Filed under: ART, DESIGN | Tags: 2001, 22, aren't, brooklyn, docklab, falling, fiji's, HERE, islands, magazine, MIR, new, ruins, russian, space, station, the, york
This is part of a series of events called “RUINS Aren’t HERE”, in particular, the title of this event is: “Falling MIR” (dedicated to the old Russian space station), it fell down in the Fiji Islands’s sea in 2001, after 15 years of flying near to stars.
In 2006, after working with various local firms, Massimiliano and Emanuele Ercolani Bros. decide to open a laboratory devoted to creativity. Architecture, design, graphic design and architectural research, these are the main areas, but in our laboratory we create music, events, magazines, etc.. In all these areas we trying to trace the route with a precise goal: quality. The study is currently in Civitavecchia (Rome), Via Aurelia Sud, near to the port “Riva di Traiano.”
Filed under: THE WEEK/THE WEEKEND | Tags: 1970 ASK, 1L, 2002 A, 2011, 2011 Roy, 2011 Steve, 2FIK, 2FIK 2FIK, a, ABRONS, Agency, Alan’s, almost, and, and HERMAPHRODITE, andrew, are, arias, art, Art The, Artist’s, as, Assembly, at, avant, Awai, BALLROOM Art, Barney, Becker, bell, benefit, Berg, BervinGridspace, block, book, Boone, Breukelen, brian, brink, BROADCAST, brooklyn, BROOKLYN SCULPTURALTEXTSIGNITION, BWAC, by, BYUN, cage, cave, center, chong, circa, CIRCUS CHAOS MANOR, Comedy, CON, CONFESSION, crossing, CTSQ, curated, Dalachinsky, dean, Dershowitz, Detroit, DI, DILLON, directed, Disassembled, DJED, Donizetti’s, drawings, edward, Eliazarov, Emergency, Emilie, Entablatures, EPIGRAPHS, eric, eugene, Everyone’s, exhibition, EXPERTS, Exploration, Fair on, FAIRE, fall, family, FEEDFEED Nicole, Fest Jen, festival, FESTIVAL OPERA, FIAF’S, film, for, forum, Frasconi, FREE, Front, gallery, Gallery Nick, GALLERY TASTE, garde, Gershwin, GON, gowanus, Gowanus Two, GRAPHEMES, Grid, group, GROWS, Hakimi, halpern, Harmonica, Hello, Hey, horton, Hotel IMAGINE, HOTELMOTEL, House Amoralists, HufnagelVaudeville, in, indie, installation, Jane, john, jones, Kenzo, kevin, kitchen, KONTRABAND BARBES PAINT, LAMMERMOOR Tamara, Landing Science, LAYER, Lichtenstein, LIE, line, live, living, LUCIA, Lukoil, make, making, mary, Matters, McKean, MCNY, michael, Miguel, Milavec, Millien, Minami Con, Mirman, Moore Aliza, MORT, Mothership, MOUNT, music, Myers, Natsu, neighborhood, NEITHER, new, night, NINE, Nocturnal, NOR, Nostalgia Matthew, not, now, objects, of, OF WFMU’S, offbroadway, One–person, Opera, or, Page MAKER, panorama, PARADISE BARBES BROOKLYN, park, party, PARTY Munemi, Patriotism, performs, PETITE, photographs, presents, ProIsrael, project, Proposals, proteus, public, QAM, queer, reading, Rebekah, RECOLLECTIONS, restaurant, RIVERS LJOVA, saul, science, Selznick, Series MIGRATION, show, show FiveMyles “We, silent, Skateboards JAMES, solo, sounds, spectacle, states, station, stone, street, Sustain ANDREW, tales, talk, the, THEORY Conni’s, THORP, tim, TRANSPACIFIC, twist, Undone LIVE, VAMPIRE, variety, WEDDING, what, WILLIAMSBURG PIRATE, winner, with, Wonderstruck, works, workshop, world, Xylor, york, YORK POP, Zahaykevich, Zimmerman
GRAND OPENING @ROULETTE – Laurie Anderson, Lou Reed and John Zorn/GRAND OPENING – COSA BRAVA featuring Fred Frith, Carla Kihlstedt, Zeena Parkins, Matthias Bossi, Shahzad Ismaily, and the Norman Conquest
Sat Sep 17 – 8:00 PM and Sun Sep 18 – 8:00 PM
Three legends of the New York Underground combine forces for an evening of extreme improvised music. “The most important multimedia artist of our time,”(LA Times), Laurie Anderson is best known for her multimedia presentations and musical recordings that have challenged and delighted audiences around the world for more than 30 years. Tonight Anderson teams up with husband Lou Reed – arguably one of the most influential musicians in rock history whose band, the Velvet Underground, redefined the music of the late ’60s. Also joining them tonight is maverick composer/performer and godfather of the Downtown New York scene, John Zorn.
Filed under: THE WEEK/THE WEEKEND | Tags: 2011, 826NYC The, 92nd, a, about, ABRONS, Alan’s, Alexis, Alive Mortified, Allan, almost, an, and, AND ROBERT, are, art, artist, Arvo, at, Atsuro, AUDREY, Awai, “The, Backroom, Baez, BALLROOM Sacred, BAM, BARBES PAINT, bell, benefit, BERNARD, BloK!:, broadway, building, Buildings Jazz, by, canonge, Canonical2011, Careening, CATTIN, center, CHAMBERLAIN, Childs, Cinema Breaking, CIRCUSAaron, city, clown, club, Cohan, COHEN, color, Comedy, community, Contemporary, Corporation, Creators”, curated, DANDAN, david, de, deborah, DECADES Aliza, DILLON–NINE, dixon, drawings, Drunken, early, EDMUNDS, Effective, egg, Eliazarov, emerging, england, EPIGRAPHS, Estéreo w, eugene, Eve, evening, Exhibition PITCH, EyeALIEN, FEEDFEED Nicole, fellowship, feminist, festival, Festival Mike, FestivalNow, film, for, FORDProject, FOUNEX EAF11, Freedom, from, gagosian, gallery, GALLERY Bomba, geeks, germany, Gershwin, gets, gowanus, GRAPHEMES, great, GRECO, group, GUEPIN Puppet, Habits, head, hector, Hempel, Highly, HOLLY, Hotel ANDREW, HOTELMOTEL, House Amoralists, Hundley, Huntington ARIAS, i, in, installation, is, ISCP, It…Color, james, Jean, joan, johnson, JUSTIN, Kenzo, Klabin, KONTRABAND, Landau, last, Le, lesbians, living, Lukoil, michael, Miller, Minami JAMES, Minday, Mind’s, Mirman, MOTEL, MOUNT, Moyer, muriel, my, Navegante and DJ, new, next, Nocturnal”, not, ny, nyc, o, ocean, of, of stillspotting, off, on, open, out, Paintings “We, paper, Parigi, part, PARTY Kevin, Paul, People Jeff, performance, peters, Photography Carrie, Photography EDWARD, Pictures Art, PLACE LJOVA, planet, Plus, poetry, poisson, presents, PRINTING O, profane, Prom, Promised, PUNCHED, Rama! Lesbians, Reddy, Reflections, RH, RHV, richard, Riley TABAIMO, Rip, RIVERS Lothar, Rockass, Rodolpho, Rooftops, rose, rouge, Rufus, science, secret, see, Seeing, SERRA, seven, Shapero This, show, six, Snøhetta, space, Spaces, Srikanth, st, station, stefanos, STEICHEN, stone, Suedehead The, SUNS, Sussman, Sustain Marc, symphony, the, theatre, the 2011, THEORY JOHN, to, tsivopoulos, twist, U, Undone LIVE, VAMPIRE, VIVIANBOND, VOGT, WALDEN), want, wave, WEDDING, were, with, work, works, Works IMAGINE, Writers According, Wuyts, Y The, york, you, Zhao
ARIAS WITH A TWIST @ABRONS ART CENTER.
September 14-October 16
Wednesday-Saturday | 8 pm
Saturday Late Show | 10:30 pm
Sunday | 7 pm
This updated version of the original deliriously madcap fantasy once again features the soaring song stylings of demented diva Joey Arias surrounded by an eye-popping theatrical extravaganza conjured by a team of puppeteers under the direction of Basil Twist. Channeling lurid celluloid dreams, macabre nightmares and bizarre premonitions, the adventure begins with an alien abduction and concludes with a stupendous Busby Berkeley-esque finale. Along the way, the throaty chanteuse belts out pop, rock and jazz standards in addition to some original tunes by Alex Gifford as Twist and company work their magic with vintage marionettes, anatomically correct puppets and fantastical scenic elements.
Filed under: INTERVIEWS | Tags: 22, 35mm, angeles, art, Ba-ra-kei: Ordeal by Roses, barcelon, BFA, bike, blue, Bovary, brooklyn, Canada, center, cereal, chong, colalge, collage, college, color, cutting, department, DESIGN, Eikoh, ephmera, ethan, film, Flaubert, form, Fritz, Frome, gallery, Gothic churches, green, Guido Reni, Hosoe, howtosplitanatom.com, hunt, illustration, ink, KCET, knif, letterpress, letters, local, los, madame, magazine, new, ny, nyc, of, of paper, old, ophelia, Orson Welles, painting, paper, Paul Rand, photography, press, presses, pressing, rep, Sauter, series, slide work, slides, slips, st. louis, station, surreal, the, three-speed, toronto, TV, typography, university, vandercook, webster, Wharton, work, x-acto, york, [Richard] Neutra
22: First the background questions, where did you grow up and how did you get involved with art?
OPHELIA CHONG:I grew up in the wilds of Canada, in the city of Toronto. I remember my first collage, in grade five; it was a collage made of magazine bits and it was blue and green. During my formative years I was an explorer, I would ride my bike from mid-town to the lake and back; I would disappear for a whole day, exploring the city on my three-speed bike. I quickly outgrew Toronto and packed up and left for Los Angeles. I went to the Art Center College of Design and graduated with a BFA in Painting. I am an adjunct professor there in the Photography Dept.
OPHELIA CHONG: I love seeing the possibilities of color. Of using the pieces of paper as paint, my X-acto knife the brush.
22: What about the fusion of collage and design appeals to you? Are they really just versions of the same thing?
OPHELIA CHONG: It’s all the same thing, I see it all as color and form, no matter what medium it is.
22: You also seem to have a penchant for typography and presses where did that start?
OPHELIA CHONG: Shapes, I love the curves of typography. When I was younger I would sit in class sketching serif fonts. I loved the thin with the thick, the swoosh and staccato of forms in typography. When I first used a Vandercook Press six years ago, I was hooked. I love the ink pressing into the paper, the randomness of where the letters fell onto pieces of ephemera that I put through the press. How each piece was a singular piece of art. Never to be repeated twice. I use only vintage magazines to print on, therefore each piece is non-repeatable.
22: Can you explain your 35mm slide work (surreal cereal) process a little? What inspired working with collage this way? Any specific artists?
22:Who are some of your favorite designers or artists in general?
OPHELIA CHONG:All art from the 16th – 18th century. Fritz Sauter ( a Swiss printmaker), 15th century Gothic churches, Orson Welles, Paul Rand, [Richard] Neutra, music for the clavichord, the flavor of the week and anything that makes me want to grab an X-acto knife.
22: How did you start working on the slips of paper series? What was your first collage for that?
OPHELIA CHONG: I started in 1999, but if I had to trace it back, since I could use scissors. I picked up a small Moleskine sketch book in 1999 and started sticking bits of paper in it to relieve the stress I was going through at my job as a Creative Director. I filled books and books with “slips of paper”, not really going towards an end goal, just to keep myself from the digital world. All my work is non-digital.
22: How do you balance your professional life with your artistic career, do the two ever clash? Or do they enhance each other?
OPHELIA CHONG: I melded both into one. I have a rep in NYC for my illustration, and I now have a studio that I sit in all day working. I love it. Work = Love = Happiness
22:What are you currently working on? Any upcoming projects?
OPHELIA CHONG: I am writing more, I write commentary for KCET ( a local TV station in Los Angeles) and for howtosplitanatom.com . I have work traveling from Barcelona to NYC, it will take 2 years to finish my travels. My letterpress work is at the Hunt Gallery at Webster University in St.Louis. My project now is to keep cutting paper and I know I will never tire of it; the only time I get into trouble is when I cut up something someone was still reading. Never leave anything you want to read around me, it just might end up in a collage.