The 22, this 2012

We at the 22 are taking a year-end break (Dec 19th-29th) to give everyone who works and helps out at The 22 time to spend with their loved ones and reconnect to the world, without a mouse at hand. It’s a time of rest and refreshment. That being said, we will be doing some pick up work including reading and reviewing the many submissions we’ve received for the collage volume.We will be accepting submissions until January 30th, and highly encourage you to send them in during the next 2 weeks if you can!

Thank you again, for all the amazing support and kindness you have shown this project. We couldn’t have done it without you, each and every one. We are truly looking forward to what the New Year brings and are wishing love, happiness, and the ability to listen and understand compassionately for everyone this holiday season.

And now, The 22 Blog, 2012, in review…

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THE WEEK/WEEKEND: May 17-24.

EDITOR’S PICKS:

Matthew Brandt
http://www.yossimilo.com/exhibitions/2012-05-matthew-brandt/
05/24/2012-06/20/2012
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Yossi Milo Gallery is pleased to announce Lakes, Trees and Honeybees, an exhibition of new photographs and prints by Matthew Brandt from his series Lakes and Reservoirs, Trees, Honeybees and Taste Tests in Color. The exhibition will open on Thursday, May 24, and will be on view through Saturday, June 30, with a reception for the artist on Thursday, May 24, from 6:00–8:00PM. This will be Matthew Brandt’s first exhibition with the gallery and his first solo exhibition in New York. Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate.

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THE WEEK: APRIL 23-27.

EDITOR’S PICKS: 

The 22 Magazine is putting on a show this Thursday at Vaudeville Park in Brooklyn. Hope you can join us!

Check out a preview for the show.

The 22 Magazine Presents: Fixins
http://www.the22magazine.com/Pages/upcomingevents.html
04/26/2012-04/26/2012

The 22 Magazine is pleased to present an evening of music, art, food and puppetry with Andru Bemis, Anna Gevalt, Elizabeth Laprelle and Katherine Fahey, who along with singing, will be presenting a cranky. Also known as scrolling panorama, or crank box, the cranky is an old-fashioned hand-cranked scrolling device, illustrating a story or song. They will be joined by FAHEY, puppeteer Daniel Patrick Fay, and visual artists Jimmy McBride, Megan Canning, Eileen Hoffman, Reineke Hollander and more. There will be a potluck style buffet, so feel free to bring something to contribute! The event will take place on April 26, at Vaudeville Park in Brooklyn.


 

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Review: The 5 Degrees of Laurie Amat.

Vocalist and performer Laurie Amat of San Francisco performed at The Super Coda at Vaudeville Park on April 5, 2012. The show was constructed so that Ms. Amat, along with a standard solo set, improvised with 5 different performers whom she had no previous knowledge of until directly before show.

The performance is described below in degrees.

Degree 1 “The Spark” : Laurie performs Bernd Klug with Prehistoric Horse

This is a quartet. Cello (Valerie Kuehne), guitar (Lucio Menegon), snare drum (David Grollman), and Laurie on vocals. She is jolly. Dressed in black, petite, with close-cropped hair she organizes the stage to her liking. Drums here, no, there, and performers enclosing here. It is the quintessential fire build. The sticks laid, not to many attendees yet but that will change as the fire grows. The show begins with a vocal pieces, somewhat randomly dedicated to the next performer Bernd Klug (an ideal name no doubt for Laurie’s often nonsensical phrasing) and is quickly developed into the in-depth story of THE BERND KLUG. After a few minutes of soft, warming experimentation’s on guitar, drum, and cello, Grollman strikes the match of BERND KLUG. First Bernd is a superhero with a beautiful cape-the flame jumps-now he is a demon, now a battleship steaming against the ecstatic fusion of guitar and cello. Laurie in the center vocally counterpoints Grollman’s tale. Most of her vocals sound like operatic exercises. Her words, though often simply gibberish, are gripping and always slightly on the edge of breaking from beauty to destruction. Now the fire is caught. Bernd Klug is coming, he’s going, he’s hurling fireballs, he’s sinking us all. BERND KLUG is HERE.

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THE 22 FUNDRAISER: VOL 2/II, SIGN AND SYMBOL.

THE 22 MAGAZINE: VOL 2/II, SIGN & SYMBOL: THE FUNDRAISER.

We know. You wait for this moment all year. Perhaps with bated breath. Likely with tingling anticipation. Well, tingle no longer my friends. THE 22 FUNDRAISER has officially begun.

There are some amazing (and expensive) things coming up for The 22, including the rather mad attempt at publishing THE 22 REVIEW, our first print incarnation of The 22 Magazine: Vol I and II. Encompassing a year’s work of work, this volume is testament to the first year of the 22 and the contributor’s (both in the magazine and on the web) that have made it possible.

So HOW do you get a copy? Well, one way to ensure you do it to GIVE US MONEY. There are a plethora of things we’ll reward you with for donating (besides our undying devotion) and you’ll also help stroke our fundraising egos so in the future we can do bigger and better things.

We truly thank you for whatever you can give.

DONATE NOW! OUR THANKS FOREVER.

LIVE REVIEW BY MATT MOWATT: HEALTH W/CHAD VALLEY, POINT EPHEMERE

LIVE REVIEW
HEALTH W/CHAD VALLEY
POINT EPHEMERE
9.6.11
“To Your Health”

It all began with work in Mexico City. A friend of mine had bought a ticket to Health only to find out that he’d be unable to go. “You want it?” he asked me, a bit forlorn and deflated. “Sure,” I responded not particularly knowing what I was throwing myself into. And then events happen as they do to everybody, the ones that cripple the will and crush the desire, the ones where you either decide to go to a concert or to keep hiding under your sheets worrying what the hell to do with your life – the proletariat blues.

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The Weekend: July 29-31.

A Celebration of The Battle for Mau Mau Island

Saturday, July 30

9:30 pm – late

SWIMMING CITIES in collaboration with SEA WORTHY present: A Celebration of The Battle for Mau Mau Island with Rusty Lazer (New Orleans, Bounce.), Dirtyfinger (Black Label), Geko Jones (Que Bajo?.) and Barney Iller (Rubulad).

Last weekend the naval gangs of New York assembled to Battle for Mau Mau Island (see photos here).  Come see the fallen soldiers, harvested booty, and glorious victors at a new two-story space in Bed-Stuy. Mau Mau gangs, gladiator raft jousting, cocktail catacombs, clothing optional watergun fight, underground casino & film screenings of eerily beautiful movies set on the water, slide show and videos of the battle, and an awards presentation for the victors.  Wet & wild all night long.

$5 for gangs in matching costumes, Mau Mau vets, or before 11pm, $10 otherwise; 21+.

All proceeds go directly to the Swimming Cities India project.

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WATER LANDSCAPES/SUSPENDED ENERGY
PAUL BOBKO @ KLOTZ GALLERY.

July 7th-August 19th.

In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc.  At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment.  After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous  end. (READ MORE.)

CONEY ISLAND: 40 YEARS, HARVEY STEIN
KLOTZ GALLERY

July 7th-August 19th.

Harvey Stein has been a fixture on the New York photo scene for many years.  He has photographed the city from every angle with every kind of camera, at every time of day and night.  Beyond these shores he has led photographic seminars and workshops all over the world…He’s gone everywhere, and for the last 40 years he’s been going to Coney Island…where New York City flows into the Atlantic Ocean at the end of Ocean Avenue, in Brooklyn.

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