The 22 Magazine


Richard Willkenbrink.
November 3, 2011, 7:00 am
Filed under: ART | Tags: , , , , , , , , , , , , , , , , , , , , ,



WEBSITE.

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THE WEEK: JUNE 1-3.
May 31, 2011, 9:38 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

!Women Art Revolution SCREENING @ IFC.

This revelatory “secret history” illuminates the Feminist Art movement through interviews with and works by visionary artists, scholars and critics like Miranda July, The Guerrilla Girls, Yvonne Rainer, Judy Chicago, Marina Abramovic, Yoko Ono, Cindy Sherman, Barbara Kruger, B. Ruby Rich, Ingrid Sischy and Carolee Schneemann. Score by Sleater-Kinney’s Carrie Brownstein.

In person appearances:
Wednesday, June 1: Lynn Hershman Leeson & Alexandra Chowaniec at 6:10pm, Leeson, Chowaniec, & Kathleen Hanna at 8:10pm
Thursday, June 2: Chowaniec & Howardena Pindell at 2:10pm, Chowaniec & Carolee Schneemann at 6:10pm, Chowaniec & J. Bob Alotta at 8:10pm
Friday, June 3: Chowaniec& Janine Antoni at 12:10pm, Chowaniec & Joyce Kozloff at 6:10pm, Chowaniec & Martha Wilson at 8:10pm
Saturday, June 4: Chowaniec & Howarden Pindell at 2:10pm, Chowaniec & B. Ruby Rich at 6:10pm, Chowaniec & Guerrilla Girls Frida Kahlo and Kathe Kollwitz at 8:10pm
Sunday, June 5: Chowaniec & Howardena Pindell at 2:10pm
Monday, June 6: Chowaniec & Carey Lovelace, Chowaniec & Connie Butler at 6:10pm
Tuesday, June 7: Chowaniec, Carey Lovelace & Faith Ringgold at 6:10pm

SCREENING TIMES.

GUERILLA GLEE CLUB (CLICK LINK FOR MORE INFO) (DATE CHANGED TO JUNE 2)


The Peripheterists
curated by Jocko Weyland

June 1 – July 30, 2011

Opening reception: Wed, June 1: 6-8 pm

Guided Tour: Wednesday, June 8: 6:30-8 pm
Music Event: Thursday, July 14: 7 pm

Featuring work by:
Nicole Andrews Brandes, Natascha Belt, Dave Bevan, Dwayne Boone, Gerardo Castillo, Rick Charnoski, Edward Colver, Ale Formenti, Renée French, Joseph Griffith, Thomas Hauser, Mark Hubbard, Chuckie Johnson, Gary Kachadourian, Taliah Lempert, Doug Magnuson, Alfredo Martinez, William McCurtin, Stu Mead, James Niehues, Gloria Park, Daniel Pineda, Randy Turner, Dennis Tyfus, Unidentified Cameroonian barbershop painters, Sereno Wilson, Jesse Wine, Jason Wright.

Tony Bennett unsuspectingly coined a new term of surprising relevance when he once said he liked what Oskar Kokoschka did “along the peripheter.” Though meaning the perimeter and periphery in the painting itself, he innocently zeroed in on a murky netherworld away from the formal where success and failure, acceptance and indifference, and Tony Bennett and Oskar Kokoschka meet. Like these two disparate personalities, the artists in The Peripheterists elude the standard definition of outsiders to form a diverse and unaligned but oddly complimentary non-scene that doesn’t really register with either the hoi polloi or the intelligentsia. In many cases low-key and unsung though prodigiously gifted, all are fairly unconcerned with and unknown in that rarely satisfying milieu known as “The Art World.”

The Peripherterists examines the wide-ranging connections, affinities, and allusions amongst works that posses the popular appeal often absent at the your typical white cube. That luck, social standing, ladder climbing, and a multitude of other variables determine who gets fêted is not news by any means, but it does give rise to an urge to address that vexing situation with a gathering of mostly uncelebrated rare birds. A few encounters amongst many will have Mark Hubbard’s fantastical diagrams for actual skateparks, Gloria T. Park’s expressionist wig designs, and Jim Nieuhues’ paintings that are the basis for ski area maps consorting with Sereno Wilson’s glittery Nubian goddesses, Nicole Andrews’ paper cutouts of ennui-suffused suburbanites, and Stu Mead’s poignant, troubling, and very funny depiction of sexually active adolescents. This is not a polemic but an excursion into parallel realm of wonderful art that combines the fiercely individualistic and unorthodox with the accessible, and brings up old-fashioned but eternal questions about what art is and why people bother.

Jocko Weyland is the author of The Answer is Never – A Skateboarder’s History of the World (Grove Press, 2002) and has written for Thrasher, The New York Times, Cabinet, Apartamento and other publications, and is also the creator of Elk magazine, books and gallery.

 Full Moon Storytelling Night: Folk Tales and Tellers From Guyana

Wednesday, June 1, 6:30-8:30pm
St. Stephen’s Church
East 28th St. and Newkirk Ave. (East Flatbush)


Moonlight Stories in the Garden (duppy (ghost) stories of the Caribbean and tales of the sea)

Thursday, June 2, 7-9pm
Prospect Heights Community Farm
256 St. Marks Avenue (Prospect Heights)

DIXON PLACE:
CHANGING SKINS: FOLKTALES ABOUT GENDER, IDENTITY AND HUMANITY
WEDNESDAY, JUNE 1 AT 7:30PM
& SCHISMISM: NATURAL LAW FRIDAY, JUNE 3 AT 9:30PM

SCHISMISM: NATURAL LAWCHANGING SKINS

SCHISMISM: NATURAL LAW: Lisa Karrer’s multi-media performance is inspired by the life of Charles Darwin. Karrer’s collaboration with composer and multi-instrumentalist, David Simons, features an arresting assortment of sonic and visual backdrops, including video sequences linked with original soundtracks, voice, triggered theremin, and live acoustic and electronic compositions. These combined elements illuminate an interwoven collection of concepts, associations and stories that mirror Darwin’s complex exploration of evolution and universal connectedness. In the spirit of natural selection, audience members choose the sequence of onstage events during the performance.

CHANGING SKINS: Compiled and performed by Milbre Burch and directed by Emily Rollie, featuring photographs from “Meta-Genesis,” (above) an exhibit of portraits of transgender folk by Columbia, MO-based photographer, Jane Lavender.Changing Skins interweaves gender-bending folktales from cultures spanning the globe with musings on the construction of gender and identity. Compelling storytelling for grownups!

Under Glass: A Victorian Obsession
An Illustrated Lecture and Show and Tell with Glass Parlor Dome Collector John Whiteknight

Date: Thursday, June 2nd
Time: 8:00 PM
Admission: $5
Part of the Out of the Cabinet: Tales of Strange Objects and the People Who Love Them Series, presented by Morbid Anatomy and Morbid Anatomy Scholar in Residence Evan Michelson

A smoking monkey dressed as a Marquis, a Wild West scalping scene created in beeswax, a cemetery scene made from the deceased’s hair, and stuffed pug dog puppies, all under glass domes!!!!!

The bell jar, or glass parlor dome, is synonymous with our memory of the Victorian Age (1837 – 1901). During the 19th century, these blown glass forms were referred to not as domes but as shades, and graced nearly every parlor, protecting a broad variety of treasures–including miniature tableaux, waxworks, natural history specimens, taxidermy of exotic birds and pets, automatons, and delicate arrangements of hairwork, featherwork, and shellwork–from dust and curious fingers. (READ MORE.)

MUSEUM OF (UN) NATURAL HISTORY featuring new works by KIM HOLLEMAN
Opening FRIDAY JUNE 3rd 6-10PM
65 Union Street  Brooklyn  NY

WORK Gallery is pleased to present Museum of (Un) Natural History featuring new sculptures and a street installation by artist Kim Holleman. The Museum is a collection of environments that have all been drastically physically and/or psychologically changed by human intervention. Using mostly synthetic materials, noxious chemicals, and items culled from the trash or found on the street, Holleman creates models of parks, empty lots, nostalgic structures and architectural futures. Each miniaturized landscape represents and critiques our consumptive habits and land use, the visual results of which are both fantastical and grim. Hazardous threats to the environment’s natural balance overwhelm the landscapes, leaving an eerie beauty in the wake of irreversible destruction.

In a truck lot adjacent to the Museum is Trailer Park: A Mobile Public Park, a “portable, natural, public park” inside an RV trailer. The interior is an actual park, where visitors go inside to go outside. Masonry paths, a waterfall, and the splendor of living shrubs, trees are ready for dispatch to wherever a green refuge is needed.


ASHES // JEREMY DYER || JUNE 2 // 6-9 PM @OCCULTER


OPENING RECEPTION
THURSDAY JUNE 2, 2011,  6-9PM
SOUND PERFORMANCE BY IAPETUS
RUNS THROUGH JULY 3

“I create fictional spaces that explore the intersection of memory, history and myth through the landscape-as-image. My method is to photograph, collect, deconstruct, and reassemble photographic material — collapsing multiple points in time and space into a single scene. This mirrors the fragmentation and flattening of experience as it occurs in the creation of memory while reflecting a sense of dislocation from place. As an atavistic response to the landscape, my images engage ‘land’ as a site of indifferent natural forces. Seen through a texture of skin, ash and the blackened fuzz of a violent guitar, each work is subsequently a nostalgic articulation of our histories, new histories made impossible by memory and mythology”. Jeremy Dyer lives and works in Brooklyn, NY.

UPTOWN ART STROLL: INWOOD/WASHINGTON HEIGHTS

NoMAA is pleased to announce the arrival of the Uptown Arts Stroll 2011, the most anticipated annual community arts festival in Washington Heights and Inwood. The Stroll will showcase the outstanding painters, photographers, writers, musicians, actors, dancers, and other creative people and arts groups that are contributing to the cultural life of Northern Manhattan. These artists will exhibit and perform in local businesses and institutions, open spaces, parks and other local venues throughout the month of June.

This year, NoMAA is delighted to partner with the 12th Annual Carnaval del Boulevard, a celebration of Dominican & Latino culture produced by the Juan Pablo Duarte Foundation, The Malcolm X & Dr. Betty Shabazz Memorial and Educational Center, and the Washington Heights Business Improvement District, to kick-off the Stroll with a community celebration on Thursday, June 2nd, 6–8:30 p.m. at The Shabazz Center. On Saturday, June 4th, NoMAA and the Stroll will join El Carnaval del Boulevard and the Washington Heights BID from 11 a.m. – 5 p.m. on St. Nicholas Avenue from 181st to 188th Sts., presenting art and performances from our local artists. read more »

KAREN J. REVIS: LUCID @ SEARS PEYTON GALLERY.

Fuse Works presents: Alarums and Excursions
At Front Room Gallery
Friday June 3, 2011, 7-9pm
open friday – sunday 1 pm to 6 pm
147 roebling street
williamsburg, brooklyn

an exhibition of multiples and prints including: Gregory Curry, Glen Einbinder, Ross Racine, Chuck Jones, Jody Hanson, Luca Bertolo, Andrew MacDonald, James Leonard, Celeste Fichter, Peter Feigenbaum, David Shapiro, Jan Obornik, Chiara Camoni, John O. Smith, Julia Whitney Barnes, Rik de Boe, Lotte Lindner and Till Steinbrenner, Sarah Vogwill, George Spencer, Emily Roz and Cammi ClimacoAlarums and Excursions is the sixth exhibition of multiples and prints by Fuse Works, an organization dedicated to exhibiting and promoting editioned artwork. The exhibition presents new work by 21 artist comprising prints, multiples, books, and digital works. (READ MORE.)

Japan Society presents
416 MINUTES
Thursday, June 2, 7:30 PM
333 East 47th Street

Join us for a surprise work-in-progress presentation of WaxFactory’s 416 MINUTES, featuring an extraordinary collaboration with artists from Japan and Eastern Europe, and inspired by the imagination of Haruki Murakami. In the company’s signature multidisciplinary style, this unsettling new work shadows an actress whose escape from a film studio sets her on a trail of chance encounters during the hours of the night when things take on a particularly eerie glow. Conceived and directed by Ivan Talijancic. Free Admission. Reception to follow.

TIX & MORE >>

SLOAN FINE ART, FRIDAY JUNE 3rd

Main Gallery: Aaron Smith “Coterie of the Wooly-Woofter”
Opening Reception: Friday, June 3rd, 6 to 8 pm
Exhibition: June 2 to 26, 2011

Project Room: Anthony Iacono “Victor Victoria”
Opening Reception: Friday, June 3rd, 6 to 8 pm
Exhibition: June 2 to 26, 2011

DAVID SANDLIN @ CENTRAL BOOKING, JUNE 3rd 6:30pm


Over the past 15 years, David Sandlin has produced eight major volumes (and several side works) of narratively connected artist’s books, collectively called A Sinner’s Progress. The books have ranged in format from hand-silkscreened limited editions to tabloid-style newspapers and pulp comics, each in service to its narrative function. Thanks to a fellowship from the NYPL’s Cullman Center for Scholars and Writers in 2010, Sandlin has begun work on a graphic novel, which he intends to be the culmination of the series. Belfaust, a love-triangle mystery loosely based on the Faust legend, will depict the backstory of the three main characters in A Sinner’s Progress and bring the narrative to closure. Sandlin’s presentation will discuss his influences and process in regard to the series.

Fri., June 03, 2011 / 7:00 PM
$12 in adv, $15 at door
Cirque des Batardes
(presented by HITS Company)

Stemming from old world styles and techniques, Cirque des Batardes is an avant-garde approach to classical forms such as vaudeville, commedia dell’arte, buffon, ventriloquism and, of course, cirque. Essentially taking on the form of a comic variety show, Cirque features a dozen acts including dancers, actors, and musicians to create a hilarious evening of spectacle and oddity. Led by their questionable emcee, the entire company seems to come from a different time. The entire production, in fact, appears in sepia tone like an old film dusted off and rediscovered. The company of misfits and performers must learn deal with their old school ways in the modern context in order to survive.

FEATURING:
Erin Debold
Krista Worby
Jo Mei
Jack Ferver
Amelia Meath
Becky Abrams
Colin Drummond
Nessa Norich
Nick Choksi
William Popp
Carly Hoogendyk
Mark Junek
Julia Eichten
Addison Anderson



OUT OF PRACTICE: CURATED BY NUDASHANK
ART BLOG ART BLOG
new temporary location:
508 West 26th St., 11th Floor

ICP Store, 1133 Avenue of the Americas
Friday, June 3, 6:00pm–7:30pm

Join Danny Lyon for a signing of his book Deep Sea Diver.

With his vintage Leica and accompanied by a young translator named Lolly Pop, American photographer Danny Lyon traveled across Shanxi Province in North West China six times between 2005 and 2009. The result of Lyon’s unfailing enthusiasm for immersing himself in local banter and customs is an extraordinary portrait of China and the Chinese, one seldom seen by foreigners. Lyon’s unparalleled photographic findings and discoveries are presented in this limited edition photobook alongside his handwritten annotations and commentary, as well as his ever-inquisitive and non-judgmental prose.



PAINT IT NOW Interview at Fowler Arts Collective.

Paint It Now installation in progress

This past Sunday, I took a moment to swing by Fowler Arts Collective in Greenpoint. I had the opportunity to speak with founder Cecelia (aka Lia) Post and Scott Chasse, one of the curators of the upcoming Paint It Now show which will be part of this year’s Northside Open Studios. Paint It Now opens Friday, May 27 from 7 to 10pm with an additional reception for NOS is June. We appreciate them taking the time to chat with us! Read or listen below!

LISTEN TO THE INTERVIEW

The 22 Magazine: First off,  I just wanted to talk to you about how Fowler started. What year did you start?

Lia Post (Founder): It’s only been about a year. I came in July of 2010. So, last Summer. This July will be our official anniversary, but our first show was just in October, so its been about eight months now.

The 22: What show was that [the first show]?

LP: It was called ENTER, it was a big group show with some of my studio artists and some friends from the neighborhood. It coincided with the first Greenpoint Open Studios-oh actually it was the second! …of the Open Studios in Greenpoint and it coincided with a big light festival called [Bright to Light]. It was a good way to start off the space.


Bright to Light: Nuit Blanche in Greenpoint, part of the opening of Fowler Art Collective

The 22: And you came from Philadelphia?

LP: Yes. Originally I’m from South Carolina, and I’ve kind of lived all over the place, but my most recent was Philadelphia. I went to an MFA program at The University of Pennsylvania and moved to New York after that. So I’ve been in New York for about two years now.

The 22: On the blog it said you got laid off and decided to open to a collective. Exactly how did you do that?

LP: Well the first year in New York was really hard. It was in the midst of no one having any jobs, so I was trying to do a lot of freelance work and that’s sort of hard. Finally I was able to get a waitress job and I had that for a few months, got laid off, and I was just like “Oh my God I can’t even keep a regular restaurant job.” So it was kind of out of a sense of the bottom, and having to figure out something to do, and I was really missing the artists community I had in Philly before I came here and knew there was a good artists community in the neighborhood. [So it was] wanting to kind of find a way to connect with that community, [and then] I sort of impulsively [decided] to make this whole thing and got a few friends to help me. It kind of evolved from wanting to have a live/work space with friends and I found all these really interesting huge commercial spaces in Greenpoint, which is really exciting because I live in Greenpoint. So that evolved, and I did the budget and realized I could have a gallery along with studio spaces, if I rented out the studio spaces. I got some friends to help me build the walls and it was good to go. It filled up pretty fast. Scott was actually one of the first artists that came when none of the walls were built and was like, “yeah, I’ll do it, I’ll take a studio. “

The 22: So, are you funded by anyone?

LP: It’s pretty self-sufficient. I put a large investment [in] myself. I got a small business loan and [had some] small savings. Mostly I just had to fund the start-up costs, like the walls. Almost right away it was running itself with the studio spaces. So that’s really good, it worked out well. I’m starting to look into getting funding with indiegogo and I just got fiscally sponsored with Fractured Atlas so that will sort of start helping us in getting some grants and things.

The 22: Great, so this show is Scott and one other curator? [To Scott] So do you want to tell me a little about what this show?

Scott Chasse: Sure, it’s a show that we actually did, Thomas Buildmore and I, two times now in Boston-in 2008 and 2010. [Basically] we’re taking a handful of painters that we either know personally or respect and have been able to connect with, and we’re putting them all in the same room. We’re providing the paint itself, we’re providing the material and we mix it down to a certain viscosity, we try to control that and that’s about it. We just set them loose, they’re able to paint on the walls, react to the space, react to each others work and at the end our goal is to have this giant cohesive painting installation that just takes over the space but is unified by the control of the materials. We explain to the artists up front that we want to see this opaque black directly on the white, the harsh contrast, as opposed to them being able to water it down to gray or mix it with white, or mid-tones, we don’t want any of that we just want harsh black on white.

The 22: So the viscosity, was that for any reason?

SC: It’s A) the look, and B) it’s such a pleasure to work with at this viscosity. We get that feedback from the artists all the time. It’s just so enjoyable to use the paint and it’s actually a specific brand. I’m happy to say Lascaux sponsored this show very generously. They handed us some product and we have always cut it down the same way, since day one. We were actually just buying it for the very first show, out-of-pocket, and we are continuing to develop our relationship [with Lascaux]. It was really nice of them to give us a bunch of paint for this one, and everybody is really enjoying it again.

The 22:  I was reading the statement and it seemed part of what you guys were trying to do was make commentary on the state and style of art, as opposed to personal interpretations and a lot of it looks really pop and street art. Does that just come from your [personal] backgrounds [or connections]?

SC: There is definitely that influence. I don’t think we’re trying to make this at all a reflection of street art, but just painting in general. Street art is just a part of painting these days. We want the show to be taken as a painting exhibit. These are painters, regardless of what their backgrounds are, and there are definitely painters in this show that are very far away from anything having to do with street art but when they are painting on the wall next to someone you might recognize from the street, it’s easy to blur those lines between which is which, and that is definitely a goal of the exhibit. To see how people are reacting to each other in the space as well as how their varied backgrounds just coexist.

The 22:
So more about collaboration than anything?

SC:
Yep, exactly.

The 22:
So the exhibit is only the painting on the wall?

(LEFT: Morgan Anderson from Philadelphia works on
the Paint It Now installation.)

SC: It will be eighty percent painting on the wall and we’re going to hang some of the 2D and 3D work from the artists. Probably eight to ten pieces. We’ve actually saved one wall in the space [for that].

The 22: What are the dates of the show?

SC: It opens on May 27th. The opening reception is 7-10 and it runs through July 6th. And we’re going to have a 2nd party during Northside Open Studios. That is June 17th from 8-10. It will be another artist reception and that’s the Friday night of Open Studios weekend here, so it should be really fun.

The 22: I know most [of your artists] are from Brooklyn, but some of them are from Philly and Boston? Who’s coming from Philly and Boston?

SC: I think we’re at about twenty artists now, there are great people from all towns, I could go through the whole roster but I’d probably space on somebody. [laughs]

The 22: [laughs] Oh that’s fine, I totally understand!

SC: Tom Buildmore is actually based in Philly right now, but I met him in Boston, so that’s probably the connection right there. That’s why we are still dipping into the Boston pool and we’re actively participating in the Philly pool. Tom’s down there right now, he has a great space down there called Stupid Easy. It’s almost like this, just a smaller version. It doesn’t have a whole bunch of studios, it’s just a room they use for a production studio and they use it as a gallery as well. So he’s really connected with the scene in Philly.

The 22: And where did you guys meet?

SC: Boston, MA. At this building, The Distillery, in South Boston where we both had studio space.  And that building [in the main lobby] is where we did the first two Paint It Now shows.

The 22: Are you both painters?

SC: Yes we are.

The 22: So is there anything interesting on the horizon for the space?

Lia Post: Well this show I’ve been really excited about. Scott and Thomas have been planning it for a really long time so its nice it’s finally coming together. So this will be up for most of our summer. Right now I’m not exactly sure what I’m going to do for the next show, but it’s probably going to allow the show to evolve. So I’ll probably sand out some of the pieces and then have a show of studio artists. More of a process based show, so they kind of collaborate in the gallery together, or have a long-term process going on. I think there will be another one of the light shows that we had last October so that will be our anniversary, and I [want] to have a studio [show along with that]. After that I have some friends coming from Philly that were part of my MFA program that are going to come and do a show. Photo based and paper based, I think. It should be really interesting. Then, two Australian artists are going to come and do a really short kind of performance based piece in the fall.

The 22: How many studios do you have now?

LP: There are eighteen built studios. All kind of varying sizes. A lot of people share the larger spaces. I think there are about twenty-five artists working in here now. The spaces range from a hundred square feet to over two hundred square feet.

The 22: And you do photography as well?

LP: Yep, we built this photo wall, so that’s been fun. It’s been kind of slow. I’m a photographer and I don’t even know how I’m going to use it yet but it’s been a nice resource to have.



DISINTEGRATION: LEILANI BUSTAMANTE @ FUSE GALLERY.

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“Built on Dreams Alone” Daniel Merriam @ Animazing Gallery.

NEW YORK, NY – Widely renowned as one of the world’s best watercolorists, Daniel Merriam has captured the hearts and curiosities of collectors worldwide. New works will be on exhibit and for sale at Animazing Gallery in SoHo from April 17- May 15th, 2011. A champagne reception for the artist will take place on the evening of April 16th from 6-8PM. The exhibition & sale is free and open to the public; RSVP requested for opening reception to rsvp@animazing.com. For more information call 212-226-7374. The gallery is located at 54 Greene Street, on the SE corner of Broome & Greene (map & directions).

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Batya F. Kuncman
March 27, 2011, 1:54 pm
Filed under: The 22 | Tags: , , , , , , , , , , , , , ,

Batya is a multidisciplinary artist. Creating scenarios informed by world and art history as well as
science, technology, transcendent texts and current events she applies her impressions through different projects and mediums.

WEBSITE

From the Artist~

My work reflects on contemporary culture with a focus on the invisible and hidden aspects of existence. Integrating the symphonic chaos we negotiate daily with world events I apply my impressions through different projects and mediums. Reflecting upon issues of our age of convergence I weave the human and environmental tapestry of seemingly isolated events into a larger contextual tale.

Creating scenarios informed by world and art history, science, technology, transcendent texts and current events my work explores the intrinsic meaning of being human, birth and decay, the fragility of the human condition and the ambiguous relationship between “illusion” and what we call “truth.” The works seek to capture human capability for love and greatness in a hostile and arbitrary world and to examine perceptions of reality as pieces in an ongoing mystical puzzle or a game of chess. The images are filtered through the lens of modern life casting a glance at a future that wavers between utopia and dystopia.



Single Fare 2: Please Swipe Again

Contributor Kate Javens shared this terrific show, SINGLE FARE, opening at Sloan Fine Art, now in it’s 2nd incarnation! (See her  lambs below.) RECEPTION TONIGHT AT 7pm! Show runs through March 26th.

 

IMAGE’S FROM LAST YEAR’S SHOW

Opening Reception: Thursday, March 17th, from 5to 9 pm
Exhibition: Friday, March 18 through Saturday, March 26, 2011
Gallery Hours: Noon to 6pm (Closed Monday & Tuesday)


Sloan Fine Art is pleased to host “Single Fare 2: Please Swipe Again” a very special exhibition of works on used NYC MetroCards with a portion of the proceeds to benefit Transportation Alternatives (transalt.org) and Alliance for the Arts’ NYC ARTS (NYC-ARTS.org). 

In May 2010, Artists Jean-Pierre Roy and Michael Kagan hosted an unusual exhibition in their Brooklyn studio. Open to all artists who wanted to participate, “Single Fare” placed one constraint on the creative process: all work had to be submitted on a used MetroCard. Inspired by the notion that the city’s subways and buses allow for a kind of creative interchange unmatched in human history, “Single Fare” sought to create a unique art event where art and artists could come together to form a monumental event made from a tiny, innocuous piece of plastic: The MetroCard! The resulting exhibition featured over 700 works of art – from artists as far away as New Zealand and as close as the studio next door.

Following the tremendous success of last year’s “Single Fare,” Roy and Kagan team up with Sloan Fine Art on the Lower East Side for “Single Fare 2: Please Swipe Again.” The themes of last year’s show ran the gamut from moments of high abstraction to delicate portraiture. Three-dimensional works, documentary photography and even a video installation helped to create one of the most cohesively diverse shows in recent memory while playfully challenging artists to show what they can do with seven square inches.

While serving as a democratizing vehicle for artists of all ages and disciplines, the Single Fare exhibition also served as a fantastic platform to introduce beginning collectors to an amazing array of work while inviting the committed collector to connect to artists that might normally fall under their radar. Partnering with Sloan Fine Art represents an exciting step forward for the Single Fare experience, allowing the exhibition to remain true to its roots while benefitting from additional exhibition days and regular gallery hours.

Additionally, a handful of artists have been recruited to create Single Fare works that will be raffled off with proceeds to benefit two worthy charities – Transportation Alternatives (transalt.org), promoting New York City’s continued commitment to public and alternative forms of transportation and Alliance for the Arts’ NYC Arts (nyc-arts.org), the leading Web and free iPhone guide to arts programs and events throughout NYC. Raffle tickets will be available beginning at 5pm the night of the reception and winners will be announced at 8:30pm sharp.

Detailed submission instructions can be found at http://single-fare.com andhttp://sloanfineart.com/11SingleFare/submit.html

About Transportation Alternatives:
Transportation Alternatives’ mission is to reclaim New York City’s streets from the automobile, and to advocate for bicycling, walking and public transit as the best transportation alternatives.

About the Alliance for the Arts:
The Alliance for the Arts serves the entire cultural community through research and advocacy and serves the public through cultural guides and calendars. Through its NYC ARTS guides and calendars, the Alliance promotes New York cultural institutions. Through its research studies highlighting the importance of the arts to the economy and to education, the Alliance helps government and civic leaders understand the importance of cultural organizations to New York City. More information on the Alliance’s work can be found at the new http://www.AllianceforArts.org.

 



Ruben Cukier
March 16, 2011, 3:00 pm
Filed under: The 22 | Tags: , , , , , , , , , , , , , , , , ,

 

 

 

 




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