The 22 Magazine


THE WEEK/WEEKEND: October 5-11.

A Postcard from New Yorkshire  New works by Doktor A.
myplasticheart
October 12th 2012 (Through Nov 11) 

While you are enjoying your spoils from the upcoming NYCC 2012 weekend, make sure to take a break from the Javits Center mayhem for a spectacular evening at the opening of A Postcard from New Yorkshire, featuring new artwork by Dok A. The steampunk extraordinaire is getting adventurous with his work in the show, pushing boundaries and showcasing newly acquired skills. Anticipate intricate details in custom toys as well as ink drawings. Show opens on Friday, October 12 from 7 – 10pm. Dok A will be in attendance at the opening and make sure to welcome him because this will mark his first visit to NYC. Show runs until November 11.


Octopus Project/The Vandelles

Sat, October 6, 2012
Mercury Lounge

A group of young noise-rock musicians moves into a old, ghost-filled house and sets up shop. Though the spooks are at first rattled by the blasts of guitar feedback and unhinged drummery, they soon begin to share their own beautiful, otherworldly melodies with the band and discover a musical common ground. As the group, ghosts included, fills the neighborhood with strange, electrifying sounds, curious neighbors and passers-by find themselves drawn to the rumbling, hypnotic rhythms emanating from the old dwelling. And so you find yourself here, outside the house, where a sort of Tim Burton block party is unfolding. Come on inside. The Octopus Project is just getting started…

The Where, the Why, and the How: 75 Artists Illustrate Wondrous Mysteries of Science
Po
werhouse Arena
Thursday, October 11, 7–9 PM

A science book like no other, The Where, The Why, and The How turns loose 75 of today’s hottest artists onto life’s vast questions, from how we got here to where we are going. Inside these pages some of the biggest (and smallest) mysteries of the natural world are explained in essays by real working scientists, which are then illustrated by artists given free rein to be as literal or as imaginative as they like. The result is a celebration of the wonder that inspires every new discovery.

The Butterfly Conservatory
NHM
October 6, 2012 – May 28, 2013

This is one of the museum’s most popular annual seasonal exhibitions. Butterflies and moths make up a large group of insects known as the Order Lepidoptera (lep-i-DOP-ter-ah). The name–from the Greek lepido, “scale”, and ptera, “wings”–refers to a prominent feature of adult butterflies and moths, the tiny scales that cover the wings and the rest of the body.

Daniel Temkin, 98.1034 Bottles of Beer
Devotion Gallery
Opening Friday, October 5th, 7 – 11pm

98.1034 Bottles of Beer on the Wall provides drunken encounters with compulsive systems. A program continually preens itself, inserting lines of code to change its visual representation, but along the way, introducing glitches and new patterns of behavior. A therapist program tries to dispense advice as her logic slowly breaks down. Sound editing software turns simple geometric shapes into hallucinatory landscapes. Photoshop generates intricate patterns in an attempt to hide visual compression. A book displays the abuses and absurdities of the DNS system, an addressing apparatus that has seemingly exhausted meaningful combinations of English words.

Picasso Black and White
Guggenheim
October 5, 2012–January 23, 2013

Picasso Black and White is the first exhibition to explore a remarkable focus that occupied the great Spanish artist, Pablo Picasso, throughout his prolific career: the use of black and white. Few artists have exerted as considerable an influence over subsequent generations as Picasso, one of the most recognized figures in 20th-century art. While his work is often seen through the lens of his diverse styles and subjects—his Blue and Rose periods, pioneering investigations into Cubism, neoclassical figurative paintings, and explorations in Surrealism, for example, or the forceful and somber scenes depicting the atrocities of war, the allegorical still lifes, the vivid interpretations of arthistorical masterpieces, and the highly sexualized canvases of his twilight years—the recurrent motif of black, white, and gray is frequently overlooked.

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The Week/Weekend: June 14-21.

There Are No Giants Upstairs
Where: Theodore: Art
When: 16 June – 29 July 2012  

Chris Baker Harriet Korman, Mel Bernstine ,Gary Petersen, Steven Charles, Andrew Seto, Opening reception: Saturday, 16 June, 6-9 pm, Gallery hours Friday – Sunday 1-6 pm

The Bark and Scream Series presents:Sarah Bernstein Chamber Project  (curated by Satoshi Takeishi)
Where: The Firehouse Space
When: Thursday June 14, 8:00 PM

Sarah Craft:Mezzo-Soprano,
Christa Robinson:Oboe, Scott Tixier:Violin,
Mat Maneri:Viola, Rubin Kodheli:Cello,
Sara Schoenbeck:Bassoon,
Stephanie Richards:Trumpet, Michael Rose:Piano 


Fuse Ensemble presents “Voices from the Depths, Musings on CG Jung’s Red Book”
Where: The Firehouse Space
When: June 16, 2012 8:00 pm

Fuse Ensemble is a concept-based new music/new media performing ensemble. Each season a concept is presented, giving voice to new music composers and creating musical happenings with visual elements of live, interactive video and/or kinetic installations. The musicians of Fuse perform on an eclectic mix of flute, clarinet, electric violin, electric guitar, cello, piano, electronic playback, percussion, and invented instruments. Linked by the insane possibilities of software such as MaxMSP/Jitter, using sensors on the musicians and live interactive cameras on stage, the artists create an experience that fuses sound, video and humans into a liquefied state and gives each concept a setting — a visual and kinetic environment to experience it in that furthers communication
and unifies the concept.

SMOKEY’S ROUNDUP
Where: Barbes
When: June 16

Smokey Hormel is probably best known for his works with Beck, Tom Waits and his Brazilian project with Miho Hatori. He’s also been playing western swing for quite some time and his Roundup is inspired by the sounds of Milton Brown and his musical brownies and other Western Swing classics. With Smokey Hormel vocals and guitar; Charley Burnham – fiddle; Tim Luntzel – string bass; Andrew Burger – Drums.

DUB IS A WEAPON
Where: Zebulon

When: June 16 

Mogwai/Balam Acab
Where: Webster Hall
When: June 15-June 16

R. SIKORYAK AND FRIENDS: CAROUSEL
Where: Dixon Place
When: WEDNESDAY, JUNE 20 AT 7:30PM
Cartoon slide shows & other projected pictures presented by a glittering array of artists, performers, graphic novelists, & other characters. Hosted by R. Sikoryak. Featuring: Emily Flake, Miss Lasko-Gross, Dyna Moe, Neil Numberman, K. A. Polzin & Sean Chiki; special guest voices:Lisa Hirschfield and Kevin Maher and more!

CP6 Exhibition
Where: Grit n’ Glory
Thursday, June 14th 7-10pm

In celebration of the release of issue no. 2 of our second volume, Carrier Pigeon: Illustrated Fiction and Fine Art is pleased to announce a free, public reception and exhibition hosted by Grit N Glory boutique from 7–10pm on Thursday, June 14th.

SNEHASISH MOZUMDER & SOM
Where: Barbes

When: June 21
Snehasish Mozumder is among those few established musicians in India who has mastered the art of playing Mandolin, and has blended it perfectly into the style of Hindustani Indian Classical Music. He will be performing his trademark doubleneck mandolin along with Nick Gianni – Flute/Soprano/Bari Saxophone. Vin Scialla – Drums. Bopa King Carre – percussion. Jason Hogue – Upright Bass. Jason Lindner – keys, Sameer Gupta – tabla. Rick Bottari – keys.

Incidental Music at the Fragmental Museum
Where: http://www.fragmentalmuseum.net/
When: June 16th

Fragmental Museum’s Sound Series kicks-off with a day of site-specific installations and performances curated by composer/turntablist Tristan Shepherd. A group of interdisciplinary artists comprised of Richard Garet, Bethany Ides, Erin Yerby, Netta Yerushalmy, Ed Bear, Andrea Parkins, Tristan Shepherd and Doron Sadja, whose work converges around sound will distribute five pieces across the four floors of the building, investigating on the mutual inflection of interior and occupant, leaving affective traces on the horizontal architecture of the vacant warehouse. http://www.fragmentalmuseum.net/

Phill Niblock
Where: Roulette
When:Thursday, June 21, 2012 @ 8:00 pm

To celebrate the summer solstice, Phill Niblock presents “Two Lips”, a scored orchestra piece featuring the Dither Guitar Quartet (James Moore, Joshua Lopes, Gyan Riley, Grey McMurray) and Neil Leonard playing saxophone with Sax Mix. Chris McIntyre, Jen Baker, Will Lang, tenor trombone; James Rogers, bass trombone, will play “A Third Trombone”.  More to be announced. 

 

NADJA, NOVELLER, LAZURITE
Where: Glasslands Gallery
When: Wednesday, June 20, 2012, 8:30pm

NADJA
http://brokenspineprods.wordpress.com/
NOVELLER
http://noveller.bandcamp.com/
LAZURITE
http://lazurite.bandcamp.com/

Ban Fracking in NY State!
Where: 7408 Fifth Avenue, Bay Ridge
When: Thursday, June 14, at 4 p.m.

Fracking poses a serious threat to our drinking water, our agricultural land, and our air quality. It adds to our greenhouse gas emissions, and pushes us even further away from renewable energy solutions.
We need to persuade key Albany legislators to ban fracking in New York State. One of those key legislators is Brooklyn’s State Senator Martin Golden. Join Climate Action/Brooklyn For Peace and New Yorkers Against Fracking as we send a message to Senator Golden: Save Our Water! Ban Fracking Now!

Karlheinz Stockhausen’s Musik Im Bauch
Where:  Naumberg Bandshell, Central Park, Manhattan
When: June 21

Karlheinz Stockhausen‘s 1975 music-theatre work Musik Im Bauch (“Music in the Belly”) for six percussionists places its audience in an outré fairly-tale dream world. The piece was inspired by a game Stockhausen played with his two-year-old daughter, Julika, in which the composer listened to the sounds in her noisy stomach. Seven years later, Stockhausen conceived Musik Im Bauch during a dream. A loose narrative defines the transformation into humanity of three automatons, who attack a giant bird-man, named Miron, savagely cutting open his stomach and pulling out 3 music boxes which play melodies based on the signs of the Zodiac.

Selma Parlour and Yelena Popova
Where: Horton Gallery
When: Jun 14 – Jul 14, 2012

Horton Gallery is pleased to announce a two-person exhibition featuring the work of London based painter Selma Parlour and Nottingham based multi-media artist Yelena Popova. In this exhibition, the abstract paintings on view examine not only the visual iconography of Modernist painting, but also the rhetorical structures used to define both Modernism and its critique.

NELSON LOSKAMP: Horror Girls
Where: LAUNCH F18
When: June  12 – July 28, 2012 

Launch F18 is pleased to announce Horror Girls, the first solo exhibition of work at the gallery by Nelson Loskamp.  The exhibition will be open by appointment starting Tuesday June 12 and runs until Saturday July 28, 2012.  The artist reception will be held on Saturday June 23, 2012 from 6 – 8pm. Nelson Loskamp is known for his dynamic relationship with the figure.  He has executed work in a multitude of media within the parameters of individualistic style and cultural visual stigmas.  Horror Girls comes from an interpretation of still shots from an assortment of 1960’s horror films. Loving the style in these B films, Nelson considers the 60’s hair and make-up in their depicted period settings and recreates them in haunting paintings that are both
beautiful and macabre.

River to River Festival
Where: Various Locations
When: June 17-July 15

Each summer, the Festival activates more than 25 indoor and outdoor locations in the neighborhood with an unparalleled collection of music, dance, theater, visual art, film, and participatory experiences by renowned and breakout artists from New York City and beyond. For more than 100,000 attendees from around the region and overseas, River To River Festival provides an intense and rewarding way to experience Lower Manhattan’s waterfronts, parks, plaza, and other hidden treasures. The Festival’s densely packed schedule of daytime, evening, and weekend events showcases Lower Manhattan as a thriving center for cultural activity and a key destination point for experiencing New York City’s wealth and diversity of heritage, history, dining, shopping, and art.

Distended Cinema: Brock Monroe, Nick Hallet, Luke Dubois, Matthew Ostrowski, David Linton
Where: The Firehouse Space
When: June 15, 2012 8:30 pm

Audio visual performance in the time of temporal collapse, Brock Monroe visual & Nick Hallet audio, Fair Use (Duo) Luke Dubois, Matthew Ostrowski, David Linton: Bicameral Research Sound & Projection System w/ special guests David Watson & Alex Waterman Fair Use, Matthew Ostrowski looks at our accelerating culture through elecronic performance and remixing of cinema.

Great Photographs: Scape
Where: Hasted Krautler
When: June 14-July 20, 2012

Reception June 14, 6-8pm.

Finding History in Sewers: The Lost Streams and 19th-Century Sewer Tunnels Beneath Brooklyn
Where: Observatory
When: June 19

From ancient underground rivers and forgotten quarry tunnels to modern sewers and utility networks, the underground layers of the world’s great cities are full of places that are usually unseen, but that reveal the city’s history in new and startling ways. These hidden layers of the urban environment can teach us about how cities grow and function, and can provide a new perspective that highlights the ways that our daily experience in any city shapes– and is shaped by– the built environment around us.

ERIK SCHOONEBEEK: PHANTOM HAND
Where: Jeff Bailey Gallery
When: June 14 – July 13, 2012, Opening Reception: Thursday, June 14 6-8 pm

Jeff Bailey Gallery is pleased to present Erik Schoonebeek: Phantom Hand. This is his first solo exhibition in New York, featuring paintings and drawings made on found paper, old book covers and other materials.  Schoonebeek is influenced by contemporary advertising images, especially those seen while driving: road signs, billboards, commercial graphics, logos and posters. Although these images and graphic symbols are designed to communicate in some way, for Schoonebeek they become enmeshed with one another and change, as he says, “ into autonomous images that confront you with a blank stare”. From this source material, Schoonebeek forms his own imagery that hovers between recognizable graphic cues and amorphous narrative.

Bret Slater | Jeff Zilm
Where: et al projects
When: June 15 thru July 16, 2012, Opening Reception Friday June 15, 6 to 9 pm

et al Projects is pleased to announce the opening of an exhibition featuring new paintings by Bret Slater and new paintings by Jeff Zilm. The exhibition will convey these artists’ intimate work in a dynamic setting of individual experimentations and dialog.
Lawrence D. “Butch” Morris Conduction® Workshop/Atelier
Where: The Firehouse Space
When: June 16, 2012 2:00 pm

Over the last 25 years, Mr. Morris has opened the door to a new understanding of  musical language. It is called Conduction®. Employing 5,000+ musicians in 23 countries and 65 cities, Conduction® has amply demonstrated its capacity for cultural diplomacy, compelling and inspiring musicians and audiences alike. By facilitating a new social logic based on collective interpretation and personal interaction, it demonstrates a significant medium for the creation of a contemporary music. Known for its ceaseless investigation of an “extra dimension” that transcends style and category, Conduction has also proven itself supplemental to the entire scope of musical and artistic endeavor. Here, ensemble identity, and cultural tradition cohere.

City Life Signs / Paintings by Peter Dugovic
Where: Clic Gallery
When: Opening Reception: Thursday, June 14, 6-8pm 

Where: New York Academy of Art
When:  June 22 – July 28, 2012

Wish You Were Here 11 (Postcard show)
Where: A.I.R. Gallery
When: June 21, 6-8pm 

MMOTHS, Young Yeller, Jacob 2-2, Cult Fever
Where: Glasslands
When: Tuesday, June 19, 8:30pm

COMING UP:

2012 MERMAID PARADE
Where: Coney Island
When: June 23

Coney Island USA is pleased to present the 10th Annual Mermaid Parade Ball, the official after-party of the Mermaid Parade, held at The New York Aquarium, Surf Ave. & West 8th Street, 7pm – 12:30am, 21 and over. 2012 Ball Tickets are now on sale! Click here to get all of the details on this years ball and to buy tickets online! For Mermaid Parade Ball updates, check out our Facebook Event Page.

BLUE NOTE JAZZ FESTIVAL & NOLAFUNK/CEG PRESENT: LEON REDBONE
Where: June 23, 2012 , 7:30 pm
When: June 23

For decades, Leon Redbone has remained musically resonant and personally elusive. Although his iconic guise of white fedora, jacket, and sunglasses has been thoroughly satirized, it’s easy to overlook what a genuinely gifted artist he remains — a role he inevitably tries to downplay.

To the Stars on the Wings of an Eel 
Where: The Gowanus Ballroom
When: June 29th–July 7th, 2012

Throughout its history the Gowanus has inspired both utopian dreams and dystopian nightmares. The past four-hundred years have witnessed the site’s transformation from a fertile series of tidal wetlands to one of the busiest industrial waterways in the United States. The canal, once a source for sustenance and hope, is today tainted by a notorious legacy of pollution and decay.

THE ENCHANTED ORGAN: A PORN OPERA
Where: Dixon Place
When:Friday-Saturday, June 22-23, 9:30pm

The Enchanted Organ” is a burlesque opera that celebrates sexuality and satirizes the porn industry, while parodying four hundred years of the operatic tradition. Composer/librettist team Gordon Beeferman and Charlotte Jackson, with director Beth Greenberg, bring their trademark wit and polymorphous perversity to this journey through “the Magical Kingdom of Porn,” a place where past and present, straight and queer, and dead and living converge. Bridging the gap between “high” art and “low,” we puncture the turgid balloon of “traditional” opera and revivify the flaccid clichés of porn. Drawing on influences as diverse as classic 70s porn soundtracks, Monteverdi, and Ancient Greek hymns, and bridging the worlds of opera, drag, and striptease, this work-in-progress is as close as you’ll get (or want to get!) to “aural sex.”



THE WEEK: APRIL 30-MAY 4.
April 30, 2012, 4:41 am
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 EDITOR’S PICKS: 

FULL LIST OF ALL MAY DAY EVENTS HERE.

May Day 2012
http://www.maydaynyc.org/
05/01/2012-05/01/2012
-

We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!

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THE WEEK: MARCH 19-23.

EDITOR’S PICKS:

Ben Marcus & Ryan Britt
http://greenlightbookstore.com/event/ben-marcus-ryan-britt
03/19/2012-03/19/2012
7:30pm-

Our ongoing Blogger/Author Pairings series features conversations between authors and bloggers who share territories, passions, and preoccupations. New York City-based author Ben Marcus discusses his new novel, The Flame Alphabet, with blogger Ryan Britt, a teacher at The Gotham Writers’ Workshop and staff writer for the popular science fiction and fantasy blog, Tor.com and Tor’s series “Genre in the Mainstream.” In The Flame Alphabet, the most maniacally gifted writer of our generation delivers a work of heartbreak and horror, a novel about how far we will go, and the sorrows we will endure, in order to protect our families. Both morally engaged and wickedly entertaining, a gripping page-turner as strange as it is moving, this intellectual horror story ensures Ben Marcus’s position in the first rank of American novelists. The event is hosted by series curator Ron Hogan, creator of the seminal literary blog Beatrice.com.

ECSTATIC MUSIC FEST: DAN DEACON WITH NOW ENSEMBLE & THE CALDER QUARTET
http://kaufman-center.org/mch/event/new-sounds-live-dan-deacon-now-ensemble-the-calder-quartet
03/20/2012-03/20/2012
7:30pm-

Dan Deacon (pictured) returns to the Ecstatic Music Festival after last year’s sold-out show, this time writing a series of new works for acclaimed chamber groups NOW Ensemble (“a deft young group gaining attention,” New Yorker) and the Calder Quartet (“outstanding,” New York Times), both for the individual ensembles and for the two together in a mini-chamber orchestra.

Crystal Fighters, Tubetops, Antoine Karl & The Woofgang (DJ Set)
http://glasslands.blogspot.com/
03/19/2012-03/19/2012
8:30pm-

Crystal Fighters, Tubetops, Antoine Karl & The Woofgang (DJ Set)

Heidi Julavits: The Vanishers
http://www.centerforfiction.org/calendar/heidi-julavits-the-vanishers/
03/20/2012-03/20/2012
7pm-

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THE WEEKEND: SEPT 23-25.
September 22, 2011, 9:29 pm
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KRONOS QUARTET: Awakening: A Musical Meditation on the Anniversary of 9/11

Part of the 2011 Next Wave Festival
Sep 21—24, 2011 at 7:30pm 

Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”

Read the full program here.

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The Ecstasy of Death No 1 & 2.

Directed by Angeline Gragasin.

FULL CAST AND CREW.

EOD Website.

A series of staged fauxtographs reenacting the History of the American Funeral Industry. The second in a series of videos documenting the life of a mortuary professional as she sets out to revolutionize the death industry one corpse at a time. For more info: orderofthegooddeath.com

SUPPORT Angeline Gragasin’s KICKSTARTER PROJECT “THE ANIMALS”:



The Weekend: June 10-12.
June 10, 2011, 12:35 am
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FIGMENT ON GOVERNOR’S ISLAND

JUNE 10-12

FIGMENT is a forum for the creation and display of participatory and interactive art by emerging artists across disciplines. FIGMENT began in July 2007 as a free, one-day participatory arts event on Governors Island in New York Harbor with over 2,600 participants. Since then, FIGMENT has grown significantly each year—in number of projects, duration, participants, volunteers, fundraising capability, exhibitions, locations, overall level of commitment and participation, and public support. (READ MORE.)
FULL LISTING OF EVENTS.

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BLANKNESS IS NOT A VOID @Marc Jancou Contemporary.

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LAST CALL: NO MAN’S LAND BY JOIANNE BITTLE @ CHURNER AND CHURNER.

No Man’s Land
Joianne Bittle

24 March – 27 April 2011

Opening Reception
24 March, 6-8pm

see more images
video
press release
artist biography
poster

“No Man’s Land” presents the multiple facets of Bittle’s artistic practice. As a professional diorama maker for the American Museum of Natural History, Bittle works with a technical precision honed through years of adherence to the strict conventions of her craft. Such precision is found in her paintings and drawings as well; the works from the studio, however, are noticeably freer in execution, and they manipulate subjects in a way that blends scientific research and artistic invention.

A prominent theme in Bittle’s work is natural history:  “the history of animals that exist in large numbers, with consideration of the unknowable nature of the animals’ instinctual motives within their environment.” She is fascinated by the intersection of abundance and fragility, as her jackrabbit painting attest; this animal of prey is known for its reproductive power and ability to survive in the scrappiest of conditions.

Shown together for the first time, the paintings in Bittle’s series depict solitary, gnarled jackrabbits in a desert landscape. The hares’ agitated expressions disconcert the viewer in a reciprocal gaze, denying any attempt at anthropomorphization. “No Man’s Land” allows the viewer to observe a certain loosening of Bittle’s style over the four years that she produced the series. Since 2008, the works have become larger, often consisting of multiple panels, and freer in terms of framing and technique. They have also become more metaphorical, alluding to fifteenth-century Italian painting and Egyptian statuary.

Nestled in a cargo trailer, Bittle’s diorama Preserving Mass Extinction is an imagined landscape of Marfa, Texas as it may have looked 250 million years ago, featuring fluorescent sponges, red tube coral, sea urchins and trilobites. During the Permian period, shallow seas covered much of what is dry land in present-day Southwest Texas; it was the mass extinction that ended this period that created the rich oil reserves of the region, known as the Permian Basin. A quotation of the American Museum of Natural History’s 1960s diorama of the Permian Sea, as well as a memorial to her own time in the West Texas desert, the installation connects ancient geological time to the present environment. As Bittle notes, “It is a collage of past and present,” one that calls forth the primordial sense one feels while traveling through this dusty no man’s land. It is the first in Bittle’s series Portable Landscapes. 

Preserving Mass Extinction also playfully pokes fun at the town’s status as an art center: with its kitschy presentation of an fantastical scene in a cargo trailer, it resists not only the omnipresent minimalism of Donald Judd’s work, but also the division of art and entertainment that such high-brow seriousness can imply. It is the first in Bittle’s series Portable Landscapes.

Born 1975, Indiana, Joianne Bittle has exhibited in Marfa, TX at Eugene Binder Gallery and in the Bronx at Wave Hill. She has participated in several group shows, including “Entomologia” at the Observatory Room, Brooklyn; “Rubber Sheets” at C.R.E.A.M Projects, Brooklyn; “Bioluminescence” at Akus Gallery in Willimantic, CT; and “Viridis II” at the Hewitt Gallery of Art, Marymount College, New York. In 1998, she earned a BFA at Indiana University, Bloomington, IN, and was awarded an assistantship at the Scuola Internazionale di Grafica in Venice, Italy.



JEREMY IS DRAWING (Jérémy Naklé).
April 25, 2011, 4:40 pm
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Sunday Salon: March 20th
March 18, 2011, 3:13 pm
Filed under: EVENTS, The 22 | Tags: , , , , , , , , , , , , , ,

This weekend at Jimmy’s No. 43:

Sunday Salon is a prose reading series and online magazine. Based in New York City and founded by Nita Noveno in the summer of 2002, Sunday Salon swept through the Midwest to Chicago in 2006 thanks to Melanie Pappadis. In 2007 Sunday Salon launched an online zine to showcase the prose of its alumni and up and coming writers.

SUNDAY SALON NYC | March 20, 2011

The web is currently abuzz with the discussion about race and our treatment of and fraught relationship with speaking about race, between poets Claudia Rankine and Tony Hoagland. The title of the Blue Parlor reading at the Bread Loaf Writers’ Conference, “From the Dark Tower”, comes from a poem of the same name by Countée Cullen, the focus of the text being the many ways in which our engagement with issues of ethnicity are “kept in the dark” and where he argues for taking those discussions to the heights reached by a tower which would allow us all to hear and benefit from the conversation. The “From the Dark Tower” reading has and will continue to give writers of all races a voice as they grapple in interesting and illuminating ways with collective and individual identities. This will be the second annual “From the Dark Tower” reading in NYC. Expect to be moved.

Natashia Deón is a PEN Emerging Voice Fellow, Bread Loaf Writer’s Conference scholarship recipient, award-winning screenwriter, attorney, and California native. Her work has appeared in the PEN Anthology Strange Cargo and NICI. She is currently penning her debut novel, The Spinning Wheel, a dark journey of three outcast women who, on the eve of the Civil War South, are fighting the battle of their lives.

Katilyn Greenidge graduated from Hunter College’s MFA program in 2010. Her work has appeared in the Tottenville Review, Afrobeat Journal and The Believer. She is the 2011 Visiting Emerging Writer at Johnson State College in Johnson, VT.

Mecca Jamilah Sullivan is from Harlem, New York. Her fiction, nonfiction and visual arts have appeared internationally in publications including Callaloo, Best New Writing, Crab Orchard Review, The Minnesota Review, 2010 Robert Olen Butler Fiction Prize Stories, Baobab: South African Journal of New Writing, and American Visions. Her plays have been staged and produced at Theatre 14, New WORLD Theatre, the Harlem Theatre Company, and other venues. She is the winner of the Charles Johnson Fiction Award, the William Gunn Fiction Award, the James Baldwin Memorial Playwriting Award. The recipient of scholarships, fellowships, and residencies from the Bread Loaf Writers’ Conference, The Yaddo Colony, the Hedgebrook Writers’ Retreat, the New York State Summer Writers’ Institute, and other organizations, she is currently a Ph.D. candidate and Dean’s Scholar in English Literature at the University of Pennsylvania, and is completing her first novel.

Reese Okyong Kwon’s stories are published or forthcoming in the Kenyon Review, American Short Fiction, Sun Magazine, Missouri Review, and elsewhere; her nonfiction is published in the Believer, More Intelligent Life, and Rumpus. She has received scholarships from the Bread Loaf Writers’ Conference, Norman Mailer Writers’ Colony, and Ledig House International. In addition, she has been named one of Narrative’s “30 Below 30” writers.

Marie Mutsuki Mockett was born in Carmel, California to a Japanese mother and American father. Marie’s essay “Letter from a Japanese Crematorium” was published in Agni 65, cited as distinguished in the 2008 Best American Essays, and anthologized in Creative Nonfiction 3. Additional poems, stories and essays appear in The North Dakota Quarterly, Phoebe, Fugue, LIT and other journals. Marie’s debut novel, Picking Bones from Ash, was published by Graywolf Press on October 1st, 2009. The LA Times said of Picking Bones from Ash: “Some fiction makes the world a little smaller; illuminates the dark corners, puts the taste of, say, breakfast in a small mountain village of Japan in the mouth of the reader.” Picking Bones from Ash was a Finalist for the Paterson Prize for Fiction, shortlisted for the Saroyan International Prize for Writing, and shortlisted for the Asian American Literary Award. In 2009, Marie attended the Bread Loaf Conference as a Bernard O’Keefe Scholar in Nonfiction.




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