Filed under: ART | Tags: 22, brooklyn, burris, Kenneth, LIC, magazine, New York, ny, nyc, queens, the
I use the medium of drawing as an exploration of my subjective experience in the context of the culture I live in—an analysis of my place in time that is entirely “me,” yet simultaneously transcends the mere personal to examine and critique the world I exist in, from realistic city life to the hyperreal of dystopic movies, videogames, and newsmedia.
My work differs from personal narrative for these pieces are all to aware of the limitations of individual perspective, and as such connect the self to a wider social milleu, blending the two in a critical reflection of what I see as the chaos of environment, community, and economic disintegration.
And yet my drawings are hopeful too—fragmentary yet organic, explosive yet controlled.
Filed under: THE WEEK/THE WEEKEND | Tags: "Cosmosis" Pochron, 00, 08, 11, 2011, 2020, 22, 23, 2nd, 4th, ABRONS, Alex, amazing, and, andy, annual, art, at, Atlantis, Ayanah, Ballroom. SUPERCODA, Barbes Live, Beloff's, ben, beth, Bombshells, Brennan la, brooklyn, bruha, cafe, CENTER HORSE, chicago, Circus, Collection GBM, Concentrate, Coney, Craig, Damion, DC Summer, desi, DISCONTENTS, Dorr, Edelson, event, Eyebeam Johnathan, fei, FESTIVAL CIVILIZATION, festival POPSICKLE, film, Finger Welf, for, Forest, FOUNDATION. Glank, francis, FREAKKSHOW, Fri, Frick, friday, from, Gallery 2011, Gallery EVE, GBM, GGRD, gowanus, guest, H.P., Hannah, harvey, Hysteria, Inaugural, Island Opening, It's, IV, j, japan, Jul, kim, Kult, la, LAROTONDA, last, LGBT, lisa, LOVECRAFT, LPR. Camera, Mama. "Summer, mary, McCarty, Meetup, Moor, more, musical, NARS, new, NewFestNy, night, Nightmare Wu, Noel, observatory, of, opening, ORWEL Big, out, pain, paley, Pandemic, Philly, Pig, pixies, plastic, PM 3rd, PM Black, Prager, premier, present, presents, PROJECTS Judy, queens, RADIOTHEATRE, reception, reid, Reid Kostume, RITES. IMAGE, Sat, school, series, show, Silkscreen, special, Stapp, Steele, Stella, studios, SUBLIMINAL, Swoon, the, Theatres, trade, Valdes, vincent, Vine, Vs, w, Ward’s, WARS, Wilke. CHET, with, wood, ZAR, Zoe
A Lecture, Performance, and Party hosted by John Swenson, author of New Atlantis: Musicians Battle for the Survival of New Orleans
Date: Saturday, July 23rd
Time: 8:00 PM
Night One of the New Atlantis 2020 Series ** Books will be available for sale and signing
“In New Orleans, it was the culture of the city—its musicians, its second-liners and Mardi Gras Indians, its chefs and trumpeters and sissy bounce rappers—who asserted for the future more than any political leadership or economic imperative. It was the refusal of the artists to let go of the idea of New Orleans that saved the city. NEW ATLANTIS tells this remarkable story and does so clearly, with considerable detail and affection.”
—David Simon, Producer of HBO’s Treme
New Orleans is under siege from a lethal combination of natural and man-made disasters. The effects of the flood following hurricane Katrina in 2005 are still being felt throughout New Orleans, while the rapid destruction of the south Louisiana wetlands that protect the city from hurricane surges brings the threat of future inundations.
Musicians have been in the forefront of efforts to educate the public about how to combat this threat even before Katrina; they have also led the economic recovery of New Orleans after the flood by returning quickly to restore the city’s cultural identity. Award winning author John Swenson’s book New Atlantis: Musicians Battle for the Survival of New Orleans (Oxford University Press) details the struggle musicians have undertaken to rebuild New Orleans and speak out for its future.
Tonight, join us for the inaugural event of the new Observatory series New Atlantis 2020; this series, curated and moderated by John Swenson, will feature live performances, readings and discussions that will explore the relationship between the musicians of New Orleans and the rebuilding of the city after Katrina. Tonight’s event will will begin with a lavishly illustrated introductory lecture by Swenson, introducing us to the key themes and characters of the book. Next, award-winning New Orleans based musician and songwriter Andy J. Forest–who figures prominently in the book–will perform live at Observatory on guitar and harmonica. Following this performance, Swenson will moderate a Q and A with the musician, after which he will DJ a rich variety of New Orleans music while we enjoy some beer and wine.
Opening Reception, Zoe Beloff’s Amazing Hysteria Theatres at Coney Island
Friday, July 22 · 7:00pm – 10:00pm
Coney Island USA
1208 Surf Avenue
This Friday, Morbid Anatomy and The Great Coney Island Spectacularium cordially invite you to an opening reception to celebrate the launch of our short-term exhibition of “Four Hysterical Dramas” by Zoe Beloff. This exhibition will be on view at The Spectacularium from July 22nd until August 20th.
Four Hysterical Dramas
Beloff will present four miniature theaters housing depictions of actual hysterics filmed by doctors in Belgium,… Romania, and the United States. Updating a Victorian stage trick called “Pepper’s Ghost”, Beloff has transformed these patients into ghostly figures performing an endless loop of madness within the space of each diorama. Beloff was inspired by several remarkable developments at the end of the 19th century: the discovery of the unconscious by psychotherapists, doctors’ emerging practice of filming their hysterical patients with motion picture cameras, and the public’s fascination with madness which manifested itself in the emotive, hysterical behavior of actors in Parisian cabarets.
Opening reception for “Cosmosis”
Saturday, July 23 · 5:00pm – 8:00pm
Pochron Studios Gallery’s 2nd show of the 2011 season will explore the transference of cosmic energies.
Cosmosis seeks to explore how the these cosmological concepts could be applied to personal experience.
EVE @ SUBLIMINAL PROJECTS
Sat July 23rd 8-11
Judy Chicago, Mary Beth Edelson, Kim McCarty, Ayanah Moor, Alex Prager, Lisa Steele, Swoon, Stella Vine and Hannah Wilke.
Subliminal Projects Gallery is honored to present Eve, an important group exhibition of works by revolutionary female artists Judy
Chicago, Mary Beth Edelson, Kim McCarty, Ayanah Moor, Alex Prager, Lisa Steele, Swoon, Stella Vine and Hannah Wilke. Eve is a cultural icon and reinforces the idea of equality that feminism drives home. Eve is a composition of powerful female artists, stemming from the feminist era of the 1970′s to the present. The exhibition explores how individual perceptions of femininity are expressed through each artist’s specific genre. Eve is on view July 23rd through August 20th, 2011. A reception for the artists will be held Saturday, July 23rd, from 8-11p.m.
Friday July 22nd:
Last Rites Gallery Opening Reception:
Doors open 7pm until 11pm No cover Refreshments served
Saturday July 23rd:
The unveiling of the all new Tattoo Theatre
Doors open 7pm until real late!
$10 cover charge after 10pm
18 and over
Sunday July 24th
The Painting Lounge
Doors open 3pm until 11pm
July 21-September 3, 2011
Opening Reception: July 21, 6-8 pm
Image Wars addresses the representation of conflict in visual culture in an age of global crisis. This exhibition is curated by Miguel Amado and brings together works by Yevgeniy Fiks, Rinat Kotler, Michael Mandiberg, Carlos Noronha Feio, Mary Temple, and Kai-Oi Jay Yung. The artists in this exhibition mix archival documentation and fiction as well as research and personal reaction to daily events to comment on the articulation of geopolitics and the media in the “spectacularization” of warfare. The works on view examine the picturing of zones of conflict, from armed conflicts between countries trough dissent across national borders; the charismatic character of world leaders and unknown soldiers; and manifestations of both control and powerlessness in news and individual narratives.
Don’t miss H.P.Lovecraft’s cult classics REANIMATOR and THE CALL OF CTHULHU.
Adapted, Directed, Sound/Music Design: Dan BianchiStarring: Frank Zilinyi, Erix WhittenSound Engineer: Sean BurnsNow, for the first time ever in the history of live theatre ….40 of the greatest stories from the grandmaster of american horror… presented by radiotheatre! complete with award winning sound design and original orchestral score!
The 1st Festival in March was a resounding success and attracted Lovecraftians from all over the world. Now, Horse Trade presents RadioTheatre in THE 2nd H.P.LOVECRAFT FESTIVAL which includes two of his greatest tales… REANIMATOR and THE CALL OF CTHULHU.FOR MORE INFO: www.radiotheatrenyc.com or www.horsetrade.info
CIVILIZATION AND IT’S DISCONTENTS @ NARS FOUNDATION.
Exhibition Artists include:
Nancy Drew, Stephanie Homa, Olek, Kikuko Tanaka and VanillaRoyal
New York Art Residency & Studios (NARS) Foundation is pleased to present Civilization and its Discontents, a group exhibition curated by the winner of the ﬁrst NARS Emerging Curator Program: Cat Weaver. The exhibition includes work by Nancy Drew, Stephanie Homa, Olek, Kikuko Tanaka and VanillaRoyal.
If you’ve ever worn a T-shirt from a place you’ve never been, or felt elated by a song the language of which you did not understand, or dared to display a button for its color without paying mind to what it says, then you get it.
Glank @La Mama.
July 22 – July 24, 2011
GLANK is a “green” percussion performance art group that utilizes multiple anonymous performers in Clean Room Suits, audience interaction, multi-media elements, unique percussion inventions, and recycled materials. GLANK instruments include found object metalophones such as tuned saw blades, LP tanks, motorcycle gears, artillery shells, brake drums, air vents, etc…
Join us for a free after-hours viewing of the Frick’s two summer exhibitions, In a New Light: Bellini’s St. Francis in the Desert and Turkish Taste at the Court of Marie-Antoinette, with opportunities to attend presentations and gallery talks, sketch in the Garden Court, and enjoy dance performances. Visitors of all ages over ten are welcome. Click here to download event schedule.
GBM Friday Show Fri Jul 22 11, 08:00 PM
(Brian Olin and Robert Pepper Duo, The Hot Solids, Cubehead, Loop B, ten minute caravan – A SERIES OF PLAYS IN THE BACKYARD
The Hot Solids /Brian Olin and Robert Pepper Duo/Cubehead/Loop B – ten minute caravan – A SERIES OF PLAYS IN THE BACKYARD)
3rd Ward’s 4th Annual Pig Out!
Saturday, July 23, 2-9pm
195 Morgan Ave, Brooklyn, NY
Come hungry and dance the afternoon away at our 4th Annual Pig Out,
a summery celebration of gut-splitting proportions. There’s something for every appetite, musical taste and creative bent. Feast on cheap innovative BBQ by The Brindle Room, cool down with summery drinks, and buy local, farm-fresh produce from Plovgh.
NewFest is dedicated to bringing together filmmakers and audiences in the building of a community that passionately supports giving greater visibility and voice to a wide range of expressions and representations of the LGBT experience. We are committed to nurturing emerging LGBT and allied filmmakers. We support those artists who are willing to take risks in telling the stories that fully reflect the diversity and complexity of our lives. And we’re committed to bringing our audience stories that transform our vision of who we are and who we can be.
Through the New York LGBT film festival, presented annually since 1988, and year-round programming, NewFest celebrates fine domestic and international film as part of our mission to break through closet doors and glass ceilings everywhere.
The second annual POPSICKLE Festival unites Brooklyn-based poetry and prose reading series for a monster day of reading, performance, and screenings as well as book tables and a raffle with amazing prizes. POPSICKLE 2011 will take place on July 23rd at the amazing hybrid space known as GOWANUS BALLROOM = 55 9TH STREET = BROOKLYN NY.
With performances from:
Jason Helm + Julia Guez + Jon Sands + Roger Bonair-Agard + Will Edmiston + Paul Foster Johnson + Dorothea Lasky + Lonely Christopher + Megafortress + EJ McAdams + Becca Klaver + Angelina Dreem + Amy Jenkins + Courtney Ziegler + Jason Daniel Schwartz + Anna Fitzgerald + Carina Finn + Paul Legault + Chris Hosea + Ariana Reines + Jean-Paul Pecqueur + Paul Foster Johnson + Ben Pease + DJ Amourette And more TBA . . . .
SUPERCODA @ CAFE ORWELL
Friday, July 22nd. 8:30-12:30. The Super Coda presents a night of especially stupefying music that is way, way, way out there.
1 – Big Plastic Finger
2 – Welf Dorr/Ben Stapp/Noel Brennan
3 – la-bruha-desi-la (Japan)
4 – Harvey Valdes/Damion Reid
Kostume Kult Presents FREAKKSHOW IV: Circus Nightmare
A Burning Man fundraiser with Reformata
Saturday Night, July 23rd, 9pm to 11am Sunday
Brooklyn Location TBA Friday (large, raw indoor/outdoor space with AC!)
Meet at Mothers (a bar) for shuttle bus pickup
near Graham Ave L train stop
at 347 Graham Ave betw. Metropolitan & Conselyea
Ticket Link: http://kostumekult.com/eve nts/freaKKshow4/
$20 limited presale
Do circus freaks haunt your dreams? Do clowns creep you out? Does the sound of carnival music make you cry? well…
STEP RIGHT THIS WAY ladies and gentlemen and revisit those wonderful feelings with a night of Freaks, Geeks and Childhood Trauma Reenactment…
Valerie Kuehne Cello @ SET GALLERY
Wu Fei @Barbes
Live Silkscreen Event @ Pandemic Gallery
2011 – GGRD – Queens of Pain and Brooklyn Bombshells vs. Philly and DC
Summer School Meetup @Eyebeam
Johnathan Vincent Wood (and more) @GBM Sat Jul 23 11, 08:00 PM
Black Francis (Pixies)w/ Reid Paley @ LPR.
Camera + Aileen Wuornos: The Selling of a Serial Killer
The Handwritten Text @ Center for Book Arts
Drag Show Video Vérité @ Dixon Place
Readings from Supernatural Noir@KGB
The 5th Annual Pyschobilly Luau @ PA
Gareth Flowers Acousmatic and Home @ The Stone
Filed under: THE WEEK/THE WEEKEND | Tags: 22, 3rd, a, Adam Matta, affairs, and Rosanna Warren, animals, ansel, apress, art, artists, arts, b, bedford, between, birthday, black, blacklight, books, bradbury, brooklyn, bruno, budget, bye, center, central, chickens, cocktail, Colvin Grannum, conseling, consumer, Contemporary, Corporation, crossing, cullman, culture, cultureal, cut, cutting, Danny Simmons, day, department, department of, development, Domenic M. Recchia, dortothy, eamon, edge, elkins, empowerment, experience, fair, for, furies, gallery, gathering, gowanus, grennan, heaven, hell, in, information, ireland, itinerant, jamey, japan, japanese, Jimmy Van Bramer, joe, joe's, Jr., Kate D. Levin, kincet, kitty, kyle, lewis, library, light, lincoln, lounge, love, magazine, make, makerbot, Marty Markowitz, mcdonald, media, money, my, narratives, Ned Rothenberg, of, of financial, office, on, performance, personal finance, Philip Levine, poet, poetry, project, proteus, prototyping, pub, public, QMAD, queens, Racheal Price, Rachelle Garniez, rapid, reading, resources, Restoration, resurrected, robot, secret, shadow, shirey, society, Sonny Singh, spring, stalkers, Stuyvesant, sxip, Terry Dame, the, the road, thera, thon, three, Timothy Donnelly, to paradise, tribes, Vengeance, W.B., walter, ward, webb, with, with Eamon Grennan, workships, writing, xavier, xBox, yeast, your
Saturday, May 14th, 2:00 – 6:00 pm
195 Morgan Avenue, Brooklyn NY
The MakerBot Thing-O-Matic is 1) a modern manufacturing breakthrough, and 2) also a lot of fun.
The 3rd Ward MakerBot Make-A-Thon is your chance to see these tiny factories in action, print awesome 3D objects and even a 3D portrait of yourself.
MakerBot Artist-in-Residence Kyle McDonald will be presenting his work turning the Xbox Kinect into a 3D Scanner. He will scan you in his 3D Photo Booth, then print you using the MakerBot.
The Makerbot prints anything up to 4”x5”x5” with ABS and PLA (biodegradable) plastic. All you do is hit print, and the machine does all the work. Print 100 butterflies, an entire chess set — anything! And see a 9 foot-wide geodesic dome, printed entirely on the MakerBot.
Learn more about the MakerBot and the 3rd Ward Make-A-Thon in The New York Times here.
RSVPs are required at http://www.3rdward.com/rsvp
MakerBot Industries was named one of the top 20 startups in NYC, and has been featured in The New York Times, Wired, Make: Magazine, The Wall Street Journal, IEEE Spectrum, CNN, Financial Times, NPR, The Economist and others. For more information on MakerBot, click here and see photos of the MakerBot Thing-O-Matic here.
Learn more about Kyle McDonald’s Xbox Kinect hack in this 3rd Ward blog post.
Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future.
An event curated by noted Irish poet Eamon Grennan, with American poets reading and responding to Yeats’ work and exploring the influence of this literary giant on their own poetry.
Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.
Admission is free.
Bruno Walter Auditorium
111 Amsterdam Avenue and 65th Street
THE BLACK LIGHT LOUNGE@ SECRET PROJECT ROBOT.
Saturday, May 14 8-11pm.
How awesome would it be to walk into a room filled salon style with black light posters and art!? This Spring Secret Project Robot creates the long awaited fluorescent opulence. Over 30 artists participate to transform the gallery into a black light cocktail lounge.
Join the Department of Cultural Affairs, Bedford Stuyvesant Restoration Corporation, and Department of Consumer Affairs Office of Financial Empowerment for a day of FREE financial counseling sessions and workshops designed to help working artists, arts administrators, and independent workers reduce debt and manage credit.
SATURDAY, MAY 14, 2011
Information Fair, Workshops and Counseling Sessions 12 PM – 5 PM
Post Event Reception 5 PM – 7 PM
Bedford Stuyvesant Restoration Corporation | 1368 Fulton Street, Brooklyn, NY 11216
OPENING REMARKS BY
Kate D. Levin, Commissioner, New York City Department of Cultural Affairs
Marty Markowitz, Brooklyn Borough President
Jimmy Van Bramer, New York City Council Member and Chair of the Committee on Cultural Affairs, Libraries & International Intergroup Relations
Domenic M. Recchia, Jr., New York City Council Member and Chair of the Finance Committee
Colvin Grannum, President, Bedford Stuyvesant Restoration Corporation
Danny Simmons, Chair of New York State Council on the Arts and Artist
Love Your Library Day!
Saturday, May 14, 10 AM – 3 PM
Central Library, 10 Grand Army Plaza
As Brooklyn Public Library (BPL) faces a city budget cut that could reduce library hours, materials and free programs, we need your support!
Show your elected officials how much you love BPL by coming to this important, fun event on Central Library’s Plaza.
|10 AM – 3 PM:||Book, T-shirt and tote bag sale|
|10 AM – 12 PM:||Performance by BPL’s own Lost in the Stacks|
|12 – 1 PM:||Advocacy rally|
|1 PM:||Performance by Vo-Duo, a group inspired by the vodou music traditions of Haiti|
You can also use our computers to email your elected officials to say NO to budget cuts and remind them how much your library means to you.
Suggested donation for the event is $5. This donation, as well as proceeds from book, T-shirt and tote bag sales, will help purchase new library materials.
CROSSING ART GALLERY
Saturday, May 14 from 6 to 9 PM
136-17 39th Avenue
Flushing, NY 11354
QMAD, Queens Media Arts Development, in partnership with Crossing Art Gallery, presents the First Annual Performance Art Festival of Queens featuring new works by local, national and international performance artists. This year’s program, ITINERANT, focuses on works that treat notions of displacement, delivery, and transformation. Participating artists use performance narratives and actions that evoke immediacy and intimacy to bridge the gap of communication and distance. (READ MORE.)
Saturday, May 14 at 7 pm
Stories about the journey to paradise, in religious and literary traditions, feature animals as both obstacles and allies.
In Seamus Heaney’s translation of Beowulf, Grendel is the “shadow-stalker” the hero must slay
to prove himself and attain an earthly paradise; on the medieval pilgrimage trail to Santiago de Compostela, Spain,
there is still an ornate chicken coop housing a pure white rooster and hen in the cathedral in one town
to commemorate a pilgrim’s miraculous escape from disaster.
What beasts block our roads or assist us on the way?
Rev. Craig Townsend presents an evening of tales, images, and soundscape evoking and exploring
the human-animal interactions that illuminate both the journey and its goal.
Craig Townsend is an Episcopal priest serving as Vicar at St. James’ Church on the Upper East Side of Manhattan.
He has a Ph.D. from Harvard that, while focused on American religious history, also entailed
the study of the world’s major religious traditions.
Please visit the Proteus Gowanus website for more news and information about upcoming events.
It’s my birthday next month and as a present to myself I’m doing a big “solo show” at Joe’s Pub with some of my very favorite NYC artists who I haven’t had a chance to perform with much or at all. (Aside from Adam but…he’s ADAM) Adam Matta, Ned Rothenberg, Terry Dame, Rachelle Garniez, Racheal Price, Sonny Singh and Xavier.
I will be presenting an expanded version of the Sxipenspiel. I also have a new device called a gravity marble tree…and a perfect Sam Cook styled R & B tune to be sung by Xaxier. I am going to do “Ring My Bell with Rachel Price and I’ll be performing an improv piece with the amazing Ned Rothenberg. PLUS I do a rendition of a composition by Shelley Segal.Very exited to announce that Mathias Kunzli will be the percussionist for the evening.
A brief interview with Sxip about the show and participants:
THE 22: Variations and experiments in breath seem to play a large role in both yours and Ned’s work. Besides the fact that you both play reed instruments do you feel you push the boundaries of the human body as a musical tool?
SXIP SHIREY: I don’t think I am pushing the boundaries of the human body honestly. Back in my 20s when I wanted to be a punk Michael Hedges I ended up with tendinitis for two years. The first time Ned saw me play he commented on how tense I held my body when I played. He plays with such a focused relaxed quality and puts the intensity just in music. He circular breaths beautifully, which is pushing the body in a sense, but really what is great about him is the calm control of tones that are ever evolving and unwieldy. My playing is definitely a product directly of what my body is doing. Modern dancers sense this and they love my performance, but I don’t think I’m pushing the body, I am pushing the instrument. Oh shit..I just reread the question. I see what you are asking now. I didn’t think of breath as pushing the boundaries of the human body as a musical tool, I just did it. Breath is a rhythm we all understand deeply, it is the most intimate rhythm we make that we can easily hear (unlike a heart beat), there is incredible power in making this intimate sound epic. I am ever creating a palette of compelling of sounds that that I can draw from to take me and the audience to effective places.
THE 22: What are you thoughts on the traditions in music versus the basic elemental pleasure of sound? Is either more important?
SXIP SHIREY: I am finding this question hard to answer. It’s not that either is important or not important. It’s just not the issue. I make sound and music because I have to. It’s what I have to do, sometimes it’s a song with guitar, sometimes it’s playing folks songs, sometimes it’s rolling marbles in glass bowls, sometimes it’s tweaking virtual synths on the computer. It’s all the same to me.
THE 22: What about each of these musician’s appeal to you in collaboration and why did you chose to share this birthday celebration with them?
SXIP SHIREY:They are musicians who have an immediately strong seductive presence the moment they play or sing. They are people I simply like hearing and will go out to hear when I am in NYC. I thought it would be great to actually play with them. Most of them are not my normal collaborators.
THE 22: Can you tell us a little about the SxipenspieI and gravity marble tree?
SXIP SHIREY: The Sxipenspiel is perhaps my favorite birthday gift of all time. I was on tour with Amanda Palmer and Jason Webely’s Evelyn Evelyn tour and my birthday fell on a day we were in Berlin. Amanda and Neil went to a flea market in Berlin and bought these great bicycle bells that do a trilling long tone. They mounted them on a candlestick with a bent copper pipe at the top and dubbed it “The Sxipenspiel”. It’s a totally awkward instrument that sounds somehow amazing. I’ve learned to play it gracefully and I play it a lot. There is something magical sounding about it.
Bells historically are used to give us directions. “it’s time to go to church” “come to the door I am here” ” the egg is done cooking”. There is certain power to use them as a compositional element because their sound stimulates those parts of the brain.
Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.
has poems appearing this spring in Boston Review, Mississippi Review, Ninth Letter, The American Scholar, The Believer and The Southern Review. She is one of four winners of the 2011 “Discovery”/Boston Review poetry prize. She lives in North Carolina.
is a radical feminist and resident of Brooklyn. She received her MFA in poetry from UNC Greensboro, and has had work in Fiction (JP) and Forklift, Ohio. Her chapbook, On The Shoulders of the Bear, was released this fall from Fractious Press.
Filed under: ART, THE WEEK/THE WEEKEND | Tags: 22, 83rd, anotonio, art, artists, brooklyn, brown, canonge, graham, hecotr, heights, jackson, lawrence, magazine, new, nyc, ortuno, performance, queens, roosevelt avenue, st, the, trace-able, violent, york
Filed under: ART, THE WEEK/THE WEEKEND | Tags: 22, A.E. Souzis, Aida Sehovic, and, and Christina Vassallo, and Mona Vatamanu, art, artist, artists, Biko Koenig, Brian Leo, brooklyn, Carin Kuoni, cat, Catherine McMahon, Chen Tamir, Christopher Robbins, city, continues, Do, Douglas Paulson, Elizabeth Larison, factory, Florin Tudor., flux, gallery, gilbert, Ginger Shulick, Gregory B. Moynahan, Gregory Green, Harvey Loves Harvey, HECTOR CANONGE, island, Joseph DeLappe, Julia Kul, Kristian Kozul, long, magazine, Matthew Sleeth, Morgan Meis, new, Nick Fevelo, Nick Kolakowski, ny, nyc, Oliver Ressler, Pablo Helguera & Colectivo Mishima, Paolo Pedercini, Patrick Dintino, Pauline Julier, performance, Public Studio, queens, Rodney Dickson, Ryan Roa, Sayeh Sarfaraz, so, the, typhoon, Vahap Avsar, Yael Kanarek, Yevgeniy Fiks, york, you
Opening reception: April 1, from 6 pm on
Exhibition dates: Saturday, April 2 through Sunday, May 1
Hours: open weekends, 12 – 6 pm or by appointment (closed Easter Sunday)
Location: Flux Factory, 39-31 29th Street, Long Island City, Queens
Flux Factory is pleased to announce The Typhoon Continues and So Do You, an exhibition of new works through which artists contemplate four specific “artifacts” of war and how their original purposes are transformed through integration into larger society.
Filed under: EVENTS | Tags: 1939, 22, art, artists, artworld, brooklyn, future, magazine, Museum, new, ny, nyc, of art, perfect, queens, reconstructing, the, world's fair, york
Sunday, April 10, 2011 3:00 to 6:00pm
DURATION: April 10 – August 14, 2011
Reaching from Flushing Bay on the north side to Kew Gardens on the south, and from the Federal Building on the east side in Flushing to the western entrance gate on 111th Street in Corona, the New York World’s Fair comprised a massive area covering 1,216 acres when it opened on April 30, 1939. The fair broke ground on June 29, 1935 and took over three arduous years to construct, through a nearly miraculous evolution from a salt marsh formerly utilized in the mid to late nineteenth century as a bucolic recreational area and for commercial ventures such as beer gardens and oyster farming. From the turn of the century to 1934, these wetlands were profoundly transformed into the notorious ash dumps of Tammany Hall crony Fishhooks McCarthy’s Brooklyn Ash Removal Company, which were originally introduced into the American vernacular by F. Scott Fitzgerald’s The Great Gatsby.
“…This is a valley of ashes–a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of grey cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-grey men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight…
The valley of ashes is bounded on one side by a small foul river, and when the drawbridge is up to let barges through, the passengers on waiting trains can stare at the dismal scene for as long as half an
Mountains of ash almost one hundred feet high were created by the dumping and subsequent burning of over one hundred rail cars per day packed with household refuse, stove ash and animal carcasses. These mountains were excavated and moved, then mixed with meadow mat and top soil, to create land fill on the future fairgrounds. This rigorous reclamation of the landscape took one year by teams of laborers working in 24-hour shifts eerily illuminated by Westinghouse Corporation’s “manmade perpetual sunlight:” over three hundred 80′ towers each shining 1500-watts of light, to prepare the land for construction.
Under the stewardship of NYWF Corporation President Grover Whalen, Mayor Fiorello La Guardia and NYC Parks Commissioner Robert Moses, and bookended by the foment of the Great Depression and the commencement of World War II, a fabulously futuristic and harmoniously conceived fair arose in Queens, far away from Manhattan. Beckoning like the magical Emerald City of Frank L. Baum’s 1939 work, The Wizard of Oz, the fair’s exuberantly planned utopian vision of “The World of Tomorrow,” as close as a 10 minute train ride, still proved to be financially unattainable to the majority of immigrant populations whose businesses and homes bordered its periphery.
With vintage gelatin silver prints, blueprints and original documents, Future Perfect: Re-Constructing the 1939 New York World’s Fair will illustrate the colossal undertaking that was the creation of the fair. Copies of the original blueprints for Harrison and Fouilhoux’s symbolic Trylon and Perisphere’s steelwork (inspired by the domes of San Marco in Venice) provide the underpinning of this exhibition along with a marvelous cache of photographs ground out on a non-stop basis by the official NYWF Department of Press. Whalen’s publicity machine produced heroic captions for these photographs such as “the 1,216 acre site was made in a 190-day engineering feat of moving nearly 7,000,000 cubic yards of ash “mountain” and meadow mat in a ‘once worthless area’ on Flushing Bay and within a few minutes by rail from mid-town Manhattan…to be a permanent city park after the fair.”
From the fair’s inception, Robert Moses envisioned the remains of the fairgrounds after the closing in 1940 as a people’s park, his “Versailles” for the city as today, Versailles is France’s patrimony, a stately LeVau and Hardouin-Mansart’s design integrated with gloriously landscaped gardens. It wasn’t until much later, after the subsequent 1964-65 New York World’s Fair, that Moses was able to realize much of his original ambitious plans for what is presently Flushing Meadows Corona Park.
The Queens Museum of Art’s permanent home in the New York City Building is one of the very few original structures left standing, and was designed to be the future home of a skating/roller rink. Optimistically touted by the press office as “… a $1,200,000 ‘Glass House’ (permanent) almost ready for the placing of fascinating exhibits depicting modern municipal service to man,” numerous city agencies had exhibits including the NYC Police Department whose “Murder at Midnight,” was a staged re-enactment of a crime scene investigation, the ‘30s version of CSI’s crime detection techniques. The building became La Guardia’s favorite location and the site of his summer office for the two summers the fair was in existence.
Other vintage prints of previously unexhibited scenes from the collection will be on view: Whalen and La Guardia breaking ground on the fair’s future site; designers’ scale model of the fair in the making which was subsequently shipped to Chicago as La Guardia’s promotional tool for selling the fair to businesses and the masses; clearing the Corona ash dumps; building of sewer, water, roadways and other infrastructure projects; plantings of trees, shrubs and flower beds; the erection of pavilions; aerial views of planes flying over the incomplete steelwork of the Trylon and Perisphere and the New York City building; carpenters and painters building Con Edison’s City of Light; and even vintage prints and original documents relating to the design and construction of Salvador Dali’s fabulist pavilion, Dream of Venus, realized in the fair’s Amusement Zone.
Future Perfect: Re-Constructing the 1939 New York World’s Fair is curated by Louise Weinberg, Registrar/Archives Manager.
The Queens Museum of Art is grateful to numerous donors to our World’s Fair collection who have made this exhibition possible, some anonymous and others too numerous to mention. We are especially indebted to Irene Feldman and Charles W. Schwartz whose contributions of the NYWF Department of Press photographs form the core of this exhibition. Thanks to Kenny Greenberg – Krypton Neon LLC http://www.neonshop.com for his generous contribution of neon lighting for this exhibition. Exhibition design by Arnold Kanarvogel, Queens Museum of Art.
Future Perfect: Re-Constructing the 1939 New York World’s Fair is supported in part by the New York City Department of Cultural Affairs and New York State Council on the Arts.
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|QMAD, Queens Media Arts Development
|| A-Lab Forum
Saturday, March 19th, 2011, 2 – 4 PM
Crossing Art Gallery
|QMAD, Queens Media Arts Development, continues the presentation of A-Lab Forum in March. The program is a series of monthly discussions designed as an opportunity for artists, working in various media, to present their work, share their visions and ideas in relation to selected topics and concepts in the field of art production, collaboration, and critical thinking. Each forum consists of a presentation by selected artists, followed by a discussion period with the curator and attending audience. Participating artists are identified and invited by the curator / facilitator from a pull of entries for that month. The forums are open to the general public, and are free of charge.
This month’s forum focuses on notions of the fantastic, the imaginary, and the surreal (re)presented in visual and performative arts. Selected works explore themes around the uncanny as an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being strange or fantastic. Participating artists using various media (painting, sculpture, video, illustration, photography, digital arts, multimedia, installation, mixed media, and performance art.) explore notions of “magical realism,” “phantasmagoria,” and/or the “supernatural” where distortions of the real –human or environmental- are referenced and used. Organized by artist Hector Canonge.
Networked Presentation (Los Angeles):
For more information contact: email@example.com
A-Lab and the A-Lab Forum are independent initiatives supported by QMAD
Monthly presentations are hosted at Crossing Art Gallery.