Filed under: VIDEO WEEKEND | Tags: chatem, colorbling, feed, House, island, of, old, Paul, rubber, the
Filed under: PHOTOGRAPHY | Tags: broek, Days, den, good, old, photography, picture, roel, the, van
Filed under: ART | Tags: 12, interview, Jeremiah, maine, mcdonald, myself, old, portland, skeksis, tardis, with, year
You may remember Jeremiah from a conversation with his 12 year old self. Check out some of his childhood drawings (done when he was just a bit older)…..
Filed under: FILM/VIDEO | Tags: 22, artchives, brooklyn, machines, magazine, midnight, new, ny, nyc, old, the, york
Filed under: THE WEEK/THE WEEKEND | Tags: 1, 12, 1916, 1960 Guernica, 2012, 2012 Workshop, 22, a, and, archive, Armstrong, Arnold, art, Art Radical, artist, artists, arts, as, baby, Band The, bang, be, Boss, brent, brooklyn, by, cage, cheap, chris, city, Comedy, computer, Contemporary, Copperhead, culture, curated, day, Day Queers, DELIGHTS Object, dr, Drew, duo, e, Education, every, experimental, festival, fireside, Follies Optipus, for, Fritz, from, ghost, hard, history, How, Hut, III ITINERANT, illustration, Imitation Bryan, in, inch, Insides, interesting, Jacobs, jason, jazz, john, KAHN, Kembra, Kraus, Laboratory panoramasfoldslosthorizons Ladies, Lessons New, LIBERTY, living, Localism, Loughlin The, louis, machine, magazine, magic, Maillard, Man Flash, medicine., Mexicali, modern, MODERNITY, montreal, music, new, Nips GIVERNY, Nuevo’s, ny, nyc, of, old, on, Orchestra Baby, Orders MICHAEL, out, OWS, performance, Pfahler Beyond, popular, Project Same, Pueblo, recent, Revival, RHETORIC, rich, Right, rose, Salon of, SAPPOL, Satie, scientific, SEMINAR, share, show, SODA, solo, space, Space Ken, surreal, Synchroneity EARTHLY, the, times, to, together, tour, train, Tribute Nari, V, very, Video, visual, w, ward, week, WHAM, with, works, Works Load, writing, X NewOp, york, Zanisnik
Drew Maillard Solo Show: “Living In Interesting Times”
MF Gallery, fine purveyors of the eccentric and bizarre, are proud to present the collected works of one of their own. “Living In Interesting Times” is an exhibition of the drawings, paintings, prints and sculptures of Drew Maillard. There is an ancient Chinese curse that goes “May you live in interesting times.” Drew Maillard was born and raised in America in the last quarter of the 20th century… A fascinating era to be sure. He is a product of his environment. Nature and nurture; habitat and conditioning combined. Drew’s adolescence was divided between comic books, horror and sci-fi films, and fantasizing about girls he didn’t talk to. Also there was Punk Rock and L.S.D.. After spending some time in the army and leaving his hometown in upstate NY, he received his Bachelor Of Fine Arts degree from SVA in 2000. His life experiences and travel, as well as an interest in scuba diving and ju-jitzu is what informs Drew’s crazy crazy artwork.
Filed under: THE WEEK/THE WEEKEND | Tags: 22, 4 KEEPING, Along Brooklyn, ANONYMOUS, art, artist, artists, arts, Band The, birthday, BODY ECSTATIC, brooklyn, city, Dalachinsky, dog, Enchanted, Evening BROOKLYN, Extravaganza, Fest, floating, for, francisco, GOATS, Hunted Steve, it, jonathan, López THE, magazine, MEMORIAL CONCERT Hazmat, Miriam, Modine musical, mountain, music, new, NOCERA’S, ny, nyc, of, old, Oz, Points, Preservation, REPRISE, secret, Sing, society, Stanley Sam’s, stories, street, styles. Ghost, surreal, the, third, time, union, Village Dr., weird, wheel, Whistling, with, Wizard, Wolves, york
Floating Points: Francisco López
Stephan Moore and ISSUE Project Room have commissioned a new piece by sound artist Francisco López for Moore’s unique multi-channel sound system. Francisco López has worked with a variety of multi-channel systems, both in live performances and sound installations, from constellations of small transducers to Wave Field Synthesis systems with hundreds of speakers, and acoustic spaces ranging from concert halls to galleries to underground water reservoirs. For his new piece, López has worked in residency at ISSUE Project Room to develop a detailed sonic construction resulting from the actual space and multi-channel sound system. It is a true site-specific composition that unfolds with richness and detail as an intense and immersive experience inside a self-contained virtual world of sound.
Filed under: ART | Tags: and, animal, black, ibarra, manual, old, photography, sea, texture, urchins, veronica, white
Filed under: MUSIC | Tags: 2, 22, art, artist, artists, arts, brooklyn, downtown, gallery, magazine, MOSHE, music, new, ny, nyc, o'harie, old, performance, ras, robert, straw, straw3gold, york
Filed under: ART, FILM/VIDEO | Tags: 22, 33, art, artists, arts, brooklyn, Deleuze, Didier Wampas, french, intimate thoughts, lifestyle, love, magazine, nabakov, new, Nietzsche, ny, nyc, old, overcoming heartbreak, pale fire, paris, performance, photos, portrait, relationship, subjective point of view, surreal, video image, woman, years, york
Video portrait of a 33 year-old french woman overcoming a heartbreak made from still images and inner voice over.
A video by Miyoko Caubet – french video artist
with Mélanie Mary – french actress, theater director and writer
Filed under: FILM/VIDEO, SUPPORT THIS PROJECT! | Tags: 22, american, and, beverages, brooklyn, Brooklyn’s, can, city, Colonie, cream, factory, festival, film, from, Happens, ice, kickstarter, magazine, new, ny, nyc, old, Phebe, Phinizy, Soho’s, the, what, when, york
About this project
We’re thrilled to announce that the Second Annual Kickstarter Film Festival will be held the evening of Saturday, July 9th in Brooklyn, New York, on the roof of the Old American Can Factory. We hope that you can join us!
The festival will feature 100 minutes of footage from 16 projects. The clips will range anywhere from two to ten minutes in length, and will include feature films, documentaries, shorts, project videos, animation, video art, and music videos.
There will be tasty snacks and other goodies from two amazing Kickstarter-funded eateries (Brooklyn’s Colonie and Soho’s What Happens When), beverages from City ‘Lasses, and ice cream from Phinizy & Phebe. There will also be activities from Kickstarter creators, including lucid dreaming lessons from Oneironautics, pics with the Magnolia Photo Booth, and animated GIFs turned into physical zoetropes.
Seating for the festival is divided into two sections: rooftop and courtyard. Both are great! The venue features two screens, one for each section. The rooftop section is located on top of the Old American Can Factory and the courtyard section is just beneath it. The afterparty will be held in the courtyard.
Doors will open at 7pm. Films will begin promptly at 9pm.
Filed under: THE WEEK/THE WEEKEND | Tags: "Beyond, 2010, 2011, a, Alejandro, ALL'S, and, annual, Argentina, art, art Jeff, artist, arts, as, “doom, BALLAD, band, based, big, bill, bird, blue, blues, book, Boundaries"Scared, Brotzmann, burns, california, Can's, center, Center Joseph, Chaskielberg, Cradleduende, Czukay, DALEY, dance, dancers, dark, dave, Deadlock, delta, dixon, Dustin, earth, ENDS, Ensemble avant-garde, ENSEMBLE UNIVERSITY, Fest, festival, films, folk”, Follow, for, forum, Freedman, from, gallery, Go!, Going, GOODBYE, Grey-Blue, gypsy, Hernandez, high, Holger, homeless, i, in, Inc16th, innovative, into, iraq, Irmin, jason, JASPER, JAXON, jazz, joe's, Joel, johnson, Joseph, klezmer/flamenco, lavelle, littlefield, lush, Marine, matt, max, MEASURE, Medieval, megan, Miller, Milo, monday, monk, MOSHE, music, new, now, O'Halloran, O’Haire Bill, of, old, orleans, PAN, park, party, people, peter, photography Paraná, place, poetry, poets, presents, pub, punk, QT:, river, robert, ross, Ruche, Rye:, Schmidt, screen, Screening, SHAKESPEARE, slate, Snyder, sounds, SOUNDTRACKS A, spectacle, streets, style, sweet, swing, that, the, theater, tide, timey, TIN, to, tom, Tones, TONES ENSEMBLE, Tor, two, U.S., UNIT RAS, up, vision, visual, we, Well, will, world, Yochai, Yossi, you, Zlabinger
Arts For Art, Inc. presents the 16th annual Vision Festival, New York City’s premier multidisciplinary celebration of innovative jazz music, dance, poetry, and art, held for its third year at the Abrons. Critics have described it as “arguably the most important free-jazz fest in the U.S.” (Peter Margasak, Chicago Reader), and stated that “avant-garde jazz culture has no better colloquy in this country than the Vision Festival” (Nate Chinen, The New York Times).
Each year, the Vision Festival honors the achievements of one living artist who has greatly influenced the world around them and paved the way for other innovators to move forward. On Wednesday, June 8, Arts For Art and The Vision Festival will celebrate a Lifetime of Achievement by Peter Brotzmann. This great improviser was one of the first practitioners of the Free Jazz movement in Europe. Brotzmann has programmed his own evening in such a way that it would reflect his ongoing pursuit of musical innovation. This 70-year-old artist is not interested in looking back — only in looking forward and being as creative as possible in the present.
Filed under: ART | Tags: 23rd, 533 w, a few, altered, art, artist, Chelsea, chosen words, city, collage, cusick, defacements, drawing, gallery, illsutration, matthew, new, number, ny, nyc, old, painting, pavel, sanding, schoolbooks, scraping, st, york, zoubok
Filed under: THE WEEK/THE WEEKEND | Tags: 1945, 1976, 1979, 1997, 20, 22, 28, 3rd, a, abstract, activism, again, all, americana, americian, anatomy, and, and crafts, andrew, andy, ann, apocalyptic, arbor, Arcangelo Sassolino, Ariel Orozco, art, arts, astor, at, august, barbes, bash, BBQ, believe, belt, black, blackface, blues, bohemia, bookseller, borden, bowen, BP, brando, bread, brecht, bristol, brooklyn, burma, cabinet, cafe, calls, carnegie, cavett, center, chayefsky, Christian Marclay, cicada, class, claudia, clear, coda, color, communicty, communism', consulate, cortlandyt, costanzo, critical, CT, cty, cub, dan, dance, darren, dart, david, dean, destroir, destroy, destruction, dharma, dick, DIY, dreifus, ducks, dunca, earth, earthquakes, egg, elana, ethan, evan, face, fashioneds, feminism, filmmakers, for, forum, fundraiser, gallery, gamelan, garinez, glenn, global resistance, goldsmith, gospel, gould, green, greenpoint, ground, hall, hallelujads, hallelujahs, hazmat, heti, hiroshima, historic, hollow, horowitz, hull, ICA, illsutrated, indonesian, institute, institutue, international, interview, interviews, isadora, ismaily, issues, jams, janet, japanese, jennison, Jimmie Durham, Johannes Vogl, john, jovana, juried, kashin, katz, Kenneth, lass, Le, lector, lehmann, levinthal, life, Liz Larner, lizard, location, lorin, lost, love, machine, magazine, makeup, maritime, marlon, Martin Kersels, May, me, Michael Landy, michelson, michigan, misson, modine, molasses, momenta, monsters, morbid, morgan, music, nalinese, new, nicholas, night, ny, nyc, o'donnell, objects, observatory, of, oil, old, one, orwell, out, paddy, pains, painting, paris, paulo, people, performance, philadelphia, photography, pigs, playboy, poisson, poloroids, post, presents, prision, project, puppetmaking, QNA, quartet, rachell, rally, rather, records, recycle, recycled, release, resistance, review, rich, Roman Signer, ross, rouge, roughe, royal, rump, rust, saturday, save, schoultz, seaport, selected, shahzad, shake, shelia, show, simon, simonini, society, special, spill, spring, stein, stokic, strange, suckling, super, swara, swiss, tail, tales, the, the weekend, them, times, to produce, tooth, tour, under, unrest, vegass, wail, ward, ward's annual birthday, warhol, WGPR, who, witch's dungeon, woman's, work, workshop, writers, york, york. NY, yva, zero
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)
MAY 20–AUGUST 28, 2011
After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.
Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…
Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!
For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)
The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”
An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Part of Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson
Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)
The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.
QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW
As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:
- DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
- CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?
- KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
- LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.
There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.
The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.
This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.
More info: http://tinyurl.com/blvr-nypl-qna
May 18 – June 19 2011
Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.
Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)
Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.
Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)
May 19 – June 25
I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.
Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.
David Levinthal: Black Again
May 19th to July 2nd
John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.
Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and 3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.
In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes
A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Presented by the Hollow Earth Society
Part one of a four-part series
Post-apocalyptic arts & crafts survival skills workshops, you say!? That’s right: Creative-making for the improvisational, post-industrial future (and present). When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)
3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB
with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)
Filed under: ART | Tags: 19th, 22, 26th, 526 west, altered, archaeological, art, Art News, book, book sculptures, books, brian, brooklyn, carving, CBS, champagne, Chicago Tribune, context, cultural, dettmer, explorations, fine, Harper's, history, interview, kinz, magazine, May, Modern Painters, National Public Radio, new, ny, nyc, old, possibilites, reception, recontestulaize, recontextulize, saturdays, sculptor, sculptural, sculpture, st, surgical, the, The Guardian, The New York Times, The San Francisco Chronicle, The Village Voice, thursday, tillou, Time Out, Wired, york
Filed under: INTERVIEWS | Tags: 22, 35mm, angeles, art, Ba-ra-kei: Ordeal by Roses, barcelon, BFA, bike, blue, Bovary, brooklyn, Canada, center, cereal, chong, colalge, collage, college, color, cutting, department, DESIGN, Eikoh, ephmera, ethan, film, Flaubert, form, Fritz, Frome, gallery, Gothic churches, green, Guido Reni, Hosoe, howtosplitanatom.com, hunt, illustration, ink, KCET, knif, letterpress, letters, local, los, madame, magazine, new, ny, nyc, of, of paper, old, ophelia, Orson Welles, painting, paper, Paul Rand, photography, press, presses, pressing, rep, Sauter, series, slide work, slides, slips, st. louis, station, surreal, the, three-speed, toronto, TV, typography, university, vandercook, webster, Wharton, work, x-acto, york, [Richard] Neutra
22: First the background questions, where did you grow up and how did you get involved with art?
OPHELIA CHONG:I grew up in the wilds of Canada, in the city of Toronto. I remember my first collage, in grade five; it was a collage made of magazine bits and it was blue and green. During my formative years I was an explorer, I would ride my bike from mid-town to the lake and back; I would disappear for a whole day, exploring the city on my three-speed bike. I quickly outgrew Toronto and packed up and left for Los Angeles. I went to the Art Center College of Design and graduated with a BFA in Painting. I am an adjunct professor there in the Photography Dept.
OPHELIA CHONG: I love seeing the possibilities of color. Of using the pieces of paper as paint, my X-acto knife the brush.
22: What about the fusion of collage and design appeals to you? Are they really just versions of the same thing?
OPHELIA CHONG: It’s all the same thing, I see it all as color and form, no matter what medium it is.
22: You also seem to have a penchant for typography and presses where did that start?
OPHELIA CHONG: Shapes, I love the curves of typography. When I was younger I would sit in class sketching serif fonts. I loved the thin with the thick, the swoosh and staccato of forms in typography. When I first used a Vandercook Press six years ago, I was hooked. I love the ink pressing into the paper, the randomness of where the letters fell onto pieces of ephemera that I put through the press. How each piece was a singular piece of art. Never to be repeated twice. I use only vintage magazines to print on, therefore each piece is non-repeatable.
22: Can you explain your 35mm slide work (surreal cereal) process a little? What inspired working with collage this way? Any specific artists?
22:Who are some of your favorite designers or artists in general?
OPHELIA CHONG:All art from the 16th – 18th century. Fritz Sauter ( a Swiss printmaker), 15th century Gothic churches, Orson Welles, Paul Rand, [Richard] Neutra, music for the clavichord, the flavor of the week and anything that makes me want to grab an X-acto knife.
22: How did you start working on the slips of paper series? What was your first collage for that?
OPHELIA CHONG: I started in 1999, but if I had to trace it back, since I could use scissors. I picked up a small Moleskine sketch book in 1999 and started sticking bits of paper in it to relieve the stress I was going through at my job as a Creative Director. I filled books and books with “slips of paper”, not really going towards an end goal, just to keep myself from the digital world. All my work is non-digital.
22: How do you balance your professional life with your artistic career, do the two ever clash? Or do they enhance each other?
OPHELIA CHONG: I melded both into one. I have a rep in NYC for my illustration, and I now have a studio that I sit in all day working. I love it. Work = Love = Happiness
22:What are you currently working on? Any upcoming projects?
OPHELIA CHONG: I am writing more, I write commentary for KCET ( a local TV station in Los Angeles) and for howtosplitanatom.com . I have work traveling from Barcelona to NYC, it will take 2 years to finish my travels. My letterpress work is at the Hunt Gallery at Webster University in St.Louis. My project now is to keep cutting paper and I know I will never tire of it; the only time I get into trouble is when I cut up something someone was still reading. Never leave anything you want to read around me, it just might end up in a collage.
Filed under: ART, THE WEEK/THE WEEKEND | Tags: +, 22, 26th, 416, 426, books, brian, brooklyn, casette, collages, conceptual, cut, dettmer, dissections, ephermera, explorations, kinz, magazine, maps, new, ny, nyc, obsolete, old, paper, sculptural, sculpture, street, suite, tapes, the, tillou, Tillous, West, york
Recent Works: Works on Paper
May 19 – June 11
Thursday, May 19, 6:00 – 8:00 pm
426 West 26 Street, Suite 416, NYC
To view works in the exhibition click under “Artworks” on the left menu, and click thumbnails to enlarge.
Brian Dettmer sifts through stacks of old books, boxes of dusty cassette tapes, and piles of obsolete maps to uncover the perfect source and subject for his conceptual explorations and sculptural dissections. Dettmer alters pre-existing materials by selectively removing and manipulating elements as a way to allow new interpretations and ideas to emerge. With the precision of a surgeon, Dettmer uses clamps, scalpels and tweezers to recontextualize his found objects and reveal hidden meanings.
Brian Dettmer has exhibited extensively in galleries and museums throughout North America and Europe.
Brian Dettmer Interview on You Tube: http://www.youtube.com/watch?v=_Jk9pHPPJbA&translated=1
For Brian Dettmer Talk: http://vimeo.com/6060054
For Time-Lapse Video: http://www.artinfo.com/news/story/29457/brian-dettmer
Filed under: ART, THE WEEK/THE WEEKEND | Tags: 22, abstract, boats, brooklyn, commonwealth, figural, gabriel, growth, imlay, kidd, large, ledelle, magazine, martinez, moe, new, ny, nyc, old, paril 22nd, redhook, scale, sculpture, silence, sleep, st, the, virginia, wood, yelling, york
Filed under: ART | Tags: 20, 200, 22, art, bekman, brooklyn, cheap, disassembly, jen, magazine, mclellan, new, ny, nyc, old, on, PRINT’S, project, the, todd, typewriter, x, york