The 22 Magazine


Bob Scott.
February 7, 2013, 3:55 am
Filed under: ART, COLLAGE | Tags: , , , , , , , , ,

nakedstrm
WEBSITE



Nancy Scott.
November 30, 2012, 4:06 am
Filed under: ART, COLLAGE | Tags: , , , , , , , , , , , ,


WEBSITE.



LISA 2012.

By Cat Gilbert

The inaugural LISA 2012 (Leaders in Software and Art) brought together a mix of students, professionals  and artists at the Guggenheim this past October to discuss the opportunities and the pitfalls within the realm of software and electronic art. A one day conference that was packed to the gills that founder Isabel Walcott Draves, admitted “next year, we’re going to hold a 2 day conference.” Keynotes were given by Laurie Anderson and Scott Snibbe (creator of Bjork’s Biophila.)

The morning started with an introduction from Draves and the first panel “Collecting New Media Art” which mostly focused on galleries supporting new media artists. While there were interesting and valid variations on what artists sell in this genre, many of the gallery owners admitted collecting and selling new media art is difficult and often molded back into forms of traditional consumer engagement: limited run prints, books, videos etc. They also noted the unique problem of deprecation and works being unviewable once a technology becomes obsolete.

Following was a keynote from Laurie Anderson, whose credentials include NASA’s first (and last) artist-in-residence and well-known musical/artistic innovator. Laurie is an endearing speaker, talented technological artist, and her ability to “break-down” what is sometimes a complex art form is at the heart of why she was keynote at this conference. In speaking about her 2005 World Expo project “Hidden inside Mountains” Laurie zooms through slides, joking about her “hellish” interpretation of the landscape. She also made some mention of her conflict with encouraging young artists at college commencement speeches, in the face of increasingly tough economic conditions for artists.

After Laurie’s speech came the first round of lighting talks. Some of the most interesting insights and projects came from Martin Wittenburg, Philip Stearns, Sophie Kahn, Tristan Perich, Eric Sanner, Claudia Hart, and Jake Barton. Each had a unique perspective on how to utilize technology whether it be through sight, sound, or even emotional response. Some notable pieces include Perich’s well-known compositions using one bit sounds to distort our “reality” of hearing, (see Interval Studies) and Claudia Hart’s avatars plunge into the aspects of the uncanny valley and the idea of “reanimation” and “capture”  that is at once both disturbing and fascinating.

Following the first round of lighting talks, the 2nd keynote address was given by Scott Snibbe. Known as the creator of Bjorks’ interactive album Biophila and currently at work on an app for Philip Glass’s music, Snibbe’s speech was interesting not only in the demonstration of the projects themselves, but in his tough questions about distributing new media art. Snibbe concedes that apps pose the problem of being somewhat gimmicky and proposed creating new, smarter, more complete apps, and perhaps less of them. Certainly that coming out of the mouth of someone who has made a career creating apps must be taken with a grain of salt, but for that same reason, taken seriously. Biophilia is the work of someone with a great love and understanding of the inner working of virtual space.

The 2nd panel of the day focused on creative coding tool kits. Moderator Golan Levin begin with a “builder” apropos quote attributed to Abraham Maslow “To a hammer, the whole world looks like a nail…” In general, the discussion focused mostly on displays of what the programs can do as well as the community usage of the programs.  The evolution of programs like MAX  from Toni Dove to Luke Dubois’ “Hindsight is Always 20/20” is fascinating. Andrew Bell’s commentary on CINDER was also intriguing not only due to the intricacies of the program itself but also due to CINDER being mostly used for advertising purposes. With a palpable sense of duality Bell spoke of the potential but also the limitations to the mass public in comparison to Zach Liberman’s encouragement of something like Open Frameworks being all about community participation.

Following was the 2nd round of lighting talks which typically included more physically manifested ideas. There were notable talks from Kenji Williams, Golan Levin, Mark Shepard as well as Ann Spalter, Karolina Sobecka, Mary Huang, and Kurt Ralskie. The panel was interesting juxtaposition for later questions of how software and media art is producible and profitable within a consumer art world (a question that arose more specifically in the 1st panel “Collecting New Media Art” and most prominently in the last panel “Software Art and Art Establishment.”) Golan Levin, and Huang focused on, among other things, creating clothing and “spare parts” out of 3D printers, while musician Kenji Williams played a brief piece from his (hopefully) Broadway bound work, Bella Gaia, a love letter to the Earth, with a timely focus on the effects of climate change.

The 3rd Panel (Crowdsourced and New Media Art) included Scott Draves (creator of The Electric Sheep), Melissa Mongiat and Mouna Andraos (Daily Tous Les Jours), Jason Eppink (MOTMI) and Fernanda Viegas. Eppink’s projects focused on social trends and engagement from the physical to the screen, including meme based projects and the reanimator lab. Daily Tous Les Jours’ engagement in crowd participation (see swings) through physical manifestation of technology initiated the question, is crowd sourcing  for the “crowd” or about the “crowd?” Other main points included, monitoring trolling and software hacks on crowd sourced work, as well as the authenticity of data collected in crowd sourcing. Viegas’ collaborative project with Martin Wittenberg, Wind Map (left) was also seen this last week in lieu of Sandy and displayed effectively how aggregation can be put to use.

“Media Art and the Art Establishment” was the final event of the day and palpably the most anticipated. Panel members included Amanda McDonald Crowley, Christiane Paul, Barbara London, Marius Watz, with painter with critic Ken Johnson as moderator. Discussion focused on s/e artists struggle for acceptance and placement in an community that sometimes lacks resources to provide the proper staff, technology, and in rare cases, understanding of the work itself. Interesting points included, how shows are curated for anthologies and books. There was a larger discussion about documentation of new media shows and panelist, Marius Watz, lobbied for his show (Electra-Oslo, 96′) as a forgotten precursor to many of the larger scale media shows curated today. In contrast to this debate, one main point that unfortunately was not addressed was media art in relation to public accessibility  By nature there is some exclusion to those without access to certain tools. That being said, it would be wrong to shame this area of the art world for exclusion, as digital art has really only become viably “popular” within the last decade or so and is still evolving and working towards end goals of inclusion for all, or sometimes inclusion at all. More and more efforts are made for public dissemination within schools and it was good to see LISA offer scholarships to students to attend. It would be amazing to see future conferences offered in conjunction with public interactions and displays with the art. Both things that would raise public awareness of and increase understanding of this art form. As this was the first LISA conference the wealth of successful new media artists, information, and discussion it delivered was truly satisfying. The talent and minds going into creating digital terrains and interactions  is every bit as captivating as the strokes of a master painter, or the strikes of a master sculptor. Beyond that, there lie dimensions with media art, that are able to document and rethink the world unlike any other art form and if it is explained to and engages both artist and audience without exclusion, the possibilities for creation are endless.



Scott Waterman.
August 8, 2012, 1:24 am
Filed under: ART | Tags: , , , , , , , , , , ,



Bob Scott (Be A Commercial Artist.)
July 19, 2012, 12:29 pm
Filed under: ART | Tags: , , , , , , , , , , , ,


WEBSITE.



THE WEEK/WEEKEND: July 5-12.

Cut Up
Where: Storefront Bushwick
When: July 6 – August 5, 2012

Myles Bennett, Susan Bricker, Andrea Burgay,
Steven Charles, Paul D’Agostino, Jackie Hoving, Ken Kocses, Elissa Levy, Gelah Penn, Casey Ruble, and Mary Schiliro

Game Play 2012
Where: The Brick
When: July 6 – 28, 2012

The Brick is pleased to announce the fourth annual Game Play festival, taking place from July 6–28, 2012 in Brooklyn, New York. This year’s festival will once again feature cutting-edge works that lie at the intersection of video gaming and performance.

Matt Munisteri: CD Release
Where: Joe’s Pub

When: 7:30 PM – July 10 

Matt Munisteri will celebrate the release of his new CD “Still Runnin’ ‘Round in The Wilderness – The Lost Music of Willard Robison Vol l”.  In the mid 1920′s the pianist, singer, composer and arranger Willard Robison began recording a startling series of recordings of his own songs, and in the process became a prototype for that lasting American twentieth century artistic archetype; the singer-songwriter. And yet in the 8 decades which followed none of these unclassifiable recordings have ever been commercially re-issued. The guitarist, singer and songwriter Matt Munisteri has spent years tracking down these original recordings on 78 records and has now not only brought them to light, but has re-imagined them as a body of work rightfully freed from the trappings of era or idiom.

Charles Perry
Where: Joe’s Pub
When: 7:30 PM – July 12   

B-OUT CURATED BY SCOTT HUG
Where: Andrew Edlin
When: JULY 5 – AUGUST 18 

Be out. Be outside. Be outside of it. Be outside of the box. Be outside of the system. Be out of order. Be out of control. Be out of the ordinary. Be out of your hair. Be out of your mind. Be outrageous. Be outspoken. Be out loud. Be out of line. Be out of the loop. Be out of bounds. Be outcast. Be out of the Midwest. Be out of the closet. Be out of the Middle East. Be out of gas. Be out of sorts. Be out of power. Be out numbered. Be out for blood. Be out for the count. Be out bid. Be out of pocket. Be out of debt. Be out of commission. Be out of fashion. Be out of place. Be out of sight. Be out of reach. Be out of touch. Be out to lunch. Be out of breath. Be out of time. Be out of space. Be out of body. Be out of this world.

Naked Dance!/Gold Sparkle Band
Where: The Stone
When: 7/10 Tuesday
Composer-Pianist Rush (Prof. at U.Michigan) and drummer Edwards are joined by journeyman Clarinetist Andrew Bishop in a performance to celebrate the release of their new album Naked Dance!, a collection that features original compositions in the late Jimmy Guiffre and Nordic jazz tradition. Soulful and Funky, thoughtful and contrapuntal.

Jason Lescalleet Solo Tapeloops/Diamond Terrifier
Where:  The Stone
When: 7/8 Sunday

Diamond Terrifier is Sam Hillmer of Zs. Diamond Terrifier is Sam’s saxophone and electronics solo incarnation. Named after the english translation of the indo-tibetan god-name Vajrabairahva, Diamond Terrifier is concerned with the potential positive qualities of destruction as mediated by noise/drone sheets of sound music

15/30 a Joint Celebration
Where: Superfine (located at 126 Front St., Brooklyn, NY 11201)

When:  Monday, July 16 from 6-9pm

Dumbo Arts Center and Triangle have teamed up with Superfine to present: 15/30 a joint celebration of our mutual anniversaries.

“Taboo”: Beinart Collective Group Exhibition
Where: Last Rites Gallery
When: July 7th

Works featured in this exhibition explore the theme unashamedly, fearlessly and sometimes with humour. Breaking the “taboo” is usually considered objectionable by society, whether it be a violation of something held sacred or a threat against traditional beliefs. In a society run riot with political correctness, this exhibition has given an exceptional group of artists a forum to challenge, surprise and even confront the public.

HOT! FESTIVAL
Where: Dixon Place
When: July 1-31

The 21st Annual NYC Celebration of Queer Culture: theater, dance, music, burlesque, performance art and homoeroticism for the whole family! HOT!, the oldest continually running GBLTQ festival in the world, has been a pioneer of queer arts & culture for over 20 years. Dixon Place is proud that HOT! serves as a model for other queer festivals across the globe, & offers an artistic refuge to so many passionate voices in our community. As in past years, 2012 promises to be diverse & inclusive with over 200 artists presenting work that push your buttons, stir your emotions & deliver explicit, flat out entertainment.

NYARTS Summer Launch Party
Where: Tribeca Hotel
When: July 11

To celebrate the arrival of our Summer 2012 issue of NY Arts Magazine we are hosting a launch party. Please join us at Tribeca Grand Hotel on Wednesday, July 11th from 7 to 10 pm.


Rachael Senchoway’s “Luminous Opera” 

Where: Con Artist
When: 07.05.2012 to 07.27.2012

Rachael Senchoway’s “Luminous Opera” reorders experience. Neons, glitter, and polka-dots gild references to Toulouse-Lautrec and Fragonard. Fantasy elements are synthesized through ambiguous time periods – frosted with decadence and kitsch, sprinkled with Victorian wigs and prissy Rococo faces. Rachael Senchoway seeks to free images from their historical confines, to re-contextualize and disorient dated themes. Senchoway wants her work to be unabashedly itself, no matter how fleeting.

Arthur Doyle and his New Quiet Screamers/Man Forever
Where: The Stone
When: 7/11 Wednesday  

Guernica Magazine Salon
Where: Le Poisson Rouge
When: Fri., July 06, 2012 / 6:30 PM 

Movie Mike Presents: Ray Bradbury in 16mm!
Where: Spectacle Theater
When: July 6th 

Movie Mike and Spectacle are pleased to present a tribute to the late, great science fiction luminary Ray Bradbury in ultra-rare 16mm. We’ll see a 1963 TV documentary in which the author explains himself, followed by some short films based on his stories.

Trace of Purple Sadness: LEIMAY: Ximena Garnica and Shige Moriya
Where: Cave
When: July 5-7 | 8:00 PM , July 8 | 5:00 PM

Meditative dance and poetic video design unify in a mesmerizing experience constructed by LEIMAY, the duo behind CAVE, The NY Butoh Festival and the Soak Festival.

STARRING / Dustin Wong + Dan Friel / White Out + Charles Gayle / PC Worship
Where and When: Saturday July 7th @ 285 KENT

|| Northern Spy Festival presents

|| Starring
|||| Dustin Wong + Dan Friel
|||||| White Out + Charles Gayle
|||||||| PC Worship

TINY TRIFECTA
Where: Cotton Candy Machine
When: July 7th to August 5th, 2012

Jessicka Addams, Aiko, Jim Avignon, John Baizley, Shawn Barber, Andrew Bell, Robert Bowen, Jon Burgerman, Zoe Byland, Ciou, Becky Cloonan, David M Cook, Dave Cooper, Dave Correia, Molly Crabapple, Lana Crooks, Steven Daily, Daniel Danger, Tristan Eaton, Camilla d’Errico, Brian Ewing, Natalia Fabia, PJay Fidler, AJ Fosik, Doze Green, Dan Grzeca, Fred Harper, Jason Holley, Thomas Hooper, Jim Houser, Seldon Hunt, Jeremy Hush, Jordin Isip, JK5, James Jean, Jeremyville, Nathan Jurevicius, Aya Kakeda, Audrey Kawasaki, Josh Keyes, Henry Lewis, Lola, David Mack, Jim Mahfood, Sara Antoinette Martin, Dan May, Tara McPherson, Brandi Milne, Junko Mizuno, Buff Monster, Tomi Monstre, Michael Motorcycle, Martin Ontiveros, Alex Pardee, Joshua Petker, London Police, Anthony Pontius, Martha Rich, Jermaine Rogers, Paul Romano, Arik Roper, Jay Ryan, Souther Salazar, Isabel Samaras, Erik Mark Sandberg, Jon Schnepp, Shawnimal, Greg Simkins, Skinner, Bwana, Spoons, Jeff Soto, Timba Smits, Sucklord, Diana Sudyka, Lamour Supreme, Fefe Talavera, Jill Thompson, Miss Van, Adam Wallacavage, Lindsey Way, John Wayshack, Eric White, and Chet Zar.

CHASHAMA | IT CAME FROM CHASHAMA AND ORGAN RECITAL SERIES | ULRIKE WEGELE
Where: ACFNY
When: TUESDAY JUL 10, 06:00 PM - 09:00 PM

This exhibition by the WochenKlausur “NPOs-in-residence”,chashama highlights works from the chashama Collection that accentuate the diversity of media and subject matter tackled by their artists. Founded by Anita Durst in 1995, chashama has been at the forefront of the movement to provide vital opportunities to artists of all stripes and expose new audiences to art through creative space redistribution. Landowners donate temporarily vacant properties that chashama recycles into creative hubs, and grants to artists, organizations and youth arts programs at free or highly subsidized rates. chashama will be at the ACFNY from July 9 to 22.The Austrian Cultural Forum is pleased to support this special organ concert by renowned German organist Ulrike Wegele at Riverside Church in Manhattan, which will include works by Bach, Mendelssohn, Liszt, and a 2011 composition by Franz Zebinger. Wegele’s repertoire embraces the works of pre-Bach masters as well as compositions for organ by Johann Sebastian Bach, the classical period, the Romantic period, as well as the music of the 21st century.

FALU/BANDA SINALOENSE DE LOS MUERTOS
Where: Barbes
When: 7/07

Falu is a classically-trained Indian singer best known for blending ancient classical Indian melodies with contemporary western sounds. She has worked with and performed alongside a wide array of talented artists including A.R. Rahman (Slumdog Millionaire), Yo-Yo Ma (in The Silk Road Project), Philip Glass and Bernie Worrell (Parliament Funkadelic), and had the honor of performing at President Obama’s first State Dinner honoring Indian Prime Minister Manmohan Singh. Her music has also been recognized in The New York Times, The Wall Street Journal, and Times of India.In the Mexican state of Sinaloa, brass bands (bandas) are part of every public celebration. In the 1940′s, the pioneering Banda El Recodo started mixing up traditional brass band tunes with contemporary Mexican music – mostly ranchera – and soon transformed the idiom into a powerful new popular genre. In the 1990′s, banda music experienced a renewal, especially among young Californian Mexicans, many of whom have family roots in Sinaloa. Banda music’s popularity exploded in Mexico as well and has become the new urban music of choice

Riepl & Co. Marianas Trench Discoveries Inc.
Where: Open Source
When: Saturday, July 7, 2012, 7pm-9pm

Riepl & Co. Marianas Trench Discoveries Inc. provides deceitfully real reproductions of authentic underwater worlds, customized to the clients’ individual demands. A goldfish bowl, a bathtub or a pool – no terrain is foreign or impossible to us! Various materials are used, from the ordinary to the exotic, depending on the customers wishes and budget. No matter if fancy ceramics, brittle concrete, precious pearls or found objects from the street; the final result of every Riepl & Co. Marianas Trench Discoveries Inc. production is elegant and undoubted in style.

Opera on Tap Presents: HOT & STEAMY!
Where: FREDDYS BAR AND BACKROOM
When: Thursday, July 12th, 9pm

The season beckons us back to the age old Opera on Tap theme of Hot & Steamy this July 12th at Freddy’s! What better way to wile away those oppressively hot and windless July hours than with some steamy opera tunes and frosty beverages? OOTers will regale you with some of opera’s lushest, sexiest, most-drippiest arias and duets whilst you quench your thirst with cool, high-octane concoctions and hoppy delights as only Freddys can serve them up. Show kicks off at 9pm. NO COVER! Clothing optional!

Mapping the Equivocal (Phillip Buntin, Derek Lerner and Robert Walden)
Where: Robert Henry Contemporary
When: July 13 – August 12, 2012

A map is a representation of space or place, or of phenomena as they exist in space. They project a three-dimensional space on a 2-D plane, usually much smaller than the actual space being mapped. The best maps are often considered to be the most accurate ones, however, the assumptions, intentions, biases and preferences of the mapmaker subjectify every map. Maps convey nonlinear and simultaneous knowledge. In a single glance a viewer can tell what’s going on over the whole map at a single moment in time, a Gestalt. The three artists in this exhibition use what could be considered “thematic maps” to explore ideas related to hermeneutics, biology, environmental degradation and ontology.


…Is This Free?

Where: NutureArt
When: July 6 – September 22, 2012 Opening receptions will take place on: Fri. July 6, Fri. August 3, Fri. August 31

Curated by Marco Antonini, this project will consist of three exhibitions, featuring artworks, ephemera and publications that have been mostly conceived and produced to be freely distributed. Historically relevant artworks, ephemera and publications loaned from private collections will be presented side by side with contemporary work by emerging artists, including a series of project-specific artworks commissioned to emerging artists. Community high-school students and members of our audience will be involved in the production of open-source artworks and instructional pieces, producing work that will ultimately become part of the three exhibitions.

A Winged Victory for the Sullen and American Contemporary Music Ensemble (ACME)
Where: Le Poisson Rouge

When: Sat., July 07, 2012 / 6:30 PM
‘A Winged Victory For the Sullen’ is the first installment of the new collaboration between Stars of the Lid founder Adam Bryanbaum Wiltzie and composer Dustin O’Halloran. The duo agreed to leave their normal home studio comfort zone and develop the recordings with the help of large acoustic spaces, and to hunt down a selection of 9ft grand pianos that had the ability to deliver extreme sonic low end. Other traditional instrumentation was used including string quartet, French horn, and bassoon, but always juxtaposed is the sound of drifting guitar washed melodies. The recordings began in one late night session in the famed Grunewald Church in west Berlin on a 1950s imperial Boesendorfer piano and strings were added in the historic East Berlin DDR radio studios along the River Spree.

Jonathan Batiste
Where: Joe’s Pub
When: 9:30 PM – July 11

On June 28th and July 11th, Jonathan Batiste and the Stay Human Band will take the stage for two nightsof thigh-slapping, foot-stomping performance. Prepare for the unexpected – what begins in the music hall could very well spill into the streets of Manhattan.
Where:  LA SALA at Cantina Royal, 58 N3rd Williamsburg
When: July 6
Where: Glasslands
When: Friday, July 6// 
Where: Glasslands
When: Saturday, July 7

Iktus Percussion w/ Taka Kigawa , Phyllis Chen and and music of John Cage
Where: Le Poisson Rouge

When: Sun., July 08, 2012 / 6:30 PM
Based in New York City, Iktus Percussion is an ambitious, dynamic young ensemble committed to expanding the boundaries of the percussion genre. Iktus is a collective-based operation, featuring an array of industrious and multi-talented percussionists with Chris Graham, Justin Wolf, SteveSehman, Nick Woodbury, and Cory Bracken at the core. As a group with strong ties to the local artistic community, Iktus is dedicated to collaboration with emerging artists, having commissioned over fifty new works for percussion from such composers as Angélica Negrón, AaronSiegel, Lisa R. Coons, Jenny Olivia Johnson, Stefan Weisman, and Billy Martin (of Medeski, Martin and Wood), among others.

Donovan Frankenreiter/Rayland Baxter
Where: Brooklyn Bowl

When: Fri, July 6, 2012

Rayland Baxter – is a gentleman, a singer of songs, a teller of tales, a picker of strings, a thinker of things. Born in the untamed hills of Bon Aqua, Tennessee, he tells a story unlike any other, a story that is true and full of unraveling emotion. There are no lines drawn, no box to be found, in the world of rayLand Baxter. 



Flickrworks.

http://www.flickr.com/photos/btang/7492523988/in/faves-photodolce/

Happy 4th! All credits for photos are listed below and with photo.

Kim – 183/365  (Mechki): http://www.flickr.com/photos/mechki/7497919320/in/photostream/

Canada Day Fireworks (Gordzilla1): http://www.flickr.com/photos/gordzilla/7497704168/in/photostream/

Alexandra Carrie: http://www.flickr.com/photos/alexandrachilds/7496416074/in/photostream/

CCEVO BBQ (Jd Lazaro): www.facebook.com/twreckfilms

Mike P Scott: http://www.flickr.com/photos/41171029@N02/7495539332/in/photostream/

go chris go: http://www.flickr.com/photos/63511705@N06/7495458602/in/photostream/

Lake Burton Fireworks (William Klausmeyer): http://www.flickr.com/photos/68215493@N06/7494820362/in/photostream/

Canada Day Fireworks 075 (Toontown Whitefox) : http://www.flickr.com/photos/btang/7492523988/in/faves-photodolce/

Single Firework (Aaron Priestly-Wright) : http://www.apwpictures.com/

#jimmyrex is a #fireworks #wizard: http://www.flickr.com/photos/11494093@N02/7492167366/in/photostream/

Life_In_Colour: http://www.flickr.com/photos/life_in_colour/7492044916/in/photostream/

Fireworks0868 (Shelley B): http://www.flickr.com/photos/benshell/7491497820/in/photostream/

Fireworks have begun (calvarycapecod) : http://www.flickr.com/photos/cccapecod/7491199966/in/photostream/

Canada Day Fireworks Edmonton 2012 -25 (bpc1930′s) : http://www.flickr.com/photos/bpc1930/7490557168/in/photostream/

Bill Chivers: http://www.flickr.com/photos/11801694@N08/7490224632/in/photostream/

Ryan Stubbs: http://www.flickr.com/photos/haljackey/7490202740/in/photostream/

Paramus, NJ fireworks (Rebecca Schear) : http://www.flickr.com/photos/xiivii/7488217432/in/photostream/

shockwaves in the night sky II (Alan Mcclelland) : http://www.flickr.com/photos/eyelyft/7466234540/in/photostream/

glory night 3 (Flash Berger): http://www.flickr.com/photos/flashberger/7338584772/in/photostream/

phyirwerc (Alykk): http://www.flickr.com/photos/64373472@N03/7288686206/in/photostream/

Richard Spiller: http://www.flickr.com/photos/68510809@N06/7178215329/in/photostream/

Daytime Fireworks (J-Fish) : http://www.flickr.com/photos/j-fish/7057970665/in/photostream/

malta — grand harbour — fireworks (Adrian Cilia) : http://www.flickr.com/photos/drinu_c/6983825140/in/photostream/

Fireworks30 (Shine Sudhakaran): http://www.flickr.com/photos/sunny_royale/6864474538/in/photostream/

Firework Blur (Chris Thompson) : http://www.flickr.com/photos/fastchris/6318487930/in/photostream/

Swans and Fireworks 1 (sanpani) : http://www.flickr.com/photos/sanpani/6312924756/in/photostream/

Sparklers in a bucket : http://www.cjjohnson.tv/

Fireworks 1, Geneva (Federica): http://www.flickr.com/photos/nanakin88/6058899384/in/photostream/

fireworks (Stefan Pettersson): http://www.flickr.com/photos/seat55/5710280806/in/faves-photodolce/

Fireworks // Udine // 2011 (Ermanno Peressini): http://www.flickr.com/photos/22536107@N08/5312538382/in/photostream/

Fireworks across the lake (Sarah-Louise Burns): http://www.flickr.com/photos/sarahlouisee__xo/5152335823/in/photostream/

Fireworks (Shin Mimura): http://www.flickr.com/photos/kokix/4881394478/in/faves-photodolce/

fireworks 2 (Will Montague): http://www.flickr.com/photos/willmontague/3689143770/in/photostream/

Fireworks (Guus Krol) : http://www.flickr.com/photos/guuskrol/2948508897/in/faves-photodolce/

Fireworks (Radek Bednařík) : http://www.flickr.com/photos/rbe_czi/2817074442/in/faves-photodolce/

Eke Miedaner: http://www.flickr.com/photos/eam/756467806/in/photostream/

Monterey 4th of July Fireworks (Paige Adams): http://www.flickr.com/photos/phadams/722722143/in/faves-photodolce/

1344 Fireworks with prisms (Lois Elling) : http://www.flickr.com/photos/catdancing/186015425/in/photostream/



Katie Scott.
May 24, 2012, 3:49 pm
Filed under: ART | Tags: , , , , , , , , , , , , , , ,

WEBSITE.

(more…)



The Weekend:Dec 2-4.
December 2, 2011, 8:55 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

(more…)



SCOTT SCHEIDLY STUDIO SALE.
November 28, 2011, 9:46 pm
Filed under: ART | Tags: , , , , , , , , , , , , , , ,

Scott Scheidly is cleaning out his studio. This means you get ridiculously awesome artwork for cheap.
More works for sale.
“Frankenberry” (NEW)
11 x 14
Acrylic on wood
2011
$300



Bob Scott.
October 26, 2011, 7:00 am
Filed under: ART | Tags: , , , , , , , , , , , , , , , ,


WEBSITE.

 

(more…)



Scott Scheidly.
September 28, 2011, 7:00 am
Filed under: ART | Tags: , , , , , , , , , , , , , , , , , , , , ,


WEBSITE.

(more…)



THE WEEK: Sept 26-30.
September 26, 2011, 1:03 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

LIVE from the NYPLROBERT WILSON with Rufus Wainwright, Lou Reed, Lucinda Childs, and others in conversation with Paul Holdengräber 
Friday, September 30, 2011 7:00 p.m.

Robert Wilson will talk to Rufus Wainwright, Lou Reed, Lucinda Childs and others about his artistic collaboration with them over the years.  The conversation will be instigated by Paul Holdengräber.

Robert Wilson is among the most distinguished theater directors of our time. Creator of such works as The King of Spain and The Life and Times of Sigmund Freud, Wilson also collaborated with Philip Glass on the hugely successful opera Einstein on the Beach. Today, Wilson’s accomplishments are recognized not only in the spheres of theatre and opera, but also in the visual arts. Retrospectives of his work have been held throughout the world, and his installations have appeared in several Guggenheim museums, among other venues worldwide.

This event marks the US publication date of The Watermill Center – A Laboratory for Performance – Robert Wilson’s Legacy, a new book about the first 20 years of The Watermill Center.  It will also feature the new book Robert Wilson From Within edited by Margery Arent Safir.

Organs in The Snow
Opening Reception: Sep 30, 8-11pm

A Group Show and Story by Rachel Mason

Dan Asher / John Baldessari / Michael G. Bauer / Michael Bilsborough / Nancy deHoll / Jen Denike / Tim Dowse / Ellie Ga / Laleh Khorramian / Jason Lazarus / Mamiko Otsubo / Samuel White

Opening Night Performances: Thank You Rosekind, Doom Trumpet, No Sky God, Mark Golamco

She was a lion sitting on her dad’s shoulders. They formed a totem of two heads, one large, one small as they walked down the street. Powerful with her lion-painted face, she stuck her tongue out at a man passing by. He tripped on the side of his foot and then fell to the ground.

The girl’s father didn’t realize that his daughter scared the man, causing him to fall. The man already had a fear of children. The girl’s father also didn’t realize that had he reached his hand out to help, the man wouldn’t now have two permanent rods conjoined in his hip bone, and wouldn’t have lapsed into a permanent hallucinatory state from which he’d never recover.

(more…)



The Week: July 25-29.
July 25, 2011, 3:49 pm
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Tim Robbins & The Rogues Gallery Band @LPR.

Director, producer, activist, musician and Academy award winning actor Tim Robbins was born in West Covina, California on October 16, 1958 and raised in New York City. He began acting in the early ’80s and went on to star in such films as Bull Durham, Jacob’s Ladder, The Player, The Shawshank Redemption, The Hudsucker Proxy and Mystic River. He won a Best Supporting actor for the latter, and was nominated for Best Director for 1995’s Dead Man Walking. In 2010, Robbins rleased his debut album, Tim Robbins & the Rogues Gallery Band, a nine-track collection of self-described “raggle taggle and rousing gypsy Americana,” produced by Hal Willner, which featured the talents of Kate St. John, Leo Abrahams, David Coulter, Roger Eno, Rory McFarlane, Andrew Newmark and Dudley Phillips.

-by James Christopher Monger via All Music

Center for Book Arts: Art Study Tours: Illuminating Fashion at the Morgan Library

Karen Gorst
July 28 , Thursday afternoon, 3pm

The Center is pleased to continue its series of Art Study Tours. Class will be taught off-site, behind-the-scenes at various institutions, collections, and artists’ studios. This summer series will take advantage of the cultural resources in New York City and will focus on color and the uses and making of pigments. Consisting of 3 visits throughout the city this July and August, students may sign up for all three in the series or just for one class, each taking place on a Thursday afternoon.
LISTEN:

Illuminating Fashion at the Morgan Library and Museum. Visit this special exhibition and discover the uses of color in medieval manuscripts with an expert in the field, Karen Gorst. Drawn from the Morgan’s collections, over fifty illuminated medieval and Renaissance manuscripts and early printed books are featured in the exhibition. Join us and discover the difference between the depictions of contemporary fashions and the actual colors used in clothing of the time period. Students will discuss from a historical perspective the process of making paints and dyes. The exhibition will be used as a backdrop for a discussion on the different artistic techniques employed to produce the color in medieval manuscripts and on fabric from the medieval period.

-

The Woods are Lovely, Dark, and Deep Artist’s Talk.

Please join Asya Geisberg Gallery for the second annual Chelsea Art Walk on Thursday, July 28th from 5 – 8 pm.

At 6:15 pm we will host a wine reception and talk with the artists Thomas Bangsted and Allison Gildersleeve about the exhibition “The Woods are Lovely, Dark, and Deep”.

More than 125 galleries and institutions participating in Chelsea Art Walk 2011 will be open for extended hours, artist talks, receptions, and other special events to showcase the vibrancy of the summer arts scene in Chelsea.

To learn more about the Art Walk, click here.

To view images from the exhibition, click here.

-

-
-

w h i t e - h o tWhite Hot @ Margaret Thatcher Projects.
July 7 – September 17, 2011

Reception: Thursday, July 7, 6-8 pm

works by: Jaq Belcher, William Betts, Omar Chacon, Freddy Chandra, Carlos Estrada-Vega, Kevin Finklea, Adam Fowler, Teo Gonzalez, Susan Graham, Rainer Gross, Jus Juchtmans, Aric Obrosey, Joie Rosen, Analia Saban, Fran Siegel, William Steiger, Lars Strandh, Barbara Takenaga, Bill Thompson, Heidi van Wieren, and Venske & Spänle

Margaret Thatcher Projects is pleased to announce the opening of w h i t e-h o t, an exhibition of works by 21 artists, co-curated by Erin Brown and Margaret Thatcher. The exhibition, which includes work in a wide range of media from artists both represented in the gallery’s stable and guest artists, explores the visual and ideological possibilities of the color white.

-


Magic for Beginners @PPOW.

Bas Jan Ader, Olaf Breuning, Jennifer Cohen, Scott Hug, Kevin Lips, Niall McClelland, Jesse McLean, Kristie Muller, Rbt. Sps, Brent Stewart

curated by Jamie Sterns and Joseph Whitt

Jul 28-Aug 27, 2011


SUPERCODA: FRIDAY 8-midnight.  The Back Pockets on tour with Huntronik, Rifle Recoil @ CAFE ORWELL.
http://thebackpockets.bandcamp.com/
http://riferecoil.bandcamp.com
http://huntronik.bandcamp.com

-

 

@ THE STONE
7/26 Tuesday (NYDS)
8 pm
Kamala Sankaram / Drew Fleming / Pat Muchmore / Jeff Hudgins
Kamala Sankaram (compositions, voice, accordion, electronics) Drew Fleming (electric guitar, voice) Pat Muchmore (cello, voice) Jeff Hudgins (reeds, voice)
The Summer Music Project: themes for imaginary cartoons, Bollywood noir, and other assorted weirdness.

10 pm
Miguel Frasconi and David First
Miguel Frasconi (glass, electronics) David First (guitar, electronics)

-

 

Wednesday, July 27, 8:30 PM 
“MIKE + RUTHY’S FOLK CITY”:THE SILVER HOLLERS
Amy Helm, voice, mandolin; Elizabeth Mitchell, voice, harmonium; Daniel Littleton, voice, guitar; Byron Isaacs, bass; Ruthy Ungar, voice, fiddle

Confluence an exhibition of paintings by Jess Hartley @Chashama.

Opening Reception July 29th 6pm – 10pm
Gallery Open July 29th through July 31st

Painting: a process, a reflection, an expression.

With the series “Confluence,” Jess Hartely explores all-over abstraction. She begins her work by creating a series of thin layers from which the painting begins to emerge and take on its own form. Depth and color develop as the painting is built up with each layer. She uses masonite board because it resists the water and does not absorb it like canvas would. This extended period of fluidity allows her to explore risk and uncertainty. For Hartley, abstraction is all about the experiment. The work in this series is rooted in Hartley’s own imagination, but follows the rules of experimental process that she has developed.

-

Series: Strange NYC History Lectures@ BB.
A Rite of Return

Wednesday, July 27, 7pm, $10/$8 BHS Members
Out of an anonymous 1870 pocket-size diary bestowed on historian Ben Feldman, a fantastic story emerged, and a 100-year old rent in the cloth of a family’s history was repaired. Feldman will share the tale of Henry Knight Dyer (1846-1911), Brooklyn born and bred, who rose from a modest Fort Greene home and his first job as an office boy in the Dennison Paper Products Co. to become president of that multi-national enterprise at the turn of the twentieth century. Dyer’s daily scribblings in a cheap paper volume, as a single 24-year old living in Brooklyn and working in lower Manhattan, inspired Feldman’s lengthy journey for the truth of this man’s life and his wife’s sorry end after less than a year’s widowhood.

-

 

DISAPPEARS & THE PSYCHIC PARAMOUNT@ UNION POOL.
9PM $10/$12

Hot Music for a Hot Summer

Tuesday night the 26th at Freddy’s Back Room,
a Trio concert at 8:30pm with

François Grillot, contrabass, compositions
Catherine Sikora, saxophones, compositions
Andrew Drury, drums, out of this world percussions

$10 admission.
And at 10:00 Duo concert with Sabir Mateen & Ingrid Laubrock

Freddy’s Bar
627 5th Ave
Brklyn, N.Y. 11215
freddysbar.com

-


Arcade, Hosted by Kill Screen

Wednesday, July 27, 2011
8:30–11:30 P.M.
MoMA

PopRally invites you to Arcade, an interactive evening of games selected by Kill Screen and inspired by the exhibition Talk to Me. Guests can play games in a variety of spaces throughout the Museum and the Sculpture Garden, including Bit Trip Beat, Canabalt, Limbo, and a new motion-based Kinect project from Ryan Challinor and Matt Boch of Harmonix, creator of the hit music game Rock Band. Heathered Pearls (Ghostly International, ISO50) provides the soundtrack for the evening. more…

-

BOMB Magazine: Issue 116
Wednesday, July 27, 6:30–9 PM The powerHouse Arena 37 Main Street, Brooklyn, NY 11201 Please RSVP: rsvp@powerHouseArena.com

Join the editors of BOMB Magazine and the contributors to the summer issue for an evening of readings, performances, and chilling out by the water in DUMBO. There will be raffles, poster giveaways, and other surprises!

Have a drink with BOMB staff and enjoy the literary stylings of writers Nicholas Elliott, Sarah V. Schweig, and Simon Van Booy. With a special theatrical piece directed by playwright and director Richard Maxwell starring Obie Award–winning actor Scott Shepherd.

Nicholas Elliott was raised in the Grand Duchy of Luxembourg and lives in Woodside, Queens. His plays have been performed in Luxembourg, France, and Denmark. He is a correspondent for French film magazine Cahiers du Cinéma and the company manager for the theater company New York City Players. His poems appear in BOMB’s summer literary supplement, First Proof.

Richard Maxwell is a playwright and director living in New York. He is the artistic director of New York City Players. A volume of his plays from 1996–2000 has been published by Theatre Communications Group. His most recent play, Neutral Hero, premiered in May at the Kunstenfestivaldesarts in Brussels and recently toured Europe. Maxwell interviewed actor Scott Shepherd for BOMB’s summer issue.

Sarah V. Schweig‘s poems have appeared in Boston Review, Painted Bride Quarterly, Western Humanities Review, and Verse Daily. She is a graduate of the University of Virginia and Columbia University, where her manuscript was recipient of the David Craig Austin Memorial Award. Her chapbook, S, is available through Dancing Girl Press. She lives in Brooklyn, New York. Her poems appear in BOMB’s summer literary supplement, First Proof.

Scott Shepherd is a New-York based actor. Most recently, Shepherd took on the roles of two characters in The Wooster Group’s production of Tenessee Williams’s Vieux Carré. His performance as Nick Carraway in Elevator Repair Service’s acclaimed Gatz, for which he delivered most of the narration in the nearly seven-hour production, earned him a 2011 Obie Award. Shepherd was interviewed by playwright and director Richard Maxwell in BOMB’s summer issue.

Simon Van Booy is a New York-based novelist and short-story writer born in London and raised in rural Wales. He has published two collections of stories: The Secret Lives of People in Love (2007), and Love Begins in Winter (2009), which won the Frank O’Connor International Short Story Award. He has also edited three books of philosophy: Why We Fight, Why We Need Love, and Why Our Decisions Don’t Matter. His novel Everything Beautiful Began After is just out from Harper Perennial. His conversation with author Siri Hustvedt appears in BOMB’s summer issue.

Founded in 1981, BOMB Magazine is celebrating 30 years of delivering the artist’s voice. Check out The BOMB Digital Archive at BOMBsite.com and don’t miss daily features about art, music, fiction, poetry, film, and dance on BOMBlog.

-


Living Dolls: The Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum
A live automata demonstration and illustrated lecture>by Jere Ryder, Conservator of the Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum
Date: Friday, July 29th
Time: 8:00 PM
Admission: $10
Presented by Morbid Anatomy

Sound Clip.

The Guinness Collection of Mechanical Musical Instruments and Automata at the Morris Museum in Morristown, New Jersey is one of the finest collections of automata–or moving mechanical toys popular in the 18th Century and 19th Centuries–in the world. Compiled over 50 years by heir to the Guinness beer fortune Murtogh D. Guinness (1913-2002), the collection features scores of immaculately preserved historic automata–many of them produced in 19th Century France–with subjects ranging from snake charmers to magicians, singing birds to anthropomorphic monkeys, Cleopatra in her death throes to a waltz-playing Mephistopheles; it also includes a number of mechanical musical instruments and a variety of programmed media ranging from player piano rolls to pinned cylinders.

MORE:
PAPACOOKIE: Flight of the Fancypants w/ ENID ELLEN (+many more.)
High above the lusty and lo-hanging midnight mist, we’ll gather like usual on floor number 8 but this time for something altogether different. Tonight Papa-C is a strange place. A spiritual place. A resplendent place. A haunted place. A place of sad, seductive glamour. Velvet. Sincerity. Lips. Pathos. Pretension. Rococo Red froufrou finery. It’s summertime so wear something appropriate—like a 2-piece bathos suit with a dead poodle pattern and a locket around your neck. Lots of sunscreen, too!
STAIN OF POETRY.
Anna Calvi @ LPR
Chelsea Art Walk

The Maria Bamford Show + Grey Gardens @MAD.
Summer, Sex and Spirits (PLANNED PARENTHOOD BENEFIT.)
MASTER CLASS & CONCERT SERIES – AMERICAN ACCORDIONISTS’ ASSOCIATION

GodByeBlueMonday: Mon Jul 25 11, 08:00 PM Retrospek, Tyler Rivenbark, la bruha desi la, tba 4 Tyler Rivenbark/Retrospek /la bruha desi la/tba4 & PROTOTHIEF, Beecher’s Fault, Michael Lafuentes, tba 4, BACKYARD – TUESDAY Plus Wed Jul 27 11, 08:00 PM Butcher Boy, Dane Terry, Pamola, The Waldos Dane Terry/tba2/Pamola/ Butcher Boy/The Waldos
Screening, Discussion, and Book Launch / The Beach Beneath the Street, with McKenzie Wark, Ali Dur, and D. Graham Burnett (Cabinet Magazine.)
Beijing Welcomes You by Tom Scocca @Powerhouse Arena.
What We Know About the Moon@Jalopy.
DESERT STARS, XANDER DUELL, BIZI GARA
Sam Owens @Pete’s Candy Store.
The Soundtrack Series w/ Dana Rossi @LPR.


LAST CALL:

Painting Urbanism: Learning from Rio @Storefront for Art and Architecture.
Henry Chung @ RHV.



The Week: June 13-17.
June 13, 2011, 4:29 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

MONDAY:

Laetitia Sadier (of Stereolab) @ LE POISSON ROUGE.
Arturo en el Barco
w/ Erika Spring (of Au Revoir Simone)

presented by Substrata
June 13
7:00pm doors | 8:00pm show
$15 in advance | $17 day of show
All Ages
This is a first-come, partially seated event.



Taylor Mead @The Bowery Poetry Club
June 13, 6:30pm


MIKKO INNANEN TRIO WITH JOE FONDA and LOU GRASSI @ UNIVERSITY OF THE STREETS

Mikko Innanen – alto sax, Joe Fonda – bass, Lou Grassi – drums.
06/13/2011  8:00 pm  $10.


Monday, June 13 – Performance EVOLVING MUSIC Series @ Clemente Coto Velez Cultural Center
Presenting  Joelle Leandre solo & Joelle Leandre / Steve Dalachinsky Duo!
7:30 – Joelle Leandre Solo Contrabass
8:30 – Steve Dalachinsky & Joelle Leandre Duo
Admission is $16 per set or $21 for the evening
At Clemente Coto Velez Cultural Center
(Suffolk St and Rivington St) F or J  to Delancey/Essex


TUESDAY AND WENESDAY:


LANDON KNOBLOCK/OSCAR NORIEGA/JEFF DAVIS @UNIVERSITY OF THE STREETS
Landon Knoblock – keyboard,
Oscar Noriega – alto saxophone,
Jeff Davis – drums.
06/14/2011  10:00 pm  $10.


Lecture, Screening, and Discussion: “Aesthetic Justice,” with Carlos Motta and Niels Van Tomme
Date: Tuesday, 14 June 2011, 7–9 pm
Location: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
FREE. No RSVP necessary

Please join us for a lecture and screening by artist Carlos Motta, followed by a discussion with curator Niels Van Tomme.

In his lecture “Amnesia and Repression: A Series of Attempts to Establish a Memory Project of Political Conflict from an Aesthetic Practice,” Motta will discuss his recent video and performance projects Six Acts: An Experiment in Narrative Justice (2010) and Resistance and Repression (2010). In these works, Motta attempts to offer a space for the articulation of memory of political conflicts from an aesthetic perspective. He does so by using the concept of “narrative justice,” a notion of justice detached from the judicial field and focused on narrative and communication as pillars of possible reconciliation. The lecture reflects on unresolved instances of political violence in Colombia and Honduras—instances that unveil a lack of a culture of memory and of social justice.

This event is organized within the framework of Provisions Learning Project’s “Aesthetic Justice” exhibition on view at the Lambent Foundation in New York until 22 June 2011. The exhibition features the works of Alyse Emdur, Rajkamal Kahlon, Carlos Motta, and Larissa Sansour, and can be viewed by appointment, Tuesday to Thursday, 11 am to 4 pm. Email exhibitions@lambentfoundation.org to schedule an appointment.


Sounds GoodJohn Aslanidis@LOCATION1

OPENING RECEPTION:

Tuesday, June 14, 2011 6-8 PM

Featuring visual responses to a collaborative sound piece by artists John Aslanidis, Katy Dove, Phoebe Hui, Sophie Hunter, Miler Lagos, John O’Connell, Gonzalo Puch, and Zane Saunders.



Rob Carter: Artist Talk, Video Screening And Q&A @KIDD YELLIN.

Recess @ Kidd Yellin
133 Imlay Street
Red Hook, Brooklyn

Tuesday, June 14th- Photographer and video artist, Rob Carter, will give an audio visual presentation of his work at the Red Hook outpost of Recess Activities, in collaboration with Kidd Yellin. He will discuss the evolution of his work and screen several animations, including some new unseen projects. (READ MORE.)

 


DIXON PLACE:

The Pinks -AND-Handshake Uppercut

Tuesday, June 14 at 7:30pm
Tickets: $15 / $12 (stu/sen)

Puppet BloK!: Leakey’s Ladies
Wednesday, June 15 at 7:30pm
Drama of Works Tickets: $10 advance; $12 at the door

Award-winning puppet company Drama Of Works premieres their new historically-based full-length puppet theater piece in progress, Leakey’s Ladies. A collaboration with playwrights Crystal Skillman, Rachel Hoeffel and Erin Courtney, Leakey’s Ladies explores the work of female primatology pioneers; Birutė Galdikas, Jane Goodall and Dian Fossey.



Nels Cline
and Marc Ribot @LE POISSON ROUGE.
Wed., June 15, 2011 / 7:30 PM
Nels Cline is one of the most versatile, imaginative and original guitarists active today. Combining breathtaking technique with an informed musical intelligence, the self-taught Cline displays a mastery of guitar expression that encompasses delicate lyricism, sonic abstractions, and skull-crunching flights of fancy, inspiring Jazz Times to call him “The World’s Most Dangerous Guitarist.” Cline has performed on over 100 albums spanning numerous genres. In addition to his latest trio The Nels Cline Singers, formed with drummer Scott Amendola and bassist Devin Hoff, Cline is also the lead guitarist for the critically acclaimed rock band Wilco, which he joined in 2004.Click here to listen to “The Nomad’s Home”
Marc Ribot, who the New York Times describes as “a deceptively articulate artist who uses inarticulateness as an expressive device,” has released 19 albums under his own name over a 25-year career, exploring everything from the pioneering jazz of Albert Ayler to the Cuban son of Arsenio Rodríguez. His latest solo release, Silent Movies(Pi Recording 2010) has been described as a “down-in-mouth-near master piece” by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board.Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985′s Rain Dogs, and since then he’s become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp.” Additional recording credits include Elton John/Leon Russell’s latest The Union, Solomon Burke, John Lurie’s Lounge Lizards, Marianne Faithful, Joe Henry, Allen Toussaint, Medeski Martin & Wood, Caetono Veloso, Susana Baca, Allen Ginsburg, Madeline Peyroux, Nora Jones, Jolie Holland, Akiko Yano, The Black Keys, and many others. Marc works regularly with Grammy® award winning producer T Bone Burnett and NY composer John Zorn. He has also performed on numerous film scores such as “Walk The Line” (Mangold), “The Kids Are All Right,” and “The Departed” (Scorcese).“…he can sit down with just his guitar and simultaneously confound you with technique, beauty, and surprise.” – John Garratt and Will Layman, PopMatters Picks: The Best Music of 2010 for the album “Silent Movies”

LUMEN BENIFIT @Spattered Columns
JUNE 15th

6-9pm
491 Broadway, fifth floor, Manhattan
Come down to Spattered Columns for one heck of a party. Check out a performance by Quinn Dukes McDivitt, and videos by Matthew Sleeth and Sander Houtkruijer. Music by DJ Mountains. Our sponsor BOMB Lager will be there handing out free merchandise ALL NIGHT LONG.
All proceeds from the party go to the participating LUMEN artists and curators. Tickets are pretty cheap, $10 in advance, $15 at the door. Where else does $10 get you food, drinks, art, and cool people??
Get your tix: http://statenislandarts.org/lumen.html


THURSDAY:


CATCH THE MOON IN THE WATER: EMERGING CHINESE ARTISTS @ JAMES COHEN.
June 16 – July 29, 2011

OPENING RECEPTION: Thursday, June 16 from 6-8PM

James Cohan Gallery is pleased to present the group exhibition, Catch the Moon in the Water: Emerging Chinese Artists, running from June 16 through July 29, 2011. Over the past decade, while the West consumed new art from China, a young generation of Chinese artists imagined America as the center of contemporary art discourse. This exhibition showcases a group of young Chinese artists and their thoughts and responses to America as an exotic and remote source of inspiration. (READ MORE.)


Literary Mingle
NYFA offices
20 Jay Street, Suite 740
Brooklyn, NY 11201

Thursday, June 16, 2011
6:30-8:30 p.m.

Please join us on Thursday, June 16 for NYFA’s literary mingle, a gathering of NYFA Fellows in Fiction, Nonfiction, and Poetry, NYFA Fiscally Sponsored Writers, as well as editors, agents, and the rest of New York’s literary community.

Wine and cheese will be served

$5 suggested donation to support NYFA Current, NYFA’s online arts magazine


24/7 @LYONS WEIR.
A group show divided between our 24th Street and 7th Avenue locations.

June 16th – July 16th, 2011
Artists’ Reception: Thursday, June 16th, 6-8pm


Best Coast w/ Those Darlins
A Planned Parenthood of New York City Action Fund Benefit

June 16th, Doors open at 6pm
Bethany Cosentino is a Los Angeles native with a brief stay in Brooklyn, and Best Coast’s influences reflects that: Beach Boys vibe with East Coast 60s girl group such as the Ronnettes and Shangri-Las. Best Coast is brought to life with the help of her long-time friend/guitarist/producer Bobb Bruno and guest drummer Ali Koehler (Vivian Girls). The pair have received heaps of critical praise from editorial publications including Pitchfork, who named their “When I’m With You” single “Best New Music”, New York Times, Spin, Paste, Nylon, Rolling Stone and The Guardian.http://bestycoasty.blogspot.com/

Those Darlins

A Planned Parenthood of New York City Action Fund Benefit
Middle Tennessee’s infamous country punk outfit known for their hooky, saucy songwriting and blistering live performances. They have mouths on them, yes they do. But their mouths are connected to their hearts and minds, and amped by loud guitars.


UGLY ART ROOM PRESENTS:


The Man, The Myth, The Moustache, a solo exhibition of Scott Chasse’s

paintings of Burt Reynold’s at Brouwerij Lane
(78 Greenpoint Ave) a
Beer Store in Greenpoint, Brooklyn. June 11-July 18, 2011
Opening reception: Thursday, June 16, 8-10pm.

Noise Jam, an exhibit at The Gutter Brooklyn (200 No. 14th St), in
which musicians participating in the Northside Music Festival will
submit cell phone photos to explore the accessibility of experiences.
Opening reception: June 16, 2011, 10pm-12am.


The Trachtenburg Family Slideshow Players @ BOWERY ELECTRIC.

Bowery Electric
27 Bowery, at 2nd Street, Manhattan
8p-1a; $8
theboweryelectric.com


BLOOMSDAY @ ULYSSES FOLK HOUSE.
Thursday, June 16 starting at 11:30am

BLOOMSDAY At Brooklyn Lyceum Cafe
Thursday June 16th  8pm

It’s Bloomsday, the 16th of June, in the Brooklyn Lyceum Cafe.  You are very welcome to join our resident Joycean scholar, Emmet Mc Gowan, in a casual celebration of this great day.

Bloomsday, named after the protagonist of James Joyce’s Ulysses, is an annual commemoration of Joyce’s life, and is a beloved Dublin tradition. The day typically involves food, drink, and readings and reenactments of excerpts from Joyce’s 265,000 word epic novel.
Our humble nod to Bloomsday will be a spontaneous evening of recitation and quaffing. We dedicate this evening to The New York Society for the Suppression of Vice, who in 1920 objected to the book’s content and took action to keep the book out of the USA.

Ulysses was banned until 1933.

Bring along a copy if you have one.z

Tickets: This event is FREE.


SUPERCODA Thursday, 6/16. 8-11 A musical sandwich, with a classical septet in the middle @ CAFE ORWELL

1. A new trio by Sean Ali/Carlo Costa/Frantz Loriot
http://www.carlocostamusic.com/
http://www.frantzloriot.com/

2. Achordial Brio – performing new compositions instrumented for oboe, english horn, bassoon, piano, bass clarinet, cello, violin
www.achordialbrio.com

3. Allison Tartalia. Partner in crime of Achordial Brio.
http://www.allisontartalia.com/


PHILIPPE PETIT COMES DOWN TO EARTH FOR THREE NIGHTS @ ABRONS ARTS CENTER.

June 16-18 | 8 pm | $20

Subject of the Academy Award-winning Man On Wire, Philippe Petit comes down to earth for three special evenings to share stories from his life as a creator and performer. WIRELESS! is a 90-minute, one man tour de force that is touching, funny, clever, and extemporaneous. Philippe reveals and demonstrates how he taught himself magic, juggling and the high wire.


Henry Chung, June 16 – July 31, 2011 @RHV FINE ART.

Henry Chung continues his exploration of obsolete technologies as metaphor for the changes and complexities of contemporary life in a series of portraits of computer enhanced images culled from flea markets and garage sales, rendered in computer punch tape. (READ MORE.)


MORE:

ABC Artists’ Books Collective Opens at Printed Matter

The Influencing Machine: Brooke Gladstone on the Media @POWERHOUSE ARENA.

The Chadwicks @Winkleman Gallery.

FRIDAY:

Cooper-Moore & William Parker@ THE STONE.
Cooper-Moore (multiple instruments) William Parker (multiple instruments)


The Books @CELEBRATE BROOKLYN
Friday, June 17 / 7:00pm / gates 6:00pm

With their dizzying folktronica—a mix of innovative instrumentation and songwriting with obscure found sound and speech samples—and perfectly calibrated, hallucinatory quick-cut video collages, THE BOOKS “remain more or less a genre of one… the flotsam and jetsam of American culture aren’t a cheap joke to the Books, but a source of endless discovery and joy.” (Pitchfork) JUNIP, the band that predates Swedish-Argentine singer José González’s solo stardom, conjures an expansive and mesmerizing take on his songs in which “González’s classical guitar and weightless tenor float over soul jazz, Afrobeat, Ethiopian funk and krautrock.” (Rolling Stone) With the “haunting, ethereal, and beautifully melodic” (Paper Magazine) bedroom pop of in-demand pianist and composer Thomas Bartlett’s DOVEMAN. Sponsored locally by Aguayo Realty Group.


An Opening Party for The Corrigan Family Oddments@ OBSERVATORY
An exhibition curated by G. F. Newland
Exhibition Opening Party: Friday, June 17, 7-10pm

Greetings Art fans! In celebration of Father’s Day, the Observatory Things-That-Move Dept. invites you all to take a peek at procreation! In nature, talents can be predisposed, and passed on from generation to generation. Families like the Gentileschis, the Peales, the Bachs, the Wyethes, and most recently, the Kominsky-Crumbs have all made a strong case for this heredity thing; the Bush presidencies, not so much, but hey, it’s a crap shoot! Anyway, our latest show is about a wee dynasty of painters named Corrigan, and through their family oddments, we will examine art, eccentricity, and the vagaries of genetic code.


NORTHSIDE OPEN STUDIOS PARTY @ FOWLER ARTS COLLECTIVE

Fowler Arts Collectiveis pleased to be participating in this summer’s Northside Open Studios event which will be taking place in the Williamsburg/ Greenpoint neighborhoods of Brooklyn from Friday, June 17 to Sunday, June 19. NOS coincides with the L Magazine’s Northside Festival of music, art, film, and ideas.

Please join us for a reception celebrating the launch of Northside Open Studios on Friday, June 17 from 7-11pm. We will also be open during the day Sat. + Sun., June 18 + 19 from 12-6pm for Northside Open Studios.

Fowler Arts Collective, 67 West Street, #216, Brooklyn, NY 11222

Fowler has a nice lounge area to rest your tired feet during the weekend, and we will have maps and information about the participating NOS studios and corresponding events.

Fowler’s 18 artist studios will be open for visitors the entire weekend, and our exhibition, Paint It Now, continues to rock the Fowler gallery.

Fowler studio artists include: Elana Alder, Melissa Dyanne Bartlett, Catherine Behan, Cameron Bishop, C.M. Butzer, Scott Chasse, Jennifer Galatioto, Daniel St. George, Andrew Gordon, Paul Hoppe, Heidi Howard, Aya Kakeda, Deanna Lee, Michael Aaron Lee, Chris Mottalini, Kate Nielsen, Cecelia Post, Krista Quick, Tory Sica, Kim Sielbeck, Hannah Lamar Simmons, Ramon Urenia, James Vanderberg, Jing Wei, and Fletcher Williams.

For more information on our current exhibition, Paint It Now, go here: http://www.fowlerartsbrooklyn.org/paintitnow2011.html


Avant-Garde-Arama: Wrecking Ball @PS122

Performance Space 122′s longest running series kicks it up a few notches for this demolition derby of theatre, dance, music, and video installation as part of the 30th Anniversary RetroFutureSpective Festival.

Join us for hard core performance during what “always ends up exploding into an all-out party.” – Flavorpill

FRIDAY 6/17:
Hosted by Murray Hill
Performances by Salley May, Alien Comic, Tigger!, Janet Clancy, John Kelly, Andrew Schneider, The Factress aka Luc Sexton, The Dazzle Dancers, Julie Atlas Muz, Urban Bushwomen, Joe E Jeffreys, Miss Joan Moosey, Gina Vetro, Jonathan Berger Music by Hank & Cupcakes, Rockman



PearlDamour + Shawn Hall: How to Build a Forest @THE KITCHEN

Friday-Sunday, June 17-19 and 24-26, 2-10pm
Known for transforming narrative into something richer, stranger, and ineluctably feminine, OBIE Award-winning PearlDamour (Katie Pearl and Lisa D’Amour) join forces with New Orleans-based visual artist Shawn Hall for a hybrid project: part visual art installation, part theater performance that unfolds over an extended eight-hour interval. Beginning with an empty stage, PearlDamour, Hall, and a team of performer-workers transforms The Kitchen’s theater from floor to ceiling, constructing and then dismantling an elaborate evolving environment evocative of an old growth forest at one moment and a spectacular deep-sea landscape the next. (READ MORE.)


“GIMME SOME TRUTH : A Return to Form”  ((JUNE 17-JUNE 26)) @InRIVERS.

A collection of new works from emerging voices in contemporary drawing.

Featuring works by:

_LORENE TAUREREWA

_MARCIN SZPRENGIEL

_MAYUKO FUJINO

_DEMETRIO BELENKY

_AILENE de SOUZA HOWELL

_ROBERT PIERSANTI


MORE:

Skink Ink’s Open Exhibition as part of Northside Open Studios

Kaviar Disco Club

Short Cuts(Papercutting Class) w/Beatrice Conron @ CENTER FOR BOOK ARTS.

Friday Night Fireworks @Coney Island.

Hyperallergic: Mail Art Show

SUPERCODA @ CAFE ORWELL: Rhymes with Opera and the West End String Quartet. They will be taking over Cafe Orwell for the Evening. They are an organization that is committed to presenting opera in unexpected spaces. Excellent.

LAST CALL:

JUNE 18th: Out of Sight, Ellen Kooi

JUNE 18th: THE COOPER UNION END OF YEAR SHOW

JUNE 18th: ISABELLA KIRKLAND @FEATURE INC.




PAINT IT NOW Interview at Fowler Arts Collective.

Paint It Now installation in progress

This past Sunday, I took a moment to swing by Fowler Arts Collective in Greenpoint. I had the opportunity to speak with founder Cecelia (aka Lia) Post and Scott Chasse, one of the curators of the upcoming Paint It Now show which will be part of this year’s Northside Open Studios. Paint It Now opens Friday, May 27 from 7 to 10pm with an additional reception for NOS is June. We appreciate them taking the time to chat with us! Read or listen below!

LISTEN TO THE INTERVIEW

The 22 Magazine: First off,  I just wanted to talk to you about how Fowler started. What year did you start?

Lia Post (Founder): It’s only been about a year. I came in July of 2010. So, last Summer. This July will be our official anniversary, but our first show was just in October, so its been about eight months now.

The 22: What show was that [the first show]?

LP: It was called ENTER, it was a big group show with some of my studio artists and some friends from the neighborhood. It coincided with the first Greenpoint Open Studios-oh actually it was the second! …of the Open Studios in Greenpoint and it coincided with a big light festival called [Bright to Light]. It was a good way to start off the space.


Bright to Light: Nuit Blanche in Greenpoint, part of the opening of Fowler Art Collective

The 22: And you came from Philadelphia?

LP: Yes. Originally I’m from South Carolina, and I’ve kind of lived all over the place, but my most recent was Philadelphia. I went to an MFA program at The University of Pennsylvania and moved to New York after that. So I’ve been in New York for about two years now.

The 22: On the blog it said you got laid off and decided to open to a collective. Exactly how did you do that?

LP: Well the first year in New York was really hard. It was in the midst of no one having any jobs, so I was trying to do a lot of freelance work and that’s sort of hard. Finally I was able to get a waitress job and I had that for a few months, got laid off, and I was just like “Oh my God I can’t even keep a regular restaurant job.” So it was kind of out of a sense of the bottom, and having to figure out something to do, and I was really missing the artists community I had in Philly before I came here and knew there was a good artists community in the neighborhood. [So it was] wanting to kind of find a way to connect with that community, [and then] I sort of impulsively [decided] to make this whole thing and got a few friends to help me. It kind of evolved from wanting to have a live/work space with friends and I found all these really interesting huge commercial spaces in Greenpoint, which is really exciting because I live in Greenpoint. So that evolved, and I did the budget and realized I could have a gallery along with studio spaces, if I rented out the studio spaces. I got some friends to help me build the walls and it was good to go. It filled up pretty fast. Scott was actually one of the first artists that came when none of the walls were built and was like, “yeah, I’ll do it, I’ll take a studio. “

The 22: So, are you funded by anyone?

LP: It’s pretty self-sufficient. I put a large investment [in] myself. I got a small business loan and [had some] small savings. Mostly I just had to fund the start-up costs, like the walls. Almost right away it was running itself with the studio spaces. So that’s really good, it worked out well. I’m starting to look into getting funding with indiegogo and I just got fiscally sponsored with Fractured Atlas so that will sort of start helping us in getting some grants and things.

The 22: Great, so this show is Scott and one other curator? [To Scott] So do you want to tell me a little about what this show?

Scott Chasse: Sure, it’s a show that we actually did, Thomas Buildmore and I, two times now in Boston-in 2008 and 2010. [Basically] we’re taking a handful of painters that we either know personally or respect and have been able to connect with, and we’re putting them all in the same room. We’re providing the paint itself, we’re providing the material and we mix it down to a certain viscosity, we try to control that and that’s about it. We just set them loose, they’re able to paint on the walls, react to the space, react to each others work and at the end our goal is to have this giant cohesive painting installation that just takes over the space but is unified by the control of the materials. We explain to the artists up front that we want to see this opaque black directly on the white, the harsh contrast, as opposed to them being able to water it down to gray or mix it with white, or mid-tones, we don’t want any of that we just want harsh black on white.

The 22: So the viscosity, was that for any reason?

SC: It’s A) the look, and B) it’s such a pleasure to work with at this viscosity. We get that feedback from the artists all the time. It’s just so enjoyable to use the paint and it’s actually a specific brand. I’m happy to say Lascaux sponsored this show very generously. They handed us some product and we have always cut it down the same way, since day one. We were actually just buying it for the very first show, out-of-pocket, and we are continuing to develop our relationship [with Lascaux]. It was really nice of them to give us a bunch of paint for this one, and everybody is really enjoying it again.

The 22:  I was reading the statement and it seemed part of what you guys were trying to do was make commentary on the state and style of art, as opposed to personal interpretations and a lot of it looks really pop and street art. Does that just come from your [personal] backgrounds [or connections]?

SC: There is definitely that influence. I don’t think we’re trying to make this at all a reflection of street art, but just painting in general. Street art is just a part of painting these days. We want the show to be taken as a painting exhibit. These are painters, regardless of what their backgrounds are, and there are definitely painters in this show that are very far away from anything having to do with street art but when they are painting on the wall next to someone you might recognize from the street, it’s easy to blur those lines between which is which, and that is definitely a goal of the exhibit. To see how people are reacting to each other in the space as well as how their varied backgrounds just coexist.

The 22:
So more about collaboration than anything?

SC:
Yep, exactly.

The 22:
So the exhibit is only the painting on the wall?

(LEFT: Morgan Anderson from Philadelphia works on
the Paint It Now installation.)

SC: It will be eighty percent painting on the wall and we’re going to hang some of the 2D and 3D work from the artists. Probably eight to ten pieces. We’ve actually saved one wall in the space [for that].

The 22: What are the dates of the show?

SC: It opens on May 27th. The opening reception is 7-10 and it runs through July 6th. And we’re going to have a 2nd party during Northside Open Studios. That is June 17th from 8-10. It will be another artist reception and that’s the Friday night of Open Studios weekend here, so it should be really fun.

The 22: I know most [of your artists] are from Brooklyn, but some of them are from Philly and Boston? Who’s coming from Philly and Boston?

SC: I think we’re at about twenty artists now, there are great people from all towns, I could go through the whole roster but I’d probably space on somebody. [laughs]

The 22: [laughs] Oh that’s fine, I totally understand!

SC: Tom Buildmore is actually based in Philly right now, but I met him in Boston, so that’s probably the connection right there. That’s why we are still dipping into the Boston pool and we’re actively participating in the Philly pool. Tom’s down there right now, he has a great space down there called Stupid Easy. It’s almost like this, just a smaller version. It doesn’t have a whole bunch of studios, it’s just a room they use for a production studio and they use it as a gallery as well. So he’s really connected with the scene in Philly.

The 22: And where did you guys meet?

SC: Boston, MA. At this building, The Distillery, in South Boston where we both had studio space.  And that building [in the main lobby] is where we did the first two Paint It Now shows.

The 22: Are you both painters?

SC: Yes we are.

The 22: So is there anything interesting on the horizon for the space?

Lia Post: Well this show I’ve been really excited about. Scott and Thomas have been planning it for a really long time so its nice it’s finally coming together. So this will be up for most of our summer. Right now I’m not exactly sure what I’m going to do for the next show, but it’s probably going to allow the show to evolve. So I’ll probably sand out some of the pieces and then have a show of studio artists. More of a process based show, so they kind of collaborate in the gallery together, or have a long-term process going on. I think there will be another one of the light shows that we had last October so that will be our anniversary, and I [want] to have a studio [show along with that]. After that I have some friends coming from Philly that were part of my MFA program that are going to come and do a show. Photo based and paper based, I think. It should be really interesting. Then, two Australian artists are going to come and do a really short kind of performance based piece in the fall.

The 22: How many studios do you have now?

LP: There are eighteen built studios. All kind of varying sizes. A lot of people share the larger spaces. I think there are about twenty-five artists working in here now. The spaces range from a hundred square feet to over two hundred square feet.

The 22: And you do photography as well?

LP: Yep, we built this photo wall, so that’s been fun. It’s been kind of slow. I’m a photographer and I don’t even know how I’m going to use it yet but it’s been a nice resource to have.



BLANKNESS IS NOT A VOID @Marc Jancou Contemporary.

(more…)



SCOTT CAMPBELL.
April 7, 2011, 6:00 am
Filed under: EVENTS | Tags: , , , , , , , , , , , , , , , , , , , , , ,

VIEW MORE WORK HERE.

IF YOU ARE ON THE WEST COAST CHECK OUT HIS SHOW AT OHWOW.

OR GET ONE OF HIS AMAZING TATTOOS.




Follow

Get every new post delivered to your Inbox.

Join 479 other followers

%d bloggers like this: