The 22 Magazine


THE WEEK/WEEKEND: July 19-26.

WHAT: PETE’S MINI ZINE FEST
WHERE: Pete’s Candy Store
WHEN: Saturday, July 21, 2pm-7pm

WHY: We are so pleased to announce the first print version EVER of The 22 Magazine will be available at Pete’s Mini Zine Fest, coming up this Saturday, July 21, 2-7pm at Pete’s Candy Store. We will have VERY limited copies but you will also be able sign up for pre-orders and if we’re lucky, you’ll be able to order directly at the table via ipad. Likewise, the first person to buy a copy of The 22, will receive a free mini-painting from editor Cat Gilbert! (Check out the catalog of work here.)Please join us, along with Volume One contributor’s John Jennison and Max Evry (who will be selling work for Pranas T. Naujokaitis), and if you just can’t wait until Saturday you can grab a print copy of The 22 HERE. If you are in any way confused, please don’t hesitate to contact us to help with your order at the22magazine (at) gmail (dot) com. If you are a retail store looking to get a bulk order, please contact for a special discount price!

FACEBOOK INVITE.
WATCH THE PREVIEW VIDEO.

WHAT: How to Write a Novel” Field Projects Show #6
WHERE: Field Projects
WHEN: Opening: Thursday July 26th, 6:00-8:00pm, July 26th- August 11th

WHY: Join us, Thursday July 26th for the Chelsea Art Walk and opening of Field Projects Show #6: How to Write a Novel.  This exhibition centers on the labor and characterization of writing a novel.  It draws a parallel between the source material of writing a novel and making art.  Often the most potent source of inspiration for artists and novelists alike comes from the private, seemingly mundane aspects of our own lives.  How to Write a Novel features drawings of text, photographs, receipts, books and the mesh-mash debris in an author/artist’s life.  The artists in this exhibition include Polina Barskaya, Aaron Krach, Karl LaRocca, Thomas Marquet, Siobhan McBride, and Martin McMurray.

WHAT: The 2nd Annual New York City Poetry Festival
WHERE: Governors Island, Colonel’s Row
WHEN: Saturday & Sunday, July 21st & 22nd, 11am-5pm

WHY: This year we’ve got more series, more poets, more headliners, more vendors, an additional arts and crafts village, healthy and delicious food options [though, yes iced coffee and yes ice cream], and a brand new children’s festival! Oh, and we plan on more sun too, though last year would be hard to beat!  For a complete schedule of events click here, and be sure to click the banner below to check out the children’s festival!

WHAT: REGINA REX (PART TWO)
WHERE: ELI PING
WHEN: JULY 20 – AUGUST 5, 2012

WHY: Jeff DeGolier, Gabe Farrar, Elizabeth Ferry, Stacie Johnson, Anna Schachte, and Siebren Versteeg

WHAT: jerry blackman
WHERE: toomer labzda PRESENTS
WHEN: july 19 – 26, 2012 (by appointment only), opening reception / thursday, july 19: 6-8pm

WHY: toomer labzda PRESENTS is pleased to exhibit a collection of jerry blackman’s wall mounted works.each piece is penetrated and framed by the elements it is composed of: rope, metal chain, paint, faux wood and crystal. focusing on surface, he plays with the perception of materiality through a subtractive and additive process. his sculptures employ a malleable tension via a synthesis of patterns and objects which presents a core understanding of construction and craft.

WHAT: Stooges Brass Band/G.R.U.B.B. (Gypsy Roma Urban Balkan Beats)
WHERE: Lincoln Center

WHEN: July 26 at 7:30

WHY: Combining old-school jazz energy with raucous funk, hip-hop, and Mardi Gras Indian chants, the Stooges are rising stars among the new breed of New Orleans brass ensembles. Led by sousaphonist Walter “Whoadie” Ramsey, the Stooges were anointed the Crescent City’s best contemporary brass band at last year’s Big Easy Music Awards.

WHAT: Uptown Showdown with Kristen Schaal and Kurt Braunohler
WHERE: Symphony Space
WHEN: Tue, Jul 24 at 8 pm

WHY: At the next installment of the wacky debate series, a team including Hot Tub‘s Kristen Schaal (30 Rock and Flight of the Concords) and Kurt Braunohler (host of IFC’s new comedy game show Bunk) face off against a team led by Christian Finnegan(VH1’s Best Week Ever) with Myq Kaplan(Last Comic Standing) and Bob Powers (Happy Cruelty Day) in this quirky take-off on the old school debate team. Hosted byMatthew Love (Comedy Editor Time Out New York).

WHAT: Hot Club of Flatbush
WHERE: Barbes
WHEN: 7/22

WHY: Modeled on the Parisian acoustic jazz bands of the 1930s. While its instrumentation (violin, acoustic guitar, accordion and bass) has a distinctly continental sonic texture, the repertoire of this group is as diverse as Brooklyn itself. The technical mastery of its performers allows the group to slide gracefully between a burning Basie stomp to a slow Texas waltz without skipping a beat. Fronted by the vocalist Gretchen Vitamvas, the Hot Club of Flatbush is sure to please any musical palette. Stephane Wrembel is back next month.

WHAT: Silent Clowns Film Series:FILM: Hands Up!
WHERE: NYPL

WHEN: Saturday, July 21, 2012, 2:30 p.m.

WHY: The Silent Clowns Film Series is back and dedicated to silent era film star, Raymond Griffith, a star whom Walter Kerr described as “natty, lithe (and) un-mugging.” Today, view Griffith in Hands Up! (1926), with Mack Swain and Montagu Love. Dog Shy(1926) with Charley Chase is our added attraction.

WHAT: tamara gayer: the inside
WHERE: toomer labzda

WHEN: july 26 – august 31, 2012

WHY: tamara gayer creates a site specific kaleidoscopic installation, which focuses on the local and national monument – the Eldridge Street Synagogue in New York City’s Lower East Side. gayer manipulates, warps, inverts and expands the gallery’s appearance as she reinterprets the exterior and interior of the one hundred and twenty-five year old landmark.

WHAT: KINEMATIC : THURSDAYS (MARIA P / THIERRY DREYFUS /MATT MARBLE with JIM ALTIERI)
WHERE: ENTWINE

WHEN: July 21

WHY: This Summer, as part of its inaugural season of sonic-visual events, CoWorker Projects presents  Kinematic Thursdays (June – July 2012) – a multi-disciplinary performance series bringing audiences in New York City’s meatpacking district some of the most dynamic and exciting sonic artists, electronic musicians and experimental visual artists and filmmakers from native New York to abroad. This innovative programme reflects CoWorker Project’s expanded vision as being an experimental space in the heart of the West Village.

WHAT: Hand Stories
WHERE: Lincoln Center
WHEN: july 18-25

WHY: It starts with hands: his father’s hands, his brothers’, his countrymen’s, and above all his own. Told through wordless, utterly playful scenes featuring hand puppets, poetic music, and striking visuals, Hand Stories is Chinese puppeteer Yeung Faï’s deeply personal family history during the vast changes that swept China during the 20th century.

WHAT: STOP THE FRACK ATTACK!
WHERE: The Northwest Corner of 8th Ave and 34th St., New York City.
WHEN: Boarding starts 7:30 AM on Saturday July 28. Bus leaves promptly at 8:00 AM.

People across the country are converging on the U.S. Capitol to tell Congress, the President and the world:End the rush to drill! No to fracking, yes to renewables!

WHAT: FRESH 2012: The Wall/The Page/The Internet
WHERE: Klompching Gallery
WHEN: JULY 25—AUGUST 18, 2012

WHY: FRESH 2012 is co-curated by the distinguished collector of photo-based art, Fred Bidwell(Bidwell Projects), and Klompching Gallery owner, Darren Ching. Together, they have selected the work of five exciting new photographers from an international open call for submissions.

WHAT: Murals/Indian Rebound, Treppenverter, The Split
WHERE: Cameo Gallery
WHEN: Thu, July 26, 2012 8:00 pm

WHY: Following high school graduation in 2006, the band Murals dug their act out of the basement and planted it onto stages and into minds across Louisville, KY. Founding members Evan Blum (bass), Rob Monsma (drums) and Jacob Weaver (vocals/guitar) dreamed up a musical fruit jam, blending art-rock and psychedelic proto-punk. The addition of Hunter Presnell on guitar in 2009 completed the bands line-up.

WHAT: Heliotropes/The Loom
WHERE: Union Pool
WHEN: July 19

WHAT: Optical Juried Competition: Portrait Stories
WHERE: Porter/Contemporary
WHEN: July 19 – August 25

WHY: Optical is an annual juried competition for photography. The theme from 2011, Portrait Stories, serves as a platform for photographers to present their work. The exhibition is comprised of photographs created by the top five finalists of the competition and serves to be dramatic as well as insightful into each artist’s individual definition of the theme. Congratulations to: Jennifer Judkins, Justin Chase Lane, Jacqueline Langelier, Linnea Lenkus and Johnny Tang.

WHAT: The Believer presents Karolina Waclawiak
WHERE: WORD Bookstore
WHEN: July 25

WHY: Join The Believer in celebrating the launch of deputy editor Karolina Waclawiak’s debut novel, How To Get Into the Twin Palms. She’ll be in conversation with Ross Simonini, interviews editor. Facebook RSVP appreciated, but not required.

WHAT: Artists’ Book Open Call and Publishing Night
WHERE: Meulensten

WHEN: July 19th, 2012 6 to 8 PM

WHY: Court Square and pilot press…  present an artists’ book open call and publishing night, an event that welcomes those who want to share their feminist artist’s books with new audiences, and those who want to learn more about the variety of such works being made today.  Guests are invited to come together for an evening of discussion and publishing.  The first twenty artists to RSVP will be able to present their artists’ books to an audience of other artists, curators, writers, and pilot press… published authors.

WHAT: Temporary Arrangements: Allison Kaufman
WHERE: HERE Art Center
WHEN: J
uly 18 – Aug 25, Tues-Sat | 2 – 7pm

WHY: In her videos and photographs, Allison Kaufman creates temporary relationships with strangers, revealing the vulnerability, loneliness, aspirations, and disappointments of both her subjects and herself. Investigating these emotions in public and private spheres, her work highlights the gender roles we assume while playing on the performance and gaze inherent in all photography/video. In Dancing with Divorced Men, the artist records herself dancing with middle-aged, divorced men in their homes, allowing them to function as surrogates for her father. In Trust Falls, she collaborates with divorced men to stage intimate activities that require a sense of trust or caretaking. In Friday Nights at Guitar Center she explores the predominantly male customers of the musical instrument store via their impromptu in-store performances.

WHAT: Sandra Gottlieb
WHERE: Kathleen Cullen
WHEN: June 16 – July 13, 2012

WHY: In Sandra Gottlieb’s Black and White series, she zeroes in on the micro-creativity of waves crashing on the same stretch of Atlantic seaboard shore, cast in high relief by the setting sun. Gottlieb’s pictures are conceptual in nature, capturing moments that are structured to make the observer feel small, accept that one moment is quickly overtaken by another, or that some momentary phenomena remain beyond our reach, in terms of human perception. This is why wise beachgoers come away from a day there weary but strangely calm, drained and yet somehow massaged to serene wistfulness by what to others seems like the irritating monotony of the ocean.

WHAT: Los Gaiteros de San Jacinto w/ Geko Jones (Que Bajo?! NYC)
WHERE: Le Poisson Rouge

WHEN: Thu., July 26, 2012 / 10:00 PM

WHY: Africanismo* is a project dedicated to showcasing the lesser-known performing arts traditions of The African Diaspora by highlighting the lineage and influence of the African continent throughout The Americas. Coming direct from Colombia and transcending borders, Los Gaiteros de San Jacinto are the seminal gaita group that serve as an overflowing fountain of inspiration for artists throughout Latin America. Noted as being the root of cumbia, gaita music is an amalgamation of African and Amerindian traditions. Thanks in great part to Los Gaiteros, gaita music has become one of the most influential traditional musics in contemporary Colombian popular music today. Worldwide DJ extraordinaire Geko Jones (Que Bajo?! nyc) joins these living legends by spinning music inspired and influenced by Los Gaiteros in a dance party infusing live music featuring special guests.

WHAT: Banners & Cranks Presents: The Singing Picture Show
WHERE: Jalopy
WHEN: July 21-22

WHY: Banners & Cranks presents The Singing Picture Show July 20 & 21 at The Jalopy Theatre in Brooklyn featuring new works by a gaggle of cantastoria artists and musicians from across the country with yards and yards of art and folks there to sing its story.

WHAT: CORNELIA STREET OBSERVATORY
WHERE: Cornelia St
WHEN: Sunday,  Jul 22 – 6:00PM 

WHY: Angels, Animals and Cyborgs: Visions of Human Enhancement An illustrated lecture by Salvador Olguin: Presented by Hollow Earth Society; originally presented by Morbid Anatomy Deplored by many as yet another fashionable post, and defended by its supporters because it encompasses our current fears, hopes and changing reality, posthumanism is an attempt to think seriously about the possible long-term effects of technology in our society, our bodies and our mind. According to some advocates of posthumanism, these effects will be so deep, that they might change the human species as we know it, allowing humans to transcend the boundaries of their mortal lives by technologically altering or enhancing our bodies.

WHAT: Brooklyn Poets Reading Series
WHERE: Studio10
WHEN: Poetry Reading: July 20, 7-9 P.M.   

WHY: Studio10 is pleased to announce an event in the Brooklyn Poets Reading Series in association with the exhibition “Text,” featuring readings by poets Alex Dimitrov, Dorothea Lasky and Timothy Donnelly. Admission is free. Wine, beer and light refreshments will be served.

WHAT: Dent May, The Babies, Levek/New York Night Train SOUL CLAP AND DANCE OFF
WHERE: Glasslands

WHEN: July 21, 8:30

WHY: Dent MayThe BabiesLevek+GET DOWN…all night long to the exciting rare 1960s soul 45s of world famous DJ MR JONATHAN TOUBIN (at this point this is the only time of the month you can hear the DJ’s exquisite soul records in NYC)!

WHAT: SUPERHUMAN HAPPINESS/SMOOTA
WHERE: Zebulon

WHEN: JUL 21, 2012

WHAT: Smokey’s Secret Family
WHERE: Barbes
WHEN: 7/21

WHY: Smokey Hormel’s résumé reads like a history of American popular music over the decades. He has worked closely with Beck, Tom Waits, Johnny Cash, and Neil Diamond. His projects have included the Brazilian-influenced Smokey and Miho, as well as an ongoing tribute to Western swing. His latest endeavor is an idiosyncratic take on early Congolese rumba. In the late 1950s and early 1960s, African musicians looked to Cuba for inspiration. They recognized African roots in the music but were also captivated by its cosmopolitan aspect, which mirrored the evolution of their own culture. Using the electric guitar—fast becoming the symbol of urban culture—they forged a new hybrid that became an early soundtrack of decolonization. Hormel has hybridized the music further and taken it to the Americas for the second time. Keeping its pre-rock roots intact, he relies on a core sound of “wild guitars bursting through small amps afloat on a sea of hand drums and shakers.

WHAT: Rain Machine
WHERE: Mercury Lounge
WHEN: Mon 7/23 ,Doors: 9:00 pm

WHAT: HEART OF DARKNESS Hosted By GREG BARRIS
WHERE: Union Hall
WHEN: SAT 7/21: 8pm Doors

WHY: Musical guests Steven Bachmann and Susanna Raeven, Mind Warrior ,filmmaker Vikram Gandhi (Kumare), Barry Rothbart, Nikki Glaser and more!

WHAT: KOTORINO
WHERE: Barbes

WHEN: 7/26

WHY: Even in a music scene saturated with ‘chamber-pop’ bands and odd instrumentation, Kotorino stands out with its use of all variety of winds, strings, and other musical gadgetry. The music itself is omnivorous in its source material, quite pretty, and downright haunting. Kotorino includes Jeff Morris on guitar, words and birds, Estelle Bajou and Molly White on vocals, violins and verve, brother Jerome Morris on the batterie required, Sara Zar on musical sawesome, Liz Prince on tuba and invasive procedures, Mike Brown on upstanding bass, Stefan Zeniuk on reeds and rites and Jesse Selengut – trumpestuousness.

WHAT: Taylor Mac: Music of the 1820s/All the Rats & Rags
WHERE: Joe’s Pub
WHEN: July 23

WHY: A bedazzled creature builds a community by singing 24 concerts of the last 24 decades of popular music. Ultimately all 24 decades will be stitched together culminating in a 24-hour long extravaganza (in 2014) but for now join Taylor Mac, musical director Alexander Horwitz, and band as they use popular music from the 1820s to honor Louise Braille who, in 1825, invented the Braille system.  A note:  all audience members will be blindfolded for the duration of this ninety-minute concert. All the Rats & Rags is an electric new musical based on Charles Dickens’s Oliver Twist and featuring music from Tim Fite’s 2008 album, Fair Ain’t Fair – a carnivalistic funhouse of soul, bluegrass and hip hop.Set in a future on the brink of a universe-altering revolutionary war, this sci-fi rock opera centers on an adorably clueless spy-bot named Twizt.

COMING UP:

MOSTLY OTHER PEOPLE DO THE KILLING @Cornelia.
Get Weird: Antipop Consortium @New Museum.
Phil Kline: dreamcitynine (ongoing audio installation) LIVE PERFORMANCE @LINCOLN CENTER.
NICKY DA B, DJ RUSTY LAZER, ONRA (DJ SET), AND VERY SPECIAL GUESTS@Brookyln Bowl.
JOE GALLANT’S ILLUMINATI ORCHESTRA CELEBRATES THE 35TH ANNIVERSARY OF “TERRAPIN STATION”@Brooklyn Bowl.
 

 




THE WEEKEND: April 20-22.

GHOST YARD a Solo Exhibition by Frodo Mikkelsen

EDITOR’S PICKS:

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UPCOMING FIXINS SHOW: OPEN CALL FOR VISUAL ARTISTS.

Part potluck, part sing along, part performance, and part puppetry this Fixins show is a combination of some amazing talent from Virginia, Michigan and New York alike. We are so pleased to combine the forces of Anna Roberts-Gevalt, Elizabeth LaPrelle, Katherine Fahey and Andru Bemis for an amazing night of performance, good food and collaboration.

Katherine Fahey, an artist and musician from Baltimore, is best known for her screen printing and paper cut work, and collaborative shadow puppetry, while Anna Roberts-Gevalt, is a New England native who moved south to study to immerse herself in Appalachian music, was a grant-recipient for her research of female fiddlers at Berea College, and has studied with master Kentucky fiddlers Bruce Greene, John Harrod and Paul David Smith. Elizabeth LaPrelle is an acclaimed ballad singer, and has released three solo albums and has appeared on Prairie Home Companion; she grew up singing with her family, and has since learned from many Appalachian ballad singers, including Sheila Kay Adams and Ginny Hawker. Andru Bemis is a folk singer from Michigan and travels the steel rails with a devoted following from NY to Mexico.

Anna, Elizabeth and Katherine will be presenting shadow puppetry, along with their “crankie” (a hand quilted, hand cranked puppet show) as well as singing, teaching a shadow puppet workshop and even teaching a little bit of square dancing!

This is going to be one heck of a show and we are currently looking for artists to participate  on April 26th at Vaudeville Park! We are particularly looking for artists whose work deals with traditional or folks arts (fiber, natural materials, etc) and puppetry. We are also possibly looking for other puppetry groups to perform depending on space. Read more about the show below. Submission deadline is APRIL 10th.

MORE ABOUT THE SHOW.

TO SUBMIT FOR THE VISUAL ART OPEN CALL FOR THE “FIXINS” SHOW APRIL 26th AT VAUDEVILLE PARK: Please send a sample or link to your work to the22magazine (at) gmail (dot) com. Please include “Fixins Submission” in your subject line. Submissions will close on April 10th.

Check out the performers!

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THE WEEK: Dec 5-9.
December 5, 2011, 6:51 pm
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MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

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The Weekend:Dec 2-4.
December 2, 2011, 8:55 pm
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FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

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THE WEEKEND: Oct 28-31.

FRIDAY: 

“HUNTING SOMETHING SPHERICAL AND PEELING” Nyugen E. Smith [NEW JERSEY]+Esther Neff  [NYC]
Nyugen E. Smith (b.Jersey City, NJ, 1976) is a multi-disciplinary artist and educator currently examining particular behaviors, customs, coping strategies, and psychological effects unique to blacks in the West Indies and Africa under European Colonial rule. Esther’s oniono is a part of a series of performances conflating specific vegetables with emotional experiences solely blamed on “external societal pressures.” The subject hunts for something spherical and peeling, a tumor or something else that won’t peel down to nothing, something inside but not like itself. There is no reflection here. Its stench bonds to the molecules around the head. Nobody is like it, the empiric, objectified self is somewhere at one of the cores, ideal-ly the flesh can be pitted out, eaten as identity, which must be found, without it, we are told, we must remain in the ground/on the ground.

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THE WEEKEND: Oct 21-23nd.
October 21, 2011, 6:41 pm
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FRIDAY:

UGLY ART ROOM PRESENTS: ALL THAT REMAINS

Mathilde Aubier, Paul Burgess, Cless, Virginia Echeverria, Fred Free, John Gall, James Gallagher, April Gertler, Ashkan Honarvar, Colin Jenkins, Gordon Magnin, Clarita Mata, Jeffery Meyer, Tom Moglu, Randy Mora, Julien Pacaud, Lilly Pereira, Dave Plunkert, Ciara Phelan, Eduardo Recife, Kareen Rizk, Javier Rodriguez, Valerie Roybal, Katherine Streeter, Leigh Wells, Charles Wilkin, Lionel Williams, Bill ZindelFrom its abstract roots in Cubism to the political and counter culture movements of Dada and Punk, collage has always been a product of its environment. With the rise of 24 hour media cycles, social networks and search engines, contemporary culture has effectively rendered print media obsolete, creating a virtual boom in discarded paper ephemera for collage artists to examine and reinvent. Through these discarded remnants collage artists have become the archivists and activists of this post modern age, paralleling the frenetic pace in which we live while exposing the voyeuristic and often disjointed nature of popular culture.INTERVIEW WITH THE 22.

Doomsday Film Festival
The 2011 Doomsday Film Festival explores our collective obsession with the Apocalypse in film, art, and culture.From raptures, plagues, meteorites, nuclear holocausts, aliens, zombie attacks, ecological catastrophe, and cybernetic revolt to the 2012 doomsday predictions, the Festival will touch upon all possible permutations of our collective demise. We’ll be screening films from across the board, with works ranging from premieres to established classics to rediscovered gems. On the schedule for the 2011 Festival are nuclear fallout cartoons, early ’60s atomic parables, ’80s zombie punk, award-winning independent shorts, and much more.The event will incorporate a panel-based symposium featuring authors, artists, and all manner of experts on the End of Days. We plan to tackle the Apocalypse in all its forms, and hope you’ll join us for the ride!

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THE WEEK: OCT 17-21.
October 17, 2011, 6:59 pm
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MONDAY:

SONIC: Sounds of a New Century (ONGOING)
SONiC – Sounds of a New Century – a brand new festival of 21st century music by more than 100 composers age 40 and under, will take over New York from Friday, October 14 through Saturday, October 22, 2011. Events will range from a daylong marathon to a DJ/VJ night, from a free symphony concert at the World Financial Center Winter Garden to collaborations between emerging choreographers and composers. SONiC concerts will take place at ten different venues throughout New York, and will include performances by 16 extraordinary ensembles featuring at least 18 world premieres, eight US premieres, and eight New York premieres. SONiC is co-curated by composer Derek Bermel and pianist Stephen Gosling, and is a production of American Composers Orchestra and The Alice M. Ditson Fund of Columbia University. SONiC is presented in partnership with Carnegie Hall and Miller Theatre at Columbia University. New York Public Radio’s online radio station, Q2, is the media partner and digital venue.

Secret Science Club “Controlled Experiment
SPECIAL EVENT: The Secret Science Club is teaming up with the Imagine Science Film Festival for “Controlled Experiment,” a night of science-inspired short films.


EYES WIDE SHUT: CONTEMPORARY DRAWINGS FROM GERMANY

Vogt Gallery is pleased to present an exhibition of contemporary German drawing, “Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo Christian Larsson, and Florian Meisenberg. The exhibition brings together some of the most well-known German artists working in drawing today and is guest curated by Birgit Sonna, a Berlin-based writer and curator.

Dario Azzellini, Immanuel Ness & Victor Wallis
Capitalism would have us believe we need our bosses. This volume, edited by Immanuel Ness and Dario Azzellini, reveals the history of workers who dare to disagree. From the dawning of the industrial epoch, wage earners have gone so far as to challenge the very premises of the system by creating institutions of democratic self-management aimed at controlling production without bosses. With specific examples drawn from every corner of the globe and every period of modern history, this new book comprehensively traces this often underappreciated historical tradition.

La MaMa 50 Gala
TAR SANDS ACTION: Manhattan Obama for America office
CHRISTOPHER LUECK AND GUESTS:THE DOWNTOWN CLOWN REVU
Collaborative Means
Life Hack: How to Live Rent-Free in NYC
Robert Fernandez & Jennifer Tamayo
Stargazing Party Finalé
APERTURE 2011 Benefit and Auction
Author Julia Alvarez
A Dead Animal Man: Screening and Q and A with Film Maker Lily Henderson
Dr. Queen’s Drag Academy: The Martin Worman Papers
Around the Campfire: A Night of Ghost Stories with Storychord.com
Real and Scary Historical Halloween
LARS FROM MARS

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THE WEEKEND: SEPT 23-25.
September 22, 2011, 9:29 pm
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KRONOS QUARTET: Awakening: A Musical Meditation on the Anniversary of 9/11

Part of the 2011 Next Wave Festival
Sep 21—24, 2011 at 7:30pm 

Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”

Read the full program here.

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THE WEEK: SEPT 19-23.

MoMA Premiere: Through the Weeping Glass: An Evening with the Quay Brothers

September 24, 2011

As part of a limited three-city tour that includes premieres in Philadelphia and Los Angeles, MoMA presents the Quay Brothers’Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum), a new work by the American-born, British-based independent filmmakers. In the tradition of their prior museum documentaries—The Phantom Museum (2003), on London’s Sir Henry Wellcome Collection, and Inventorium of Traces (2009), on Poland’s Lancut Castle—the Quays return to the city where they began their education as graphic designers to explore the medical collections of the Mütter Museum, part of the College of Physicians of Philadelphia. Examining obscure archives, antique volumes, and artifacts, Through the Weeping Glass investigates marvels of pathology and anatomical oddities, finding poetry in the ill-fated, true-life stories of the “ossified man” Harry Eastlack and famed Siamese twins Chang and Eng Bunker. The documentary Behind the Scenes with the Quay Brothers, shot during production ofThrough the Weeping Glass, also premieres. Directors Stephen and Timothy Quay will be present to discuss the film with writer David Spolum and moderator Barbara London.


THE WEEK: Sept 14-16.
September 14, 2011, 1:32 am
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 ARIAS WITH A TWIST @ABRONS ART CENTER.
September 14-October 16
Wednesday-Saturday | 8 pm
Saturday Late Show | 10:30 pm
Sunday | 7 pm

This updated version of the original deliriously madcap fantasy once again features the soaring song stylings of demented diva Joey Arias surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers under the direction of Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards in addition to some original tunes by Alex Gifford as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements.

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THE WEEKEND: SEPT 9-11.

THE SECRET CITY PRESENTS: THE MANHATTAN WONDERWALK!

It’s the 3rd Annual Manhattan Wonderwalk! Come join us as we stroll nearly the entirety of the great Island of Manhattan. We will visit familiar spots and little known pathways; we’ll see gorgeous public art and mundane displays of beauty. There will also be site-specific performances along the way. You may walk part of the way or all the way, just buy your map for $20, and you’ll be able to find us at any point throughout the day. (NOTE: tickets are $10 for Secret City members.)

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FIRST ARTIST’S OPEN FORUM with Pablo Malaurie and Andru Bemis.

This Thursday we’ll be hosting not only two great musicians but also what we hope is attempt to forge some channels for struggling artists, musicians or writers in New York City and beyond.

It’s not easy these days being an artist in New York City.

Money is tight. Restrictions are tighter. Social and media communications are becoming vastly more advanced and input is sometimes overwhelming compared to basic human experience and communication.

The separation and animosity that one sometimes confronts with the “art world” and otherwise can be daunting.

Many artists are also not given the luxury of  structures to use as a launch pad and on numerous occasion even artists who do have those structures are lost or frustrated when stepping into the professional arena of New York City. Some artists are taken advantage of. Some artists are treated in a manner that would otherwise be considered unacceptable and the idea of “fame and fortune” through artwork seems an increasingly unrealistic goal in our current economy.

Now having said that, there are NUMEROUS people and organizations in New York that seek to aid young and old artists, and the ability of artists to take action and organize is an inspiring thing. Likewise there are incredibly successful artists and organizations that produce art in a sustainable and healthy way that aids our economy, our environment and other artists.

In future forums we seek to invite these people to communicate directly with artists, musicians and writers in a neutral setting.

We will discuss many topics, not limited to civility and behavior in arts interactions.
Artists rights and organizational rights. Safeguards and protections for artists in business interactions. The role of galleries and their place in modern and digital society. Copyright and free use issues. The “cult” and mythology of the art, music and writing world and much much more.

At our first forum a form will be handed out to voice your concerns on. You can choose to be contacted directly if we find a solution to your problem or remain anonymous. If you would like to fill out a form before the forum and bring it the day of you can download the form HERE or below.

This is a place for dialogue and discussion and the only thing you can do wrong here is remain silent in the face of issues you are concerned about. ALL FORUMS ARE COMPLETELY FREE. We’ll ask for a donation at the door but its a request, not a demand. Profits go towards sustaining future forums and towards printing and event costs for The 22 Magazine.

(Please also note that although we seek artists, writers and musicians we feel reflect the spirit of open dialogue, our performers are in no way responsible for the content or opinions of Open Forum unless specifically stated otherwise.)

Are you an artist, musician, writer or organization who would like to participate in a future Artist’s Open Forum or perform at one? If so please contact us directly at the22magazine {at} gmail.com

Read more about the performers at this Forum.





THE WEEK: JULY 12-15th
July 12, 2011, 2:17 am
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SUPERCODA AND THE 22 MAGAZINE PRESENT: PABLO MALAURIE AND ANDRU BEMIS AND THE 1st ARTIST’S OPEN FORUM

JULY 14th CAFE ORWELL 7pm
Excited to announce this one. Pablo Malaurie’s voice is of the angels, and he’s come all the way from Argentina to play for you. It’s going to be beautiful, and glorious, and fun. Pablo has been widely praised for his fusion style (South American and Japanese in some cases), opened for Devandra Banhart and recently was a part of Catalin Mitulescu’s film “Loverboy.” He’s making the rounds in NY for the next couple days and we’re really pleased to have him.
PLUS as an extra amazing bonus we just found out Andru Bemis is coming by as well! He’s played with some great folk and best of all he chooses to go it solo, no endorsements, no contracts, just him and the rails riding him from town to town. It’s an amazing feat in this day and age and we’re thrilled to have him! Read more about it at his website: http://www.andrubemis.com/ Come help support not only our effort to see Volume II of The 22 Magazine in PRINT but also witness the  brainchild of Valerie Kuehne, i.e. Supercoda @ Cafe Orwell, the gorgeous spectacle that goes on nearly every  night (when does Valerie sleep?!?) and allows you to witness sounds that are otherworldly and stunning. Now, please watch/listen to the gorgeous song below.

PS- This show will be also be one of the first opportunities to be part of The 22′s Artist’s Open Forum. Have a question, concern, or problem as an artist? This is where we can help. We’ll be passing out signup sheets allowing you to let us know what is concerning you as artists, writers, and musicians and will address those concerns in our next meeting or on the blog. More info about what this all about at the show.

http://www.the22magazine.com/Pages/upcomingevents.html

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The Belle Brigade @ MERCURY LOUNGE TUESDAY JUNE 12th. More about the Belle Brigade.

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Tuli Kupferberg @ BOWERY POETRY CLUB JULY 13 7:00 PM

Tuli Kupferberg (1923-20

10), cartoonist, song-comedian, Beat poet, anarcho-geographer, Lower East Side atheist guru, anti-circumcision activist, author of I Hate Poems About Poems About Poems, died one year and one day ago. Friends and half-dressed disciples will celebrate his ever-awakening memory. Hosted by Sparrow. Jeffrey Lewis, Terese Coe ,John S. Hall, Thelma Blitz, Steve Dalachinsky, Yuko Otomo, Bob Holman Lawrence, White Richard West, Sparrow

The event will be a benefit for the War Resisters League. Watch Live on the Web! http://www.bowerypoetrylive.com/

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Paul D. Miller aka DJ Spooky launches his new graphic design project, “The Book of Ice” at Eyebeam. The “Book of Ice” (Mark Batty Publisher) consists of multiple engagements with the theme of ice as presented by posters, stickers, music compositions, and an introduction by best selling author Brian Greene, whose ground-breaking book “The Elegant Universe” sets the tone for some of the issues in Miller’s new book.

RSVP

For the event at Eyebeam, Miller will team up with Bill McKibben, acclaimed writer and founder of 350.org, along with Green Patriot Poster project curator Edward Morris, Small Planet Institute’s Anna Lappé, and several leading theoreticians of graphic design. Miller will also present music interpretations of some of the sonic data as compositions derived from the book and his explorations in Antarctica with a live string quartet, The Telos Ensemble, playing his compositions. At the end of the evening, there will be a book signing, and open social event themed on Antarctica, including a selection of remixes produced by Paul commissioned by the German public radio.

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PERFORMANCY FORUM 14 at BOB the Pavilion

Wednesday, July 13, 7-10PM

TESS DWORMAN

ANYA LIFTIG

BEN SPATZ/MAXIMILIAN BALDUZZI/URBAN RESEARCH THEATER

MATTHEW STEPHEN SMITH

CHRISTY WALSH

PAUL PINTO AND JEFFREY YOUNG (OF THINGNY)

and PPL composer BRIAN MCCORKLE and members of the CAST performing an excerpt from ‘INSTITUTE_INSTITUT’ concert-style and YOU!

BOB the Pavilion is a composting toilet and inflated platform for performance and more! http://www.bobthepavilion.​com/BOB the Pavilion was supported by a grant from Columbia University School of the Arts (SOA) and Graduate School of Architecture, Preservation, and Planning(GSAPP).

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Ritual A Group Exhibition by HONEYCOMB

Brooklyn, NY, July 2011, HONEYCOMB and Causey Contemporary proudly present Ritual, a group exhibition featuring original artwork produced by over twenty of the freshest urban, newbrow, young contemporary artists hailing from seven countries. The public is invited to the artists’ reception on July 12th from 6 – 9 p.m Ritualistic behavior is one of the few things that have universally permeated all human sociological development. It has helped form civilizations, spawned entire belief systems, and through the ages has continuously influenced human conduct while simultaneously shaping the world as we know it. While the actual processes may vary, the incorporation of ritual into society is something that transcends nationality, geographic location and linear timeline. Cultures of both the past and present have used symbolic, traditional or religious rituals for any number of reasons including divination, personal pleasure, the achievement of spiritual or emotional needs, the formation of social bonds, expressions of respect and devotion, the advancement of social status, acceptance or for educational purposes. Although there are great differences among the countless rituals in existence, it is evident that regardless of intent or appearance, ritualistic behavior is undeniably intertwined with both our past and our future, and something that unites us all.

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Othelo Gervacio @ FUSE GALLERY.
“Postboredom”
Exhibition: July 13 through July 27, 2011

Opening Reception: Wednesday, July 13th, 7 to 10 pm

Boredom inspires creation. In Othelo Gervacio’s case, Postboredom is art garnered from his lingering disenfranchised youth. Gervacio has held onto the adolescent manifestation of making art and music because “you hate what is happening around you.” He states, “Are the only punks left now ‘Fashion punks’? No thanks, I’d rather I’d sit at home, listen to sludgy metal and paint something dark.” Othelo Gervacio is a new face in the downtown New York art scene.  After four years under the wing of tattoo/fine artist Scott Campbell, and prior schooling in the arts, Gervacio has channeled his experiences to create his own definitive style.  With the use of dark imagery and gothic lettering forms,
his art reflects an influence from the grittier side of tattoo culture, metal music, and lingering teenage angst.

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Shapeshifters @ 4 4 3  P A S

Curated by Laurel Sparks

July 14 – August 26

Opening Reception: Thursday, July 14, 6-8 pm

bespoke bathing costume
Sparks says this show features geniuses only!
Come one come all y’all to gawk at their works:
whose stalagmites elude portrayal
but for the smudgen empyrean
fibrous by seat of their cohort–
ashtray w/ suspenders unwrinkled
a pile of glazier-thin feuilles fatales

flurry of homosocial g.w.ps
twins peer at the heart in thir pants
weeping fruitier and downreaching espalier
a nacorn an urn unhectorized
gutterclouds inform an architecture
its mouth a painted hare or rabbitt
atop an accretion of realnesses.
how do you value a painting? by its
pearlescent gummery centre. can
a beercan grow a thing. potteryhound
helmet from hellsdeep chainworks the
neolyth clawfoot cum eagle arm–
tender clips of the fan, snakely
beads reveal sculptoraly or by
erasure the ponderous red creature.

- Julian T. Brolaski

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June 18, 2011,
Larry Bob Phillips will begin work on his project Wiggle Room, as part of Recess’s signature program, Session. Session invites artists to use its storefront space as studio, exhibition venue and grounds for experimentation.
Over the course of two months, Phillips will record four collaborative events, covering the walls inside 41 Grand Street with large-scale, and densely detailed drawings. Phillips will invite artists to join him in the space for temporary performances, and will draw these interventions. The artist’s anticipation and memory of the performance will inform the content of Phillips’ wall drawings. Visitors to Recess can engage in performances and witness their own integration into the ongoing drawing.
Throughout this Session, visitors to Recess in SoHo will witness a diverse series of collaborations, starting with Michael Beitz’s construction of “exhibition furniture” for Wiggle Room.
Wiggle Room will feature the following events:
Tuesday July 12th Reception/Viewing for Michael Beitz
Thursday July 21st Jeff Jensen Night of Laughs Friday
July 29th Chuleta & Hennessy Youngman Bury Post Black Thursday

August 4th CHERYL closing performance

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Daniel Parmanetter@ FIVEMYLES.

July 12, 6 – 9 pm Don’t Think Twice, It’s All Right

FROM THE ARTIST:

I’ve been working with Bob Dylan as a metaphor or symbol in my works for a few years now but wanted to make it a bit more abstract, further away from the real person.

The installation visually is based on a particular sort of stage light that I only know from single person performances in the the 60s and 70s and that for me is also very metaphorical. I combine this with audio footage of a very special moment in Dylan’s carrier. Somebody called him “Judas” in a show in Manchester, England in 1966. You can watch that here:

And I will ad my own story to this. Not my personal one, but a kind of metaphorical little story. I’m replaceing his real answer to the Judas cry with words I’ll rearrange from footage of the old man Dylan’s voice. So you will see the puppet in that stage light and hear the Judas cry followed by a rather metaphorical answer.

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Over the course of five years since he launched his enterprise New York Night Train, Jonathan Toubin has forged a singular career and achieved remarkable success: He is not only a deejay with a staggering collection of rare garage rock and soul on 45 rpm records, but also a visionary creator and producer of long-running (and now internationally touring) multi-media parties. This summer, he will take a break from his Soul Clap and Dance-Off, the most popular soul party in North America, to focus on the launch of his most ambitious undertaking to date, Land of 1,000 Dances, in which live dance demonstrators and projected videos—montages of vintage and original footage—will teach partygoers the dance crazes of the 1960s while Toubin plays 45s he has curated specifically for the individual dances.
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Discursive Arrangements, or Stubbornly Persisent Illusions @ Klaus Von Nichtssagend.

Curated by Timothy Hull and Lumi Tan Mathew Cerletty, Devon Costello, Timothy Hull, Ryan Mrozowski, Thomas and Renée Rapedius, Sean Raspet, Ruby Sky Stiler, Sophie-Therese Trenka-Dalton, Allyson Vieira

July 14th – August 14th, 2011 Opening Reception: July 14th, 6-8 PM

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Third Thursday Presents: Forgotten City Lights @City Reliquary

A Photographic Archive of NYC’s Street Lamposts Curated by “Forgotten New York” author and webmaster, Kevin Walsh and NYC transit employee and enthusiast, Bob Mulero

This Third Thursday, July 15th from 7-10pm at the City Reliquary Museum, 370 Metropolitan Ave.Join us for the opening reception of a truly illuminating exhibit, “FORGOTTEN CITY LIGHTS: A Photographic Archive of NYC’s Street Lamposts.” This newest exhibit focuses on the often ignored but always overhead variants and styles of NYC street lamps.

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Bethany Shorb, Supplemental Restraint System @DEVOTION GALLERY.

On view until July 24th, 2011

Exhibition preview – Detroit-based visual artist Bethany Shorb’s “Supplemental Restraint System” is born from classic American and vintage European sports car parts harvested from wrecked vehicles. Her work is tightly wrapped in an outer skin made exclusively from previously deployed airbags, beaded and sutured back together forming another protective barrier in an imagined automotive crash narrative, then further fetishized in glass scientific vitrines. Also included in the show are neon and automotive emblem text assemblages as obsessive tropes on car-culture.

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Cold Cave

Cult of Youth, Zambri

Knitting Factory Brooklyn

Tue, July 12, 2011 Doors: 8:00 PM / Show: 8:30 PM $15.00 Cold Cave are an experimental electronic pop group from Philadelphia and New York City who make melodic synthscapes with jackhammer beats. They acknowledge the dark roots of synthesizer music as well as its potential for making the brightest pop with their hard songs celebrating the contradictory beauty of the human condition.

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HARIBO: the Haribo experience presents Candy Rain c/o Raul De Nieves and Jessie Stead @ Secret Project Robot.

Opening Reception: Friday July 15th, 2011

The Haribo Experience presents Candy Rain. Featuring limited edition Raul De Nieves and Jessie Stead flavored video installation elegance. Inside the music box with the lid closed and the lights off the tiny ballerina starts to cry. You give her all your money but its too late you are soaked to the bone with her dance-floor tears and intoxicated politely… forever. The hairdos grow backwards entering your brain, are you experienced? Join us for a joy-us one-way trip into the song flavored box.

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LoVid
The Other Side of Ground @Mixed Greens.

JUNE 16–AUGUST 26, 2011
OPENING: THURSDAY, JUNE 16, 6-8PM

Mixed Greens is pleased to present the site-specific window project The Other Side of Ground by Tali Hinkis and Kyle Lapidus, the artist duo known as LoVid. Their dynamic, colorful pieces are a masterful mix of the low- and high-tech.

Known for their innovative performances, live video installations, tactile objects, patchworks, sculptures, and installations, LoVid encourages the viewer to reexamine his/her relationship to the digital world. By mixing analog and digital philosophies, processes, and techniques, LoVid’s pieces come to life. In one piece, for instance, it was necessary for viewers to touch points on a monolithic sculpture in order for a video to activate. Human touch became the subject of a digital output. MORE »

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MORE:

Colorific @ Postmasters Art.

Swamp Dogg @R&B Festival at MetroTech

LAND @KLOMPCHING.

MISS BUGS PARLOUR @BROOKLYNITE.

Salon: Tang-Wei Hsu and Michael Kienzer@ISCP

TIM KUHL’S DOOMSAYER CD RELEASE SHOW: Michael Formanek, bass; Ben Gerstein, trombone; Jonathan Goldberger, guitar; Frantz Loriot, viola; Tim Kuhl, drums; Jonathan Moritz, saxophones

25 Years, 25 Artists @Julie Saul

NAG: Wednesday, July 13: Greenpoint & Northside Loft Tenants Meeting In June 2010, the NY State Legislature expanded the Loft Law, giving coverage to North Brooklyn!  For more background on what the Loft Law is and who qualifies, please visit our blog.



SUBMISSIONS NOW OPEN FOR THE 22 MAGAZINE, VOL II: SIGN & SYMBOL.
June 30, 2011, 8:00 am
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THE 22 MAGAZINE V II: SIGN AND SYMBOL

“Wild, dark times are rumbling toward us, and the prophet who wishes to write a new apocalypse will have to invent entirely new beasts, and beasts so terrible that the ancient animal symbols of Saint John will seem like cooing doves and cupids in comparison.”

~Heinreich Heine

DEADLINE: September 1st

Despite our previous intent, Volume II has slowly progressed into a theme that we could not ignore. For Vol II we ask our contributors to dig deep into their psyche and take hold of those great occurrences that trigger action, reaction or deep awe. Signs and symbols are often on the peripheral but when brought to light, when explored and examined they can elicit great change both on small and large scales. What makes up your triggers? What cues cause your reaction? What represents you or others? How do we manipulate these tools? And in the end, what do they all really mean?

TO SUBMIT for the magazine, the blog or as a writer for the 22 send your work by link (or a sample of) to the22magazine@gmail.com.

For more information or issue themes visit http://www.the22magazine.com/Pages/submissions.html



The Week: June 13-17.
June 13, 2011, 4:29 am
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MONDAY:

Laetitia Sadier (of Stereolab) @ LE POISSON ROUGE.
Arturo en el Barco
w/ Erika Spring (of Au Revoir Simone)

presented by Substrata
June 13
7:00pm doors | 8:00pm show
$15 in advance | $17 day of show
All Ages
This is a first-come, partially seated event.



Taylor Mead @The Bowery Poetry Club
June 13, 6:30pm


MIKKO INNANEN TRIO WITH JOE FONDA and LOU GRASSI @ UNIVERSITY OF THE STREETS

Mikko Innanen – alto sax, Joe Fonda – bass, Lou Grassi – drums.
06/13/2011  8:00 pm  $10.


Monday, June 13 – Performance EVOLVING MUSIC Series @ Clemente Coto Velez Cultural Center
Presenting  Joelle Leandre solo & Joelle Leandre / Steve Dalachinsky Duo!
7:30 – Joelle Leandre Solo Contrabass
8:30 – Steve Dalachinsky & Joelle Leandre Duo
Admission is $16 per set or $21 for the evening
At Clemente Coto Velez Cultural Center
(Suffolk St and Rivington St) F or J  to Delancey/Essex


TUESDAY AND WENESDAY:


LANDON KNOBLOCK/OSCAR NORIEGA/JEFF DAVIS @UNIVERSITY OF THE STREETS
Landon Knoblock – keyboard,
Oscar Noriega – alto saxophone,
Jeff Davis – drums.
06/14/2011  10:00 pm  $10.


Lecture, Screening, and Discussion: “Aesthetic Justice,” with Carlos Motta and Niels Van Tomme
Date: Tuesday, 14 June 2011, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
FREE. No RSVP necessary

Please join us for a lecture and screening by artist Carlos Motta, followed by a discussion with curator Niels Van Tomme.

In his lecture “Amnesia and Repression: A Series of Attempts to Establish a Memory Project of Political Conflict from an Aesthetic Practice,” Motta will discuss his recent video and performance projects Six Acts: An Experiment in Narrative Justice (2010) and Resistance and Repression (2010). In these works, Motta attempts to offer a space for the articulation of memory of political conflicts from an aesthetic perspective. He does so by using the concept of “narrative justice,” a notion of justice detached from the judicial field and focused on narrative and communication as pillars of possible reconciliation. The lecture reflects on unresolved instances of political violence in Colombia and Honduras—instances that unveil a lack of a culture of memory and of social justice.

This event is organized within the framework of Provisions Learning Project’s “Aesthetic Justice” exhibition on view at the Lambent Foundation in New York until 22 June 2011. The exhibition features the works of Alyse Emdur, Rajkamal Kahlon, Carlos Motta, and Larissa Sansour, and can be viewed by appointment, Tuesday to Thursday, 11 am to 4 pm. Email exhibitions@lambentfoundation.org to schedule an appointment.


Sounds GoodJohn Aslanidis@LOCATION1

OPENING RECEPTION:

Tuesday, June 14, 2011 6-8 PM

Featuring visual responses to a collaborative sound piece by artists John Aslanidis, Katy Dove, Phoebe Hui, Sophie Hunter, Miler Lagos, John O’Connell, Gonzalo Puch, and Zane Saunders.



Rob Carter: Artist Talk, Video Screening And Q&A @KIDD YELLIN.

Recess @ Kidd Yellin
133 Imlay Street
Red Hook, Brooklyn

Tuesday, June 14th- Photographer and video artist, Rob Carter, will give an audio visual presentation of his work at the Red Hook outpost of Recess Activities, in collaboration with Kidd Yellin. He will discuss the evolution of his work and screen several animations, including some new unseen projects. (READ MORE.)

 


DIXON PLACE:

The Pinks -AND-Handshake Uppercut

Tuesday, June 14 at 7:30pm
Tickets: $15 / $12 (stu/sen)

Puppet BloK!: Leakey’s Ladies
Wednesday, June 15 at 7:30pm
Drama of Works Tickets: $10 advance; $12 at the door

Award-winning puppet company Drama Of Works premieres their new historically-based full-length puppet theater piece in progress, Leakey’s Ladies. A collaboration with playwrights Crystal Skillman, Rachel Hoeffel and Erin Courtney, Leakey’s Ladies explores the work of female primatology pioneers; Birutė Galdikas, Jane Goodall and Dian Fossey.



Nels Cline
and Marc Ribot @LE POISSON ROUGE.
Wed., June 15, 2011 / 7:30 PM
Nels Cline is one of the most versatile, imaginative and original guitarists active today. Combining breathtaking technique with an informed musical intelligence, the self-taught Cline displays a mastery of guitar expression that encompasses delicate lyricism, sonic abstractions, and skull-crunching flights of fancy, inspiring Jazz Times to call him “The World’s Most Dangerous Guitarist.” Cline has performed on over 100 albums spanning numerous genres. In addition to his latest trio The Nels Cline Singers, formed with drummer Scott Amendola and bassist Devin Hoff, Cline is also the lead guitarist for the critically acclaimed rock band Wilco, which he joined in 2004.Click here to listen to “The Nomad’s Home”
Marc Ribot, who the New York Times describes as “a deceptively articulate artist who uses inarticulateness as an expressive device,” has released 19 albums under his own name over a 25-year career, exploring everything from the pioneering jazz of Albert Ayler to the Cuban son of Arsenio Rodríguez. His latest solo release, Silent Movies(Pi Recording 2010) has been described as a “down-in-mouth-near master piece” by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board.Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985’s Rain Dogs, and since then he’s become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp.” Additional recording credits include Elton John/Leon Russell’s latest The Union, Solomon Burke, John Lurie’s Lounge Lizards, Marianne Faithful, Joe Henry, Allen Toussaint, Medeski Martin & Wood, Caetono Veloso, Susana Baca, Allen Ginsburg, Madeline Peyroux, Nora Jones, Jolie Holland, Akiko Yano, The Black Keys, and many others. Marc works regularly with Grammy® award winning producer T Bone Burnett and NY composer John Zorn. He has also performed on numerous film scores such as “Walk The Line” (Mangold), “The Kids Are All Right,” and “The Departed” (Scorcese).“…he can sit down with just his guitar and simultaneously confound you with technique, beauty, and surprise.” – John Garratt and Will Layman, PopMatters Picks: The Best Music of 2010 for the album “Silent Movies”

LUMEN BENIFIT @Spattered Columns
JUNE 15th

6-9pm
491 Broadway, fifth floor, Manhattan
Come down to Spattered Columns for one heck of a party. Check out a performance by Quinn Dukes McDivitt, and videos by Matthew Sleeth and Sander Houtkruijer. Music by DJ Mountains. Our sponsor BOMB Lager will be there handing out free merchandise ALL NIGHT LONG.
All proceeds from the party go to the participating LUMEN artists and curators. Tickets are pretty cheap, $10 in advance, $15 at the door. Where else does $10 get you food, drinks, art, and cool people??
Get your tix: http://statenislandarts.org/lumen.html


THURSDAY:


CATCH THE MOON IN THE WATER: EMERGING CHINESE ARTISTS @ JAMES COHEN.
June 16 – July 29, 2011

OPENING RECEPTION: Thursday, June 16 from 6-8PM

James Cohan Gallery is pleased to present the group exhibition, Catch the Moon in the Water: Emerging Chinese Artists, running from June 16 through July 29, 2011. Over the past decade, while the West consumed new art from China, a young generation of Chinese artists imagined America as the center of contemporary art discourse. This exhibition showcases a group of young Chinese artists and their thoughts and responses to America as an exotic and remote source of inspiration. (READ MORE.)


Literary Mingle
NYFA offices
20 Jay Street, Suite 740
Brooklyn, NY 11201

Thursday, June 16, 2011
6:30-8:30 p.m.

Please join us on Thursday, June 16 for NYFA’s literary mingle, a gathering of NYFA Fellows in Fiction, Nonfiction, and Poetry, NYFA Fiscally Sponsored Writers, as well as editors, agents, and the rest of New York’s literary community.

Wine and cheese will be served

$5 suggested donation to support NYFA Current, NYFA’s online arts magazine


24/7 @LYONS WEIR.
A group show divided between our 24th Street and 7th Avenue locations.

June 16th – July 16th, 2011
Artists’ Reception: Thursday, June 16th, 6-8pm


Best Coast w/ Those Darlins
A Planned Parenthood of New York City Action Fund Benefit

June 16th, Doors open at 6pm
Bethany Cosentino is a Los Angeles native with a brief stay in Brooklyn, and Best Coast’s influences reflects that: Beach Boys vibe with East Coast 60s girl group such as the Ronnettes and Shangri-Las. Best Coast is brought to life with the help of her long-time friend/guitarist/producer Bobb Bruno and guest drummer Ali Koehler (Vivian Girls). The pair have received heaps of critical praise from editorial publications including Pitchfork, who named their “When I’m With You” single “Best New Music”, New York Times, Spin, Paste, Nylon, Rolling Stone and The Guardian.http://bestycoasty.blogspot.com/

Those Darlins

A Planned Parenthood of New York City Action Fund Benefit
Middle Tennessee’s infamous country punk outfit known for their hooky, saucy songwriting and blistering live performances. They have mouths on them, yes they do. But their mouths are connected to their hearts and minds, and amped by loud guitars.


UGLY ART ROOM PRESENTS:


The Man, The Myth, The Moustache, a solo exhibition of Scott Chasse’s

paintings of Burt Reynold’s at Brouwerij Lane
(78 Greenpoint Ave) a
Beer Store in Greenpoint, Brooklyn. June 11-July 18, 2011
Opening reception: Thursday, June 16, 8-10pm.

Noise Jam, an exhibit at The Gutter Brooklyn (200 No. 14th St), in
which musicians participating in the Northside Music Festival will
submit cell phone photos to explore the accessibility of experiences.
Opening reception: June 16, 2011, 10pm-12am.


The Trachtenburg Family Slideshow Players @ BOWERY ELECTRIC.

Bowery Electric
27 Bowery, at 2nd Street, Manhattan
8p-1a; $8
theboweryelectric.com


BLOOMSDAY @ ULYSSES FOLK HOUSE.
Thursday, June 16 starting at 11:30am

BLOOMSDAY At Brooklyn Lyceum Cafe
Thursday June 16th  8pm

It’s Bloomsday, the 16th of June, in the Brooklyn Lyceum Cafe.  You are very welcome to join our resident Joycean scholar, Emmet Mc Gowan, in a casual celebration of this great day.

Bloomsday, named after the protagonist of James Joyce’s Ulysses, is an annual commemoration of Joyce’s life, and is a beloved Dublin tradition. The day typically involves food, drink, and readings and reenactments of excerpts from Joyce’s 265,000 word epic novel.
Our humble nod to Bloomsday will be a spontaneous evening of recitation and quaffing. We dedicate this evening to The New York Society for the Suppression of Vice, who in 1920 objected to the book’s content and took action to keep the book out of the USA.

Ulysses was banned until 1933.

Bring along a copy if you have one.z

Tickets: This event is FREE.


SUPERCODA Thursday, 6/16. 8-11 A musical sandwich, with a classical septet in the middle @ CAFE ORWELL

1. A new trio by Sean Ali/Carlo Costa/Frantz Loriot
http://www.carlocostamusic.com/
http://www.frantzloriot.com/

2. Achordial Brio – performing new compositions instrumented for oboe, english horn, bassoon, piano, bass clarinet, cello, violin
www.achordialbrio.com

3. Allison Tartalia. Partner in crime of Achordial Brio.
http://www.allisontartalia.com/


PHILIPPE PETIT COMES DOWN TO EARTH FOR THREE NIGHTS @ ABRONS ARTS CENTER.

June 16-18 | 8 pm | $20

Subject of the Academy Award-winning Man On Wire, Philippe Petit comes down to earth for three special evenings to share stories from his life as a creator and performer. WIRELESS! is a 90-minute, one man tour de force that is touching, funny, clever, and extemporaneous. Philippe reveals and demonstrates how he taught himself magic, juggling and the high wire.


Henry Chung, June 16 – July 31, 2011 @RHV FINE ART.

Henry Chung continues his exploration of obsolete technologies as metaphor for the changes and complexities of contemporary life in a series of portraits of computer enhanced images culled from flea markets and garage sales, rendered in computer punch tape. (READ MORE.)


MORE:

ABC Artists’ Books Collective Opens at Printed Matter

The Influencing Machine: Brooke Gladstone on the Media @POWERHOUSE ARENA.

The Chadwicks @Winkleman Gallery.

FRIDAY:

Cooper-Moore & William Parker@ THE STONE.
Cooper-Moore (multiple instruments) William Parker (multiple instruments)


The Books @CELEBRATE BROOKLYN
Friday, June 17 / 7:00pm / gates 6:00pm

With their dizzying folktronica—a mix of innovative instrumentation and songwriting with obscure found sound and speech samples—and perfectly calibrated, hallucinatory quick-cut video collages, THE BOOKS “remain more or less a genre of one… the flotsam and jetsam of American culture aren’t a cheap joke to the Books, but a source of endless discovery and joy.” (Pitchfork) JUNIP, the band that predates Swedish-Argentine singer José González’s solo stardom, conjures an expansive and mesmerizing take on his songs in which “González’s classical guitar and weightless tenor float over soul jazz, Afrobeat, Ethiopian funk and krautrock.” (Rolling Stone) With the “haunting, ethereal, and beautifully melodic” (Paper Magazine) bedroom pop of in-demand pianist and composer Thomas Bartlett’s DOVEMAN. Sponsored locally by Aguayo Realty Group.


An Opening Party for The Corrigan Family Oddments@ OBSERVATORY
An exhibition curated by G. F. Newland
Exhibition Opening Party: Friday, June 17, 7-10pm

Greetings Art fans! In celebration of Father’s Day, the Observatory Things-That-Move Dept. invites you all to take a peek at procreation! In nature, talents can be predisposed, and passed on from generation to generation. Families like the Gentileschis, the Peales, the Bachs, the Wyethes, and most recently, the Kominsky-Crumbs have all made a strong case for this heredity thing; the Bush presidencies, not so much, but hey, it’s a crap shoot! Anyway, our latest show is about a wee dynasty of painters named Corrigan, and through their family oddments, we will examine art, eccentricity, and the vagaries of genetic code.


NORTHSIDE OPEN STUDIOS PARTY @ FOWLER ARTS COLLECTIVE

Fowler Arts Collectiveis pleased to be participating in this summer’s Northside Open Studios event which will be taking place in the Williamsburg/ Greenpoint neighborhoods of Brooklyn from Friday, June 17 to Sunday, June 19. NOS coincides with the L Magazine’s Northside Festival of music, art, film, and ideas.

Please join us for a reception celebrating the launch of Northside Open Studios on Friday, June 17 from 7-11pm. We will also be open during the day Sat. + Sun., June 18 + 19 from 12-6pm for Northside Open Studios.

Fowler Arts Collective, 67 West Street, #216, Brooklyn, NY 11222

Fowler has a nice lounge area to rest your tired feet during the weekend, and we will have maps and information about the participating NOS studios and corresponding events.

Fowler’s 18 artist studios will be open for visitors the entire weekend, and our exhibition, Paint It Now, continues to rock the Fowler gallery.

Fowler studio artists include: Elana Alder, Melissa Dyanne Bartlett, Catherine Behan, Cameron Bishop, C.M. Butzer, Scott Chasse, Jennifer Galatioto, Daniel St. George, Andrew Gordon, Paul Hoppe, Heidi Howard, Aya Kakeda, Deanna Lee, Michael Aaron Lee, Chris Mottalini, Kate Nielsen, Cecelia Post, Krista Quick, Tory Sica, Kim Sielbeck, Hannah Lamar Simmons, Ramon Urenia, James Vanderberg, Jing Wei, and Fletcher Williams.

For more information on our current exhibition, Paint It Now, go here: http://www.fowlerartsbrooklyn.org/paintitnow2011.html


Avant-Garde-Arama: Wrecking Ball @PS122

Performance Space 122’s longest running series kicks it up a few notches for this demolition derby of theatre, dance, music, and video installation as part of the 30th Anniversary RetroFutureSpective Festival.

Join us for hard core performance during what “always ends up exploding into an all-out party.” – Flavorpill

FRIDAY 6/17:
Hosted by Murray Hill
Performances by Salley May, Alien Comic, Tigger!, Janet Clancy, John Kelly, Andrew Schneider, The Factress aka Luc Sexton, The Dazzle Dancers, Julie Atlas Muz, Urban Bushwomen, Joe E Jeffreys, Miss Joan Moosey, Gina Vetro, Jonathan Berger Music by Hank & Cupcakes, Rockman



PearlDamour + Shawn Hall: How to Build a Forest @THE KITCHEN

Friday-Sunday, June 17-19 and 24-26, 2-10pm
Known for transforming narrative into something richer, stranger, and ineluctably feminine, OBIE Award-winning PearlDamour (Katie Pearl and Lisa D’Amour) join forces with New Orleans-based visual artist Shawn Hall for a hybrid project: part visual art installation, part theater performance that unfolds over an extended eight-hour interval. Beginning with an empty stage, PearlDamour, Hall, and a team of performer-workers transforms The Kitchen’s theater from floor to ceiling, constructing and then dismantling an elaborate evolving environment evocative of an old growth forest at one moment and a spectacular deep-sea landscape the next. (READ MORE.)


“GIMME SOME TRUTH : A Return to Form”  ((JUNE 17-JUNE 26)) @InRIVERS.

A collection of new works from emerging voices in contemporary drawing.

Featuring works by:

_LORENE TAUREREWA

_MARCIN SZPRENGIEL

_MAYUKO FUJINO

_DEMETRIO BELENKY

_AILENE de SOUZA HOWELL

_ROBERT PIERSANTI


MORE:

Skink Ink’s Open Exhibition as part of Northside Open Studios

Kaviar Disco Club

Short Cuts(Papercutting Class) w/Beatrice Conron @ CENTER FOR BOOK ARTS.

Friday Night Fireworks @Coney Island.

Hyperallergic: Mail Art Show

SUPERCODA @ CAFE ORWELL: Rhymes with Opera and the West End String Quartet. They will be taking over Cafe Orwell for the Evening. They are an organization that is committed to presenting opera in unexpected spaces. Excellent.

LAST CALL:

JUNE 18th: Out of Sight, Ellen Kooi

JUNE 18th: THE COOPER UNION END OF YEAR SHOW

JUNE 18th: ISABELLA KIRKLAND @FEATURE INC.




THE WEEKEND: JUNE 3-5
June 3, 2011, 3:06 am
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Ryan Feeney & Ryan MacDonald@ FOUNTAIN.
June 4th – 25th
Opening Reception:
Saturday June 4th
7 – 10pm

Ryan Feeney’s ‘Obscene Sunsets’ series of photographs explore the power and authority that image cultures have over our sense of reality while Ryan Macdonald’s ‘Pale in Compairison’ body of work explores how the phenomenology of nostalgia and narrative can disrupt our sense of stability in a normal world.

briefepigrams.blogspot.com
ryanfeeney.com


 

BIORHYTHM, MUSIC AND THE BODY @EYEBEAM

Opening Reception 6-9PM Friday June 3 Featuring demonstrations and a live performance by exhibiting artists.

Why does a minor chord sound sad? Is there a formula for the perfect hit? Whistling, dancing, finger-snapping, and toe-tapping—what makes us do it? Find out when music and science join forces in an interactive bazaar of beats, sounds, and rhythm in the exhibition BIORHYTHM, created by the Science Gallery and presented at Eyebeam as part of the World Science Festival. Learn what drives sound manipulation and discover how different types of music evoke different emotions. Trace the power of an impactful pop hook in a song, measuring the way our brains and bodies react, down to the responses in our fingertips.

Included works: Binaural Head; Sonic Bed; Klangkapsel; Something for the Girl Who Has Everything; Optofonica Capsule; Theremin Inspector V2; Music, Emotion, Empathy; Heart ‘N’ Beat; Reactable; Contacts; Hear, Hear; Traffic; Instrumen; Body Snatcher; Chains of Emotion. (READ MORE.)

PART OF 2011 WORLD SCIENCE FESTIVAL (JUNE 1-5)
SEE FULL LIST OF EVENTS


Wu Tsang@CLIFTON BENEVENTO

June 4 – August 5th, 2011
Clifton Benevento is proud to present the New York solo debut of Los Angeles based visual and performance artist Wu Tsang, featuring video, collage and site-specific installation.
Central to the exhibition is DAMELO TODO (Give Me Everything), 2010, a hybrid narrative-documentary installation incorporating elements of Tsang’s lived experience organizing WILDNESS, a party/performance night for two years at the Los Angeles bar Silver Platter. The film depicts a fictional protagonist, Teódulo Mejía, a 15 year-old Salvadorian civil war refugee arriving to Los Angeles in 1985, who discovers community support among trans women at the bar. Based on a short story written by Raquel Gutierrez, and adapted to screen by Tsang, DAMELO TODO fictionalizes a larger narrative about the collaboration and tenuous coalition between the Silver Platter and the young artists of WILDNESS. (READ MORE.)

Blood, Sweat and Tears: the Work of Art and Tragedy @NUTUREART
Jun 03, 2011 – Jun 24, 2011
Opening Reception:

June 3, 2011 7 – 9 PM

Curated by Project: Curate! and Krista Saunders

Featured artists: Delaney DelPonti, Bianca Dorsey, Jae Y Lee, Rebecca (Marks) Leopold, Steven Ketchum, Graham McNamara, Bridget Parris, Boris Rasin and Judy Richardson

Blood, Sweat, and Tears: the Work of Art and Tragedy endeavors to examine 21st century tragedy, disaster and renewal. The exhibition is an attempt to connect with contemporary artists who are also passionate about this theme. Nine artists were selected whose work explores a particular contemporary disaster, personal tragedy, or the rigor of cultivating new beginnings.  As young adults who have come of age in the burgeoning 21st century, the curators of this exhibition are themselves well-versed in tragedy, disaster and renewal firsthand (as New York City dwellers) and from a distance. (READ MORE.)





Temporary Antumbra Zone Curated by Udora Hajimik
@Janet Kurnatowski Gallery
June 3 – June 26, 2011
Reception: Friday, June 3rd, 7-9pm

Artists:
Peter Acheson, Hector Arce-Espasas, Maria Barbo, Genesis Belanger, Chris Bertholf, Erik den Breejen, Maria Calandra, Joy Curtis, Karen Dana, N. Dash, Carol Diamond,Ryan Franklin, Tamara Gonzales, Erica Greenwald, Xico Greenwald, EJ Hauser, Michael Hilsman, Rolf Jacobsen, Michael Kenney, Osamu Kobayashi, Jonah Koppel, Ben La Rocco, Elisa Lendvay, JJ Manford, Sarah Louden, Mike Olin, Craig Olson, Linnea Paskow, Alta Price, Nathlie Provosty, Christopher Rivera, Aaron Sinift, Elisa Soliven, Kol Solthon, Thomas Spoerndle, Deirdre Swords, Katherine Young

The art world experienced a caesura in the 1960s when the paradigm of the artist, working in solitary fashion, was taken apart by the advent of collaborative art. Through collaboration, the definition of what art was, and how it could be produced, shifted. No longer was the cult of the artist, producing a singular vision understood to be the only viable artistic model. Instead, this now re-evaluated model began to generate questions about authenticity, authorship,audience and methodology. Such collaborative projects as those executed by Gilbert and George, Martin Kippenberger and Albert Oehlen, Jeanne Claude and Christo, and Marina Abramovic and Ulay were instrumental in the development of such major evolutions in conceptual art as Body Art, Systems Art, Earth Art, and Performance Art.

The artists in Temporary Antumbra Zone have come together, collaborating through the lenses of painting, photography, video, and mixed media sculpture to promote collaboration as an invaluable mode of artistic production.


The Solo Exhibition of Harim Song “Fearfully and Wonderfully”@BAG
June 1- June 6, 2011
Opening Reception: Saturday, June 4, 6:00-9:00pm
Ordinary Obsession (with narration) from Harim Song on Vimeo.

Ordinary Obsession (with narration) from Harim Song on Vimeo.


Alina Simone, Spencer Tunick “Abe’s Penny May Issue Celebration” curated by Chantal Chadwick, Lara Hodulick at End of Century

JUNE 4th
Chinatown/LES: 175 Rivington street, 7:30-10pm


SUPER CODA @ CAFE ORWELL.
SUPPORT SUPER CODA SOUNDPROOFING ON KICK STARTER!!


If you haven’t heard, this Weekend is Bushwick Open Studios. Bushwick waxes full of openings, events, and public art.
http://www.artsinbushwick.org/
The Super Coda makes no exception:

Friday, 6/3. 7-10:
Gabrielle Muller, Cafe Orwell’s new Art Director, will be presenting her first show, “Brooklyn Loves Philly”, featuring artists and musicians from both cities. Including:
Joanna Quigley, Kat Moran, Ryann Casey, Amelia Runyan, Paul DeMuro, Mary Price, Bobby Heinemann, Bobby Gonzales, Liz Thamm, Brendon Stuart, Gabrielle Muller, Austin Saylor Jackson, Hilary Price, Matt DeFillipo, Crystal Stokowski. Plus an outdoor installation by Oliver Warden, “Untitled Box”
The Art will be on display at the Cafe through July.

Saturday, 6/4. 9-midnight. The Super Coda presents Jazz that is all over the place and from all over the place. Featuring:
Kirk Knuffke – http://www.kirkknuffke.com/
Otra Gente (Luis Ianes/Carlo Costa/Ivan Barenboim)
Steven Ruel – http://www.purevolume.com/steveruel



The Booklyn Art Gallery is pleased to present MASTER OF REALITY, a group exhibition featuring works by Milano Chow, Cynthia Daignault, Gary Kachadourian, and STO.

MASTER OF REALITY includes drawings, paintings, sculpture and prints that alter our perceptions of commonplace scenery, find fodder in the mundane, and draw our attention to the handling rather than the objects themselves. The featured artists create an alternate dimension of familiar objects, carefully mimicking reality so that it is recognizable, yet altering it enough to uniquely capture their own way of seeing. (READ MORE.)

 


CONEY ISLAND EVENTS:

BURLESQUE AT THE BEACH!
PRINCESS PAT PRESENTS: SHOW GIRLS
FRIDAY, JUNE 3, 10PM, $15 IN ADVANCE OR AT THE DOOR (READ MORE.)
&
CONEY ISLAND FILM SOCIETY!

PHANTOM OF THE PARADISE
SATURDAY, JUNE 4, 8:30PM, $6 IN ADVANCE OR AT THE
DOOR (READ MORE.)

 


Happy BOS ’11: June 3-5, 2011 — it’s our 5th birthday!

We’re creating an open and inclusive event that benefits the neighborhood by sharing artistic projects and encouraging community interaction and dialogue. BOS brings the neighborhood’s thousands of artists and performers out into the streets and in view of each other, other community residents, and the general public. (READ MORE AND SEE FULL SCHEDULE.)


The Comic Book Theater Festival @ THE BRICK

June 2 – July 1, 2011

The influence of comics on our culture continues to grow. From the pop fantasias of Hollywood blockbusters to the rawness and refinement of intimate memoirs—and everything in between—it’s impossible to deny the wide appeal of comics’ words and images. The theater, of course, is no less immune to its spell. This summer, The Brick will invite one of history’s newest art forms to meet one of its oldest—and, through collaborations between visual and dramatic artists, the form and content of comics will collide with the content and form of theater to create strange new hybrids across both media. (READ MORE.)

 


MUSICIRCUS : ROULETTE BROOKLYN
Sat Jun 4 – 1:00 PM

Although not officially open until Fall 2011, ROULETTE BROOKLYN will open its doors this June for a two day John Cage MUSICIRCUS as part of the Atlantic Avenue Art Walk!

A carnival of all things experimental, the Roulette Brooklyn MUSICIRCUS brings a cornucopia of musicians, dancers, video artists, and performance artists from all corners of New York City’s artistic community together for a celebration of chaos and and the harmonies of simultaneity. (READ MORE.)

 



POST PLASTIC PROJECT @LITTLEFIELD.

Sunday, June 5th, 2011
 DOORS OPEN 6:00 PM
Littlefield NYC – 622 Degraw Street, Brooklyn

littlefieldnyc.com

Art reception FREE – $10 Music – Raffle
READ THE 22 FULL ARTICLE.

MORE:

Performances @ The Cocktail Party (a postmodern feminist art show) @ ABC NO RIO Friday, June 3 · 7:00pm – 9:00pm
Honoring Bill Dixon @ RUBIN MUSEUM OF ART

3rdEye(Sol)ation group show

Swimming Cities presents: BORDERTOWN

THROUGH THE WARP
AT REGINA REX OPENING RECEPTION SAT. JUNE 4, 2011
Cirque des Batardes @LE POISSON ROUGE
Yve Laris Cohen+Bryan Zanisnik @ABRONS ARTS CENTER
The Village Gate’s “Old Fashioned Piano Party” @LE POISSON ROUGE

Fuse Works: Alarums and Excursions @ THE FRONT ROOM GALLERY
INTERSTATE PROJECTS PRESENTS VIDEOS ON THE FRONT

MUSEUM OF (UN) NATURAL HISTORY featuring new works by KIM HOLLEMAN
DEAR JAPAN AT ART CONNECT GALLERY
 BREATHING@ CPR.
Reframing David Bowie as an Artist Working in Performance


COMING UP NEXT WEEK!




PAINT IT NOW Interview at Fowler Arts Collective.

Paint It Now installation in progress

This past Sunday, I took a moment to swing by Fowler Arts Collective in Greenpoint. I had the opportunity to speak with founder Cecelia (aka Lia) Post and Scott Chasse, one of the curators of the upcoming Paint It Now show which will be part of this year’s Northside Open Studios. Paint It Now opens Friday, May 27 from 7 to 10pm with an additional reception for NOS is June. We appreciate them taking the time to chat with us! Read or listen below!

LISTEN TO THE INTERVIEW

The 22 Magazine: First off,  I just wanted to talk to you about how Fowler started. What year did you start?

Lia Post (Founder): It’s only been about a year. I came in July of 2010. So, last Summer. This July will be our official anniversary, but our first show was just in October, so its been about eight months now.

The 22: What show was that [the first show]?

LP: It was called ENTER, it was a big group show with some of my studio artists and some friends from the neighborhood. It coincided with the first Greenpoint Open Studios-oh actually it was the second! …of the Open Studios in Greenpoint and it coincided with a big light festival called [Bright to Light]. It was a good way to start off the space.


Bright to Light: Nuit Blanche in Greenpoint, part of the opening of Fowler Art Collective

The 22: And you came from Philadelphia?

LP: Yes. Originally I’m from South Carolina, and I’ve kind of lived all over the place, but my most recent was Philadelphia. I went to an MFA program at The University of Pennsylvania and moved to New York after that. So I’ve been in New York for about two years now.

The 22: On the blog it said you got laid off and decided to open to a collective. Exactly how did you do that?

LP: Well the first year in New York was really hard. It was in the midst of no one having any jobs, so I was trying to do a lot of freelance work and that’s sort of hard. Finally I was able to get a waitress job and I had that for a few months, got laid off, and I was just like “Oh my God I can’t even keep a regular restaurant job.” So it was kind of out of a sense of the bottom, and having to figure out something to do, and I was really missing the artists community I had in Philly before I came here and knew there was a good artists community in the neighborhood. [So it was] wanting to kind of find a way to connect with that community, [and then] I sort of impulsively [decided] to make this whole thing and got a few friends to help me. It kind of evolved from wanting to have a live/work space with friends and I found all these really interesting huge commercial spaces in Greenpoint, which is really exciting because I live in Greenpoint. So that evolved, and I did the budget and realized I could have a gallery along with studio spaces, if I rented out the studio spaces. I got some friends to help me build the walls and it was good to go. It filled up pretty fast. Scott was actually one of the first artists that came when none of the walls were built and was like, “yeah, I’ll do it, I’ll take a studio. “

The 22: So, are you funded by anyone?

LP: It’s pretty self-sufficient. I put a large investment [in] myself. I got a small business loan and [had some] small savings. Mostly I just had to fund the start-up costs, like the walls. Almost right away it was running itself with the studio spaces. So that’s really good, it worked out well. I’m starting to look into getting funding with indiegogo and I just got fiscally sponsored with Fractured Atlas so that will sort of start helping us in getting some grants and things.

The 22: Great, so this show is Scott and one other curator? [To Scott] So do you want to tell me a little about what this show?

Scott Chasse: Sure, it’s a show that we actually did, Thomas Buildmore and I, two times now in Boston-in 2008 and 2010. [Basically] we’re taking a handful of painters that we either know personally or respect and have been able to connect with, and we’re putting them all in the same room. We’re providing the paint itself, we’re providing the material and we mix it down to a certain viscosity, we try to control that and that’s about it. We just set them loose, they’re able to paint on the walls, react to the space, react to each others work and at the end our goal is to have this giant cohesive painting installation that just takes over the space but is unified by the control of the materials. We explain to the artists up front that we want to see this opaque black directly on the white, the harsh contrast, as opposed to them being able to water it down to gray or mix it with white, or mid-tones, we don’t want any of that we just want harsh black on white.

The 22: So the viscosity, was that for any reason?

SC: It’s A) the look, and B) it’s such a pleasure to work with at this viscosity. We get that feedback from the artists all the time. It’s just so enjoyable to use the paint and it’s actually a specific brand. I’m happy to say Lascaux sponsored this show very generously. They handed us some product and we have always cut it down the same way, since day one. We were actually just buying it for the very first show, out-of-pocket, and we are continuing to develop our relationship [with Lascaux]. It was really nice of them to give us a bunch of paint for this one, and everybody is really enjoying it again.

The 22:  I was reading the statement and it seemed part of what you guys were trying to do was make commentary on the state and style of art, as opposed to personal interpretations and a lot of it looks really pop and street art. Does that just come from your [personal] backgrounds [or connections]?

SC: There is definitely that influence. I don’t think we’re trying to make this at all a reflection of street art, but just painting in general. Street art is just a part of painting these days. We want the show to be taken as a painting exhibit. These are painters, regardless of what their backgrounds are, and there are definitely painters in this show that are very far away from anything having to do with street art but when they are painting on the wall next to someone you might recognize from the street, it’s easy to blur those lines between which is which, and that is definitely a goal of the exhibit. To see how people are reacting to each other in the space as well as how their varied backgrounds just coexist.

The 22:
So more about collaboration than anything?

SC:
Yep, exactly.

The 22:
So the exhibit is only the painting on the wall?

(LEFT: Morgan Anderson from Philadelphia works on
the Paint It Now installation.)

SC: It will be eighty percent painting on the wall and we’re going to hang some of the 2D and 3D work from the artists. Probably eight to ten pieces. We’ve actually saved one wall in the space [for that].

The 22: What are the dates of the show?

SC: It opens on May 27th. The opening reception is 7-10 and it runs through July 6th. And we’re going to have a 2nd party during Northside Open Studios. That is June 17th from 8-10. It will be another artist reception and that’s the Friday night of Open Studios weekend here, so it should be really fun.

The 22: I know most [of your artists] are from Brooklyn, but some of them are from Philly and Boston? Who’s coming from Philly and Boston?

SC: I think we’re at about twenty artists now, there are great people from all towns, I could go through the whole roster but I’d probably space on somebody. [laughs]

The 22: [laughs] Oh that’s fine, I totally understand!

SC: Tom Buildmore is actually based in Philly right now, but I met him in Boston, so that’s probably the connection right there. That’s why we are still dipping into the Boston pool and we’re actively participating in the Philly pool. Tom’s down there right now, he has a great space down there called Stupid Easy. It’s almost like this, just a smaller version. It doesn’t have a whole bunch of studios, it’s just a room they use for a production studio and they use it as a gallery as well. So he’s really connected with the scene in Philly.

The 22: And where did you guys meet?

SC: Boston, MA. At this building, The Distillery, in South Boston where we both had studio space.  And that building [in the main lobby] is where we did the first two Paint It Now shows.

The 22: Are you both painters?

SC: Yes we are.

The 22: So is there anything interesting on the horizon for the space?

Lia Post: Well this show I’ve been really excited about. Scott and Thomas have been planning it for a really long time so its nice it’s finally coming together. So this will be up for most of our summer. Right now I’m not exactly sure what I’m going to do for the next show, but it’s probably going to allow the show to evolve. So I’ll probably sand out some of the pieces and then have a show of studio artists. More of a process based show, so they kind of collaborate in the gallery together, or have a long-term process going on. I think there will be another one of the light shows that we had last October so that will be our anniversary, and I [want] to have a studio [show along with that]. After that I have some friends coming from Philly that were part of my MFA program that are going to come and do a show. Photo based and paper based, I think. It should be really interesting. Then, two Australian artists are going to come and do a really short kind of performance based piece in the fall.

The 22: How many studios do you have now?

LP: There are eighteen built studios. All kind of varying sizes. A lot of people share the larger spaces. I think there are about twenty-five artists working in here now. The spaces range from a hundred square feet to over two hundred square feet.

The 22: And you do photography as well?

LP: Yep, we built this photo wall, so that’s been fun. It’s been kind of slow. I’m a photographer and I don’t even know how I’m going to use it yet but it’s been a nice resource to have.



Associated-Site Specific: Guided Tours: Wed 27th, Thurs 28th, Fri 29th April, 2011.


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