Just a reminder, The 22 will be on vacation from Dec 19th-29th. Weekly listings will return around Jan 1st, and submissions are due for the collage volume by Jan 30th, (though we highly recommend getting them in during these 2 weeks.) Have a safe and Happy Holipocalypse!
Where (we) Live BAM Paula Greif, ceramics (Dec 19) Marsha Trattner, blacksmith (Dec 20) Riccardo Vecchio, painter (Dec 21) Victoria Valencia, woodworker/furniture-maker (Dec 22)
Masters at crafting alluring sonic landscapes from the most unlikely found objects, Brooklyn-based quartet Sō Percussion explores the idea of home with a bold experiment in collaborative art-making. Directed by three-time Obie Award winner Ain Gordon (Spalding Gray: Stories Left to Tell), Where (we) Live invites artistic colleagues working in different mediums to participate as both co-collaborator and muse in Sō’s creative process and performance: Grey Mcmurray (itsnotyouitsme, Knights on Earth) writes poignant, personal songs; Martin Schmidt’s videos show the quirky and unnoticed beauty in our homes; and Emily Johnson delivers secret instructions to the performers onstage. Each evening will also feature a special guest artist (listed below). To these and other contributions, Sō adds an astounding range of composed and improvised sounds, inspired by the physical and symbolic places we live.
Not even John Hodgman, the Daily Show’s resident expert, knows for sure. But he is keeping John Cusack prisoner in his home, just in case. And on December 21, he will perform what is likely to be the last night of comedy entertainment ever.
Letha Wilson Higher Pictures Thursday, December 13, 6 – 8 pm
Higher Pictures presents the first solo exhibition by Letha Wilson. Wilson uses photography as a material medium combining photographic images of nature, prints, paint, concrete and wood in a dimensional manner to examine the made world.My artwork uses images I have photographed in the natural landscape as a starting point for interpretation and confrontation. The work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport the viewer is both called upon, and questioned; sculptural intervention attempts to compensate for the photographʼs failure to encompass the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism.
PLEASE NOTE: ALMOST ALL EVENTS IN NEW YORK AND BROOKLYN THIS WEEK ARE CANCELLED DUE TO HURRICANE SANDY. PLEASE CHECK WITH EACH VENUE ON CURRENT CONDITIONS. IF RELIEF AND TRANSPORTATION EFFORTS GO WELL, WE WILL BE BACK NEXT WEEK (NOV 7th) WITH NEW LISTINGS.
P.P.O.W is pleased to announce Out of Water, our sixth solo exhibition of figurative sculpture by Judy Fox. Well known for her exquisitely rendered human figures, including children that are at once iconic, psychological and subversive, Fox continues to explore mythological references that are used to reflect upon contemporary sociological issues. In her latest installations, virtuoso use of form extends to the surreal, with visual puns used to provoke conflicted emotional reactions. The centerpiece of this new installation is a comely standing life-size figure of a Mermaid. Legs pressed together as if fused into a tailfin, hands paddling downward, she looks dreamily over her entourage. A set of Worms spread out before her like the writhing sea horses that pull the chariot of a Greek sea goddess. They are curvy and sensual — some profiles resemble parts of naked human bodies.
Lubomyr Melnyk Sat, October 27, 2012 – 3:00pm First Unitarian Congregational Society
Composer and pianist Lubomyr Melnyk is the pioneer of Continuous Music— a piano technique he has developed since the 70s that uses extremely rapid notes and note-series to create a tapestry of sound. Inspired by the minimal, phase and pattern musics of Steve Reich, Philip Glass, and Terry Riley, yet frustrated by the ecstatic detachment from reality they can encourage, Lubomyr Melnyk created Continuous Music, based in the innovations of the minimalist composers but with its roots more deeply planted in harmony. His first recordKMH: Piano Music in the Continuous Mode (Music Gallery Editions, 1978) is the fruition of the idea he began developing in 1974 reimagines the sentiment expressed by Reich in his watershed Music for 18 Musicians, realized entirely for Solo Piano. Overtones blend or clash according to the harmonic changes. The technique of mastering his complex note patterns and speeds makes his music difficult for the normal pianist, and the kinetic athleticism of Melnyk’s performance is unparalleled.
Ana Cristea Gallery is pleased to present “Made of Matter,” the first solo exhibition in the United States by artist Teodora Axente. Teodora Axente’s work is centered on the duality of spirit and matter – the two spheres of existence between which humans oscillate in an attempt to uncover themselves. Portraying an unexpected array of materials, Axente addresses the essential human drive to reshape oneself. Through the flashy materiality of aluminum foil, satin pillows, nylon bags or curtains, she brings us into a world of mystery that appears to be spiritual, noble and attractive, on first glance. Aluminum foil serves as the central symbol of matter throughout many of her paintings. Its outward shine and its ability to reflect give off an illusory sense of nobility that blinds her subjects.
Andrea DeFelice Harvestworks Friday, Oct 26 at 6pm – Opening Saturday/Sunday Oct 27/28 from 3pm to 7:30pm – Installation
A small coupling of works combining both obsolete and new technologies, then reassembled to represent obsolete fables, folklore, literature, philosophy, mythology, and music. As responses to such stories inspired by the observation of human behavior, symbolic animals, objects and mechanics are used to further illustrate their foibles and behavioral patterns, whether expected or unpredictable.
VITAL VOX: A VOCAL FESTIVAL explores the myriad power of the human voice in its solo and ensemble forms across a multitude of genres. It celebrates composer-performers in the vocal arts who stretch and expand the voice in new and original ways, continuing a strong contemporary tradition developed in the United States. Over the course of two diverse evenings VITAL VOX explores “Vox Electronics.” Performances draw from wide-ranging international influences and genres including jazz, experimental, contemporary, free improvisation, world music, interactive electro-acoustic and audio sampling.
Joshua Liner Gallery is pleased to announce the 2012 Summer Group Exhibitionshowcasing 16 artists, including established gallery regulars and newcomers. This presentation will feature painting, sculpture, and drawing, with works by the following artists – Alfred Steiner, Clayton Brothers, Cleon Peterson, Damon Soule, Daniel Rich, David Ellis, Ian Francis, Jean-Pierre Roy, Kris Kuksi, Mars-1, Oliver Vernon, Pema Rinzin, Riusuke Fukahori, Tat Ito, Tiffany Bozic, and Tomokazu Matsuyama.
Jon Irabagon and Barry Altschul have performed continually in the last few years, including their tour-de-force Foxy (Hot Cup Records) and their upcoming duo release on Jon’s Irabbagast Records. As a preview of their upcoming trio tour, they invite master bassist Mark Helias to join them tonight at Cornelia St. Cafe, where they will be debuting new compositions as well as delving into the group improvisations that have made Barry and Mark such an important rhythm section combination over the last two decades.
Since the early 1960′s, Barry Altschul has been associated with being at the forefront of Modern Jazz, playing with innovators such as Paul Bley, Steve Lacy, Chick Corea, Sam Rivers, Anthony Braxton, Dave Holland, Muhal Richard Abrams, George Lewis, Andrew Hill and Roswell Rudd, to name a few, as well as the likes of musicians such as Lee Konitz, Hampton Hawes, Sonny Criss, Art Pepper, Johnny Griffin, and many others.
Multicultural, polyphonic, highly creative entertainment that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled.
Soloway is pleased to host the latest CAROUSEL, a long running series of Cartoon Slide Shows and other projected pictures, created and presented by a wide array of writers, cartoonists, and other characters. Hosted by R. Sikoryak.
This episode features:
Gabrielle Bell
Emily Flake
Myla Goldberg & Jason Little
Danny Hellman
Matthew Thurber
KESTING/RAY is pleased to announce its upcoming exhibition in the open, a group show featuring five emerging artists who recently completed their Masters in Fine Arts from the University of North Carolina at Greensboro.
Yossi Milo Gallery is pleased to present The Skin We’re In, a group exhibition featuring the work of David Goldes,Lindsay Lawson, João Enxuto & Erica Love, Stephen Prina, Jon Rafman and Mark Tribe. The exhibition will be on view from August 2 through August 31, with an opening reception on August 2 from 6:00 – 8:00PM.
MIDNIGHT MONSTER MELTDOWN Opening Party and Birthday Celebration: Saturday August 4th, 7pm-10pm MF Gallery
Both artists are known for their colorful and horrific 2-D artwork in the form of drawings, prints and comic books. For this show, they have embarked on a brand new journey that will take us down the darkest roads of gore, the supernatural, and all things unknown. Witness Frankenstein, larger than life! Stand in awe of the giant blood dripping face, protruding from the wall! Behold the latest incarnation of The Creature From the Black Lagoon! Stumble in fear as you encounter Aliens dripping and oozing in blacklight pus, and look into the eyes of Death Itself! “Midnight Monster Meltdown” provides a visual explosion comparable to being high on LSD, trapped on a roller coaster inside an old time Spook House that never ends… All this and more only at MF Gallery!
Underpinnings presents a look into the wiry world of performance, dance, music, and fine art as interpreted by its involved artists. With motifs of peeling, multiple selves, sustainable creativity, streaming consciousness, power/submission, synth-art-pop, symbiotic siblingship, and sacrifice, each short individual act envelops viewers in an original experience. The performances will be followed by a party where drinks, video installation, and fine art will flow forth, served on a platter by the ritualistic art community that exists solely in Underpinnings.
SurroundSound grunts and groans punctuate accordionist Kimmo Pohjonen’s dance-theater work in which music, sport, and dance blend into a unique multimedia “squeeze play.” Reviving the dormant Finnish tradition of accordion-accompanied wrestling matches, Pohjonen performs while grapplers struggle on a custom-made mat embedded with microphones. His work, with choreography by Ari Numminen, comments on Cold War and gender politics while lending a modern artistic twist to a classic Olympic competition.
Overturn’s artistic director Kristy Dodson has placed Samuel Beckett’s 1953 Godot in an former medical ward in North Brooklyn.Starring Joshua Levine (Off Bway’s Channeling Kevin Spacey ) Casey Greig (Off Bway’s Pure Confidence) James Fauvell, & Daniel Piper Kublick with set design by Cara Shih, lighting design by Jennifer Schriever, fight choreography by Casey Robinson, and sound design & costume design by Kristy Dodson. Overturn’s Godot will be running for three weeks August 2st – 18th(Wednesdays -Saturdays) at 7pm at Arts@Renaissance, 2 Kingsland Ave. BK, NY Garden level.
Violinist Scott Tixier is an award-winning recording artist, named as “Rising Star Violin” in the 60th Annual critics poll Downbeat. He is a true innovator on his instrument and is quickly becoming known as the new voice of jazz violin. He has earned international recognition for his playing.
Jeremiah Cymerman (clarinet, electronics) Matt Bauder (sax, electronics) Peter Evans (trumpet, amplifier) Nate Wooley (trumpet, amplifier)
After several performances as an amplified ensemble, the intense and uncompromising quartet of woodwind players Jeremiah Cymerman & Matt Bauder and trumpeters Nate Wooley & Peter Evans will convene at Roulette for two days of rehearsing & workshopping, leading up to a performance on August 9th.
The propulsive doyra hand drums of Bukhara, Uzbekistan, drive the ecstatic sound of “Bucharian Groove” band the Alaev Family, who immigrated to Israel in 1991. The Alaevs blend together the sounds of Turkey, Persia, China, and Russia alongside lyrics by Tajiki poets on their latest album, produced by Balkan Beat Box’s Tamir Muskat, which captures the fire and drive of their live shows.
NoTornado Wednesday, August 8, 2012 ZirZamen 90 W. Houston St., NY, NY
Fay Victor and Anders Nilsson’s Exposed Blues Duo, Ed Pastorini, Jonathan Wood Vincent
“Green Screen” was formed by the meeting of 3 musicians that were playing the Big Apple Circus. In contemporary music circles, the circus probably doesn’t hold much respect. But, the history of circus musicians would surprise most. According to Joe De Mare, ( Bronx trumpeter who played with Louie Prima ) – “back in the day , all the big bands got their cats from the circus – ( including Count Basie and Duke Ellington ) – these cats had chops and endurance. They could play ANYTHING. “
Under the Mattress is a solo exhibition of works by Billy Frey. The collages are done by hand using original vintage materials and imagery, primarily from magazines fromt he 1930′s to the 80′s. With bold and often complex patterns of re-appropriated images, he offers us tales that are humorous, dark disturbing, playful, perverse, and fantastical. Frey is heavily influenced by classic film, comic book art, cartoons, surrealist film and literature. The collages represent a fusion of times past and present, creating an environment where time is non-linear. Within our minds, it is happening all at once. A place where the 30′s and the 60′s can do a dance together, unaware of the fact that time has already come and gone.
Ayiti Rasanble! (“Haiti, come together!”) celebrates the indomitable spirit of the Caribbean nation with dance and musical groups reflecting its resilience and pride. Feet of Rhythm Afro-Haitian Dance Company works to preserve traditional dance forms under the vision of founder Nadia Dieudonné, the dancer and choreographer best known for her infectious interpretations of banda, the dance of Ghede, the revered Haitian spiritual figure of the underworld.
In “Underbody,” Smith continues his investigation into the usage of current technology and assembly line manufactured materials to break beyond the traditional two-dimensional form of painting. The 14-minute projection of foaming paint drips across a 9 x 6 ft Plexiglas surface.
Interpreting the inhuman experience bred from modern technological advances that compose our commonplace environments, for the past two years Bay Area native Jenny Odell has been utilizing imagery taken from Google Satellite images in a commentary on the sanctification of otherwise mundane objects in our lives that are taken for granted. The show will feature eighteen prints displaying Odell’s unique interpretation on the alienation of this perspective provided by the revealing landscape that she manipulates in her distinct evaluation of our surroundings.
Mike Weiss Gallery is pleased to present All the money IS in the label by Brooklyn based artist Alex Gingrow. For her first solo exhibition, Alex Gingrow presents dozens of obsessively rendered drawings on paper loaded with cutting, antagonistic humor and a quick trigger finger pointed at the heart of the art world. Over the past five years while working at a midtown frame shop, the artist has collected snippets of sordid conversations overheard from chief art world players as well as from peers working at entry- level positions within art institutions. The resulting works are incredibly revealing, and often baiting epitaphs of insider conversations, reified and displayed, ironically within a frame. With a snarky, sharp wit and a healthy dose of self-deprecation, Gingrow implicates all levels of the “establishment” including Gagosian, Hirst and Warhol, the New Museum and even our own Mike Weiss Gallery.
Skewered Syntax returns to Harlem for the Midsummer’s Mayhem Poetry & Pub Crawl. All who want to participate, or who bear witness to one of the greatest New York City literary spectcles are invited to gather in front of Just Lorraine’s Place at 8:00 PM with poem in hand or heart. After Featured Poets April Jones, Matthew Hupert, Robert Gibbons and Zev Torres open up the ceremonies, there will be an open mic, followed by drinks. Then we’ll take a short walk to the next venue where we’ll recite more poetry, imbibe a little more and move on once again. There’s no cost to join our merry band of poetic artisans or to recite your own pieces, but everyone pays for his or her own drinks.
Please join members of the Coalition Against the Rockaway Pipeline this Saturday August, 4th at Jacob Riis Park to gather signatures on the boardwalk, and distribute information opposing this pipeline!
It’s not all that hard to find an artist who’s capable of offering a guided tour of life’s dark clouds – nor is it rare to come into contact with one who can hone in on the silver lining. But the ability to do both with equal grace, well, that’s an altogether rarer gift – and it’s one that Lucinda Williams displays with remarkable élan on her latest Lost Highway album, Blessed.
We will celebrate a holiday for the 99%. We will come together across lines of race, class, gender, and religion and challenge the systems that create these divisions among us. New Yorkers will join with millions throughout the world — workers, students, immigrants, professionals, houseworkers — We will take to the streets to unite in a General Strike against a system which does not work for us. With our collective power we will begin to build the world we want to see. Another world is possible!
Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.
HAZMAT MODINE draws from the rich soil of American music of the 20′s and 30′s through to the 50′s and early 60′s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.
Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.
FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need. join us tonight for their first annual holiday party and fundraiser.
TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.
OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.
Paul McCarthy, The Dwarves, The Forests Hauser & Wirth New York is proud to present an exhibition of major new works by Los Angeles-based Paul McCarthy, one of America’s most challenging and influential artists. Comprising bronzes, a massive tour de force wood carving, and a pair of fantastical landscape maquettes all presented on the gallery’s two floors, ‘The Dwarves, The Forests’ is the first exhibition of sculptures to emerge from McCarthy’s recent exploration of the famous 19th century German folk tale Snow White (Schneewittchen) and the modern interpretation of that story in Disney’s beloved 1937 animated classic film ‘Snow White and the Seven Dwarfs’
AMRAM & CO @ Cornelia St.
David Amram, piano, french horn, flutes, composition & surprises; Kevin Twigg, drums, glockenspiel; John de Witt, bass; Adam Amram, percussion
Listen to This by Alex Ross Listen to This—which collects Alex Ross’ finest writing for The New Yorker since 1994—is that rare book that moves across the entire landscape of music, from classical to rock and back again. In this series of lively, erudite essays, Ross tells of his own late-blooming discovery of pop, and of how contemporary sounds relate to centuries of musical tradition. He vividly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and, in a previously unpublished essay, brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. Witty, passionate, and brimming with insight, Listen to Thisshows how music expresses the full complexity of the human condition.
PERFORMA 11 (ONGOING) Performa 11, the fourth edition of the internationally acclaimed biennial of new visual art performance presented by Performa, will be held in New York City from November 1–21, 2011. The three-week biennial will showcase new work by more than 100 of the most exciting artists working today, in an innovative program breaking down the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design, and the culinary arts. Presented in collaboration with a consortium of more than 50 arts institutions and over 50 curators, as well as a network of public spaces and private venues across the city, Performa 11 will ignite New York City with energy and ideas, acting as a vital “think tank” linking minds across the five boroughs and bringing audiences together for brilliant new performances in all disciplines.
Ben Gerstein (Jerome Foundation Commission) – FREEDOM CHOIR! A congregation for cathartic improvisational service On November 1st, All Saints’ Day, The Day of the Dead — ancient holidays in honor of the saints, known or unknown; deceased friends and family — Ben Gerstein brings together for the first time a unique ensemble of enormous acoustic, experiential intensity to celebrate the powers of improvisation on this earth. FREEDOM CHOIR! A congregation for cathartic improvisational service. Inspired by the micro and macrocosms of nature, ecstatic spiritual and athletic experiences, dream, destiny, ritual, prayer, ancestry, and visions throughout Art and beyond… Dance floor, prairie, pow-wow, synagogue, church, mountain top, ocean, forest, desert, track and field, fighting ring, mosh pit … Ferocious love! A historic event for expansive sound and emotion; unnamable sound, unnamable emotion. We are the world! Communion between us all…
69°S. (Part of the 2011 Next Wave Festival)
“When I look back at those days, I have no doubt that divine providence guided us… it seemed to me often that we were not alone.” —Sir Ernest Henry ShackletonSixty-nine degrees south latitude, threshold of Antarctica, foreboding and cold. In an attempt to cross the continent, explorer Ernest Shackleton and crew have been shipwrecked, and now—through the work of Phantom Limb marionette maker and composer Erik Sanko and set designer Jessica Grindstaff (both at BAM with More Than Four, 2007 Next Wave)—they emerge before us in the snow.
CHAMBER MUSIC at INCUBATOR ARTS PROJECT
Robert Ashley’s music has long been recognized as some of the most radical, forward-thinking work produced today. The Incubator Arts Project’s MUSIC series, curated by Travis Just, focuses on his chamber and instrumental music, in addition to re-thinking one of his best-known vocal epics: Automatic Writing. A new generation of experimental composers and artists is looking to Ashley’s work for inspiration; this week will show why.(ONGOING)
PHARMA The Herb Lubalin Study Center at The Cooper Union examines the influence and impact of graphic design on the pharmaceutical industry in PHARMA, a new exhibit featuring original and rarely seen works by luminaries including Andy Warhol, Lester Beall, Will Burtin and Herb Lubalin. PHARMA’s exploration begins with the avant-garde promotionals of the 1940′s, when a market need emerged to promote “miracle” drugs, such as Penicillin, to the medical industry. In a compelling and thought-provoking way, PHARMA presents the relationship graphic design has had with the pharmaceutical industry ranging from the federal government’s increased regulations to new marketing tactics where the everyday consumer, not the doctor, is considered the target audience. While the exhibition provides examples of past and present, the public is encouraged to reflect and question how graphic design is used to market drugs and design has transformed these commodities into objects of desire.
For Hughes, this upcoming show is a concoction of two inpirations: Flight to Canada, a novel by Ishmael Reed, and Coonskin, an animated film by Bakshi. Flight to Canada tells the story of Raven Quickskill, 40’s, and Leechfield slaves who run away from their master, Mr. Swille, in search of freedom. Coonskin tells the story of Brother Rabbit, Preacher Fox, and Brother Bear, who flee the American South during the 1970s in search of liberation. Using satire, sex, violence, identity, and history to tell the stories of their characters, both Reed and Bakshi make clear that transformation can only come from within—a theme that is the cornerstone of Hughes’ work and that resonates deeply in his life. Consequently, there is “Coonskin 2: Flight to Canada”, which is Hughes’ vision of a sequel that will never happen. The show serves as homage and “thank you” to the great works of Reed and Bakshi and is a representation of Hughes’ love of the lost art of animation. Terrance Hughes was born in 1975 in St. Louis, Missouri, and currently lives and works in New York City. He is a self-taught artist, whose work deals with different periods of Black American history and issues surrounding cultural and social identities. Hughes’ works consist of two elements: graphite and charcoal on paper to create rendered portraits and landscapes from photo references, which are meant to mimic the photo itself, complete with imperfections; and animation Cel Vinyl on acetate, providing stark contrast through its vivid color and three-dimensional effect. It is his belief that the lost art of animation deserves a place in the art world.
Hughes has had recent exhibitions at Modern Eden, San Francisco, The Cheaper Show, Vancouver, and Mad Art Gallery, St. Louis. In March, Hughes participated in a group show to benefit Japan relief at graphite., Williamsburg.
Pioneering contemporary music ensemble Kronos Quartet (More Than Four, 2007 Next Wave) returns to BAM with a heartfelt program comprising 12 compositions—including works by Michael Gordon, Terry Riley, Osvaldo Golijov and Gustavo Santaolalla, and John Oswald—plus gripping arrangements of traditional songs from around the globe. This stirring collection of works reflects upon those instances where traditional language fails us, and music steps in to restore what violinist David Harrington refers to as “equilibrium in the midst of imbalance.”
B.C. EDWARDS lives in Brooklyn. He is the recipient of the 2011 Hudson Prize put out by Black Lawrence Press which will be publishing his collection of short fiction, The Aversive Clause in 2012 and his collection of poetry From the Standard Cyclopedia of Recipes in 2013. His work can be found in Red Line Blues, The Sink Review, Food-i-Corp, Hobart and others. His short story “Illfit” is being adapted into a piece by the Royal Ballet of Flanders. BEN FAMA is the author of the chapbook Aquarius Rising (UDP 2009) and NEW WAVES (Minutes Books). He is the founding editor of Supermachine Poetry Journal. His work has been featured in GlitterPony, notnostrums, LIT, Poor Claudia, and on the Best American Poetry Blog, among others. He has contributed tips to gawker, words to urban dictionary, and has an ongoing correspondence with Lady Gaga. ELY SHIPLEY’s first book, Boy with Flowers, won the 2007 Barrow Street Press book prize judged by Carl Phillips, the 2009 Thom Gunn Award, and was a Lambda Literary Award finalist. His writing appears in the Western Humanities Review, Prairie Schooner, Diagram, Gulf Coast, and elsewhere. He holds a PhD in Literature and Creative Writing from the University of Utah and currently teaches at Baruch College, CUNY. Hosted by Angelo Nikolopoulos $7 cover includes a house drink.
Inclusive and elegant, weird and sincere, Coilhouse Magazine is “A Love Letter to Alternative Culture.” For four full years –both as a high gloss print publication and a daily-updated website– Coilhouse has served as a vibrant international hub for DIY expression and outrageous bohemian creativity. This will be the first full-fledged Coilhouse party in three years, the first NYC event in Coilhouse history, and an official birthday celebration.
Enter into a secret lush cabaret room deep in the heart of Brooklyn, to revel in live music, dance and circus performances and dance to rollicking sets from DJ luminaries. Aerialists…fire…projections… dadaist spectacle…surprises galore. Bid on silent auction items donated by Diamanda Galas, Molly Crabapple, Jessica Joslin, Paul Komoda, Jason Levesque & Xeni Jardin, Century Guild, Disinfo, PUREVILE!, Kate O’Brien, Nicole Aptekar, and Asha Beta: a splendid array of autographed prints and books, and one-of-a-kind art objects, as well as a full set of the out-of-print, highly collectible back-issues of Coilhouse. Plus, the first glimpse of Coilhouse Issue Six, and an opportunity to pre-order it at a discount.
Music: Brian Viglione (Dresden Dolls, World Inferno) – Energetic, expressive, powerful drum virtuoso.Franz Nicolay (World Inferno, Hold Steady, Guignol) – Dashing moutsachioed multi-instrumentalist, composer, and the hardest working boho-accordionist in NYC. Kim Boekbinder (Vermillion Lies) – Genre-defying songstress of murderous waltzes and epic pop ballads via voice, guitar, looping pedal and a bag full of mystery. Thomas Negovan- Occult-tinged, erotic, 1920s cabaret songcraft. Kelvin Daly - Builder of unique musical instruments; mysterious and elegant performances. Theremina - Wistful, theremin-drenched ambient music to sway and swoon to. DJs: Wengrofsky - Scrappy and eclectic vinyl wizardry. PUREVILE! - Sets of new wave, dark glam, new romantic from the co-founder of DISKO NOUVEAUX.
From Meghann Snow: I have been asked to be the Coordinator of Dimanche Rouge in Brooklyn, New York. Dimanche Rouge will hold a special August edition consisting in street interventions in different cities. Dimanche Rouge invites the general public to take part from these street interventions as group performers. These actions will be filmed and streamed live online. Viewers will be able to watch the performances over the internet.Performances will be held on August 21st, 2011, at 7 pm, Paris time–other countries will match this time so that performances are held simultaneously. (Our NYC starting time is 1PM)
“Dimanche Rouge is an international experimental performance event based in Paris, France taking place every third Sunday of the month. Dimanche Rouge showcases a variety of performances including but not limited to multimedia, audiovisual, sound, graffiti, actions, dance, body art, and interventions. In addition, experimental performers whose work is not generally seen in art venues, such as masseurs, coiffures, cooks, knitters, tatoo designers, and jewelry makers are welcomed to participate and invite members of the public to carry out their performances.
However, with this being said! I am looking artists who would like to perform short works that are 1min – 3 mins long. This venue is an hour long and I would like to squeeze in as many people that I can. With this being said, I would like to put a restriction on the materials that will be used, meaning you can not make a big mess.These are short performances that will be “livestream via video” along with the other venues around the world who can see. Participating cities, PARIS, KIEV, SOFIA, UTAH, BROOKLYN, ZAPORIZHYA, SANTIAGO DE CHILE, WENZHOU in China, CASTLEMAINE in Australia, and others.
IF YOU ARE INTERESTED IN PART TAKING IN THIS EVENT, please e-mail me at: snow.meghann@gmail.com, and please put in the subject line “Dimanche Rouge #7 /Brooklyn (YOUR NAME). Please tell me what you would like to do, and a link for me to see your work.
And after you e-mail me with your work and confirmation, please feel free and fill out the Registration for performers. It is not mandatory but highly appreciated. Registration form www.tinyurl.com/dimancherougeintervention
Thank you all for your time and I look forward to hearing from you soon! If you should have any other questions please feel free to contact myself or Dimanche Rouge for further details at dimancheRouge@gmail.com
To celebrate Resident Advisor’s 10th anniversary, we’ve cooked up something rather epic: a series of ten parties in ten cities around the world, each with a secret headliner.
We take it the ten parties in ten cities thing is pretty easy to understand, so here’s the deal with the secret headliners: each event will feature one carefully selected artist who we think has positively influenced the electronic music landscape over the past decade. Their identities will remain strictly under wraps until they take the stage. Up to that point, each one will be known simply as the X (see what we did there?).
For the US stop on our ten-part series, we take over Le Poisson Rouge, a live concert venue in Manhattan. With the live dynamic firmly in mind, the X has curated a line-up that combines Montreal Jazz Festival stars King Sunshine, a nine-piece ensemble that’s worked with everyone from Robert Owens to DJ Sneak, with master of all things soulful deep house Peven Everett, plus Mala, half of pioneering dubstep duo Digital Mystikz, and Japan’s DJ Masashi Nakazawa. The night will close with a performance by the X, an esteemed headliner whose identity will remain unknown until he or she takes the stage.
X (secret headliner)
The night will close with a performance by the X, an esteemed headliner whose identity will remain unknown until he or she takes the stage.
PROJECT FUKUSHIMA! BENEFIT CONCERTS
John Zorn, Ned Rothenberg (sax) Uri Caine, Shoko Nagai, Karl Berger (piano) Ikue Mori (electronics) Ha Yang Kim (cello) Nels Cline, David Watson (guitar) Yuka Honda (keyboards) Satoshi Takeishi (drums) Shayna Dunkelman (percussion) Chuck Bettis, Michael Carter (electronics) Kato Hideki (bass) and many special guests!
TWO SPECIAL SETS OF IMPROVISED MUSIC AS PART OF A WORLD-WIDE INITIATIVE FOR THE LAND AND PEOPLE OF FUKUSHIMA. ALL PROCEEDS WILL GO TO PROJECT FUKUSHIMA!—TWENTY DOLLARS
The New York International Fringe Festival Friday, Saturday and SundayFringeNYC? The New York International Fringe Festival (FringeNYC) is the largest multi-arts festival in North America, with more than 200 companies from all over the world performing for 16 days in more than 20 venues. In addition to 1200 incredible performances, FringeNYC includes…..(READ MORE.)
In the installation, Living Room, artist and filmmaker Maya Zack uses large-scale computer-generated 3D images accompanied by sound to evoke a Jewish family’s apartment from 1930s Berlin. While listening to the stories and memories of Manfred Nomburg, visitors can experience the apartment visually. 3D glasses enhance the oversized images reimagining rooms in the apartment and give them immediacy and depth.
In 1818, when Frankenstein, or the Modern Prometheus was published for the first time, Mary Shelley could not have imagined the monster she was unleashing on the world. The creature in Shelley’s novel is remarkably sympathetic and an eloquent speaker, capable of measured, intelligent, and articulate argument. But based on Boris Karloff’s 1931 film performance and confirmed by countless other films, comics, and illustrations, the general perception today is that Frankenstein’s creature is a “monster” who grunts or speaks—if he talks at all—in disjointed monosyllables.
Why has popular culture largely denied the creature his reasonable voice? This symposium brings together four scholars and the curator and bibliographer of The New York Public Library’s Carl H. Pforzheimer Collection to reflect on graphic and film representations of the “monster” from the past two centuries. The first half of the day will feature presentations on key visual adaptations of the creature, while the latter half will engage questions about what these appearances mean for understanding him as a political and historical subject.
Consider escaping your common, everyday tasks and places without using your common, everyday devices. Through installation, painting, drawing, and video, Yana Dimitrova and Angela Washko portray the mundane patterns and structures of everyday experience and consider models of living that exist outside of our “to-buy-is-to-gratify” mentality. Stripping fast food architecture and smart phone technology of it’s branding and context, Washko and Dimitrova present what remains – hollow monuments to consumer culture.
SWIMMING CITIES in collaboration with SEA WORTHY present: A Celebration of The Battle for Mau Mau Island with Rusty Lazer (New Orleans, Bounce.), Dirtyfinger (Black Label), Geko Jones (Que Bajo?.) and Barney Iller (Rubulad).
Last weekend the naval gangs of New York assembled to Battle for Mau Mau Island (see photos here). Come see the fallen soldiers, harvested booty, and glorious victors at a new two-story space in Bed-Stuy. Mau Mau gangs, gladiator raft jousting, cocktail catacombs, clothing optional watergun fight, underground casino & film screenings of eerily beautiful movies set on the water, slide show and videos of the battle, and an awards presentation for the victors. Wet & wild all night long.
$5 for gangs in matching costumes, Mau Mau vets, or before 11pm, $10 otherwise; 21+.
All proceeds go directly to the Swimming Cities India project.
In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc. At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment. After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous end. (READ MORE.)
Harvey Stein has been a fixture on the New York photo scene for many years. He has photographed the city from every angle with every kind of camera, at every time of day and night. Beyond these shores he has led photographic seminars and workshops all over the world…He’s gone everywhere, and for the last 40 years he’s been going to Coney Island…where New York City flows into the Atlantic Ocean at the end of Ocean Avenue, in Brooklyn.
Excited to announce this one. Pablo Malaurie’s voice is of the angels, and he’s come all the way from Argentina to play for you. It’s going to be beautiful, and glorious, and fun. Pablo has been widely praised for his fusion style (South American and Japanese in some cases), opened for Devandra Banhart and recently was a part of Catalin Mitulescu’s film “Loverboy.” He’s making the rounds in NY for the next couple days and we’re really pleased to have him.
PLUS as an extra amazing bonus we just found out Andru Bemis is coming by as well! He’s played with some great folk and best of all he chooses to go it solo, no endorsements, no contracts, just him and the rails riding him from town to town. It’s an amazing feat in this day and age and we’re thrilled to have him! Read more about it at his website: http://www.andrubemis.com/ Come help support not only our effort to see Volume II of The 22 Magazine in PRINT but also witness the brainchild of Valerie Kuehne, i.e. Supercoda @ Cafe Orwell, the gorgeous spectacle that goes on nearly every night (when does Valerie sleep?!?) and allows you to witness sounds that are otherworldly and stunning. Now, please watch/listen to the gorgeous song below.
PS- This show will be also be one of the first opportunities to be part of The 22′s Artist’s Open Forum. Have a question, concern, or problem as an artist? This is where we can help. We’ll be passing out signup sheets allowing you to let us know what is concerning you as artists, writers, and musicians and will address those concerns in our next meeting or on the blog. More info about what this all about at the show.
10), cartoonist, song-comedian, Beat poet, anarcho-geographer, Lower East Side atheist guru, anti-circumcision activist, author of I Hate Poems About Poems About Poems, died one year and one day ago. Friends and half-dressed disciples will celebrate his ever-awakening memory. Hosted by Sparrow. Jeffrey Lewis, Terese Coe ,John S. Hall, Thelma Blitz, Steve Dalachinsky, Yuko Otomo, Bob Holman Lawrence, White Richard West, Sparrow
Paul D. Miller aka DJ Spooky launches his new graphic design project, “The Book of Ice” at Eyebeam. The “Book of Ice” (Mark Batty Publisher) consists of multiple engagements with the theme of ice as presented by posters, stickers, music compositions, and an introduction by best selling author Brian Greene, whose ground-breaking book “The Elegant Universe” sets the tone for some of the issues in Miller’s new book.
For the event at Eyebeam, Miller will team up with Bill McKibben, acclaimed writer and founder of 350.org, along with Green Patriot Poster project curator Edward Morris, Small Planet Institute’s Anna Lappé, and several leading theoreticians of graphic design. Miller will also present music interpretations of some of the sonic data as compositions derived from the book and his explorations in Antarctica with a live string quartet, The Telos Ensemble, playing his compositions. At the end of the evening, there will be a book signing, and open social event themed on Antarctica, including a selection of remixes produced by Paul commissioned by the German public radio.
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PERFORMANCY FORUM 14 at BOB the Pavilion
Wednesday, July 13, 7-10PM
TESS DWORMAN
ANYA LIFTIG
BEN SPATZ/MAXIMILIAN BALDUZZI/URBAN RESEARCH THEATER
MATTHEW STEPHEN SMITH
CHRISTY WALSH
PAUL PINTO AND JEFFREY YOUNG (OF THINGNY)
and PPL composer BRIAN MCCORKLE and members of the CAST performing an excerpt from ‘INSTITUTE_INSTITUT’ concert-style and YOU!
BOB the Pavilion is a composting toilet and inflated platform for performance and more! http://www.bobthepavilion.com/BOB the Pavilion was supported by a grant from Columbia University School of the Arts (SOA) and Graduate School of Architecture, Preservation, and Planning(GSAPP).
Brooklyn, NY, July 2011, HONEYCOMB and Causey Contemporary proudly present Ritual, a group exhibition featuring original artwork produced by over twenty of the freshest urban, newbrow, young contemporary artists hailing from seven countries. The public is invited to the artists’ reception on July 12th from 6 – 9 p.m Ritualistic behavior is one of the few things that have universally permeated all human sociological development. It has helped form civilizations, spawned entire belief systems, and through the ages has continuously influenced human conduct while simultaneously shaping the world as we know it. While the actual processes may vary, the incorporation of ritual into society is something that transcends nationality, geographic location and linear timeline. Cultures of both the past and present have used symbolic, traditional or religious rituals for any number of reasons including divination, personal pleasure, the achievement of spiritual or emotional needs, the formation of social bonds, expressions of respect and devotion, the advancement of social status, acceptance or for educational purposes. Although there are great differences among the countless rituals in existence, it is evident that regardless of intent or appearance, ritualistic behavior is undeniably intertwined with both our past and our future, and something that unites us all.
Opening Reception: Wednesday, July 13th, 7 to 10 pm
Boredom inspires creation. In Othelo Gervacio’s case, Postboredom is art garnered from his lingering disenfranchised youth. Gervacio has held onto the adolescent manifestation of making art and music because “you hate what is happening around you.” He states, “Are the only punks left now ‘Fashion punks’? No thanks, I’d rather I’d sit at home, listen to sludgy metal and paint something dark.” Othelo Gervacio is a new face in the downtown New York art scene. After four years under the wing of tattoo/fine artist Scott Campbell, and prior schooling in the arts, Gervacio has channeled his experiences to create his own definitive style. With the use of dark imagery and gothic lettering forms,
his art reflects an influence from the grittier side of tattoo culture, metal music, and lingering teenage angst.
bespoke bathing costume
Sparks says this show features geniuses only!
Come one come all y’all to gawk at their works:
whose stalagmites elude portrayal
but for the smudgen empyrean
fibrous by seat of their cohort–
ashtray w/ suspenders unwrinkled
a pile of glazier-thin feuilles fatales
flurry of homosocial g.w.ps
twins peer at the heart in thir pants
weeping fruitier and downreaching espalier
a nacorn an urn unhectorized
gutterclouds inform an architecture
its mouth a painted hare or rabbitt
atop an accretion of realnesses.
how do you value a painting? by its
pearlescent gummery centre. can
a beercan grow a thing. potteryhound
helmet from hellsdeep chainworks the
neolyth clawfoot cum eagle arm–
tender clips of the fan, snakely
beads reveal sculptoraly or by
erasure the ponderous red creature.
Larry Bob Phillips will begin work on his project Wiggle Room, as part of Recess’s signature program, Session. Session invites artists to use its storefront space as studio, exhibition venue and grounds for experimentation.
Over the course of two months, Phillips will record four collaborative events, covering the walls inside 41 Grand Street with large-scale, and densely detailed drawings. Phillips will invite artists to join him in the space for temporary performances, and will draw these interventions. The artist’s anticipation and memory of the performance will inform the content of Phillips’ wall drawings. Visitors to Recess can engage in performances and witness their own integration into the ongoing drawing.
Throughout this Session, visitors to Recess in SoHo will witness a diverse series of collaborations, starting with Michael Beitz’s construction of “exhibition furniture” for Wiggle Room.
Wiggle Room will feature the following events:
Tuesday July 12th Reception/Viewing for Michael Beitz
Thursday July 21st Jeff Jensen Night of Laughs Friday
July 29th Chuleta & Hennessy Youngman Bury Post Black Thursday
July 12, 6 – 9 pm Don’t Think Twice, It’s All Right
FROM THE ARTIST:
I’ve been working with Bob Dylan as a metaphor or symbol in my works for a few years now but wanted to make it a bit more abstract, further away from the real person.
The installation visually is based on a particular sort of stage light that I only know from single person performances in the the 60s and 70s and that for me is also very metaphorical. I combine this with audio footage of a very special moment in Dylan’s carrier. Somebody called him “Judas” in a show in Manchester, England in 1966. You can watch that here:
And I will ad my own story to this. Not my personal one, but a kind of metaphorical little story. I’m replaceing his real answer to the Judas cry with words I’ll rearrange from footage of the old man Dylan’s voice. So you will see the puppet in that stage light and hear the Judas cry followed by a rather metaphorical answer.
Over the course of five years since he launched his enterprise New York Night Train, Jonathan Toubin has forged a singular career and achieved remarkable success: He is not only a deejay with a staggering collection of rare garage rock and soul on 45 rpm records, but also a visionary creator and producer of long-running (and now internationally touring) multi-media parties. This summer, he will take a break from his Soul Clap and Dance-Off, the most popular soul party in North America, to focus on the launch of his most ambitious undertaking to date, Land of 1,000 Dances, in which live dance demonstrators and projected videos—montages of vintage and original footage—will teach partygoers the dance crazes of the 1960s while Toubin plays 45s he has curated specifically for the individual dances.
Curated by Timothy Hull and Lumi Tan Mathew Cerletty, Devon Costello, Timothy Hull, Ryan Mrozowski, Thomas and Renée Rapedius, Sean Raspet, Ruby Sky Stiler, Sophie-Therese Trenka-Dalton, Allyson Vieira
July 14th – August 14th, 2011 Opening Reception: July 14th, 6-8 PM
A Photographic Archive of NYC’s Street LampostsCurated by “Forgotten New York” author and webmaster, Kevin Walsh and NYC transit employee and enthusiast, Bob Mulero
This Third Thursday, July 15th from 7-10pm at the City Reliquary Museum, 370 Metropolitan Ave.Join us for the opening reception of a truly illuminating exhibit, “FORGOTTEN CITY LIGHTS: A Photographic Archive of NYC’s Street Lamposts.” This newest exhibit focuses on the often ignored but always overhead variants and styles of NYC street lamps.
Exhibition preview – Detroit-based visual artist Bethany Shorb’s “Supplemental Restraint System” is born from classic American and vintage European sports car parts harvested from wrecked vehicles. Her work is tightly wrapped in an outer skin made exclusively from previously deployed airbags, beaded and sutured back together forming another protective barrier in an imagined automotive crash narrative, then further fetishized in glass scientific vitrines. Also included in the show are neon and automotive emblem text assemblages as obsessive tropes on car-culture.
Tue, July 12, 2011 Doors: 8:00 PM / Show: 8:30 PM $15.00 Cold Cave are an experimental electronic pop group from Philadelphia and New York City who make melodic synthscapes with jackhammer beats. They acknowledge the dark roots of synthesizer music as well as its potential for making the brightest pop with their hard songs celebrating the contradictory beauty of the human condition.
The Haribo Experience presents Candy Rain. Featuring limited edition Raul De Nieves and Jessie Stead flavored video installation elegance. Inside the music box with the lid closed and the lights off the tiny ballerina starts to cry. You give her all your money but its too late you are soaked to the bone with her dance-floor tears and intoxicated politely… forever. The hairdos grow backwards entering your brain, are you experienced? Join us for a joy-us one-way trip into the song flavored box.
JUNE 16–AUGUST 26, 2011 OPENING: THURSDAY, JUNE 16, 6-8PM
Mixed Greens is pleased to present the site-specific window project The Other Side of Ground by Tali Hinkis and Kyle Lapidus, the artist duo known as LoVid. Their dynamic, colorful pieces are a masterful mix of the low- and high-tech.
Known for their innovative performances, live video installations, tactile objects, patchworks, sculptures, and installations, LoVid encourages the viewer to reexamine his/her relationship to the digital world. By mixing analog and digital philosophies, processes, and techniques, LoVid’s pieces come to life. In one piece, for instance, it was necessary for viewers to touch points on a monolithic sculpture in order for a video to activate. Human touch became the subject of a digital output. MORE »
Khaïra Arby and her Band
Khaïra Arby (pronounced: Hī-ra Arbē), the Nightingale of the North, born in the village of Abaradjou in the Sahara Desert north of Timbuktu. Khaira’s parents came from different ethnic backgrounds, mother Songhai and father Berber. You can hear these cultures in her music; she sings in several languages. The instrumentation and rhythms are just as varied with electric guitar and bass, calabash, ngoni, traditional violin, and percussion creating a complex mixture of sound and structure. Some people compare the effect to the rhythms of the camel caravans crossing the Sahara.
The Brooklyn-based duo The Mast creates a propulsive and expansive sound featuring Haale’s layered, undulating vocals and hypnotic electric guitar riffs dancing with Matt Kilmer’s polyrhythmic drumming.
Fernando Hereñu AKA PulpoCorporate @TACHE GALLERY.
Reception:
Thursday July 7th, 6-9pm
Exhibition
July 7th – August 2nd 2011
Tache Gallery Opening Exhibition of Fernando Hereñú AKA Pulpo
“HIDDEN DRAWINGS”
Exhibition July 7 – 2011
” The argentinean artist Pulpo has been part of the Latin American creative scene for many years.
With his series, ‘Hidden Drawings’, Pulpo’s work is focused on the Childhood Trauma & Hidden Emotion
Fernando Hereñu makes some amazingly bizarre drawings, the kinds that make you feel uncomfortable and inspired at the same time. “
Wed, July 6, 2011
Doors: 7:30 PM / Show: 8:30 PM
$12.00
Since the 1990s, the Ladybug Transistor has created formalist pop-rock albums with a dreamy, articulate sound that spans decades and genres. Anchored by Gary Olson’s organizing vision and restrained baritone, their music boasts intricate arrangements and soaring melodies that are at once modern and timeless.
This band’s narrative holds a rich history of heartfelt collaboration, tireless devotion, quiet and outspoken romance, new arrivals, unexpected departures, achy break-ups, and unspeakable loss. They have become agile at adjustment.
In 2007, the untimely passing of their beloved drummer San Fadyl left members Olson, Kyle Forester, and Julia Rydholm at an unimaginable loss, struggling with a prevailing sense of “What now?” At a time where moving forward felt possibly impossible, the band quietly gathered new recruits (Mark Dzula, Eric Farber, Michael O’Neill) and embarked on writing a new album with the memory of San squarely in mind.
The resulting effort is their forthcoming release Clutching Stems-a lush collection of potent refrains and brought-to-one’s-knees ballads. Set to an invigorated soundtrack of wave-pop arrangements, the songs detail stories of humbling heartbreak, profound longing, undoing distress, nagging regret, and coming-of-age awakenings. Olson’s lyrics express an overarching search to find one’s voice in the face of moments that knock the wind and words right out of a person.
This new line-up has found a distinct voice that honors diverse influences and the band’s own precedent sound. Clutching Stems assuredly underlines that while love can tear things apart, it can also capably mend them back together once again.
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Syfy Tweet-Up
Thursday, July 7, 2011
6:30 pm ET
New York
In Person
Thomas Vitale, Executive Vice President Programming and Original Movies Craig Engler, Senior Vice President and General Manager Syfy Digital
Join Syfy executives Thomas Vitale and Craig Engler for an open discussion about science fiction, television, and Syfy. They’ll talk about what new shows and movies are coming up on Syfy, answer fan questions about TV and TV development, and give a behind the scenes look at what it’s like to work at the channel.
Follow the live tweets @PaleyCenter on Twitter and use #Syfy and #PaleyLiveNY to join the conversation!
Members: Email Membership@paleycenter.org to make reservations. General Public: Tickets are FREE. RSVP now.
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FAMILY VALUE: Summer Portrait Salon @MICHAEL MAZZEO. July 7 – August 5
Michael Mazzeo Gallery is pleased to present Family Value, our summer portrait salon featuring the work of twenty-two artists, most of whom have never before exhibited at the gallery. The exhibition consists of recently made photographs, as well as drawings, collage, hand embroidery, and installation pieces which will remain on view from July 7 through August 5. A reception for the artists will take place at the gallery on Thursday, July 7, from 6 to 8PM.
Family Value presents observations and interpretations of contemporary family relationships. A salient reflection of our times, much of the imagery is filled with ambiguity, anxiety, and contradiction, yet with an equal sense of strength, compassion and humor. Free from traditional constructs and definitions, these artists provide us with a broad and insightful view into the complex intimacies that define our character and shape our lives.
Featured artists include Jacqueline Bates, Juliana Beasley, Annabel Clark, Kristen Dorata, Jess Dugan, Juliana Gamino, Jessica Hines, Katharina Lepik, Carlos Loret de Mola, Brigitte Lustenberger, Stacy Renee Morrison, Rachelle Mozman, Josh Quigley, Justine Reyes, Kerri Rosenstein, Chris Sellas, Paul Mpagi Sepuya, Paul Shore, Gerald Slota & Neil LaBute, Hrvoje Slovenc, Will Steacy, and Amanda Tiller.
Featuring: Kristen Brandoff, Alyssa E. Fanning, Samantha Fricano, Michelle Orsi Gordon, Klimentina Jauleska,
Christopher Luongo, Miranda Maher, David Oquendo, Caleb Prewitt, Ashli Sisk, Kristen Sweeney, Sook Ja Yoo
June 29 – July 30 2011
Artist Reception
Thursday, July 7, 5:30-8:30 PM
Young Blood presents work by twelve Master of Fine Arts candidates from Montclair State University, Montclair, NJ. The exhibition features painting, sculpture, print, photography, and mixed-media selections. Works range from object to experience-based, conceptually to formally driven. The art deals with issues of memory, text, personal mythology, narrative, material—its essence and connotations, representations of anxiety and the inner psyche, industry and landscape, and pornography and voyeurism in the internet age, among others. Featured works are both deeply personal and at the same time reflect larger cultural phenomena. Young Blood introduces an emerging generation of makers concerned with object, craft, theory, and their speculation on the role of medium and its implications in contemporary art. The exhibition is curated by Alyssa E. Fanning.
NAG Action meets on the first Tuesday of every month, gathering concerned citizens from all parts of Greenpoint & Williamsburg who are looking to learn more and do more in the neighborhood. The goal is to bring together any and all types of organizers, activists, local leaders, business owners, and residents to discuss, learn, and take action in the neighborhood.Confused about how government in NYC works and, more importantly, affects you in North Brooklyn? Come grab a drink with NAG while we untangle the myriad institutions that affect our daily lives.
Gorgeous old-world cabaret collides with modernity in this unique Brooklyn-based ensemble. Wringing elements of Eastern European folksong, post-war classical, and experimental rock into an otherworldly soundscape, Barbez shifts elegantly between haunting, meditative moments and explosive outbreaks. The group will be presenting several new pieces from a forthcoming recording inspired by ancient Roman-Jewish melodies, as well as new music for a separate album concerning the wars in the Middle East since 9/11. With Dan Kaufman, guitar; Danny Tunick, vibes, marimba; Peter Hess, clarinet, percussion; Catherine McRae, violin; Peter Lettre, bass; John Bollinger, drums.
The triumphant return of the Diva with a Difference. Rachelle returns to Barbès after a year. Dubbed a”Master of Surprise” by Entertainment Weekly, Rachelle writes and performs darkly optimistic story-songs and accompanies herself on a variety of instruments including accordion, piano, claviola, guitar and plastic bells, “…leaving nothing behind but sweet wreckage.” (The New Yorker). Rachelle has released four CDs as well as a single “My House of Peace”, which was produced by Jack White and released on vinyl by Third Man Records. Rachelle also composed the music for Taylor Mac’s epic 5-hour long theater piece “The Lily’s Revenge” which premiered at Here Arts Center October ’09.
NATMF: A quirky combination of indie rock songwriting with Gypsy Jazz. Think Tom Waits meets Django Reinhardt – with a full horn section, violin and vocal duets.8:00pm
BS: They play an eclectic mix influenced by New Orleans brass bands, jug music, southern gospel and hot jazz and feel at home at the Village Vanguard or playing on the street. The band features members New Orleans band the Loose Marbles and alumni of Stephane Wrembel’s Hot Club of NY. With Ben Polcer, Trumpet; Patrick Harison, Accordion; Jared Engel, Banjo; David Langlois, Washboard and Peter Ford, Washtub bass.
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Billy Fox’s Blackbirds and Bullets 7/6 Wednesday (CB) @ THE STONE. 8 pm
Billy Fox (director, composer, percussion) Gary Pickard (alto and soprano sax) Miki Hirose (trumpet) Matt Parker (tenor sax) Julianne Carney (violin) Evan Mazunik (keyboard) James Ilgenfritz (bass) Arei Sekiguchi (drums)
Opening Reception: Wednesday, July 6th, 6 to 8 pm
Exhibition: July 7 to 29, 2011
Main Gallery:
“+1″ Group Exhibition of Small Works
Several artists who have shown with Sloan Fine Art and SFA Projects during our 2010/2011 season were asked to create a new piece and each invite one artist of his or her choice to participate.
With works by Sarah Awad, Andrew Baker, Mia Brownell, Elizabeth Carney, Roni Feldman, Eric Finzi, Ashley Folkman, Rebecca Smith Ford, Kady Grant, Martin Grasser, Greg Hopkins, Patrick Hruby, Anthony Iacono, Martin Kruck, Noah Landfield, Julia Marchand, Jiyoung Park, Marion Peck, Martha Rich, Jean-Pierre Roy, KRK Ryden, Heather Sherman, Sally Sloan, Aaron Smith, Gina Triplett & Matt Curtius, Jonathan Viner, Nagisa Wada, Jeremy Wagner, Carly Waito, Seth Weiner and Brad Woodfin.
The Secret Science Club presents Mind Mapper and Neuroscientist Partha Mitra,
Wednesday, July 6, 8 pm @ the Bell House, Free It’s all in your head . . . One hundred billion neurons. One hundred trillion neural connections. The architecture of the human brain is more complex than any super computer. In fact, neuroscientists recently calculated that one single human brain contains more “switches” than all the computers on Earth combined. And yet . . . we still know so little about what makes the mind tick.
Partha Mitra of Cold Spring Harbor Laboratory is seeking to change all that, embarking on a bold new project to build a blueprint of the brain’s architecture. Dr. Mitra asks: What is the brain circuitry that underlies human behavior and emotion? How many basic emotions do we have, and what causes them? How can we fundamentally expand our knowledge of the brain’s systems and interconnections in order to better treat neurological conditions and diseases of the mind?
Before & After
–Groove to wet-wired tunes
–Stick around for the nervy Q&A
–Peek into Dr. Mitra’s mind-blowing microscope!
–Try our synapse-stimulatingcocktail of the night, the Circuit Party Don’t miss one microsecond of this mind-expanding evening! SUPPORT THE SECRET SCIENCE CLUB! Be a Secret Science Superstar! Keep the science flowing (and growing) by donating here.
This cerebral edition of the Secret Science Club meets Wednesday, July 6 at 8 pm @ the Bell House, 149 7th St. (between 2nd and 3rd avenues) in Gowanus, Brooklyn. Subway: F to 4th Ave; R to 9th St; F or G to Smith/9th. Doors open at 7:30 pm. Please bring ID: 21+. No cover. Just bring your smart self!For information: contact secretscienceclub@gmail.com
Or visit us on the Web at http://secretscienceclub.blogspot.com
Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.
While most audience members return to see multiple, if not all four, parts of the summer’s production, each episode is a self-contained short play that can be seen in isolation. The brief premise film that begins each year’s production—depicting the event that brought on the coma—is shown at the beginning of each performance.
The Attendants is an interactive performance installation. The dominant set piece is an eight-foot, transparent plexiglass cube. Two performers move inside it, and a recording of a conversation about making theatre is heard. People can communicate with the performers by texting to them with their cell phones. The messages appear on two plasma screens that surround the cube.
Join us for a multimedia tour of the decadence and divinity of two New Jersey Utopian communities founded in the 19th century: one for pleasure, the other for purity.
Edith Gonzalez presents two faces of the utopian mind of the 19th century: Ocean Grove, which remains to this day a “religious resort”, while Asbury Park, a secular pleasure zone, has faced more worldly ups and downs. Since their respective founding side by side on the NJ coast, these two communities have been engaged in a dynamic dialogue of morality.
Edith Gonzalez is an historical anthropologist specializing in nineteenth-century systems of power, and a native New Yorker with a deep and abiding love for New Jersey.
Wood Sculpture, 1957-1967 and Recent Photographs May 5-June 4, 2011 MAP
As always, Mary starts with observation and moves towards myth.
– Hayden Herrera
DC Moore’s new exhibition of Mary Frank’s work, Transformations: Wood Sculpture, 1957-1967 and Recent Photographs, features her dynamic wood sculptures, direct carvings from the 1950s and 60s that marked her emergence as one of the most innovative artists on the New York art scene. The exhibition also presents drawings from the same time, vibrant figures that both complement her sculpture and expand the range of her explorations of space, motion, and the rhythms of the human body. This is the first exhibition of these seminal works since they were originally shown over forty years ago. VIEW FULL PRESS RELEASE. (more…)
Ashley Kelly Tata writing to invite you to the next theatrical extravaganza brought to you by Columbia University with the energy and collaboration of Enthuse Theater.
We are very excited (and a little bit nervous) to share with you the work we have been doing on Doctor Faustus Lights the Lights, written by “The Mother of us All,” Gertrude Stein. We have been hard at work detangling the knotty words of Stein in a valiant attempt to bring to you this take on a story we all know: Faustus has sold his soul to Mephisto for eternal life and knowledge—and light. But what if there is no proof of purchase? What if a woman entered this world and seems to possess that knowledge without having sold her soul? Who has the right to knowledge? What is the responsibility of power? What does a guy (or girl) have to do to get to hell?
We hope you will join us for 90 minutes of a theatrical exploratory event created by an incredible group of artists. Please come for the show, stay for the conversation, the environment, and the company.
Until then, with awe, enthusiasm and great anticipation,
Ashley Kelly Tata
Artistic Director
Enthuse Theater
MFA Directing Candidate 2012
Columbia University
Doctor Faustus Lights the Lights
By Gertrude Stein
Directed by Ashley Kelly Tata
Dramaturgy by David Carter
Music by Brian McCorkle
Choreography by Leeanne M. G-Bowley
Lighting Designed by Amith Chandrashaker
Costumes Designed by Kristen Kopp
Performed by: Andrew Belcher, Chelsea D’Aprile, Cherish Duke, Kevin Mannering, Sunrise Marks, Lea McKenna-Garcia and Ryan R. Rinkel
Image by Chip Rodgers
At:
The Schapiro Theatre
605 West 115th St (in the basement)
Friday, April 22nd at 8PM
Saturday, April 23rd at 3PM and at 8PM MAP