts that can give us instructions to inform movement or space or something psychological/emotional.

All of these three collaborators are folks whose work we had respected and loved, but hadn’t worked with them in that way before. And we relied on a new collaborator, Ain Gordon, to kinda pull it all together as a director of this incredibly abstract script.

22: How have you approached this project in comparison to how you’ve approached those in the past which have been solely about the music? What have you had to do differently?

JT: I feel like we have been thinking of things in a larger way for a while now. We always try to think of ways to make the experience about more than just sound, whether that means adding video to moments, getting the audience involved in the performance or just presenting the music on stage in a way that is interesting in a visual way as well.  That said, this does feel like the biggest step we have taken to explore all of these elements. Text/words have made their way into the show as a core element along with video and movement and the idea of putting the creative process on display in some way. I think what we did differently was give ourselves time to explore and the freedom to fail—which we did often—and then pushed ourselves through the dead ends to new places. We are proud of what we arrived at. It feels like a collective work that is about all of us and that feels real good.

Where (we) Live Trailer from Eric Bradley Beach on Vimeo.



BAM: Where (we) Live Dec 19-22nd (Paula Greif.)

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On Dec 19-22nd So Percussion will combine the wonderfully unique voices of Ain Gordon, Greg Mcmurray, Martin Schmidt, and Emily Johnson with an alternating artistic “performer” each night to creatively explore the idea of a home onstage in Where (we) Live at Brooklyn Academy of Music. Artists will include, Paula Greif (ceramics), Marsha Trattner (blacksmith), Ricardo Vecchio (painter), Victoria Valencia (woodworker.) These performances are part of BAM’s 30th Next Wave Festival.

BUY TICKETS.

Paula Greif, Ceramics (Dec 19)
Marsha Trattner, Blacksmith (Dec 20)
Riccardo Vecchio, Painter (Dec 21)
Victoria Valencia, Woodworker (Dec 22)

PREVIEW INTERVIEW WITH PAULA GREIF

By Nell Whittaker

The 22: Do you go into the studio with an idea in mind or do you see what comes to you?

Paula Greif: I work from drawings. I see shapes I like and try to build my versions of them out of clay. My original motivation was to remake everything I had in my kitchen by hand. I took a ceramics class on Columbia street in Red Hook. These are the first things I made. I look at a lot of folk pottery and try to keep things simple and graphic. I was a graphic designer and it is hard for me to go outside the lines.

22: You mention on your website that you listen to the trevor wilkins calypso radio show while you work. do you notice your mood or the music you listen to directly affecting what you create?

PG: I don’t listen to a lot of recorded music but I love DJs like Trevor Wilkins. His obsession with the details and the history are right up my alley. It’s live radio that I love. The Trevor Wilkins show is very emotional and comforting and also quite funny. Its the music of a diaspora. The way he presents the songs and shouts “we’re going home!” It’s a deeply brooklyn kind of show. When I am alone and working, he keeps me company at night and makes me laugh out loud in the studio. I can’t say enough about that show! I also listen to Felix Hernandez Rhythym Review religiously on Saturdays and Sundays when I am working. Felix is another DJ that plays music that always hits me on an emotional level. Every song he plays just knocks me out. Sometimes to the point of distraction! I love his worldview. Something about these guys, these completists, who live their lives around a very specific musical period, their enthusiasm is completely heartwarming and rollicking.

22: What is it that you think makes your artwork work alongside music?

PG: Actually I was shocked to get a call from So Percussion. I’ve been listening to the sounds in my shared ceramic studio like water splashing, dripping, sounds spinning of the wheel, wedging the clay is all very rhythmic…and these sound are general to most makers of things. Workaday stuff really, in the best sense.

22: Equally, do you think opening up your creative process to the audience will affect what you are creating on the night itself? Or do you have a clear idea of what it is you will make?

PG: I’m hoping to make the biggest things I can so the process can be seen and understood. I am planning to throw in sections and build composited pieces and paint with slip and colored oxides. Time is a big part of ceramics…things have to be dry but not too dry. I am trying to figure out what can happen in an hour that feels rhythmic and makes good sounds and looks cool.

22: The idea underlying this project is that of a strong sense of place Brooklyn being home for all the artists involved. Your ceramics however look as if they have been influenced by natural objects (for example, the spoon with the handle that looks like a branch or antlers.) How does the city influence your work?

PG: The natural world does not affect my work at all! I’m an urban potter…my heroes are Lucie Rie and Hans Coper, both Viennese refugees to London during World War ll…but I also look at a lot of useful and simple folk pottery…mostly at the Met and the Brooklyn museum. I’m a brooklyn native, I was born in brighton beach and I took my first art classes at the Brooklyn museum when I was a child. I am attracted to the primitive and basic rather that the natural. Maybe because I’m not that skilled of a potter. I’m really new at it. As a designer i’m always trying to control my environment. I have to let go of the fantasy of better living through design. Better living that comes from soulfulness and humility, not stuff, but I do like the feeling of drinking a glass of wine from a cup I made myself.



THE WEEK/WEEKEND: Dec 13th-?????!!!

Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!

The Bark and Scream Series: Eli Keszler: Percussion and Ashley Paul: Alto Sax
THE FIREHOUSE SPACE
December 13, 2012 8:00 pm

Where (we) Live
BAM
Paula Greif, ceramics (Dec 19)
Marsha Trattner, blacksmith (Dec 20)
Riccardo Vecchio, painter (Dec 21)
Victoria Valencia, woodworker/furniture-maker (Dec 22)

Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.

JOHN HODGMAN: THAT IS ALL
Friday, Dec 21, 2012
The Bell House

Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.

detail
Letha Wilson

Higher Pictures
Thursday, December 13, 6 – 8 pm

Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.

 

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BAM: Where (we) Live: Dec 19-22nd (Riccardo Vecchio.)
December 12, 2012, 11:01 pm
Filed under: ART, INTERVIEWS, PREVIEWS, WHERE (we) LIVE | Tags: , , , , , , , , , , , , , , , , , , ,

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On Dec 19-22nd So Percussion will combine the wonderfully unique voices of Ain Gordon, Greg Mcmurray, Martin Schmidt, and Emily Johnson with an alternating artistic “performer” each night to creatively explore the idea of a home onstage in Where (we) Live at Brooklyn Academy of Music. Artists will include, Paula Greif (ceramics), Marsha Trattner (blacksmith), Ricardo Vecchio (painter), Victoria Valencia (woodworker.) These performances are part of BAM’s 30th Next Wave Festival.

BUY TICKETS.

Paula Greif, Ceramics (Dec 19)
Marsha Trattner, Blacksmith (Dec 20)
Riccardo Vecchio, Painter (Dec 21)
Victoria Valencia, Woodworker (Dec 22)

PREVIEW INTERVIEW WITH RICCARDO VECCHIO

By Nell Whittaker

The 22: Portrait painting is often thought of as a sort of intimacy between the artist and his subject. How did you initially respond to the idea of opening that up to an audience?

RV: I was terrified. At the same time, because it will be a new experience for me, I am curious to see how it will influence my process. I am sure the company of the musicians will make me feel at ease.

22: What similarities would you draw between your creative process and music? What do you think links visual artwork (in particular, your artwork) to music?

RV: Perhaps because I am also a drummer, and because I frequently paint while listening to music, I find the process very similar. Especially with percussion instruments, I find the ebb and flow of the rhythm analogous to the way I paint. The accumulation of details and contrasting empty spaces in painted surface mimic the acceleration and deceleration of a beat.

22: Do you think the audience or the atmosphere will affect what you are creating on the night itself? Or do you have a clear idea of what it is you will make?

RV: While a part of the painting will be planned out ahead of time, some parts will be blank and left to be finished during the performance. The final result will certainly be affected by the evening’s performance. It will be interesting to deal with the unpredictability of a fairly short performance. It will be crucial to quickly recognize and save “happy painting accidents,” and quickly paint over a mistake which could potentially lessen the final effect.

22: What is it that you think makes your artwork work alongside music?

RV: I think all artwork can work alongside music. If we are talking about my work in particular, I feel there is almost a structural similarity to my paintings and to the way music looks in written form. The disassembled architectural structures I often use in my work remind me of the dance of notes, keys, time signatures, ornaments and clefs on the staff lines.

22: Do you listen to music as you paint? If so, what music helps to put you in the “right” frame of mind for painting?

RV: I frequently listen to music while I work. But depending on the stage of completion of the piece I might vary the music. For example, in the beginning of a piece I might listen to more orchestral music, while at the end stages I’m more likely to gravitate to music with single instruments and no vocals at all. Almost an anachronistic dynamic. The emptier the canvas the louder and richer the music, the richer fuller the canvas the quieter and minimal the music.




THE WEEK/WEEKEND: Nov 9-14.

SANDY FUNDRAISERS:

GREENPOINTERS ONLINE RAFFLE
Brooklyn Relief: A night of words, music, and comedy to Benefit Hurricane Sandy Relief Efforts

THE KITCHEN: FUNDRAISER
Fuck. Off. Sandy. // Vintage Crawl // Dog Masquerade
New Amsterdam Headquarters Fundraiser
Defiance: A Literary Benefit to Rebuild Red Hook
ROB DELANEY Benefit
FASHION ACTION AT HOUSING WORKS
SPIRITUAL LEADERS AND ELDERS | PRAYER | LIVE MUSIC | FOOD | HEALING
SANCTUARY | ARTISAN MARKET
BROOKLYN LOVES BROOKLYN
QMA ROCKAWAY FUNDRAISER
“Anything But Politics” – A Pop Culture Trivia Benefit for Hurricane Sandy Relief
GENERAL ASSEMBLY
ED OSBORNAlbedo Prospect

Party + Auction + Community = TLC for an Ailing DUMBO
FOOD EVENTS FROM GRUB ST
Bushwick Star Auction
HURRICANE SANDY FUNDRAISER WITH…NASS GNAWA

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THE WEEK/WEEKEND: October 25th-Oct 31st.
October 25, 2012, 12:13 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

PLEASE NOTE: ALMOST ALL EVENTS IN NEW YORK AND BROOKLYN THIS WEEK ARE CANCELLED DUE TO HURRICANE SANDY. PLEASE CHECK WITH EACH VENUE ON CURRENT CONDITIONS. IF RELIEF AND TRANSPORTATION EFFORTS GO WELL, WE WILL BE BACK NEXT WEEK  (NOV 7th) WITH NEW LISTINGS. 

JUDY FOX: OUT OF WATER
PPOW GALLERY
October 27 – December 15, 2012

P.P.O.W is pleased to announce Out of Water, our sixth solo exhibition of figurative sculpture by Judy Fox. Well known for her exquisitely rendered human figures, including children that are at once iconic, psychological and subversive, Fox continues to explore mythological references that are used to reflect upon contemporary sociological issues. In her latest installations, virtuoso use of form extends to the surreal, with visual puns used to provoke conflicted emotional reactions. The centerpiece of this new installation is a comely standing life-size figure of a Mermaid. Legs pressed together as if fused into a tailfin, hands paddling downward, she looks dreamily over her entourage. A set of Worms spread out before her like the writhing sea horses that pull the chariot of a Greek sea goddess. They are curvy and sensual — some profiles resemble parts of naked human bodies.

Lubomyr Melnyk
Sat, October 27, 2012 – 3:00pm
First Unitarian Congregational Society

Composer and pianist Lubomyr Melnyk is the pioneer of Continuous Music— a piano technique he has developed since the 70s that uses extremely rapid notes and note-series to create a tapestry of sound. Inspired by the minimal, phase and pattern musics of Steve Reich, Philip Glass, and Terry Riley, yet frustrated by the ecstatic detachment from reality they can encourage, Lubomyr Melnyk created Continuous Music, based in the innovations of the minimalist composers but with its roots more deeply planted in harmony. His first recordKMH: Piano Music in the Continuous Mode (Music Gallery Editions, 1978) is the fruition of the idea he began developing in 1974 reimagines the sentiment expressed by Reich in his watershed Music for 18 Musicians, realized entirely for Solo Piano. Overtones blend or clash according to the harmonic changes. The technique of mastering his complex note patterns and speeds makes his music difficult for the normal pianist, and the kinetic athleticism of Melnyk’s performance is unparalleled.

Teodora AxenteMade of Matter
Ana Cristea Gallery
October 25 – November 24

Ana Cristea Gallery is pleased to present “Made of Matter,” the first solo exhibition in the United States by artist Teodora Axente. Teodora Axente’s work is centered on the duality of spirit and matter – the two spheres of existence between which humans oscillate in an attempt to uncover themselves. Portraying an unexpected array of materials, Axente addresses the essential human drive to reshape oneself. Through the flashy materiality of aluminum foil, satin pillows, nylon bags or curtains, she brings us into a world of mystery that appears to be spiritual, noble and attractive, on first glance. Aluminum foil serves as the central symbol of matter throughout many of her paintings. Its outward shine and its ability to reflect give off an illusory sense of nobility that blinds her subjects.

Andrea DeFelice
Harvestworks
Friday, Oct 26 at 6pm – Opening
Saturday/Sunday Oct 27/28 from 3pm to 7:30pm – Installation

A small coupling of works combining both obsolete and new technologies, then reassembled to represent obsolete fables, folklore, literature, philosophy, mythology, and music. As responses to such stories inspired by the observation of human behavior, symbolic animals, objects and mechanics are used to further illustrate their foibles and behavioral patterns, whether expected or unpredictable.

Vital Vox Festival | “Vox Electronics: Philip Hamilton / Sabrina Lastman / Sarah Bernstein
Roulette
Monday, October 29, 2012 @ 8:00 pm

VITAL VOX: A VOCAL FESTIVAL explores the myriad power of the human voice in its solo and ensemble forms across a multitude of genres. It celebrates composer-performers in the vocal arts who stretch and expand the voice in new and original ways, continuing a strong contemporary tradition developed in the United States. Over the course of two diverse evenings VITAL VOX explores “Vox Electronics.”  Performances draw from wide-ranging international influences and genres including jazz, experimental, contemporary, free improvisation, world music, interactive electro-acoustic and audio sampling.

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THE WEEK/WEEKEND: September 6-13.

VALERIE HEGARTY: Figure, Flowers, Fruit
Nicelle Beauchene Gallery
September 9, 2012 – October 21, 2012

In this exhibition, Hegarty takes her point of departure from themes of consumption, lust,reproduction and greed. Playing with traditional still life and figurative painting, Hegarty cites as inspiration the cult comedy Little Shop of Horrors along with current newsheadlines concerning the enhancement and mutilation of body and food. These four new paintings metamorphose sculpturally, as the paintings burst, grow and propagate in bodily gestures, leading the overgrowth to travel ominously beyond the canvas boundaries.

Strange Tales of Liaozhai
Friday, September 7
HERE Arts Center

Through choreography and manipulation, master puppeteer Hanne Tierney conducts an intricate counterweight system of over 100 strings, transforming a full stage of inanimate objects into the players of two emotionally charged tales.

Nancy Davidson: Dustup
Betty Cunningham Gallery
9/6/2012 To 10/6/2012

Betty Cuningham Gallery is pleased to open its 2012-13 season with Nancy Davidson, featuring her inflatable sculpture, Dustup. This will be the artist’s first exhibition at the Gallery. The artist will be present for the opening reception. Davidson, a sculptor and video artist, is known for her unique media – larger than life inflatable sculptures – and for her interest in American icons and gender issues. In 2005 with the support of a Creative Capital Grant, she began her exploration on the myth and reality of the cowgirl. After researching western women’s history Davidson focused on the rodeo cowgirl.

Thomas Allen: Beautiful Evidence
Sep 9 - Oct 14, 2012
Foley Gallery

Allen’s signature use of cutting and repurposing book illustrations has not vanished. Instead of the pulp fiction genre, Allen plays with 50’s era versions of clean cut youths and domesticated moms. His unmistakable talent for creating the illusion of 3D in photography with his deft cuts and crimps, establishes a magical world in which a boy and girl play tag creating their own kind of electricity, a milkman makes a very special delivery in space, young toughs play marbles with the solar system and a mother busily sews her own version of “string theory.”

David Stoupakis/Matthew Bone
September 8th – October 19th
Last Rites Gallery

David Stoupakis is an internationally recognized painter who creates eerie portraits of beings that appear wise beyond their years. The self-taught artist adds both haunting imagery and grim fairytale-like elements to his work to juxtapoz childhood innocence with macabre surroundings. InAshes to Sorrow, his new collection of drawings and oil paintings, David creates a continuation of his previous body of work-Walking with These Shadows./With his new work, Matthew Bone continues to explore the visual language he created as a child when massive unmonitored media consumption informed his worldview. A latchkey kid from an early age, pornography, comic books and movies formulated his ideas of sexuality, masculinity, and femininity- in essence reality and perception were sculpted by imaginary worlds steeped heavily in sensationalistic imagery.

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THE WEEK/WEEKEND: August 30-September 6.



Shea Hembrey: 
dark matters
Bryce Wolkowitz Gallery
September 6 – October 20, 2012

Following his acclaimed project SEEK, featured as a 2011 TED Talk, Hembrey’s new work attempts to visualize his 20 year exploration of dark matter and dark energy (scientifically hypothesized to comprise over 95% of the cosmos). Hembrey’s paintings and sculptures are a collective meditation on the unseen structure of our universe. Painted with trompe l’oeil technique, the series Unstill Lifes attempts to visualize the tangible structures of matter pared down to bits. Ghostly wisps of smoke appear to the viewer at certain angles and improbable assemblages of matches, tree branches, and string appear to float off of the inky blackground.

MERNET LARSEN: THREE CHAPTERS
Vogt Gallery
CHAPTER 1: HEADS AND BODIES (SEPT. 6 – 26)
CHAPTER 2: PLACES (SEPT. 27 – OCT. 10)
CHAPTER 3: NARRATIVES (OCT. 11 – 27)

Larsen is an accomplished painter who has always challenged herself to invent new styles and ways of composition. Her recent oeuvre marks a synopsis of previous works ranging between abstraction and figuration. Using modernist Russian constructivist paintings as a point of departure for numerous compositions, she also engages ideas of reverse perspective and conflicting vanishing points, as can be found in Japanese narrative scrolls. Her pool of inspirations is vast, ranging from masterpieces of Renaissance through 20th century art, to traditional Japanese puppet theatre, to photographs she has taken of classrooms and faculty meetings during her 35-year long Professorship in Florida.

Ghostly International & Rvng Intl. Present: Jacaszek (Poland) / Holly Herndon (USA)
Roulette
Thursday, September 6, 2012 @ 8:00 pm

Roulette with Ghostly International and Rvng Intl. are pleased to present an evening of electroacoustic music, featuring a rare US performance by Polish composer Jacaszek and San Francisco based Holly Herndon.

ERIK PARKER: BYE BYE BABYLON
Thursday, 6 SeptemberOpening Reception 6-8PM
Paul Kasmin Gallery

Paul Kasmin Gallery is pleased to present an exhibition of eleven 2012 still-life and jungle-landscape paintings by Erik Parker (b. 1968 Stuttgart, Germany; lives and works in New York City). Updating these traditional art-historical genres through the pictorial idioms and sly humor of satirical cartoons, psychedelia, and underground comic books, Parker’s paintings provide vistas into brilliantly colored worlds of semi-sentient flora and idiosyncratic geometries.

Julia Haltigan / Rusty Belle
Joe’s Pub
August 31

The members of Rusty Belle swagger between raw blues, tiny tangos, country waltzes and backyard symphonies. Sometimes a walk with the Roma, a twisted tale in metered time, or a yell-along-after-dinner drunken opera. A dance band that tries to tie your shoes together. The music is littered with dented paint cans, smashed up trashcan lids, old hacksaw blades, and broken glass. Like junkyard songbirds, they sing sweet through all the rubbage.


Stephen Powers: A Word is Worth A Thousand Pictures
Joshua Liner Gallery
September 6 to September 29, 2012

After seven years since Stephen Powers’ last solo exhibition in New York, Joshua Liner Gallery is pleased to present A Word is Worth a Thousand Pictures. In this new exhibition series, the prolific artist will present a panoramic assemblage of paintings that will occupy the entire breadth of the gallery. A Word is Worth a Thousand Pictures will consist of a multitude of enamel on aluminum paintings, ranging from 10-x-8 inches to 10-x-10 feet.

ECLIPSE (Jonah Bokaer x Anthony McCall)
BAM
Sep 5—Sep 9, 2012

Choreographer Jonah Bokaer and artist Anthony McCall explore total motion in this breathtaking collaboration that places dance within an installation built from shifting avenues of light and spatialized, sonic images. Featuring four dancers as well as a special appearance by Bokaer,ECLIPSE utilizes the unique flexibility of the Fishman Space, with a four-sided seating configuration to create an utterly intimate experience between artists and audience.

MICROCOSMOS with live soundtrack by LDP, David First, and Matthew Regula
Nitehawk Cinema

Friday September 7th with composer David First
Saturday September 8th with Telecult Powers mem Matthew Regula

LONG DISTANCE POISON play live music & soundscape to the film. Composer David First will be sitting in with LONG DISTANCE POISON on Friday and TELECULT POWERS member Matthew Regula will be sitting in on Saturday.

Bushwick Blackout
The Shirey
August 31 – September 21, 2012

The Shirey is pleased to present Bushwick Blackout, an immersive multi-media exhibition and video screening of luminous works that twinkle and glow in the dark.In this exhibition, traditional gallery lighting is abandoned. The only sources of light are ultraviolet lamps and the works themselves. Emerging from the walls, ceiling, and floors, the works create a three-dimensional constellation, encompassing the viewer and transforming the conventional gallery space into a spellbound landscape.

FLASH POINT/ NYC: WRITERS AND COMPOSERS
Thursday,  Aug 30 – 6:00PM
Cornelia St Cafe

A multidisciplinary call-and-response experience, the FLASH POINT/ NYC ensemble of writers and composers interweave new hybrid texts, flash fiction, micro memoir and prose poems across the harmonic rhythms, inversions, melodies and lines of original live jazz. Synchronicities and spontaneities emerge, converge and diverge to cross genres, provoke tradition and explore the territories ahead.

Butoh Electra
August 29 – September 8
Irondale Center

The magnificent, intense and intelligent Butoh Electra is created and performed by the highly acclaimed ensemble, The Ume Group. A “beautiful and disturbing” piece (NYTheatre.com), Butoh Electra presents Sophocles’ Greek revenge tragedy as the story of a woman whose vibrant inner life is corrupted by the world of walking dead in which she lives.

Joianne Bittle: On My Way Gone
September 6 – October 13, 2012
Churner and Churner
Churner and Churner is pleased to present “On My Way Gone,” an exhibition of new work by Joanne Bittle. With an installation, over twenty-five paintings, and the artist’s first film, the exhibition is Bittle’s largest and most ambitious to date. This is her second show with the gallery.

KWANG YOUNG CHUN
Brötzmann/ Adasiewicz Duo and Joshua Abrams Natural Information Society with Chad Taylor
JISOO LEE/Marie Sivak/Sylvia Netzer
Dreamland: Adventures in the Strange Science of Sleep

Sweet Corruptions
LIEBE LOVE AMOUR!
MICHAEL ANDERSON ABJECT STREET WALLPAPER
Governor’s Island Art Fair
Elad Lassry: Untitled (Presence)
Harry Pussy Record Release Party with Bill Orcutt & Chris Corsano
The Snow / C. Gibbs/Annie and The Beekeepers with special guest Wilsen
Fujiya & Miyagi, Hess Is More, Wishes
THE FEVERISH LIBRARY
DO IT AWAKE! (on Mysterious Mountain)
Riitta Ikonen: Post
How Not to Read: Harnessing The Power of a Literature-Free Life”

Jiha Moon: Stars Down to Earth (Artist Talk)
SAUL WILLIAMS Presents CHORUS – A spoken word tour
SoundWalk 2012
Maria Martinez-Cañas
Drew Shiflett/Shift
PILC MOUTIN HOENIG
Slice Magazine Issue 11 Launch Party
The Emily Dickinson Reader
Matthew Miller: “Fools Are Those Who Lose Their Mirrors”
AMRAM & CO
Final opening  of: …Is This Free?
ERIC YAHNKER: Virgin Birth ‘N’ Turf

DANCENOW Joe’s Pub Festival
KILL LIES ALL / JAVIER ARCE
Bridget Everett & The Tender Moments
The Performing Garage Presents: Findlay//Sandsmark’s Fractured Bones/Let’s Get Lost
Todd Sickafoose’s TINY RESISTORS
SARAH ALDEN
I THOUGHT WE WERE THE SAME PERSON
ASUKA OHSAWA 

COMING UP:

Happy Birthday, Conlon! A Tribute to Nancarrow on his 100th Birthday
w/ The Bugallo-Williams Piano Duo

David Stoupakis/Matthew Bone
EatSleepDraw (5 Years)
Arnold Dreyblatt: Turntable History / Spin Ensemble
Ryan Turley’s Hi/Lo
ELISA LENDVAY: Small Sculpture
Strange Tales of Liaozhai
Thomas Allen: Beautiful Evidence
Wondering Around Wandering
Pauline Oliveros with Doug Van Nort and FILTER
Pictures from the Moon: A Symposium on Holograms and Art
Steve Reich: complete string quartets (Different Trains, Triple Quartet, & world premiere of WTC 9/11, all-live version) performed by ACME
Jozef Van Wissem and Noveller
Odd Job @Fowler Arts
THE NY ART BOOK FAIR
Next wave Festival
The Mountain Goats
Devotchka
Origins of the Forest
POST NATURAL

 



THE WEEK/WEEKEND: August 2-9.

Summer Group Exhibition 2012@Joshua Liner
Joshua Liner

August 2 to August 25, 2012

Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.

IRABAGON FEST: BARRY ALTSCHUL, JON IRABAGON TRIO
Cornelia St Cafe

Thursday,  Aug 02 – 8:30PM 

Jon Irabagon and Barry Altschul have performed continually in the last few years, including their tour-de-force Foxy (Hot Cup Records) and their upcoming duo release on Jon’s Irabbagast Records. As a preview of their upcoming trio tour, they invite master bassist Mark Helias to join them tonight at Cornelia St. Cafe, where they will be debuting new compositions as well as delving into the group improvisations that have made Barry and Mark such an important rhythm section combination over the last two decades.

IRABAGON FEST: BARRY ALTSCHUL GROUP
Cornelia St Cafe
Friday,  Aug 03 – 9:00PM & 10:30PM 

Since the early 1960′s, Barry Altschul has been associated with being at the forefront of Modern Jazz, playing with innovators such as Paul Bley, Steve Lacy, Chick Corea, Sam Rivers, Anthony Braxton, Dave Holland, Muhal Richard Abrams, George Lewis, Andrew Hill and Roswell Rudd, to name a few, as well as the likes of musicians such as Lee Konitz, Hampton Hawes, Sonny Criss, Art Pepper, Johnny Griffin, and many others.

IRABAGON FEST: JON IRABAGON JAZZ QUARTET
Cornelia St Cafe

Saturday,  Aug 04 – 9:00PM & 10:30PM 

Cyro Baptista @The Stone
The Stone
8/7 Tuesday and 8/8 Wednesday

Multicultural, polyphonic, highly creative entertainment that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled.

CAROUSEL @ SOLOWAY
SOLOWAY
Friday, August 3rd

Soloway is pleased to host the latest CAROUSEL, a long running series of Cartoon Slide Shows and other projected pictures, created and presented by a wide array of writers, cartoonists, and other characters. Hosted by R. Sikoryak.
This episode features:
Gabrielle Bell
Emily Flake
Myla Goldberg & Jason Little
Danny Hellman
Matthew Thurber

in the open
Kesting/Ray
Aug. 2 – 18, 2012

KESTING/RAY is pleased to announce its upcoming exhibition in the open, a group show featuring five emerging artists who recently completed their Masters in Fine Arts from the University of North Carolina at Greensboro.

The Skin We’re In
Yossi Milo Gallery
August 2, 2012–August 31, 2012

Yossi Milo Gallery is pleased to present The Skin We’re In, a group exhibition featuring the work of David Goldes,Lindsay Lawson, João Enxuto & Erica Love, Stephen Prina, Jon Rafman and Mark Tribe. The exhibition will be on view from August 2 through August 31, with an opening reception on August 2 from 6:00 – 8:00PM.

MIDNIGHT MONSTER MELTDOWN
Opening Party and Birthday Celebration: Saturday August 4th, 7pm-10pm
MF Gallery

Both artists are known for their colorful and horrific 2-D artwork in the form of drawings, prints and comic books. For this show, they have embarked on a brand new journey that will take us down the darkest roads of gore, the supernatural, and all things unknown. Witness Frankenstein, larger than life! Stand in awe of the giant blood dripping face, protruding from the wall! Behold the latest incarnation of The Creature From the Black Lagoon! Stumble in fear as you encounter Aliens dripping and oozing in blacklight pus, and look into the eyes of Death Itself! “Midnight Monster Meltdown” provides a visual explosion comparable to being high on LSD, trapped on a roller coaster inside an old time Spook House that never ends… All this and more only at MF Gallery!

Signs of the Apocalypse
myplasticheart
Friday August 3rd 2012 6 – 9pm

Underpinnings
House of Yes
Thursday, August 9th

Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.

Kimmo Pohjonen & Helsinki Nelson: Accordion Wrestling (U.S. premiere)
Damrosch Park Bandshell
Aug 3–4 at 8:30

SurroundSound grunts and groans punctuate accordionist Kimmo Pohjonen’s dance-theater work in which music, sport, and dance blend into a unique multimedia “squeeze play.” Reviving the dormant Finnish tradition of accordion-accompanied wrestling matches, Pohjonen performs while grapplers struggle on a custom-made mat embedded with microphones. His work, with choreography by Ari Numminen, comments on Cold War and gender politics while lending a modern artistic twist to a classic Olympic competition.

RUFUS CAPPADOCIA’s ROOTS QUARTET
Barbes

Thursday, Aug 9

The cellist draws from “the similarities between seemingly diverse music forms such as blues, Sufi, Middle Eastern and even Gregorian chant.”.

OLIVIA SALVADORI/PILLARS AND TONGUES/DJ HIRO KONE
Zebulon
AUG 4, 2012

Overturn Theater’s rendition of : Waiting for Godot
Arts@renaissance
August 2st – 18th, 7pm

Overturn’s artistic director Kristy Dodson has placed Samuel Beckett’s 1953 Godot in an former medical ward in North Brooklyn. Starring Joshua Levine (Off Bway’s Channeling Kevin Spacey ) Casey Greig (Off Bway’s Pure Confidence) James Fauvell, & Daniel Piper Kublick with set design by Cara Shih, lighting design by Jennifer Schriever, fight choreography by Casey Robinson, and sound design & costume design by Kristy Dodson. Overturn’s Godot will be running for three weeks August 2st – 18th(Wednesdays -Saturdays) at 7pm at Arts@Renaissance, 2 Kingsland Ave. BK, NY Garden level.

SCOTT TIXIER & ISOPROPYL BOP
Cornelia St Cafe
Sunday,  Aug 05 – 8:30PM

Violinist Scott Tixier is an award-winning recording artist, named as “Rising Star Violin” in the 60th Annual critics poll Downbeat. He is a true innovator on his instrument and is quickly becoming known as the new voice of jazz violin. He has earned international recognition for his playing.

M. Ward,Yo La Tengo, Wyatt Cenac (of The Daily Show)
Prospect Park Bandshell

Tue, August 7, 2012

Benefit concert to support free programming at Celebrate Brooklyn! a Performing Arts Program of BRIC Arts | Media | Bklyn.

AMPLIFIED QUARTET – Jeremiah Cymerman, Peter Evans, Nate Wooley, Matt Bauder
Roulette
Thursday, August 9, 2012 @ 8:00 pm

Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.

PULVERIZE THE SOUND/AURAL DYSTOPIA
The Grand Victory
Wednesday, August 8, 2012

An evening of punishingly heavy improv: PULVERIZE THE SOUND (Peter Evans/Tim Dahl/Mike Pride), SHEAJOY (Stuart Popejoy/Kevin Shea), BURNING GENITALS (Jamie Saft solo).

The Alaev Family (New York debut)
Damrosch Park Bandshell
Aug 8 at 7:30

The propulsive doyra hand drums of Bukhara, Uzbekistan, drive the ecstatic sound of “Bucharian Groove” band the Alaev Family, who immigrated to Israel in 1991. The Alaevs blend together the sounds of Turkey, Persia, China, and Russia alongside lyrics by Tajiki poets on their latest album, produced by Balkan Beat Box’s Tamir Muskat, which captures the fire and drive of their live shows.

NoTornado
Wednesday, August 8, 2012
ZirZamen 90 W. Houston St., NY, NY

Fay Victor and Anders Nilsson’s Exposed Blues Duo, Ed Pastorini, Jonathan Wood Vincent

GREEN SCREEN
Cornelia St Cafe
Wednesday,  Aug 08 – 8:30PM 
“Green Screen” was formed by the meeting of 3 musicians that were playing the Big Apple Circus. In contemporary music circles, the circus probably doesn’t hold much respect. But, the history of circus musicians would surprise most. According to Joe De Mare, ( Bronx trumpeter who played with Louie Prima ) – “back in the day , all the big bands got their cats from the circus – ( including Count Basie and Duke Ellington ) – these cats had chops and endurance. They could play ANYTHING. “
Under the Mattress
303 10th Ave.
August 2-25

Under the Mattress is a solo exhibition of works by Billy Frey. The collages are done by hand using original vintage materials and imagery, primarily from magazines fromt he 1930′s to the 80′s. With bold and often complex patterns of re-appropriated images, he offers us tales that are humorous, dark disturbing, playful, perverse, and fantastical. Frey is heavily influenced by classic film, comic book art, cartoons, surrealist film and literature. The collages represent a fusion of times past and present, creating an environment where time is non-linear. Within our minds, it is happening all at once. A place where the 30′s and the 60′s can do a dance together, unaware of the fact that time has already come and gone.

Heritage Sunday AYITI RASANBLE!
Hearst Plaza
August 5, 1pm

Ayiti Rasanble! (“Haiti, come together!”) celebrates the indomitable spirit of the Caribbean nation with dance and musical groups reflecting its resilience and pride. Feet of Rhythm Afro-Haitian Dance Company works to preserve traditional dance forms under the vision of founder Nadia Dieudonné, the dancer and choreographer best known for her infectious interpretations of banda, the dance of Ghede, the revered Haitian spiritual figure of the underworld.

Christopher Smith: Underbody
site95 @ Launch F18, New York, NY
August 6 – 18, 2012

In “Underbody,” Smith continues his investigation into the usage of current technology and assembly line manufactured materials to break beyond the traditional two-dimensional form of painting. The 14-minute projection of foaming paint drips across a 9 x 6 ft Plexiglas surface.

S!CK MAGIC W EGYPTRIXX//SINJIN HAWKE//N0ms//GOBBY//MIKEQ//REZZIE//RPEG//TOMAϟϟ
285 Kent
Saturday, Aug 4, 11:30pm until 4:00am

JENNY ODELL: THE FOSSILIZED PRESENT
Breeze Block Gallery
Wed. Aug. 1, 5:30-8

Interpreting the inhuman experience bred from modern technological advances that compose our commonplace environments, for the past two years Bay Area native Jenny Odell has been utilizing imagery taken from Google Satellite images in a commentary on the sanctification of otherwise mundane objects in our lives that are taken for granted. The show will feature eighteen prints displaying Odell’s unique interpretation on the alienation of this perspective provided by the revealing landscape that she manipulates in her distinct evaluation of our surroundings.

Alex Gingrow: All the money IS in the label
Mike Weiss
August 2, 2012 – September 1, 2012

Mike Weiss Gallery is pleased to present All the money IS in the label by Brooklyn based artist Alex Gingrow.  For her first solo exhibition, Alex Gingrow presents dozens of obsessively rendered drawings on paper loaded with cutting, antagonistic humor and a quick trigger finger pointed at the heart of the art world.   Over the past five years while working at a midtown frame shop, the artist has collected snippets of sordid conversations overheard from chief art world players as well as from peers working at entry- level positions within art institutions.   The resulting works are incredibly revealing, and often baiting epitaphs of insider conversations, reified and displayed, ironically within a frame.  With a snarky, sharp wit and a healthy dose of self-deprecation, Gingrow implicates all levels of the “establishment” including Gagosian, Hirst and Warhol, the New Museum and even our own Mike Weiss Gallery.

Midsummer’s Mayhem Poetry & Pub Crawl
Just Lorraine’s Place
Saturday, August 4, 2012

Skewered Syntax returns to Harlem for the Midsummer’s Mayhem Poetry & Pub Crawl. All who want to participate, or who bear witness to one of the greatest New York City literary spectcles are invited to gather in front of Just Lorraine’s Place at 8:00 PM with poem in hand or heart. After Featured Poets April Jones, Matthew Hupert, Robert Gibbons and Zev Torres open up the ceremonies, there will be an open mic, followed by drinks. Then we’ll take a short walk to the next venue where we’ll recite more poetry, imbibe a little more and move on once again. There’s no cost to join our merry band of poetic artisans or to recite your own pieces, but everyone pays for his or her own drinks.

Rockaway Pipeline Day of Awareness Action
Jacob Riis Park
AUG 4, SAT

Please join members of the Coalition Against the Rockaway Pipeline this Saturday August, 4th at Jacob Riis Park to gather signatures on the boardwalk, and distribute information opposing this pipeline!

Lucinda Williams
The Bowery Ballroom
Mon, August 6, 2012

It’s not all that hard to find an artist who’s capable of offering a guided tour of life’s dark clouds – nor is it rare to come into contact with one who can hone in on the silver lining. But the ability to do both with equal grace, well, that’s an altogether rarer gift – and it’s one that Lucinda Williams displays with remarkable élan on her latest Lost Highway album, Blessed.

M Shanghai String Band and Friends 10th ANNIVERSARY SHOW
Jalopy
Saturday, August 4

The Red Hook Ramblers Live Music with Silent Films
Jalopy
Sunday, August 5

COMING UP: 
The Fall of the American Movie Palace



THE WEEK/WEEKEND: July 26-Aug 2.

CANNONBALL! curated by Vicki Sher
Frosch & Portmann
July 26 – August 19, 2012

Ky Anderson
Denise Kupferschmidt
Joshua Marsh
Gary Petersen
Lauren Seiden
Don Voisine
Paul Wackers
Tamara Zahaykevich

The Quavers/LAS RUBIAS DEL NORTE
Barbes
Saturday, July 28

Their sound is a re-invention, a nostalgic throwback to a time and place mostly imagined where Peruvian waltzes, Andean huaynos and Cuban Guajiras mix with French opera, Cowboy tunes and Bollywood classics. The result plays like a dreamy soundtrack with classical harmonies set to a Latin beat. Their new album, Ziguala is an attempt to imagine what a pop record would sound like had the global Latin influence which was so prevalent until the early 60′s had continued its course without interruption. The tracks on the album are re-interpretations of songs from Spain, France, Peru, India, Mexico, Greece, Venezuela, Colombia and Naples. Ziguala is not so much a latin record as it is a pop record that uses a latin vocabulary. Think of it as the opposite of Rock en Español, itself a Latin genre which uses a rock vocabulary.

Upstairs at the Square with CHERYL STRAYED AND THEO BLECKMANN
Barnes and Noble
August 2, 7pm

Barnes & Noble, Inc. today announced the next edition of “Upstairs at the Square,” described by Daily Candy as “an awesome literary salon on a date with an intimate rock concert,” at the Union Square Barnes & Noble in Manhattan (33 E. 17th St.). On Thursday, August 2, at 7.p.m., Cheryl Strayed, author of Tiny Beautiful Things (Vintage Books, July 10) and Theo Bleckmann, whose latest album is Hello Earth! – The Music of Kate Bush (Winter & Winter, March 13), join Katherine Lanpher to discuss and perform their work. Admission is free, and no tickets are required.

EVERYTHING HAPPENS ON MONDAYS: Cori Olinghouse / Kai Kleinbard / Shona Masarin (Ghost lines)
Roulette
Monday, July 30, 2012 @ 8:00 pm

Exploring the body as a conduit for transformation, Cori Olinghouse will present excerpts from her latest Ghost lines Project.  Inspired by ghost towns, silent era clown films, voguing, and eccentric dance, the characters in Ghost lines conjure a vaudevillian past as traces – remnants; as if rising from the dust, transmitting signals of light and shadow.

VOXIFY: BASAK YAVUZ
Cornelia St Cafe
Tuesday,  Jul 31 – 8:30PM

Basak Yavuz is a Turkish-born, New York City based vocalist, composer and arranger. From modern jazz to minimalism, from blues and world music to chromatic harmony, her music is eclectic, heartfelt, and has the just the right amount of biting honesty. Her songwriting covers the full range of human experience; it can be fragile or aggressive, beautifully simple or deceptively complex, and always tells a compelling story. She recently graduated from Manhattan School of Music, where she studied with Peter Eldridge, Theo Bleckmann, and Darmon Meader, Dave Liebman and Phil Markowitz. She was the winner of the Nardis Jazz Vocal Competition in Istanbul, and has performed with her quintet in the Istanbul Jazz Festival twice. Her debut album is slated for release in late 2012, which will feature Peter Eldridge, Dave Liebman, and many other great musicians.

Yemen Blues (Lincoln Center Outdoors)
Aug 1 at 9:00
Damrosch Park Bandshell

A high-energy multinational hybrid of North African grooves, Middle Eastern modes, and American funk fleshed out with oud, gimbri, strings, and percussion, Yemen Blues is led by the charismatic Israeli-Yemenite singer Ravid Kahalani and go-to jazz bassist-arranger Omer Avital.

M’lumbo w/ special guest Gary Lucas
Joe’s Pub
July 29, 9:30pm
Watch Video

M’lumbo is a 8-piece multimedia jam band that crosses the boundaries of electronic, psychedelic, jazz, and world music. At this special performance the long-running shadowy and semi-legendary eight–piece band will celebrate the release of their twelfth album ’Tuning In to Tomorrow’ with  their special guestGrammy-nominated guitarist/songwriter Gary Lucas ‘The thinking man’s guitarist’-The New Yorker. The band includes Rob RayPaul-Alexandre MeurensVin VelosoCecil YoungDehran DuckworthJaz SawyerBrian O’Neill, Jarek Szczyglak and other suprises. Come experience the band live in rare form and be ready to party!

BASSON CD Release Party
The Grand Victory
August 2, 7pm

– the time has finally come to officially unleash Bassoon’s eponymous CD upon the world — join us for a killer show with venerable riff-contortionists STATS and equally dexterous bass-drum duo RADIATION BLACKBODY for an evening of intelligent ear damage –

Peter Stampfel and the Ether Frolic Mob/The Bushwick Gospel Singers
Jalopy
Saturday, July 28, 10pm

Peter Stampfel & the Ether Frolic Mob consists of whoever is available and up for it whenever. Stampfel is performing. What is Ether Frolic? Ether Frolic is when ether came into use in the 19th century, it was widely introduced by Ether Frolics–a stage would be rented, the audience would be charged, the ’show’ involved people inhaling ether on stage and carrying on in a manner not common to 19th century behavioral norms.

MOSTLY OTHER PEOPLE DO THE KILLING
Cornelia St Cafe
Thursday,  Jul 26 – 8:30PM 

Mostly Other People Do the Killing is a quartet founded on the idea that not only is jazz still alive and vibrant, but that it can and should be fun, engaging and thoroughly contemporary. Rather than settling into one style or historical period, MOPDtK fuses the entire spectrum of jazz and the various forms of improvised music it has spawned into a single, seamless melange of what they call “uber-jass.”

BEN ROLSTON’S FABLES QUINTET
Cornelia St Cafe
Monday,  Jul 30 – 6:00PM

Bassist/Composer Ben Rolston brings his quintet to Cornelia Street Café to play music from his debut album Fables, released in April of 2012 on Envoi Recordings.

All We Are Saying: Bill Frisell Explores the Music of John Lennon
Le Poisson Rouge
Thu., August 02, 2012 / 6:30 PM

TUBA SKINNY @ Jalopy (7/31) andBarbes (Thu 08/02)

Summer Group Exhibition@Joshua Liner
Joshua Liner
August 2nd from 6-9pm

Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.

Summer Swells (Les Rogers)
Half Gallery
August 1-Sept 2nd

BOB JONES/JON SHOLLE DUO
Barbes
July 29, 7pm

Bob Jones started his career as singer in his father’s church choir. He was Andy Statman’s guitarist in his legendary klezmer quartet and currently plays with Boo Reiners in the Plunk Brothers, with the Danny Kalb Trio and with many Old Timey and Bluegrass musicians in the city.
Jon Sholle is a guitarist who has worked with such musicians as Vassar Clements, Larry Campbell, Keith Carradine, Allen Ginsberg, and Bela Fleck. He was a member of the David Grisman Quintet and has also released two solo albums on Rounder Records.

Get Weird: Antipop Consortium
New Museum
Fri, Jul 27, 2012 7:00 PM

Antipop Consortium is an alternative hip hop ensemble based in New York. Conceived in 1997 out of a series of daring collaborations at the “Rap Meets Poetry” sessions of the Nuyorican Poets Café, the group has developed a cerebral, visionary strain of hip hop that incorporates the fragmented rhythms of contemporary electronic music with the confrontational, interrogative stance of rap.

NICKY DA B, DJ RUSTY LAZER, ONRA (DJ SET), AND VERY SPECIAL GUESTS
Brooklyn Bowl
SAT, JULY 28, 2012

Nicky Da B is a new generation New Orleans Bounce artist who is coming into national prominence in the footsteps of Big Freedia. At 21 years old, Nicky has already shared the stage with all the legends of the Bounce community and has traveled with Rusty Lazer to New York for a run of amazing shows in January and March of this year, performing at Santos Party House, Brooklyn Bowl, Public Assembly and with luminaries such as Roxy Cottontail and many more.

Phil Kline: dreamcitynine (ongoing audio installation) LIVE PERFORMANCE
A live version of dreamcitynine, featuring 60 percussionists, will be performed on August 3
Lincoln Center
July 25-August 12

What better way to celebrate the John Cage centenary than with postmodern sounds of silence? Composer Phil Kline (Unsilent Night) draws upon the words and voices of Jim Jarmusch, Philip Glass, Meredith Monk, Bill T. Jones, and La Bruja, among sixty writers, artists, and musicians, for a GPS-based work inspired by Indeterminacy, Cage’s collection of one-minute epiphanies. Use your smartphone and a free downloadable audio app to trigger sixty koans scattered around the Lincoln Center campus. A podcast version will also be available.

JOE GALLANT’S ILLUMINATI ORCHESTRA CELEBRATES THE 35TH ANNIVERSARY OF “TERRAPIN STATION”
Brooklyn Bowl

FRI, JULY 27, 2012, DOORS: 6:00 PM

Joe Gallant’s 18-piece Illuminati Orchestra celebrates the 35th anniversary release of the Grateful Deads’ “Terrapin Station” album (on this very day!) with a groove-heavy set of bones-shaking Dead tunes and sonic surprises.

Animation Block Party: Kid Animation Program
BAM
Opens on Jul 28, 2012

The East Coast’s premier animation festival returns for its ninth edition, showcasing international works, award winners, experimental shorts, computer animation, student films, local cartoons, a special Animation for Kids show, and much more. On Saturday, July 28th BAM presents an animation trade-show, plus an exclusive evening after-party at the BAMcafé, with standup comedy and live music.

Exhibition Opening: Slightly Strange
Powerhouse Arena
Thursday, August 2, 7–9 PM

An exhibition of the unusual personal artwork of five contemporary children’s book illustrators

Urban Tango Trio
Joe’s Pub
7:30 PM – July 30

Latin-Grammy winner Octavio Brunetti on piano; Machiko Ozawa, former concertmaster of Orquesta Sinfonica Sinaloa de Las Artes, on violin; and acclaimed composer/arranger Pedro Giraudo on bass. Together, these three awesomely talented virtuoso musicians capture the passion and excitement of Argentine tango in a repertoire ranging from traditional favorites, to contemporary interpretations. They have dazzled audiences in New York, Washington DC, South Carolina, Virginia, and in Tokyo, Japan, with an upcoming tour to Japan this August.  This appearance at Joe’s Pub will debut their new repertoire, which they will feature on their tour and will be the basis of their next CD.

COMING UP:

Kimmo Pohjonen & Helsinki Nelson: Accordion Wrestling (U.S. premiere)
M. Ward,Yo La Tengo, Wyatt Cenac
The Fall of the American Movie Palace



The Week/Weekend: June 28-July 5.

Moonface with Siinai
Where: The Bowery Ballroom
When: Sat, June 30, 2012

Featuring Spencer Krug who also leads Sunset Rubdown and plays in Swan Lake. He debuted Moonface in 2009 with Dreamland EP: Marimba and Shit-Drums, which consisted of a single 20-minute track. He’ll follow that up on August 2, when Jagjaguwar releases a full Moonface album called Organ Music Not Vibraphone Like I’d Hoped.

Sam Prekop and Archer Prewitt (of The Sea and Cake)/Helado Negro
Where: Mercury Lounge
When:  Sat, June 30, 2012

Over the last few years Lange has collaborated with David Ellis, Brian Alfred and Nene Humphrey on sound installation work. Recently he has created a series of solo sound installation pieces ranging from Music Box HVAC systems to Floating speakers that hover playing back original site specific compositions. Lange has also worked with Bear in Heaven and Julianna Barwick as well as famed music producer Guillermo Scott Herren to produce Prefuse 73 and Savath and Savalas as an active member and contributor.

“Composing with Patterns”: Music at Mid-Century
Where: Guggenheim
When: Tuesday, July 10, at 7:30 pm  

Listen to experimental 1950s music by composers such as Earle Brown, John Cage, Giacinto Scelsi, and Karlheinz Stockhausen in the museum’s rotunda while viewing works by Louise Bourgeois, Alexander Calder, Jackson Pollock, Antoni Tàpies, and more in Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960. Christopher McIntyre directs an all-star ensemble featuring musicians from the International Contemporary Ensemble, Ne(x)tworks, and Either/Or Ensemble, among others. A talk by composer R. Luke DuBois precedes the performance.

Repository: a Nuclear Waste Card Game
Where: Proteus Gowanus
When: Thursday, June 28, 8pm

We are excited to host the launch of Repository: A Typological Guide to America’s Ephemeral Nuclear Infrastructure, an informational card game created by Smudge Studio. Elizabeth Ellsworth and Jamie Kruse will present their graphically vivid cards and tell the terrifying tales of America’s real-life nuclear waste shell game, as part of our Future Migration segment in this Migration year.

CARA BARER AND GUY LARAMEE
Where: Foster/White Gallery
When: Thursday, July 5, 6 – 8 PM

For artist Guy Laramée, the land is full of history and stories, much like the books he sculpts. Each has a life, independent of those who travel upon its ridges or wander through its pages. Laramée carves and sandblasts carefully selected texts into detailed landscapes from timeless locations. Mountains will explore Laramée’s admiration for mountains and the life they provide.

Radiolab Live: In the Dark
Where: Theodore: BAM
When: Tue & Wed, Jun 26 & 27, 2012 at 8pm 

Prepare to have your mind blown at the new live show from the hit podcast series Radiolab. Hosts Jad Abumrad and Robert Krulwich explore the dawn of sight and the evolution of the eye in an evening that includes storytelling, music, stand-up comedy, and dance. Featuring dancer athletes, comedian Demetri Martin, and singer-songwriter Thao Nguyen.

The Adventures of Prince Achmed
Where: BAM
When: Sun, Jul 1 at 6pm

For this special BAMcinemaFest closing day event, two of 3epkano’s founding members are joined by avant-garde cellist Erik Friedlander as they find their muse in the oldest surviving animated feature, The Adventures of Prince Achmed. Under the influence of Georges Méliès’ special effects, pioneering avant-garde German filmmaker and artist Lotte Reiniger employed silhouettes of cardboard cutouts on illuminated glass to craft this dreamlike homage to The Arabian Nights, in which a prince joins forces with Aladdin and a magic horse to vanquish an army of demons.

Opening Reception: Peter Bardazzi, Peter Bocour, Joe Pimentel, Amanda Dandeneau  
Where: Skylight Gallery
When:Thursday June 28th, 6-9pm

Four Solos, exhibition runs from June 25th thru August 4th

WISH YOU WERE HERE
Where: Ana Cristea Gallery
When: June 28 – August 4, 2012

Ana Cristea Gallery is pleased to present “Wish You Were Here,” a summer show of three artists from Slovakia, Romania and Belgium. The works of Andrej Dubravsky, Oana Farcas and Gideon Kiefer are masterfully painted and reflect their individual training at the highest levels of the fine art academy. Whether billboard or postcard-sized, the works command the viewer’s attention through colors, lively settings and inspired brushwork. The narratives in these works honor the role of the natural world and self-selected communities.  A lake at summer camp, an artist studio or laboratory environment might appear familiar initially, but the evident strange(r) element in all three artists’ works give them charge and wisdom.

Fulvio di Piazza: Ashes to Ashes
Where: Jonathan LeVine
When: Jun 30 — Jul 28, 2012
 
Jonathan LeVine Gallery is pleased to announceAshes to Ashes, a series of new oil paintings on canvas by Sicilian artist Fulvio di Piazza, in what will be his first solo exhibition in the United States.

Dr. Eugene Chadbourne + Bryan and the Haggards + Pull My Daisy
Where: Vaudeville Park
When: Mon. 7/2, show at 8pm

Legendary freak-guitarist/banjo player, Eugene Chadbourne, is getting ready to record a new album with Bryan and The Haggards for the Northern Spy record label. Eugene will also be playing a solo show at The Stone on July 5th.

WORLD ON A WIRE
Where: bitforms gallery nyc
When: June 28 –  August 3, 2012   

bitforms gallery is pleased to announce a summer group exhibition that features the work of seven artists: Marco BrambillaDaniel CanogarYael KanarekTim KnowlesMark NapierCasey Reas, and Marina Zurkow. Borrowing its title from World on a Wire, Rainer Fassbinder’s 1973 sci-fi film set in a cybernetics and futurology lab, the exhibition explores behavioral complexity, madness and simulation. Three projects in the exhibition are New York debuts: Mark Napier’s net.flag: ten years of flags, comprised of nearly 23,000 flags created by visitors to the net.flag website; Marina Zurkow’s The Thirsty Bird, an ecologically-charged animation informed by a recent residency in Houston, Texas; and Marco Brambilla’s RPM, a psychological video portrait of a Formula One driver’s point-of-view.

Breakestra/Heylady
Where: Brooklyn Bowl
When: Thu, June 28, 2012

The Breakestra began as the house band for the legendary late 90′s hip hop party that Miles promoted called the Breaks. Egon from Stonesthrow Records further explains the etymology of their name: “Break. As in “breakbeat.” That ten second slice of percussive magic in the middle of a funk song that, when looped together by progressive South Bronx DJs in the 1970s, became the basis of the hip-hop movement. Arkestra. Out-there jazzer Sun Ra’s funkafied concept of the stuffy classical orchestra.” When we combine the two concepts, you have the Breakestra or in other words an orchestra that plays funky ass classic & new original breaks.

Archival Portraits
Where: Carriage Trade
When:  June 29 – July 29, 2012, Opens Friday, June 29, 2012, 6-8 p.m.

Traditionally highlighting the unique personality of a subject, the genre of portraiture is at odds with the increasingly disparate quality of our current experience of the self. The popularity of social media and instant communication has meant much more frequent interaction between individuals, which favors brevity and is often disconnected from place. Now being available “anytime” takes precedence over one’s location, as the disengagement of context (where and how we encounter one another) from interpersonal exchanges poses questions for the ongoing relationship between perception and identity.

AMERICA IN ARABIC – BASSEM YOUSSEF IN NYC
Where: Galapagos Art Space
When: SUNDAY JULY 1

 join us for an evening with egypt’s best-known political satirist and some of america’s top arab comedians. featuring: BASSEM YOUSSEF, MAYSOON ZAYID, MO AMER, MEENA DIMIAN

Show #5:FIRST CONTACT 
Where: Field Projects
When: June 28 – July 15, Opening: Thursday, June 28th, 6:00-8:00pm

Join us Thursday, June 28th, for the opening of Field Projects Show #5: First Contact. The works in this exhibition were chosen to recreate the sublime moment of an adolescent’s first discovery of the world of Science Fiction. Show # 5: First Contact includes work by Lisha Bai, Megan Burns, Lisa Rybovich Crallé, Sean Duffy, Allison Edge, Matt Frieburghaus, Shawn Gallagher, Sarah Gamble, Micah Ganske, David Herbert, Laura Kaufman, Hein Koh, Jennifer Ku, Amanda Lechner, Erica Magrey, Betsy Odom, Julia Oldham, Naomi Reis, Rachel Ritchford, Mike Peter Smith, Louis Spano, Studio AND, J.P. Roy, and Christopher Ulivo.

Max Johnson / Weasel Walter Residency Part 1
Where: Ibeam
When: Thursday, July 5th 8:30

Two sets of newly and freely improvised brought to you every Thursday night in July by Max Johnson & Weasel Walter with a slew of very special guests. Come enjoy as musicians from all over collide to create sounds that you may never hear again in your life!

BEN MONDER, THEO BLECKMAN DUO 
Where: Cornelia St Cafe
When: Friday,  Jun 29 – 9:00PM & 10:30PM  

For over 15 years, the Theo Bleckmann & Ben Monder Duo has been touring the U.S., Europe and Asia creating a unique approach to what might be called “jazz art song”, blurring the boundaries between jazz, classical, ambient and rock. Bleckmann’s vocal style is based on a thorough understanding of the jazz vocal tradition as well as “extended vocal techniques” (he has been a principal in Meredith Monk’s Vocal Ensemble since 1994) and also uses electronic looping and processing in order to create choral and textural soundscapes. Film fans will note that Bleckmann created the alien language used in the film Men In Black.

Pretty Lights Music Album Release: Eliot Lipp
Where: Mercury Lounge
When: Fri, June 29, 2012

Eliot Lipp didn’t choose to become one of the most looked to artists in contemporary electronic music, but somehow, Lipp’s sound, one that uses vintage gear to create a unique take on Hip Hop and House, has quickly garnered the respect among the industry’s most influential musicians and producers as well as the deep admiration among audiences worldwide.

Animal Hospital / Kevin Micka Solo
Where: The Stone
When: Sunday July 1, 10pm

During performances, Micka buries himself in a pile of electronics-shelves of effects, mixing consoles, amps and delay units-while patiently constructing a layered nest of loops consisting of live drum beats, guitar chords, scrapes, chucks, chimes, and melodies resulting in anything from more conventional songs to meticulously crafted ambient movements on to full on improvisation.



THE WEEK/WEEKEND: MAY 10-17.

EDITOR’S PICKS:

Stephen Hannock: Recent Paintings: Vistas with Text @Marlbourgh

Jacqueline De Jong’s Situationist Times, 1962-1967
http://boo-hooray.com/the-situationist-times/de-jong-situationist-times/
05/09/2012-05/25/2012
-

Boo-Hooray is happy to announce an exhibition of original art, publications, photography, ephemera and manuscripts related to Jacqueline De Jong’s vanguard publication The Situationist Times, celebrating the 50th anniversary of its first issue. A total of six issues were published: Issue 1 in May of 1962, and the final issue in December of 1967. A seventh issue was compiled but not published. The Situationist movement produced periodicals: Internationale Situationniste (twelve issues published between 1958 and 1969) and the German Gruppe SPUR publication SPUR (six issues from August 1960 to August 1961). There were other examples: Drakabygget (Scandinavia), Heatwave (UK), Black Mask (USA), King Mob Echo (UK). Dutch artist and graphic designer Jacqueline de Jong joined the Situationist International in 1960. De Jong suggested the publication of an English language newsletter in November of 1960, to be co-edited with British Situationist Alexander Trocchi.

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THE WEEK: APRIL 23-27.
April 22, 2012, 10:33 pm
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EDITOR’S PICKS: 

The 22 Magazine is putting on a show this Thursday at Vaudeville Park in Brooklyn. Hope you can join us!

Check out a preview for the show.

The 22 Magazine Presents: Fixins
http://www.the22magazine.com/Pages/upcomingevents.html
04/26/2012-04/26/2012

The 22 Magazine is pleased to present an evening of music, art, food and puppetry with Andru Bemis, Anna Gevalt, Elizabeth Laprelle and Katherine Fahey, who along with singing, will be presenting a cranky. Also known as scrolling panorama, or crank box, the cranky is an old-fashioned hand-cranked scrolling device, illustrating a story or song. They will be joined by FAHEY, puppeteer Daniel Patrick Fay, and visual artists Jimmy McBride, Megan Canning, Eileen Hoffman, Reineke Hollander and more. There will be a potluck style buffet, so feel free to bring something to contribute! The event will take place on April 26, at Vaudeville Park in Brooklyn.


 

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THE WEEK: APRIL 16-20.

EDITOR’S PICKS:

Cross-Reference: A Collaborative Exhibition Featuring the work of Hans + Gieves
http://www.likethespice.com/Cross-Reference-Hans+Gieves.html
04/20/2012-05/27/2012
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Like the Spice gallery presents Cross-Reference, a collaborative of Nashville-based painter Hans Schmitt-Matzen and Brooklyn-based photographer Gieves Anderson. It’s fitting that Hans and Gieves begin the works in their latest series in libraries, which the two artists consider sanctuaries of thought. Duly titled Cross-Reference, the series enables a philosophical contemplation of color and composition through an alchemy of the disparate mediums of photography and painting. Libraries’ unbroken rows and columns of books were the artists’ inspiration for the new works, and Gieves’ large photographic prints of the buildings’ interiors and exteriors form the multicolored surfaces to which Hans applies oils in thick gestural strokes made with brushes, blades, and customized squeegees.

Marc Brotherton – New Work
http://www.causeycontemporary.com/node/marc-brotherton/6235?tpl=tpls/exhibitionpressrelease&location=6235
04/20/2012-05/27/2012
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Causey Contemporary is pleased to present two solo exhibitions this April, New Paintings by Marc Brotherton and Acid Bath by Nina Carelli. Marking his third solo exhibition with the gallery, Brotherton will present his newest series of bold, mixed-media paintings, which explore ideas of new technology, communication, color and design. Marc Brotherton contends that living in the twenty-first century, we are constantly bombarded by input– be it from televisions, news sources, the internet, or one of the many communication gadgets. In a way, Brotherton’s paintings are a form of communication, which address technological and political quandaries, but also banalities of daily life. The outcome of his work is a materialized investigation into the perplexing world in which we live. Brotherton states that his incentive to make art comes from an “…inner curiosity, a personal necessity to acknowledge an awareness that we are here together inhabiting an increasingly chaotic world.”

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THE WEEK: APRIL 9-13.
April 9, 2012, 7:10 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

EDITOR’S PICKS:

Adam Rudolph – Go Organic Orchestra
http://roulette.org/events/shelley-hirsch-simon-ho-3/
04/02/2012-04/30/2012
8pm-

Unique in the realm of approaches to improvisational conducting, Go: Organic Orchestra utilizes a composed non-linear score consisting of sound and motion elements. These include tone rows, synthetic scales, melodies, linguistic shapes, intervallic patterns, textural gestures, modes, ragas, maqams, and plainchant. The score serves to provide material for both the improvisations and the orchestrations. Motion and forms and are generated through the application of the composer’s rhythm concept “Cyclic Verticalism” whereby polymeters are combined with additive rhythm cycles.

JAMES GODWIN LUNATIC CUNNING
http://www.dixonplace.org/index2.html
04/06/2012-04/21/2012
7:30pm-

A semi-autobiographical “mockumentary” from a puppetry and performance art pioneer. Lunatic Cunning mixes experiences from Godwin’s own life—such as his work with Julie Taymor on Across the Universe and appearances on Saturday Night Live, Chappelle’s Show, PBS and with Jim Henson’s Muppets. It’s a humorous examination of the occult roots of puppetry and performance art.

I T I N E R A N T Performance Art Festival
http://www.qmad.org/itinerant/
04/06/2012-05/04/2012
3pm-6pm

QMAD, Queens Media Arts Development, presents ITINERANT, a citywide festival for Contemporary Performance Art to be hosted at various venues in the five boroughs of New York City. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. ITINERANT 2012 focuses on live performative works that treat notions of intimacy, self-reflection, and introspection. Artists working in Contemporary Performance Art were selected to participate from an open call that attracted more than 175 local, national and international submissions. Forty five artists will be featuring new and existing works that explore the program’s theme over a period of 5 weeks starting on March 30th through May 5th.

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THE WEEKEND: MARCH 2-4.

EDITOR’S PICKS:

Liz Biddle, Regine Granne, and Katherine Tzu-lan Mann at A.I.R. Gallery
http://www.airgallery.org/index.cfm?fuseaction=main.artists&artistid=885
03/01/2012-03/24/2012
6pm-9pm

This exhibition showcases Biddle’s continuing interest in mixed media, with a twist of humor found in much of her work. Old wires, light bulbs, screws and other found objects protrude from holes in ceramic objects, while creature-like robots – strange, disturbing and endearing – appear in collages and drawings. Liberty is a contemplation of the present in the wake of 9/11. The Statue of Liberty itself simultaneously represents an overused icon and a diminishing concept. These works offer a means of viewing such images and enable reflection of our world, our nation, our politics, our person, our perspective, and our relationship to all. Mann’s large paintings in Root, created by combining chance stains with highly rendered decorative elements on oversized, un-stretched paper, function as human-sized portholes into a landscape alive with minute details, patterns and interlocking systems.

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The Weekend: Dec 10-11.

SATURDAY:


Vaudeville Park presents…Noir Night
Come out to our 4th Installation of Noir Night, this Saturday at Vaudeville Park. Rare Noir Films & TV, Dark Synth Jazz, Bloody Red Cocktails, Free PopcornVillains of Vaudeville play sullen & dark synth jazz homages to Dark Shadows and Vertigo.

Seven in One Blow – 10th Anniversary Production!
For the tenth consecutive season, Axis Company will present its winter show for children, Seven In One Blow, or The Brave Little Kid. Adapted from the classic fairy tale by The Brothers Grimm, this interactive play with music is conceived by Axis Company and directed by Randy Sharp featuring Axis’ signature blend of advanced technology and live performance. Children in the audience will be encouraged to participate in many of the Kid’s challenges with singing and organized “shout outs.”

A-Lab Forum: ARTE UTIL
centers around the works of artists whose practice involves social and political engagement.  Through actions, performances, situations, and in may instances the reference to the object(s) , participating artists explore possible ways to bridge the gap between audiences and art experience.  Taking as departure the notion of Arte Util (Useful Art), first introduced in the 1960’s , the forum will open the dialogue to offer a possible re-formulation of  ideas behind artistic creation, aesthetics, alternative narratives, and public participation. Selected artists were invited to present their work and share their approach, ideas and experimentation with art that can be found in the streets outside the white box of a gallery or museum setting.

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THE WEEK: Nov 28-Dec 2.

MONDAY:

TALK SERIES: Poetry After the White House Jam: A Panel Discussion on the nature and Role of the Avant-Garde
This talk will focus on poets Alison Knowles (founding member of Fluxus) and Kenneth Goldsmith (Conceptual Writing figurehead) and their inclusion in the 2011 White House Poetry Jam. Specifically, thinking about Knowles and Goldsmith as “avant-garde” figures: whether there can be an avant-garde that is current and representative, and how that impulse affects/is affected by an institutional context such as the White House. Panelists include: Rod Smith,Sandra Simonds, and Steven Zultanski.



THE WEEK: Oct 24-28.

MONDAY:

BROOKLYN FOLK ARTS DAY
Brooklyn Arts Council, in partnership with The Cultural Strategies Institute invites your participation in a Folk Arts Town Hall Meeting celebrating and strengthening folk and traditional arts in Brooklyn. This first of a kind meeting will inaugurate Brooklyn Folk Arts Day, an annual gathering of Brooklyn’s traditional artists, traditional arts organizations and communities they serve, teaching artists and educators, funders, elected officials, and other friends of folk and traditional arts. Moderated by BAC Folk Arts Director Kay Turner, this gathering will address ways to preserve, sustain, encourage, and expand traditional arts practices in Brooklyn. In town hall fashion, we hope to hear ideas and concerns from a wide range of people attending. The reception provides further opportunity to meet and greet across Brooklyn folk arts communities and genres of practice.

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