Filed under: VIDEO WEEKEND | Tags: eyes, kichiro, light, misha, of, out, paris, passion, semiconductor, shyscapes, shyukin, the, tsujikawa
Filed under: THE WEEK/THE WEEKEND | Tags: ABJECT ‘MY, Aerial, Aidas, and, annual, Assembly 4th, at, Ball TICKETED, Bareikis A, Bark, BENDING, brand-new, Brandt GLASS, BRIDGES THE, brooklyn, Brooklyn MARY, CD, champagne, Civil, Crawl, CreswellBeasts, D., david, DESIGN, District The, e, east, ensemble, experimental, Fay, Fenton, Fest Noho, festival, FLIGHT BROOKLYN, folk, Forma, from, GEO, ghost, halvorson, Hodgman, Improvisation, in, interview, james, jazz, john, LIBERATION Bill, Lit, matthew, Muchmore President, Noveller KITE, of, on, Parade, Paramount, paris, party, pat, Petticoats, Photographs L, piano, poetry, Propaganda, PSYCHIC, public, QAWWALI, quintet, Rees, release, review, Robyn, Saylor, Scream, Series ENDE, stephanie, stone, the, thursday, TYMES, VENERABLE, victor, vocals), WALTZ’—the, war, WYETH PINATALAND
Yossi Milo Gallery is pleased to announce Lakes, Trees and Honeybees, an exhibition of new photographs and prints by Matthew Brandt from his series Lakes and Reservoirs, Trees, Honeybees and Taste Tests in Color. The exhibition will open on Thursday, May 24, and will be on view through Saturday, June 30, with a reception for the artist on Thursday, May 24, from 6:00–8:00PM. This will be Matthew Brandt’s first exhibition with the gallery and his first solo exhibition in New York. Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate.
Filed under: THE WEEK/THE WEEKEND | Tags: 2011, 2012, 22, 4, 42, 7th, a, actress, adam, America Robert, and, annual, apple, art, artist, artists, arts, Ashley’s, assemble, back, Bedroom, beth, big, BIGGEST, brooklyn, by, Canem, Chamber, CIRCE, composer, Concrete Brain, CONQUER NATIONAL, CONQUER NATURE, conversation, cooperation, craft, Dangerously American, Delisle, Density, Downes Simultaneous NATIONAL, Dreaming, DUO DIAMOND, Edelson, effects, Eggs Sigils, Eleanor, energy, Ensemble The, Ensemble Vonnegut, EVANS, experimental, Featuring, festival, Festival Brancusi, FETISH Low, fight, Fixins Contemporary, for, Frances, future, Future THE, Guanzhong Slavoj, Guy, Heartney, historians, hosted, hyper, in, ink, international, is, Issue, JERUSALEM Frackonomics GRADUATE, JUKEBOX Freeze, K., Kathleen, lady, Lara, Launch, library, live, LIVES, lorin, magazine, Manhattan League, mary, McDormand Drawn, Moody, music, Networked, new, night, ny, nyc, of, Offit, on, or, our, paintings, paris, party, Party Either, Patrick, Percussion, performances, photographs, pianists, Pink Extreme, playwright, poet, poetry, poets, Pornography Revolutionary, presented, presents, PRESENTS…PRACTICE! Greenlight, professional, Quarterly, Reading “The, residence, review, Rick, Ron, Rosal Late, Ruhl, Salon Contemporary, sarah, SERIES PETER, SHE, Sidney, Signs Ladies, smith, spring, STABINSKY, Stein Cave, STOOPS, surreal, TERRIFIER, the, theatre, to, Tracy, vision, Wentrack HYDROGEN, Wilson, with, women, Wu, year, york, your, Žižek
The 22 Magazine is putting on a show this Thursday at Vaudeville Park in Brooklyn. Hope you can join us!
Check out a preview for the show.
The 22 Magazine Presents: Fixins
The 22 Magazine is pleased to present an evening of music, art, food and puppetry with Andru Bemis, Anna Gevalt, Elizabeth Laprelle and Katherine Fahey, who along with singing, will be presenting a cranky. Also known as scrolling panorama, or crank box, the cranky is an old-fashioned hand-cranked scrolling device, illustrating a story or song. They will be joined by FAHEY, puppeteer Daniel Patrick Fay, and visual artists Jimmy McBride, Megan Canning, Eileen Hoffman, Reineke Hollander and more. There will be a potluck style buffet, so feel free to bring something to contribute! The event will take place on April 26, at Vaudeville Park in Brooklyn.
Filed under: THE WEEK/THE WEEKEND | Tags: 2, 2012 M, 22, and, animations It, Appropriation, art, artist, artists, arts, Automaton BRAIN, band, beach, between, Blanket, book, brooklyn, by, Candlelight, cave, CD, Chiptography, come, concert, Concert Theriomorphous, Corman ROUDNTABLE, CUNNING Floating, dave, Didn’t, DJ, EGG Karavika, Entourage, Evol The, experimental, for, fourth, Friends Banda, God ENTERTAINING, GODWIN, have, hoffman, Hornets Musicircus JAMES, Hosts, How, jeff, ken, Lankov, Laundries David, Leela, Let’s, Line Toxic, literature, LUNATIC, made, magazine, Magda, Magdalene, man, MONSTERS THE, music, new, ny, nyc, of, Operas BinAural, or, outpt, Paolo, paris, party, performance, Perlin, piano, planet, Point, pop, presents, Rathman, release, Roald, Rockman, Sahar, science, see, Set Zvi, SHANGHAI, signing, SKGB, Soldier, Stirs, string, strings, surreal, the, this, three, tiny, to, up, UP Nicola, Ventura’s, Verlato, Victims, vincent, visual, Wall Jonathan, was, Waves Unterzakhn, West, what, with, women, Won, wood, World Folio, york
Three Experimental Operas
Fri. Apr. 6 Un Jour Comme Un Autre by Vinko Globokar ADDDDDDDDD by thingNY Sat. Apr. 7 ADDDDDDDDD by thingNY Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young Sun. Apr. 8 Un Jour Comme Un Autre by Vinko Globokar Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an opera by Paul Pinto and Jeffrey Young
Filed under: THE WEEK/THE WEEKEND | Tags: 1000 McSweeney’s, 1971, 2, 2012, 2012 Beautiful, 22, 30, 6, 92YTribeca, a, acoustic, ACTIONS, acts, adam, Alumni, Amat BRAIN, an, and, andrew, animal, Appropriation, april, ark, art, Art BANQUET, ARTAUD RED, artist, assembled, at, Aubele, Bassett, beth, between, bird, BLOWN, blue, Boyd, brooklyn, by, BYT, Cadet, cave, CD, Chico, Chiptography, Chris Artist-in-Residence, CITY Karavika, coda, collective, Concert Performance, Confinements, creative, cub, curated, Cynthia, dave, Degrees, DeVotchKa, diane, DJ, DOOMSDAY, duo, Easterson, ed, Edelson, entrance, ethan, every, exhibition, exit, Experience Perfume, federico, Felix, Feminists, Fields, for, from, funk, genius, Girls Colin, Hawk The, Headphone, hosted, in, is, ISABELLA, Koala’s, KROPOTKINS, Lasse, Laurie, Leland, Levin, limitations, literature, Lone, Love EXIT, Lubelski, made, magazine, Magnetic, mann, Marcia, Marhaug ESL, mary, MASCHMEYER Peter, mind, Mitchell Skowhegan, MONSTERS THE, Monuments, MORE Floating, Morelo HAVE, music, Muslim, Neufeld The, new, Nosowsky Poetry, of, on, Oswald, out, outpt, PARDALINCE, parenthetical, paris, Parry, Parts The, performance, poets, Point, POLITICS Kid, powerhousefrenchtablenecklaces ROUDNTABLE, presents, Proceed BinAural, produced, rachel, Radical, Recognizing, release, Restrictions, revolution, Rockman, roll, rose, Rossellini, ryan, said, sam, samara, sarah, Sayrafiezadeh, SCHRADER, Sergei, Set Musicircus MAN, Shelton, SKGB, space, Stetson, student, Sullender Hail, super, Synergy, Tcherepnin, the, three, to, Toolbox, Trouble, Ursula, Vandal Coming, visual, Waves Die, week, white, who, williams, with, wolf, woody, works, years, york, your
Every Exit is an Entrance: 30 Years of Exit Art
Exit Art is pleased to announce their final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center.
Filed under: ART | Tags: 22, animals, art, artist, artists, arts, brooklyn, drawing, feral, france, french, gallery, jarry, magazine, men, naked, new, ny, nyc, on, paris, philippe, riding, small, the, tiny, york
Filed under: ART, FILM/VIDEO | Tags: 22, and, anymore, are, art, artist, artists, arts, brooklyn, caubet, Desire, fool, france, gallery, hand, immortal, magazine, miyoko, new, not, ny, nyc, of, paris, performance, surreal, the, we, york, young
At the request of theater director Mélanie Mary, and in collaboration with video artists Alexandra Loewe and Kai-Duc Luong, this video was created specifically for adding ambience to a literary rock music event that centered around the theme of sex.
The challenge was to create images that would depict sensuality in such a way as not to be overtly vulgar or ridiculous. We took this to be our guideline throughout the creation process of “Hand-Fool of Desire.”
I was offered to make a video and display it at a gallery exhibition with other artists.
“We were young and immortal,” the name of the exhibit, resonated with me during my work with it, prompting me to respond to this idea and how I felt about it.
It made me think about how being a 32 year-old woman doesn’t feel like being young and immortal like I did when I was 19.
In fact, I’ve been thinking about how short life is, of how close the possibility of death is to me as I reached my 30’s.. (READ MORE.)
Filed under: ART, EVENTS, MATT MOWATT, REVIEWS | Tags: (UN), 140, 22, a, animal, ardouvin, art, artist, artists, arts, auguste, blanche, brooklyn, burning, central, chatlet, d’années, dormeuil, du, espina, fanguese, glisse, halles, i, ignicion, il, issac, Julien, keep, leopard, LES, light, magazine, massif, millions, new, nuit, ny, nyc, paris, performance, Pierre, plage, purple, rain, renaud, sur, tassef, the, thomas, une, virginie, will, Y, york
Nuit Blanche, the tenth annual city-wide art exploration (“art walk” is a gross understatement when over 125 artists’ works are sprinkled all over the City of Light), was a personal success this year than the last (as I was stuck in an apartment with ex-pats waiting to leave for hours as they pre-gamed and played horrible music – see article: Waiting for Nuit Blanche). I took precautions not to invite too many friends and to plan an accurate itinerary of the exploration that began in northern Paris and ended in the center. The journey clocked in at about ten hours, shedding three or four people in the process, leaving me with three others at five in the morning.
Here’s a brief description of the pieces we encountered and where they were located:
Filed under: MUSIC | Tags: 2011, 22, 6, art, artist, artists, arts, brooklyn, chad, ephemere, france, health, live, magazine, matt, mowatt, new, ny, nyc, paris, performance, Point, review, september, surreal, the, to, valley, york, your
HEALTH W/CHAD VALLEY
“To Your Health”
It all began with work in Mexico City. A friend of mine had bought a ticket to Health only to find out that he’d be unable to go. “You want it?” he asked me, a bit forlorn and deflated. “Sure,” I responded not particularly knowing what I was throwing myself into. And then events happen as they do to everybody, the ones that cripple the will and crush the desire, the ones where you either decide to go to a concert or to keep hiding under your sheets worrying what the hell to do with your life – the proletariat blues.
Filed under: ART, FILM/VIDEO | Tags: 22, 33, art, artists, arts, brooklyn, Deleuze, Didier Wampas, french, intimate thoughts, lifestyle, love, magazine, nabakov, new, Nietzsche, ny, nyc, old, overcoming heartbreak, pale fire, paris, performance, photos, portrait, relationship, subjective point of view, surreal, video image, woman, years, york
Video portrait of a 33 year-old french woman overcoming a heartbreak made from still images and inner voice over.
A video by Miyoko Caubet – french video artist
with Mélanie Mary – french actress, theater director and writer
Filed under: INTERVIEWS, MUSIC | Tags: 1, 22, abbesses, band, bjork, bonnie, brooklyn, carousel, deezer, doll, foles, france, franco, francocolies, francofolies, gaga, girl, heart, jaune, K., li, loops, madame, mademoiselle, magazine, matt, metro, mowatt, music, nature, new, noise, ny, nyc, of, one, paries, paris, short, sound, stories, telephone, the, voodoo, voume, woman, york
Filed under: THE WEEK/THE WEEKEND | Tags: 1945, 1976, 1979, 1997, 20, 22, 28, 3rd, a, abstract, activism, again, all, americana, americian, anatomy, and, and crafts, andrew, andy, ann, apocalyptic, arbor, Arcangelo Sassolino, Ariel Orozco, art, arts, astor, at, august, barbes, bash, BBQ, believe, belt, black, blackface, blues, bohemia, bookseller, borden, bowen, BP, brando, bread, brecht, bristol, brooklyn, burma, cabinet, cafe, calls, carnegie, cavett, center, chayefsky, Christian Marclay, cicada, class, claudia, clear, coda, color, communicty, communism', consulate, cortlandyt, costanzo, critical, CT, cty, cub, dan, dance, darren, dart, david, dean, destroir, destroy, destruction, dharma, dick, DIY, dreifus, ducks, dunca, earth, earthquakes, egg, elana, ethan, evan, face, fashioneds, feminism, filmmakers, for, forum, fundraiser, gallery, gamelan, garinez, glenn, global resistance, goldsmith, gospel, gould, green, greenpoint, ground, hall, hallelujads, hallelujahs, hazmat, heti, hiroshima, historic, hollow, horowitz, hull, ICA, illsutrated, indonesian, institute, institutue, international, interview, interviews, isadora, ismaily, issues, jams, janet, japanese, jennison, Jimmie Durham, Johannes Vogl, john, jovana, juried, kashin, katz, Kenneth, lass, Le, lector, lehmann, levinthal, life, Liz Larner, lizard, location, lorin, lost, love, machine, magazine, makeup, maritime, marlon, Martin Kersels, May, me, Michael Landy, michelson, michigan, misson, modine, molasses, momenta, monsters, morbid, morgan, music, nalinese, new, nicholas, night, ny, nyc, o'donnell, objects, observatory, of, oil, old, one, orwell, out, paddy, pains, painting, paris, paulo, people, performance, philadelphia, photography, pigs, playboy, poisson, poloroids, post, presents, prision, project, puppetmaking, QNA, quartet, rachell, rally, rather, records, recycle, recycled, release, resistance, review, rich, Roman Signer, ross, rouge, roughe, royal, rump, rust, saturday, save, schoultz, seaport, selected, shahzad, shake, shelia, show, simon, simonini, society, special, spill, spring, stein, stokic, strange, suckling, super, swara, swiss, tail, tales, the, the weekend, them, times, to produce, tooth, tour, under, unrest, vegass, wail, ward, ward's annual birthday, warhol, WGPR, who, witch's dungeon, woman's, work, workshop, writers, york, york. NY, yva, zero
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)
MAY 20–AUGUST 28, 2011
After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.
Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…
Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!
For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)
The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”
An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Part of Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson
Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)
The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.
QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW
As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:
- DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
- CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?
- KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
- LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.
There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.
The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.
This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.
More info: http://tinyurl.com/blvr-nypl-qna
May 18 – June 19 2011
Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.
Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)
Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.
Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)
May 19 – June 25
I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.
Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.
David Levinthal: Black Again
May 19th to July 2nd
John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.
Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and 3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.
In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes
A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Presented by the Hollow Earth Society
Part one of a four-part series
Post-apocalyptic arts & crafts survival skills workshops, you say!? That’s right: Creative-making for the improvisational, post-industrial future (and present). When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)
3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB
with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)
Filed under: INTERVIEWS, MUSIC | Tags: 22, 7, Alquezar, american, blues, Boule, brooklyn, CBGB, chroncicle, Cramps, double, england, Eugénie, fairweather, france, Frederique, inch, interview, Jim Carroll, Jim Yu, Kryznowek, Legs, Little Bob, Lou Reed, mad, magazine, matt, mowatt, new, Noire, noise, ny, nyc, paris, parlor, peter, polorodi, punk, records, retro-rock, rock and roll, rugged-out, shoe-gaze, snakes, the, vinyal, york
I met up with Eugénie Alquezar (the singer/keyboardist) and Peter Kryznowek (the guitarist) of the Parlor Snakes last week at a Parisian bar in the 11th quarter, and they are very much the embodiment of rock and roll music. Peter with his cool rockabilly swagger and Eugénie with her stylish and energetic demeanor, it’s difficult to find this certain purity of rock and roll today without the adulterated elements of Macbooks, alligator sweaters, or the ironic pair of glasses. No slamming the indie circuit, but it’s refreshing to see, well, rock and roll once again. After seeing the Parlor Snakes play live, I was convinced that I was back in the heyday of New York City rock music (where Peter lived and was heavily influenced by). On the other hand, labeling the Parlor Snakes retro-rock, nostalgic for the drugged-out days of Lou Reed, Jim Carroll or the Cramps would be a grave mistake. They bring their own twist of space-out and shoe-gaze as much as any young band today – mixing both high-energy with calm-down beer time. A perfect combination for cellar-dweller rockers thirsty for the times of CBGB’s but also ready for some fresh sounds as well.
The 22 Magazine: First of all I’d like to thank you for this interview with The 22 Magazine.
The Parlor Snakes: Thank you for inviting us.
Filed under: ART, SUPPORT THIS PROJECT! | Tags: 22, aml-press, april, artists, arts, beaute, berlin, bras, collage, culturelle, cutter, d'humidite, damp, des, eduardo, fashion, france, french, germany, gertler, l'entreprise, LES, magazine, minimal, minimalist, new, ny, nyc, paris, patches, prisonniere, project, risograph, serafim, sous, taches, the, votre, york
HELP SUPPORT CONTRIBUTOR APRIL GERTLER’S BOOK PROJECT: DAMP PATCHES.
I’ve had the very great pleasure of seeing some of these pieces in person and each one of them is so uniquely lovely. April will talk about this and other projects in the forthcoming video interview for the 22 but in the meantime help her make it happen!
Donations range from $25 to $750 (which includes a personal hand-made collage from April.)
ABOUT THIS PROJECT
In October 2010 I was invited to Paris for an artist residency at l’entreprise culturelle. Out of that residency came DAMP PATCHES – which is a new collection of work I developed into an artist book that mixes my collage work with photography and drawing. The title of the book comes from the loose translation of a deodorant ad from the French fashion magazine Votre Beaute (1973): Prisonnière des taches d’humidité sous les bras. – A prisoner of damp patches.
I like working with collage because I enjoy using original source materials such as found photographs, fashion magazine ads, and bits and pieces that I find on the street or in the trash, and the hands-on experience of working with paper, glue, scissors and thread. It feels increasingly relevant to use a hands-on approach as many other parts of my life are being swallowed by the digital world.
I use collage as my primary medium because I feel it is the best way for me to combine images and explore various concepts that interest me the most, such as; the complex dynamics of intimate relationships, female empowerment, and the anonymity of urban life. I am dedicated to my original source materials which tend to restrict the final size of my work, but in that way they become more precious and intimate for the viewer, DAMP PATCHES has challenged my continuing understanding of what collage can become.
The idea of creating a book surrounding the project came together when I was speaking to my colleague and friend, Eduardo Serafim about DAMP PATCHES. Eduardo co-founded AML-Press in February 2011, and suggested that AML print the book with their newly acquired Risograph printer; a machine part Xerox copier, part offset press which has the quality of a silkscreen.
The Risograph machine was not initially intended for artist books or printed projects but rather for high volume commercial use. I loved the idea of using the Riso because the quality and texture of the images produced by the machine highly compliment the source material I use in my work which typically comes from the 1960′s – 1980′s.
The final book will marry the low-tech feel of the collage work with the high tech printing method of the Riso. As a result the collages and photographs will be the same size and the same texture as the original works. I am really enthusiastic about this part of the project because it helps me push my practice further by exploring my interest in all 3 mediums and takes them to a new level.
The funding I’m requesting would support the production of the book by supplementing the printing costs, paper, assembly, and shipping/distribution of the finished book.
The book would be:
- 36 pages
- Book size (closed) 8.5″ x 11.5″
- Printed on the Risograph
- Staple binding
- Edition of 300
I hope you are interested in sharing in my enthusiasm. Thank you for your time, attention and support.
10437 Berlin, Germany
Project location: Berlin, Germany