Filed under: POETRY, WRITING | Tags: 22, a, art, artist, artists, arts, biblical, brooklyn, david, Epic, magazine, mastication, Moody, new, night, ny, nyc, on, one, poetry, stand, writing
By David Moody
Lord, forgive all my foxiness. Remember us humans, us cruising
to nightclubs and not braking to dead stop, us stepping—
no hand rail—in black pumps and boot-cuts up to the slut box
then forgetting to dance. Us keeping secrets. Our leaving no tip.
Sometimes in a good fuck I speak carpentry—spackle and jack
tape, Jesus rib, caulk. I awoke this morning naked as a jay bird. Buzzed,
wearing glasses, I held on to no one but my body pillow, Sacagawea,
keeping her warm. Almost a godsend, God, almost.
I confess I want guidance. Guide me to the country of Charity,
that hard-knuckled woman, her deep ankle boots. Can she have red
hair or is black a must? I imagine her hips as I often do hips—chisels
and axes that hack at a crowd thralled to some DJ.
This woman shapes through body’s rhythm her own thrumming
god. Fox beast, incisors, torso warped thing. Its own twisted shape a way
of confessing. To choke without a throat, slowly, on praise.
From what is this thing we have gnawed happiness? How
has it tasted all of our lives? God of Smudged Chins. God of
Half-Virgins. We wedge fingernails into the gaps between backboard screws
and corner beams. With a wonderful quickness we know bed as world.
God, what I’m saying is that I suspect heaven
was planned with a right hand drawing blueprints on napkins,
the left hand still-buried in some idle fur.
Forgive me but nightclubs are like your mouth, like my bedroom
with its ceiling too low. The off-kilter whir of fan blades replace
any belief in collar-starch morals. Forgive the room’s stucco.
Forgive the drunk nothings this tile floor revibes. No,
nothing’s wrong with yesterday’s meats. Sometimes, though, I am
little more than gaps found between words—good and then
morning. A click-click that lingers. I cannot tell if its high heels or teeth.
If I am flea, Lord, and not a fox, I insist one thing: you must bite, hard.
David Antonio Moody writes out of Tallahassee where he pursues a PhD in poetics at FSU. Former poetry editor for SawPalm and Juked, David is production editor of Cortland Review and Southeast Review. His work has appeared or is forthcoming in Sweet, Eleven Eleven and Spillway.
Filed under: THE WEEK/THE WEEKEND | Tags: 2020 THE, Aki, Always, and, ANDERSSON, ashley, August PAMELIA, Barnes, BASS-LAPTOP Landscapes, bill, Break MONICA, Bridges, Burleson, can, CELLAR, COMPANY JENNIFER, ComposerClarinet, Cycles, double, down, DRUNGLE How, Festival Raha, FIRE Ned, for, Geddes Music, Geoffrey, GHYS, House, in, is, kevin, kiss, KURSTIN, Machinic, make, maria, Mashups, McCOY TWENTY, nature, of, on, Onda WILLEM, one, Paintings Walls, performance, pete, piano, POINTFLORENT, Powers, Raissnia, Rhapsodies TYPES, solo, Soprano Hindsight, Soul Dead, South DAVID, still, Sublette, Tegzes, the, to, TRULLI second, TWELVE Devin, TYPE@COOPER Beth, voice, we, Wiemann, with, WoodJeremy, you
Ashley Wood/Jeremy Geddes
Oct 20 — Nov 17, 2012
Jonathan LeVine Gallery is pleased to announce Machine Sabbath, a series of new works by Australian artist Ashley Wood, in what will be his debut solo exhibition in the United States and exhale, a series of new paintings by Melbourne-based artist Jeremy Geddes, in what will be his debut solo exhibition in the United States. On Saturday, October 20th, there will be a print released at 1pm, and the opening reception for the exhibition will be held from 6—9pm.
Music for Voice: Cycles, Mashups, and Machinic Rhapsodies
Le Poisson Rouge
Sun., October 21, 2012 / 5:00 PM and Tue., October 23, 2012
Join Metropolis Ensemble’s celebration of song and contemporary lyricism in a concert featuring 3 extraordinarily talents from a new generation of star singers, Kate Lindsey, Kiera Duffy, and David Babin (along with members of his celebrated band from Paris, BabX). Music for Voice will be an unforgettable evening of kaleidoscopic textures, soaring melody, and elegiac poetry.
Leave The Bass Alone, 5 Basses
Installation: Sat/Sun, Oct 20/21, 4 -7pm
Reception and live performance: Friday, Oct 19, 7 – 9pm
Inspired by this quote from Morton Feldman to Stockhausen and studies of dramaturgic developments of different human and natural soundscapes, Leave the Bass Alone is a collection of sound installations, field recordings and performances exploring the depths of the double bass’ spectral world. In “5 basses”, five double basses are amplified and feedbacked with each other. The strings and the bodies of the basses resonate with their ambient surroundings, thus creating an interactive drone in which the basses are controlled both by their acoustic vibrations and their environment. Seemingly simple acoustic/physical principles take on the complex role of the composer, creating forms and structures surprisingly similar to those we find in our everyday life.
Beth Wiemann, Composer/Clarinet with Geoffrey Burleson, Piano and Maria Tegzes, Soprano
October 20, 2012 8:00 pm
Performing compostions with and without video accompaniment, including, Sharp Nostalgia, for bass clarinet and piano, The Primary Tool is Soup, for soprano, piano and DVD, The Star Theatre, for clarinet, piano and DVD and other short solo works. Link to earlier performance of one of “Star Theatre” http://www.youtube.com/watch?v=h6bRTph9MxY&feature=plcp
Hindsight is Always 20/20
Closing Nov. 7
Brooklyn Bridge Park, Walkway near the Carousel
Originally commissioned for display during the 2008 Democratic National Convention, Hindsight is Always 20/20 is a large public sculpture consisting of 43 light boxes. The work examines the history of American political discourse through the metaphor of vision. Drawing from the annual State of the Union (SOTU) addresses given by Presidents to Congress, Hindsight consists of a single Snellen-style eye chart for each president who gave SOTU addresses from George Washington through George W. Bush. Instead of the typical characters present in an eye chart, the piece employs words drawn from their speeches, presented in order of most frequent (top line) to least frequent (bottom line) word. The result is a startlingly clear snapshot of the lexicon of each presidency, containing a mix of historically topical keywords and rhetoric unique to each president and the time period in which they served in office.
THE CELLAR AND POINT/FLORENT GHYS – SOLO PERFORMANCE DOUBLE BASS-LAPTOP
Cornelia Street Cafe
Wed Oct 24th
The cellar and point is an adventurous “garage-chamber” sextet whose musical universe comprises the detail of modern concert music, the emotional directness of alt-rock, and the improvisational sensibilities of downtown jazz. Formed in 2010, the group features an impressive cross-section of young talent from NYCʼs classical, jazz, and new music scenes.Ghys is one of a new breed of composer/performers who thrives on performing the music he composes. He creates highly contrapuntal, post-minimalist chamber music showcasing intelligent multi-tracking and inventive use of electronics and sampled speech. On the surface, his music is lighthearted and easily engaging, with whimsical loops and repetitions dancing around each other, creating clever and pleasing rhythms. Acoustic bass lines interweave creatively and buoyantly with layered instrumental tracks, electronics or processed speech. These seemingly simple elements are carefully crafted, however, and pieced together very deliberately.
Landscapes of the Soul
October 19 – October 21, 2012
By using an array of musical traditions from around the world, composer and multi-instrumentalist Nacho Arimany offers a ritualistic expression that engages the audience in experiencing free interaction between different artistic disciplines. The incorporation of Jazz , Video-Art and Live Digital Drawing opens the space for tradition to be transformed and actualized by a new experience of collective creation.
TYPES WE CAN MAKE & TYPE@COOPER
OCTOBER 23 – NOVEMBER 17, 2012
“Types We Can Make”- A selection of contemporary Swiss typeface design curated by ECAL/University of Art & Design Lausanne (Switzerland), in association with The Herb Lubalin Study Center of Design and Typography. “Type@Cooper”- Graduates of Cooper Union’s Typeface design program, Type@Cooper, will exhibit a diverse range of their works.
Dead in August
October 19 – November 16, 2012
site95 is pleased to present “Dead in August,” a group exhibition organized by Meaghan Kent and Sara Maria Salamone. “Dead in August” is part of a multi venue project that uses additional spaces in New York to create in depth exhibitions highlighting emerging New York based artists. The exhibition will be held at NYCAMS, New York Center for Art and Media Studies, New York. Artists include: Nils Folke Anderson, Agnes Barley, Jude Broughan, Matthew Brownell, Peter Demos, Nathan Dilworth, Roberto Carlos Lange, Francesco Longenecker, Christian Maychack and Alexandra Posen. A panel discussion moderated by Andrea Hill will be held Thursday, October 25 at 6:30pm.
PAMELIA KURSTIN with PETE DRUNGLE
Invented in 1919 by Russian scientist Léon Theremin, the Theremin is one of the oldest electronic instrument – and the fact that it doesn’t need to be touched to produce a sound, makes it also the most magical. Pamelia is widely considered one of the world’s greatest theremin player. On an instrument primarily associated with horror and science fiction soundtracks, she can be lyrical. Her pitch, her technique and her taste are equally perfect. She can play microtonal puzzles and walking bass lines. She can sound like a violin, a human voice or an analog synthesizer. Out of what was once a symbol of modernism, she plays music of a very emotional order. Pamelia has been based in Vienna for a few years, and this is a rare chance to catch her here – and then with Barbez for the later set. She will be joined by pianist Pete Drungle.
How to Break
Here Arts Center
Oct 18-Nov 4
In their first co-producing endeavor, HERE and the Hip-Hop Theater Festival present the world premiere of How to Break, a collaboration between playwright Aaron Jafferis, reknowned breakersKwikstep and Rokafella, beatboxers Adam Matta and Yako 440, composer Rebecca Hart, and director Christopher Edwards. Recipient of the 2012 Thomas Barbour Playwright’s Award,How to Break sneaks into a hospital room with a fake ID, a potty mouth, and a bad case of heartsick.
MONICA BILL BARNES & COMPANY
OCTOBER 20 / 8:00 and OCTOBER 21 / 3:00
Monica Bill Barnes & Company return after their performance in This American Life Live! last May. Ira Glass will introduce these performances and join the company onstage for a post-performance discussion.
JENNIFER & KEVIN McCOY: TWENTY ONE TWELVE
October 20 – November 24, 2012
Postmasters is pleased to announce Twenty One Twelve, its sixth exhibition with Jennifer and Kevin McCoy and their 10th year with the gallery. Pioneering new media artists whose works explore both time-based and physical reality, the McCoys are perhaps best recognized for constructing subjective databases of film and television material and for creating miniature film sets with live video cameras. The integration of sculpture and video continues in their new exhibition. Pointing to a time 100 years from today Twenty One Twelve connects current trends with future failures and potential transformations. For this show the McCoys have created a series of ten sculptures which depict the landscapes of today and tomorrow. Corporate campuses, parking lots, man-made mountains, resort architecture, and factories all collide with a globalized media infrastructure. This framework exists to support utopian goals, even as it rests upon resource depletion, financial instabilities, and entropic decay. The problems of environmental and economic collapse persist in the face of the rhetoric of the assumed benefits of continued economic expansion and a technological future.
Filed under: FILM/VIDEO, TAPE ONE | Tags: 2005, a, Becker, down, for, Give, one, other, pulling, signigicant, sky, song, Sun, the, to, tommy, track, you
“pulling down the sky to give you the sun”
Track Number One: song for a significant other | 1min 50sec | DV | 2005
After piecing together a yellow outfit from second hand stores, the simple act of jumping is turned into a performed act of giving as a figure struggles to transform himself into the sun. Track Number One was a belated birthday present and is a gift to be shared with others, especially the artists who continue to exercise their light and amuse their imaginations.
video & music – written, recorded, performed and edited by T.Becker | 2005
Filed under: THE WEEK/THE WEEKEND | Tags: 10th, 19681980 Stephan, 22, @REGINA, a, aka, album, and, Anniversary, art, arte, artist, artists, arts, Asceticism, Asceticismo, auction, Baechler Pat, Band The, Bazaar Caitlin, Becker A, black, Blow, book, book In, brass, BROADCAST, brooklyn, BSide Darmstadt, by, c, Calma, C” Leisure at 319, center, Chan, CLEAVER I, Closer The, CollectiveGrand, Conte, Corset, craft, CV, Debussy, degenerate, Doitschinoff, Eisler, essential, EVANS, Facilitated, fair, Fair GERALD, Fair Holiday, FETISH, Fiddle, for, forum, gallery, Gibbons Donald, gift, GIRLSCurated, guignol, H.A.L.T., handmade, Heroine, Holiday, HORN The, Hungry, in, Installation Christina, Inventions, Irani, is, JEONG, jim, Kayhan, live, Longest, love, magazine, MAHALCHICK AT, MarieClaire, Mathes, michael, mississippi, new, Night Seven, Night December Getting, noah, noir, Novo, ny, nyc, of, on, one, other, Palisades The, PARADISERaya, park, PARTY THE, Paul, performance, performs, Picher Movement, PIOTRAGORA, POLAROID, presents, Production ALab, project, projects, Proposition, Ramberg, REGATHERED, release, REMIX, Repertoire, REX 3rd, Riley’s, RONI, sam, Satie 2011, Scholes Image, search, Show AHRAM, SHOW SOME, silent, SKULDT, sounds, terry, the, theater, TRANSPACIFIC, Urns, UTIL WILDLIFE, variety, Vaudeville, vinyl, Vuu, walker, ward, WEDDING, Weill, WFMU’S, White DEREK, Wht, with, york
Seven in One Blow – 10th Anniversary Production!
A-Lab Forum: ARTE UTIL
Filed under: THE WEEK/THE WEEKEND | Tags: 1 Three, a, ACRE Bad, after, Age Video, Alan, along, an, and, architecture, art, artist, at, avant, back, Blogologues Actual, Bohème D’Ambrose, Boulevard, Boyd, Broadway’s, Bronx The, by, center, class, club, Communities, complex, Concourse, Connections, Damocles Music, david, Demand Faust True, dickinson, Discussion, dog, dreams, eamon, energy, Europe NO, evening, Event tinyDANGEROUSfun, events, exploring, Fiction Supernatural, film, First, for, foster, freaks, Future La, Garde Sword, giron, grand, GROUP A, Hal, have, Heady, Heartbreak, Hemispheres, Hope, House, House Songbook, i, in, iron, is, Jam, Jeiven, jonathan, Kite Blood, lawson, lecture, live, LPA, Luck, Matthiessen, michael, model, Moth, mouse, music, nature, new, Nonfiction Clean, nyc, of, on, one, ore, our, Panel, Parallel, party, pearl, poetry, pop, popular, present, presented, Radding, Retrospect An, Reuben, role, salon, Santos, science, series, singers, Slave, Solar, SOMBRERO Peter, somerville Tomoya, Sonfist Anthropomorphic, SOUNDBATS, Space NY, SplatterPool, story, StorySLAM, Susan, sustainable, Sword, talk, taxidermy, Than, the, Thicker, three, times, Travis, Tsukamoto Naked, Universe, Vaudeville, vincent, Voodoos, we, white, Wife The, with, with n, Witnessed, wood, World Edwin
Filed under: THE WEEK/THE WEEKEND | Tags: 13, 2011, 51 Whiting, ad, adrienne, anatomy, and, art, artists HUGO, arts, artwork, Awards, BAM, BEFORE, beside, Body FACULTY, Breakthroughs The, Broadsides, brooklyn, by, cameron, Chaize, Coletti, complete, Contemporary, Copp, Corina, Cornelia, david, DAY Freaks, de, dickinson, doing, DUBKNOWDUB, EDWARDS, Enigmatic, ephemeral, ESTEBAN Proposition, Fest DEMENTIA, folk, for, Fraser, GalaBrooklyn, GantertDie, Graffiti The, Ideas, indie, Interval, It Kathleen, Jacqueline, Javier LIVE, jessicia, KONTRABAND Ben, KotikHeadcase Christian, Larsen MAX, Launch, Less, like, live, Living Conversation, Mean, more, Motion Book, museums, music, new, next, of, on, one, only, opening, Paolo, Paradis PDFCurated, party, Patrick, Plaza, popular, Pornography, presents, projects Brooklyn, QUARTET Big, reading, Reading Roots, Really, reception, resident, Rivals MATA, roulette, Rucci Tondo LJOVA, Ruckus The, Score, screen, SeriesPoets, sex, short, SHOWCASE John, simono, site, Spooktacular Tom, St AA, Story American, strange, the, unusual, victorian, Waters In, week Center, Whoreoween, with, wolf, Works DEATHBLOW, writers, you
BROOKLYN FOLK ARTS DAY
Filed under: THE WEEK/THE WEEKEND | Tags: a, Ages JohnKelly Find, AJ, al, all, an, and, Andrews Electronic, art, Art Night, as, Awards, Ball Manly, Bathers, BEAR BAT, BedStuy/UWS/Cobble, Bellona, Bigbee, car, carter, Cash Music, century, Century Allison, Ceremony Featured, concert, Contemporary, Darkness, day, Derivatives Rental, down, Down VANISHING, Duncan DEJA, duo, Eddie, elana, Ensemble Tiny, FALLS DARKNESS, Falls INTRODUCTION, Feige, Festival ALARM, Festival Don’t, Festival William, Festival Clearwater, film, from, FrostAirplane, george, Go Brett, group, hall, HALVORSON Blouse, Hell RE/Mixed, Hill/Stu, History Shahzia, home, Home ABANDONMENT, Honors, Huffman Mark, in, Indoor, Inside/Outside Mad, is, Jayhawks Rosanne, JibadeKhalil, joan, Jorden SONIC, KAWAGUCHI, Komunyakaa, LABAZEVITCHLEVYATOV, Larkin, L², Letting, LIGHT NY, Light Paul, like, location, love, MCLEAN, me, media, Mode JESSE, Moth, Museum, my, natural, new, night, ny, OBSESSED RADICAL Poets, of, one, ONE UTOPIA, open, over, P, party, Pawelec, piano, play, poets, POINT Ernesto, powhida, PRESENTS ALL, Pujol, Qadiri GenreSpecific, Rally Rob, reception Home, recycling, Rehm Pamela, REMAINS Doomsday, REVELATION By, Revisited Alistar, Revisited Jacob, room, Roth, Screening BENEFIT, secret, Shakin, Show Ian, Sideways, Sikander Trust, sonic, sound, sounds, Sport PARTY, Starfest I, STETSON JOSEPHINE, StorySlam Doomsday, Studio International, sweet, teachings, that, the, Theater NYC, to, TOMOKO, Town Urban, Train) Fatima, TRUST, Try, Two BOY, UGLY, under, VINYL Rouge, VU Doxita, WASTE, way, Wein The, will, Xperience Release, Yusef
Mathilde Aubier, Paul Burgess, Cless, Virginia Echeverria, Fred Free, John Gall, James Gallagher, April Gertler, Ashkan Honarvar, Colin Jenkins, Gordon Magnin, Clarita Mata, Jeffery Meyer, Tom Moglu, Randy Mora, Julien Pacaud, Lilly Pereira, Dave Plunkert, Ciara Phelan, Eduardo Recife, Kareen Rizk, Javier Rodriguez, Valerie Roybal, Katherine Streeter, Leigh Wells, Charles Wilkin, Lionel Williams, Bill ZindelFrom its abstract roots in Cubism to the political and counter culture movements of Dada and Punk, collage has always been a product of its environment. With the rise of 24 hour media cycles, social networks and search engines, contemporary culture has effectively rendered print media obsolete, creating a virtual boom in discarded paper ephemera for collage artists to examine and reinvent. Through these discarded remnants collage artists have become the archivists and activists of this post modern age, paralleling the frenetic pace in which we live while exposing the voyeuristic and often disjointed nature of popular culture.INTERVIEW WITH THE 22.
Doomsday Film Festival
Filed under: ART | Tags: 22, art, artist, artists, arts, brooklyn, magazine, Nation, new, ny, nyc, one, painting, performance, project, Scheidly, scott, street, surreal, survelliance, under, york
Filed under: The 22, VOLUME ONE | Tags: 2011, 22, 22nd, a, and, art, artist, artists, arts, at, book, books, brooklyn, center, city, collage, december, festival, film, magazine, music, new, ny, nyc, one, performance, photography, show, sign, surreal, symbol, the, Video, volume, with, writing, york
Things are about to get fun. We’ve finally finalized our list for Volume 2/11! We’ll be wrapping up our showcase of Volume One contributors as the new models roll off the line for Vol 2/II: Sign and Symbol. I love this part, two ships creaking and swaying, as they pass each other in the night, and I am particularly excited about the fresh perspective in our upcoming volume. Our mission remains a showcase of contributors and luckily this volume has a real kick to it. The combination of emerging and established talent is gorgeous and I can’t thank anyone or everyone enough for sending work in or for helping us develop the blog. For me, this project makes it feel like Christmas every day of the year. As always it is your support and talent that makes it worthwhile.
Here’s what you can look forward to!
September-December 2011 (Wrap of contributor showcase for Vol 1.)
November 1st, 2011 (CONTRIBUTOR REVEAL BEGINS ONLINE)
December 22nd 2011 (Vol 2/II: Sign & Symbol goes live online)
Early 2012 (Really exciting announcement about the future course of the 22!)
Parties and events come as they may, often without warning, so we’ll keep you updated in the next couple of months on your chance to celebrate with these amazing folks.
Filed under: THE WEEK/THE WEEKEND | Tags: 1, 10pm Bonnie, 2, 2010, 33, 8, 9, a, about, accordionist, all, America MUSIC, an, and, andrew, anthony, Antoine, approcher, are, as, at, augen, august, avocado, b, barry, beast, being, ben, Bernd, Beuger, bill, Birdorgan, Bizarro, Brazil, Burke, by, c, cafe, canal, cars, Castle, cavallis, Census, Chabala, Chavez, Chavez Bonnie, Ches, chris, CNN, Coleman, CONTACT, contrabass, crustaceans, Daily, david, DDT, DIALOGUES, Dominic, ed, Ehrenberg, electronics, english, Expulsion, Featuring, federico, fiction, Flag, floating, Folklore, four, francesco, friday, fully, gallery, Gate Performance, Giasone, Goto, guitar;, Harris, have, heard, hell, hinwandeln, Hock, i, in, it, It Surreal, It’s, Izumi, japanese, jason, jonathan, jones, Kashi WE, KIRBY, Kirby David, kirk, Klug, Knuffke, Lash, last, Le, lemon, like, Limner, Loop, lucky, maria, Mayhem, Meaghan, michael, mics, mighty, mike, n, new, not, ny, nyc, Odysseus, of, Omnia, on, one, opening, Opera, orwell, Owen, P, ParkSUPERCODA, performance, Pisaro, plays, pm, POISSION, premiere, presents, r., reading, recorders, residency, retweet, rouge, ryan, s'absenter, s'éloigner, sculpture, shares, show, smith, Socrates, sonic, staged, stone, Street New, subway, tape, the, this, thursday, translation, trecartin] EYE, Triumphant, turntable, Ughi, Understanding, underwater, vincent, visions, Wednesday, welcome, what, wind, with, wood, writing, Y, york, you, zu, [realtime
Odysseus at Hell Gate Performance @Socrates Sculpture Park
RESCHDEULED: AUGUST 29, FROM 6PM UNTIL DUSK.
Processional Arts Workshop joins with local volunteers to transform Socrates Sculpture Park into a kinetic installation that explores the history of New York’s forgotten islands through the lense of Homeric myth. Integrating performing objects, micro-parades, and cyclical performances. Odysseus at Hell Gate pairs texts from the Odyssey with historic accounts of North Brother Island, Hart Island, Mill Rock, and other forgotten places in the city’s maritime shadowlands. Park visitors will assume the role of the homeward-bound hero, using fragmentary charts and haphazard guidance to navigate the capricious currents of New York’s complex island history, from potter’s grounds to pleasure parks to penitentiaries. There is no order or sequence, as characters appear and disappear throughout the park, leaving lost mariners free to wander through a shifting immersive narrative. Odysseus at Hell Gate runs continuously throughout the Park, from 5 to 8 PM.
Filed under: INTERVIEWS, MUSIC | Tags: 1, 22, abbesses, band, bjork, bonnie, brooklyn, carousel, deezer, doll, foles, france, franco, francocolies, francofolies, gaga, girl, heart, jaune, K., li, loops, madame, mademoiselle, magazine, matt, metro, mowatt, music, nature, new, noise, ny, nyc, of, one, paries, paris, short, sound, stories, telephone, the, voodoo, voume, woman, york
Filed under: THE WEEK/THE WEEKEND | Tags: 1945, 1976, 1979, 1997, 20, 22, 28, 3rd, a, abstract, activism, again, all, americana, americian, anatomy, and, and crafts, andrew, andy, ann, apocalyptic, arbor, Arcangelo Sassolino, Ariel Orozco, art, arts, astor, at, august, barbes, bash, BBQ, believe, belt, black, blackface, blues, bohemia, bookseller, borden, bowen, BP, brando, bread, brecht, bristol, brooklyn, burma, cabinet, cafe, calls, carnegie, cavett, center, chayefsky, Christian Marclay, cicada, class, claudia, clear, coda, color, communicty, communism', consulate, cortlandyt, costanzo, critical, CT, cty, cub, dan, dance, darren, dart, david, dean, destroir, destroy, destruction, dharma, dick, DIY, dreifus, ducks, dunca, earth, earthquakes, egg, elana, ethan, evan, face, fashioneds, feminism, filmmakers, for, forum, fundraiser, gallery, gamelan, garinez, glenn, global resistance, goldsmith, gospel, gould, green, greenpoint, ground, hall, hallelujads, hallelujahs, hazmat, heti, hiroshima, historic, hollow, horowitz, hull, ICA, illsutrated, indonesian, institute, institutue, international, interview, interviews, isadora, ismaily, issues, jams, janet, japanese, jennison, Jimmie Durham, Johannes Vogl, john, jovana, juried, kashin, katz, Kenneth, lass, Le, lector, lehmann, levinthal, life, Liz Larner, lizard, location, lorin, lost, love, machine, magazine, makeup, maritime, marlon, Martin Kersels, May, me, Michael Landy, michelson, michigan, misson, modine, molasses, momenta, monsters, morbid, morgan, music, nalinese, new, nicholas, night, ny, nyc, o'donnell, objects, observatory, of, oil, old, one, orwell, out, paddy, pains, painting, paris, paulo, people, performance, philadelphia, photography, pigs, playboy, poisson, poloroids, post, presents, prision, project, puppetmaking, QNA, quartet, rachell, rally, rather, records, recycle, recycled, release, resistance, review, rich, Roman Signer, ross, rouge, roughe, royal, rump, rust, saturday, save, schoultz, seaport, selected, shahzad, shake, shelia, show, simon, simonini, society, special, spill, spring, stein, stokic, strange, suckling, super, swara, swiss, tail, tales, the, the weekend, them, times, to produce, tooth, tour, under, unrest, vegass, wail, ward, ward's annual birthday, warhol, WGPR, who, witch's dungeon, woman's, work, workshop, writers, york, york. NY, yva, zero
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)
MAY 20–AUGUST 28, 2011
After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.
Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…
Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!
For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)
The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”
An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Part of Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson
Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)
The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.
QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW
As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:
- DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
- CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?
- KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
- LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.
There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.
The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.
This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.
More info: http://tinyurl.com/blvr-nypl-qna
May 18 – June 19 2011
Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.
Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)
Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.
Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)
May 19 – June 25
I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.
Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.
David Levinthal: Black Again
May 19th to July 2nd
John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.
Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and 3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.
In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes
A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Presented by the Hollow Earth Society
Part one of a four-part series
Post-apocalyptic arts & crafts survival skills workshops, you say!? That’s right: Creative-making for the improvisational, post-industrial future (and present). When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)
3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB
with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)
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people doing strange things with electricity
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The Literary Debutante Ball: April 29, 2011
A Celebration of Emerging Writers
|When:||Friday, April 29, 2011, 7pm – 11pm|
|Where:||The Invisible Dog Art Center
51 Bergen St. (between Smith St. & Court St.)
Brooklyn, NY 11201
The Literary Debutante Ball is a benefit that celebrates One Story magazine, the publication of our debutantes, and honors one writer who has been an exceptional mentor to others. The ball will feature specialty cocktails, music, dancing, and a silent art auction.
The highlight of the benefit will be the formal “presentation” of One Story authors who have published their debut books in the past year:
Robin Black, If I Loved You I Would Tell You This (Random House)
Susanna Daniel, Stiltsville (HarperCollins)
Seth Fried, The Great Frustration (Soft Skull Press)
Jerry Gabriel, Drowned Boy (Sarabande Books)
Jim Hanas, Why They Cried (ECW Press)
Each writer will be escorted by an established author and/or editor who has been a mentor to them. This year, One Story will also honor the novelist and memoirist Dani Shapiro, for her years of extraordinary support of emerging writers.
All proceeds will benefit One Story, a 501(c)(3) nonprofit organization, and aid it in its mission to support the art form of the short story and the authors who write them. Tickets for the ball start at $50 each. Higher level individual, corporate, and in-kind sponsorships are available and most welcome. For complete details and benefits of donating to One Story, contact Maribeth Batcha at firstname.lastname@example.org. No one under 21 years old will be admitted.
T Cooper | Jamie Lee Curtis | Mark Hage | Amy Hempel
A.M. Homes | Virginia Lawrence | Andrew McCarthy & Dolores Rice | Paul Morris
Leigh Newman | Maud Newton | George Saunders | Jim & Karen Shepard