Semantic Rhinestones by Dan Hedges.

Dan Hedges has been teaching English in private and public schools for the past ten years.
He is the editor of HUMANIMALZ Literary Journal. His poetry is published in over one hundred
online and print journals. He has been nominated for awards, including the Pushcart Prize.
His poetry embraces the topics of synchronicity, singularity, animal spirits, perennial philosophy,
lucid dreaming, shamanic journeying, bio-energetics, transpersonal psychology, mysticism, the
so-called avant garde, and field-guide aesthetics.
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One Night Stand: A Biblical Epic on Mastication
January 21, 2013, 12:46 pm
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22,
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new,
ny,
nyc,
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Epic,
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biblical,
mastication
By David Moody
Lord, forgive all my foxiness. Remember us humans, us cruising
to nightclubs and not braking to dead stop, us stepping—
no hand rail—in black pumps and boot-cuts up to the slut box
then forgetting to dance. Us keeping secrets. Our leaving no tip.
Sometimes in a good fuck I speak carpentry—spackle and jack
tape, Jesus rib, caulk. I awoke this morning naked as a jay bird. Buzzed,
wearing glasses, I held on to no one but my body pillow, Sacagawea,
keeping her warm. Almost a godsend, God, almost.
I confess I want guidance. Guide me to the country of Charity,
that hard-knuckled woman, her deep ankle boots. Can she have red
hair or is black a must? I imagine her hips as I often do hips—chisels
and axes that hack at a crowd thralled to some DJ.
This woman shapes through body’s rhythm her own thrumming
god. Fox beast, incisors, torso warped thing. Its own twisted shape a way
of confessing. To choke without a throat, slowly, on praise.
From what is this thing we have gnawed happiness? How
has it tasted all of our lives? God of Smudged Chins. God of
Half-Virgins. We wedge fingernails into the gaps between backboard screws
and corner beams. With a wonderful quickness we know bed as world.
God, what I’m saying is that I suspect heaven
was planned with a right hand drawing blueprints on napkins,
the left hand still-buried in some idle fur.
Forgive me but nightclubs are like your mouth, like my bedroom
with its ceiling too low. The off-kilter whir of fan blades replace
any belief in collar-starch morals. Forgive the room’s stucco.
Forgive the drunk nothings this tile floor revibes. No,
nothing’s wrong with yesterday’s meats. Sometimes, though, I am
little more than gaps found between words—good and then
morning. A click-click that lingers. I cannot tell if its high heels or teeth.
If I am flea, Lord, and not a fox, I insist one thing: you must bite, hard.
David Antonio Moody writes out of Tallahassee where he pursues a PhD in poetics at FSU. Former poetry editor for SawPalm and Juked, David is production editor of Cortland Review and Southeast Review. His work has appeared or is forthcoming in Sweet, Eleven Eleven and Spillway.
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Dan Hedges #80.
December 30, 2012, 10:02 pm
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$80,
assorted,
cliff,
dan,
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hedges,
plots,
poem,
poetry
{assorted plots
dispersed irregularly across
generalized narrative suspense
lead to uncanny sensations that
humans are a fixed point}
Dan Hedges is the editor of HUMANIMALZ Literary Journal. His writing appears in The Monarch Review, The Apeiron Review, and more than ninety other journals. He writes out of a small white house in rural Quebec. He teaches English near Mont-Tremblant, Quebec, Canada.
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The Mantis Shrimp (Dave Richardson).
December 6, 2012, 3:51 am
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POETRY,
WRITING | Tags:
aquatics,
awautics,
brooklyn,
david,
fish,
mantis,
new,
poem,
poetry,
richardson,
shrimp,
the,
york
The Mantis Shrimp: A Video Poem from Dave Richardson Design on Vimeo.
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Freshwater
November 15, 2012, 4:14 pm
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by Nadra Mabrouk
You wanted to use a caterpillar as fish bait.
The soft fuzz of its pinky-long body
squirmed as though in slow motion
and you, not able to cut into its mouth, shivering,
threw it back in the grass.
And I thought we could take this bike anywhere -
Instead, we stop,
lay it on the ground near my chalky ankles.
a half naked woman’s shoulders near us, tanner than us — she is a bear:
waiting for the small gloves of fish
to tug, then grabbing them off the hook with large fingers
and swollen palms
as though her growth depended on them.
And what does our growth depend upon?
Exoskeleton? Thin needles inside fish?
The sturdiness of understanding the variations of the skeletal system?
I turn to prickling hairs on your thin-skinned elbow
and rub my cheek against your ribs.
You place your fingers on the sinking earth of my face
as though tracing hunger on the cheekbone
as the woman limps away.
She leaves with a basket of fresh bodies.
Something to slice open, squeeze lemon on,
cradle in your mouth and feel whole.
In a thought made of silk,
I am cutting softened peaches into puddles of vanilla,
a dessert, after salting the center of a cut salmon:
pink tongues on a refrigerated platter.
After we eat – a marinated silence
and hands, smelling of the river,
something swift to salvage us.
But instead,
You fill your hands with the grainy metal of the handlebars
and walk ahead of me,
footsteps slow and dry in the heat.
Nadra Mabrouk was born in Cairo, Egypt where she spent only five years. She has ripped memories of the country. Her family has since moved from one apartment to the other so she is familiar with different pieces of Miami yet does not know what it is like to mark your height as you grow in an old house to compare to your siblings. She wrote two poems in fifth grade and then picked poetry up again in ninth grade. Since then, she’s known this may the definition of concrete. Sometimes, she will have a swollen eye and takes a cyproheptadine pill to block the allergic reaction. But the side effects are brutal and any loud noise makes her feel as though the insides of her body are vibrating. This is why the world should be quiet and listen to the soft jazz of the air. She is a junior in Florida International University studying English and working with the University newspaper, The Beacon, as a managing editor and reads poetry submissions for Gulf Stream, the University’s literary magazine.
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Change of Season.
By Owen Piper
It’s times like this,
I think we are changing like the season.
Salt, pepper,
that strange spice you found near 82nd.
What, was, that?
I’m yellowed as paper for the phone.
I think I should call you.
I don’t.
Every few seconds the wind takes hold of my time,
stirs it all clean again.
Owen Piper is an artist and writer currently living in Paris. He works a day job and writes when he is not doing that.
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The Graveyard of Forgotten Things.
November 8, 2012, 12:49 am
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rena,
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things
By Rena Rossner
It’s a minefield of regret
strewn with corpses of thought
a place where time
gathers in the hollows
and tattered curtains hang
in neglected corridors
the leprosy of cracked wallpaper
afflicts the mind
rusted slides
mildewed rollercoasters
dusty schooldesks
a piano with a broken leg
the loneliness of a smashed vanity mirror
it rains in eaves of light
downpours in the stairwells
derelict inner doors to the sanctum
rot unhinged
beauty in decay
a momento mori of matter
I mourn myself
Rena Rossner lives in Jerusalem and studied writing at Johns Hopkins University and McGill University. She is currently a literary and foreign rights agent. Her work deals with the place where Jewish themes meet magical realism, mysticism and sex. You can see more of her work at www.renarossner.com
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The Wind that Flattens the Flames.
October 31, 2012, 3:34 pm
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that,
the,
wind,
york
by Joshua Bocher
“All have one breath”
-Ecclesiastes
“They fade like fall and winter”
-Zhuangzi
I.
Go
To a place
Where the wind
Whirls about and
Returns
Again
I’ll stay behind
Carving and polishing
My words
Say no more
About it
II.
One
Who wants for nothing
Whose life was spent
As a shadow
Doesn’t wish
To hear
The rebukes
Of the wise,
Only the songs
Of fools
III.
The man fell
He tosses and trembles
On the cold ground
As death draws near him
His disposition once fiercer
Than a lion’s,
The crumbled grass
Beneath him
Keeps growing
Still
IV.
After sweet sleep
Roaming
The infinite,
With a start
I will wake,
Feeling great glee
In the return
To plainness
Joshua Bocher is a graduate student at Harvard University, where he researchs Chinese poetry. Before attending graduate school, he lived in Taiwan for over two and a half years. His poems and translations have been published or are forthcoming in several journals, including Spinozablue, Illuminations, Full of Crow Poetry, The Brown Literary Review, and Issues.
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THE WEEK/WEEKEND: October 25th-Oct 31st.
October 25, 2012, 12:13 am
Filed under:
THE WEEK/THE WEEKEND | Tags:
Attitude Out,
auction,
AUDIENCE Douglas,
author,
avant,
Axente,
BALINCOURT Justin,
banhart,
Banks,
Beings,
Bernstein Big,
BICYCLES,
Birdhive,
birds,
birthday,
black,
BLISTER,
blues
PaperSwan,
bomb,
BOMBAY,
Boys
Haroon,
BRAUNIG,
Brothel’s,
by,
CAECILIA,
cage,
Cal,
Camp 25th,
Canning
Oh,
carnival,
Cartography,
cartoon,
Catherine,
Chicago
Sergei,
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CONTACT,
context,
Control,
Corbeaux,
Cornelia,
Cosmos Control,
cox,
D.,
day,
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end,
Enterprise,
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Exhibit CORED Paintings,
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FETE,
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First,
Folger,
Folklore,
for,
Henrique Discussion,
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Are,
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HOSHNEVA,
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in,
Interval,
james,
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jerry,
john,
Journey
CLASSICAL,
Judy,
JULES,
Kane,
Kürbisgeist ECSTATIC,
Keegan,
Kempson,
Kluts,
Knots,
KOTAK
Critical,
Lastman,
lecture,
Lenticular,
live,
los,
Lyn’s,
mad,
made,
magic,
Makam,
Marcel,
Marina,
MARNI,
mars,
Masquerade Carnival,
Massage,
Matter Andrea,
Measuring,
megan,
Melnyk Teodora,
Mini,
Ording,
out,
Owen,
Para,
part,
party,
PEET,
performance,
Performance
An,
phantom,
philip,
planet,
PLASTER
SETH,
poetry,
posters,
PREPARED,
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Pretty,
Price,
Prochnik
PAINTING,
Profit,
quartet,
Quinlan,
reading,
Rebay,
Refracted,
RIGHTEOUS,
robin,
rock,
rosemarie,
RUSTY,
S,
Sabrina,
sarah,
scientific,
Sculpture with,
sean,
Sibyl,
silent,
skull,
Soft,
visual,
Vox,
WARNER,
WATER Lubomyr,
we,
Weaver
JJ,
you,
Zippo
PLEASE NOTE: ALMOST ALL EVENTS IN NEW YORK AND BROOKLYN THIS WEEK ARE CANCELLED DUE TO HURRICANE SANDY. PLEASE CHECK WITH EACH VENUE ON CURRENT CONDITIONS. IF RELIEF AND TRANSPORTATION EFFORTS GO WELL, WE WILL BE BACK NEXT WEEK (NOV 7th) WITH NEW LISTINGS.

JUDY FOX: OUT OF WATER
PPOW GALLERY
October 27 – December 15, 2012
P.P.O.W is pleased to announce Out of Water, our sixth solo exhibition of figurative sculpture by Judy Fox. Well known for her exquisitely rendered human figures, including children that are at once iconic, psychological and subversive, Fox continues to explore mythological references that are used to reflect upon contemporary sociological issues. In her latest installations, virtuoso use of form extends to the surreal, with visual puns used to provoke conflicted emotional reactions. The centerpiece of this new installation is a comely standing life-size figure of a Mermaid. Legs pressed together as if fused into a tailfin, hands paddling downward, she looks dreamily over her entourage. A set of Worms spread out before her like the writhing sea horses that pull the chariot of a Greek sea goddess. They are curvy and sensual — some profiles resemble parts of naked human bodies.
Lubomyr Melnyk
Sat, October 27, 2012 – 3:00pm
First Unitarian Congregational Society
Composer and pianist Lubomyr Melnyk is the pioneer of Continuous Music— a piano technique he has developed since the 70s that uses extremely rapid notes and note-series to create a tapestry of sound. Inspired by the minimal, phase and pattern musics of Steve Reich, Philip Glass, and Terry Riley, yet frustrated by the ecstatic detachment from reality they can encourage, Lubomyr Melnyk created Continuous Music, based in the innovations of the minimalist composers but with its roots more deeply planted in harmony. His first recordKMH: Piano Music in the Continuous Mode (Music Gallery Editions, 1978) is the fruition of the idea he began developing in 1974 reimagines the sentiment expressed by Reich in his watershed Music for 18 Musicians, realized entirely for Solo Piano. Overtones blend or clash according to the harmonic changes. The technique of mastering his complex note patterns and speeds makes his music difficult for the normal pianist, and the kinetic athleticism of Melnyk’s performance is unparalleled.
Teodora Axente: Made of Matter
Ana Cristea Gallery
October 25 – November 24
Ana Cristea Gallery is pleased to present “Made of Matter,” the first solo exhibition in the United States by artist Teodora Axente. Teodora Axente’s work is centered on the duality of spirit and matter – the two spheres of existence between which humans oscillate in an attempt to uncover themselves. Portraying an unexpected array of materials, Axente addresses the essential human drive to reshape oneself. Through the flashy materiality of aluminum foil, satin pillows, nylon bags or curtains, she brings us into a world of mystery that appears to be spiritual, noble and attractive, on first glance. Aluminum foil serves as the central symbol of matter throughout many of her paintings. Its outward shine and its ability to reflect give off an illusory sense of nobility that blinds her subjects.
Andrea DeFelice
Harvestworks
Friday, Oct 26 at 6pm – Opening
Saturday/Sunday Oct 27/28 from 3pm to 7:30pm – Installation
A small coupling of works combining both obsolete and new technologies, then reassembled to represent obsolete fables, folklore, literature, philosophy, mythology, and music. As responses to such stories inspired by the observation of human behavior, symbolic animals, objects and mechanics are used to further illustrate their foibles and behavioral patterns, whether expected or unpredictable.
Vital Vox Festival | “Vox Electronics: Philip Hamilton / Sabrina Lastman / Sarah Bernstein
Roulette
Monday, October 29, 2012 @ 8:00 pm
VITAL VOX: A VOCAL FESTIVAL explores the myriad power of the human voice in its solo and ensemble forms across a multitude of genres. It celebrates composer-performers in the vocal arts who stretch and expand the voice in new and original ways, continuing a strong contemporary tradition developed in the United States. Over the course of two diverse evenings VITAL VOX explores “Vox Electronics.” Performances draw from wide-ranging international influences and genres including jazz, experimental, contemporary, free improvisation, world music, interactive electro-acoustic and audio sampling.
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THE WEEK/WEEKEND: October 11-17.
October 10, 2012, 5:20 pm
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2012 Brice,
75,
a,
A. Getting,
Allyson,
an,
and,
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Atheist,
Beiser,
book,
Bred Marcin,
Britain INTIMATE,
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CD,
Chief A,
Choir STAR,
Cienski Maya,
Commander,
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ELSEWHERE Mamie,
evening,
Fairouz Ukulele,
from,
Geography,
gospel,
great,
Heavens,
HOMUNCULUS The,
How,
Illustrate,
in,
It PROJECT,
jason,
Land Brian,
Launch,
lisa,
Marino,
Minch Bruce,
Mitchell The,
modern,
Mohammed,
MUSIC Dollshot,
Mysteries,
new,
of,
orchestra,
poetry,
postcard,
premiere,
quartet,
Release Borromeo,
REPPERT Selected,
Science Armando,
Science Miracles,
shorts,
Strafella ALEX,
SYSTEMS Brooklyn,
the,
Tolle,
trio,
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WASTE,
where,
why,
with,
Wondrous,
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Yorkshire
LISA 2012 from Blind Escrow Productions on Vimeo.
LISA Conference 2012
Peter B Lewis Theater: The Guggenheim Museum
Tuesday, October 16, 2012 from 8:00 AM to 11:45 PM
LISA 2012 is the Leaders in Software and Art conference at the Guggenheim in New York City, Tuesday October 16th, 2012. We’ll have keynote speeches from Laurie Anderson, pioneering electronic artist, and Scott Snibbe, creator of Bjork’s Biophilia App, and panels on crowdsourced and social media art and the popular generative art toolkits openFrameworks, Processing, Cinder and Max/MSP. If you work with or care about new media, technology and interactive art, there’s still time to buy a ticket. Come meet and get inspired by some of the top artists and art experts in the field.
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I Keep a List of What I Must.
October 9, 2012, 10:50 pm
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22,
a,
brooklyn,
christpher,
citro,
i,
Indiana,
keep,
list,
magazine,
Must,
new,
of,
poem,
poetry,
the,
university,
what,
york
by Christopher Citro
By the bed and last thing at night, first thing
in damp daylight, I consult. On rare occasion
I might add. Making love in the long grass
near the river, a vulture’s shadow crept across
her face while I was in the middle of it,
and I looked away. That went near the top.
Those afternoons with everything crashing
around me, watching through café windows—
when I stepped outside, the smell of wet streets
and dripping trees. I did not inhale enough.
Years later, trying to recall it is like reading
through water. So I’ll have to forgive myself
for that, for letting the domino rally lull me
asleep. I saw a woman on the street yelling
at a man who did not step back. He opened
his arms, I’m a lover not a fighter, and hugged her.
Both drunk as September. Most of October,
me forgiving myself for being surprised.

Christopher Citro’s poetry appears or is forthcoming in Salamander, Cream City Review, Los Angeles Review, Southeast Review, The Minnesota Review, Poetry East, Verse Daily, and elsewhere. He is a past recipient of a Langston Hughes Creative Writing Award for poetry. Recent broadsides of his poetry are available from Architrave Press, Broadsided, and Thrush Press. Christopher is currently completing an MFA in poetry at Indiana University. Find him at christophercitro.com.
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The Second Coup.
September 24, 2012, 2:42 pm
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the
by Christopher Barnes
Three shivered in grave clothes.
We were bent
Upon the noiseless foot of time,
Whispers under a kitchen table-cloth, repulsed
By a snigger sounding crystal, hail.
An act-a-part day’s meddling.
Money-s worth –
It’s unseasonable.
The moods in us snagged
In this racket-plague hospitality. Stark,
Vaporous sunset behind curtains.
Christopher Barnes’ first collection LOVEBITES is published by Chanticleer. He is a participant writer for
http://www.stemistry.com/ and reads at Poetry Scotalnd’s Callendar Poetry Weekends. He has also written art criticism for Peal and Combustus magazines.
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The Week/Weekend: Sept 13-20.
September 12, 2012, 1:03 am
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10th,
15th,
2012 My,
2012 Printed,
5,
Aboveground,
Adjacent The,
Age Thomas,
Ale,
allison,
american,
Amon,
an,
and,
Andrea,
animation,
Animation Trey,
Anniversary,
annual,
Around,
artists,
avant,
baby,
beat,
BFF Lucie,
BOLT R,
book,
Bowers,
brooklyn,
carson,
Cavener,
Chabon,
Channel Joseph,
chris,
Chrysler,
circle,
Cloisters,
come,
Concordia,
dark,
debut,
dilworth,
Dorit,
Duque Richard,
e,
ensemble,
Estes,
EVANS,
Farmer,
Fest,
festival,
figures,
fishtank,
Fluid,
found,
friends,
from,
garde,
good,
greenlight,
Harry,
heart,
HIBITION,
honey,
idiot,
in,
Inquisition,
is,
jazz,
Keckler,
KLAMPANIS,
KULOK,
LaCroi,
Lary,
liaozhai,
light,
line,
literary,
Luck,
Mac,
mad,
magazine's,
mann,
marcus,
Masami,
matter,
Mazen,
metropolis,
michael,
molly,
moon,
music,
natural,
new,
ny,
OBJECTS MECANICA,
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on,
over,
Paintings for,
Panel,
PESSOLI,
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Pi,
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Rabbia INNER,
Rainy,
Rob,
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Schwimmer,
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Sniffin Eleh,
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SODA,
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Stichter,
string,
tales,
Teraoka,
tessa,
the,
THEREMIN,
Tobin Control,
tour,
Undone Liza,
upon,
Ursuta,
us,
Vibrations,
Watson,
WENDY,
white,
william,
with,
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Wooley,
years,
your
Exhibition / “Harry Smith: String Figures”
300 Nevins St (Cabinet)
20 September – 3 November 2012
Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.
BROOKLYN BOOK FESTIVAL
Brooklyn Borough Hall and Plaza
SUNDAY, SEPTEMBER 23, 2012, 10am-6pm
On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.
Michael Chabon @Greenlight
Sep 17 2012 7:30 pm
Greenlight Bookstore
In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.
Date the Time – Molly Dilworth
Reception: September 20, 6-8pm
Recess
On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.
Wendy White: Pix Vää
Leo Koenig
Opens September 13 6:00 PM – 8:00 PM
In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.
Stealth Reflections
Mighty Tanaka
September 14
Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection. Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques. His steadfast approach defines his meticulous attention for detail.
Tessa Farmer & Amon Tobin Control Over Nature
Spencer Brownstone Gallery
September 15 – October 6, 2012
Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.
Wondering Around Wandering
Saturday, September 15, 6:00–11:00pm
983 Dean Street
Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.
Fishtank Ensemble/Baby Soda Jazz Band
Jalopy
Sat, Sept 15th
Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.
Who Gives a Sh*t About Literary Magazines?
Mon Sep 17, 7:00PM
BookCourt
Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.
Survival
War of Words
Strange Tales of Liaozhai
Kris Bowers & Carson Adjacent
The NY Theremin Society Presents: GOOD Vibrations – Theremin X 4 FT Dorit Chrysler, Michael Evans, Rob Schwimmer and Allison Sniffin
Eleh (US Debut) + Lary 7
PRACTICE! W/ IKEBE SHAKEDOWN + OSEKRE AND THE LUCKY BASTARDS + THE FORTHRIGHTS + TUNDE ADEBIMBE/ OHAL GREITZER/ DAREN HO/ RYAN SAWYER/ C. SPENCER YEH QUINTET
Best American Poetry 2012
My Heart Is An Idiot: FOUND Magazine’s 10th Anniversary Tour!
LIGHT OBJECTS
MECANICA POPULAR
LIGHTNING BOLT
R. SIKORYAK & FRIENDS: CAROUSEL
The Channel
Joseph Keckler + Mac Wellman
ASBA’s 15th Annual International
NYC HONEY FESTIVAL
EatSleepDraw (5 Years)
Chris Watson + Marcus Davidson
AURAL DYSTOPIA
ALESSANDRO PESSOLI: FIRED PEOPLE
REYES & STEEL
Beth Cavener Stichter: Come Undone
Liza LaCroix
Masami Teraoka: Cloisters Inquisition
Metropolis: Alexis Duque
Richard Estes / New York by Night
BARNEY KULOK: BUILDING
Ralph Humphrey
Assembly 2012
Sunday Paintings for a Rainy Day
Nate Wooley + Mazen Kerbaj
TAKESHI MURATA: SYNTHESIZERS
Crossing the Line 2012
Printed Matter, Inc. presents Contemporary Artists’ Books Conference in conjunction with The NY Art Book Fair
SHABOYGEN BY STEVEN AND WILLIAM LADD
Luisa Rabbia
INNER CIRCLE MUSIC FESTIVAL: PETROS KLAMPANIS TRIO
Wildlife in the Post-Natural Age
Thomas Hirschhorn “Concordia, Concordia”
ANDREA ZITTEL: Fluid Panel State
Alexander Hahn
Allison Evans
Sally Mann: Upon Reflection
POST NATURAL
Occupy Your BFF
Lucie Fontaine : Estate
New York School Artists
Respect Sextet and Loadbang
SIGHTLINES: HELEN SEAR
Opera on Tap: BRIDES ON FIRE!!!
Red Baraat w/ M.A.K.U. SoundSystem
Mount Eerie w/ Loren Connors
LIGHTNESS OF BEING
CARL MAGUIRE, FAR FROM ALMOST ALWAYS
Charles Jarboe New Paintings
CALEB CAIN MARCUS: PORTRAIT OF ICE
FITZGERALD & STAPLETON: WAGE
Teresita Fernández & Mr.
HAIRY SANDS/SOURCE OF YELLOW
GUYI-GUYI by Pereferia Teatro
DAVE COLE
Miriam (BAM 30th Next Wave Fest)
BEAT FESTIVAL
Andra Ursuta: Aboveground Animation
Trey Speegle: Good Luck With That
THE JOSHUA LIGHT SHOW
Pictures from the Moon: A Symposium on Holograms and Art
MIVOS QUARTET
Nublu 10 Years w/ performances by Wax Poetic, Hess is More, Love Trio and Clark Gayton
Gallow Green
COMING UP:
The Secret City – NEW YORK
Cave Canem at The New School Presents: Natasha Trethaway and Metta Sama
Crossing the Line
Devotchka
The Mountain Goats
Adults in the Dark: Avant-Garde Animation (MAD)
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Threshold.
August 14, 2012, 2:22 am
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By Joanna Valente
Something fell on Lincoln Ave / Mammoth teeth
in rock salt in lime in a whale’s belly / a wooden
chair breaks under weight /
Paid $25 for avocado n’ fish n’ yucca n’ lemons
to feed humans saying / don’t let me be lonely 1
when the tonality shifts / it is easier to be
evasive than to tell any truth /
& lack of truth can be blamed on brokeness
2 yrs ago was 2 yrs ago / not unremembered
in teeth / in tonal changes / over
landmasses, sea-stuff / Still I carry his name
in my cervix / at night peeling my eyes like onion
skinning off lost papers / they disappear /
hope they disappear / Cannot dream anything
in color except scribbled words (who’s biography?) /
red ink that writes don’t let me be
1.Claudia Rankine, Don’t Let Me Be Lonely, An American Lyric

Joanna C. Valente is a MFA candidate in Poetry Writing at Sarah Lawrence College, where she is also a part-time mermaid. She founded and currently edits Yes, Poetry. She can be found at http://joannavalente.com.
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Salt
August 6, 2012, 7:47 pm
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by Michelle Matthees
You’re nothing like a metaphor.
I shall compare thee to nothing.
I had an explanation. Of it nothing came.
You came. Maybe mirrors will be found
after black cloths uncover them.
Nothing was revealed. Ears looked empty.
The conversations continued. The salt’s not
snow. The not snow is not snow. Warm water
hits the house, unstained. Alas, Hermann,
perhaps we knew
nothing. We drink vodka of potato, eat
a green cucumber.

Michelle Matthees works can be found at PANK, Prose Poem Project, Proof Magazine, Cerise Press and a lot of other places. She is currently a Minnesota State Arts Board Fellow, and lives in Duluth, MN. She is also currently looking for a publisher for her full-length manuscript ”Noctambule.”
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THE WEEK/WEEKEND: August 2-9.
August 2, 2012, 4:12 pm
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Summer Group Exhibition 2012@Joshua Liner
Joshua Liner
August 2 to August 25, 2012
Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.
IRABAGON FEST: BARRY ALTSCHUL, JON IRABAGON TRIO
Cornelia St Cafe
Thursday, Aug 02 – 8:30PM
Jon Irabagon and Barry Altschul have performed continually in the last few years, including their tour-de-force Foxy (Hot Cup Records) and their upcoming duo release on Jon’s Irabbagast Records. As a preview of their upcoming trio tour, they invite master bassist Mark Helias to join them tonight at Cornelia St. Cafe, where they will be debuting new compositions as well as delving into the group improvisations that have made Barry and Mark such an important rhythm section combination over the last two decades.
IRABAGON FEST: BARRY ALTSCHUL GROUP
Cornelia St Cafe
Friday, Aug 03 – 9:00PM & 10:30PM
Since the early 1960′s, Barry Altschul has been associated with being at the forefront of Modern Jazz, playing with innovators such as Paul Bley, Steve Lacy, Chick Corea, Sam Rivers, Anthony Braxton, Dave Holland, Muhal Richard Abrams, George Lewis, Andrew Hill and Roswell Rudd, to name a few, as well as the likes of musicians such as Lee Konitz, Hampton Hawes, Sonny Criss, Art Pepper, Johnny Griffin, and many others.
IRABAGON FEST: JON IRABAGON JAZZ QUARTET
Cornelia St Cafe
Saturday, Aug 04 – 9:00PM & 10:30PM
Cyro Baptista @The Stone
The Stone
8/7 Tuesday and 8/8 Wednesday
Multicultural, polyphonic, highly creative entertainment that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled.
CAROUSEL @ SOLOWAY
SOLOWAY
Friday, August 3rd
Soloway is pleased to host the latest CAROUSEL, a long running series of Cartoon Slide Shows and other projected pictures, created and presented by a wide array of writers, cartoonists, and other characters. Hosted by R. Sikoryak.
This episode features:
Gabrielle Bell
Emily Flake
Myla Goldberg & Jason Little
Danny Hellman
Matthew Thurber
in the open
Kesting/Ray
Aug. 2 – 18, 2012
KESTING/RAY is pleased to announce its upcoming exhibition in the open, a group show featuring five emerging artists who recently completed their Masters in Fine Arts from the University of North Carolina at Greensboro.
The Skin We’re In
Yossi Milo Gallery
August 2, 2012–August 31, 2012
Yossi Milo Gallery is pleased to present The Skin We’re In, a group exhibition featuring the work of David Goldes,Lindsay Lawson, João Enxuto & Erica Love, Stephen Prina, Jon Rafman and Mark Tribe. The exhibition will be on view from August 2 through August 31, with an opening reception on August 2 from 6:00 – 8:00PM.
MIDNIGHT MONSTER MELTDOWN
Opening Party and Birthday Celebration: Saturday August 4th, 7pm-10pm
MF Gallery
Both artists are known for their colorful and horrific 2-D artwork in the form of drawings, prints and comic books. For this show, they have embarked on a brand new journey that will take us down the darkest roads of gore, the supernatural, and all things unknown. Witness Frankenstein, larger than life! Stand in awe of the giant blood dripping face, protruding from the wall! Behold the latest incarnation of The Creature From the Black Lagoon! Stumble in fear as you encounter Aliens dripping and oozing in blacklight pus, and look into the eyes of Death Itself! “Midnight Monster Meltdown” provides a visual explosion comparable to being high on LSD, trapped on a roller coaster inside an old time Spook House that never ends… All this and more only at MF Gallery!
Signs of the Apocalypse
myplasticheart
Friday August 3rd 2012 6 – 9pm
Underpinnings
House of Yes
Thursday, August 9th
Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.
Kimmo Pohjonen & Helsinki Nelson: Accordion Wrestling (U.S. premiere)
Damrosch Park Bandshell
Aug 3–4 at 8:30
SurroundSound grunts and groans punctuate accordionist Kimmo Pohjonen’s dance-theater work in which music, sport, and dance blend into a unique multimedia “squeeze play.” Reviving the dormant Finnish tradition of accordion-accompanied wrestling matches, Pohjonen performs while grapplers struggle on a custom-made mat embedded with microphones. His work, with choreography by Ari Numminen, comments on Cold War and gender politics while lending a modern artistic twist to a classic Olympic competition.
RUFUS CAPPADOCIA’s ROOTS QUARTET
Barbes
Thursday, Aug 9
The cellist draws from “the similarities between seemingly diverse music forms such as blues, Sufi, Middle Eastern and even Gregorian chant.”.
OLIVIA SALVADORI/PILLARS AND TONGUES/DJ HIRO KONE
Zebulon
AUG 4, 2012
Overturn Theater’s rendition of : Waiting for Godot
Arts@renaissance
August 2st – 18th, 7pm
Overturn’s artistic director Kristy Dodson has placed Samuel Beckett’s 1953 Godot in an former medical ward in North Brooklyn. Starring Joshua Levine (Off Bway’s Channeling Kevin Spacey ) Casey Greig (Off Bway’s Pure Confidence) James Fauvell, & Daniel Piper Kublick with set design by Cara Shih, lighting design by Jennifer Schriever, fight choreography by Casey Robinson, and sound design & costume design by Kristy Dodson. Overturn’s Godot will be running for three weeks August 2st – 18th(Wednesdays -Saturdays) at 7pm at Arts@Renaissance, 2 Kingsland Ave. BK, NY Garden level.
SCOTT TIXIER & ISOPROPYL BOP
Cornelia St Cafe
Sunday, Aug 05 – 8:30PM
Violinist Scott Tixier is an award-winning recording artist, named as “Rising Star Violin” in the 60th Annual critics poll Downbeat. He is a true innovator on his instrument and is quickly becoming known as the new voice of jazz violin. He has earned international recognition for his playing.
M. Ward,Yo La Tengo, Wyatt Cenac (of The Daily Show)
Prospect Park Bandshell
Tue, August 7, 2012
Benefit concert to support free programming at Celebrate Brooklyn! a Performing Arts Program of BRIC Arts | Media | Bklyn.
AMPLIFIED QUARTET – Jeremiah Cymerman, Peter Evans, Nate Wooley, Matt Bauder
Roulette
Thursday, August 9, 2012 @ 8:00 pm
Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.
PULVERIZE THE SOUND/AURAL DYSTOPIA
The Grand Victory
Wednesday, August 8, 2012
An evening of punishingly heavy improv: PULVERIZE THE SOUND (Peter Evans/Tim Dahl/Mike Pride), SHEAJOY (Stuart Popejoy/Kevin Shea), BURNING GENITALS (Jamie Saft solo).
The Alaev Family (New York debut)
Damrosch Park Bandshell
Aug 8 at 7:30
The propulsive doyra hand drums of Bukhara, Uzbekistan, drive the ecstatic sound of “Bucharian Groove” band the Alaev Family, who immigrated to Israel in 1991. The Alaevs blend together the sounds of Turkey, Persia, China, and Russia alongside lyrics by Tajiki poets on their latest album, produced by Balkan Beat Box’s Tamir Muskat, which captures the fire and drive of their live shows.
NoTornado
Wednesday, August 8, 2012
ZirZamen 90 W. Houston St., NY, NY
Fay Victor and Anders Nilsson’s Exposed Blues Duo, Ed Pastorini, Jonathan Wood Vincent
Wednesday, Aug 08 – 8:30PM
“Green Screen” was formed by the meeting of 3 musicians that were playing the Big Apple Circus. In contemporary music circles, the circus probably doesn’t hold much respect. But, the history of circus musicians would surprise most. According to Joe De Mare, ( Bronx trumpeter who played with Louie Prima ) – “back in the day , all the big bands got their cats from the circus – ( including Count Basie and Duke Ellington ) – these cats had chops and endurance. They could play ANYTHING. “
Under the Mattress is a solo exhibition of works by Billy Frey. The collages are done by hand using original vintage materials and imagery, primarily from magazines fromt he 1930′s to the 80′s. With bold and often complex patterns of re-appropriated images, he offers us tales that are humorous, dark disturbing, playful, perverse, and fantastical. Frey is heavily influenced by classic film, comic book art, cartoons, surrealist film and literature. The collages represent a fusion of times past and present, creating an environment where time is non-linear. Within our minds, it is happening all at once. A place where the 30′s and the 60′s can do a dance together, unaware of the fact that time has already come and gone.
Heritage Sunday AYITI RASANBLE!
Hearst Plaza
August 5, 1pm
Ayiti Rasanble! (“Haiti, come together!”) celebrates the indomitable spirit of the Caribbean nation with dance and musical groups reflecting its resilience and pride. Feet of Rhythm Afro-Haitian Dance Company works to preserve traditional dance forms under the vision of founder Nadia Dieudonné, the dancer and choreographer best known for her infectious interpretations of banda, the dance of Ghede, the revered Haitian spiritual figure of the underworld.
Christopher Smith: Underbody
site95 @ Launch F18, New York, NY
August 6 – 18, 2012
In “Underbody,” Smith continues his investigation into the usage of current technology and assembly line manufactured materials to break beyond the traditional two-dimensional form of painting. The 14-minute projection of foaming paint drips across a 9 x 6 ft Plexiglas surface.
S!CK MAGIC W EGYPTRIXX//SINJIN HAWKE//N0ms//GOBBY//MIKEQ//REZZIE//RPEG//TOMAϟϟ
285 Kent
Saturday, Aug 4, 11:30pm until 4:00am
JENNY ODELL: THE FOSSILIZED PRESENT
Breeze Block Gallery
Wed. Aug. 1, 5:30-8
Interpreting the inhuman experience bred from modern technological advances that compose our commonplace environments, for the past two years Bay Area native Jenny Odell has been utilizing imagery taken from Google Satellite images in a commentary on the sanctification of otherwise mundane objects in our lives that are taken for granted. The show will feature eighteen prints displaying Odell’s unique interpretation on the alienation of this perspective provided by the revealing landscape that she manipulates in her distinct evaluation of our surroundings.
Alex Gingrow: All the money IS in the label
Mike Weiss
August 2, 2012 – September 1, 2012
Mike Weiss Gallery is pleased to present All the money IS in the label by Brooklyn based artist Alex Gingrow. For her first solo exhibition, Alex Gingrow presents dozens of obsessively rendered drawings on paper loaded with cutting, antagonistic humor and a quick trigger finger pointed at the heart of the art world. Over the past five years while working at a midtown frame shop, the artist has collected snippets of sordid conversations overheard from chief art world players as well as from peers working at entry- level positions within art institutions. The resulting works are incredibly revealing, and often baiting epitaphs of insider conversations, reified and displayed, ironically within a frame. With a snarky, sharp wit and a healthy dose of self-deprecation, Gingrow implicates all levels of the “establishment” including Gagosian, Hirst and Warhol, the New Museum and even our own Mike Weiss Gallery.
Midsummer’s Mayhem Poetry & Pub Crawl
Just Lorraine’s Place
Saturday, August 4, 2012
Skewered Syntax returns to Harlem for the Midsummer’s Mayhem Poetry & Pub Crawl. All who want to participate, or who bear witness to one of the greatest New York City literary spectcles are invited to gather in front of Just Lorraine’s Place at 8:00 PM with poem in hand or heart. After Featured Poets April Jones, Matthew Hupert, Robert Gibbons and Zev Torres open up the ceremonies, there will be an open mic, followed by drinks. Then we’ll take a short walk to the next venue where we’ll recite more poetry, imbibe a little more and move on once again. There’s no cost to join our merry band of poetic artisans or to recite your own pieces, but everyone pays for his or her own drinks.
Rockaway Pipeline Day of Awareness Action
Jacob Riis Park
AUG 4, SAT
Please join members of the Coalition Against the Rockaway Pipeline this Saturday August, 4th at Jacob Riis Park to gather signatures on the boardwalk, and distribute information opposing this pipeline!
Lucinda Williams
The Bowery Ballroom
Mon, August 6, 2012
It’s not all that hard to find an artist who’s capable of offering a guided tour of life’s dark clouds – nor is it rare to come into contact with one who can hone in on the silver lining. But the ability to do both with equal grace, well, that’s an altogether rarer gift – and it’s one that Lucinda Williams displays with remarkable élan on her latest Lost Highway album, Blessed.
M Shanghai String Band and Friends 10th ANNIVERSARY SHOW
Jalopy
Saturday, August 4
The Red Hook Ramblers Live Music with Silent Films
Jalopy
Sunday, August 5
COMING UP:
The Fall of the American Movie Palace
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Indian Summer.
July 25, 2012, 3:55 pm
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by Adrian Brooks
Sometimes it seems we’re swimmers, adrift
and, so, guided ashore by moonlight alone.
Strange creatures cast up by midnight tides,
we’re borne on phosphorescent currents
but, once submerged, plumb caverns.
Treasures intact, we resurface on dark water
in a darker night- the zones of ocean or wind
indistinguishable, yet much more mysterious
for our attempts to unravel radial emanations.
Between us, nothing is absent; less left foreign.
Only nuance, a soughing silence seems apparent:
a non-invasive code whereby to sense sea change,
the miniscule cues in which we translate ourselves-
each to each- incarnate, then, through such efforts,
all of which only bring me up to Now.
How long have we loved one another this way?
How far since an ocean alluded to alien coasts?
How deep this sea with its pearls? its sunsets?
How high the moon or its guarantees of dawn?
I ask fathoming only what I find when cast away
to moor again in you.

Adrian Brooks (b.1947) is a poet, novelist and non-fiction writer.
He is also a playwright, a theater artist and a world traveler.
For more information see: adrianbrooksblog.blogspot.com
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A Gift.
July 20, 2012, 3:35 am
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by Madeleine Barnes
Curled inside the body of a lamb is half the moon.
I see her kneel down beyond a splintering fence.
One friend has died, for now, at least—I’ve lost my whereabouts.
Inside the body of half the moon are seventeen eggs.
When the world comes to you this way, muffled though
irresolute flamelight, you must enter and refuse to leave.
Inside one egg, a parabola, a solitary winter morning.
Crouched in the stable one red colt wavers on thin legs.
What does he see from within the orb of his eye?
The deep terrain of the unperceivable track revolving
as he runs, record time.
Scintillate. Keep warm. Inside the black fountain of a crow’s
back I see maps of fragile questions. One friend has gone
without leaving an address, training himself to paint outside of school.
Nested on the edge of a mountain he found a lateral vision
of what remains outside of time. Inside the bare armor of skin
the sun has burned me deep enough to reach him.
My friend is trapped inside the entire arrangement of this web,
his body wrapped into one thin point. When it trembles
it asks questions: Can you bear the indivisible light?
And then it answers for us: yes, we are connected by the gift
itself, the endless ability to see.

Madeleine Barnes is a graduate of Carnegie Mellon University in creative writing and fine arts. She was the recipient of West Virginia University’s Hungry Poets Prize (2012), an Academy of American Poets Prize from Carnegie Mellon University in 2011, the Borders Open Door Poetry Prize in 2009, and the Princeton Poetry Prize in 2008. Her poems have appeared in places like The Rattling Wall, Open Thread, Oakland Review, Weave Magazine, North Central Review, Three Rivers Review, Collision Magazine, Allegheny Review, Albion Review, 5AM, and Plain China.
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THE WEEK/WEEKEND: July 19-26.
July 18, 2012, 10:19 pm
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Zine

WHAT: PETE’S MINI ZINE FEST
WHERE: Pete’s Candy Store
WHEN: Saturday, July 21, 2pm-7pm
WHY: We are so pleased to announce the first print version EVER of The 22 Magazine will be available at Pete’s Mini Zine Fest, coming up this Saturday, July 21, 2-7pm at Pete’s Candy Store. We will have VERY limited copies but you will also be able sign up for pre-orders and if we’re lucky, you’ll be able to order directly at the table via ipad. Likewise, the first person to buy a copy of The 22, will receive a free mini-painting from editor Cat Gilbert! (Check out the catalog of work here.)Please join us, along with Volume One contributor’s John Jennison and Max Evry (who will be selling work for Pranas T. Naujokaitis), and if you just can’t wait until Saturday you can grab a print copy of The 22 HERE. If you are in any way confused, please don’t hesitate to contact us to help with your order at the22magazine (at) gmail (dot) com. If you are a retail store looking to get a bulk order, please contact for a special discount price!
FACEBOOK INVITE.
WATCH THE PREVIEW VIDEO.
WHAT: How to Write a Novel” Field Projects Show #6
WHERE: Field Projects
WHEN: Opening: Thursday July 26th, 6:00-8:00pm, July 26th- August 11th
WHY: Join us, Thursday July 26th for the Chelsea Art Walk and opening of Field Projects Show #6: How to Write a Novel. This exhibition centers on the labor and characterization of writing a novel. It draws a parallel between the source material of writing a novel and making art. Often the most potent source of inspiration for artists and novelists alike comes from the private, seemingly mundane aspects of our own lives. How to Write a Novel features drawings of text, photographs, receipts, books and the mesh-mash debris in an author/artist’s life. The artists in this exhibition include Polina Barskaya, Aaron Krach, Karl LaRocca, Thomas Marquet, Siobhan McBride, and Martin McMurray.
WHAT: The 2nd Annual New York City Poetry Festival
WHERE: Governors Island, Colonel’s Row
WHEN: Saturday & Sunday, July 21st & 22nd, 11am-5pm
WHY: This year we’ve got more series, more poets, more headliners, more vendors, an additional arts and crafts village, healthy and delicious food options [though, yes iced coffee and yes ice cream], and a brand new children’s festival! Oh, and we plan on more sun too, though last year would be hard to beat! For a complete schedule of events click here, and be sure to click the banner below to check out the children’s festival!
WHAT: REGINA REX (PART TWO)
WHERE: ELI PING
WHEN: JULY 20 – AUGUST 5, 2012
WHY: Jeff DeGolier, Gabe Farrar, Elizabeth Ferry, Stacie Johnson, Anna Schachte, and Siebren Versteeg
WHAT: jerry blackman
WHERE: toomer labzda PRESENTS
WHEN: july 19 – 26, 2012 (by appointment only), opening reception / thursday, july 19: 6-8pm
WHY: toomer labzda PRESENTS is pleased to exhibit a collection of jerry blackman’s wall mounted works.each piece is penetrated and framed by the elements it is composed of: rope, metal chain, paint, faux wood and crystal. focusing on surface, he plays with the perception of materiality through a subtractive and additive process. his sculptures employ a malleable tension via a synthesis of patterns and objects which presents a core understanding of construction and craft.
WHAT: Stooges Brass Band/G.R.U.B.B. (Gypsy Roma Urban Balkan Beats)
WHERE: Lincoln Center
WHEN: July 26 at 7:30
WHY: Combining old-school jazz energy with raucous funk, hip-hop, and Mardi Gras Indian chants, the Stooges are rising stars among the new breed of New Orleans brass ensembles. Led by sousaphonist Walter “Whoadie” Ramsey, the Stooges were anointed the Crescent City’s best contemporary brass band at last year’s Big Easy Music Awards.
WHAT: Uptown Showdown with Kristen Schaal and Kurt Braunohler
WHERE: Symphony Space
WHEN: Tue, Jul 24 at 8 pm
WHY: At the next installment of the wacky debate series, a team including Hot Tub‘s Kristen Schaal (30 Rock and Flight of the Concords) and Kurt Braunohler (host of IFC’s new comedy game show Bunk) face off against a team led by Christian Finnegan(VH1′s Best Week Ever) with Myq Kaplan(Last Comic Standing) and Bob Powers (Happy Cruelty Day) in this quirky take-off on the old school debate team. Hosted byMatthew Love (Comedy Editor Time Out New York).
WHAT: Hot Club of Flatbush
WHERE: Barbes
WHEN: 7/22
WHY: Modeled on the Parisian acoustic jazz bands of the 1930s. While its instrumentation (violin, acoustic guitar, accordion and bass) has a distinctly continental sonic texture, the repertoire of this group is as diverse as Brooklyn itself. The technical mastery of its performers allows the group to slide gracefully between a burning Basie stomp to a slow Texas waltz without skipping a beat. Fronted by the vocalist Gretchen Vitamvas, the Hot Club of Flatbush is sure to please any musical palette. Stephane Wrembel is back next month.
WHAT: Silent Clowns Film Series:FILM: Hands Up!
WHERE: NYPL
WHEN: Saturday, July 21, 2012, 2:30 p.m.
WHY: The Silent Clowns Film Series is back and dedicated to silent era film star, Raymond Griffith, a star whom Walter Kerr described as “natty, lithe (and) un-mugging.” Today, view Griffith in Hands Up! (1926), with Mack Swain and Montagu Love. Dog Shy(1926) with Charley Chase is our added attraction.
WHAT: tamara gayer: the inside
WHERE: toomer labzda
WHEN: july 26 – august 31, 2012
WHY: tamara gayer creates a site specific kaleidoscopic installation, which focuses on the local and national monument – the Eldridge Street Synagogue in New York City’s Lower East Side. gayer manipulates, warps, inverts and expands the gallery’s appearance as she reinterprets the exterior and interior of the one hundred and twenty-five year old landmark.
WHAT: KINEMATIC : THURSDAYS (MARIA P / THIERRY DREYFUS /MATT MARBLE with JIM ALTIERI)
WHERE: ENTWINE
WHEN: July 21
WHY: This Summer, as part of its inaugural season of sonic-visual events, CoWorker Projects presents Kinematic Thursdays (June – July 2012) – a multi-disciplinary performance series bringing audiences in New York City’s meatpacking district some of the most dynamic and exciting sonic artists, electronic musicians and experimental visual artists and filmmakers from native New York to abroad. This innovative programme reflects CoWorker Project’s expanded vision as being an experimental space in the heart of the West Village.
WHAT: Hand Stories
WHERE: Lincoln Center
WHEN: july 18-25
WHY: It starts with hands: his father’s hands, his brothers’, his countrymen’s, and above all his own. Told through wordless, utterly playful scenes featuring hand puppets, poetic music, and striking visuals, Hand Stories is Chinese puppeteer Yeung Faï’s deeply personal family history during the vast changes that swept China during the 20th century.
WHAT: STOP THE FRACK ATTACK!
WHERE: The Northwest Corner of 8th Ave and 34th St., New York City.
WHEN: Boarding starts 7:30 AM on Saturday July 28. Bus leaves promptly at 8:00 AM.
People across the country are converging on the U.S. Capitol to tell Congress, the President and the world:End the rush to drill! No to fracking, yes to renewables!
WHAT: FRESH 2012: The Wall/The Page/The Internet
WHERE: Klompching Gallery
WHEN: JULY 25—AUGUST 18, 2012
WHY: FRESH 2012 is co-curated by the distinguished collector of photo-based art, Fred Bidwell(Bidwell Projects), and Klompching Gallery owner, Darren Ching. Together, they have selected the work of five exciting new photographers from an international open call for submissions.
WHAT: Murals/Indian Rebound, Treppenverter, The Split
WHERE: Cameo Gallery
WHEN: Thu, July 26, 2012 8:00 pm
WHY: Following high school graduation in 2006, the band Murals dug their act out of the basement and planted it onto stages and into minds across Louisville, KY. Founding members Evan Blum (bass), Rob Monsma (drums) and Jacob Weaver (vocals/guitar) dreamed up a musical fruit jam, blending art-rock and psychedelic proto-punk. The addition of Hunter Presnell on guitar in 2009 completed the bands line-up.
WHAT: Heliotropes/The Loom
WHERE: Union Pool
WHEN: July 19
WHAT: Optical Juried Competition: Portrait Stories
WHERE: Porter/Contemporary
WHEN: July 19 – August 25
WHY: Optical is an annual juried competition for photography. The theme from 2011, Portrait Stories, serves as a platform for photographers to present their work. The exhibition is comprised of photographs created by the top five finalists of the competition and serves to be dramatic as well as insightful into each artist’s individual definition of the theme. Congratulations to: Jennifer Judkins, Justin Chase Lane, Jacqueline Langelier, Linnea Lenkus and Johnny Tang.
WHAT: The Believer presents Karolina Waclawiak
WHERE: WORD Bookstore
WHEN: July 25
WHY: Join The Believer in celebrating the launch of deputy editor Karolina Waclawiak’s debut novel, How To Get Into the Twin Palms. She’ll be in conversation with Ross Simonini, interviews editor. Facebook RSVP appreciated, but not required.
WHAT: Artists’ Book Open Call and Publishing Night
WHERE: Meulensten
WHEN: July 19th, 2012 6 to 8 PM
WHY: Court Square and pilot press… present an artists’ book open call and publishing night, an event that welcomes those who want to share their feminist artist’s books with new audiences, and those who want to learn more about the variety of such works being made today. Guests are invited to come together for an evening of discussion and publishing. The first twenty artists to RSVP will be able to present their artists’ books to an audience of other artists, curators, writers, and pilot press… published authors.
WHAT: Temporary Arrangements: Allison Kaufman
WHERE: HERE Art Center
WHEN: July 18 – Aug 25, Tues-Sat | 2 – 7pm
WHY: In her videos and photographs, Allison Kaufman creates temporary relationships with strangers, revealing the vulnerability, loneliness, aspirations, and disappointments of both her subjects and herself. Investigating these emotions in public and private spheres, her work highlights the gender roles we assume while playing on the performance and gaze inherent in all photography/video. In Dancing with Divorced Men, the artist records herself dancing with middle-aged, divorced men in their homes, allowing them to function as surrogates for her father. In Trust Falls, she collaborates with divorced men to stage intimate activities that require a sense of trust or caretaking. In Friday Nights at Guitar Center she explores the predominantly male customers of the musical instrument store via their impromptu in-store performances.
WHAT: Sandra Gottlieb
WHERE: Kathleen Cullen
WHEN: June 16 – July 13, 2012
WHY: In Sandra Gottlieb’s Black and White series, she zeroes in on the micro-creativity of waves crashing on the same stretch of Atlantic seaboard shore, cast in high relief by the setting sun. Gottlieb’s pictures are conceptual in nature, capturing moments that are structured to make the observer feel small, accept that one moment is quickly overtaken by another, or that some momentary phenomena remain beyond our reach, in terms of human perception. This is why wise beachgoers come away from a day there weary but strangely calm, drained and yet somehow massaged to serene wistfulness by what to others seems like the irritating monotony of the ocean.
WHAT: Los Gaiteros de San Jacinto w/ Geko Jones (Que Bajo?! NYC)
WHERE: Le Poisson Rouge
WHEN: Thu., July 26, 2012 / 10:00 PM
WHY: Africanismo* is a project dedicated to showcasing the lesser-known performing arts traditions of The African Diaspora by highlighting the lineage and influence of the African continent throughout The Americas. Coming direct from Colombia and transcending borders, Los Gaiteros de San Jacinto are the seminal gaita group that serve as an overflowing fountain of inspiration for artists throughout Latin America. Noted as being the root of cumbia, gaita music is an amalgamation of African and Amerindian traditions. Thanks in great part to Los Gaiteros, gaita music has become one of the most influential traditional musics in contemporary Colombian popular music today. Worldwide DJ extraordinaire Geko Jones (Que Bajo?! nyc) joins these living legends by spinning music inspired and influenced by Los Gaiteros in a dance party infusing live music featuring special guests.
WHAT: Banners & Cranks Presents: The Singing Picture Show
WHERE: Jalopy
WHEN: July 21-22
WHY: Banners & Cranks presents The Singing Picture Show July 20 & 21 at The Jalopy Theatre in Brooklyn featuring new works by a gaggle of cantastoria artists and musicians from across the country with yards and yards of art and folks there to sing its story.
WHAT: CORNELIA STREET OBSERVATORY
WHERE: Cornelia St
WHEN: Sunday, Jul 22 – 6:00PM
WHY: Angels, Animals and Cyborgs: Visions of Human Enhancement An illustrated lecture by Salvador Olguin: Presented by Hollow Earth Society; originally presented by Morbid Anatomy Deplored by many as yet another fashionable post, and defended by its supporters because it encompasses our current fears, hopes and changing reality, posthumanism is an attempt to think seriously about the possible long-term effects of technology in our society, our bodies and our mind. According to some advocates of posthumanism, these effects will be so deep, that they might change the human species as we know it, allowing humans to transcend the boundaries of their mortal lives by technologically altering or enhancing our bodies.
WHAT: Brooklyn Poets Reading Series
WHERE: Studio10
WHEN: Poetry Reading: July 20, 7-9 P.M.
WHY: Studio10 is pleased to announce an event in the Brooklyn Poets Reading Series in association with the exhibition “Text,” featuring readings by poets Alex Dimitrov, Dorothea Lasky and Timothy Donnelly. Admission is free. Wine, beer and light refreshments will be served.
WHAT: Dent May, The Babies, Levek/New York Night Train SOUL CLAP AND DANCE OFF
WHERE: Glasslands
WHEN: July 21, 8:30
WHY: Dent May, The Babies, Levek+GET DOWN…all night long to the exciting rare 1960s soul 45s of world famous DJ MR JONATHAN TOUBIN (at this point this is the only time of the month you can hear the DJ’s exquisite soul records in NYC)!
WHAT: SUPERHUMAN HAPPINESS/SMOOTA
WHERE: Zebulon
WHEN: JUL 21, 2012
WHAT: Smokey’s Secret Family
WHERE: Barbes
WHEN: 7/21
WHY: Smokey Hormel’s résumé reads like a history of American popular music over the decades. He has worked closely with Beck, Tom Waits, Johnny Cash, and Neil Diamond. His projects have included the Brazilian-influenced Smokey and Miho, as well as an ongoing tribute to Western swing. His latest endeavor is an idiosyncratic take on early Congolese rumba. In the late 1950s and early 1960s, African musicians looked to Cuba for inspiration. They recognized African roots in the music but were also captivated by its cosmopolitan aspect, which mirrored the evolution of their own culture. Using the electric guitar—fast becoming the symbol of urban culture—they forged a new hybrid that became an early soundtrack of decolonization. Hormel has hybridized the music further and taken it to the Americas for the second time. Keeping its pre-rock roots intact, he relies on a core sound of “wild guitars bursting through small amps afloat on a sea of hand drums and shakers.
WHAT: Rain Machine
WHERE: Mercury Lounge
WHEN: Mon 7/23 ,Doors: 9:00 pm
WHAT: HEART OF DARKNESS Hosted By GREG BARRIS
WHERE: Union Hall
WHEN: SAT 7/21: 8pm Doors
WHY: Musical guests Steven Bachmann and Susanna Raeven, Mind Warrior ,filmmaker Vikram Gandhi (Kumare), Barry Rothbart, Nikki Glaser and more!
WHAT: KOTORINO
WHERE: Barbes
WHEN: 7/26
WHY: Even in a music scene saturated with ‘chamber-pop’ bands and odd instrumentation, Kotorino stands out with its use of all variety of winds, strings, and other musical gadgetry. The music itself is omnivorous in its source material, quite pretty, and downright haunting. Kotorino includes Jeff Morris on guitar, words and birds, Estelle Bajou and Molly White on vocals, violins and verve, brother Jerome Morris on the batterie required, Sara Zar on musical sawesome, Liz Prince on tuba and invasive procedures, Mike Brown on upstanding bass, Stefan Zeniuk on reeds and rites and Jesse Selengut – trumpestuousness.
WHAT: Taylor Mac: Music of the 1820s/All the Rats & Rags
WHERE: Joe’s Pub
WHEN: July 23
WHY: A bedazzled creature builds a community by singing 24 concerts of the last 24 decades of popular music. Ultimately all 24 decades will be stitched together culminating in a 24-hour long extravaganza (in 2014) but for now join Taylor Mac, musical director Alexander Horwitz, and band as they use popular music from the 1820s to honor Louise Braille who, in 1825, invented the Braille system. A note: all audience members will be blindfolded for the duration of this ninety-minute concert. All the Rats & Rags is an electric new musical based on Charles Dickens’s Oliver Twist and featuring music from Tim Fite’s 2008 album, Fair Ain’t Fair – a carnivalistic funhouse of soul, bluegrass and hip hop.Set in a future on the brink of a universe-altering revolutionary war, this sci-fi rock opera centers on an adorably clueless spy-bot named Twizt.
COMING UP:
MOSTLY OTHER PEOPLE DO THE KILLING @Cornelia.
Get Weird: Antipop Consortium @New Museum.
Phil Kline: dreamcitynine (ongoing audio installation) LIVE PERFORMANCE @LINCOLN CENTER.
NICKY DA B, DJ RUSTY LAZER, ONRA (DJ SET), AND VERY SPECIAL GUESTS@Brookyln Bowl.
JOE GALLANT’S ILLUMINATI ORCHESTRA CELEBRATES THE 35TH ANNIVERSARY OF “TERRAPIN STATION”@Brooklyn Bowl.
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Not a Raffle to Act Lost For.
July 17, 2012, 3:03 pm
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By Domenic Maltempi
Sometimes our hatter acted as our doctor. Hats were not in fashion, for fortuity’s sake or otherwise.
Contra-attests hardly provoked a smile. Local prognosticators did not see this trend ending. International Endings petitioned Universal Truths for at least a comment. The latter would only accept text messages, claiming it was busy with way more than what International Endings had on its plate.
We were all at the end of our tether deciding on a song for our town—not a town-song necessarily. We wanted folks to slow down, enjoy browsing through Yogurt Trap or Visual Eyes in our proudest strip.
Better! We would prefer it if they chose to sequester themselves where our illuminated founder’s favorite plant thrived. This living thing of beauty was a 145 year old Mexican ‘Sedum morganianum’ sitting in a key maker’s window for many of those years.
( )Its own uplifting dragdown polished in enough light
( )Its own whistle why you work book deal worth
( )a thousand friends in theory and not theory
( )its own blown election victory for the glory of the people for a few days
( ( )Its own Mexican dressing room to pace through goldenly
( ) till ‘Hair’ knocked or things were canceled
( ( )its own canceled screen-door sweepstakes announced too late
( ( )Its own gray fingered nail wedding party on the waves
( )Pulled from that well combed hat
( )By the youngest with the
( )sweetest tilt of head
( )A title scrawled neatly on premium acid free paper
( )Read: Catching up to what I Know
( )But what kind of song would this be
( )to come back for?
( )Return against?

Domenic Maltempi is a musician and writer living a little too close to his home town in New York. His poetry and prose have appeared in “The Scroll,’ ‘Incredible Melting Object,’ and ‘Perfect Sound Forever.’ He is a member of the bands The Whispering Olympians and El Alto (http://www.myspace.com/elalto) (http://whisperingolympians.bandcamp.com/) He is currently working on a collection of short stories about loaner cars and, cocky watercolorists, and a collection of poetry called “Catching up to what I know.”
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What it does.
June 26, 2012, 2:39 pm
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By Shanita Bigelow
I am not a man.
Were there a place for this kind of truth, it would rest like a hand at rest, only as heavy as
it tends/needs to be.
There are numbers and signs and bedposts and other treasures left for streetwear.
In your mouth I found a mound and in time it will uncover itself, reveal
the buried, your ancestry kept beneath, sublingual and integrating, sublingual and dissolving,
sublingual, making its way through your vessels, shining light in new space, building mounds of elbow
and knuckle, pancreas and gallbladder, your eye. It is not what it does,
not the purpose of a purpose anymore; rather, a guise—calm teeth compelled to mercy and
your eye, the one made of dried tubers and plantains, the one well versed in the forsaken,
the sacred. In your palm a repository for yes.
Yes. Yes. Yes.
There is a shaker being shaken at this very moment and could you hear, you might dance or fright,
you might swallow or listen. Shake then. The answers you seek exist not in the cumbersome
notes, the copious, not in all those hands, your eye, but in the flavor, the flavor of yes and/or
thank you. Yes, thank you.
If salmon were a gun and smoked, how would you maneuver the catch, gesture,
maneuver fork and knife through barrel and flesh—scaled is the freshness of our decrees for the
sanctity, for the answers. And life can exist in new measures, line after line after line after. Do
not forsake the smoked gun, the smoking salmon, the smoke.
What you’ve left of me today is more
than enough for two. Maybe, I said. Maybe. Keep in mind what you keep in isolation. There are
carts for this kind of mercy. Call it fear or something like it or not. Call it anything but sorrow
because sorrow does not exist. Not as it should. Instead
we are left to want for more and watch the bleeding, the smoking, crying out for another and
another and another, our tongues lost in a cannon, combustible and ugly, grimy like how you said
you’d be there. Watch as the pain rejects any exposure to this that does not exist.
Have we forgotten? Again and there is another line, more/mere mercy and other things
like webs or candor or a golden rhyme. Memories are stacked, steeped
in what we know of it and then.
Shanita Bigelow, originally from North Carolina, currently resides in Chicago where she works and writes. She has work published or forthcoming in the DAP Journal, NAP and African American Review.
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Occupy My Slumber Chamber, Wild Bird.
June 21, 2012, 4:55 am
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By Robert Herbert
Buzzard pecks the glass pane that frames outsides.
He is pretty pissed about something.
I let him in, he beaksnaps my smoking jacket.
“Say something, you stupid bird, bogle me
less at such an hour as this, the gay sun
is still to galivant this way and you
should be nesting.” He perches on the shelf
for the poetry books and squawks, livid,
stomping now like a trooper. I could kill
him, and as I guage this ill, it becomes clear,
he is comparing the vague emptiness
of my bookshelves to a totalitarian regime.
He wants me to flail freestyle for freedom,
to scorn my propaganda in a false past,
to write better poems, that maybe outlast
links I like, I post, on Facebook, about David Graeber.

Robert Herbert’s debut collection of poems entitled, Pangs! & Intermittences, is forthcoming from Knives Forks & Spoons Press. The poem presented here is an Intermittence. Other works have appeared in Stop Sharpening Your Knives 3 and 4, Kritya, Magma, Gallous, Poetry Proper, Ink Sweat and Tears, Brand, and 3am Magazine. He solicits poems for the e-zine, Digital Behemoth, see
http://digitalbehemoth.tumblr.com/ He has performed his poems at Wells Poetry Next The Sea, Flatlake Literary and Arts Festival, The Poetry Library, and The Seamus Heaney Centre.
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