In this exhibition, Hegarty takes her point of departure from themes of consumption, lust,reproduction and greed. Playing with traditional still life and figurative painting, Hegarty cites as inspiration the cult comedy Little Shop of Horrors along with current newsheadlines concerning the enhancement and mutilation of body and food. These four new paintings metamorphose sculpturally, as the paintings burst, grow and propagate in bodily gestures, leading the overgrowth to travel ominously beyond the canvas boundaries.
Through choreography and manipulation, master puppeteer Hanne Tierney conducts an intricate counterweight system of over 100 strings, transforming a full stage of inanimate objects into the players of two emotionally charged tales.
Betty Cuningham Gallery is pleased to open its 2012-13 season with Nancy Davidson, featuring her inflatable sculpture, Dustup. This will be the artist’s first exhibition at the Gallery. The artist will be present for the opening reception. Davidson, a sculptor and video artist, is known for her unique media – larger than life inflatable sculptures – and for her interest in American icons and gender issues. In 2005 with the support of a Creative Capital Grant, she began her exploration on the myth and reality of the cowgirl. After researching western women’s history Davidson focused on the rodeo cowgirl.
Allen’s signature use of cutting and repurposing book illustrations has not vanished. Instead of the pulp fiction genre, Allen plays with 50’s era versions of clean cut youths and domesticated moms. His unmistakable talent for creating the illusion of 3D in photography with his deft cuts and crimps, establishes a magical world in which a boy and girl play tag creating their own kind of electricity, a milkman makes a very special delivery in space, young toughs play marbles with the solar system and a mother busily sews her own version of “string theory.”
David Stoupakis is an internationally recognized painter who creates eerie portraits of beings that appear wise beyond their years. The self-taught artist adds both haunting imagery and grim fairytale-like elements to his work to juxtapoz childhood innocence with macabre surroundings. InAshes to Sorrow, his new collection of drawings and oil paintings, David creates a continuation of his previous body of work-Walking with These Shadows./With his new work, Matthew Bone continues to explore the visual language he created as a child when massive unmonitored media consumption informed his worldview. A latchkey kid from an early age, pornography, comic books and movies formulated his ideas of sexuality, masculinity, and femininity- in essence reality and perception were sculpted by imaginary worlds steeped heavily in sensationalistic imagery.
TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.
OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.
SONIC: Sounds of a New Century (ONGOING)
SONiC – Sounds of a New Century – a brand new festival of 21st century music by more than 100 composers age 40 and under, will take over New York from Friday, October 14 through Saturday, October 22, 2011. Events will range from a daylong marathon to a DJ/VJ night, from a free symphony concert at the World Financial Center Winter Garden to collaborations between emerging choreographers and composers. SONiC concerts will take place at ten different venues throughout New York, and will include performances by 16 extraordinary ensembles featuring at least 18 world premieres, eight US premieres, and eight New York premieres. SONiC is co-curated by composer Derek Bermel and pianist Stephen Gosling, and is a production of American Composers Orchestra and The Alice M. Ditson Fund of Columbia University. SONiC is presented in partnership with Carnegie Hall and Miller Theatre at Columbia University. New York Public Radio’s online radio station, Q2, is the media partner and digital venue.
Secret Science Club “Controlled Experiment SPECIAL EVENT: The Secret Science Club is teaming up with the Imagine Science Film Festival for “Controlled Experiment,” a night of science-inspired short films.
Vogt Gallery is pleased to present an exhibition of contemporary German drawing, “Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo Christian Larsson, and Florian Meisenberg. The exhibition brings together some of the most well-known German artists working in drawing today and is guest curated by Birgit Sonna, a Berlin-based writer and curator.
Dario Azzellini, Immanuel Ness & Victor Wallis
Capitalism would have us believe we need our bosses. This volume, edited by Immanuel Ness and Dario Azzellini, reveals the history of workers who dare to disagree. From the dawning of the industrial epoch, wage earners have gone so far as to challenge the very premises of the system by creating institutions of democratic self-management aimed at controlling production without bosses. With specific examples drawn from every corner of the globe and every period of modern history, this new book comprehensively traces this often underappreciated historical tradition.
It’s the 3rd Annual Manhattan Wonderwalk! Come join us as we stroll nearly the entirety of the great Island of Manhattan. We will visit familiar spots and little known pathways; we’ll see gorgeous public art and mundane displays of beauty. There will also be site-specific performances along the way. You may walk part of the way or all the way, just buy your map for $20, and you’ll be able to find us at any point throughout the day. (NOTE: tickets are $10 for Secret City members.)
An open, no-cover party at Screen Slate HQ featuring live music byStrange Rivals, DJing by Colin Beckett and Max Diamond and 16mm projections by Ryan Marino. Spirits available including beer lovingly provided by Brooklyn Brewery. 15 Bushwick Ave., 11211, two blocks from the Graham or Grand L stops in Williamsburg, Brooklyn.
In this workshop you will be introduced to the old world craft of Hatmaking. The skills involved in making a hat evolved in the 14th century and have hardly changed since. Participants will become familiar with all the basic tools, materials and terminology. Over the four classes participants will handblock a Panama straw hat, and learn to finish and trim it just in time for the Fall.
Interested in more project examples? Check out students work from the class on our tumblr. ENROLL.
Executive Producer – Chesney Snow Co-Founder/WBA
Co-Executive Producer – Kimberly Knox/ Ubiquita Worldwide
Executive Producer Co-Founder of WBA-Jim WildeSunday, August 14th 2011 at Le Poisson Rouge in New York City will see the undisputed Godfather of Noise Rahzel (the Roots) and Rakaa (DilatedPeoples) headlining the post-championship concert of the 2nd American Beatbox Championships. America’s top 16 beatboxers will battle it out live in an “8 mile style” beat down for the crown of America’s Best Beatboxer. Beatboxing’s finest will go mic to mic as Hasan Salaam and Eternia MC the evening with DJ Boo holding down the Red Bull decks alongside Colin Dean’s Roots & Grooves. (READ MORE.)
28th Annual Roots of American Music Festival (FULL SCHEDULE, VARIOUS LOCATIONS.)
ABIGAIL WASHBURN
SID SELVIDGE & SONS OF MUD BOY
SUN RECORDS ORAL HISTORIES Sat, Aug 13 at 2:00 Hearst Plaza Stage FREE
Clawhammer banjoist Abigail Washburn has emerged as a gifted singer-songwriter after perfecting the most unlikely of fusions—between Appalachian music and Chinese folk. Soulful folk-rocker Sid Selvidge’s astonishing voice takes the Memphis blues to another level, joined by Luther and Cody Dickinson, the sons of the influential late producer-musician Jim “Mud Boy & the Neutrons” Dickinson. Roots of American Music producer Spike Barkin starts the day with an onstage talk with the pioneering alumni of Sun Records, whose stories and recollections are a historical treasure trove.
Radio Happy Hour: The Final Episode August 12, 2011 Radio Happy Hour, the radio show not on the radio, has announced the end of their 2+ year run as the Village’s best variety show. After a US tour, appearances on public radio, feature articles in NY Post, Nylon, and many other places, the hit comedy show is ending its run. “Secretly, I was always surprised that anyone ever came to see a murder mystery on a fake radio show, or that anyone ever agreed to be on the show. Apparently, New Yorkers have a real appetite for idiocy,” says show host and head writer Sam Osterhout.
Please join us for the launch of the new web series “The Midnight Archives: Tales From the Observatory.” The series is the work of many time Observatory presenterRonni Thomas (Alias Ronni Raygun) of the IKA Collective and is centered around the esoteric and always exotic personalities that spring from the Brooklyn Observatory. It attempts to briefly document some of the truly unique people, talents and objects from around the world who gather there on a weekly basis. Mummies, Taxidermy, 18th century robotics, early French demonic 3d horror… its all here.
JAMES BROWN dance party w/JAMES CHANCE live and more @Zebulon Sat Aug 13
Williamsburg, Brooklyn – Zebulon (258 Wythe): James Brown dance party w/DJs Jonathan Toubin and James Chance plus a live performance by JAMES CHANCE AND THE J.C.’S (playing 2/3 James Brown and 1/3 Contortions songs! Supergroup featuring James Chance, Ivan Julian (Richard Hell and the Voidoids), Robert Aaron (avant-jazz legend who’s also played with everyone from B-52s and Blondie to Afrika Bambataa and Wu Tang Clan), Kim Clark (Defunkt and dozens of jazz projects), and Richard Dworkin [James White and the Blacks, Alex Chilton, etc), JAMES CHANCE SOLO, JAIL BAIT, and more at Zebulon…
AND ON SUNDAYNEW YORK NIGHT TRAIN’S DJ MR. JONATHAN TOUBIN! @ UNION POOL. August 14
Each Saturday in August join Brooklyn based artist collaborative Twig Terrariums as as they reveal their processes in creating small worlds within antique, vintage, and new glass containers.
Sol LeWitt knew that artists of many diverse types use simple forms to their own ends. Musician and multimedia artist, Morgan Packard believes that simple rules, when allowed to unfold, create the splendor of the world. In Euclidean geometry the simplest non-curved flat shape is the triangle, and the simplest non-curved three-dimensional shape is four triangles connected by their edges—the tetrahedron. In this crowd-sourced artwork the public is invited to create tetrahedrons from recycled office paper and a few pieces of tape while musicians perform. Under Morgan’s direction the participants will attach the vertices of the tetrahedrons to create a constantly expanding sculpture, filling the gallery with a geometric wonderland intersected by sonic vibrations.
InDigest 1207 Reading Series
InDigest also presents InDigest 1207, a reading series that takes place monthly in New York City and quarterly in Minneapolis. In addition to their own work, readers are encouraged to bring in something that has informed or influenced them in some way. The result is often funny, sometimes strange, but always interesting, showing us how we are all constantly influenced by what we see, hear, and read.
PORTAL: Perspectives on Video Performance Contemporary Video from Sydney @ Regina Rex. Friday, August 12th Curated by Janis Ferberg, organized by Stephen Truax
Portal is pleased to present a one-night screening of video works by Sydney-based artists engaged with performance mediated through video at Regina Rex in Ridgewood, New York.
This selection of work offers an alternative point of entry to the practice of performance, whereby video is used not as a medium for documentation, but rather as an end in itself.
Steve Bloom, Robert Gibbons, Judy Gorman, Sara Goudarzi, Kevin Keating, Gwen Laster, David Lippman, The NYC Metro Raging Grannies, Radio Noir, Mary Ellen Sanger, Secret Architecture, Jackie .Sheeler, Upsurge! & Angelo Verga. Festival Organizer: John Pietaro
Now a Manhattan mainstay, the Dissident Arts Festival was founded in upstate NY in 2006 with a primary goal of establishing an annual showcase of politically progressive music, poetry and performance art—perhaps the only such vehicle in the nation. This Festival has sought to bring together a wide variety of sounds and styles, tearing down boundaries, bending rules and infusing the arts with the strongest, most radical activism, where folk-protest song meets free improvisation and contemporary composition. Featured among our past performers and speakers were actor/raconteur Malachy McCourt, folk legend Pete Seeger, poet Louis Reyes Rivera, revolutionary hip hop group ReadNex Poetry Squad, protest/garage band The Last Internationale, labor luminary Henry Foner, topical singer Bev Grant, ‘anti-folk’ singer Lach, jazz artist Ben Barson and filmmaker Kevin Keating (“Giuliani Time”). And we presented tributes to Woody Guthrie, Paul Robeson, Bertolt Brecht and Phil Ochs along the way. As of 2010, the Festival became affiliated with NYC’s Brecht Forum, a center of Left education and culture which has proven itself the perfect host of the Dissident Arts Festival. This year, Dissident Arts focuses on the improvisational and modernist heart of Protest Music while also featuring topical folk/acoustic performance, radical film and revolutionary poetry.
FringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)
Sanda Weigl@ Cornelia St. Cafe. Saturday, August 13, 9:00 PM
OH THE SHARK HAS PRETTY TEETH DEAR, SONGS OF THE WEIMAR ERA Sanda Weigl, vocals; Anthony Coleman, piano
From Noam: The Noam Faingold Orchestra will play a set, then it’s members and some special guests will play contemporary chamber music by Jeremy Forbis, Jacob Druckman, Kurtag and others, and then we will play another set of Aleatoric pieces by Christian Wolff, Terry Riley, Louis Andriessen and others.
Saturday, August 13th
Noon through much much later…
$10 arrive before 3pm : $20 after
Sunday, August 14th
Noon through Midnight
$10 all day + Cheap Drinks
3rd Ward, Macro-Sea, Artists Wanted, TheDanger and Chashama have spent the past several weeks building out a fantastic oasis in the creative heart of Queens. A couple blocks from PS1, we are opening The Palms, a late summer ode to the Boca Raton Resort Pools of the 1940′s (with more music, spectacle and hedonism).
“Unable to touch his toes at 22, Nosan moved to London for a year of physical theater and circus training, then three years as a contortion student of Mr. Lu Yi at the San Francisco Circus Centre…”
Many of us make important decisions at the age of 22, but Jonathan Nosen’s decision to become a contortionist has got to be by far one of the most interesting. Reading like a sort of theatrical fable, Jonathan (who at the time was living in a small cabin Northwest Mountains of Kyoto) switched from the study of Design of Sacred Space to acrobatics after seeing a Chinese contortionist in Nagasaki and Canadian clown in Tokyo.
It was a wise decision leading to a highly successful film and entertainment career, as well as his 2010 performemoirt piece BAGABONES and the co-creation of Acroback Productions .
This revelatory “secret history” illuminates the Feminist Art movement through interviews with and works by visionary artists, scholars and critics like Miranda July, The Guerrilla Girls, Yvonne Rainer, Judy Chicago, Marina Abramovic, Yoko Ono, Cindy Sherman, Barbara Kruger, B. Ruby Rich, Ingrid Sischy and Carolee Schneemann. Score by Sleater-Kinney’s Carrie Brownstein.
In person appearances:
Wednesday, June 1: Lynn Hershman Leeson & Alexandra Chowaniec at 6:10pm, Leeson, Chowaniec, & Kathleen Hanna at 8:10pm
Thursday, June 2: Chowaniec & Howardena Pindell at 2:10pm, Chowaniec & Carolee Schneemann at 6:10pm, Chowaniec & J. Bob Alotta at 8:10pm
Friday, June 3: Chowaniec& Janine Antoni at 12:10pm, Chowaniec & Joyce Kozloff at 6:10pm, Chowaniec & Martha Wilson at 8:10pm
Saturday, June 4: Chowaniec & Howarden Pindell at 2:10pm, Chowaniec & B. Ruby Rich at 6:10pm, Chowaniec & Guerrilla Girls Frida Kahlo and Kathe Kollwitz at 8:10pm
Sunday, June 5: Chowaniec & Howardena Pindell at 2:10pm
Monday, June 6: Chowaniec & Carey Lovelace, Chowaniec & Connie Butler at 6:10pm
Tuesday, June 7: Chowaniec, Carey Lovelace & Faith Ringgold at 6:10pm
Guided Tour: Wednesday, June 8: 6:30-8 pm Music Event: Thursday, July 14: 7 pm
Featuring work by:
Nicole Andrews Brandes, Natascha Belt, Dave Bevan, Dwayne Boone, Gerardo Castillo, Rick Charnoski, Edward Colver, Ale Formenti, Renée French, Joseph Griffith, Thomas Hauser, Mark Hubbard, Chuckie Johnson, Gary Kachadourian, Taliah Lempert, Doug Magnuson, Alfredo Martinez, William McCurtin, Stu Mead, James Niehues, Gloria Park, Daniel Pineda, Randy Turner, Dennis Tyfus, Unidentified Cameroonian barbershop painters, Sereno Wilson, Jesse Wine, Jason Wright.
Tony Bennett unsuspectingly coined a new term of surprising relevance when he once said he liked what Oskar Kokoschka did “along the peripheter.” Though meaning the perimeter and periphery in the painting itself, he innocently zeroed in on a murky netherworld away from the formal where success and failure, acceptance and indifference, and Tony Bennett and Oskar Kokoschka meet. Like these two disparate personalities, the artists in The Peripheterists elude the standard definition of outsiders to form a diverse and unaligned but oddly complimentary non-scene that doesn’t really register with either the hoi polloi or the intelligentsia. In many cases low-key and unsung though prodigiously gifted, all are fairly unconcerned with and unknown in that rarely satisfying milieu known as “The Art World.”
The Peripherterists examines the wide-ranging connections, affinities, and allusions amongst works that posses the popular appeal often absent at the your typical white cube. That luck, social standing, ladder climbing, and a multitude of other variables determine who gets fêted is not news by any means, but it does give rise to an urge to address that vexing situation with a gathering of mostly uncelebrated rare birds. A few encounters amongst many will have Mark Hubbard’s fantastical diagrams for actual skateparks, Gloria T. Park’s expressionist wig designs, and Jim Nieuhues’ paintings that are the basis for ski area maps consorting with Sereno Wilson’s glittery Nubian goddesses, Nicole Andrews’ paper cutouts of ennui-suffused suburbanites, and Stu Mead’s poignant, troubling, and very funny depiction of sexually active adolescents. This is not a polemic but an excursion into parallel realm of wonderful art that combines the fiercely individualistic and unorthodox with the accessible, and brings up old-fashioned but eternal questions about what art is and why people bother.
Jocko Weyland is the author of The Answer is Never – A Skateboarder’s History of the World (Grove Press, 2002) and has written for Thrasher, The New York Times, Cabinet, Apartamento and other publications, and is also the creator of Elk magazine, books and gallery.
SCHISMISM: NATURAL LAW: Lisa Karrer’s multi-media performance is inspired by the life of Charles Darwin. Karrer’s collaboration with composer and multi-instrumentalist, David Simons, features an arresting assortment of sonic and visual backdrops, including video sequences linked with original soundtracks, voice, triggered theremin, and live acoustic and electronic compositions. These combined elements illuminate an interwoven collection of concepts, associations and stories that mirror Darwin’s complex exploration of evolution and universal connectedness. In the spirit of natural selection, audience members choose the sequence of onstage events during the performance.
CHANGING SKINS: Compiled and performed by Milbre Burch and directed by Emily Rollie, featuring photographs from “Meta-Genesis,” (above) an exhibit of portraits of transgender folk by Columbia, MO-based photographer, Jane Lavender.Changing Skins interweaves gender-bending folktales from cultures spanning the globe with musings on the construction of gender and identity. Compelling storytelling for grownups!
A smoking monkey dressed as a Marquis, a Wild West scalping scene created in beeswax, a cemetery scene made from the deceased’s hair, and stuffed pug dog puppies, all under glass domes!!!!!
The bell jar, or glass parlor dome, is synonymous with our memory of the Victorian Age (1837 – 1901). During the 19th century, these blown glass forms were referred to not as domes but as shades, and graced nearly every parlor, protecting a broad variety of treasures–including miniature tableaux, waxworks, natural history specimens, taxidermy of exotic birds and pets, automatons, and delicate arrangements of hairwork, featherwork, and shellwork–from dust and curious fingers. (READ MORE.)
WORK Gallery is pleased to present Museum of (Un) Natural History featuring new sculptures and a street installation by artist Kim Holleman. The Museum is a collection of environments that have all been drastically physically and/or psychologically changed by human intervention. Using mostly synthetic materials, noxious chemicals, and items culled from the trash or found on the street, Holleman creates models of parks, empty lots, nostalgic structures and architectural futures. Each miniaturized landscape represents and critiques our consumptive habits and land use, the visual results of which are both fantastical and grim. Hazardous threats to the environment’s natural balance overwhelm the landscapes, leaving an eerie beauty in the wake of irreversible destruction.
In a truck lot adjacent to the Museum is Trailer Park: A Mobile Public Park, a “portable, natural, public park” inside an RV trailer. The interior is an actual park, where visitors go inside to go outside. Masonry paths, a waterfall, and the splendor of living shrubs, trees are ready for dispatch to wherever a green refuge is needed.
OPENING RECEPTION
THURSDAY JUNE 2, 2011, 6-9PM
SOUND PERFORMANCE BY IAPETUS
RUNS THROUGH JULY 3
“I create fictional spaces that explore the intersection of memory, history and myth through the landscape-as-image. My method is to photograph, collect, deconstruct, and reassemble photographic material — collapsing multiple points in time and space into a single scene. This mirrors the fragmentation and flattening of experience as it occurs in the creation of memory while reflecting a sense of dislocation from place. As an atavistic response to the landscape, my images engage ‘land’ as a site of indifferent natural forces. Seen through a texture of skin, ash and the blackened fuzz of a violent guitar, each work is subsequently a nostalgic articulation of our histories, new histories made impossible by memory and mythology”. Jeremy Dyer lives and works in Brooklyn, NY.
NoMAA is pleased to announce the arrival of the Uptown Arts Stroll 2011, the most anticipated annual community arts festival in Washington Heights and Inwood. The Stroll will showcase the outstanding painters, photographers, writers, musicians, actors, dancers, and other creative people and arts groups that are contributing to the cultural life of Northern Manhattan. These artists will exhibit and perform in local businesses and institutions, open spaces, parks and other local venues throughout the month of June.
This year, NoMAA is delighted to partner with the 12th Annual Carnaval del Boulevard, a celebration of Dominican & Latino culture produced by the Juan Pablo Duarte Foundation, The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center, and the Washington Heights Business Improvement District, to kick-off the Stroll with a community celebration on Thursday, June 2nd, 6–8:30 p.m. at The Shabazz Center. On Saturday, June 4th, NoMAA and the Stroll will join El Carnaval del Boulevard and the Washington Heights BID from 11 a.m. – 5 p.m. on St. Nicholas Avenue from 181st to 188th Sts., presenting art and performances from our local artists. read more »
an exhibition of multiples and prints including: Gregory Curry, Glen Einbinder, Ross Racine, Chuck Jones, Jody Hanson, Luca Bertolo, Andrew MacDonald, James Leonard, Celeste Fichter, Peter Feigenbaum, David Shapiro, Jan Obornik, Chiara Camoni, John O. Smith, Julia Whitney Barnes, Rik de Boe, Lotte Lindner and Till Steinbrenner, Sarah Vogwill, George Spencer, Emily Roz and Cammi ClimacoAlarums and Excursions is the sixth exhibition of multiples and prints by Fuse Works, an organization dedicated to exhibiting and promoting editioned artwork. The exhibition presents new work by 21 artist comprising prints, multiples, books, and digital works. (READ MORE.)
Japan Society presents 416 MINUTES
Thursday, June 2, 7:30 PM
333 East 47th Street
Join us for a surprise work-in-progress presentation of WaxFactory’s 416 MINUTES, featuring an extraordinary collaboration with artists from Japan and Eastern Europe, and inspired by the imagination of Haruki Murakami. In the company’s signature multidisciplinary style, this unsettling new work shadows an actress whose escape from a film studio sets her on a trail of chance encounters during the hours of the night when things take on a particularly eerie glow. Conceived and directed by Ivan Talijancic. Free Admission. Reception to follow.
Over the past 15 years, David Sandlin has produced eight major volumes (and several side works) of narratively connected artist’s books, collectively called A Sinner’s Progress. The books have ranged in format from hand-silkscreened limited editions to tabloid-style newspapers and pulp comics, each in service to its narrative function. Thanks to a fellowship from the NYPL’s Cullman Center for Scholars and Writers in 2010, Sandlin has begun work on a graphic novel, which he intends to be the culmination of the series. Belfaust, a love-triangle mystery loosely based on the Faust legend, will depict the backstory of the three main characters in A Sinner’s Progress and bring the narrative to closure. Sandlin’s presentation will discuss his influences and process in regard to the series.
Stemming from old world styles and techniques, Cirque des Batardes is an avant-garde approach to classical forms such as vaudeville, commedia dell’arte, buffon, ventriloquism and, of course, cirque. Essentially taking on the form of a comic variety show, Cirque features a dozen acts including dancers, actors, and musicians to create a hilarious evening of spectacle and oddity. Led by their questionable emcee, the entire company seems to come from a different time. The entire production, in fact, appears in sepia tone like an old film dusted off and rediscovered. The company of misfits and performers must learn deal with their old school ways in the modern context in order to survive.
FEATURING:
Erin Debold
Krista Worby
Jo Mei
Jack Ferver
Amelia Meath
Becky Abrams
Colin Drummond
Nessa Norich
Nick Choksi
William Popp
Carly Hoogendyk
Mark Junek
Julia Eichten
Addison Anderson
Join Danny Lyon for a signing of his book Deep Sea Diver.
With his vintage Leica and accompanied by a young translator named Lolly Pop, American photographer Danny Lyon traveled across Shanxi Province in North West China six times between 2005 and 2009. The result of Lyon’s unfailing enthusiasm for immersing himself in local banter and customs is an extraordinary portrait of China and the Chinese, one seldom seen by foreigners. Lyon’s unparalleled photographic findings and discoveries are presented in this limited edition photobook alongside his handwritten annotations and commentary, as well as his ever-inquisitive and non-judgmental prose.
Formerly called the Discovery/The Nation poetry contest, the Joan Leiman Jacobson Poetry Prizes are, for the fourth year, presented by Boston Review poetry editor Timothy Donnelly.
The four winners of the 2011 “Discovery”/Boston Review Poetry Contest are: Ansel Elkins, of Greensboro, NC; Angelo Nikolopoulos of New York, NY; Adam Roberts, of Iowa City, IA; and Solmaz Sharif, of Los Angeles, CA.
The three runners-up for 2011 are Xavier Cavazos of Ames, IA; Rebecca Lehmann of Tallahassee, FL; and Megan Williams of Boise, ID.
At their reading on May 9, the winners will be introduced by Timothy Donnelly, Cornelius Eady and D. A. Powell (subject to change).
Closed on Valentine’s Day, 2011, after 36 years of operation, Bowne & Co Stationers was a beloved re-creation of a small nineteenth-century printing and stationer’s shop in the South Street Seaport area of Lower Manhattan. Established in honor of one of New York City’s oldest and longest-running businesses, Bowne & Co. was a museum that did not look like a museum. It was a working press that still took custom orders, a destination for researchers and school groups, and a beautiful neighborhood shop that inspired passionate responses from visitors from around the world.
Now, as its parent institution, the Seaport Museum New York, struggles financially, the future of Bowne and its significant collection is uncertain and potentially at risk of disappearing altogether.
Friends of Bowne is a group of individuals who care about what happens to Bowne & Co. It is a public platform for sharing news, ideas, and support, in an effort to ensure Bowne receives the stewardship it deserves. Mainly, it is a way to keep the idea of the shop open, even as its doors are closed, because we believe the survival of Bowne & Co. will help make New York City a richer, more interesting place.
… But don’t just take our word for it! Comment with your own memories and impressions of Bowne on our blog. Tell us why you think it’s important that Bowne survive. Share thoughts, information, as well as feedback! Feedback is very, very welcome. Also feel free to contact the admins “offline,” if you’d rather, by emailing friendsofbowne@gmail.com.
Doug Clouse and Laura Koo Nicholas are the current admins for this blog. Doug was the shop’s master printer since June 2010 and a volunteer for four years before that. Laura began volunteering in November 2010. Both were present at Bowne on the afternoon that the Museum closed the shop.
The Watermill Center is pleased to announce two events as part of The Watermill Center / CPR – Center Performance Research Partnership . Both artists were part of the Fall 2010 / Spring 2011 Residency Program at The Watermill Center. These events are continuations of the work they did at Watermill allowing them to present in New York City.
On Monday, May 2 at 7:30 p.m. Michael Dudeck Witch Doctor (Watermill Resident Artist October 2010) will present WOMBTOMB, the third performance / installation of his Religion Project at CPR – Center for Performance Research.
WOMBTOMB is the third performance/installation in Michael Dudeck Witch Doctor’s Religion Project, which involves the invention of a queer religion and prehistory which radically re-imagines the nature of human origins. This performance is a meditation upon the death and sex rituals of one of the factions of Dudeck’s mythology, which involves the invention of a multiplicity of genitalia and hybrid genders (and invented sexual acts to accommodate modified genders) as well as elaborate ritual sacrifice and mummification procedures. Separated into three movements, the work features a cast of five performers, including Dudeck, as well as live sound by composer/sound artist Andy Rudolph. The work is roughly 60 minutes long and contains nudity.
THE ARTISTS
Michael Dudeck Witch Doctor is a performance artist and cultural engineer whose work spans multiple media. He has performed and exhibited internationally at venues including the Winnipeg Art Gallery’s Platform Center for Photographic and Digital Art and aceartinc (Winnipeg), Pari Nadimi Gallery (Toronto), John Connelly Presents (New York), and the Watermill Center (New York).
Andy Rudolph is a Winnipeg-based sound artist and composer who works in multiple media, including musical composition for voice and instruments, digital composition, and spatial sound-works and installations. He has worked with the artists Rebecca Belmore and Noam Gonick, as well as having produced his own sound/music project The Calculus Affair and performing with the band Mahogany Frog.
CTMD’s An-sky Institute for Jewish Culture presents an incredible evening of Yiddish music and dancing. Come celebrate the CD release of Benjy Fox-Rosen’s Tick Tock, a new recording of Yiddish song from the acclaimed bassist/singer of the Luminescient Orchestrii and the Michael Winograd Trio. The evening will begin with a set of Yiddish song by Adrienne Cooper. And we’ll top it all off with a Tantshoyz Yiddish Dance party! At the Ukrainian East Village Restaurant, 140 2nd Ave between East 9th St. & St. Mark’s Place in Manhattan. Admission $10. (7:30-11:00PM)
8 pm Matt Marble: Chain reactions and other music
Alex Waterman (cello) Katie Young (bassoon) Tucker Dulin (trombone) Andrew Lafkas (bass) Bob Jones (bass) Jim Altieri (violin) Kate Campbell (piano) Michael Vincent Waller (stereo) Ernie Brooks of Modern Lovers (bass) Till By Turning
Composer, improviser, and strategist Marble presents an evening of chain reaction improvisations, Arthur Russell homages, and maybe a string quartet
10 pm Steve Barsotti
Steve Barsotti (electronics)
Seattle-based sound artist/improviser/instrument builder Steve Barsotti performs music for invented instruments, field recordings, and electronics.
The SCROLL BOWL V trailer is here! Thanks to Jeff Burns of Gratuitous Art for mashing it out for us and join us this Saturday at TENELEVEN in Manhattan for the show!
We have found an alternative venue for the night of Scroll Bowl, April 2nd at the tenelven bar in Manhattan. The venue has everything we need, drinks, a movie screen, a mounted projected, a very small stage (on which we will still will use the new SCROLLIE 3000), a badly tuned piano, a melting candelabra, a soundboard, speakers and most importantly SCROLLS! Lots of amazing scroll and artists who work is still incredible.
Thank you so much for your continued support.
If there is anyone who has any questions or concerns please email or John or feel free to give me a shout at 501-514-0349. If you would like to speak to John please email dogoodergraphics@gmail.com or send your phone and he will return the call.
THE 22 MAGAZINE PRESENTS:
SCROLL BOWL V
APRIL 2nd
ONE NIGHT ONLY, 7pm
TenEleven Bar
171 Avenue C
Harnessing the ancient power of scroll storytelling, some of the world’s finest creators gather to show off their work on large and small rolls of parchment. Created in 2008 by artist Will Varner, Scroll Bowl was a unique way for artists and illustrators to present their work large scale and interactively. In 2009 Will Varner left the Scroll Bowl project to pursue a professional illustration career and artist/curator John Jennison took over the project. After accepting Jennison as one of the premier issue contributors, The 22 Magazine partnered with him to present Scroll Bowl as both a performance and installation event. Drawing from an array of traditions, commentary and communication, Scroll Bowl V presents a modern look at the scroll as both an object and as a tool. Focusing on the artist’s approach to an ancient tradition Scroll Bowl V speaks through sound, video, installation and drawing. Through this exploration we hope to elicit a rediscovery of scrolls and our views of them.
FEATURED ARTIST’S:
SIRUI HUANG
NOAH APPLE MAYERS
AILEEN BASSIS
THE PANOPLY PERFORMANCE LABORATORY (PPL)
STEVE DALACHINSKY
DOV LEDERBERG
ROBERT KLEIN ENGLER
ANKICA MITROVSKA
JOHN JENNISON
LEIGH WELLS
DWAYNE BUTCHER
S/N COALITION
REBEKKAH PALOV
JUSTIN STADEL
SOPHOUEN T. CHHIN
NESTOR GIL
KEN “ANGEL” DAVIS
OSVALDO CIBILS
LAURA PAWSON
CAT GILBERT
MACKENZIE MCDOWELL
JENNIFER STOCK
THREEFIFTY DUO
ENID ELLEN/GREG POTTER/CLAIRE FOX
DISTORT
DIRECTIONS TO TENELEVEN: Take the L Train to First Ave. and head east on 14th st. turn right on Ave C and its between 10th st. and 11th st. Hence the name TenEleven!
The Grand Central Library is pleased to present From Sketchbooks and Black Books, an exhibit of over 100 images from a diverse group of artists.
Ranging from pencil and ink sketches to vibrant graffiti pieces, the works on exhibit provide an intimate glimpse into the creative process. While a few of the images were created as preliminary sketches for larger works, most are personal visual explorations. And although most images reflect an internal dialog, some—particularly the graffiti-inspired pieces—were created to be shared by others.
The participants in From Sketchbooks and Black Books span a range of ages, cultures and sensibilities: Based in Tehran, Iran, A1one creates images that fuse Middle-Eastern calligraphic elements with Western graffiti styles. Mefisto, an educator and graphic designer in Bogota, Colombia, combines abstract shapes and simple forms that reflect his indigenous roots. A graduate of the High School of Art & Design and director of a New York City apparel company, Chris Cortes creates masterful pieces blending graffiti typography, South American iconography and New York culture. Mayan symbols infuse the contemporary characters and motifs crafted by Mexican native Anuar Rosaldo.
From Sketchbooks and Black Books also features artwork by: Aeon, Zahanara Aktar, Baser, Bishop 203, Cern, Chief 69, Endi Collado, Chino Garcia, Glazer, Jesus Saves, Yasmin Jones, KR.ONE, Kove, Daniel Koy, Josh Lutz, Jason Mamarella, Native, Onesto, Moriah Ressler, Jordan Santos, Robyn Zedong, Whisper and X-Men.
With subjects ranging from quick portraits to fanciful creatures to intricate Arabesque designs, From Sketchbooks and Black Books celebrates the raw energy of the creative process that often remains unseen by the public.
Curated by Lois Stavsky with student interns Yasmin Jones, Tara Murray and Moriah Ressler, the exhibit continues through April at Grand Central Library, NYPL, 135 East 46th Street, NYC, 10010. Library hours are: Monday and Tuesday, 10am – 6pm; Wednesday, Thursday and Friday, 11am – 6pm and Saturday, 10am – 5pm.
Sunday Salon is a prose reading series and online magazine. Based in New York City and founded by Nita Noveno in the summer of 2002, Sunday Salon swept through the Midwest to Chicago in 2006 thanks to Melanie Pappadis. In 2007 Sunday Salon launched an online zine to showcase the prose of its alumni and up and coming writers.
SUNDAY SALON NYC | March 20, 2011
The web is currently abuzz with the discussion about race and our treatment of and fraught relationship with speaking about race, between poets Claudia Rankine and Tony Hoagland. The title of the Blue Parlor reading at the Bread Loaf Writers’ Conference, “From the Dark Tower”, comes from a poem of the same name by Countée Cullen, the focus of the text being the many ways in which our engagement with issues of ethnicity are “kept in the dark” and where he argues for taking those discussions to the heights reached by a tower which would allow us all to hear and benefit from the conversation. The “From the Dark Tower” reading has and will continue to give writers of all races a voice as they grapple in interesting and illuminating ways with collective and individual identities. This will be the second annual “From the Dark Tower” reading in NYC. Expect to be moved.
Natashia Deón is a PEN Emerging Voice Fellow, Bread Loaf Writer’s Conference scholarship recipient, award-winning screenwriter, attorney, and California native. Her work has appeared in the PEN Anthology Strange Cargo and NICI. She is currently penning her debut novel, The Spinning Wheel, a dark journey of three outcast women who, on the eve of the Civil War South, are fighting the battle of their lives.
Katilyn Greenidge graduated from Hunter College’s MFA program in 2010. Her work has appeared in the Tottenville Review, Afrobeat Journal and The Believer. She is the 2011 Visiting Emerging Writer at Johnson State College in Johnson, VT.
Mecca Jamilah Sullivan is from Harlem, New York. Her fiction, nonfiction and visual arts have appeared internationally in publications including Callaloo, Best New Writing, Crab Orchard Review, The Minnesota Review, 2010 Robert Olen Butler Fiction Prize Stories, Baobab: South African Journal of New Writing, and American Visions. Her plays have been staged and produced at Theatre 14, New WORLD Theatre, the Harlem Theatre Company, and other venues. She is the winner of the Charles Johnson Fiction Award, the William Gunn Fiction Award, the James Baldwin Memorial Playwriting Award. The recipient of scholarships, fellowships, and residencies from the Bread Loaf Writers’ Conference, The Yaddo Colony, the Hedgebrook Writers’ Retreat, the New York State Summer Writers’ Institute, and other organizations, she is currently a Ph.D. candidate and Dean’s Scholar in English Literature at the University of Pennsylvania, and is completing her first novel.
Reese Okyong Kwon’s stories are published or forthcoming in the Kenyon Review, American Short Fiction, Sun Magazine, Missouri Review, and elsewhere; her nonfiction is published in the Believer, More Intelligent Life, and Rumpus. She has received scholarships from the Bread Loaf Writers’ Conference, Norman Mailer Writers’ Colony, and Ledig House International. In addition, she has been named one of Narrative’s “30 Below 30” writers.
Marie Mutsuki Mockett was born in Carmel, California to a Japanese mother and American father. Marie’s essay “Letter from a Japanese Crematorium” was published in Agni 65, cited as distinguished in the 2008 Best American Essays, and anthologized in Creative Nonfiction 3. Additional poems, stories and essays appear in The North Dakota Quarterly, Phoebe, Fugue, LIT and other journals. Marie’s debut novel, Picking Bones from Ash, was published by Graywolf Press on October 1st, 2009. The LA Times said of Picking Bones from Ash: “Some fiction makes the world a little smaller; illuminates the dark corners, puts the taste of, say, breakfast in a small mountain village of Japan in the mouth of the reader.” Picking Bones from Ash was a Finalist for the Paterson Prize for Fiction, shortlisted for the Saroyan International Prize for Writing, and shortlisted for the Asian American Literary Award. In 2009, Marie attended the Bread Loaf Conference as a Bernard O’Keefe Scholar in Nonfiction.
A psychological exploration inspired by the Billy Club Plays of Lorca. Beautiful piece. Check out the video below and if your still not convinced watch the bio pic on Lorca below that.
For centuries, the puppet Don Cristóbal has charmed audiences with his drunken, lusty, billy-club wielding antics. But does he secretly struggle with his role as the Billy-Club Man and long for love and escape? Through experimental puppetry, clowning and live music, Don Cristóbal, Billy-Club Man explores the violent appetites of Cristóbal’s on-stage persona and follows him off-stage to reveal his poetic possibilities. Inspired by the puppet plays of Federico García Lorca, the piece features shadow, hand and large figurative puppetry by Erin Orr and evocative original music by Rima Fand.
Blatt’s intricate watercolor paintings focus on enclosures set into abandoned piazzas, rigorously rendered with twisting, virtuosic detail. Outcropping bell jars, fountains, terrariums, monuments, and medallions serve as incubators for lush, botanical worlds in which the artist cultivates a psycho-suggestive bounty. Within these containers, Blatt explores notions of un/natural paradox: overturned, architectural constructions spill water on teeming plant life; leaves unfold to receive crystalline forms; water is both frozen and flowing; veins (or vines?) crawl through stone; mountain ranges plot like ant hills. Life overgrows life in an endless cycle of death and rebirth.
Employing the patient medium of watercolor, Blatt refocuses the idyllic art-historical movements of Rococo, Symbolism, Wunderkammen, and Romanticism through a contemporary lens: shifts in CMYK (a color printing model) suggest digital erratum, psychedelia flutters about, and cracked color fields abut cobblestones harvested from microscopic electron scans.
Entangled deep within this world of copious, visual delight is the fear of floodgates burst wide. Taken, a particularly bucolic scene, offers a pendant dangling amidst radiant autumn vines. Framed beneath a double bust of a woman is the carnivorous flower of death know as rafflesia, which just happens to reek like rotting flesh.
Ben Blatt lives and works in Brooklyn, NY. He received his BFA in 2001 from the Rhode Island School of Design. His work has since been included in group exhibitions at White Columns, Bellwether Gallery, Feigen Contemporary (all New York, NY), and John Michael Kohler Art Center, Sheboygan, WI.