The 22 Magazine


The Week/Weekend: Sept 13-20.

Exhibition / “Harry Smith: String Figures”
300 Nevins St (Cabinet)
20 September – 3 November 2012

Cabinet is pleased to present “Harry Smith: String Figures,” an exhibition drawn from the collection of John Cohen. Organized by painter Terry Winters, the show features twenty-two string figures created by Smith (1923–1991), the legendary artist, filmmaker, and ethnomusicologist.

BROOKLYN BOOK FESTIVAL
Brooklyn Borough Hall and Plaza
SUNDAY, SEPTEMBER 23, 2012, 10am-6pm

On Sunday, September 23, 2012, from 10:00 a.m. – 6:00 p.m., a record 280+ top national and international authors and participants will join bibliophiles, booksellers and literary organizations on 14 stages at Brooklyn Borough Hall (209 Joralemon Street) and Plaza, Columbus Park, St. Francis College, Brooklyn Heights Public Library, Brooklyn Law School, the Brooklyn Historical Society and St. Ann & The Holy Trinity Church for the seventh annual Brooklyn Book Festival.

Michael Chabon @Greenlight
Sep 17 2012 7:30 pm
Greenlight Bookstore

In his first novel in five years, beloved Pulitzer Prize-winning and New York Times best-selling author Michael Chabon provides a kaleidoscopic vision of urban America in transition, as witnessed by two intimately intertwined families in Oakland, California. Telegraph Avenue encompasses race, family, sexuality, gentrification, politics, jazz, funk, comics, kung fu, and a talking parrot, all with dazzling style and deep compassion. Chabon will read from his novel and answer audience questions before signing books.

Date the Time – Molly Dilworth
Reception: September 20, 6-8pm
Recess

On August 17, 2012 Molly Dilworth will begin work on Date the Time, as part of Recess’s signature program, Session. Session invites artists to use Recess’s public space as studio, exhibition venue and grounds for experimentation. For Date the Time, Dilworth will create a series of banners and flags, bearing patterns generated from user-submitted photos. Addressing digital content using traditional folk art techniques, Dilworth will distill issues of labor and consumer rights from unexpected sources.

Wendy White: Pix Vää
Leo Koenig
Opens September 13 6:00 PM – 8:00 PM

In the large-scale “Fotobild” paintings, White continues to conjoin component canvases and then secures commercial storefront awnings above and atop painted canvases. These awnings and armatures, fabricated at a sign shop in Chinatown, feature human-scale snapshots that White has culled from her digital and print archives.

Stealth Reflections
Mighty Tanaka
September 14

Stealth Reflections pulls back the layers of consciousness and exposes the viewer to an awakening of self reflection.  Through his work, Miguel Ovalle seeks to reveal the inner psyche of the human condition through a myriad of interpretations and techniques.  His steadfast approach defines his meticulous attention for detail.

Tessa Farmer & Amon Tobin Control Over Nature
Spencer Brownstone Gallery
September 15 – October 6, 2012

Spencer Brownstone Gallery is pleased to present ‘Control Over Nature’, an exhibition by Tessa Farmer in collaboration with an acoustical installation by Amon Tobin. For her second show at the gallery, Tessa has teamed up with Amon Tobin to mark his September 14th performance at New York City’s Hammerstein Ballroom. With his groundbreaking audio/visual live show ISAM 2.0, the electronic music pioneer joined forces with Farmer for an extraordinary collaborative installation combining his sound design and elements from ‘ISAM’, alongside Farmer’s trademark sculptures (constructed from bits of organic material, such as roots, dead insects and bones). Hovering with a rarefied, jewel-like beauty, Tessa’s tiny spectacles resound with a theurgist exotica: their specimen forms evolve as something alien and futuristic. The collaboration perfectly captures the themes surrounding ‘ISAM’: sensory deprivation, disorienting situationism and the mechanization of natural things.

Wondering Around Wandering
Saturday, September 15, 6:00–11:00pm
983 Dean Street

Join us for the grand opening of Wondering Around Wandering, and don’t miss Pulled: A Catalog of Screenprinting, making its final stop after a year of traveling.


Fishtank Ensemble
/Baby Soda Jazz Band
Jalopy
Sat, Sept 15th

Fishtank Ensemble is a band that offers a unique blend of Gypsy, Balkan, Flamenco, Klezmer and original tunes. The arrangements are always surprising and include instruments from many countries such as violin, accordion, flamenco and gypsy jazz guitar, shamisen, bass, saw and voice./Baby Soda! Developed by hoboes, perfected through science… Baby Soda is on the cutting edge of a new movement loosely known as street jazz; with an eclectic set of influences ranging from New Orleans brass bands, jug music, southern gospel and hot jazz.

Who Gives a Sh*t About Literary Magazines?
Mon Sep 17, 7:00PM
BookCourt

Randy Rosenthal (editor of The Coffin Factory) and panelists Lorin Stein (editor of The Paris Review), Rob Spillman (editor of Tin House), and John Freeman (editor of Granta) discuss the impact of literary magazines in contemporary culture.

Survival
War of Words
Strange Tales of Liaozhai

Kris Bowers & Carson Adjacent
The NY Theremin Society Presents: GOOD Vibrations – Theremin X 4 FT Dorit Chrysler, Michael Evans, Rob Schwimmer and Allison Sniffin
Eleh (US Debut) + Lary 7
PRACTICE! W/ IKEBE SHAKEDOWN + OSEKRE AND THE LUCKY BASTARDS + THE FORTHRIGHTS + TUNDE ADEBIMBE/ OHAL GREITZER/ DAREN HO/ RYAN SAWYER/ C. SPENCER YEH QUINTET
Best American Poetry 2012
My Heart Is An Idiot: FOUND Magazine’s 10th Anniversary Tour!
LIGHT OBJECTS
MECANICA POPULAR
LIGHTNING BOLT
R. SIKORYAK & FRIENDS: CAROUSEL

The Channel
Joseph Keckler + Mac Wellman
ASBA’s 15th Annual International
NYC HONEY FESTIVAL
EatSleepDraw (5 Years)
Chris Watson + Marcus Davidson
AURAL DYSTOPIA
ALESSANDRO PESSOLI: FIRED PEOPLE
REYES & STEEL
Beth Cavener Stichter: Come Undone
Liza LaCroix
Masami Teraoka: Cloisters Inquisition    
Metropolis: Alexis Duque
Richard Estes / New York by Night
BARNEY KULOK: BUILDING
Ralph Humphrey
Assembly 2012
Sunday Paintings for a Rainy Day
Nate Wooley + Mazen Kerbaj
TAKESHI MURATA: SYNTHESIZERS
Crossing the Line 2012
Printed Matter, Inc. presents Contemporary Artists’ Books Conference in conjunction with The NY Art Book Fair
SHABOYGEN BY STEVEN AND WILLIAM LADD
Luisa Rabbia
INNER CIRCLE MUSIC FESTIVAL: PETROS KLAMPANIS TRIO
Wildlife in the Post-Natural Age
Thomas Hirschhorn “Concordia, Concordia”
ANDREA ZITTEL: Fluid Panel State
Alexander Hahn

Allison Evans
Sally Mann: Upon Reflection
POST NATURAL
Occupy Your BFF
Lucie Fontaine : Estate
New York School Artists
Respect Sextet and Loadbang
SIGHTLINES: HELEN SEAR
Opera on Tap: BRIDES ON FIRE!!!
Red Baraat w/ M.A.K.U. SoundSystem
Mount Eerie w/ Loren Connors

LIGHTNESS OF BEING
CARL MAGUIRE, FAR FROM ALMOST ALWAYS
Charles Jarboe   New Paintings
CALEB CAIN MARCUS: PORTRAIT OF ICE
FITZGERALD & STAPLETON: WAGE
Teresita Fernández & Mr.
HAIRY SANDS/SOURCE OF YELLOW
GUYI-GUYI by Pereferia Teatro
DAVE COLE
Miriam (BAM 30th Next Wave Fest)
BEAT FESTIVAL
Andra Ursuta: Aboveground Animation
Trey Speegle: Good Luck With That
THE JOSHUA LIGHT SHOW
Pictures from the Moon: A Symposium on Holograms and Art
MIVOS QUARTET
Nublu 10 Years w/ performances by Wax Poetic, Hess is More, Love Trio and Clark Gayton
Gallow Green

COMING UP:

The Secret City – NEW YORK
Cave Canem at The New School Presents: Natasha Trethaway and Metta Sama
Crossing the Line
Devotchka
The Mountain Goats
Adults in the Dark: Avant-Garde Animation (MAD)



THE WEEK/WEEKEND: August 16-23.

Screening with Director David Cronenberg: “Cosmopolis”
Film Society of Lincoln Center
Friday, August 17th

“Adapted from a Don Delillo novel, Cronenberg’s latest dystopian odyssey boats all three the ingredients for filmic greatness — sex, violence, and Robert Pattinson — in generous portions.” -Chloe Wyma

Tales of Social Activism
Museum of the City of New York
Saturday, August 18 at 2:00 pm

Activist New York includes an astonishing array of documents, historic artifacts, and personal items that transport us to iconic moments when grassroots movements changed the city’s history and culture. But the stories of New York activism are also woven through the lives and memories of countless New Yorkers. Join us for a gatherine during which we invite you to bring along a photograph, or just a story, that tells about your or your family’s involvement in the democratic process of change that occurs when citizens unite for common goals.

What Can You Do?/Remember, Dream v. 2.5
The Stone
Wens, August 22nd

All are invited to be present in Dream Time, listening into the moment, discovering who we are in this moment, within and without, listening, sounding, moving, seriously playing the moment, exploring the moment as a community of listeners/viewers. A sound/video dreamscape which has evolved from Norman’s prior Singing Mask ceremonies, his latest work “Mysterium Magnum,” home videos and recent electronic music by Ezra will accompany us in this journey. As a shared dream, Ezra, Caleb and Norman will explore and guide us into the present moment with sound/movement/Singing Masks as we are all interdependently interconnected within the intricate interwoven depths and delights of Dream Time.

JACOB GARCHIK
Barbes
Wed,  August 22nd

Trombonist and composer has worked with Slavic Soul Party, Lee Konitz and the Kronos Quartet but here he presents elegant and energetic compositions for his lithe trio. “Odd and excellent, taut with paradox” – Ben Ratliff, the New York Times. With Jacob Sacks, piano and Dan Weiss, drums.

Cassie Ramone/Deep Time/Turn to Crime
285 Kent Ave
Thursday, August 16th

Thursday August 16th @ 285 KENT AVE
11:15 || Cassie Ramone w/ Julie K-Holes
10:30 |||| Deep Time ——— formerly known as Yellow Fever
-9:45 |||||| Turn To Crime —- Derek Stanton from Awesome Color
-9:00 |||||||| Weird Rivers
-8:15 |||||||||||| I’m Turning Into

OurGoods:Barter: Theory and Practice
Eyebeam: Art and Technology Center
Saturday, August 18

From myths of haggling savages to accounts of societies run on mutual aid, “barter” occupies a grey area between gift giving and market transactions. In this workshop, participants will experience the theory and practice of barter. Participants will (1) learn about contemporary and historic barter communities, (2) connect with potential barter partners and (3) discuss the problems and possibilities of barter: building trust, negotiating value, communicating clearly, and getting projects done without money. Workshop Facilitator: Caroline Woolard is a co-founder of OurGoods.org and TradeSchool.coop, two barter networks for cultural production. She is currently a Fellow at Eyebeam. cost: bring drinks/food to share, or volunteer to help clean up. You must RSVP to attend: email info@ourgoods.org with your name and the item/service you plan to bring.

Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART
SPR
Saturday, August 18

A night of music & art brought to you by… Chandrikas. Music by Poison Dartz/Robin Vote/Catfox/DJ Bloody Powes/ART, the closing of “Growing the Garden,” a summer art exhibition of mixed media and mixed forms by David Shull.

Pressed And, It is rain in my face, Cuddle Formation
Cameo
Saturday, August 18

Sxip Shirey’s Hour of Charm
Joe’s Pub
Friday, August 17th

A brief history of a word I use allot by Jesse Sheidlower lexicographer and writer of “The F-Word, a detailed history of the word f*ck,” Turntablist/percussionist/producer VAL INC. who pulls beautiful ghosts from a table of machines, very very real, very very human and very very funny New York stories by GREG Walloch and CHRIS WELLS, Fascinating smart songs and live electronic compositions of composer AMY X NEUBERG, beautiful and compelling 4 part vocal music of TREVOR WILSON and ENSEMBLE and a new composition inspired by Ali Farka Touré by SXIP SHIREY performed with Rob C. (special appearance by Leron Peled!)

Sky-Pony/PitchBlak Brass Band
Joe’s Pub
Sunday, August 19th

Pitchblak Brass Band is a ten-piece brass collective comprised of composers, producers, artists, rappers, strivers, hustlers, and superstars. Hailed as NYC’s only hip hop brass band, PitchBlak has been rocking the city since 2010 with their original dance-worthy music, which combines robust horns, Afro-Caribbean beats, soaring jazz solos, and tongue-twisting raps. In addition to performing at notable venues such as 92YTribeca, Southpaw, and a packed headlining performance at Brooklyn Bowl, PitchBlak most recently played to enthusiastic crowds at the NXNE festival in Toronto. Because of each member’s diverse musical background and training, PitchBlak is active in teaching and mentoring young musicians in New York, and prides itself on giving back to the community. For more info, visit www.pitchblakbrassband.com.

“CORIOLANUS” (Shakespeare in the Parking Lot)
Municipal Parking Lot at the corner of Ludlow and Broome Streets, Manhattan
August 2-18

Coriolanus” has been re-envisioned as a modern day “election fable” in the second production of the Drilling Company’s 2012 Shakespeare in the Park(ing) Lot series. This “Coriolanus” is set during an election year, when money can buy power and working class citizens feel threatened by a dwindling patrician class who are seeking to solidify their political power by manipulating political figures. The title character, played by Arash Mokhtar, is a potential leader who is vaunted for his success as a warrior but is completely out of touch with the every day citizen’s experience of hunger and joblessness. 

Popular Culture/Ferns
Cameo
Wed, August 22nd

GEORGE BARBA YIORGI AND THE BYZAN-TONES
Zebulon
Wed, August 22nd

An Illustrated lecture and book signing with Rachel Poliquin, author of The Breathless Zoo and the blog “Ravishing Beasts”
Observatory
Friday, August 17th

In her new book The Breathless Zoo: Taxidermy and the Cultures of Longing, Rachel Poliquin–best known for her blog “Ravishing Beasts”–explores the cultural history and poetic resonance of taxidermy from its rudimentary beginnings in cabinets of wonder to its revival in contemporary art. From hunting trophies to extinct species and kitten weddings to perpetual pets, The Breathless Zoo examines the meaning and matter of preserved animal-things and why anyone would want them to exist, and attempts to get to the heart of taxidermy by answering two fundamental questions: why would anyone want to preserve an animal, and what is this animal-thing now? Animal or object? Animal and object. This is the irresolvable tension that defines all taxidermy. As The Breathless Zoo demonstrates, with taxidermy there are no easy answers.

The Fall of the American Movie Palace
Observatory
Saturday, August 18th

There’s nothing remarkable about a movie theater today, but there used to be. When the great American Movie Palaces opened, they were some of the most lavish, stunning buildings anyone had ever seen. With the birth of the multiplex, theater companies found it harder and harder to keep these buildings open. Some were demolished, some were converted, and some remain to this day. “The Fall of the American Movie Palace” will take you through the history of these magnificent buildings, from their opening in the early 1900s to years after the final curtain.

Presentation Party Night 2 Year Blow Out
The Loom
Sunday, August 18th

Topics this month:
• Aesthetics
• L Train History
• Cider
• Self-Confidence
• History of Riddles
• PPN Past, Present, and Future!

OpenLab
Reverse
Saturday, August 17th

REVERSE invites you to the exhibition of OPEN LAB, the culmination of a month of work at REVERSE SPACE, during which six emerging artists use the 1010 sq ft gallery space and convert it into their own work-stations. The artists: Jin Joo Chae, Scott Fitzgerald, Hudson Lines, Francesca Padron, Gabriel J. Shuldiner, Jeremy Zierau

Microcosm: Sonic Territories
The Stone

Saturday, August 17th

Microcosm is Jonas Braasch’s new project. Expanding from his solo work, Microcosm is — in a nutshell — in a band with Jonas on the soprano saxophone, his alter ego on the Arturia Moog foot pedal, and Caira, an intelligent agent who improvises autonomously with the trio using auditory scene analysis techniques, machine listening, and logic-based reasoning. The agent is currently being developed through support from the National Science Foundation, together with team members Doug Van Nort, Pauline Oliveros, and Selmer Bringsjord. The Microcosm project was conceived to cross traditional boundaries between arts and science, and was conceptualized out of the desire to perform with an inspiring ensemble that can follow and provide musical cues very quickly. The concert will include adaptations from Jonas’ previous works: “Global Reflections”, “Sonic Territories”, and “Quartet for the End of Space”, which were released on Deep Listening and Pogus.

Quay Brothers: On Deciphering the Pharmacist’s Prescription for Lip-Reading Puppets
August 12, 2012–January 7, 2013

The Gay Agenda Plays It Straight
Look at Me Now
Debasement
Painting in the Digital Age

The 7th Annual Jazz Age Lawn Party

COMING UP:

Wondering Around Wandering
Day Joy/Gracie
Gayle Young with Reinhard Reitzenstein
Obscura Society NYC: The Poison Cauldron of the Newtown Creek

 



THE WEEK/WEEKEND: May 31-June 7.
May 31, 2012, 2:50 am
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Three Colorists: curated by Michael Walls — Eozen Agopian, Alan Kleiman, Diane Mayo
Where: Lesley Heller Workspace
When: June 6 – July 6, 2012, Opening Reception: Wednesday, June 6, 6-8pm 

Three Colorists, curated by Michael Walls, highlights the work of three artists who have several things in common: they began their professional life as painters; the oeuvre of each importantly involves the role of color; and the work of each is not only labor intensive, but also revealing of a hard-won mastery of the chosen craft.

LABAPALOOZA! MINI FESTIVAL OF NEW PUPPET THEATER FROM THE LAB
Where: St. Ann’s Warehouse
When: MAY 31-JU­NE 3  

It’s the last show before we move to our new location at 29 Jay Street! What better w­ay to say goodbye to 38 Water Street than with our 14th annual Labapalooza Festival? This year’s line-up of works-in-progress ranges from the traditional to the irreverent, from the ground breaking to the nostalgic, and from delightful to downright punk-rock.

Masterpiece Theater Curated by: Geoffrey Young
Where: Morgan Lehman 
When: May 31  - June 30 

If theatrical is the question, masterpiece is the answer.  Modesty in art is over-rated, as anyone with a Schnabel complex knows, so be prepared for the challenge of ascertaining the significance of what these artists have been cooking up over the past four months.  Yes, each can draw, paint, and employ color to bold effect, but that’s of secondary importance (the least we can expect of an artist).  What drives these artists is Imagination.  Another word for imagination is risk, another word for risk is danger, another word for danger is aesthetics.  And aesthetics, as we know, is for the birds.  But these artists aint tweeting.

Thurston Moore + Bill Nace + Joe McPhee
Where: Roulette
When: May 31, 8pm 

Three pillars of the noise and avant-jazz scene collide : Thurston Moore, singer/songwriter/guitarist for Sonic Youth, teams up with free-noise guitarist Bill Nace and avant-jazz saxophonist Joe McPhee for an evening of mind bending cacophony.

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THE WEEKEND: March 23-25.

EDITOR’S PICKS:

Floating Points: Francisco López
http://www.issueprojectroom.org/2012/02/14/floating-points-francisco-lopez/
03/24/2012-03/25/2012
8pm-

Stephan Moore and ISSUE Project Room have commissioned a new piece by sound artist Francisco López for Moore’s unique multi-channel sound system. Francisco López has worked with a variety of multi-channel systems, both in live performances and sound installations, from constellations of small transducers to Wave Field Synthesis systems with hundreds of speakers, and acoustic spaces ranging from concert halls to galleries to underground water reservoirs. For his new piece, López has worked in residency at ISSUE Project Room to develop a detailed sonic construction resulting from the actual space and multi-channel sound system. It is a true site-specific composition that unfolds with richness and detail as an intense and immersive experience inside a self-contained virtual world of sound.

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THE WEEKEND: MARCH 9-11.
March 8, 2012, 9:57 pm
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EDITOR’S PICKS:

Holi
http://www.festivalofcolors.org/
03/11/2012-03/11/2012
-

Holi is the Hindu festival of colors. It celebrates the coming of spring, fruitful harvests, unity, joy, and a tale from the Bhagavad Gita. In addition to the throwing of colored powder (Holi Gulal) it is traditional to light bonfires in celebration of the miraculous escape that young devotee of the god Vishnu. A demon tried to throw him into a fire, but he escaped without any injuries due to his unshakable devotion. In most areas, Holi lasts about two days. One of Holi’s biggest customs is the loosening strictness of social structures, which normally include age, sex, status, and caste. Holi closes the wide gaps between social classes and brings Hindus together. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. Additionally, Holi lowers the strictness of social norms. No one expects the decorum of normal life; as a result, the atmosphere is filled with excitement and joy.

Hazmat Modine
http://hazmatmodine.com/home.html
03/10/2012-03/10/2012
7pm-10pm

HAZMAT MODINE draws from the rich soil of American music of the 20′s and 30′s through to the 50′s and early 60′s, blending elements of early Blues, Hokum Jugband, Swing, Klezmer, New Orleans R & B, and Jamaican Rocksteady. The band is fronted by two harmonicas which use call and response, harmony, melody, and syncopated interweaving rhythms. The band includes tuba, guitar, and percussion, claviola and Hawaiian steel guitar. The band’s sound reflects musical influences ranging from Avant-garde Jazz to Rockabilly and Western Swing to Middle-Eastern, African, and Hawaiian musical styles.

 

 

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THE WEEK: Dec 5-9.
December 5, 2011, 6:51 pm
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MONDAY:

Photographing the Dead: The History of Postmortem Photography from The Burns Collection and Archive
Postmortem photography, photographing a deceased person, was a common practice in the 19th and early 20th centuries. These photographs, from the beginning of the practice until now, are special mementos that hold deep meaning for mourners through visually “embalming” the dead. Although postmortem photographs make up the largest group of nineteenth-century American genre photographs, until recent years they were largely unseen and unknown. Dr. Burns recognized the importance of this phenomenon in his early collecting when he bought his first postmortem photographs in 1976. Since that time he has amassed the most comprehensive collection of postmortem photography in the world and has curated several exhibits and published three books on the subject: the Sleeping Beauty series. Tonight, Dr. Burns will speak about the practice of postmortem photography from the 19th century until today and share hundreds of images from his collection.

FIRST BOOK BROOKLYN HOLIDAY PARTY & FUNDRAISER
first book–brooklyn is a nonprofit organization dedicated to getting new books to children in need.  join us tonight for their first annual holiday party and fundraiser.

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The Weekend:Dec 2-4.
December 2, 2011, 8:55 pm
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FRIDAY:

TED BROOKLYN:
We’re living in what is commonly referred to as the “Information Age.” With the emergence of social networks, we build new communities by pressing the “Like” and “+1″ buttons and becoming fans. As we become increasingly interconnected with the Brooklyn community in these new ways, we find ourselves grasping for a new common ethos. In other words, we are striving to refine and define “better.” On December 2 at Brooklyn Bowl, we will address these issues with talks from the best and brightest minds of Brooklyn and beyond.

OPERA ON TAP/Roulette Sisters.
Opera is fun. Most people don’t seem to realize how much fun it really is. In order to prove it, Opera on Tap has taken its act to barrooms where they found out that beer on tap enhances the operatic experience. The company is made up of young singers and instrumentalists who relish the direct contact with audiences not inhibited in their reactions by the looming menace of giant chandelier.The Roulette Sisters have been turning heads and stopping traffic since forming in the cold winter of 2003. Noticing that their warm velvet harmonies and spicy hot licks were melting the snow outside, the sisters realized that they had started something not only weather-altering but soul-stirring as well. The sexy sisters play a hip-shaking blend of American country blues, traditional songs, popular tunes and old timey music from the first half of the 20th century. With Mamie Minch: resonator guitar, Meg Reichardt: electric guitar, Megan Burleyson: washboard, Karen Waltuch: viola.

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THE WEEK: August 1-5th.

Mostly Other People Do The Killing @Cornelia.
Monday, August 1, 10:00 PM

Peter Evans, trumpet; Jon Irabagon, saxophone; Moppa Elliot, bass; Kevin Shea, drums.

Students from So Percussion’s Summer Institute (SOSI) play the music of Dan Deacon other surprises@LPR.
Jamie xx (DJ Set) w/ Brenmar (10pm)
special guests Dan Deacon

The art made by Baltimore artist Dan Deacon is about community and how to organize and inspire it. From founding a now well-known art collective (Wham City), to organizing and running an annually sold-out DIY music festival (Whartscape), to conceiving, planning and curating a massive 60 person/30 band tour (Baltimore Round Robin Tour), it’s clear to see that community and bringing people together is the major theme of his work. Bromst is the embodiment of that way of thinking. (READ MORE.)

Group Exhibition @Joshua Liner Gallery

Summer Group Exhibition 2011
August 4 to August 27, 2011

Joshua Liner Gallery is pleased to present the 2011 Summer Group Exhibition showcasing 17 artists, including established gallery regulars and several newcomers to the gallery. The exhibition will feature painting, collage, and drawing, with works by the following artists:

Cameron Gray, Chloe Early, Damon Soule, Dave Kinsey, David Ellis, Evan Hecox, Evelyn Rydz, Greg Lamarche, Herbert Baglione, Oliver Vernon, Pema Rinzin, Ryan McLennan, Shawn Barber, Stephen Powers, Tiffany Bozic, Tomokazu Matsuyama and Tony Curanaj.

xperi-MENTAL Festival 3
August-5, 6, 7

Three days or avant garde and experimental music madness!

Curated by Robert L. Pepper (PAS) and Valerie Kuhne (Prehistoric Horse)

Goodbye Blue Monday
J Train to Kosciusko St

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Round Robin Collective in Residence at A.I.R Gallery
August 5th through August 27th A.I.R Gallery will host Round Robin Collective in Residence at A.I.R Gallery.

Opening Reception: Thursday, August 4th, 6-9pm.
Gallery Hours during this exhibition: Thursday 5:30 – 8:30pm, and Fri – Sun, 11 to 6pm.

Le Squeezebox Cabaret @ Public Assembly: 

A Monthly Night of Accordion-Driven Variety
The first Monday of every month, David F. Slone, Esq. invites you to join him in a celebration of the beauty of the bellows with Brooklyn’s hottest underground accordionists, dancers, strippers, singers, comedians and magicians!

HOSPITAL: EPISODE 3 @ AXIS
Axis Company’s episodic play Hospital, about the interior life of a person in a terminal coma, is something of a signature for the company, which has produced a new installment of the drama nearly every year since 1997. Conceived, written and directed by Randy Sharp (Edgar Oliver’s East 10th Street: Self Portrait with Empty House), the show is a summer downtown phenomenon beloved for its balance of horror, humor, and weirdness. The company will present the 11th production in the series July 8 – August 20.
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Jesse Treece.

FLICKR.
SOCIETY6.

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THE WEEK: June 20-24th.
June 20, 2011, 2:50 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Pre-cinematic technology takes over HERE for a week of contemporary cantastoria, cooked up by puppeteers, artists and craftspeople from across the country. A millennium-old art form is rejuvenated and re-imagined, as performers animate paintings and banners alongside texts, puppets, jokes, songs and stories.

Each unique program features several original shorts on a given theme, and the festival kicks off with a FREE opening celebration, presented by Great Small Works at Pier 1 in Brooklyn Bridge Park, featuring cantastoria and cranky performances by 15 different theater artists and live music by The Greatest Smallest Band. Bring a picnic and the whole family. In case of rain shows will take place in the Tobacco Warehouse Tent on Water Street. (READ MORE.)

Banners & Cranks: Interview with Clare Dolan from here on Vimeo.

BANNERS & CRANKS LINEUP
Click on any program name to buy tickets

June 22 | 7pm
BOOM OR BUST

The Dolly Wagglers
Great Small Works
Peter Schumann
Chinese Theater Works
Possibilitarian Puppet & Mask Theater

June 23 | 7pm
BEGGARS & CHOOSERS

Great Small Works
Mouth of the Wolf
Bread & Puppet
Sam Wilson
Chinese Theater Works

June 24 | 7pm
SLAP & TICKLE

Awareness Theater Co.
Redwing Blackbird Theater
Mouth of the Wolf
Possibilitarian Puppet & Mask Theater
More of Everything

(MORE THIS WEEKEND!)

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JUNE WITH RAS MOSHE AT UNVERSITY OF THE STREETS.

CENTIPEDE
LARRY ROLAND ENSEMBLE
CRISTIAN AMIGO TRIO
SOOTHSAYERS

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Undead Jazzfest 2011 @LE POISSON ROUGE.
Thursday 06.23.11
w/ Satoko Fujii
Marc Ribot
Tarbaby
Marc Ribot’s Ceramic Dog
Escreet / Binney / Krantz / Gilmore
& David Torn Trio w/ Tim Berne and Ches Smith
6:00pm doors | 7:00pm show
$25 Single Day | $35 Two Day | $50 Festival Pass
18+ or accompanied by legal guardian
This is a general admission, standing event.Tickets available here: http://lepoissonrouge.com/events/view/2275http://www.youtube.com/user/SearchAndRestore#p/a/u/0/D-Oo0r2mID8thingNYIN HOUSE is a collection of new musical meditations on the idea of “the home”. The pieces are written with flexibility in mind. With each composer creating a work for one room of the home, each performance is adapted for and inspired by the individuality of each home’s distinct rooms. This allows IN HOUSE to be programmed differently for each home and experienced uniquely by its audience, who can listen to one piece in its entirety, or explore the house freely, hearing how the compositions fit together. (READ MORE.)

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Mi Tigre, My Lover
Naoe Suzuki and Dramahound Productions
@OPEN SOURCE
June 25th – July 9th, 2011
at 306 17th St. (between 5th and 6th Ave), South Slope, Brooklyn

Open Source is proud to announce its first show in our new space. “Mi Tigre, My Lover,” is a multi-media installation by Naoe Suzuki, originated out of a series of Naoe’s paintings, and the related play by Anne Phelan of Dramahound Productions. Phelan’s play, of the same name as Suzuki’s paintings, was inspired by the paintings and uses them as a backdrop for her production. This is the third play at Open Source Gallery by Dramahound Productions and we are very excited to host the fusion of artworks and live theatre by these two talented artists.

Suzuki’s paintings were inspired by the life of Mabel Stark, a renowned female tiger trainer in the early 1900s, the golden age of the circus. During her research, she also came across “The Final Confession of Mabel Stark,” by Robert Hough, a fictional biography based on Mabel Stark’s life. For Suzuki, Hough’s novel provided another interesting layer to the life of the famous female cat tamer. (READ MORE.)

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Photo: Jason Falchook
Sirens & Society: Postmodern Mermaidia
@ OBSERVATORY.
Photo: Jason Falchook

A Screening & Panel Discussion featuring Prof. Amy Herzog, Mica Scalin, Ilise “The Lady Aye” Carter and Bambi the Mermaid
Date: Thursday, July 21st
Time: 8:00 PM
Admission: $5
Presented by Morbid Anatomy
Forget vampires, werewolves, and zombies! All across America–at least according to USA Today’s Carol Memmot, who recently documented the explosion of high-profile books, blogs and movies devoted to modern “mermadia”–mermaids are emerging as “the next big thing.Tonight’s screening and panel discussion will investigate the new wave of mermaid imagery and lifestyle being created by individual artists and the culture industry at large. We will begin with a preview screening of the new documentary “Mermaids of New York,” followed by a panel discussion featuring professor Amy Herzog, filmmakers Mica Scalin and Ilise “The Lady Aye” Carter, and practicing mermaid Bambi the Mermaid. (READ MORE.)

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Old School 122 Benefit
Wednesday, June 22 – Saturday, June 25 beginning at 8PM nightly
A veritable who’s who of NYC performance promises to be on parade for 4 action-packed nights in the style of the original PS122 Benefits.
Luminary MC’s: Julie Atlas-Muz + David White (6/22), DANCENOISE w/ Richard Move + guests (6/23), Lane Czaplinski & Sarah Michelson (6/24), Carmelita Tropicana & surprise guests (6/25). Confirmed performers include:Thurston Moore, John Zorn, Elevator Repair Service, Penny Arcade, David Leslie, Big Art Group, Young Jean Lee’s Theater Company, Charles Moulton, The Wooster Group, David Levine, Deb Margolin, Holly Hughes, Maria Hassabi, Temporary Distortion, Jennifer Miller, Jack Ferver, NTUSA, Neal Medlyn, Penny Arcade, Peter Rose, Praxis, Philippe Quesne, the TEAM, Sally Silvers, Mabou Mines, Tom Murrin, Sarah Maxfield, and many more.
Single Tickets: $30 (READ MORE.)

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WISH YOUR WERE HERE: POSTCARD SHOW
June 22 – July 16, 2011

We cordially invite you to join us on Wednesday, June 22 from 6pm to 8pm for the opening of Wish You Were Here 10. The proceeds from this exhibition of postcard-sized works benefit the A.I.R. Fellowship Program for Emerging and Underrepresented Artists and other programs that serve our mission to advance the status of women in the arts.The exhibit includes affordable works by more than 350 artists including Dotty Attie, Mimi Gross, Christopher Knowles, Joyce Kozloff, Linda Montano, Yoko Ono and Barbara Zucker. Please note the sale of works is first-come, first-served.The pieces are priced at $45 to $120 depending on siz0e. (READ MORE.)

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Altered States @ Foley Gallery


June 23 – July 15

reception:  thursday, june 23, 6 – 8pm 

Foley Galleryis pleased to present Altered States, a group exhibition featuring over 25 contemporary photographers curated by Michael Foley and Patrick Fleischman.Altered States begins to explore both the subtle and significant changes found in the alterations that photographers record in both natural settings and controlled environments.We look forward to presenting this work to you in the coming weeks.  (READ MORE.)


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The KitchenKitchen presents
PearlDamour + Shawn Hall: How to Build a Forest
Wednesday, June 22, 8-10PMThe Friday-Sunday, June 17-19 and 24-26, 2-10pm
FREEA premiere by OBIE-winning PearlDamour (Katie Pearl and Lisa D’Amour) with New Orleans artist Shawn Hall: part visual art installation, part theater performance, over the course of 8 hours, a team of 7 assembles and dismantles an elaborate and impressive continually-evolving forest on stage. Audiences may come at any time as the forest fills The Kitchen. The piece contemplates our relationship with the natural world: how we live in it, rely on it, use it, and use it up.TIX & MORE >>To mark the re-release of his breakout novel American Gods, bestselling author Neil Gaiman discusses his career with Time magazine’s book reviewer and technology writer, Lev Grossman.Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book and Good Omens (with Terry Pratchett); the Sandman series of graphic novels and the story collections Smoke and Mirrors and Fragile Things. He is the winner of numerous literary honors, including the Hugo, Bram Stoker and World Fantasy Awards and the Newbery Medal. href=”http://www.thekitchen.org/event/263/0/1/”>(READ MORE.)

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 CatchCATCH @ ABRONS ART CENTER

TICKETS: $20

The performance that couldn’t be stopped!WITNESS! as the CATCH crew gangs up with video artist Myles Kaneand a ragtag posse of downtown darlings LIVE! for three tremendous evenings of powder-packed performance goodness.CATCH and Kane have dug deep, tunneling into the experimental heart of the Playhouse’s storied early history, uncovering performance fragments and artifacts that, resurrected by this cabal of canny craftspersons, will amaze and astonish even the haughtiest of downtown can’t-be-bothereds. Co-conspirator Kane has rustled up a healthy dose of video-graphic victuals sure to delight all and sundry. (READ MORE.)


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Artist Residencies & Conflict AreasPanel discussions
When:
Friday June 24, 2011 7 – 9pm and Saturday June 25, 12 – 4pm
Where: Goethe-Institut Wyoming Building

Goethe-Institut Wyoming Building
5 East 3rd Street
New York, NY 10003
Free

VLA’s Associate Director, Sergio Muñoz Sarmiento, will be on an arts panel on Friday, June 24th, at the Goethe Institute in New York City. The panel, Artist Residencies & Conflict Areas, organized by Residency Unlimited, engages artists, independent arts organizations, residency programmers, and community initiatives on specific areas and conceptions of conflict. Issues for discussion will include mobility, community outreach, and exchange of knowledge through the broadly-interpreted artist residency model.Sergio will be speaking specifically about the impetus behind and origin of VLAs Art & Law Residency Program, and how it differs from and mirrors past and current artist residencies. (READ MORE.)

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The Super Coda presents a Night of Cello-Centric Sounds.
Friday, 6/24. 8-midnight.
This means every group performing involves a cello. This is how it’s done:

1. Broadcloth. They are Anne Rhodes (vocals), Nathan Bontrager (Cello), Adam Matlock (accordion).

Broadcloth performs improvised music with a nod to various compositional outlets. Using a unique instrumentation of voice, cello and accordion/recorders, the trio plays from notated, graphic, embroidered, and textual scores in addition to completely spontaneous pieces. Without shying away from virtuosity, Broadcloth creates music that reflects the order of composition and the risk of unpredictable musical interactions. Emphasis lies on establishing a holistic sound that favors cooperation over hierarchy.
http://broadclothtrio.com/
Prehistoric Horse.
http://music.kingtone.com/album/prehistoric-horse
Silver Process
http://www.myspace.com/coralielonfat
http://www.chuckbettis.com/

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AT THE STONE:

Roy Nathanson’s Sotto Voce
Roy Campbell’s Akhenaten Ensemble
Sabir Mateen & Matthew Shipp
Mike Pride’s From Bacteria To Boys

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MORE:
PORNO JIM
  

Mark Sultan/Bleeding Knees Club/Daddy Long Legs @TKF.
Miloš, guitar w/ music of Albéniz, Granados, Tárrega, and Domeniconi @ Le Poisson Rouge

NYAA SUMMER EXHIBITION @FLOWER GALLERIES.
PERFORMANCY FORUM XIVAT BOB THE PAVILION  



Hirotaka Suzuki.


Perhaps I am painting the cruelty of contemporary life because it is in opposition to my naïve outlook.  In contrast with the physical features of my paintings, I think I am visualizing my feeling of anxiety in contemporary life.  Though I do not think I am fully aware of the relationship between this cruelty and my anxiety, I represent this unsure feeling as figuratively as possible, and I am trying to figure it out in my painting.  Although there are some prominent aspects of our contemporary world, such as commercialism and materialism, I cannot say who my enemy is.  Some of the threats might involve the art world, however to protest such issues overtly does not suit my personal outlook.We cannot live in a developed society unless depend on its complex social rule.  Following the rules and social values provides us stability.  However, each of us creates exceptions, unstable rules and changeable standards.  These double phases never unite, and I do not think they should be.  I am really interested in these dilemmas and focus on these realities actually.  This ambiguity may be my starting place and the reason I engage cruelty in my artwork.  There does not appear to be a universal justice or evil in the present world.  We need a grayer position in order to stay peaceful.  In other words, I believe the dilemma of today’s morality, which is different from that of yesterday am, surely has helped develop my insight.  Thus, my message cannot be a negation or an affirmation.  My attitude in my artwork is a reflection of what the contemporary world is to me; my painting is my introspective confession.  I believe I am making right artwork.

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I Am A Nerd: Heather Landis Prints @ Society6.
May 31, 2011, 7:00 am
Filed under: ART | Tags: , , , , , , , , , , , , , , , , , , , , , , ,

BUY PRINTS.
WEBSITE.

 

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The Weekend May 20-22.
May 20, 2011, 12:00 am
Filed under: THE WEEK/THE WEEKEND | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,


False Idols:Al Wadzinski Convergent Evolution: Deborah Simon

Reception May 20; 7-9pm

May 19, 2011 through June 19, 2011

NY Studio Gallery is pleased to present Al Wadzinski’s third solo show in New York. Wadzinski’s False Idols refer to the predominantly Judeo-Christian concept of idolatry, the worship of a physical object as a god. Here these carefully assembled icons are comprised of humanity’s abandoned cast-offs, the remnants of our bloated consumer culture now repurposed as inert fetish objects. The centerpiece of the exhibition revolves around a massive golden calf, referencing the Old Testament story, but this god-proxy’s body is a shopping cart filled with gold-painted bones, its undeniably bovine head an amalgam of odd parts ranging from boots to a Christmas tree stand. (READ MORE.)

LZ Project Space is pleased to present Convergent Evolution, a solo sculpture exhibition by Deborah Simon. Inspired by viewers miscatagorization of Simon’s animal sculptures, she began to group together her pieces along those lines – also known as convergent evolution. This exhibit contains both king penguins and northern fur seals, both animals that have arrived at seemingly alike solutions for locomotion despite coming from different and unrelated ancestries. Simon’s animals float between taxidermy, toy, and art object; their life-sized bodies represent hours of meticulous multi- processed work in the form of sewing, molding, and painting of their almost ethereal clay faces. (READ MORE.)

LISTEN TO AN INTERVIEW WITH DEBORAH FOR THE 22! 
 

Hiroshima: Ground Zero 1945 @ICP.

MAY 20–AUGUST 28, 2011
MAP 

After the United States detonated an atomic bomb at Hiroshima on August 6, 1945, the U.S. government restricted the circulation of images of the bomb’s deadly effect. President Truman dispatched some 1,150 military personnel and civilians, including photographers, to record the destruction as part of the United States Strategic Bombing Survey. The goal of the Survey’s Physical Damage Division was to photograph and analyze methodically the impact of the atomic bomb on various building materials surrounding the blast site, the first “Ground Zero.” The haunting, once-classified images of absence and annihilation formed the basis for civil defense architecture in the United States. This exhibition includes approximately 60 contact prints drawn from a unique archive of more than 700 photographs in the collection of the International Center of Photography. The exhibition is organized Erin Barnett, Assistant Curator of Collections. (READ MORE.)

The Super Coda presents: DUCK CALLS AND HALLELUJAHS!

FRIDAY 5/20. 8-midnight.
8 – Duck That! w/Steve Norton/Angela Sawyer/Josh Jefferson.

Ducks are sometimes confused with several types of unrelated water birds with similar forms, such as loons or divers, grebes, gallinules, and coots. The word duck (from Anglo-Saxon duce), meaning the bird, came from the verb “to duck” (from Anglo-Saxon supposed *ducan) meaning “to bend down low as if to get under something” or “to dive”, because of the way many species in the dabbling duck group feed by upending (compare Dutch duiken, German tauchen = “to dive”). Duck That were once seen in the same room as Paul Whiteman, although they’d deny it if asked. Angela Sawyer, electronics and game calls, etc… Josh Jefferson, reeds and game calls, etc… Steve Norton, reeds and game calls, etc…

Then Starting at 9, The Super Coda welcomes Yva Lass Vegass, Tooth and Wail, and The Molasses Gospel! They are all touring together. Come Support!

http://www.reverbnation.com/themolassesgospel
https://www.facebook.com/toothandwail

DONATE TO SUPER CODA SOUNDPROOFING ON KICKSTARTER!

22 VOL 1 CONTRIBUTOR JOHN JENNISON @ GREENPOINT GALLERY SALON SHOW
MAP 

The 22 Magazine contributer John Jennison will have work this Friday, May 20th at Greenpoint Gallery’s Spring Juried Show.

http://www.facebook.com/event.php?eid=101072903317023

http://www.thegreenpointgallery.com/

http://www.the22magazine.com/Pages/johnjennison.html

MEET THE FILMMAKERS OF LOST BOHEMIA

Filmmakers in person Fri-Sat at 7:00pm!
Movie Screenings:
Fri, May 20 at:
3:20 PM, 5:15 PM, 7:00 PM, 8:50 PM, 10:35 PM
Sat, May 21 at:
 
3:20 PM5:15 PM7:00 PM8:50 PM,10:35 PM

For over a century, Carnegie Hall rented affordable studios to residents like Marlon Brando, Paddy Chayefsky and Isadora Duncan. As a privileged tenant himself, director Astor began to record his neighbors, witnesses to decades of artistic history. But when the landlord served everyone with eviction notices for a conversion to offices, his project became a chronicle of the battle to save the apartments and their rich heritage. (READ MORE.)

Cortlandt Hull with figure of his great uncle, Henry Hull, "The Werewolf Of London"

The Witch’s Dungeon
Cortlandt Hull with figure of his great uncle, Henry Hull, “The Werewolf Of London”

An illustrated lecture and show and tell with collector, artist, and proprietor of “The Witch’s Dungeon” Cortlandt Hull
Date: Friday, May 20th
Time: 8:00 PM
Admission: $5
Part of 
Out of the Cabinet: Tales of Strange Objects and the People Who Love Them,presented by Morbid Anatomy and Evan Michelson

Friday, May 20th may be a dark and stormy night. Brave souls normally catch the coach at midnight from the Borgo Pass to access the lawless and far off lands of Bristol, CT, spoken about in hushed tones as the home of the Witch’s Dungeon. But on this rare occasion the stars have aligned and like the Baba Yaga’s chicken-footed cabin, the Witch’s Dungeon is coming to Observatory! (READ MORE.)

The Believer Presents QNA: The Art of the Interview
Celeste Bartos Forum, Saturday May 21, 1:00-3:00 pm. Free.

QNA: A ROUNDTABLE DISCUSSION ON THE ART OF THE INTERVIEW

http://facebook.com/event.php?eid=120307598051270

  

As part of the New York Public Library’s centenary celebration weekend, the Believermagazine will host “QNA: A Roundtable Discussion on the Art of the Interview,” featuring:

  • DICK CAVETT, legendary host of The Dick Cavett Show, which aired on ABC from 1968 to 1975 and on public television from 1977 to 1982, and author, most recently, of Talk Show: Confrontations, Pointed Commentary, and Off-Screen Secrets.
  • CLAUDIA DREIFUS, interviewer for the “Conversation with…” column in the Tuesday science section of the New York Times, former Playboy interviewer, and author of two books of interviews. She’s known for her unusual Q-and-A’s with heads of state, Nobel Prize winners, and quirky engineers. She was called by Dan Rather “one of the world’s great interviewers.” Her latest publication, with Andrew Hacker, is Higher Education?   
  • KENNETH GOLDSMITH, editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, and author of the underground classic Soliloquy, an unedited, 487-page transcript of every word, um, and yeah that came from his mouth during one week of his life.
  • LORIN STEIN, new editor of The Paris Review, the beloved source for some of the most in-depth interviews with writers published in the English language since the 1950s, collected in editions such as Writers At Work and The Paris Review Interviews series, he’s also the translator of Gregoire Bouillier’s The Mystery Guest.

There will be a short reading of a self-interview by the author and Saturday Night Live writer SIMON RICH, to be performed by actor PAULO COSTANZO, (of Royal Pains) followed by a presentation of playwright Darren O’Donnell’s relational theater piece, Q+A, in which the audience becomes both the interviewer and interviewee.

The event will be hosted by Believer interviews editors Sheila Heti and Ross Simonini.

This event is free but reservations are recommended. To reserve your spot via ShowClix, visit http://www.showclix.com/event/33344 or call 1.888.71.TICKETS.

More info: http://tinyurl.com/blvr-nypl-qna

UNDER DESTRUCTION II: Jimmie Durham, Martin Kersels, Michael Landy, Liz Larner, Christian Marclay, Ariel Orozco, Arcangelo Sassolino, Roman Signer, and Johannes Vogl @ Swiss Institute.

 

May 18 – June 19 2011

Part two is more oriented toward cyclical issues of consumption and spectacle. It can be seen as the crescendo of the exhibition. Here, destruction assumes the more aggressive and dramatic character one might normally associate with it.

Among the works that more directly engage the question of consumption can be found Johannes Vogl’s absurd, homemade contraption Untitled (Machine To Produce Jam Breads, 2007) which produces pieces of bread with jam on them and thus addresses questions of overproduction and consequently waste. (READ MORE.)

Andrew Schoultz: Unrest
May 19 – July 1, 2011
MAP 

Morgan Lehman Gallery is pleased to present, UNREST, a solo exhibition of new works by Andrew Schoultz. This is the artist’s third show with Morgan Lehman Gallery.

Andrew Schoultz’s UNREST stems from the artist’s continuing interest in issues of global turmoil and societal angst. The wars in Iraq and Afghanistan, The Japanese Earthquakes and the BP oil spill all fuel this new body of work. Rather than depict literal narratives of these events, Schoultz captures their essence using an ever-expanding arsenal of pictorial symbols. Billowing clouds of smoke create an “all-over” surface reminiscent of abstract expressionism and Op-art. These stylized clouds both unify the composition and veil the reality of the horrors depicted in the background. The obscuring impact that these clouds has on the images they hide may indicate the frustration Schoultz has with the partisan and misleading journalism the press has in disseminating information to the public. Other oft-repeated symbols include crumbling and exploding brick structures and monuments, the rearing horse, the all-seeing Masonic eye, and a lit candle set against green, yellow and red camouflaged backgrounds. The lit candle – a universal sign of hope and optimism-suggests that even in uncertain times the human spirit is nothing if not optimistic. These recurring symbols function as visual cues for a loose narrative the artist has constructed through previous bodies of work. Out of this narrative, Schoultz forms an historical construct that melds contemporary calamitous events with the broad sweep of Western civilization. (READ MORE.)

Nicholas Kashian
DEAN PROJECT

May 19 – June 25
solo-exhibition
MAP

I am essentially driven by libidinal and anti-normative desires, coupled with sensitive and concerted attention to materials and to the mechanisms of visual perception. The objects I create both resonate with heroic and cynical strains of object making and seek to undermine these very strains with humility and sincerity.

Each work or series of works is created as a compulsive reaction to the burn of being alive and the spilling over of emotions that accompany the dogged difficulty of managing life. I intend to create visual signs or experiences that approximate the shocks and waves of living.



David Levinthal: Black Again
May 19th to July 2nd

John McWhinnie at Glenn Horowitz Bookseller is pleased to announce our next exhibition, David Levinthal: Black Again. The show opens with a reception on May 19th, from 6-8pm, and runs through July 2nd, 2011. The exhibition is drawn from David Levinthal’s project Blackface, dating from 1995-1998, featuring blackface Polaroids and the original memorabilia, drawn from the artist’s personal collection, that are the Polaroid’s subject matter.

Levinthal’s collecting of black memorabilia evolved into Blackface, a stimulating and controversial body of work. The title, according to Levinthal, “makes reference to the many facades, poise and physicality of these figures.” The title is also taken from the name of a journal of a black film-making company and is a term referring to both blacks and whites. Traditionally associated with minstrelsy, these images were used to perpetuate negative stereotypes. Levinthal’s work was originally intended to be exhibited at Philadelphia’s ICA in 1997. However, the show was cancelled when it became a cause célèbre as a result of its controversial subject-matter. Subsequently, images from the series were exhibited at the International Center of Photography and at Janet Borden, Inc. in New York. This is the first time that the artist has exhibited this body of work with the original figurines and advertising that inspired the portraits. (READ MORE.)

Hazmat Modine & Guests Celebrate The Release Of Cicada (Barbes Records) @ LE POISSON ROUGE
w/ special opening guest: Rachelle Garniez
Sat., May 21, 2011 / 6:30 PM
(READ MORE)

Destroy All Monsters
Sunday, May 22, 2011
12:00 PM to 4:00 PMVideo screening in the first-floor Main Gallery and  3pm book signingwith Cary Loren.In conjunction with the new publication, Destroy All Monsters Magazine 1976-1979, published by Primary Information, MoMA PS1 and D.A.P./Distributed Art Publishers present a day-long screening of Shake a Lizard Tail, or Rust Belt Rump, a film created by the band for their 1996 Japanese tour. The film is a collage of horror exploitation videos, Detroit “Dance City” techno dancers, and late night WGPR television commercials of the 1980s. The commercials feature local Detroit landmarks such as Miley and Miley’s Shrimp Shack, the Club Watts Mozambique ladies club, and various funeral homes.

In 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges, Michael Davis of the MC5 and the Miller brothers of Mission of Burma). (READ MORE.)




Gamelan Dharma Swara w/ Momenta Quartet and Shahzad Ismaily
Sun., May 22, 2011 / 7:00 PM
Gamelan Dharma Swara
 is dedicated to the study, performance and creation of traditional and new works for Balinese gamelan. Through performance and education, we bring Balinese gamelan to the widest audience and participant base possible, and we endeavor to perform with spirit, dedication and gratitude. We are a coalition of master Balinese artists and leading American composers, musicians and dancers. In residence at the Indonesian Consulate in New York, Dharma Swara regularly performs for a wide and multicultural audience in the greater New York City area. We have collaborated with Indonesiaʼs leading artists and have performed in the areaʼs top venues including: Lincoln Center, Asia Society, Japan Society, New York Philharmonic, the Met, Brooklyn Museum, Symphony Space, LaMama, and Columbia, Princeton, NYU and Yale universities. In 2010 the ensemble was invited to perform as the first non-Balinese group in the annual gong kebyar competitions at the Bali Arts Festival. (READ MORE.)
Click here to see an article on Gamelan Dharma Swara from the NYTimes

_tastycake

A green art workshop with artist and Hollow Earth Society co-founder Ethan Gould
Date: Sunday, May 22
Time: 2:00 PM – 4:00 PM
Admission: $15
Presented by the Hollow Earth Society
Part one of a four-part series

Post-apocalyptic arts & crafts survival skills workshops, you say!?  That’s right:  Creative-making for the improvisational, post-industrial future (and present).  When the apocalypse comes, these definitely won’t be the first things you’ll need to know… but they’ll be on the list! In this workshop series, learn how to make beautiful objects you’ll actually use out of materials that would otherwise go to waste. (READ MORE.)

MORE:

3rd Ward’s Annual Birthday BBQ!
SUCKLING PIGS and OLD FASHIONEDS W/EGG AND DART CLUB

with two suckling pigs and assorted accoutrements by Sam Sherman and John Dawson (applewood, Blue Smoke) and variations on the Old Fashioned cocktail paired by Justin Lane Briggs (applewood, barbes, James, Marie Belle) plus a bit of live music from Quince Marcum and local beers for cheap! from 4pm – 10pm just $10 a head. (15 Vanderbilt Ave, Brooklyn)
SPECIAL FUNDRAISER FOR CRITICAL RESISTANCE AND THE BRECHT FORUM
Some 40 years after uprisings at Attica and her own arrest, Angela Davis comes to Riverside Church in Harlem to build bridges around issues of austerity, prisons and global resistance. She will be joined in conversation by leading intellectual activists Ruthie Gilmore and Vijay Prashad. (READ MORE.)
A Conference of Works: MODE, METHOD, MEDIUM @ UNIVERSITY OF THE STREETS
GIGANTIC MAGAZINE INDOORS LAUNCH PARTY AT 285 KENT
Rally to Save Our Seaport
The ships, collection and galleries of the Seaport Museum New York are a valuable and irreplaceable part of our proud maritime heritage as well as a unique educational opportunity for New York City’s youth. They are at now serious risk of being lost, dispersed or destroyed. The museum galleries have been closed since March. The 2011 seasons of the museum’s working vessels have been cancelled. We need your help to ensure these historic resources are protected and continue to be available to the public in New York City. (READ MORE.)






THE WEEKEND May 13-14.

MakerBot Make-A-Thon // Experience Cutting-Edge Rapid Prototyping

MakerBot Make-A-Thon
Saturday, May 14th, 2:00 – 6:00 pm
195 Morgan Avenue, Brooklyn NY
FREE

The MakerBot Thing-O-Matic is 1) a modern manufacturing breakthrough, and 2) also a lot of fun.

The 3rd Ward MakerBot Make-A-Thon is your chance to see these tiny factories in action, print awesome 3D objects and even a 3D portrait of yourself.

MakerBot Artist-in-Residence Kyle McDonald will be presenting his work turning the Xbox Kinect into a 3D Scanner.  He will scan you in his 3D Photo Booth, then print you using the MakerBot.

The Makerbot prints anything up to 4”x5”x5” with ABS and PLA (biodegradable) plastic. All you do is hit print, and the machine does all the work. Print 100 butterflies, an entire chess set — anything! And see a 9 foot-wide geodesic dome, printed entirely on the MakerBot.

Learn more about the MakerBot and the 3rd Ward Make-A-Thon in The New York Times here.

Plus, win prizes from MakerBotApress Books, and MAKE Magazine!

RSVPs are required at http://www.3rdward.com/rsvp

MakerBot Industries was named one of the top 20 startups in NYC, and has been featured in The New York Times, Wired, Make: Magazine, The Wall Street Journal, IEEE Spectrum, CNN, Financial Times, NPR, The Economist and others. For more information on MakerBot, click here and see photos of the MakerBot Thing-O-Matic here.

Learn more about Kyle McDonald’s Xbox Kinect hack in this 3rd Ward blog post.


BYE BYE KITTY @JAPAN SOCIETY. Between Heaven and Hell in Contemporary Japanese Art
Friday, March 18 — Sunday, June 12

Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future.

Buy the Catalog
Admission & Gallery Hours


MY W. B. YEATS

Timothy Donnelly, Philip Levine, and Rosanna Warren, with Eamon Grennan

Saturday, May 14, 2:30pm
MAP

An event curated by noted Irish poet Eamon Grennan, with American poets reading and responding to Yeats’ work and exploring the influence of this literary giant on their own poetry.

Co-sponsored by Culture Ireland, the Dorothy and Lewis B. Cullman Center at Lincoln Center, and the New York Public Library for the Performing Arts.

Admission is free.

Bruno Walter Auditorium
111 Amsterdam Avenue and 65th Street


THE BLACK LIGHT LOUNGE@ SECRET PROJECT ROBOT.

Saturday, May 14 8-11pm.
How awesome would it be to walk into a room filled salon style with black light posters and art!?  This Spring Secret Project Robot creates the long awaited fluorescent opulence.  Over 30 artists participate to transform the gallery into a black light cocktail lounge.
DIRECTIONS.

THE ART OF MONEY: PERSONAL FINANCE RESOURCES FOR ARTISTS
WEBSITE

Join the Department of Cultural Affairs, Bedford Stuyvesant Restoration Corporation, and Department of Consumer Affairs Office of Financial Empowerment for a day of FREE financial counseling sessions and workshops designed to help working artists, arts administrators, and independent workers reduce debt and manage credit.

SATURDAY, MAY 14, 2011
Information Fair, Workshops and Counseling Sessions 12 PM – 5 PM
Post Event Reception 5 PM – 7 PM
Bedford Stuyvesant Restoration Corporation | 1368 Fulton Street, Brooklyn, NY 11216

OPENING REMARKS BY
Kate D. LevinCommissioner, New York City Department of Cultural Affairs
Marty MarkowitzBrooklyn Borough President
Jimmy Van BramerNew York City Council Member and Chair of the Committee on Cultural Affairs, Libraries & International Intergroup Relations
Domenic M. Recchia, Jr., New York City Council Member and Chair of the Finance Committee
Colvin GrannumPresident, Bedford Stuyvesant Restoration Corporation
Danny SimmonsChair of New York State Council on the Arts and Artist



Love Your Library Day!

Saturday, May 14, 10 AM – 3 PM
Central Library, 10 Grand Army Plaza

As Brooklyn Public Library (BPL) faces a city budget cut that could reduce library hours, materials and free programs, we need your support!

Show your elected officials how much you love BPL by coming to this important, fun event on Central Library’s Plaza.

10 AM – 3 PM: Book, T-shirt and tote bag sale
10 AM – 12 PM: Performance by BPL’s own Lost in the Stacks
12 – 1 PM: Advocacy rally
1 PM: Performance by Vo-Duo, a group inspired by the vodou music traditions of Haiti

You can also use our computers to email your elected officials to say NO to budget cuts and remind them how much your library means to you.

Suggested donation for the event is $5. This donation, as well as proceeds from book, T-shirt and tote bag sales, will help purchase new library materials.


CROSSING ART GALLERY
Saturday, May 14 from 6 to 9 PM

136-17 39th Avenue
Flushing, NY 11354

QMAD, Queens Media Arts Development, in partnership with Crossing Art Gallery, presents the First Annual Performance Art Festival of Queens featuring new works by local, national and international performance artists.  This year’s program, ITINERANT, focuses on works that treat notions of displacement, delivery, and transformation.  Participating artists use performance narratives and actions that evoke immediacy and intimacy to bridge the gap of communication and distance. (READ MORE.)


Shadow-stalkers and Resurrected Chickens:
Animals on the Road to Paradise

Saturday, May 14 at 7 pm
$5 admission
MAP

Stories about the journey to paradise, in religious and literary traditions, feature animals as both obstacles and allies.
In Seamus Heaney’s translation of Beowulf, Grendel is the “shadow-stalker” the hero must slay
to prove himself and attain an earthly paradise; on the medieval pilgrimage trail to Santiago de Compostela, Spain,
there is still an ornate chicken coop housing a pure white rooster and hen in the cathedral in one town
to commemorate a pilgrim’s miraculous escape from disaster.

What beasts block our roads or assist us on the way?

Rev. Craig Townsend presents an evening of tales, images, and soundscape evoking and exploring
the human-animal interactions that illuminate both the journey and its goal.  

Craig Townsend is an Episcopal priest serving as Vicar at St. James’ Church on the Upper East Side of Manhattan.
He has a Ph.D. from Harvard that, while focused on American religious history, also entailed
the study of the world’s major religious traditions.

Please visit the Proteus Gowanus website for more news and information about upcoming events.

SXIP SHIREY’s B-DAY at Joe’s Pub.
Saturday, May 14 at 9 pm
MAP

It’s my birthday next month and as a present to myself I’m doing a big “solo show” at Joe’s Pub with some of my very favorite NYC artists who I haven’t had a chance to perform with much or at all. (Aside from Adam but…he’s ADAM) Adam Matta, Ned Rothenberg, Terry Dame, Rachelle Garniez, Racheal Price, Sonny Singh and Xavier.

I will be presenting an expanded version of the Sxipenspiel. I also have a new device called a gravity marble tree…and a perfect Sam Cook styled R & B tune to be sung by Xaxier. I am going to do “Ring My Bell with Rachel Price and I’ll be performing an improv piece with the amazing Ned Rothenberg. PLUS I do a rendition of a composition by Shelley Segal.Very exited to announce that Mathias Kunzli will be the percussionist for the evening.


A brief interview with Sxip about the show and participants:

THE 22: Variations and experiments in breath seem to play a large role in both yours and Ned’s work. Besides the fact that you both play reed instruments do you feel you push the boundaries of the human body as a musical tool?

SXIP SHIREY: I don’t think I am pushing the boundaries of the human body honestly. Back in my 20s when I wanted to be a punk Michael Hedges I ended up with tendinitis for two years. The first time Ned saw me play he commented on how tense I held my body when I played. He plays with such a focused relaxed quality and puts the intensity just in music. He circular breaths beautifully, which is pushing the body in a sense, but really what is great about him is the calm control of tones that are ever evolving and unwieldy. My playing is definitely a product directly of what my body is doing. Modern dancers sense this and they love my performance, but I don’t think I’m pushing the body, I am pushing the instrument. Oh shit..I just reread the question. I see what you are asking now. I didn’t think of breath as pushing the boundaries of the human body as a musical tool, I just did it. Breath is a rhythm we all understand deeply, it is the most intimate rhythm we make that we can easily hear (unlike a heart beat), there is incredible power in making this intimate sound epic. I am ever creating a palette of compelling of sounds that that I can draw from to take me and the audience to effective places.

THE 22: What are you thoughts on the traditions in music versus the basic elemental pleasure of sound? Is either more important?

SXIP SHIREY: I am finding this question hard to answer. It’s not that either is important or not important. It’s just not the issue. I make sound and music because I have to. It’s what I have to do, sometimes it’s a song with guitar, sometimes it’s playing folks songs, sometimes it’s rolling marbles in glass bowls, sometimes it’s tweaking virtual synths on the computer. It’s all the same to me.

THE 22: What about each of these musician’s appeal to you in collaboration and why did you chose to share this birthday celebration with them?

SXIP SHIREY:They are musicians who have an immediately strong seductive presence the moment they play or sing. They are people I simply like hearing and will go out to hear when I am in NYC. I thought it would be great to actually play with them. Most of them are not my normal collaborators.

THE 22: Can you tell us a little about the SxipenspieI and gravity marble tree?

SXIP SHIREY: The Sxipenspiel is perhaps my favorite birthday gift of all time. I was on tour with Amanda Palmer and Jason Webely’s Evelyn Evelyn tour and my birthday fell on a day we were in Berlin. Amanda and Neil went to a flea market in Berlin and bought these great bicycle bells that do a trilling long tone. They mounted them on a candlestick with a bent copper pipe at the top and dubbed it “The Sxipenspiel”. It’s a totally awkward instrument that sounds somehow amazing. I’ve learned to play it gracefully and I play it a lot. There is something magical sounding about it.

Bells historically are used to give us directions. “it’s time to go to church” “come to the door I am here” ” the egg is done cooking”. There is certain power to use them as a compositional element because their sound stimulates those parts of the brain.

Also check out the WSJ article.

THE 22 MAGAZINE PRESENTS: The Three Furies, Writing with a Vengeance

Sunday, May 15—5:00pm
A Gathering of the Tribes
285 East Third Street (between Ave C & D) #2
(212) 674-3778
A GATHERING OF THE TRIBES
THE 22 MAGAZINE
MAP

Known as “the Angry Ones” in Greek myth, the Furies were a trio of vengeful women born from the blood drops of the castrated appendage of Uranus (whose Titan son, Cronus, did him a dirty turn). They were psychological tormentors, the personification of vindictiveness and retribution. In art they were represented as winged creatures wearing nothing but snakes. In this reading by emerging writers Jamey Bradbury, Ansel Elkins, and Thera Webb—recent graduates of the MFA program in creative writing at University of North Carolina-Greensboro—they will forego niceties and read from an unforgiving selection of their latest work. If you’re bored with bucolic love poems, or have recently be wronged by a paramour, this Gathering of the Tribes is the place to savor the sweet taste of revenge.

Ansel Elkins

has poems appearing this spring in Boston Review, Mississippi Review, Ninth Letter, The American Scholar, The Believer and The Southern Review. She is one of four winners of the 2011 “Discovery”/Boston Review poetry prize. She lives in North Carolina.

Jamey Bradbury

has appeared in Black Warrior Review and is forthcoming in Zone 3. She is a literary assistant in Vermont, and is working on her first novel and a collection of short stories.

Thera Webb

is a radical feminist and resident of Brooklyn. She received her MFA in poetry from UNC Greensboro, and has had work in Fiction (JP) and Forklift, Ohio. Her chapbook, On The Shoulders of the Bear, was released this fall from Fractious Press. 




Torben Giehler/ALI SMITH/Road Trip/Jakob Kolding/DREAMWEAPON/Zap/PAF/Posters of Fortune/Society
May 12, 2011, 3:39 pm
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Torben GiehlerLateralus
Leo Koenig Inc
May 12 – June 18, 2011Opens May 12 6:00 PM – 8:00 PM

Leo Koenig Inc. is pleased to announce the fifth solo exhibition of new paintings by Torben Giehler. Giehler is known for his geometric abstractions, influenced by futuristic universes, and finished with mathematical precision. In a departure from the vibrant color palette and electrified vortex of his previous paintings, these new works extend a zen-like calm, alchemically fusing the synapses of the human brain to the grids and networks of digitized technology. (READ MORE.)

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