Legend Tripping at Masters & Pelavin Reception April 18, 2013; 6-9PM Masters & Pelavin invites you to join us for a group exhibition with works by Karl Klingbiel, Timothy Paul Myers, Cecilia Vissers, Peter Buechler, Steven Katzman, Norman Mooney, Vincent Valdez, Jeremy Harris, Tara Fracalossi, Jon Rappleye, Julia Randall, Ruth Hardinger, RAE, Cooper Holoweski and Charles Wilkin.
Smashed at Here (Arts Center): Apr 4-6 @ 7pm
Opera on Tap premieres SMASHED: The Carrie Nation Story, an absurd opera about drinking booze (and the people who don’t drink booze). VILLA DELIRIUM @Barbes: April 26th “Disturbed Songs for Disturbed Times” Villa Delirium combines eerie traditional folk songs of Germany, Ireland and the Balkans with murder ballads of the American South and heir own startling compositions. With Tine Kindermann – Voice, saw and violin; John Kruth – Voice, guitar, mandolin, banjo and flutes; Kenny Margolis – Accordion and keyboards; Steve Bear – Pots, pans and boxes and Doug Wieselman – clarinets and bass harmonica.
Hans Benda Something on Water: April 18 – May 25, 2013 Miyako Yoshinaga is pleased to announce Something on Water, the fourth solo exhibition of figurative oil paintings by German artist Hans Benda, on view from April18 through May 25, 2013. A reception will be held on Thursday, April 18 from 6 to 8 p.m.
Uncharted Waters: Friday April 12th Uncharted Waters: REVERSE 2013 is the inaugural exhibition of work by members of the REVERSE Artist Community, a select group of artists who feature regularly in its exhibitions and programming. Participating artists include: CHi KA, Melissa F. Clarke, Serra Victoria Bothwell Fels, Brandon Friend & Jason Douglas Griffin, Daria Irincheeva and Aleksey Yudzon
The adventures of alvin sputnik: Deep sea Explorer The Adventures of Alvin Sputnik: Deep Sea Explorer has been on a remarkable journey, touring worldwide and consistently attracting sold-out crowds, rave reviews and prestigious awards. The “ingenious” (The Guardian UK) one-man micro-epic puppet show melds technology and multimedia into a touching story of enduring love and the end of the world.
HEREart exhibit: A Marriage: 1 (Suburbia): April 23-May 4
Step into a double self-portrait steeped with the iconography of the American Dream in Nick Vaughan and Jake Margolin’s panorama of visual and performative art, A Marriage: 1 (Suburbia).
A Steady Progress of Nothingness / Basim MagdyatNewman Popiashvili
Newman Popiashvili gallery is pleased to present A Steady Progress of Nothingness, the third solo exhibition at the gallery by Egyptian artist Basim Magdy. The artist will present a film, a slide projection and paintings. Magdy’s titles for his works and exhibitions always play on the idea of human achievement through the ages, but hints at the ultimate failure that occurs with each generation. Highlighting this idea in My Father Looks For An Honest City, 2010, Magdy asked his own father to reenact Diogenes of Sinope’s philosophical statement of carrying a lamp in daytime. Diogenes, who was one of the founders of the philosophy of cynicism, was most known by his repeated act of carrying a lamp in daylight supposedly “looking for an honest man.”
OLD-FASHIONED PROSTITUTES (A TRUE ROMANCE) @ The Public Theater April 30-June 2, 2013 Snapshots from an enigmatic fairy-tale in which Suzie, the elusive coquette, brings Samuel to his knees – from where he worships a life he only half understands. OLD-FASHIONED PROSTITUTES (A TRUE ROMANCE) is an expressionistic chamber-play that twists emotional heartache into a landscape of continual mental invention, marking the return to theater of a celebrated artist whom TheNew York Times has dubbed “the Godfather of the American avant-garde.” Presented in association with Ontological-Hysteric Theater.
PEN World Voices: An Evening with McSweeney’s @Joe’s Pub Join us for a celebration of the art of translation. McSweeney’s contributors will read excerpts from their translations in McSweeney’s Issue 42 –an ambitious experiment which took twelve stories through six phases of translation of a variety of languages, granting each translator a liberal creative license to change the story at will.
Red enameled alligator encases three
cloth sacks of unified survival. Beneath zipper
#1 waits five nickels, bottle of glittered nail
polish, miniature journal, handful of pens, only
one still wearing cap. Skip #2, it is stuck
shut and whatever is in there has been labeled
unnecessary and forgotten. #3 never closes,
most-used, most-important, must remain
accessible, always. Checkbook teeters
against tightly-capped Crazy
Glue, shades sunglasses from potential scuffs
from engraved silver cardholder, coupon folder, ring
of 37 keys, only 3 having known locks or ignitions
to turn. Ringing requires perimeter check. Pockets
bulge, aspirin and birth control semi-hidden
in tightly-snapped front pocket, portable
hard drive and note cards on Roman Architecture
threaten to spill out of left side pouch. Right
must be the never-ending musical bleeping,
incessant blipping of latest high-tech, supposedly
miniaturized, iPhone, trying to pass itself
off as both computer and lifeline when it is really
more crutch and anvil. Last stop, strap with photo
keyring dangling attachment. Favorite snapshot
of herself smiling at the world, makes everyone wonder
who or what was making her laugh that hard.
A.J. Huffman is a poet and freelance writer in Daytona Beach, Florida. She has previously published six collections of poetry all available on Amazon.com. She has also published her work in numerous national and international literary journals. She has is the editor for six online poetry journals for Kind of a Hurricane Press . Find more about A.J. Huffman, including additional information and links to her work at http://www.facebook.com/profile.php?id=100000191382454 and https://twitter.com/#!/poetess222.
Jonas Mekas and Johan Kugelberg present “Wait For Me At The Bottom Of The Pool,” artwork, ephemera, and photography by Jack Smith. The exhibition at Boo-Hooray opens this Valentine’s Day. Jack Smith, 1932-1989, was a master of the exotic idiom, working in theatre, underground film, photography, graphic design, drawing, and slideshows. He was one of the path-finding pioneers of American post-war underground aesthetics. Boo-Hooray is exhibiting handbills, posters, photographs, letters, artwork and collages by Jack Smith, spanning his times and mores.
Miyako Yoshinaga is pleased to announce A Survey of Nonexistence at a Glance, the second solo show comprising new drawings and sculpture from Joseph Burwell. This exhibition is based on the idea of altering historical narratives by generating a visual system of architectures from disparate cultures that collide in time and space. A Survey of Nonexistence at a Glance examines the vestiges of a lost architectural period and its cultural byproducts.
A solo installation by Nathan Vincent Opening on Friday, February 15th
Opening on Friday, February 15th is a show that will blow you away! Crochet artist Nathan Vincent is wiring the gallery with fiber “explosives”, transforming Mighty Tanaka into a virtual tinder box. DON’T MAKE ME count to three! explores the roles that we play in society and our necessity to break through the barriers placed in front of us. You won’t want to miss this immersive experience providing a view into the mind of Nathan Vincent!
The first solo exhibition in a New York museum by the globally renowned contemporary artist El Anatsui, this show will feature over 30 works in metal and wood that transform appropriated objects into site-specific sculptures. Anatsui converts found materials into a new type of media that lies between sculpture and painting, combining aesthetic traditions from his birth country, Ghana; his home in Nsukka, Nigeria; and the global history of abstraction.
Inspired by the real-life sex scandal that rocked Britain in the early 60s, English composer Thomas Adès’ 1995 chamber opera returns to BAM 15 years after its New York premiere at the BAM Majestic Theater (now the BAM Harvey Theater). In this new production from New York City Opera, director Jay Scheib presents his genre-defying vision, integrating technology and daring physicality to this modern opera that plays off the public’s obsession with the tabloid controversy surrounding a series of Polaroid photos of Margaret Campbell, Duchess of Argyll, dubbed the “Dirty Duchess.” Through the prism of Campbell’s life story, and featuring Phillip Hensher’s libretto, Powder Her Face explores the intersection of gender, politics, and power.
SINGLE FARE 3 RH GALLERY OPENING RECEPTION
February 13th, 2013
Michael Kagan, Jean-Pierre Roy and RH Gallery are pleased to invite you to Single Fare 3. This third annual open-call exhibition invites artists to make work on a tiny, innocuous piece of plastic: the New York City Metrocard! The exhibition opens at RH Gallery on February 13th and will be on view through February 22nd.
For centuries, the puppet Don Cristóbal — the Spanish version of Punch — has charmed audiences with his drunken, lusty billy-club wielding antics. But does he secretly struggle with his role as the Billy-Club Man and long for love and escape? Through experimental puppetry, clowning and live music, Don Cristóbal, Billy-Club Man explores the violent appetites of Cristóbal’s on-stage persona and follows him off-stage to reveal his poetic possibilities. Inspired by two comedic and surreal puppet plays by Federico García Lorca, the piece features shadow, hand, and large figurative puppetry by Erin Orr and evocative original music by Rima Fand.
LEGO® is out of the toy box and into the art gallery. New York-based contemporary artist and celebrated sculptor Nathan Sawaya is debuting a brand new collection of artwork entitled IN PIECES, a multimedia collaboration with award-winning Australian photographer Dean West.
Can we practice goodness and create a world to sustain it? In Brecht’s comic and complex play, this question is raised by one of his most entertaining characters — Shen Tei the good-hearted, penniless, cross-dressing prostitute, who is forced to disguise herself as a savvy businessman named Sui Ta so she can master the ruthlessness needed to be a “good person” in a brutal world.
To celebrate the release of her new album, Baroque (Bedroom Community / New Amsterdam), violist Nadia Sirota will perform music from the record, premiering Judd Greenstein’s “In Teaching Others We Teach Ourselves” for seven violas. Sirota’s unique interpretive voice has served as muse to some of the most widely respected composers of her generation, and Baroque features works written for Sirota by Daníel Bjarnason, Paul Corley, Missy Mazzoli, Nico Muhly, and Shara Worden. This album is the follow-up to Sirota’s debut, First Things First, which was a New York Times 2009 record of the year.
George Saunders, whose latest collection Tenth of December was heralded as “the best book you’ll read this year” by The New York Times, joins legendary talk show host Dick Cavett for a candid conversation about the author’s career.
What are you doing for Valentine’s Day? If you will be in New York please come byPrinted Matter on February 14 from 6-8pm and check out the Let’s talk about love, babyproject. It is a growing collection of artist’s books that was initiated by Chido Johnson in Detroit in 2009 and has been growing steadily since, having been exhibited in cities worldwide including Addis Ababa, Chicago, Harare and now New York. There are about 250 artists participating by fabricating their personal reinterpretation of a romance novel to add to the growing LOVE LIBRARY. Each artist is individually invited through “love and respect” and shares space together on bookshelves as part of an intimately linked interconnected community.
Churner and Churner presents Kenseth Armstead’s INFERNO, a series of graphic novel–inspired drawings that depict the true life story of the slave turned spy James Armistead Lafayette. Armstead’s fifty-one new drawings, tell the story of a double agent who helped end the American Revolution.
David Byrne (author, Rock and Roll Hall of Famer, cofounder of Talking Heads) and Ahmir “?uestlove” Thompson (drummer, DJ, culinary entrepreneur, member of The Roots) come together for a one-on-one conversation.
Planetary Collective is a group of filmmakers, visual media creatives and thinkers who work with cosmologists, ecologists and philosophers to explore some of the big questions facing our planet at this time.
OUTSIDER ART FAIR 2013 January 31 – February 3, 2013
Founded by Sanford Smith in 1993, the Outsider Art Fair soon became a critical and commercial success and the leading, annual event in the field of Outsider, Self-Taught and Folk Art. Recognized for its maverick spirit, the fair played a vital role in building a passionate collecting community as crowds flocked annually to New York’s Puck Building, the event’s original site during its first 15 years.
Everything is somewhere. Part installation, part image-driven theater, Loss Machine unearths a world of lost items, misplaced thoughts, and fractured journeys all housed within an intricately detailed set. Intimate in scale, this wistful one-man show combines puppets, objects, sound, and original music, in a visual exploration of loss and discovery. In a tower filled with life’s debris, a collection of characters move through an ever-changing apparatus with their shared emotional journey driving the mechanical process forward. Digging through layers of the everyday and the fantastical, the piece examines what is found when all has been lost.
You never know what to expect at this bi-monthly, wacky debate series that brings together two teams of comedians, writers and performers to face-off on a chosen topic, such as which pet is superior cats or dogs and is it better to be comfortable or fashionable? The next installment features Chris Gethard (host of the popularThe Chris Gethard Show), the new head writer for The Colbert Report Opus Moreschi,comedic musician Jessica Delfino, Kurt Metzger (Ugly Americans; Inside Amy Schumer)and Baratunde Thurston, former staff member at The Onionand author of The New York Times bestseller How to Be Black. Hosted by Matthew Love (Time Out New York).
Join us for a panel discussion of design and illustration as we will discuss, teach and explore in sharp clear focus, the vast range of tools, ideas, the creative process and how illustrator/designer approach thier client projects. We will discuss other tactics available to all illustrators, visual designers and other creative professionals. Additionally we will look at trends both positive and negative that influence and impact the graphic arts industry and our futures. We will also ask where the work and jobs might be found today and tomorrow.
AIRPLANE is pleased to present Strange Lens: Three Painters.
The exhibition features works by Hilary Doyle, Dan Herr and Mike Olin. These artists explore a territory between abstraction and figuration, and who present an idiosyncratic approach to art-making. All three are driven more by a mysterious inner logic than by aesthetic or narrative aims. These works do not ask for the viewer’s admiration, but rather exert their own strange perspective.
Thirty-one years ago, a six-piece band/collective called Stick Against Stone started writing songs in a dirt-floor basement of a row house near the University of Pittsburgh. Like a musical cargo cult fed by the global eclecticism of their local freeform community radio station – WYEP-FM – this “horns and percussion” outfit acquired a taste for afrobeat, punk rock, art funk, free jazz and dub reggae. Beyond the moniker of “no wave” – they wrote surprisingly deep melodic hooks amid swirling, ambitious and funky arrangements. Finding themselves with a devoted local following – but without a proper album to their name – it would be several years and cities later that they eventually broke up and their quirky, soulful songbook was lost to time.
The Klezmatics’ Frank London and Sway Machinery’s Jeremiah Lockwood have long been trespassing on sacred ground. For this special collaboration, Lockwood & London resurrect the sounds and spirit of the golden age of khazones – Ashkenazic religious singing – and explore the music of Zebulon Kwartin. Both artists are adept at exploring Jewish music and mysticism, bridging tradition and modernity. This new collaboration allows them to explore their mutual obsession with Cantorial music, and is part of the current zeitgeist resurgence of interest in classic Cantorial music.
For centuries, the puppet Don Cristóbal — the Spanish version of Punch – has charmed audiences with his drunken, lusty billy-club wielding antics. But does he secretly struggle with his role as the Billy-Club Man and long for love and escape? Through experimental puppetry, clowning and live music, Don Cristóbal, Billy-Club Man explores the violent appetites of Cristóbal’s on-stage persona and follows him off-stage to reveal his poetic possibilities. Inspired by two comedic and surreal puppet plays by Federico García Lorca, the piece features shadow, hand, and large figurative puppetry by Erin Orr and evocative original music by Rima Fand.
To celebrate the release of her new album, Baroque (Bedroom Community / New Amsterdam), violist Nadia Sirota will perform music from the record, premiering Judd Greenstein’s “In Teaching Others We Teach Ourselves” for seven violas. Sirota’s unique interpretive voice has served as muse to some of the most widely respected composers of her generation, and Baroque features works written for Sirota by Daníel Bjarnason, Paul Corley, Missy Mazzoli, Nico Muhly, and Shara Worden. This album is the follow-up to Sirota’s debut, First Things First, which was a New York Times 2009 record of the year.
Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses himself and views the world, his is a very individual ‘bespoke’ outlook.
Jeffrey Beebe is a mapmaker but the only place you’re likely to find any of his cartography is in his brilliant mind or broken heart. His past experiences are laid out as complex and often hilarious lands. We’ve featured some of his phenomenal creations before, and now he’s looking to print a 25 limited edition set of The Map of Western Refractoria. A cross between geek and psychoanalysis it contains things such as the lands of Vast Nonsense, The Impossible Narrative, and The Oldest Ocean. He’s only got a few days left and a little ways to go, so please help him out if you can!
Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!
Where (we) Live BAM Paula Greif, ceramics (Dec 19) Marsha Trattner, blacksmith (Dec 20) Riccardo Vecchio, painter (Dec 21) Victoria Valencia, woodworker/furniture-maker (Dec 22)
Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.
Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.
Letha Wilson Higher Pictures Thursday, December 13, 6 – 8 pm
Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.
Friends and colleagues since 1988, Ikue Mori and Zeena Parkins are two of the strongest musical voices out of the downtown scene. Lynchpins of bands as diverse as DNA, Skeleton Crew, Electric Masada, Hemophiliac and Björk, each have been leading figures of the downtown scene since the early 1980s, and their collaboration, Phantom Orchard is the perfect outlet for their unique and personal musical languages. Tonight, Phantom Orchard presents duo arrangements of work from their most recent album,Trouble in Paradise (Tzadik), featuring Mori on live visuals and electronics and Parkins on harps, keyboard, and celesta.
The latest work from Pulitzer Prize-winning composer David Lang, love fail marries evocative new music with timeless storytelling to tell a tale of love both found and unfulfilled, performed by the ravishing voices of legendary early music group Anonymous 4.
Centripetal Run explores parallels between gray situations in personal lives, and electromagnetic radiation that forms the universe.ÊThe sculptural arrangement is a theatrical cosmology, and the performer unfolds, negotiates, and psychologically challenges its matter of factness.
Alec Baldwin leads a lineup of stars, including Michael Showalter (The State), Wyatt Cenac (The Daily Show), David Furr (Shakespeare in the Park As You Like It) and Aya Cash (Sleepwalk with Me) performing hilarious and wacky fictions, just in time to cheer you up after the Thanksgiving doldrums. Hosted by B.D. Wong.
For over thirteen years Phil Elverum has been releasing beguiling records from and about the Pacific Northwest, first as the Microphones and since 2004 as Mount Eerie. Some standouts are The Glow pt. 2 (2001), Mount Eerie (2003), Lost Wisdom (2008), Wind’s Poem (2009), and now 2 companion albums for 2012: Clear Moon and Ocean Roar.
KID KOALA presents 12 bit Blues! The VINYL VAUDEVILLE TOUR To celebrate the release of his new album ’12 bit Blues’ featuring KID KOALA and HIS INCREDIBLE DANCING MACHINES! And introducing kid k’s very special guests: ADIRA AMRAM AND THE EXPERIENCE (NYC)
Technically, a tree falling in the woods doesn’t make a sound unless the resonance has an eardrum to bounce off of – an argument that only stands under the assumption that the “anyone” in the famous question is a human being. Yet the crash displays independence even within its own nature. The tree falls despite our ears and despite its own roots.Art also provides an example of an imaginary sentience, and “Bad on its Own” is a particularly mischievous one. Pairing the malleable found textile patterns of Amanda Browder with “nature” paintings by Martin Esteves, the show demonstrates a pretend awareness through a more puckish spite; but art isn’t actually aware of itself, so the line treads wearily between a straight face and a smirk. Browder’s oversized installations create optical hallucinations from the simplest found sources. Her materials have been freed from all practical intentions and aren’t afraid to let you know it. Esteves’ paintings highlight the fact that nature is mean spirited already, regardless of human interferences such as greenhouse effects or global warming. Both artists’ mix of beauty and farce are what gives this show its title. The word “Bad” here means an intentional state.
There comes a time in every artist’s life when they have to step into the spotlight on their own terms. For Janet, it was about Control. For Prince, it was about Emancipation. But for Alice Smith, it’s the art (and hard-won battle) of simply being herself. The NYC-bred singer/songwriter/producer, known for her 4-octave vocal range and stunning stage presence, made a name for herself with her critically-acclaimed 2006 debut album, For Lovers, Dreamers & Me, released on BBE Records. At the time, her artful blend of bluesy, soulful vocals and mid-tempo grooves garnered a passionate following that packed venues like NYC’s Mercury Lounge and Joe’s Pub, while Vibe Magazine gushed that her sound “evoke[s] Fiona Apple’s finest material.” Her single “Dream” was nominated for a Grammy Award in the Best Urban/Alternative category.
Jeffrey Gibson Marc Strauss November 18 – December 23, 2012
Jeffrey Gibson grew up in major urban centers in the United States, Germany, Korea, England and elsewhere. He is also a member of the Mississippi Band of Choctaw Indians and half Cherokee. This unique combination of global cultural influences converge in his multi-disciplinary practice of more than a decade since the completion of his Master of Arts degree in painting at The Royal College of Art, London in 1998 and his Bachelor of Fine Arts degree in painting from the School of the Art Institute of Chicago in 1995.
Jack Dunning’s production work as Untold has reinvigorated the climate of dancefloors around the globe. Through his work with Hessle Audio, Clone, R&S and Hotflush, Dunning elevated dubstep to uncharted territories, combining it with grime, jungle and more recently techno. A lot of his music is truly alien and doesn’t really easily fit into any of these categories. Through his label, Hemlock Recordings, he has continued this pioneering role – discovering James Blake and releasing groundbreaking work from Ramadanman and Breton. Untold recently releasing his most comprehensive work to date – the three part EP “Change in a Dynamic Environment” (which you can hear in full on his Soundcloud). We’ve been eager to bring back Untold ever since he played the set of the night at the fist Bass Mutations at The Bunker at Unsound Festival New York back in 2010.
Mind Over Mirrors, AKA Jaime Fennelly, performs with dancer and musician Miguel Gutierrez as part of Fennelly’s two-night residency at ISSUE Project Room. After four years of constant collaboration, trans-continental performance, cohabitation and detritus exorcising from 2001 – 2004 as their duo Sabotage and the early formative years of The Powerful People, this evening marks the first time Fennelly and Gutierrez have performed together in over eight years.
Calling the low, the weak, and the ungodly! Calling the faithless, the mentally infirm, and the spiritually bereft! This is the end of days and that rumble in the distance is the wagons of The Little Top Circus & Medicine Show, rolling into town to save your sad sinner’s soul. Led by the evangelically infamous Good Reverend Doctor Professor Elucius Clay, this band of befouled lowlifes will horrify (watch as Stitch the Geek mutilates his own flesh!), flummox (recoil at Bobby Phobia’s feats of physiology), mystify (witness the Good Reverend’s holy fingersmithery, learned unto him in the Orient!) and titillify (surrender to the undulant charms of burlesque!), all to the blood-stirring sounds of musicianers Doc Minch, plus Ratty Mousebites & Miz E of The Hot Sardines.
Guests are encouraged to come in disguise and inhabit an alter ego. Featured readers include Ariana Reines, Dorothea Lasky, Jennifer Tamayo, and Angelo Nikolopoulos! Other poetry whores include Will Brewer, Seth Oelbaum as Reinhardt Gobbles, Carina Finn as Cherry Cherie, Lisa Marie Basile as Luna Liprari, Meghann Plunkett as Echo Rose, Lauren Hunter as Harriett Van Os, Alyssa Morhardt-Goldstein as Elka, Rachel Herman-Gross as Simone, Rachel Boyadjis as Cosette Chapiteau, and Evan Burton as Buster Van Orson The night will include burlesque performances by Moxie Sazerac and Luna Liprari, tarot readings by Robert Cunningham, body painting by Liz Belomlinsky, sleight of mind performances from Who Is Cooper, AND we’ll enjoy live music by Karen Marie Richardson, better known as Stella Sinclair of Punchdrunk’s Sleep No More.
The BFC will present a night of short films by its members. Diverse skill sets and wide interests converge at the collective’s weekly meetings, where members present works-in-progress to receive feedback and criticism from their peers. Beyond the workshops, members share resources, ideas, gear, and crew-power. The collective is also excited to present the Brooklyn premier of Alex Mallis’ short documentary, Spoils: Extraordinary Harvest.
PowerHouse Arena celebrates the launch of My Ideal Bookshelf and presents an exhibition of prints from the book, which will be displayed on the Arena walls. Writer Thessaly La Force interviewed dozens of prominent artists, writers, chefs, and thinkers, to create this loving homage to book collecting illustrated by artist Jane Mount.
In Perpetual Recombination, Recession Art’s featured artist Ian Trask presents a collection of sculptures that visualize an evolved interplay between concept, material and technique. The show’s title refers to the exchange of material between chromosomes during meiosis (cell division) and the resulting recombination of maternal and paternal DNA, a process that perpetuates genetic diversity of species and biodiversity of ecosystems. By analogy, this body of work represents nearly a decade of creative evolution. The combinatorial potential between the materials Trask collects and the processes he applies over time generate an elaborate diversity of forms all descended from a fundamental intuitive origin.
Based in Bologna, Italy, Peppe Voltarelli was the leader of Calabrian folk rock group Il Parto delle Nuvole Pesanti. In 2005, he starred in the cult movie “The true legend of Tony Vilar” about the search for an argentinean-Italian singer, and then embarked on a solo career, using his dual background as musician and performance artist. His new show is a look the Italian heritage through songs that shaped the global Italian identity and Peppe’s own career.
Artist and curator Casey Jane Ellison will present twenty short-form animations from Aboveground Animation, the online archive and roving exhibition platform she founded in 2008. The screening is staged in conjunction with First Look, the New Museum’s Digital Project series—through which a selection of animations from Aboveground Animation, exploring 3-D renderings of post-human forms, premiered in October. For this screening, Ellison will present a more expansive selection of Aboveground Animation. Made by an international group of emerging artists, the featured works take up a variety of themes and concerns, and exhibit original approaches to hand-drawn and stop animation, as well as employ new tools such as CGI. Following the hour-long screening, a discussion will be held with local artists Erin Dunn, Steve Emmons, Ryan Whittier Hale, Lauren Gregory, Rhett LaRue, Robert Bittenbender, Jacolby Satterwhite, Lale Westvind, and Ellison.
As Real As It Gets ApexArt Opening Reception: Thursday, November 15: 6-8 pm
Tell me about yourself, and you might mention where you’re from, the music you prefer, perhaps a favorite writer or filmmaker or artist, possibly even the sports teams you root for. But I doubt you’ll mention brands or products. That would seem shallow, right? There’s just something illegitimate about openly admitting that brands and products can function as cultural material, relevant to identity and expression. It’s as if we would prefer this weren’t true. (But we know it is: Tell me about a neighbor, co-worker, someone you met at a party, and it becomes far easier, convenient, maybe even necessary, to situate that other person within branded material culture.) The underlying discomfort is something I’ve noted over many years spent writing about brands and products. One reader comment clarifies the dilemma. In a column about products and companies that exist only in the fictional worlds of books and movies, I categorized such things as “imaginary brands.” Harrumph to that, this reader replied: All brands are imaginary.
Visionary director Ivo van Hove transforms the BAM Howard Gilman Opera House into a modern-day Roman amphitheater with this interactive, hyper-modern take on Shakespeare’s powerful trilogy about the use and abuse of power: Julius Caesar, Antony and Cleopatra, andCoriolanus. Staged as a single immersive experience, van Hove’s production turns audience members into the citizens of Rome, encouraging them to grab a drink during the action at the on-stage bar, push through the crowd to hear Marc Antony defend Caesar, or take it all in on giant video screens and tickertape news feeds.
The magnificent theatrical adaptation of C. S. Lewis’ THE SCREWTAPE LETTERS returns to New York City starring award-winning actor Max McLean. THE SCREWTAPE LETTERS is a provocative and inspiring look at spiritual warfare from a demon’s point of view. Now in its third smash year, THE SCREWTAPE LETTERS’ National Tour has delighted capacity audiences in 50 major cities.
It’s times like this,
I think we are changing like the season.
Salt, pepper,
that strange spice you found near 82nd.
What, was, that?
I’m yellowed as paper for the phone.
I think I should call you.
I don’t.
Every few seconds the wind takes hold of my time,
stirs it all clean again. Owen Piper is an artist and writer currently living in Paris. He works a day job and writes when he is not doing that.
It’s a minefield of regret
strewn with corpses of thought
a place where time
gathers in the hollows
and tattered curtains hang
in neglected corridors
the leprosy of cracked wallpaper
afflicts the mind
rusted slides
mildewed rollercoasters
dusty schooldesks
a piano with a broken leg
the loneliness of a smashed vanity mirror
it rains in eaves of light
downpours in the stairwells
derelict inner doors to the sanctum
rot unhinged
beauty in decay
a momento mori of matter
I mourn myself
Rena Rossner lives in Jerusalem and studied writing at Johns Hopkins University and McGill University. She is currently a literary and foreign rights agent. Her work deals with the place where Jewish themes meet magical realism, mysticism and sex. You can see more of her work at www.renarossner.com
A rather beautiful art object (and read) from Chronicle books, The Where, Why and How: 75 Artists Illustrate Wondrous Mysteries of Sciencebrings together 75 artists with 75 academics and scientists to contribute short synopses of the mysteries of science including things like, “Are there more than 3 dimensions?” “Why don’t animals atrophy during hibernation?” “Do rogue waves exist?” and more socially prevalent questions like “What Causes Autism?” and “Is Sexual Orientation Innate?” Each image is paired with an illustration or artwork by professional and emerging artists. Though not much variety in artistic styles, the penchant towards illustration was interesting and the design itself, done by ALSO (the designers of The Exquisite Book and Drawn In) is truly impressive. Some of the standout pieces include John Hendrix, Lauren Nassef, Ben Finer, Dave Zackin, and Edie Fake.
Check out some photos below and pick up a copy HERE.
Jonathan LeVine Gallery is pleased to announce Machine Sabbath, a series of new works by Australian artist Ashley Wood, in what will be his debut solo exhibition in the United States and exhale, a series of new paintings by Melbourne-based artist Jeremy Geddes, in what will be his debut solo exhibition in the United States. On Saturday, October 20th, there will be a print released at 1pm, and the opening reception for the exhibition will be held from 6—9pm.
Join Metropolis Ensemble’s celebration of song and contemporary lyricism in a concert featuring 3 extraordinarily talents from a new generation of star singers, Kate Lindsey, Kiera Duffy, and David Babin (along with members of his celebrated band from Paris, BabX). Music for Voice will be an unforgettable evening of kaleidoscopic textures, soaring melody, and elegiac poetry.
Leave The Bass Alone, 5 Basses Harvestworks Installation: Sat/Sun, Oct 20/21, 4 -7pm Reception and live performance: Friday, Oct 19, 7 – 9pm
Inspired by this quote from Morton Feldman to Stockhausen and studies of dramaturgic developments of different human and natural soundscapes, Leave the Bass Alone is a collection of sound installations, field recordings and performances exploring the depths of the double bass’ spectral world. In “5 basses”, five double basses are amplified and feedbacked with each other. The strings and the bodies of the basses resonate with their ambient surroundings, thus creating an interactive drone in which the basses are controlled both by their acoustic vibrations and their environment. Seemingly simple acoustic/physical principles take on the complex role of the composer, creating forms and structures surprisingly similar to those we find in our everyday life.
Performing compostions with and without video accompaniment, including, Sharp Nostalgia, for bass clarinet and piano, The Primary Tool is Soup, for soprano, piano and DVD, The Star Theatre, for clarinet, piano and DVD and other short solo works. Link to earlier performance of one of “Star Theatre” http://www.youtube.com/watch?v=h6bRTph9MxY&feature=plcp
Originally commissioned for display during the 2008 Democratic National Convention, Hindsight is Always 20/20 is a large public sculpture consisting of 43 light boxes. The work examines the history of American political discourse through the metaphor of vision. Drawing from the annual State of the Union (SOTU) addresses given by Presidents to Congress, Hindsight consists of a single Snellen-style eye chart for each president who gave SOTU addresses from George Washington through George W. Bush. Instead of the typical characters present in an eye chart, the piece employs words drawn from their speeches, presented in order of most frequent (top line) to least frequent (bottom line) word. The result is a startlingly clear snapshot of the lexicon of each presidency, containing a mix of historically topical keywords and rhetoric unique to each president and the time period in which they served in office.
The cellar and point is an adventurous “garage-chamber” sextet whose musical universe comprises the detail of modern concert music, the emotional directness of alt-rock, and the improvisational sensibilities of downtown jazz. Formed in 2010, the group features an impressive cross-section of young talent from NYCʼs classical, jazz, and new music scenes.Ghys is one of a new breed of composer/performers who thrives on performing the music he composes. He creates highly contrapuntal, post-minimalist chamber music showcasing intelligent multi-tracking and inventive use of electronics and sampled speech. On the surface, his music is lighthearted and easily engaging, with whimsical loops and repetitions dancing around each other, creating clever and pleasing rhythms. Acoustic bass lines interweave creatively and buoyantly with layered instrumental tracks, electronics or processed speech. These seemingly simple elements are carefully crafted, however, and pieced together very deliberately.
By using an array of musical traditions from around the world, composer and multi-instrumentalist Nacho Arimany offers a ritualistic expression that engages the audience in experiencing free interaction between different artistic disciplines. The incorporation of Jazz , Video-Art and Live Digital Drawing opens the space for tradition to be transformed and actualized by a new experience of collective creation.
“Types We Can Make”- A selection of contemporary Swiss typeface design curated by ECAL/University of Art & Design Lausanne (Switzerland), in association with The Herb Lubalin Study Center of Design and Typography. “Type@Cooper”- Graduates of Cooper Union’s Typeface design program, Type@Cooper, will exhibit a diverse range of their works.
site95 is pleased to present “Dead in August,” a group exhibition organized by Meaghan Kent and Sara Maria Salamone. “Dead in August” is part of a multi venue project that uses additional spaces in New York to create in depth exhibitions highlighting emerging New York based artists. The exhibition will be held at NYCAMS, New York Center for Art and Media Studies, New York. Artists include: Nils Folke Anderson, Agnes Barley, Jude Broughan, Matthew Brownell, Peter Demos, Nathan Dilworth, Roberto Carlos Lange, Francesco Longenecker, Christian Maychack and Alexandra Posen. A panel discussion moderated by Andrea Hill will be held Thursday, October 25 at 6:30pm.
Invented in 1919 by Russian scientist Léon Theremin, the Theremin is one of the oldest electronic instrument – and the fact that it doesn’t need to be touched to produce a sound, makes it also the most magical. Pamelia is widely considered one of the world’s greatest theremin player. On an instrument primarily associated with horror and science fiction soundtracks, she can be lyrical. Her pitch, her technique and her taste are equally perfect. She can play microtonal puzzles and walking bass lines. She can sound like a violin, a human voice or an analog synthesizer. Out of what was once a symbol of modernism, she plays music of a very emotional order. Pamelia has been based in Vienna for a few years, and this is a rare chance to catch her here – and then with Barbez for the later set. She will be joined by pianist Pete Drungle.
In their first co-producing endeavor, HERE and the Hip-Hop Theater Festival present the world premiere of How to Break, a collaboration between playwright Aaron Jafferis, reknowned breakersKwikstep and Rokafella, beatboxers Adam Matta and Yako 440, composer Rebecca Hart, and director Christopher Edwards. Recipient of the 2012 Thomas Barbour Playwright’s Award,How to Break sneaks into a hospital room with a fake ID, a potty mouth, and a bad case of heartsick.
Monica Bill Barnes & Company return after their performance in This American Life Live! last May. Ira Glass will introduce these performances and join the company onstage for a post-performance discussion.
Postmasters is pleased to announce Twenty One Twelve, its sixth exhibition with Jennifer and Kevin McCoy and their 10th year with the gallery. Pioneering new media artists whose works explore both time-based and physical reality, the McCoys are perhaps best recognized for constructing subjective databases of film and television material and for creating miniature film sets with live video cameras. The integration of sculpture and video continues in their new exhibition. Pointing to a time 100 years from today Twenty One Twelve connects current trends with future failures and potential transformations. For this show the McCoys have created a series of ten sculptures which depict the landscapes of today and tomorrow. Corporate campuses, parking lots, man-made mountains, resort architecture, and factories all collide with a globalized media infrastructure. This framework exists to support utopian goals, even as it rests upon resource depletion, financial instabilities, and entropic decay. The problems of environmental and economic collapse persist in the face of the rhetoric of the assumed benefits of continued economic expansion and a technological future.
LISA Conference 2012 Peter B Lewis Theater: The Guggenheim Museum Tuesday, October 16, 2012 from 8:00 AM to 11:45 PM
LISA 2012 is the Leaders in Software and Art conference at the Guggenheim in New York City, Tuesday October 16th, 2012. We’ll have keynote speeches from Laurie Anderson, pioneering electronic artist, and Scott Snibbe, creator of Bjork’s Biophilia App, and panels on crowdsourced and social media art and the popular generative art toolkits openFrameworks, Processing, Cinder and Max/MSP. If you work with or care about new media, technology and interactive art, there’s still time to buy a ticket. Come meet and get inspired by some of the top artists and art experts in the field.