Filed under: THE WEEK/THE WEEKEND | Tags: (DUMBO) THE, 1, 1974 4pm PABLO, 2, 22, 3, 3rd Migration, 4pm Hamyul/Hamlet La, 4th Rob, 6, AG, ALLSTARS, and, architecture, art, artist, artists, arts, Balliet CAFE, BALLROOM Federico, BARBES SUNDAY, Bob CAFE, Boorman, brooklyn, CENTER JULY, coda Kae, Contemporary, Curto’s, de, DECORATIVE, Devotion GOWANUS, dir, EDWARDS, Ensemble/Brad, EUNAH, FACTORY Dates, FACTORY Saturday, film, FLUX FLUX, gallery, GENEVIEVE, GRAHAM DUMBO, HYUNG, in, japanese, john, july, kim, librarians, magazine, MALURIE BARBES MONDAY, Mama SMALL, MERIDITH, min, movie, MURDER, new, noon, ny, nyc, of, ORWELL super, ORWELL THE, PE, performance, PINGREE, pm HACKPOSIUM FLUX, Quartet/Killer, reed, RERUN, romero, SCHROEDER, Screening, SERRA, songs, SPECTER, street, SUNFLOWER, the, TIGER, town, traditions, Ughi, VOICES, VOLUME PETER, WHITE FREIGHT, with, york, ZARDOZ
The Architecture of Devotion group show continues this Friday, July 1st with a night of great music by returning players: Apocalypse Five and Dime, Morgan O’kane, and Crooks and Perverts. These guys put on an amazing show with us back in April with moments like these:
Apocalypse Five and Dime will be releasing their new album “Ballads for the End Times” on July 1st, this is your first chance to get your hands on it!
If you missed the show last weekend or just need a healthy dose of seconds, come on out and join us!
ABOUT THE SHOW:
The Architecture of Devotion is a large scale group art, music and performance event hosted by the Gowanus Ballroom.
The exhibition transforms the cathedral-like Gowanus Ballroom, a nineteenth century steel mill and current home of Serrett Metalworks, to interrogate various representations of the sacred and profane.
Works including stained glass, paintings embellished with gilt adornment, modern reinventions of medieval retables, a cabinet of curiosities, and an enchanted grotto form an installation that explores themes of spirituality, mysticism and religion. Revisiting historic interpretations of divine presence through a contemporary lens allows artist and audience to reconsider what might at first glance appear mundane.
THE MOVIE LIBRARIANS FILM SCREENING WITH A.G. GRAHAM
DUMBO ARTS CENTER
JULY 1 ZARDOZ, dir. John Boorman. 1974
– Institute of Museum and Library Services
Dumbo Arts Center’s current exhibition is (The Missing Library). This summer, artist Annie Shaw has invited five artists (Jen Kennedy & Liz Linden, Marie Lorenz, Michelle Rosenberg and Angie Waller), an architect (Lori Brown) and two librarians (A.G. Graham and web-specialist Nate Hill) to turn DAC into a civic, non-commercial public space in the form of the Dumbo neighborhood’s first library. The project encourages contemplation on how libraries’ function, physical space, and role within communities is changing as the content libraries have traditionally housed migrates to a digital form.
PABLO MALAURIE. Pablo Malaurie hails from Buenos Aires playing original folklore on banjo and ukelele, songs that are sweet, timeless and oddly global. Soaring melodies evoke geisha girls and Buddy Holly in equal parts. He scored a Romanian film that premiered at this year’s Cannes, Loverboy, and released El Festival Del Beso in Japan. Pablo’s voice can pierce through you in a painful tremelo and then soothe your broken heart with a pleasing, unexpected harmony. KCRW’s Jose Galvan says, “Malaurie combines both Japanese and South American folk rhythms with a minimalist approach. Some songs recreate traditional Japanese melodies simply using a mandolin banjo and a haunting falsetto. Others integrate rhythms more akin to indigenous music of the Andes. Add to that introspective lyrics and his affected Argentine accent and you’ve got the perfect soundtrack for a road trip in the Japanese countryside a la Motorcycle Diaries.”
Accordionist Rob Curto’s band plays Northeastern Brazil’s traditional “forró pé de serra” with a style born out of New York City’s diverse and dynamic musical culture. Forró is the accordion-based party music of the sertão, the dry interior of the Brazilian Northeast. Accordion master Rob Curto leads this ensemble which combines the classic brazilian Northeast forros of Luis Gonzagua and Jackson do Pandeiro with original compositions and improvisation rolled into an amazing dance party
Migration: MIN HYUNG, EUNAH KIM, MERIDITH PINGREE, GENEVIEVE WHITE
FREIGHT AND VOLUME
June 23 – July 30, 2011The life of an artist can be a nomadic one, for any number of reasons, amongst them financial, emotional and spiritual. In many instances, artists find more support and camaraderie in large urban areas, and for quite a few all roads eventually lead to New York (or London or Berlin). The four artists comprising “Migration”, the summer show opening June 23rd at Freight+Volume, are no exception.
Flux Factory is proud to present Specter Flux , an interactive environment and performance by artist-in-residence Peter Edwards, aka casperelectronics. The installation consists of three suspended orbs that glow at varying hues according to the sounds of its surroundings, including the ambient noise of the space and those made by the viewer. Its interior mechanism – a hybrid circuit using both digital and analogue electronics – transforms sound into an evolving display of multicolored lights. The performative element includes a constructed pyramid centered around a complex sound and light synthesizer that the artist plays. Viewers are invited to interact with the machine throughout the show.
This day-long event explores the practical, philosophical, and playful applications of the term “hacking.” Presentations and workshops will cover topics such as circuit bending, culture jamming, dumpster diving, email encryption, and the repurposing of waste items into useful tools. The symposium is geared towards providing visitors with foundational information in order to become hackers themselves. Hackposiumis part of Flux Factory’s Summer School program and is curated by Jaime Iglehart via New Age Beverages, in collaboration with Pete Edwards of Casper Electronics.
Demos of hacked objects and freegan snacks start at 4pm.
Talks and presentations start at 6 pm, and are followed by musical performances.
June 23 – July 10, 2011
“A highly stylized adaptation of Hamlet performed in Korean, Hamyul feels like a traditional drama that could have been performed in the ancient Korean court.” – nytheatre.comThursday – Saturday at 7:30pm
Sunday at 2:30pm
Hamyul/Hamlet is an adaptation of William Shakespeare’s play, Hamlet, Prince of Denmark. The play is set in one of the ancient dynasties in Korea. The original Prince Hamyul, a Korean adaptation of Hamlet by William Shakespeare was presented to Western audiences in the United States and Europe in 1977. Adapted and directed by Minsoo Ahn, Prince Hamyul was the first Korean theatrical production ever performed outside Korea, making an indelible mark on the history of Korean theater thanks to the late Ellen Stewart at La MaMa.
Michael Attias’s CLINAMEN ORCHESTRA@ THE STONE
SMALL TOWN MURDER SONGS @RERUN (DUMBO.)
THE TIGER AND THE SUNFLOWER: DECORATIVE TRADITIONS AND CONTEMPORARY VOICES IN JAPANESE ART @SCHROEDER ROMERO & SHREDDER.
MIDNIGHT HORROR SAT JULY 2 12AM @SPECTACLE THEATER
STEVE DALACHINSKY SHRINE IN HARLEM JULY 3 AFTER 8 PM
ILLUMINATING FASHION: DRESS IN THE ART OF MEDIEVAL FRANCE AND THE NETHERLANDS @THE MORGAN MUSEUM AND LIBRARY.
FILMS AND RED HOOK RAMBLERS @ JALOPY.
Filed under: THE WEEK/THE WEEKEND | Tags: $10, 2000, a, abstraction, agony, al, Alexandra, alissa, ana, animation, art, artists, beautiful, Birch, blachly, blip, boar, bradshaw, brainery, Brehm, brooklyn, chadwick, chanty, chast, chats, christians, christopher, Crispin, cristea, digital, dixon, Doron, electronica, experiments, eyebeam, family papers, festival, fireside, gallery, Gorczynski, grossmalerman, Guy, horton, Howard, hunnicut, idolatry, idols, indie, inside, Ion, Jacques, jedeo, jimbo, jonathan, kate, kid, Langberg, Lindsay, louis, lytly, manobar, most, nautical, nelson, new, Nicolas, NYSG, of, painter, painting, patti, physcs, place, puppet, razvan, richards, romanitc, romero, salse, Sassoon, satire, schroder, sea, shaw, show, shredder, smith, solo, sterling, sticom, studio, summer, television, the, through, TV, Vidal, Video, wadzinski, walk, Wheat, williams, years, york
531 West 26th Street, NYC
Guy Richards Smit satirically bends artistic authorship with new paintings and video in Grossmalerman! Thanks to Guy Richards Smit for the following text from Jonathan Grossmalerman, writing in defense of his portrayal in Grossmalerman!, Amagansett, April 2011:
“That a man, any man, be he a thundering genius or a mere citizen, might die never having had his own sitcom, seems to me, a terrible injustice.” Those were the last words of my father, Saul Grossmalerman, a strikingly sullen man with few ambitions, a habitual liar about boring things not worth lying about. What a piece of shit. In any case, this was one of the more interesting things he said and that it was uttered on his deathbed gave it a certain…approximation of gravitas. For what it’s worth, it has always been a burr on the tunic of my outrageous success. It was with that in mind that I, perhaps foolishly, gave permission to the painfully charismatic Guy Richards Smit when asked to use my name and paintings in his “sitcom,” a show ostensibly about me and my life. Let me state frankly: it is not.(READ MORE.)
May 18 at 6:00pm FREE
Curated and hosted by Kate Brehm, this on-going series features impromptu, informal and intimate conversations with NYC’s puppet artists. This month’s special guests: Christopher Williams and Patti Bradshaw and we will discuss the End of the World! Followed by a performance of Alissa Hunnicutt’s The Kid Inside. (READ MORE.)
Date: Thursday, 19 May 2011, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
FREE. No RSVP necessary
Please join Jimbo Blachly and Lytle Shaw, editors of the Chadwick Family Papers, for the land launch of the Nelson Manobar. The Chadwicks’ recently restored occupiable model of Admiral Nelson’s HMS Victory has never before been exhibited publicly in the United States.
The event features:
Drinks from the hull of the Manobar
Rare recordings of Chadwick Dalton’s legendary sea chanty collection
Reception May 20; 7-9pm
May 19, 2011 through June 19, 2011
NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)
Thursday, May 19, 6:30-8pm
If we think back to our High School years…probably nothing. But to the scientific mind, the concept of the “elegant proof” is deep and satisfying thing. In a survey some years back, physicists identified the 10 experiments that they felt were not just important…but really cool, elegant…and beautiful. They span millennia, from Ancient Egypt to Modern Europe.
Each experiment will be related, along with the how and why of its execution (some may be tried at home – depending on your research budget). How to measure the size, mass and rotation of the Earth. What light is made up of. The atom and electron. Wave mechanics. And a smidgen of Quantum Mechanics. At the end, you will walk out with a broad, expansive survey of Physics and its history. Led by Daniel. (READ MORE.)
Romantic Agony @ HORTON GALLERY.
May 19 – Jun 18, 2011
Jacques Louis Vidal
Blip Festival will take place May 19-21, 2011
Marshall McLuhan writes, “Obsolescence never meant the end of anything, it’s just the beginning.” Taking Blip Festival’s spirit of ‘obsolescence as the beginning’ into the realm of visual art, a nightly screening is presented by artists who are bringing new life to the technology and aesthetics of our recent past.
From animated GIFs to video collage, from memes to digital abstraction, the artists included in Blip Festival Gallery employ the wealth of creative technologies of networked culture. Includes work and premieres by: Sterling Crispin, Alexandra Gorczynski and Nicolas Sassoon.
Curated by Lindsay Howard
Filed under: THE WEEK/THE WEEKEND | Tags: 22, 26th, artists, as, brian, brooklyn, burns, Chelsea, city, Clemente Soto Vélez Cultural, collage, Daniel Subkoff, degraw, Educational Center, festival, fits, flora, for, fuentes, future, gardens, graham, Ideas, industrail, james, landscape, magazine, new, ny, nyc, of, pasts, photography, porcelain, pulls, romero, schroder, sculpture, shredder, st, sugar, Susan, the, toil, Video, West, Will Chancellor, world, york
Closing May 8th.
As The World Burns
Final Week at James Fuentes LLC, Gallery hours; Wed. – Sun., 11-6pm.
Special New York Gallery Week extended day, Sunday, May 8th, 12-8pm.
View exhibition images: here
New York Gallery Week link: here
James Fuentes LLC proudly presents, as part of The New Museum’s Festival of Ideas For The New City;
Daniel Subkoff & Will Chancellor
Past Fits and Future Pulls
Clemente Soto Vélez Cultural and Educational Center at 107 Suffolk St between Rivington and Delancey.
If you have trouble locating this project please text; (917) 509-2250
Saturday from 10am to midnight
Sunday from 2:30pm until 7pm
Festival of Ideas: link
Subkoff & Chancellor are offering their artwork for free to everyone who joins them, and ultimately back to the earth itself. Having traded their cash for living native seeds, soil and local clay, they’ve constructed a 13 foot tall sculpture with this material that they invite the public to help disassemble. Visitors are welcome to grab a handful of the sculpture and recast it in a provided mold, walking away with a small sculpture of their own. If left in an appropriate place such as an abandoned lot, garden or any soft ground it should dissolve and yield a significant number of native wildflowers within a month. If taken home and treated as an art object, it will likely dry out, crack and expire worthless. The main small sculptural casting will be of a rendition of Tlaloc, the elemental Aztec god of water, rain and fertility whose name translates as “he who is made of earth”.
April 14, 2011–May 14, 2011
Susan Graham’s exhibition, New Gardens, features sculpture, photography and video that use strategies of pattern and decoration to poetically depict the eternal struggle between nature and technology. Central to the exhibition are Toile Landscape, a large scale installation of Graham’s delicate sugar sculptures, and the intimate porcelain Toile Floating Landscape sculptures. Mimicking the recurring patterns of complex pastoral scenes found on Toile de Jouy, these works depict clusters of invented flora interspersed with industrial structures such as transmission towers, satellite dishes, or even cell phone towers disguised as trees. Charming, delicate and foreboding, each small pastoral scene compresses nature and technology in a bittersweet attempt at reconciliation. Graham’s photographs and videos on view in New Gardens depict skies choked with flocks of airplanes, modern-day birds staking their claim on the atmosphere. These works showcase Graham’s deft touch and ability to evoke rich, multivalent narratives from a few simple, quiet gestures. New Gardens is Graham’s fourth solo exhibition with the gallery.
April 14, 2011–May 14, 2011
Cletus Johnson: Collage 1968–2010 presents a selection of Johnson’s beguiling collages, including collaborative pieces made with famed Black Mountain poet Robert Creeley. Johnson’s works are composed of deceptively simple materials inviting private, almost meditative contemplation on subjects of longing, erotic love and primal lust. Their quietude evokes a Cagean musicality, while a minimal juxtaposition of images wrings endless narrative associations. Envelopes containing black and white photographs of a woman’s breast are intimate love letters being sent and received, revealing a desire to both contain and set free the object of affection. Amusement park ride tickets are coupled with cropped images of naked male youths, granting the viewer permission to experience desire. Portrayals of Antinous—Roman Emperor Hadrian’s lover—as Cyclops become homorobotic emblems of a carnal hunger for an idealized beauty. Johnson’s collages show him as a master of the simple, poetic intervention.